Lighting Design Portfolio by marymar berrios

LIGHTING

DESIGN PORTFOLIO

marymar berríos albino

PORFOLIO

marymar berrĂos albino 787-247-1037 marymar.berrios@gmail.com

MFA lighting design the new school of design

SCHOLAR’S LIBRARY

Top, Mass concept diagram Bottom, Panoramic view from building

24 hours library

Site A is located in the north side of Union Square Park. This rectangular site is in the middle of the block with just one exposed façade, the south façade. The program is a Scholar’s Library that will be open 24 hours. The high demand of energy of a 24 hour program requires an efficient energy strategy. This site has 2 main challenges to maintain its functioning as much efficient possible. One; is to minimize the direct sunlight to get into the building throw the south façade and two; take advantage of skylight as a desirable daylight penetration in the spaces, considering the program is a library and ambient light is highly recommended. It is important for this matter the use of materials, apertures in the right proportions, program orientation and floor plan density are important base where the control systems layer will be supporting.

USPL

Explode 3D with areas and zones 1- Reading Area | 742 sq/ft 2- Lounge | 194 sq/ft 3- Lobby | 185 sq/ft 4- Reading Area | 1,454 sq/ft

Longitudinal Section with daylight penetration analyisis

A- Service B- Stairs C- Elevators

5- Reading Area | 742 sq/ft 6- Lounge | 194 sq/ft 7- Lobby | 185 sq/ft 8- Stacks | 1,258 sq/ft

Primary daylight zone of Direct Sunlight 8% DAYLIGHT & VIEW

35- Lounge | 742 sq/ft 36- Lounge | 194 sq/ft

SOME DAYLIGHT

37- Lobby | 185 sq/ft Only daylight 38- Study Room | 355 sq/ft

CIRCULATION

Only electrical lighting

NO DAYLIGHT

ice 1

Skylight

mer

Solst

71% 80%

Sum

:20 P M

86% 86%

65% 55%

M 00 P

te Win

80%

4: ice olst

39- Stacks | 4,184 sq/ft

Daylight + electrical

43% W

The organization of zones with their respective occupancy sensors, manual controls and photocells will help to improve the efficiency of the architectural decisions. The controls must support the control requirements by ASHRAE 90.1 2010.

Quintessence round WA

id 4.5”

C20 Ceiling washer

Ba-os Occusmart

CFR12 Linear Flourescent

WA WC

WAWA

CA CA

CACA

CA CA

WA WA

WAWA

CA CA

CACA

WA WA WA

WAWA

WA WA

WAWA

WA WA

WAWA

DB CA

CA DA

DA CA

DB DA

CA DA

GA CA

DA DA CA

CA DA

DA DA DA

DA CA

DA DB

DADB

WBDA WB

WAWA WA

W30 Wall washer

Hydrel 4750

WAWA

Metalux SNF

WA CA

Ledline

WC DA

WA EA

CA WC

Calculite 8011WW GA

Second floor plan Daylight and electrical light combined

1500 fc

750 fc

50 fc 40 fc 30 fc 20 fc 0 fc

DA EA

DA WA

id 4.5”

C20 Ceiling washer

Ba-os Occusmart

DB CA

CA WB

Metalux SNF

CA CA

CA DA

W30 Wall washer

CA CA

Hydrel 4750

Calculite 8011WW

CA UA

CA WA

Ledline

WA CA

UA CA

CA WB

WA UA

WA CA

UA CA

DB CA

CFR12 Linear Flourescent

CA UA

FA UA

Quintessence round

CA WA

DA CA

Third floor plan

Forth floor plan Electrical light only

1500 fc

750 fc

50 fc 40 fc 30 fc 20 fc 0 fc

View from Union Square Park - South facade, night and day renders During the night the building expose its light structure.

Interior view of reading area - change of daylight and electrical light in the space provide different layers of information

NIKE OFFICES ?

NIKE NYC headquaters

3A Shoe Box

scale

A having in mind Nike offices in NYC are design the importance of the brand and their connection with2Athe product as the user not only the shoe. This allow to translate different effects of light that give the user the idea of connection between his body and the brand.

PROPORTIONS SHOE BOX

GLOWING SHOE BOX

LIT SHOE BOX

6â&#x20AC;?

LIGHT CASE SHOE BOX

DARK SHOE BOX

TAWPR- 98.91 IL H- 10 IL V- 3

ASH- 0.6 TAWPR- 247.8 IL H- (50) 30-50 IL V- (20) 5-30

EXECUTIVE OFFICE 397 SQ.FT ASH- 1.11 TAWPR- 440.67 IL H- (40) 30-100 IL V- (10) 10-50

OFFICES 1,189 SQ.FT ASH- 1.11 TAWPR- 1,319.79 IL H- (30) 30-100 IL V- (10) 10-50 LOUNGE 141 SQ.FT

ASH- 0.6 TAWPR- 247.8 IL H- (50) 30-50 IL V- (20) 5-30

RECEPTION/ WAITING AREA 707 SQ.FT

11 ASH- 0.9 TAWPR- 636.3 IL H- 10 IL V- 3

UNCH ROOM 445 SQ.FT

ASH- 1.2 TAWPR- 534 L H- 10 L V- 3 ASH- 1.2 TAWPR- 169.2 IL H- (20) 30-100 IL V- (5) 10-50 COPY ROOM 157 SQ.FT

ELEVATOR LOBBY DOWNLIGHT HALOGEN

OUNGE 259 SQ.FT

ASH- 1.2 TAWPR- 310.8 L H- (10) 30-100 L V- (5) 10-50 ASH- 0.63 TAWPR- 98.91 IL H- 10 IL V- 3

STAIRS

SMALL CONF. ROOM 333 SQ.FT

DESK LIGHTING LINEAR FLOURESCENT

OFFICE 164 SQ.FT

LOUNGE WALL WASHER

OPEN OFFICE 2,860 SQ.FT

A A

ASH- 1.3 TAWPR- 393.9 IL H- (40) 30-50 IL V- (10) 5-30

LARGE CONFERENCE 2ND OFFICE COVE - LINEAR FLOURESCENT KITCHEN/LUNCH

LARGE CONF. ROOM 510 SQ.FT

A A

ASH- 1.11 TAWPR- 550.56 IL H- (30) 30-100 IL V- (10) 10-50

LOUNGE 1ST COPY ROOM COVE - LINEAR FLOURESCENT STAIRS LIGHT LINE PANEL SYSTEM - LINEAR FLOURESCENT

PRIVATE OFFICES 1ST FLEXIBLE SPACE RECESSED DOWNLIGHT HALOGEN DISPLAY WALL WASHER FLOOR RECESSED

SMALL CONFERENCE 1ST FLEXIBLE SPACE “THEATRICAL” TRACK LIGHT SYSTEM LOUNGE LINEAR FLOURESCENT

ASH- 1.1 TAWPR- 3,146 IL H- (30) 30-50 IL V- 5

FLEXIBLE SPACE RECESSED DOWNLIGHT COPY ROOM COVE - LINEAR FLOURESCENT

ASH- 1.3 TAWPR- 663 IL H- (50) 30-50 IL V- (20) 5-30

RECEPTION RECESSED DOWNLIGHT RECEPTION FLOURESCENT FLOOR RECESSED WALL WASHER

scale: 1’-0”= 1/8” FILING RECESSED DOWNLIGHT LIGHT LINE PANEL SYSTEM - LINEAR FLOURESCENT

RECEPTION/WAITING AREA STAIRS LIGHT LINE PANEL SYSTEM - LINEAR FLOURESCENT ELEVATOR LOBBY RECESSED DOWNLIGHT HALOGEN

DISPLAY

LPD LPD

30’-8” third floor

16’-8” second floor

0’-0” street level

scale: 1’-0”= 1/8”

30’-8” third floor

16’-8” second floor

0’-0” street level

scale: 1’-0”= 1/8”

Facade Glazing (fritted, frosted and clear) Diffuse light before it enters the space

MICRO PROJECT

Facade Louvers Cut the amount of light

daylight module Primary Daylight Zone

Secondary Daylight Zone

Skylight Glazing Allows the direct Sunlight to get into the space

InBetween

summer solstice

equinox summer solstice

winter solstice

equinox

winter solstice

Daylight module proposal investigate the light experience in between two layers. These two different layers provide deepness and orientation of light and views. One layer provide the filter for light and the other a diffuse reflector for it. This combination allows to have a two light qualities in order to balance the space. 15’

2.5 WH = 21.5 x 2.5 = 53.75’

Back Wall (Diffuse) Diffuse the direct Sunlight after it gets into the space

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

Berrios Equidistant Projection AnalysisMarymar Series overshadowing diagram + sun chart + overheated period + shading mask + shading device

Equidistant Projection Analysis Series

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

36 feet LRV Scale

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

Facade Glazing

room drawing + glazing + IRC Z0 2l

R0 .2

Diffuse light before it enters the space

R0 .2

80%

90%

Z04 l R 0.4 l R 0.2 Z05 l 0.4 Z06

LRV Scale

Marymar Berrios 0%Albino 10% 20% 30% Daylight & Sustainability Sp12 A 100% PGLT.5143.A.Sp12.2370 black

100% 100%

Overshadow analysis at 36 feetwhite over ground level

40%

50%

60%

70%

dots 242 146 115 1 0 1 431

80%

x x x x x x x

90%

reflectance 0.3 = 0.2 = 0.3 = 0.4 = 0.2 = 0.4 = 1.0 =

90%

LRV Scale

Marymar Berrios 0%Albino 10% 20% 30% Daylight & Sustainability Sp12 A 100% PGLT.5143.A.Sp12.2370 black

100% 100%

40%

50%

60%

70%

80%

90%

Primary Daylight Zone LRV Scale Marymar Berrios Albino Daylight & Sustainability Sp12 A 0% 10% 20% 30% PGLT.5143.A.Sp12.2370

567.7

100% 100% white

ERC

56%

SC Equidistant Projection Analysis Series

43%

zone Z 01 Z 02 Z 03 Z 04 Z 05 Z 06 SKY

dots reflectance total 226 x 0.6 = 135.6 74 x 0.6 = 44.4 137 x 0.4 = 54.8 0 x 0.6 = 0 1 x 0.4 = Zone 0.16 Secondary Daylight 2 x 0.6 = 1.2 536 x 1.0 = 536

AL L

100% white

56%

43%

Facade Louvers Cut the amount of 90% light

90% 50%

50%

60%

70%

Marymar Berrios Marymar Albino Berrios Albino Daylight & Sustainability Daylight &Sp12 Sustainability A Sp12 A PGLT.5143.A.Sp12.2370 PGLT.5143.A.Sp12.2370

Equidistant Equidistant Projection Projection AnalysisAnalysis Series Series overshadowingovershadowing diagram + sun diagram chart + sun chart + overheated period + overheated + shading period mask+ shading mask + shading device + shading device

36 feet

772.16 40%

100% black

80%

90%

100% 100%

ERC white 77%

Equidistant Projection Analysis Series SC 53%

Overshadow analysis at 36 feet over ground level

overshadowing diagram + sun chart + overheated period + shading mask + shading device

R0 .3

Z0 3l

R0 .3

WA LL

Z0 3l und esir abl e

overshadowing diagram + sun chart + room drawing + glazing + solar radiation W AL L

WA LL

70%

80%

90%

100%

Overshadow analysis at 36

100% feetwhite over

Z04 l R 0.4 l R 0.2 Z05 l 0.4 Z06

de sir ab le 60%

ground level

LRV Scale

Marymar Berrios 0%Albino 10% 20% 30% Daylight & Sustainability Sp12 A 100% PGLT.5143.A.Sp12.2370 black

40%

50%

60%

70%

80%

x x x x x x x 90%

reflectance 0.3 0.2 0.3 0.4 0.2 0.4 1.0

90% = = = = = = =

total 72.6 29.2 34.5 0.2 0 0.2 431.0 567.7

100% 100% white

ERC

56%

SC Equidistant Projection Analysis Series

43%

overshadowing diagram + sun chart + room drawing + glazing + solar radiation

zone Z 01 Z 02 Z 03 Z 04 Z 05 Z 06 SKY

LRV Scale Marymar Berrios Albino Daylight & Sustainability Sp12 A 0% 10% 20% 30% PGLT.5143.A.Sp12.2370

40%

100% black

50%

60%

dots 226 74 137 0 1 2 536 70%

80%

x x x x x x x

reflectance 0.6 = 0.6 = 0.4 = 0.6 = 0.4 = 0.6 = 1.0 = 90%

15’

2.5 WH = 21.5 x 2.5 = 53.75’

50%

2.5 WH = 21.5 x 2.5 = 53.75’

36 feet

100% white

77%

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

Overshadow analysis at 36 feet over ground level

Equidistant Projection Analysis Series

53%

overshadowing diagram + sun chart + overheated period + shading mask + shading device

August 12:30-3:30 SW 1161 Btuh 1/2 Day

90%

1. 4+5+6+6+7+7 = 35% 90%

80%

90%

29.8 o Horizontal Horizontal Worst Case Worst Case Profile Angle : 26 o Profile Angle : 26 o

772.16

100%

ERC Equidistant Projection Analysis Series overshadowing diagram + sun chart + overheated period + shading mask + shading device

total 135.6 44.4 54.8 0 0.16 1.2 536

FIL TE RS

50%

Equidistant Projection Analysis Series

ng + IRC

40%

dots 242 146 115 1 0 1 431

90%

Marymar Berrios Marymar Albino Berrios Albino Daylight & Sustainability Daylight &Sp12 Sustainability A Sp12 A PGLT.5143.A.Sp12.2370 PGLT.5143.A.Sp12.2370 WA LL

R0 .3

true south

t Projection Analysis Series

Marymar Berrios0%Albino 10% 20% 30% Daylight & Sustainability Sp12 A 100% PGLT.5143.A.Sp12.2370 black

zone Z 01 Z 02 Z 03 Z 04 Z 05 Z 06 SKY

R0 .3

Z0 1l

LRV Scale

no lity Sp12 A 70

CLEAR SKY

Z0 1l

29.8 o

36 feet

15’ 80%

976 DOTS

reflectance 0.6 = 0.6 = 0.4 = 0.6 = 0.4 = 0.6 = 1.0 =

ERC

90%

GLA SS &

936 DOTS

un de sir ab le

OVERCAST

x x x x x x x

567.7

100%

80%

east

dots 226 74 137 0 1 2 536

SC Equidistant Projection Analysis Series

90%

west

zone Z 01 Z 02 Z 03 Z 04 Z 05 Z 06 SKY

overshadowing diagram + sun chart + room drawing + glazing + solar radiation

80%

CLEAR SKY 976 DOTS

total 72.6 29.2 34.5 0.2 0 0.2 431.0

overshadowing diagram + sun chart + room drawing + glazing + solar radiation

AL L

R0 .2

80%

sun chart + room drawing + glazing + solar radiation W

R0 .3

WA LL 70%

70%

CLEAR SKY 976 DOTS

total 72.6 29.2 34.5 0.2 0 0.2 431.0

Z0 3l

R0 .3

Z0 3l und esir abl e

de sir ab le 60%

60%

Overshadow analysis at 36 feetwhite over ground level

reflectance 0.3 = 0.2 = 0.3 = 0.4 = 0.2 = 0.4 = 1.0 =

WA LL

50%

Equidistant Projection Analysis Series overshadowing diagram + sun chart + room drawing + glazing + solar radiation W

zone Z 01 Z 02 Z 03 Z 04 Z 05 Z 06 SKY

R0 .3

R0 .2

40%

29.8 o

Z0 1l

Z0 2l

Marymar Berrios0%Albino 10% 20% 30% Daylight & Sustainability Sp12 A 100% PGLT.5143.A.Sp12.2370 black

50%

x x x x x x x

90%

FIL TE RS

936 DOTS

LRV Scale

true south

Equidistant Projection Analysis Series room drawing + glazing + IRC

40%

dots 242 146 115 1 0 1 431

90%

GLA SS &

OVERCAST

R0 .3

Z0 2l

2.5 WH = 21.5 x 2.5 = 53.75’

Z0 1l

un de sir ab le

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

Equidistant Projection Analysis Series

Marymar Berrios0%Albino 10% 20% 30% Daylight & Sustainability Sp12 A 100% PGLT.5143.A.Sp12.2370 black

80%

15’

36 feet

room drawing + glazing + IRC

true south

Equidistant Projection Analysis Series Equidistant Projection Analysis Series (fritted, frosted and clear) overshadowing diagram +

room drawing + glazing + IRC Z0 2l

east

40% and 60% covereage

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

Equidistant Projection Analysis Series ERC + SC + Sky Component

936 DOTS

de sir ab le

Equidistant Projection Analysis Series

un de sir ab le

Low - E - VE-130 Clear Low - E - Fritted 40% and 60% (1 & 2)

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

OVERCAST

zone Z 01 Z 02 Z 03 Z 04 Z 05 Z 06 SKY

R0 .3

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

Equidistant Projection Analysis Series ERC + SC + Sky Component

west

R0 .2

R0 .3

Z0 3l

east

R0 .3

Equidistant Projection Analysis Series north

Secondary Daylight Zone

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

un de sir ab le

Berrios lysisMarymar Series

Projection Analysis Series

west

Z0 1l

overshadowing diagram + sun chart + viewshed analysis

Z0 2l

R0 .2

un de sir ab le

Primary Daylight Zone north

Equidistant Projection Analysis Series

m + sun chart + viewshed analysis

Z0 2l

und esir abl e

Equidistant Projection Analysis Series

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

o ty Sp12 A 0

room drawing + glazing + IRC

Z0 1l

overshadowing diagram + sun chart + overheated period + shading mask + shading device

Equidistant Projection Analysis Series

Equidistant Projection Analysis Series ERC + SC + Sky Component un de sir ab le

Berrios Equidistant Projection AnalysisMarymar Series

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

north

Equidistant Projection Analysis Series overshadowing diagram + sun chart + viewshed analysis

Z0 3l

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

Z04 l R 0.4 l R 0.2 Z05 l 0.4 Z06

2.5 WH = 21.5 x 2.5 = 53.75’

Z04 l R 0.4 l R 0.2 Z05 l 0.4 Z06

15’

2. 1161 x .27 x .35 = 109.71 btuhs avoided during 3 hour period 109.71 btuh x 350 sf = 38,398.5

15’

3. 38,398.5 / 1,200 sf = 31.99

2.5 WH = 21.5 x 2.5 = 53.75’

Estimate cost savings 4. 38,398.5 btuh / 3.4 watts = 11,293.67 watts/hr

Vertical Vertical Worst Case Worst Case Profile Angle : 40 o Profile Angle : 40 o

summer solstice

Diffuse winter light before itsolstice enters the space

equinox summer solstice

equinox

winter solstice

Facade Louvers Cut the amount of light

Primary Daylight Zone

Secondary Daylight Zone

Back Wall (Diffuse) Diffuse the direct Sunlight after it gets into the space

15’

2.5 WH = 21.5 x 2.5 = 53.75’

15’

2.5 WH = 21.5 x 2.5 = 53.75’

Primary Daylight Zone

Secondary Daylight Zone

Facade G (fritted, fr Diffuse lig it enters th

15’

summer solstice

Low - E - VE-130 Clear Low - E - Fritted 40% and 60% (1 & 2)

equinox

summer solstice

equinox

2.5 WH = 21.5 x 2.5 = 53.75’

40% and 60% covereage

winter solstice

Primary Daylight Zone

Secondary Daylight Zone

INSTALLATION 1 AGI 32image representation

1 + image 1image + AGI 32concept representation = photomontage

school installation (group work)

Focal point

This project required the finding of a space which could be improve by the use of light. The choosen space is located in the second floor of SCE of The New School, Parsons. This space allows two displays areas, one for the entrance and the other for the hall.

before

after

+ marymar jacinda jacinda ross + ross marymar berrios berrios

reflected ceiling plan 1’- 0” = 0’- 3/16”

multidirectional spread lens

linear spread lens ushio exz ultra 12v 50w 24 degree spread ge halogen ir 120v 60w 40 degrees spread

2´-6´´

image 1 + installation

AGI 32 representation image 1

image 1 + image AGI 32 representation = photomontage 1 + concept

idea - main concept

linear space

image 1 + installation

focal point

before

after

jacinda ross + marymar berrios

jacinda ross + marymar jacinda ross +berrios marymar berrios

reflected ceiling plan 1’- 0” = 0’- 3/16”

multidirectional spread lens

2´-6´´

linear spread lens ushio exz ultra 12v 50w 24 degree spread ge halogen ir 120v 60w 40 degrees spread

LUMINAIRE DESIGN pathway light fixture

InLine .93

2.2

3.8

4.8

3.4

1.6

.73

Using a light line (wall - horizontal reference) in conjuntion with a task light (floor) is posible to give time and space reference. Design and Spec sheet are part the understanding of materials and process of manufacture. .83

2.2

3.9

4.4

3.4

1.2

.63

.82

3.3

2.8

3.6

1.8

.62

20 W Walkway

IL20 - InLine SPEC SHEET

Application: Outdoor/indoor wall, stair, and walkway illumination. Electrical: 20W MR-16. Powered by integral 120V Power Consumption: 23 W Ballast: Electronic ballast 12 V to 120 V Material: Die Cast (exterior), galvanized sheet metal (recessed).

4”

Mounting: Vertically positioned face plate mounts to single, gang box (recessed). Optimal mounting distance is 24”

3 1/8”

2 1/16” 3 1/8”

4”

Approval: Wet and dry locations.

66 Note: Can be used as emergency backup lighting.

3 7/8” Detail

3 1/8”

Distribution: Minimum footcandles: 0.62 Maximum footcandles: 4.8 Average footcandles: 2.40 Average to Minimum uniformity: 1:2 Maximum to Minimum uniformity: 8:1

4”

3 1/8”

Front view

Side view

Type:

.93

2.2

3.8

4.8

3.4

1.6

.73

.83

2.2

3.9

4.4

3.4

1.2

.63

.82

3.3

2.8

3.6

1.8

.62

Project: Modified: Quantity: Notes:

2 1/16”

CODE IL20

WATTAGE -

20 W

LAMP

BEAM

Ballast

NF = narrow flood (24°) F = flood (36°)

3 1/8”

FINISH -

MR-16 MR16 = 3000K, std CRI

3 1/8”

1 1/2”

4”

E = electronic 120V to 12V

Powder coated - 013 Color black = 013 white = 014 gray = 015

Note: Standard CRI has a value of 95-100.

Marymar Berríos-Albino/ Luminaire Design / Scott Hershman / Kenneth Kane

12-2011

3 7/8”

SECTION

SIDE VIEW

LIGHT BOX light intensity and pattern

This project is based in a light effect capture in an photograph. The translation of a light effect throw sources , materials and tecnique experimentation give life to a light box.

TABLE TOP cutlery design

the Complement

The Complement pice works like to pices a fork and a knife, but their flat surface between them make a direct relationship of the pieces.

The resting spoon, allows to mantain it always on the plate. This considerations are important for higenic purposes but also aesthetically.

PHOTOSHOP EXPLORATION photoshop render

Day & Night

Exploration of day and night throw the use of light in photoshop. The original images are the day time and the night time is a interpretation of how it could change the light layout.

DIGITAL REPRESENTATION triptic and views

Furniture, space and light The exploration of 3D modeling as a continuation of design was motivation in this class. The process of modeling started with the selection of existing furniture designs. These selections were arrange as a composition into a 25’ x 40’ x 20’ volume. The evolution of furniture modeling a spacial composition allowed an interior space to emerge. To get a realistic imagery from this project was important to assign materials, finishes and colors to the furniture pieces but also to the volume. My approach to this project was to have a play between the furniture composition with daylight (model daylight) to create interesting reflections and shadows.

The first triptych is a play between the light and the individual pieces of furniture. The use of close-ups helped to create interest in the different textures, and the use of light is the catalyst to overlap these textures.

The second triptych is the furniture composition in interplay with the light but also between them.

HSA HARLEM SCHOOL OF ARTS art school

Connector Harlem School of Arts is located at Nicholas Ave between 145th and 141st streets. With an important history of community place for arts development HSA need to be an open and welcoming place. However, this building was constructued in the mid 70â&#x20AC;&#x2122;s and it was though as an oasis from the turbulent context of that moment. The change in the context of HSA promote the repositioning of the school in the community, creating opportunities to rethink their infrastructure. The proposal is to incorporate a connector into the existing scheme to promote the exaltation of each disciplines within the building. This move allowed to open the entrance to the building creating an exterior plaza from where is possible to see this connection. Nevertherless, this connector is though as a dinamic element that changes during the day and night depending of the sun movements and activities happening in the building.

30 o

The connector is morphologically connected with the sun path and the program.

LD + ID Separate through quality of light, unify by patterns By using massing orientation is possible to manipulate different qualities of light at the same time of the day. This can help to read each one of the school departments as differnt identities inside of the art umbrella. At the same time this elements would be unify by patterns.

Daylight Concepts

Concept

9:00 am

6:00 pm

9:00 am

6:00 pm

fe Ca

ure

nit

fur

Electrical Lighting Concepts

itu

urn

g rid

ure

nit

fur

rts

A ine

ic us

ure

nit

fur

Exploted Iso

itu

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The integration of lighting design and interior design allowes the dinamic environment experience in th bridge

The use of color and materials allows the light to transform the connector and adjacent areas during the day and night.

N N

1 0°

20°

30°

1 0°

40°

50°

60°

70°

40°

30°

20°

30°

40°

50°

60°

70°

80°

20°

30°

1 0°

20°

30°

40°

50°

40°

50° 50°

60°

50°

60° 60°

70°

60°

70° 70°

80°

1 0°

30°

12 pm

40°

80°

1 0° 1 0°

20° 20°

30°

1 0°

20°

80°

70°

80° 80°

80°

12 pm

ance Property line

Anfitheater slope aB Dance third floor back window

Anfitheater stage bC Office second floor window

D Patio Projection c Equidistant

d Bridge indoor

e Bridge South end window

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Winter third floor back window

Equinox b Office second floor window

c Equidistant Projection

d Bridge indoor

e Bridge South end window

The Caffe area design allows daylight penetration and interaction with the context.

Equinox

30 Section AA Scale 1/8” - 1’-0”

Summer

Equinox

Section AA Scale 1/8” - 1’-0”

Summer

Gallery, space conectec to the main bridge (connector). The use of integrated lighting into the skin is essential to the transition of spaces.

SOUTHSIDE CLUB tropical color light

Furniture, space and light The combination of Miami and 80â&#x20AC;&#x2122;s came back to inspire this club. Southside is a retro music club that revive the neon colors.

Dance

you

want

to...

Dance if you want to...

BRINKLEYâ&#x20AC;&#x2122;S STATION Axon Design Inc. (Freelance work)

Furniture, space and light Brinkleyâ&#x20AC;&#x2122;s Station is located at 153 E 60th Street. The use of wood and warm textures was mixed with warm color temperature lighting design. The use of two different color temperatures 2700 K and 3000 K gave the space a dinamic feeling.

Images from: Google images

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RUGGLES RESIDENCE residencial

Tribeca Loft

Ruggles Residence is a 1,600 sf. loft located in Tribeca. The space is divided into 3 bedrooms, 2 full bathrooms, kitchen, living and dining areas. Art display and relax atmosfere were taking into consideration through the use of dimming controls.

Ruggles Apartment Laight St. #3S

Reflected Ceiling Plan

Detail A

M F A LIGHTING DESIGN PARSONS - THE NEW SCHOOL

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