Traditional, Modern & Contemporary ARt by PT. Balai Lelang Larasati

Bali, 21 October 2012

auctioneers Insights - Connections - Expertise

No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of Larasati.

ISBN 978-979-3774-33-6

Cataloguing-in-Publication Data

Traditional Modern & Contemporary Art Larasati, Bali, 21 October 2012

Jakarta, Indonesia: PT Balai Lelang Larasati 2012 pp. 21 x 27 cm includes index and biographies of artists I.Paintings - Asia. II. Painters - Asia. III. Title

AUCTION

Sunday, 21 October 2012 starting at 2 pm VIEWING

Friday, 19 October 2012 Saturday, 20 October 2012

11 am - 7.30 pm 11 am - 7.30 pm

at Agung Rai Museum of Art (ARMA) Jl. Raya Pengosekan, Ubud, Gianyar Bali - Indonesia

Sale Code

In sending written bids or making enquiries, this sale should be referred to as “REBAB” The sale will be conducted in English. Bidding is carried out in Indonesian Rupiahs. Please note that all US Dollar estimates are for reference only. US$ 1 = Rp 9.600 All sales are subject to the conditions printed in catalog and the buyer’s attention is drawn to this information.

Correspondence address: Indonesia: Jl. Pasuruan no. 9 Menteng, Jakarta 10310 Indonesia t. +62 21 315 8636, 315 6110 +62 855 101 5778 f. +62 21 3989 9533

Singapore: Thong Teck Building 15 Scotts Road #05 - 08/09 Singapore 228218 t. +65 6737 2130 f. +65 6737 1859

info@larasati.com www.larasati.com

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CONTENTS Guide for ProsPective Buyers

Bidder reGistration form

traditional, modern & contemPorary art

index of artists

BioGraPhy of the artists

aBsentee / Written Bid form

Guide for aBsentee Bidders

conditions of Business for Buyers

conditions of Business for seller

saleroom & offices

Front Cover: lot 73, Anton Huang, Legong Dancers Back Cover: lot 60, Sukada, Made, Rebab Players

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GUIDE FOR PROSPECTIVE BUYERS Buying at Auction The following pages are designed to give you useful information on how to buy at PT. Balai Lelang Larasati - herein referred to as LARASATI - fine art auction. Buyer’s Premium A buyer’s premium is payable by the buyer of each lot at a rate of 22% of the hammer price of the lot . 1. BEFORE THE AUCTION Pre-sale Estimates The pre-sale estimates are intended as a guide for prospective buyers. Any bid between the high and the low pre-sale estimates would, in our opinion, offer a fair chance of success. However, all lots, depending on the degree of competition, can realise prices either above or below the pre-sale estimates. Reserves The reserve is the minimum price the seller is willing to accept below which the lot will not be sold. Condition of Lots Prospective buyers are encouraged to inspect the property at the pre-sale exhibition. Solely as a convenience, Larasati may provide condition reports. The absence of reference to the condition of a lot in the catalog description does not imply that the lot is free from faults or imperfections. 2. THE AUCTION Conditions of Business The Auction is governed by the Conditions of Business printed in this catalog. These Conditions of Business apply to all aspects of the relationship between Larasati and actual and prospective bidders and buyers. Anyone considering bidding in the auction should read them carefully. They may be amended by way of notices posted in the saleroom or by way of announcement made by the auctioneer. Bidding at Auction Bids may be executed in person by paddle during the auction, in writing prior to the sale or by telephone. All auctions are conducted in Indonesian Rupiahs. Auction speeds vary, but usually average between 40 - 50 lots per hour. Consecutive and Responsive Bidding The Auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The Auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing consecutive or responsive bids for a lot. Bidding Increments Bidding generally opens below the low estimates and advances in the following increments:

Rp 1 - 2.000.000,- by Rp 100.000,Rp 2 - 5.000.000,- by Rp 2 - 3 - 400.000,Rp 5 - 10.000.000,- by Rp 500.000,Rp 10 - 20.000.000,- by Rp 1.000.000,Rp 20 - 50.000.000,- by Rp 2 - 3 - 4.000.000,Rp 50 - 100.000.000,- by Rp 5.000.000,Rp 100 - 200.000.000,- by Rp 10.000.000,Rp 200.000.000,- and above by Auctioneer’s direction However, the auctioneer may change the increments during the course of the auction at his or her discretion. Bidding in Person To bid in person at the auction, you will need to register for and collect a numbered paddle before the auction begins. Proof of identity will be required. The paddle is used to indicate your bids to the auctioneer during the sale. Should you be the successful buyer of any lot, please ensure that your paddle can be seen by the auctioneer and that it is your number that is called out. Should there be any doubts as to price or buyer, please draw the auctioneer’s attention to it immediately. All lots sold will be invoiced to the name and address in which the paddle has been registered and cannot be transferred to other names and addresses. Please do not mislay your paddle; in the event of loss please inform the Sales Clerk immediately. At the end of the sale, please return your paddle to the registration desk.

Successful Bids The fall of the auctioneer’s hammer indicates the final bid. The auctioneer will call out and record the name or “paddle” number of the buyer, if your written bid is successful, you will be notified immediately after the sale by post. Bidding may be reopened at the auctioneer’s discretion. Currency Conversion Bidding is carried out in Indonesian Rupiahs, but Larasati may provide a currency conversion board in the saleroom for the convenience of bidders. Please note that figures shown in foreign currencies are only approximates and do not represent exact exchange rates. Payment will be requested in Indonesian Rupiahs. 3. AFTER THE AUCTION Payment Payment must be made within seven calendar days of the sale and may be made by telegraphic transfer direct to Larasati’s account at CIMB Niaga Bank, Kota Branch, Jalan Kopi, Jakarta. Acc. No. 171-01-00189-00-1. Please include your name, Larasati’s account number and invoice number with your instructions to your bank. Payment can also be made in Indonesian Rupiahs cash, Indonesian Rupiahs banker’s drafts (drawn on a recognized Indonesian bank). Although personal and company cheques are accepted, you are advised that property will not be released until such cheques have cleared.

Absentee / Written Bids If you cannot attend the auction, we will be happy to execute written bids on your behalf. A bidding form can be found at the back of this catalog. This service is free and confidential. Lots will always be bought as cheaply as is consistent with other bids, the reserves and Larasati’s commission. In the event of identical bids, the earliest bid received will take precedence. Always indicate a “top limit”- the hammer price to which you would bid if you were attending the auction yourself. “Buy” and unlimited bids will not be accepted.

Collection Lots will be released to you or your authorized representative when full and cleared payment has been received by Larasati.

Telephoned absentee bids must be confirmed before the sale by letter or fax. Fax number for bids only: +62 21 3989 9533. The telephone number during viewing and auction days: +62 855 101 5778.

Storage and Insurance All purchases will initially be held for collection at the saleroom at no charge. Larasati provides insurance cover for a maximum of seven days after the sale. If purchases are not collected within the time stated in the catalog, they will be deposited in the warehouse and charges will be incurred.

To ensure satisfactory service to bidders, please ensure that we receive your bids at least 24 hours before the sale. Bidding by Telephone If you cannot attend the auction, it is possible to bid on the telephone on lots with a minimum low estimate of Rp 10.000.000,-. As the number of telephone lines is limited, it is necessary to make arrangements for this service 24 hours before the sale. We also suggest that you have a maximum bid which we can execute on your behalf in the event we are unable to reach you by telephone. Bilingual staff are available to execute bids for you.

Items retained will be covered by our insurance from the date of sale for a period of seven days or, if by then the goods have been collected, to the time of collection. After seven days or from the time of collection, whichever is the earlier, the lot will be entirely at the buyer’s risk.

Packing and Handling We shall use all reasonable effort to take care when handling and packing a purchased lot but remind the buyer that after seven days or from the time of collection, the lot is entirely at the buyer’s risk. Shipping Shipping can also be arranged on your behalf. You can also instruct the shipper of your choice, either immediately after the sale, if you are attending or in writing on the instruction form sent with our invoice.

LARASATI

Sale Number :________Paddle Number :______ Sale Date

:________ Client Number :______

BIDDER REGISTRATION FORM

(INVOICES CANNOT BE CHANGED ONCE THEY HAVE BEEN PRINTED) Bidders Details (Complete the details of the person who will be bidding in the Auction Room. When making a bid, prospective buyers will be accepting personal liability, unless it has been agreed in writing before the sale, that a bidder is acting as agent on behalf of a third party acceptable to LARASATI) Family Name : ________________________________ Given Name : __________________________________ Address

_______________________________________________________Postcode

______________

IC/Pasport No. : _____________________Mobile/Pager No. : __________________email: _____________________ Office phone No. : ___________________Home phone No. : ________________Fax No. : ___________________ _ BANK REFERENCES : Name of Bank & Branch : _______________________________________________________________ Account

No.

____________________________Contact

Name

_________________________________

Tel No. : _______________________________________ Fax No. : ________________________________ Credit Card No. : __________________________Type / Expire Date : __________________________________ OTHER REFERENCES : Name

_____________________________________Address

Tel No. : ____________________________________Fax

__________________________________

No. : ___________________________________

Please register me for the following session : LARASATI Traditional, Modern & Contemporary Art • I have read the conditions of business and notices printed in the sale catalog and agree to be bound by them. • I agree to be bound by notices announced by auctioneer or posted in the sale room by the way of notice. • I authorise Larasati to request bank references relating to the account(s) specified by me in the above. • I authorise Larasati to fax invoices to (fax) : __________________________Signature___________________ Signature : ______________________________________ Date : ________________________________________ Bidders are reminded that the purchase price payable by the successful bidder shall be the aggregate of the final bid and a premium of 22% of the hammer price of each lot. Please note that a late charge is specified in the Conditions of Business in each catalogue and is subject to change without separate notice. PAYMENT FOR PURCHASE CAN BE MADE IN CASH, BANK TRANSFER OR CHEQUE IN FAVOUR OF LARASATI. GOODS CAN BE COLLECTED ONLY WHEN PAYMENT HAS CLEARED. LARASATI DOES NOT ACCEPT CREDIT CARDS AS PAYMENT FOR PURCHASE. AFTER THE HAMMER IS DOWN, LARASATI WILL NOT ACCEPT CANCELLATION.

LARASATI Correspondence address : Jl. Pasuruan no . 9, Menteng - Jakarta Pusat, Jakarta 10310 - Indonesia Tel. +62 21 315 8636, 315 6110, +62 855 101 5778

Fax. +62 21 3989 9533

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LARASATI Bali, 21 October 2012 starting at 2 pm

lot # 1 - 73

Private Property of a Swiss Gentleman Lot 1-12

1 SUKADA, MADE

(Ubud, Bali, Indonesia, 1945 - 1982)

Portrait of a Balinese Woman 1975 pastels on paper 43 x 32 cm

signed and dated (lower left)

Rp 1 - 2.000.000 US$ 104 - 208 Provenance: Acquired from the artist by father of the present Swiss owner

2 TOMBLOS, I KETUT

(b. Batuan, Ubud, Bali, Indonesia, 1917)

Bali Life

ink on paper 33 x 23 cm Rp 5 - 7.000.000 US$ 520 - 729 Provenance: Acquired from the artist by father of the present Swiss owner

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3 KICEN, I MADE

(Batuan, Bali, Indonesia, ca. 1920s - ....)

Ngaben

ink on paper 42 x 25 cm Rp 1 - 2.000.000 US$ 104 - 208 Provenance: Acquired from the artist by father of the present Swiss owner

4 KICEN, I MADE

(Batuan, Bali, Indonesia, ca. 1920s - ....)

Temple Festival ink on paper 42 x 25 cm

Rp 1 - 2.000.000 US$ 104 - 208 Provenance: Acquired from the artist by father of the present Swiss owner

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5 BENDI, I WAYAN

(b. Batuan, Bali, Indonesia, 1950)

Daily Life in Bali acrylic on paper 34 x 52 cm

signed (lower left),signed again on the reverse

Rp 2 - 3.000.000 US$ 208 - 312 Provenance: Acquired from the artist by father of the present Swiss owner

6 BENDI, I WAYAN

(b. Batuan, Bali, Indonesia, 1950)

Barong Performance 1979 acrylic on paper 25 x 37 cm

signed (lower left), signed and dated on the reverse.

Rp 2 - 3.000.000 US$ 208 - 312 Provenance: Acquired from the artist by father of the present Swiss owner

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7 WIDJA, IDA BAGUS MADE

8 WIDJA, IDA BAGUS MADE

Bali Festival

(Batuan, Bali, Indonesia, 1912 - 1992) acrylic on paper 28.5 x 46 cm

signed (lower left), inscribed with Balinese characters on the reverse.

Rp 3 - 4.000.000 US$ 312 - 416 Provenance: Acquired from the artist by father of the present Swiss owner

(Batuan, Bali, Indonesia, 1912 - 1992) 1976 acrylic on paper 31 x 52 cm

signed (lower right), inscribed with Balinese characters, signed and dated on the reverse.

Rp 3 - 4.000.000 US$ 312 - 416 Provenance: Acquired from the artist by father of the present Swiss owner

9 PADMA, IDA BAGUS PUTU (b. Bali, Indonesia, 1972)

Village Life in Bali acrylic on paper 34 x 52 cm signed (lower right)

Rp 1.5 - 2.500.000 US$ 156 - 260 Provenance: Acquired from the artist by father of the present Swiss owner

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10 RAI, IDA BAGUS NYOMAN

(Sanur. Bali, Indonesia, 1915 - 2000)

Scene from Rajapala ink on paper 55 x 76 cm

Rp 3 - 4.000.000 US$ 312 - 416 Provenance: Acquired from the artist by father of the present Swiss owner

11 RAI, IDA BAGUS NYOMAN

(Sanur. Bali, Indonesia, 1915 - 2000)

Pentas Sendratari ink on paper 55 x 76 cm

Rp 3 - 4.000.000 US$ 312 - 416 Provenance: Acquired from the artist by father of the present Swiss owner

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12 RAI, IDA BAGUS NYOMAN

(Sanur. Bali, Indonesia, 1915 - 2000)

Puppet Show

acrylic on canvas 86 x 147 cm signed (lower left)

Rp 18 - 23.000.000 US$ 1,875 – 2,300 Provenance: Acquired from the artist by father of the present Swiss owner

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Flora & Fauna

13 TUBUH, MADE

(b. Batuan, Ubud, Bali, Indonesia, 1941)

Tantri

acrylic, Chinese ink on canvas 44 x 68 cm signed (lower right)

Rp 8 - 11.000.000 US$ 833 – 1,145

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14 SUPARTHA, I MADE

(b. Gianyar, Bali, Indonesia, 1954)

Harmony

2012 acrylic on paper 73 x 53 cm

signed and dated (lower left)

Rp 12 - 15.000.000 US$ 1,250 â&#x20AC;&#x201C; 1,562

15 PENDET, I WAYAN

(b. Peliatan, Ubud, Bali, 1939)

Kehidupan Bawah Laut acrylic on canvas 70 x 80 cm signed (lower right)

Rp 7 - 9.000.000 US$ 729 - 937 15

16 RUNGUN, DEWA KETUT

(Padang Tegal, Ubud, Bali, Indonesia, 1922 - 1986)

Secret Garden

acrylic on canvas 82 x 59 cm signed (lower right)

Rp 55 - 65.000.000 US$ 5,720 – 6,770

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Mythology

17 MADRA, I KETUT

(b. Pengosekan, Ubud, Bali, Indonesia, 1945)

Sita Satya

acrylic on canvas 103 x 103 cm signed (lower left)

Rp 25 - 30.000.000 US$ 2,600 – 3,125 Literature & Exhibition: Songs of Ubud, Agung Rai Museum, Bali, 19 June - 11 July 2010. Illustrated in colour on exhibition catalogue, p. 31

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18 SUGI, I DEWA PUTU

(b. Pengosekan, Ubud, Bali, Indonesia, 1931)

Kumbakarna

acrylic, pencil on canvas 80 x 65 cm

signed and stamped (lower right)

Rp 10 - 13.000.000 US$ 1,040 – 1,350

19 TJITA, I DEWA NYOMAN

(b. Ubud, Bali, Indonesia, 1927)

Scene from Mahabarata acrylic on canvas 56 x 77 cm signed (lower right)

Rp 10 - 13.000.000 US$ 1,040 – 1,350 18

20 ASTA, I WAYAN

(b. Taman Kaja, Ubud, Bali, Indonesia, 1954)

Tari Kecak

2011 acrylic on canvas 100 x 140 cm

signed and dated (lower left)

Rp 35 - 45.000.000 US$ 3,645 – 4,680

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21 DING, DEWA KETUT

22 SENA, IDA BAGUS PUTU

Mahabarata

Mythical Goddess

(Padangtegal, Gianyar, Bali, Indonesia, 1920 - Bali, Indonesia 1996) acrylic on canvas 47 x 65 cm Rp 12 - 15.000.000 US$ 1,250 – 1,5620 This lot is accompanied with certificate by MUSEUM NEKA, Ubud, Bali.

(b. Tebesaya, ubud, Bali, Indonesia, 1966) 2003 acrylic on canvas 86 x 47 cm

signed (lower left), signed and dated on the reverse

Rp 70 - 90.000.000 US$ 7,290 – 9,375

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Bali Life

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23 GALANG, I WAYAN

24 KRESNA KEPAKISAN, I GUSTI NGURAH AGUNG

acrylic on canvas 63 x 108 cm

Colourful Landscape of Bali

Perayaan di Pura signed (lower right)

Rp 12 - 15.000.000 US$ 1,250 – 1,560 Provenance: Previously in the collection of Cecily Johnston, USA.

(b. Campuan, Ubud, bali, Indonesia, 1947) 1993 oil on canvas 99 x 64 cm

signed and dated (lower right)

Rp 17 - 22.000.000 US$ 1,770 – 2,290

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25 KALER, I WAYAN

(b. Ubud, Bali, Indonesia, 1965)

Melasti Procession 2012 acrylic on canvas 40 x 60 cm

signed and dated (lower right)

Rp 6 - 8.000.000 US$ 625 - 833

26 TAPA, I NYOMAN

(b. Sayan, Ubud, Bali, Indonesia, 1959)

Preparing Temple Festival acrylic on canvas 50 x 60 cm signed (lower left)

Rp 10 - 13.000.000 US$ 1,040 – 1,350

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27 RAPET, I WAYAN

(b. Tebesaya, Ubud, Bali, Indonesia, 1941)

Scene from Rajapala acrylic on canvas 90 x 129 cm signed (lower right)

Rp 9 - 11.000.000 US$ 937 – 1,145

28 SUARTA, I NYOMAN

(b. Ubud, Bali, Indonesia, 1962)

Upacara di Pura 2003 acrylic on canvas 75 x 60 cm

signed and dated (lower right)

Rp 8 - 11.000.000 US$ 833 – 1,145 28

29 PANDA, IDA BAGUS KETUT (b. Batuan, Ubud, Indonesia, 1941)

Tarian dan Upacara di Bali 2008 acrylic on canvas 100 x 145 cm

signed and dated (lower right)

Rp 15 - 18.000.000 US$ 1,560 – 1,875

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30 RAKA PUJA, ANAK AGUNG GEDE

(b. Padang Tegal, Ubud, Bali, Indonesia, 1932)

Market in Bali

2002 acrylic on canvas 90 x 60 cm

signed and dated (lower right)

Rp 30 - 40.000.000 US$ 3,125 â&#x20AC;&#x201C; 4,160

31 LESUG, I NYOMAN

(b. Ubud, Bali, Indonesia, 1939)

Pasar

2011 acrylic on canvas 80 x 90 cm

signed and dated (lower right)

Rp 25 - 30.000.000 US$ 2,600 – 3,125

32 SUDANA, I KETUT

(b. Ubud, Bali, Indonesia, 1937)

Penjual Buah

2006 acrylic on canvas 95 x 65 cm

signed and dated (lower right)

Rp 12 - 15.000.000 US$ 1,250 – 1,560 32

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33 RASNA, I MADE

(b. Ubud, Bali, Indonesia, 1980)

Melasti Procession acrylic on canvas 90 x 110 cm signed (lower left)

Rp 18 - 23.000.000 US$ 1,875 – 2,395

34 LESUG, I NYOMAN

(b. Ubud, Bali, Indonesia, 1939)

Panen Padi

acrylic on canvas 2006 50 x 65 cm

signed and dated (lower right)

Rp 15 - 18.000.000 US$ 1,560 – 1,875 Exhibition: Songs of Ubud, Agung Rai Museum, Bali, 19 June - 11 July 2010. Illustrated in colour on exhibition catalogue, p. 41

35 SUPARTHA, I WAYAN

(b. Peliatan, Ubud, Bali, Indonesia, 1971)

Suasana Pasar di Bali 2012 acrylic on canvas 69 x 90 cm

Rp 10 - 13.000.000 US$ 1,040 – 1,350

36 MENDUR, I NYOMAN

(b. Peliatan, Ubud, Bali, Indonesia, 1942)

Ngaben

acrylic on canvas 88 x 40 cm signed (lower centre)

Rp 9 - 12.000.000 US$ 937 – 1,250 36

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37 RAI, IDA BAGUS

38 PENDET, I WAYAN

Penggembala Itik

Tanam Padi

(Ubud, Bali, Indonesia, 1933 - 2007) acrylic on canvas 101 x 37 cm signed (lower left)

Rp 12 - 15.000.000 US$ 1,250 – 1,560 37

Exhibition: Soaring Spirit, Neka Art Museum, Bali, 22 July - 22 August 2007. Illustrated in colour on exhibition catalogue, p. 32, 35

(b. Peliatan, Ubud, Bali, 1939) acrylic on canvas 78 x 34 cm signed (lower right)

Rp 9 - 12.000.000 US$ 937 – 1,250

39 GALUH, NI GUSTI AGUNG

(b. Kapal, Ubud, Bali, Indonesia, 1968)

Morning in the Village acrylic on canvas 60 x 80 cm signed (lower right)

Rp 35 - 45.000.000 US$ 3,640 – 4,680

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Musics & Dances of Bali

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40 RUDIN, I KETUT

41 SUKADANA, I WAYAN

Tari Legong

Tari Baris

(Renon, Sanur, Bali, Indonesia, 1918 - ....) chinese ink and gold ink on paper 38 x 28 cm signed (lower left)

Rp 3 - 4.000.000 US$ 312 - 416

(Padangtegal, Ubud, Bali, Indonesia, 1962 - 2004) 2000 acrylic on paper 38 x 28 cm

signed and dated (lower right)

Rp 1.5 - 2.500.000 US$ 156 - 260

42 GINARSA, I KETUT

(b. Tebesaya, Ubud, Bali, Indonesia, 1953)

Tari Gebyug

acrylic on canvas 110 x 150 cm signed (lower right)

Rp 45 - 55.000.000 US$ 4,680 – 5,720

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43 KAYUN, I NYOMAN

44 SUARSA AR, I MADE

Kecak Dance Performing Rama and Shinta

Tari Barong

(b. Banjar Tengah, Peliatan, Ubud, Bali, Indonesia, 1954) acrylic on canvas 50 x 39 cm signed (lower right)

Rp 45 - 55.000.000 US$ 4,680 – 5,720

(b. Banjar Kutuh Kaja, Petulu, Ubud, Bali, Indonesia, 1965) acrylic on canvas 150 x 100 cm signed (lower right)

Rp 45 - 55.000.000 US$ 4,680 – 5,720

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45 MENDUR, I NYOMAN

(b. Peliatan, Ubud, Bali, Indonesia, 1942)

Tari Joged

acrylic on canvas 41 x 32 cm signed (lower side)

Rp 7 - 9.000.000 US$ 729 - 937

46 SUBALON, I MADE

(b. Tebesaya, Ubud, Bali, Indonesia, 1955)

Tari Sunda Pisunda 2009 acrylic on canvas 60 x 50 cm

signed and dated (lower left)

Rp 6 - 8.000.000 US$ 6245 - 833 46

47 DJUJUL, I WAYAN

(b. Tebesaya, Ubud, Bali, Indonesia, 1942)

Tari Legong

acrylic on canvas 65 x 48 cm signed (lower left)

Rp 18 - 25.000.000 US$ 1,875 – 2,600

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48 SUDANA, I WAYAN

(b. Peliatan, Ubud, Bali, Indonesia, 1966)

Tari Baris

acrylic on canvas 120 x 90 cm signed (lower centre)

Rp 27 - 35.000.000 US$ 2,810 â&#x20AC;&#x201C; 3,645

49 MATRA, I WAYAN

(b. Ubud, Bali, Indonesia, 1962)

Hanoman dan Sita 2000 acrylic on canvas 80 x 110 cm

signed and dated (lower right)

Rp 35 - 45.000.000 US$ 3,645 – 4,680

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50 SENA, IDA BAGUS PUTU

(b. Tebesaya, ubud, Bali, Indonesia, 1966)

Calon Arang

2003 acrylic on canvas 94 x 112 cm

signed (lower left), signed and dated on the reverse

Rp 80 - 110.000.000 US$ 8,330 – 11,450

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Homage to Bonnet

51 RIDI, I NYOMAN

52 KASTA, I KETUT

Three Women

Panen Padi

(b. Penestanan, Ubud, Bali, Indonesia, 1945) 2006 acrylic on canvas 80 x 69 cm

signed and dated (lower right)

Rp 15 - 18.000.000 US$ 1,560 – 1,875

(b. Peliatan, Ubud, Bali, Indonesia, 1945) 2012 acrylic on canvas 125 x 70 cm

signed and dated (lower right)

Rp 30 - 35.000.000 US$ 3,120 – 3,645

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53 SADIA, I WAYAN

(b. Penestanan, Ubud, Bali, Indonesia, 1942)

Early Catch

acrylic on canvas 150 x 200 cm signed (lower left)

Rp 45 - 55.000.000 US$ 4,680 â&#x20AC;&#x201C; 5,720

54 SADIA, I WAYAN

(b. Penestanan, Ubud, Bali, Indonesia, 1942)

Panen

acrylic on canvas 150 x 150 cm

signed (lower left), signed on the reverse

Rp 25 - 35.000.000 US$ 2,600 – 3,634 This lot is accompanied with certificate by the artist.

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55 SADIA, I WAYAN

(b. Penestanan, Ubud, Bali, Indonesia, 1942)

Songs of the Ocean acrylic on canvas 100 x 300 cm signed (lower right)

Rp 60 - 80.000.000 US$ 6,250 â&#x20AC;&#x201C; 8,330

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Old Masters 56 NADERA, IDA BAGUS MADE

(Tegallinggah, Bali, Indonesia, 1905 - 1998)

Nonton Wayang acrylic on canvas 95 x 125 cm

signed (lower right), signed on the reverse

Rp 18 - 25.000.000 US$ 1,875 – 2,600

57 DEBLOG, I GUSTI

(Denpasar, Bali, Indonesia, 1906 - 1986)

Chatting under the Tree tempera on canvas

signed (lower right), inscribed (verso)

Rp 16 - 19.000.000 US$ 1,660 – 1,970

58 KOBOT, I GUSTI KETUT

(Pengosekan, Gianyar, Bali, Indonesia, 1917 - 1999)

Hanoman Swallows the Sun-God

tempera on cloth laid down on canvas 74 x 57 cm Rp 50 - 70.000.000 US$ 5,200 – 7,290 57

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59 SOBRAT, ANAK AGUNG GEDE

(Padangtegal, Ubud, Bali, Indonesia, 1911 - 1992)

Ngaben Procession 1991 Acrylic on canvas 100 x 60 cm

signed and dated (lower left)

Rp 130 - 160.000.000 US$ 13,550 - 16,7000

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60 SUKADA, MADE

(Ubud, Bali, Indonesia, 1945 - 1982)

Rebab Players

1975 acrylic on canvas 90 x 69 cm

signed and dated (lower right), inscribed on the reverse.

Rp 60 - 80.000.000 US$ 6,250 – 8,330 Provenance: Private Collection, Australia.

Excerpts from the review on I Made Sukada’s solo exhibition at the Sanur Beach Hotel by C. F. Lorange

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Modern & Contemporary Art

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61 SADIA, I KETUT

(b. Batuan, Bali, Indonesia, 1966)

Sidang Wakil Rakyat Negeri Antahberantah 2012 acrylic on canvas 93 x 143 cm

signed (lower right), signed and dated on the reverse.

Rp 18 - 25.000.000 US$ 1,875 â&#x20AC;&#x201C; 2,600 This work is among the finalists UOB Award 2012

62 DIANA, WAYAN

(b. Batuan, Ubud, Bali, Indonesia, 1977)

Pasukan Hanoman Menyerbu Metropolitan 2011 acrylic on canvas 98 x 149 cm

signed lower centre), signed and dated on the reverse

Rp 17 - 22.000.000 US$ 1,770 – 2,290 This work is among the finalists UOB Award 2012

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63 STEFAN BUANA

(b. Padang Panjang, W. Sumatra, Indonesia, 1971)

Mengenang Kampung 2002 acrylic on canvas 150 x 100 cm

signed and dated (lower right), inscribed on the reverse

Rp 18 - 23.000.000 US$ 1,875 â&#x20AC;&#x201C; 2,395

64 MOKOH, I DEWA PUTU

(Ubud, Bali, Indonesia, 1936 - 2010)

Three Dancers

2000 tempera on canvas 40 x 60 cm

signed (lower right), inscribed (verso)

Rp 7 - 9.000.000 US$ 729 - 937 64

65 PUPUK DARU PURNOMO (b. Yogyakarta, Indonesia, 1964)

Siteran

1996 oil on canvas 62 x 74 cm

signed and dated (lower side), inscribed, signed and dated on the reverse

Rp 15 - 18.000.000 US$ 1,560 – 1,875

66 RUDY PRANADJAYA

(Cirebon, W. Java, Indonesia, 1948 - Bandung, W. Java, Indonesia, 2006)

Nude

1977 105 x 80 cm

signed and dated (lower left and lower right)

Rp 5 - 7.000.000 US$ 520 - 729 66

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67 KRIYONO

(Jakarta, Indonesia, 1951 - 2011)

Merak Putih Mencari Cinta 2005 oil on canvas 140 x 140 cm

signed, inscribed, and dated (lower right)

Rp 35 - 45.000.000 US$ 3,645 â&#x20AC;&#x201C; 4,680

68 WIRADANA, I MADE

(b. Denpasar, Bali, Indonesia, 1968)

Lover

2011 mixed media on canvas 80 x 100 cm signed and dated (lower right)

Rp 12 - 15.000.000 US$ 1,250 – 1,560

69 BUDIANA, MADE

(b. Denpasar, Bali, Indonesia, 1959)

Ngaben

1998 gouache on paper 55 x 75 cm

signed and dated (lower left)

Rp 5 - 7.000.000 US$ 520 - 729

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70 MARSA, I NYOMAN (b. Bali, Indonesia, 1952)

Menenun

2012 65 x 55 cm

signed and dated (lower centre)

Rp 9 - 12.000.000 US$ 937 – 1,250

71 YUDI SUSANTO (ANTOK)

(b. Magelang, Central Java, 1969)

The Last Pray

2010 acrylic on canvas 65 x 75 cm

signed and dated (lower right)

Rp 9 - 12.000.000 US$ 937 – 1,250

72 GUNARSA, NYOMAN

(b. Klungkung, Bali, Indonesia, 1944)

In front of the Temple Gate 1973 oil on canvas 90 x 70 cm

signed and dated (lower right)

Rp 28 – 35.000.000 US$ 2,910 – 3,645 71

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73 ANTON HUANG

(Bandung, Indonesia, 1935 - 1984)

Legong Dancers

1974 oil and gold leaf on canvas 84 x 82 cm signed and dated (upper right)

Rp 280 - 350.000.000 US$ 29,160 – 36,450 Acquired from the present Australian owner from NEKA Gallery in 1978

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INDEXÂ OFÂ ARTIST the number following the name of the artists indicates lot numbers 61 53,54,55 22,50 59 63 28 44 46 32 48 18 1,60 41 14 35

73 20

Bendi, I Wayan Budiana, Made

5,6 69

Deblog, I Gusti Diana, Wayan Ding, Dewa Ketut Djujul, I Wayan

57 62 21 47

Galang, I Wayan Galuh, Ni Gusti Agung Ginarsa, I Ketut Gunarsa, Nyoman

23 39 42 72

Kaler, I Wayan Kasta, I Ketut Kayun, I Nyoman Kicen, I Made Kobot, I Gusti Ketut Kresna Kepakisan, I Gusti Ngurah Agung Kriyono

25 52 43 3,4 58 24 67

Tapa, I Nyoman Tjita, I Dewa Nyoman Tomblos, I Ketut Tubuh, Made

26 19 2 13

Widja, Ida Bagus Made Wiradana, I Made

7,8 68

31,34

Yudi Susanto (Antok)

Lesug, I Nyoman Nadera, Ida Bagus Made

Madra, I Ketut Marsa, I Nyoman Matra, I Wayan Mendur, I Nyoman Mokoh, I Dewa Putu

17 70 49 36,45 64

Padma, Ida Bagus Putu Panda, Ida Bagus Ketut Pendet, I Wayan Pupuk Daru Purnomo

9 29 15,38 65

Rai, Ida Bagus Rai, Ida Bagus Nyoman Raka Puja, Anak Agung Gede Rapet, I Wayan Rasna, I Made Ridi, I Nyoman Rudin, I Ketut Rudy Pranadjaya Rungun, Dewa Ketut

Sadia, I Ketut Sadia, I Wayan Sena, Ida Bagus Putu Sobrat, Anak Agung Gede Stefan Buana Suarta, I Nyoman Suarsa AR, I Made Subalon, I Made Sudana, I Ketut Sudana, I Wayan Sugi, I Dewa Putu Sukada, Made Sukadana, I Wayan Supartha, I Made Supartha, I Wayan

Anton Huang Asta, I Wayan

37 10,11,12 30 27 33 51 40 66 16

BIOGRAPHIES OF THE ARTISTS Anton Huang (Bandung, W. Java, Inonesia, 1935 - 1984) He began his studies in painting at the age of twenty-one under the guidance of Kartono Yudhokusumo at Sanggar Seniman (Artist’s Society) and then with Barli. He took part in joint exhibitions in Jakarta, Bandung and Surabaya in 1959. He moved to Bali in 1969, and developed strong contacts with European artists. Exhibitions of his works were held in Indonesia, Denmark, Stuttgart, and Netherlands. His first solo exhibition was held in Jakarta in 1973. Asta, I Wayan (b. Taman Kaja, Ubud, Bali, Indonesia, 1954) He began seriously learning to paint in 1967, under the guidance of his uncle, I Nyoman Meja, a famous Ubud painter. He has been awarded as a Finalists at National Painting Competitions by Indofood Art Awards, 2002, and Indonesia Philip Morris Art Awards 1997. Asta was also selected in 1994 to participated in Jakarta International Fine Art Exhibition. He was also participated in exhibitions at Taman Budaya Art Center in Denpasar, Bali. Asta’s works are collected by prominent collectors and many museums, including Indofood Art Museum-Jakarta, founded by Eva Riyanti Hutapea, when she was CEO of PT. Indofod Sukses Makmur Corporation. Bendi, I Wayan (b. Batuan, Bali, Indonesia, 1950) He comes from a family artists. He learnt to paint from his father, I Wayan Taweng. Bendi’s Balinese style painting has its roots in the Batuan style which emerged in the 1930s. Under his treatment, the elaborate and moody schema of the Batuan style, traditionally applied to mythical themes, is applied to comment on contemporary Balinese life where traditions and tourist consumerism of Balinese culture warily meet. Budiana, I Made (b. Denpasar, Bali, Indonesia, 1959) He studied painting at Faculty of Fine Art and Design ISI (Institut Seni Indonesia) Yogyakarta. He has participated in many group exhibitions in Denpasar, Yogyakarta, and USA. His solo exhibition was first held in the Northern Territory Museum of Art and Sciences, Darwin, Australia. Among the awards won are from Indonesia Ministry of Education and Culture in 1978, ASRI Yogyakarta in 1980, and Pattisara Affandi Adhi Karya from ASRI Yogyakarta in 1985 – 1986. Deblog, I Gusti Made (Denpasar, Bali , Indonesia, 1906 - 1986) When he was 25 years old he started studying to paint from Yap Sin Tin. He joined the Pita Maha organization in 1940. In 1975 he joined Himpunan Pelukis Indonesia ‘Bali Citra’ and has joined several exhibitions with the group afterwards. He received several awards from the government. Diana, I Wayan (b. Batuan, Ubud, Bali, Indonesia, 1977) Learning to paint with guidance from his brother I Wayan Bendi. He has exibited in several galleries in Bali. In Jakarta he has exhibited at CSIS (Centre of Strategic and International Studies). Ding, Dewa Ketut (Padangtegal, Gianyar, Bali, Indonesia, 1920 - Bali, Indonesia 1996) He Studied under artists Walter Spies and Rudolf Bonnet. He was a member of the Pitamaha artists’ association. First etched illustrations on dried lontar (palmyra palm) leaves before he began painting on cloth. His works are based on literary themes and the natural world. In 1991 he was recognized by the regional government of Bali as a senior artist during the 13th Annual Bali Arts Festival in Denpasar. He received Wija Kusuma award in 1990 and Dharma Kusuma award in 1992. He has participated in exhibitions in Indonesia (Museum Nasional, Jakarta) in 1995 and in Japan (Indonesia-Japan Friendship Festival, Morioka, Tokyo) in 1997. Djudjul, I Wayan (b. Tebesaya, Ubud, Bali, Indonesia, 1942) He studied art in Institute Technology of Bandung’s Art Department in 1960s. During his study in Bandung, his workks were influenced by modern art. He was in the same class with Sam Bimbo and Umi Dachlan. In 1969, he went back to Ubud (Bali) where he began exploring the Ubud traditional style that he had left forsometime but still considered as the root of his style. Djudjul shares the same passion on details with the pupils, among whom are I Wayan Tangkas, I Made Adi Antara and I Wayan Aryana Supartha. He married his deceased brother’s, I Ketut Djodjol’s, widow. Galuh, Ni Gusti Agung (b. Kapal, Ubud, Bali, Indonesia, 1968) She learned painting from her father, a well known artist from the village of Kapal, West Bali and also from Walter Spies, from which she learned a lot about the use of color shade and light. In 1995, she was invited to Koln, Germany from where she continued to travel to Europe, visiting museums and galleries to learn about European traditions of arts. She actively participated in many group exhibitions in Germany, Hong Kong, Singapore and Indonesia. since 1991. Ginarsa, I Ketut (b. Tebesaya, Ubud, Bali, Indonesia, 1953) He learned painting from I Wayan Djudjul from 1970-1973. His works predominantly illustrated the Goddess of Saraswati. This figure then is presented in numerous scenes. When participating in an exhibition at Bentara Budaya Jakarta in 1985, he featured Saraswati celebrating a baby’s 100 days celebration. In this picture, cheerful atmosphere is depicted with flying butterflies and blooming lotus. Dove as the symbol of peace added to complete the painting. His colours were inspiring. Beside Saraswati, Ginarsa also explores variety of subject including barong, legong dance, baris dance and Balinese daily live. He has joined many exhibitions such as Selaksa Daya Rupa in Jakarta in 2002. He has a potential pupil, I Nyoman Nurtika.

Gunarsa, I Nyoman (b. Klungkung, Bali, Indonesia, 1944) He graduated from STSRI “ASRI” / Indonesian College of Fine Arts, Yogyakarta in 1976 and worked as a lecturer at ISI / Indonesian Institute of the Arts, Yogyakarta from 1967 to 1994. In 1970, Gunarsa was one of the co-founders of Sanggar Dewata Indonesia. He has received numerous awards since the 1960s, including the Pratisara Affandi Adhi Karya from STSRI “ASRI” Yogyakarta in 1976; Best Painting Award at the Indonesian Painting Biennial in 1978 and 1980; Lempad Prize awarded by Sanggar Dewata Indonesia in 1980; and the Dharma Kusuma awarded by the Governor of Bali. Gunarsa has participated in dozens of exhibitions throughout Indonesia, Japan, Malaysia, Singapore, Australia, USA, Germany, The Netherlands, France and Italy. He has founded two museums: the Museum of Contemporary Indonesian Painting, Yogyakarta which opened in 1989, and the Museum of Classical Balinese Painting in Klungkung, Bali which opened in 1994. Kaler, I Wayan (b. Ubud, Bali, Indonesia, 1965) He sees I Wayan garung and Gerebig as his early mentors. However, his mingling with senior figures of the Young Artist school like I Made Sinteg and I Ketut Soki, has caused his painting to absorb distintive influences. His paintings integrate the naive Sinteg and Soki styles. the detailed and intricate Ubud style, and the modern style with its attentiveness to perspective. His works are cheerful in colors, yet tranquil in moods. The Fusion that Kaler invents attracts other painters to follow. This Kalerism was attractive to Bali art market in the late 1990s; the demand was high among cultural tourist. His works have been exhibited in Bai, jakarta and other cities abroad Kasta, I Ketut (b. Peliatan, Ubud, Bali, Indonesia, 1945) After graduated from elementary school, he learned painting under the guidance of I Ketut Djodjol from Tebesaya. Kasta works evidently show his characteristic and became an important element of Balinese traditional art scene. His subjects lingered around the daily life of Bali such as the market scene, legong dance barong, women doing bebanten or weaving cili-cili: all illustrated meticulously. His figures were drawn in wayang’s anatomy of elongated hands and feet in slender body. The impression of his figure is innocent. Some of his pupils are I Ketut Sundra, Ida Bagus Sugata, I wayan Joni and also his son, I Made Sudiarta. His works are exhibited in Bali, Jakarta, Singapore and various European cities. Kayun, I Nyoman (b. Banjar Tengah, Peliatan, Ubud, Bali, Indonesia, 1954) He learned carving from I Wayan Alip in 1962. A year later, he learned painting fro I Gusti Made Kwanji. Tutorial lesson on art once received from Rudolf Bonnet, especially on colour and composition. He once participated in group exhibitions since 1970s, including the exhibitions in Balai Desa Peliatan, Lembaga Indonesia-Amerika in Surabaya, Museum Puri Lukisan (Ubud), Bali Museum (Denpasar) and Bentara Budaya Jakarta. Kicen, I Made (Batuan, Bali, Indonesia, ca. 1920s-....) Known as a consistently black and white painter. The Phillosophy of black and white refered to the idea of Poleng (black and white), motif for cloth that signifies the contrast between black and white, darkness and light, day and night, virtue and evil. Kicen began his painting career in the 1940s. His early work are in ink on paper. Now he paints on canvas that he prepares himself. Kobot, I Gusti Ketut (Pengosekan, Gianyar, Bali, Indonesia, 1917 - 1999) He learned painting at Puri Peliatan from Tjokorda Oka Gambir. In 1936, Bonnet taught him. He was also a member of Piita Maha and Ubud Painters Group. In 1978, he was awarded Certificate of Wijaya Kusuma from the regency of Gianyar. Kresna Kepakisan, I Gusti Agung Ngurah (b. Campuan, Ubud, bali, Indonesia, 1947) His works are often exhibited in Bali and Jakarta. He pursues his artistic career in Ubud, not in his home village, together with his siblings Wiranata and Galuh. Recently one of his works appeared on the cover of the Museum Puri Lukisan exhibition catalog. Krijono (Jakarta, Indonesia, 1951 - 2011) Born into an artist family, his father was a painting collector who owned the Harris Art Gallery and his mother owns a batik factory. In 1970, he studied at the Indonesian Fine Art Academy (Akademi Seni Rupa Indonesia/ASRI) Yogyakarta. His art works are often brightly colored and expressive with his own flamboyant personality Lesug, I Nyoman (b. Kutuh, Ubud, Bali, Indonesia, 1939) Started painting since 1953 under Ida Bagus Rai’s tutorial. Beside as a painter, he also served as pemangku in the nearby temple. His works are meticulous and thorough featuring various scenes of Balinese daily live, especially Ubud natural scenery. Lesug frequently exhibited in Bali Art Festival in Taman Budaya (Denpasar). His works are among the collections of Museum Puri Lukisan (Ubud), Neka Museum (Ubud), and Museum East West Centre (Honolulu). He participated in the Art of Bali Exhibition in East-West Centre in Honolulu (August - October 1988), and was asked to demonstrate his painting skill. Lesug has several pupils, among the emerging ones are Mangku Sayang, I Made Jiwa and I Made Madra. Madra, I Ketut (b. Pengosekan, Ubud, Bali, Indonesia, 1945) Madra had his first painting lessons from his older cousin Dewa Putu Sugi while he was still a boy. He learned to paint market scenes, temple festivals, and rice harvests. His second teacher,

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Tjokorda Oka Gambir, also of Peliatan, had been an early member of the pre-war Pita Maha group of Balinese artists who had adapted European painting materials, styles and subjects to Bali. Working with Gambir, Madra learned not only the stories that are the subject matter of wayang painting, but also the details of iconography and costume for all the scores of specific characters. He is known in Indonesia and beyond as a master painter of wayang stories whose work is collected on every continent. Marsa, I Nyoman (b. Bali, Indonesia, 1952) Matra, I Wayan (b. Ubud, Bali, Indonesia, 1962) His name is actually I Wayan Matra Arjana, But he is known as Matra, thus the name Arjana is not being used in his life. He lived in the same banjar as I Nyoman Meja, he then took an intern in Meja Studio around the Monkey Forest area in Ubud. He weriously paints since 1978. Exploring Meja’s style and tecnique, he created works depicting comical scene of daily life and filled with sensations. He frequently paints compositions of masks. His works are collected by serious Balines art collectors. Frequently exhibited in Museum Puri Lukisan (Ubud) and Taman Budaya (Bali). He paints with acrylic on canvas. Mendur, I Nyoman (b. Peliatan, Ubud, Bali, Indonesia, 1942) At first he painted in Ubud style. But in 2000, he style shifted to realist decorative. Though the tradisionalelements are strongly existed. His works often exhibited in Bali and Jakarta. Mokoh, I Dewa Putu (Ubud, Bali, Indonesia, 1936 - 2010) He learned painting from Gusti Ketut Kobot. He joined the Kelompok Pelukis Pengosekan and always participated in the art exhibitions at the Art Centre, Denpasar, Museum Puri Lukisan Ubud and abroad, together with the society. Nadera, Ida Bagus Made (Tegallinggah, Bali, Indonesia, 1905 - 1998) Balinese artist who painted in the Ubud style, he was a member of the Pita Maha artists’ association. He participated in group exhibitions in Bali, Bandung, Jakarta, Medan, Madiun and overseas at the Fukuoka Art Museum, Japan in 1985. In 1984 he received the Dharma Kusuma Art Award from the government of Bali. Padma, Ida Bagus Putu (b.Bali, Indonesia, 1972) Began to draw at the age of eight, his grandfather Ida Bagus Made Widja too over his training. At first he would do the preliminary lines and then leave to Padma to do the rest. This is now a thing of the past. Padma’s works in the Widja’s style have long since become mature works manifesting his own insights. Panda, Ida Bagus Ketut (b. Batuan, Ubud, Bali, Indonesia, 1941) This senior painter is son of Ida Bagus Made Togog, a prominent figure in art. his works have been exhibited at various venues in Bali and Jakarta. Pendet, I Wayan (b.. Peliatan, Ubud, Bali, Indonesia, 1939) After graduating from Junior High School he started to paint, with indirectly learned from some senior artists. Then in 1956 - 1959, he learned painting under the guidance of Anak Agung Raka Turas. He has participated in numerous exhibitions in Bali and Jakarta. In 1991 he made sketch for reliief of Museum Purna Bhakti Pertiwi, Jakarta. He was also known as the leader of Rindik Madya Sari dance community in Peliatan, Bali. Museum Arma-Ubud has his works in its collection. Pupuk Daru Purnomo (b. Yogyakarta, Indonesia 1964) He graduated from The Faculty of Arts and Design, The indonesian Institute of Arts (ISI) Yogyakarta, in 1994. He held his solo exhibition at Bentara Budaya Yogyakarta. In 1995, he exhibited with Nasirun in Santi Gallery. He also participated in the exhibition held by the Yayasan Seni Rupa Indonesia - Philip Morris Indonesian Art Awards in Jakarta and Singapore. Rai, Ida Bagus (Ubud, Bali, Indonesia, 1933-2007) He studied painting from Dewa Ketut Rungun and Rudolf Bonet. His paintins reflect his sensitivity in composing color to convey daily life and mythological episodes with a beauty that refreshes the eyes. His paintings are permeated with a bright and happy character. His works are displayed at the Tropen museum in Amstrdam, the Netherlands, and the Neka Museum in Ubud, Bali. Rai, Ida Bagus Nyoman (Sanur, Bali, Indonesia, 1915-2000) Self-taught artist. His works have been published in various important publications like Art in Indonesia, Continuity and Change by Claire Holt and Hans Hoefer’s Guide to Bali. His works are among the collection of Museum Puri Lukisan-Ubud and Museum Neka Ubud, Bali. He has taken part in several exhibitions overseas, among which was KIAS exhibition in USA, in 1990-1991. Raka Puja, Anak Agung Gde (b. Padang Tegal, Ubud, Bali, Indonesia, 1932) He socialized with the member of Golongan Pelukis Ubud painters that influence his style of paintings from ordinary Ubud Traditional style to become more spatially. His figures were illustrated in realistic manner. He has participated in numerous group exhibitions. In 2005 his works were exhibited in Gianyar’s Art Exhibition at YDBA (Yayasan Dharma Bhakti Astra) Gallery, Jakarta. Some of his works are among the important works sought by various auction houses in Jakarta, Den Haag and Amsterdam.

Rapet, I Wayan (b. Tebesaya, Ubud, Bali, Indonesia, 1941) His interest of art has occurred since his childhood and grown knowing his neighbour was the great painter, I Wayan Gerudug. His work represent the decorative style of Ubud.in 1974, one of his painting was selected by Rudolf Bonnet to participate in Different Aspects of Painting in Bali exhibition at Sanur Beach Hotel. Several museum collect his works, including Neka Museum. Rasna, I Made (b. Ubud, Bali, Indonesia, 1980) His formal educational background is Senior High School for Art in Denpasar. He also learned to paint from paintes Wayan Beneh and Wayan Naya. He has joined several group exhibitions in Bali Ridi, I Nyoman (b. Penestanan, Ubud, Bali, Indonesia, 1945) He learned painting at the age of 9 from several painters who lived near by his house. In 1956, he intensively painted under the guidance of Rudolf Bonnet who lived in Campuhan-Ubud. This is why Ridi has left somehow ordinary traditional style. Rudin, I Ketut (Sanur, Bali, Indonesia, 1918) He contributes significantly to the world of painting in Sanur that has eventually generated the Sanur style. The style is characterized by simple lines and forms couple with supple deformation and stylization. His works find their ways into the collections of true art lovers like Hendra Hadiprana in Jakarta. Museum Puri Lukisan, Ubud also cherises his works. Rudy Pranadjaya (Cirebon, W. Java, Indonesia, 1948 - Bandung, W. Java, Indonesia, 2006) He was mostly a self-taught painter. In 1964 he moved to Bandung and became a member of the Rangga Gempol art studio in 1971, and there under the guidance of the artist Barli Sasmitawinata he learned modern art techniques. He participated in numerous group exhibitions at Yayasan Pusat Kebudayaan in Bandung in 1965, at Lembaga Indonesia-Amerika in Surabaya in 1967, at Balai Budaya in Jakarta in 1977, at Art Asia in Switzerland in 1981, and in Budapest, Hungary; Warsaw, Poland; and Monte-Carlo, Monaco. Rungun, I Dewa Ketut (Padang Tegal, Ubud, Bali, Indonesia, 1922 - 1986) He learned painting by himself, but after Pita Maha was founded, he joined in. He then received his art lesson from Walter Spies and Rudolf Bonnet. He later joined Golongan Pelukis Ubud that was established in 1956 by Bonnet. From this mentor, he was introduced to the idea of an artist personal style illustrates the painter’s objects, forms and characters. He later found his own signature theme, the lives of butterflies amongst the tree, wild birds in the jungle and herons in the paddy field. Though, he paint wayang in several rare occasions. He displayed his works in Surabaya in 1950. In 1953, he painted the mural for Menteng Theatre in Jakarta. His works are collected by various institutions, including Museum Puri Lukisan (Ubud) Neka Museum, Bali Museum, Taman Budaya (Denpasar), Presidential Place’s Museum (Jakarta), and Rijkmuseum voor Volkenkunde (Leiden). Sadia, I Ketut (b. Batuan, Bali, Indonesia, 1966) He is a younger brother of the famous artist, I Wayan Bendi, whom he began to leared painting with. Sadia’s early works resemble Bendi’s, but in a later development, Sadia takes to use bright colours, giving his paintings their “pop” looks. His works often exhibited in Bali and Jakarta. Sadia, I Wayan (b. Penestanan, ubud, Bali, Indonesia, 1939) He learned painting within his community. At the age of 20, he met Rudolf Bonnet who encouraged him to join Golongan Pelukis Ubud. Ever since then, Sadia’s works had been influenced by Bonnet especially the illustration of human anatomy. But Bonnet’s influence obviously had been shown in his vision leading him to paint more secular themes, such as the peasant life, market scene and others. He had abandoned the traditional theme since then.His works was illustrated in bright colour, aesthetic figures and elongated deformation found in the figures of animal and vegetation (rice and grass). Aside from Indonesia, Sadia’s works have been exhibited in Netherlands, German, Swiss, Mexico and United States. Sena, Ida Bagus Putu (b. Tebesaya, ubud, Bali, Indonesia, 1966) He started to paint seriously since he was 23, after learned the skill from his father, Ida Bagus Wiri, a Pita Maha alumni and a brother of Ida Made Poleng. Sena’s works are delicate dominated with earth colour. He has illustrated various themes of Balinese performing art scene and yoouth’s dynamic daily life. His works feature various figures in a small canvas, therefore the figures are presented in detailed. Sena’s works have been displayed in various important exhibitions including the one held in Museum Puri Lukisan. Sobrat, Anak Agung Gede (Padangtegal, Ubud, Bali, Indonesia, 1911 - 1992) A member of the Pita Maha artists’ association, he was one of the first Balinese artists to study with Walter Spies and Rudolf Bonnet. His work was influenced by both teachers. Sobrat spent two years as a lecturer at ASRI / Indonesian Academy of Fine Arts, Yogyakarta from 1957-1959. He received the Dharma Kusuma Art Award and the Wijaya Kusuma Art Award. Stefan Buana (b. Padang Panjang, W. Sumatra, Indonesia, 1971) He studied at the Indonesia Art Institute (ISI) Yogyakarta. He has participated in the Festival Kesenian Yogyakarta from 1996-1998. In 1999, he exhibited his works together with Wayan Wirawan at Ardiyanto Gallery, Yogyakarta, and in a group show at the Kembang Gallery, Jakarta. His art works has been exhibited in many selected group exhibitions, among which are

“Indofood Award Exhibition” in Jakarta, 2003, “100 days Anniversary of H. Widayat”, at Museum Widayat, Magelang in 2002, Philip Morris Indonesia Art Award Exhibition, Jakarta and Bali in 1997. He has also held several solo exhibitions in Jakarta and Yogyakarta. Awards received include the Best Art Works in 16th Dies Natalis ISI and in “Seni Refleksi Zaman” Competition in 1998; Top 3 Nokia Art Award 2001, Jakarta-Bangkok; Finalist Philip Moris Indonesia Art Award in 1997; Finalist in Winsor and Newton, Bandung in 1999; Finalist Indofood Art Award in Jakarta in 2002/2003 and he created gempa parang lindu batik motif and was presented by Prof. dr. Soerapto Sujono on November 2006 in Osaka, Jepang. Suarsa AR, I Made (b. Banjar Kutuh Kaja, Petulu, Ubud, Bali, Indonesia, 1965) He leared painting from I Nyoman Lesug from 1975 - 1982. Though his basic knowledge and skills in painting were quite sound already, he kept his desire to learn more, that led him to enroll at the Sekolah Menengah Seni Rupa (Senior High School for Art) in Denpasar, Bali. He has taken parts in exhibitions at Museum Rudana, Ubud, Musem Arma, Ubud, and Taman Budaya, Denpasar. He is always actively involved in the annual Bali Arts Festivals. Suarta, I Nyoman (b. Ubud, Bali, Indonesia, 1962) He graduated from IKIP PGRI Bali. He learned painting since 1973. He has participated in several exhibition in Musium Puri Lukisan Ubud and Hotel Campuhan ubud. Subalon, I Made (b. Tebesaya, Ubud, Bali, Indonesia, 1955) He is the pupil of famous painter I Wayan Turun. His works would remind people with Balinese map. Through the map of the island, he illustrates various daily scene in Bali. He has been participated in numerous exhibition starting 1974 in Ubud, Denpasar, Surabaya and Jakarta. Sudana, I Ketut (b. Ubud, Bali, Indonesia, 1937) He began painting wayang by self-training at the age of ten. Learned to paint from Ida Bagus Pugug for more ten years from 1954 through 1973. After that he learned from Rudolf Bonnet. In the 1970s Sudana had a number of pupils that included I Made Djongko from Keliki. Sudana’s son, I Made Palguna is now a modern painter educated at the Institute for the Art in Yogyakarta. His works featuring elongated figures, often exhibited in Bali and Jakarta also in Australia, Thailand, Malaysia, Italy, the USA and Japan. Sudana, I Wayan (b. Peliatan, Ubud, Bali, Indonesia, 1966) Sudana began his painting education since he was ten, at Mr. Ketut Ginarsa’s house. In 1988 he continued study painting with Mr. I Wayan Djudjul. He has had solo exhibitions and has participated in a group exhibition at Bintara, Jakarta. Sugi, I Dewa Putu (b. Pengosekan, Ubud, Bali, Indonesia, 1931) He learned painting indirectly from famous painter I Gusti Ketut Kobot and I Gusti Made Baret who were his fellow villager. Nonetheles, Sugi’s works owns his personal style. He often illustrates the hectic of Ngaben, a cremation ritual, which frequently considered as “the last beauty in human life”. one of his works featuring this theme is collected by Museum Puri Lukisan, Ubud.

Tomblos, I Ketut (b. Batuan, Ubud, Bali, Indonesia, 1917) He started painting around 1933 from his surrounding. He is the son of painter I Wayan Naen and the brother of I Wayan Taweng. While Taweng, as we all know, is the father of Batuan painter I Wayan Bendi. Tomblos’ family tree has indicated that he is a decendant of Sri Arya Karangbuncing who was related to Kebo Iwa, a powerful figure in Bali during the 13th century. Hence it is only natural when one of his paintings (dated 1936) illustrated Kebo Iwa and his magnificent power. The small size art work now is collected by Bali Museum, Denpasar. Arma Museum, Museum Puri Lukisan in Ubud, Tropenmuseum (Amsterdam), Rijkmuseum voor Volkenkunde (Leiden) collect his works. Tubuh, I Made (b. Batuan, Ubud, Bali, Indonesia, 1941) He has painted since elementary school. Later he had learned painting for seven years from his uncles who happened to be the prominent painters I Made Djata and I Ketut Kenyod. Afterward he developed his own skill. His works have participated in numerous exhibitions in Bali. While in Jakarta, his works once was on displayed in Bentara Budaya Jakarta, Pasar Seni Ancol and Sari Pan Pacific Hotel. Several of his paintings one also exhibited in Netherlands organized by Rudolf Bonnet. Widja, Ida Bagus Made (Batuan, Bali, Indonesia, 1912 - 1992) He started painting in 1933 from I Nyoman Patera. His early works - prior to 1950s - are dominated by the colours of black, brown and creme. Wija is a rebel on traditional themes in the history of Batuan style, therefore he earned the art award from Indonesian Higher Educatuon in Art (ASRI) in 1982. He also received the medal of Wija Kusuma and Dharma Kusuma from Balinese government. In 1985, he was rewarded with Anugerah Seni from Indonesian government. While in 1990, Indonesian Art Institute (ISI) rewarded him. He was a noted painter with works were already collected by Presiden Sukarno even during the 1950s. Until now, his work is still on displayed in the Presidential Palace. His work has been exhibited in Indonesia, Hawai, Singapore, Australia and USA. Wiradana, I Made (b. Denpasar, Bali, Indonesia, 1968) He graduated from ISI / Indonesian Institute of the Arts, Yogyakarta in 1995. He has had solo exhibitions in Bali and Yogyakarta. Wiradana has participated in group exhibitions in Hong Kong and throughout Indonesia in Bali, Surabaya, Solo, Yogyakarta and Jakarta. Yudi Susanto (Antok) (b. Magelang, Central Java, 1969) He went to Fine Art School in Yogyakarta in 1989 and learnt painting from Dullah, the Indonesian former famous realist painter. He held many exhibitions not only in Bali and Jakarta, but also in overseas, such as in Singapore (1998). Some of his exhibition in Indonesia was held in various places, such as in Cultural and Educational Department (Depdikbud) Jakarta (1991), Hilton Hotel (1997), Anton Gallery (1999), Imperial Hotel (2001), Hadiprana Gallery (2002), and 678 Gallery (2003).

Sukada, I Made (Ubud, Bali, Indonesia, 1945 - 1982) He learned to paint from his father, I Gandung who was a traditional Balinese painter. He was also greatly influenced by Dutch painter Rudolf Bonnet in style and subject matter. In 1975 he had a solo exhibition at Museum Puri Lukisan, Ubud and he participated in group exhibitions in Indonesia and The Netherlands Sukadana, I Wayan (Padang Tegal, Bali, Indonesia, 1962 - 2004) His first began painting under painter I Nyoman Meja, Made Sukarta, Mangku Nomer, and Wayan Sertati. His works are strong in colours avoiding details of the Ubud decorative style. His works has evolved into the post traditional school. He had participated in several exhibitions in Museum Neka, Museum Ratna Warta, and Japan. Supartha, I Made (b. Gianyar, Bali, Indonesia, 1954) Supartha, I Wayan (b. Peliatan, Ubud, Bali, Indonesia, 1971) He learned painting since he was in elementary school with his friends until now, at Mr. I. Wayan Jujul’s house. He learned from I. Wayan Jujul and take Ubud traditional as a theme. He has participated in group exhibitions in Bali and Jakarta. Tapa, I Nyoman (b. Sayan, Ubud, Bali, Indonesia, 1959) His formal art background is Senior High School for Art. He exhibits at Museum Puri Lukisan, Ubud, Art Center Denpasar, Bali and several art galleries in Jakarta. Tjita, I Dewa Nyoman (b. Batuan, Ubud, Bali, Indonesia, 1927) His father is I Dewa Putu Kebes, a renowned painter who also producing topeng celuluk and bondres. His early works dominately the Kamasan style of wayang paintings. in his 20s, he started to paint in Batuan style. At first, he would paint the wayang theme but then his object shifted to balinese daily scene of temple’s ritual and gamelan player. Like his father, Tjita also carves mask and sculpture, natah wayang, does the woodcarving and plays the classic gambuh. He has been exhibited his works since he was young, together with Pita Maha association. Aside from bali, he also exhibited his works in various exhibition from Jakarta to the Netherlands. His earlier works were in black and white, but later he also uses other colours for his paintings.

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LARASATI

Written Bid

ABSENTEE BID FORM

Phone Bid

Sale Title

Traditional, Modern & Contemporary Art Date 21 October 2012 Sale Code “REBAB” Please bid on my behalf at the above sale for the following lot(s) up to the price(s) mentioned below. These bids are to be executed as cheaply as is permitted by other bids or reserves if any. I agree to comply with the Notices and Conditions of Business as printed in the Catalog. I understand that in the case of a successful bid a premium of 22% will be payable by me on the hammer price. Arranging Payment In order to avoid delay in clearing purchases, buyers who are unknown to us are advised to make arrangements for payment before the sale or for satisfactory references to be supplied. If such arrangements are not made cheques will be cleared before purchases are delivered. Payment may be made by cash or telegraphic ransfer to Larasati’s account at CIMB Niaga Bank, Kota Branch, Jalan Kopi, Jakarta. Acc. No. 171-01-00189-00-1. Please include your name, Larasati’s account number and invoice number with your instructions to your bank. AFTER THE HAMMER IS DOWN, LARASATI WILL NOT ACCEPT ANY CANCELLATION. Please mail or fax to:

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Lot No.

Catalog / Description

Top limit of Bid in Rp., not including the buyer’s premium

Lot No.

Catalog / Description

Rp.

Rp. (please print or type)

Top limit of Bid in Rp., not including the buyer’s premium

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GUIDE FOR ABSENTEE BIDDERS Absentee Bids If you are unable to attend the auction in person, and wish to place bids, you may give Larasati Bid Department instructions to bid on your behalf. We will then try to purchase the lot or lots of your choice for the lowest price possible, and never for more than the top amount you indicate. This service is free and confidential. Please note : Larasati offers this service as a convenience to clients who are unable to attend the sale, and although we will make every effort, Larasati will not be responsible for error or failure to execute bids. Absentee bids, when placed by telephone, are accepted only at the caller’s risk and must be confirmed by letter, or fax. Fax number for bids only : +62 21 3989 9533. Using the Absentee Bid Form Please use the absentee bid form provided and be sure to record accurately the lot numbers and descriptions and the top hammer price you are willing to pay for each lot. “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers. Bids must be placed in the same order as the lot numbers appear in the catalog. Please place your bids as early as possible. In the event of identical bids, the earliest received will take precedence. Where appropriate your bids will be rounded down to the nearest amount consistent with the Auctioneer’s bidding increments. Successful Bids A successful bidder will receive an invoice detailing his or her purchases and giving instructions for payment and clearance of goods. Unsuccessful absentee bidders will be advised.

SHIPPING INSTRUCTION Please complete this section, and delete where aplicable* Shipping Information Please complete this form and we shall arrange for the despatch of all your purchase throug one of our nominated shipping agents, at your expense. Charges I do/do not require* a quotation before the shipment is processed Insurance in Transit Please arrange/do not arrange* transit insurance. All lots will be insured at the aggregate price unless otherwise specified. Postal Consignments Only Please do not remove frames. (Glass will be discarded). Please remove frames and glass.*

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Methods of Despatch Registered post / Airfreight / Commercial Courier* ___________________________________________________________________ Delivery Address ___________________________________________________________________ ___________________________________________________________________ Telephone Fax ___________________________________________________________________ Invoice Address (if different from above) ___________________________________________________________________ Telephone Fax ___________________________________________________________________ Special Instructions: ___________________________________________________________________ ___________________________________________________________________ Signed Date

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CONDITIONS OF BUSINESS FOR BUYERS We hereby inform all those participating in the auction, that it shall be held subject to the following conditions and that anyone taking part in it, hereby accepts these conditions as applicable. Larasati as agent As auctioneer, PT. Balai Lelang Larasati here-in referred to as Larasati acts as agent for the Seller. Unless otherwise agreed, sales of goods at this auction result in contracts made between the seller, through our agency, with the buyer. Definitions of terms used in these conditions In the conditions set out below, some terms are used regularly that need explanation. They are as follows: the “Buyer” means the person with highest bid • accepted by the auctioneer; • a “Lot” means any item deposited with us for sale at auction and, in particular, the item or items described against any lot number in any catalog; • the “Hammer Price” means the charge payable by the auctioneer in relation to a lot; • the “Buyer’s Premium” means the charge payable by the buyer as a percentage of the hammer price; • the “Reserve” means the amount below which we agree with the Seller that the lot cannot be sold; • “Forgery” means a lot constituting an imitation originally conceived and executed as a whole with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source where the correct description as to such matters is not reflected by the description in the catalog and which at the date of the auction had a value materially less than it would have had if it had been in accordance with the description in the catalog. Accordingly, no lot shall be capable of being a forgery by reason of any damage and/or restoration work of any kind (including repainting); • the “Insured Value” means the amount that Larasati in its absolute discretion from time to time shall consider to be the value for which a lot should be covered by insurance (whether or not insurance is arranged by us). BEFORE THE SALE Examination of goods Prospective buyers are strongly advised to examine personally any goods in which they are interested, before the auction takes place. Condition reports are usually available on request. Larasati is not responsible for any faults or defects in any lot or the correctness of: any statement as to the authorship; origin; date and age of the lot; attribution; genuineness; provenance and conditions of any lot. Larasati does not make or give, nor has any

person in the employment of Larasati any authority to make or give, any representation or warranty regarding the authorship, origin, date, age, size, medium, attribution, genuiness, description, provenance, condition or estimate selling price of any lot. Catalog descriptions Statements by us in the catalog or condition report, or made orally or in writing elsewhere, regarding the authorship, origin, date, age, size, medium, attribution, genuineness, provenance, condition or estimate selling price of any lot are merely statements of opinion given in good faith, and are not to be relied on as statements of definitive fact. Catalog illustrations are for guidance only, and should not be relied on either to determine the tone or colour of any item or to reveal imperfections. Estimates of the selling price should not be relied on as a statement that this price is either the price at which the lot will sell or its value for any other purpose. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalog or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and the absence of such reference does not imply that an item is free from defects or restoration nor does the reference to particular defects imply the absence of any others. Buyers Responsibility Buyers are responsible for satisfying themselves concerning the condition of the goods and the matters referred to in the catalog description. AT THE SALE Refusal of admission Our sale takes place on our own premises or premises over which we have control for the sale, and we have the right, exercisable at our complete discretion, to refuse admission to the premises or attendance at the auction. Registration before bidding Every prospective buyer must complete and sign a registration form and provide identification before making a bid at auction. Prospective buyers should be aware that we usually require buyers to undergo a credit check.

than 24 hours before the sale. Bids should be placed in Indonesian Rupiahs. Bids placed in other currencies will be converted to Indonesian Rupiahs using the one month forward rate of exchange quoted to us by CIMB Niaga Bank at opening on the date of the auction and the Indonesian Rupiahs figure may be subject to rounding. The buyer’s invoice will be in Indonesian Rupiahs and we shall not be liable to the buyer for any loss suffered as a result of exchange rate movements after the date of the sale. If we receive commission bids on a particular lot for identical amounts, and at auction these bids are the highest bids for the lot, it will be sold to the person whose bid was received first. Commission bids are undertaken subject to other commitments at the time of the sale, and the conduct of the sale may be such that we are unable to bid as requested. Since this is undertaken as a free service to prospective buyers on the terms stated, we cannot accept liability for failure to make a commission bid. Prospective buyers should therefore always attend personally if they wish to be certain of bidding. Telephone Bids If prospective buyers make arrangements with us not less than 24 hours before the sale, we shall use reasonable efforts to contact the bidders to enable them to participate in bidding by telephone, but under no circumstances will we be liable to either the seller or any prospective buyer as a result of failure to do so. Currency Converter At this auction, a currency converter may be operated, based on the one month forward rates of exchange quoted to us by CIMB Niaga Bank at opening on the date of the auction. Bidding will however take place in Indonesian Rupiahs. The currency converter is not always reliable, and errors may occur beyond our control either in the accuracy of the lot number displayed on the converter, or the foreign currency equivalent of Indonesian Rupiahs bids. We shall not be liable to the buyer for any loss suffered as a result of the buyer following the currency converter, rather than the Indonesian Rupiahs bidding. Video images At this auction there will be a video screen. Mistakes may occur in its operation, and we cannot be liable to the buyer regarding either the correspondence of the image to the lot being sold or the quality of the image as a reproduction of the original.

Bidding as Principal When making a bid, prospective buyer will be accepting personal liability, unless it has been agreed in writing, at the time of registration, that a bidder is acting as agent on behalf of a third party acceptable to us.

The auctioneer’s discretion The auctioneer has the right at his absolute discretion to refuse any bid, to advance the bidding in such manner as he may decide, to withdraw or divide any lot, to combine any two or more lots and, in the case of error or dispute, to put an item up for bidding again.

Commission Bids If a prospective buyer gives us instructions to bid on his behalf, by using the form printed after the catalog entries, we shall use reasonable efforts to do so, provided these instructions are received not later

Successful bid Subject to the auctioneer’s discretion, the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer must pay us the buyer’s premium at a rate of 22% of the hammer price of the lot. Payment Following the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made and then pay the full amount due (comprising the hammer price and the buyer’s premium) within seven days after the date of the sale. The buyer will not acquire title to the lot until all amounts due to us have been paid to us, even in circumstances where we have released the lot to the buyer. Collection of Purchases Unless we specifically agree to the contrary, we shall retain items sold until all amounts due to us, or to Larasati or to any of its other subsidiaries, have been paid in full. Items retained will be covered by our insurance from the date of the sale for a period of seven days or, if by then the goods have been collected, to the time of collection. After seven days or from the time of collection, whichever is the earlier, the lot will be entirely at the buyer’s risk.

If the buyer fails to make payment within 21 days, we shall in addition be entitled to exercise any one or more of the following remedies: • to issue proceedings on behalf of the seller against the buyer to recover the full amount due, together with the costs of such proceedings on a full indemnity basis and with interest, charged at 4% per annum above CIMB Niaga Bank base rate; • to cancel the sale of the lot or any other item sold to the buyer at the same auction; • to arrange a resale of the lot publicly or privately, and, if this results in a lower price being obtained, claim the balance from the buyer together with any costs incurred in connection with the buyer’s failure to make payment. Failure to collect Where purchases are not collected within seven days after the sale, whether or not payment has been made, we shall arrange storage at the buyer’s expense, and only release the items purchased after payment has been made in full of storage, removal, insurance and any other costs incurred, together with payment of all other amounts due to us.

Packing and handling We shall use all reasonable efforts to take care when handling and packing a purchased lot but remind the buyer that after seven days or from the time of collection, the lot is entirely at the buyer’s risk. Remedies for non-payment or failure to collect purchases If the buyer fails to make payment within seven days, we shall be entitled to exercise one or more of the following rights or remedies: • to charge interest at a rate per annum not exceeding Lippo Bank base rate plus 4 per cent on the full amount due to the extent it remains unpaid for more than seven days after the date of the sale; • to exercise a lien on any of the buyer’s property which may be in our possession for any purpose and, following 14 days’ notice to the buyer of the amount outstanding and remaining unpaid, arrange the sale of such property and apply the proceeds in discharge of the amount outstanding to us; • where several amounts are owed by the buyer to us, or to Larasati, or to any of its other subsidiaries, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction whether or not the buyer so directs; • to reject at any future auction any bids made by the buyer or on his behalf or obtain a deposit from the buyer before accepting any bids;

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CONDITIONS OF BUSINESS FOR SELLERS PT. Balai Lelang Larasati here-in refered to as Larasati, hereby informs all those participating as sellers in the auction, that it shall be held subject to the terms and conditions of the Consignment Agreement and the following conditions. LARASATI as agent As auctioneer, PT. Balai Lelang Larasati hereinreferred to as Larasati acts as agent for the seller. Unless otherwise agreed, sales of goods at this auction result in contracts made between the seller and the buyer. Larasati shall not be responsible for any default by the seller or the buyer. Definitions of terms used in these conditions In the conditions set out below, some terms are used regularly that need explanation. They are as follows: • the “Buyer” means the person with highest bid accepted by the auctioneer; • a “Lot” means any item deposited with us for sale at auction and, in particular, the item or items described against any lot number in any catalog; • the “Hammer Price” means the charge payable by the auctioneer in relation to a lot; • the “Buyer’s Premium” means the charge payable by the Buyer as a percentage of the hammer price; • the “Reserve” means the amount below which we agree with the seller that the lot cannot be sold; • “Forgery” means a Lot constituting an imitation originally conceived and executed as a whole with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source where the correct description as to such matters is not reflected by the description in the catalog and which at the date of the auction had a value materially less than it would have had if it had been in accordance with the description in the catalog. Accordingly, no lot shall be capable of being a forgery by reason of any damage and/or restoration work of any kind (including repainting); • the “Insured Value” means the amount that Larasati in its absolute discretion from time to time shall consider to be the value for which a lot should be covered by insurance (whether or not insurance is arranged by us). Commission We shall charge the seller commission calculated by reference to the amounts, percentages, terms and conditions of the Consignment Agreement. BEFORE THE SALE Expenses The seller will bear all costs relating to: a. Packing and shipping the lot to us for sale; b. Any applicable transit insurance and custom duties; c. Packing and shipping the lot if it is returned to the seller; d. Any restoration of the lot agreed in advance with the seller;

e. Framing; f. Storage of the lot after the sale, where applicable; g. Any examination by external experts we believe necessary for catalog description; h. Any external expert opinion we believe appropriate; i. Our administration costs if expenses are incurred under sub-paragraphs (d), (e), (f), (g), and (h), being 10 % of such expenses; j. Any applicable goods and services tax; k. Insurance under Larasati’s policy (explained below); l. Catalog illustration at our discretion; m.Contribution to our general expenses if the lot is nosold, equal to 5% of the insured value; n. any applicable custom duties. When Insurance is Arranged by Us (i) Unless we agree otherwise, the lot will be automatically insured under Larasati policy for the amount that we from time to time consider to be its appropriate value. This insured value is not a representation or warranty or undertaking by us that the lot will be sold for this amount. (ii) Unless we agree otherwise, we shall charge the seller a sum to cover insurance, at the rate 1% of either the hammer price or, if the lot is unsold, its insured value. If we arrange transport, we shall charge the seller an additional sum to cover the cost of transit insurance, which will vary according to the particular circumstances of each case. Although we shall suggest carriers if specially requested, we cannot accept any liability in this respect. (iii) The lot will remain insured until the expiry of seven days after the sale. If the lot has not been sold, it will be at the seller’s risk after that time. (iv) We do not accept responsibility and shall not be liable for damage caused by woodworm or changes in atmospheric conditions. Owner’s Insurance If the seller specifically instructs us not to insure the lot, it shall remain at the seller’s risk at all times until buyer had made payment in full. The seller shall indemnify us and our employees and agents, and the buyer (where applicable) against any claim made against us or them in respect of the lot, however that claim may arise. The seller shall also reimburse us and them on demand for any expenses we or they may incur as a result of such claim, even if we or they are found to have been negligent and even where such reimbursement is required of a payment made without any legal liability being proved. The seller must notify the seller’s insurers of the terms of this clause. Seller’s representations and warranties regarding the lot The seller warrants and represents to Larasati and to the buyer that: (i) The seller is the sole owner of the lot with an unrestricted right to transfer title to the buyer free from all third party rights or claims (including copyright claims); (ii) All information supplied to Larasati by the seller or his agents is accurate;

(iii)

(iv)

The seller has complied with all requirements, legal or otherwise, relating to any export or import of the lot and has notified us in writing of any failure by third parties in complying with such requirements in the past; and The seller has notified us in writing of any material alterations to the lot of which the seller is aware and any concerns expressed by third parties in relation to the ownership, condition or attribution of the lot.

If any of (i), (ii), (iii) or (iv) above is incorrect, the seller undertakes to and will indemnify Larasati and/ or the buyer on a full indemnity basis against any liability, claims, costs or expenses whatsoever incurred as a result, whether arising in the relation to the lot or proceeds of sale or in dealing with any claim arising out of that respect. AT THE SALE Sale Arrangements (i) We shall have complete discretion as to the way a lot is described and illustrated in the catalog or any condition report, the place and manner sale; the decision as to which person should be admitted to the auction, and as to which bids should be accepted; whether expert advice should be sought; and the combination or division of goods for sale. (ii) Any estimate given, orally or in writing, is a matter of opinion only and is not an assurance in relation to the price that the lot will eventually fetch. (iii) Upon signing the Consignment Agreement, the seller may not withdraw a lot from auction without the consent of Larasati. Should such lot be withdrawn, the seller agrees to indemnify Larasati on a full indemnity basis in respect of all costs and expenses incurred in putting up the lot for auction or against any liability, claims, costs or expenses howsoever incurred as a result of dealing with any claim arising out of that respect. (iv) Larasati may at its sole discretion withdraw a lot from auction at any time if (a) we have any doubt as to its attribution or authenticity or as to the accuracy of the statements made by the seller in the Consignment Agreement, (b) there is any breach of these conditions or the terms and conditions of the Consignment Agreement or (c) we believe it would be improper to include the lot in the sale. (v) If we withdraw the lot, we shall charge the seller a equal to 10% of the insured value, plus an amount equal to our commission if the lot had been sold at the insured value, together with any applicable Government Service Charge and insurance and other expenses. Conduct of Sale (i) The lot will be sold subject to the reserve, which cannot be above the low estimate printed in the catalogue unless the reserve is agreed to in a currency other than Indonesian Rupiahs, and the exchange rates fluctuate between the

(ii)

time the reserve is agreed and the day of the sale. In this case, unless we agree otherwise, the reserve shall be an amount equal to the Indonesian Rupiahs equivalent based on the closing exchange rate on the business day immediately preceding the sale. We shall in no circumstances be liable if bids are not received at the level of the reserve. If we do so, we shall be obliged to account to the seller as if hammer price was equal to the reserve. The seller may not bid for the lot nor employ any person to do so on the seller’s behalf, although we shall have the right to bid on the seller’s behalf up to the amount of the reserve.

AFTER THE SALE Accounting After the sale, we shall require payment in full from the buyer, including payment of the buyer’s premium. Provided this has occurred, we shall remit to the seller an amount equal to the hammer price less all charges due to be paid by the seller, within 35 working days after the date of the sale, unless we have received notice that the lot is a forgery (as defined in the definition of terms used in these Conditions of Business). In the event of late payment by the buyer we shall make such remittance to the seller within seven days of receipt of such payment by the buyer. If for any reason we make payment to the seller of any amount before payment by the buyer, we shall acquire complete ownership of and title in the lot, save only that in the event that we are obliged to accept the lot back from the buyer on the basis that it is a forgery, the seller will refund to us all proceeds of sale that have been paid to the seller. Payment will be made in Indonesian Rupiahs. Non-Payment by the Buyer If the buyer fails to pay the full amount due within 35 working days after the date of sale, we shall be entitled (i) on the seller’s behalf, to agree special terms with the buyer for payment, storage and insurance, and (ii) to take any steps we consider necessary to collect the amount due from the buyer. However, we shall not be obliged either to remit the price due to the seller ourselves, nor to take any legal proceedings on the seller’s behalf. We shall discuss with the seller the appropriate course of action to be taken to recover the purchase price from the buyer.

the Buyer the purchase price of the lot and/or (iii) If the Buyer had paid the full amount and if we at that time had also paid the Seller the whole or part of the full amount due, then the Seller must refund to us, on demand, the total amount paid. We shall then refund the total amount received from the Seller to the Buyer plus any balance due to the Buyer to pay back the full purchase price of the lot. The Buyer does not reserve the right to claim any interests on the purchase price paid by the Buyer. In the latter case we shall exercise a lien over any property of the Seller under our control as security for the amount due. We reserve the right to seek for further expert opinion. There will be no refund if there is a conflict of opinion among the related experts. Larasati is not responsible for any faults or defects in any lot, including the genuineness of the work. Unsold Lot If any lot is unsold, or is not included in a sale, or is withdraw from the sale for any reason, it must be collected from us within 7 days after we send the seller a notice requiring the seller to collect it. If any such lot remains uncollected for a period exceeding 7 days, a storage charge of Rp. 100.000,- per item per day will apply and additional charge will be made for insurance. The seller will not entitled to collect the lot until all outstanding charges are met.

CONDITION APPLICABLE TO BOTH BUYERS AND SELLERS Copyright The copyright in all images, illustrations and written material relating to a lot is and shall remain at all times our property and shall not be used by the buyer nor anyone else without our prior written consent. Notices Any notice given under these conditions is to be in writing and, if given by post, will be taken to have been received by the addressee on the second working day after posting, or if the addressee is overseas, on the fifth working day after posting. Severability If any part of these conditions is found by any court to be invalid, illegal or unenforceable, that part may be discounted and the conditions shall continue to be valid and enforceable to the fullest extent permitted by law. Law and Jurisdiction These Conditions of Business are governed by Indonesian law, which shall apply to their construction as well as to their effect. For our benefit, the buyer hereby submits to the exclusive jurisdiction of the Indonesian courts.

If any such lot is not collected within 30 days after the date of the sale or the date of the notice referred to above (whichever occurs first), it may be disposed of by us as we see fit, which may involve its removal to a third party warehouse at the seller’s expense and its sale by public auction on such terms as we consider appropriate, including those relating to estimates and reserves. We shall then account to the seller for the proceeds of sale, having deducted all amounts due.

Forgeries If within 6 (six) months of the date of the auction the Buyer satisfies us that the Lot is a Forgery, with the condition that claim must be accompanied with satisfactory evidence in the form of a written opinion of at least 3 (three) independent experts with knowledge on the related property, confirming that the lot is a forgery, then: (i) if the Buyer at that time has not yet paid the full amount due, we shall have the right to cancel the sale and/or (ii) if the Buyer has paid the full amount and if we have at the time not paid the seller the whole or part of the full amount due to the seller, then we will refund to

Insights - Connections - Expertise

EXPLANATION OF CATALOGING PRACTICE Terms used in this catalog have the meanings ascribed to them below. Please note that all statements in this catalog as to authorship are made subject to the provisions of the condition of cale and limited warranty. Buyers are advised to inspect the property themselves. Written conditions reports are usually available on request. name(s) or recoGnised desiGnation of an artist Without any qualification

In Larasati’s opinion a work by the artist. “Atributed to...” In Larasati’s qualified opinion probably a work by the artist in whole or in part. “Studio of...”/ “Workshop of...” In Larasati’s qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision. “Circle of...” In Larasati’s qualified opinion a work of the period of the artist and showing his influence.

“Follower of...” In Larasati’s qualified opinion a work executed in the artist’s style but not necessarily by a pupil. “Manner of...” In Larasati’s qualified opinion a work executed in the artist’s style but of a later date. “After...” In Larasati’s qualified opinion a copy (of any date) of a work of the artist. “Signed...”/ “Dated...”/ “Inscribed...” In Larasati’s qualified opinion the work has been signed/ dated/inscribed by the artist. “With signature...”/ “With inscription...” In Larasati’s qualified opinion the signature/inscription appears to be by a hand other than that of the artist. “With date...” In Larasati’s qualified opinion the date on the item was not executed on that date. The date given for old master, modern and contemporary prints is the date (or approximate date when prefixed with ‘circa’) on which the matrix was worked and not necessarily the date when the impression was printed or published.

SALEROOM & OFFICES Singapore

Hong Kong

Jakarta

Amsterdam

Thong Teck Building 15 Scotts Road #05 - 08/09 Singapore 228218 t. +65 6737 2130 f. +65 6737 1859

Jl. Pasuruan No. 9 Menteng, Jakarta 10310 Indonesia t. +62-21 315 8636, 315 6110 m. +62 855 101 5778 f. +62-21 3989 9533

66/F, The Centre 99 Queens Road Central Hong Kong t. +852 2273 5623 f. +852 3965 3222

Lekstraat 63 1079 EM, Amsterdam The Netherlands t. +31-20 301 2950 f. +31-20 301 2960

info@larasati.com www.larasati.com

The term and its definition in this Explanation of Cataloging Practice are a qualified statements as to authorship. While the use of this term is based upon careful study and represents the opinion of specialists, Larasati and the consignor assume no risk, liability and responsibility for the authenticity of authorship of any lot in this catalog described by this term, and the limited warranty shall not be available with respect to lots described using this term.

LARASATI

ISBN 978-979-3774-33-6