Work 2018: Michelangelo Latona by Michelangelo LaTona

2018

w rk

Michelangelo Latona

contents

00 info 4 resumĂŠ

work: 2018

01 professional work 7

150 camden

83 gardner

45 brighton

a kitchen

marketing elevations

02 personal work 29

streets in the sky

4 rooms and a stair

a staring contest

fungal urbanism

47 stoopifly 53

a monument in two-dimensions

contents

info

Contact 55 Sprague Street, Revere, MA 02151 Michelangelo LaTona

Registered Architect, MA Hacin + Associates Master of Architecture, Taubman College

latonami@gmail.com www.michelangelolatona.us

practice

teaching

2018 Part-time designer Supernormal Design, documentation, and presentation drawings Projects: SolBe Learning Center

2018 Teaching Assistant Roger Williams University Assisted teach a graduate-level studio with colleagues from H+A

2015 - 18 Designer / Architect Hacin + Associates Design, documentation, construction administration, design teaching, and coordination Projects: Winthrop Square proposal, 45 Brighton, 83 Gardner, 150 Camden, H+ Magazine, Marketing elevations

2015 Graduate Student Instructor University of Michigan Taught Arch 201 Basic Drawing with Melissa Harris

2015 Design Intern Hacin + Associates Marketing drawings and interior finish selection 2014 Design Intern UrbanLab Design and presentation drawings Projects: Filter Island 2013 + 14 Design Intern Hartshorne Plunkard Design, documentation, and marketing drawings Projects: Hairpin Lofts, Parc Huron, The Second City, 1K Fulton, Soho House Chicago

resumĂŠ

education

publications

2012 - 15 Master of Architecture University of Michigan Honors: Donald White Memorial Fellowship: Merit Scholarship 2013 - 14

2015 - 18 2017

Contributor to H+ Magazine: issues 3 through 6 Contributor to UrbanLab: Bowling

2011 Syracuse University Abroad Pre-Architecture Program

2016 Stoopifly published in Freshmeat Journal VIII 2016 A Monument in Two-Dimensions published in Dimensions 29 2015 A Staring Contest published on KooZArch and PitCrit 2015 Stoopifly published on KooZArch and Cloudz Watching

skills

awards

Digital Revit, Rhino, Sketchup, Adobe Creative Suite, Python (scripting), VRay, AutoCad

2017 A Monument in Two-Dimensions received Special Mention in Unbuilt Visions 2016

Manual Sketching, Drafting, Modeling, Book-binding

2015 A Staring Contest featured in Full: 2015 Student Show at University of Michigan

2008 -12 Bachelor of Arts in Studio Art Boston College Honors: Deans List 2009 - 12

professional work

CW7

2 | A2.02

GPW 216

10' - 0 3/4"

WEST STAIR

10' - 0 3/4"

ALIGN TYP.

GPW 416

ALIGN TYP.

12' - 0 3/8"

ALIGN TYP.

EWA-1C

GPW 216

1 A6.14

GPW 216

GPW 414

34' - 0"

1BR-A

UNIT 206

12' - 0 3/8"

3BR-A 12' - 0 3/8"

9' - 9 1/2"

9 A3.20

UNIT 207

34' - 3 3/4"

UNIT 208

Sim

3 A6.75

GM(R) 43

6 A3.20

GM 13

3 A3.20

10 A3.20

ALIGN TYP.

34' - 0"

UNIT 209

10' - 0 3/4"

GPW GPW 414 216

9' - 11 3/8"

2BR-B

9' - 10 7/8"

GPW 216

Sim 9 Typ. A0.09

2.2

2BR-C

Sim

ALIGN TYP.

EWA-1C

34' - 3 3/4"

12' - 0 3/8"

1.7

ALIGN TYP.

2.7

GPW 216

9 A0.09

9' - 10 7/8"

GPW 316

9' - 10 7/8"

GPW 216

Sim Typ.

GPW GPW 414 216

GPW 414

GPW 216

9' - 11 3/8"

7 A3.20

9' - 11 3/8"

ALIGN TYP.

5 2

2 | A2.01

A2.03

12' - 0 3/8"

ALIGN TYP.

UNIT 202

GPW 216

GPW 414 GPW 216

12' - 0 3/8"

34' - 2 1/8" 9' - 11 3/8"

ALIGN TYP.

GPW 316

2BR-B

9' - 10 7/8"

4 A3.20

UNIT 203

4.7

ALIGN TYP.

[GRP. 2A UNIT]

34' - 0"

A6.22

12' - 0 3/8"

2BR-B UNIT 204

210

A6.21

ALIGN TYP.

34' - 1 1/8"

GPW GPW 216 414

9' - 11 3/8"

2 A3.01

2BR-B2

9' - 10 7/8"

GPW 216

1 A6.15

4.2

34' - 0" UNIT 205

CORRIDOR

ALIGN TYP.

TWO BEDROOM GROUP 2ALOAD BEARING 4 A5.24

3.7

2BR-B

12' - 0 3/8"

A2.03

1 | A2.01

ALIGN TYP.

3.2

GPW 216

10' - 0 3/4"

2 A3.20

9' - 11 3/4"

GPW GPW 216 424

GPW 424

4 A6.51

A6.22

200

GM 11

CW2

2' - 6 5/8"

15 A6.22

LOUNGE GM(R)

4 A3.12

1 A6.13

TYPICAL ONE BEDROOMLOAD BEARING

5.6

1 A3.20

1/2"

GPW 416

CW6

EWA-1C

EAST STAIR

GPW 416

2 A5.24

CW3B

EWA-1B

A5.06

9 A5.23

EWA-1D

EWA-2C

2 A3.10

CW5

UNIT 201

CW3A

1BR-B

A3.02

GM 13

8 A5.24

EWA-2B

A2.03

A3.02

A3.01

1 A5.24

5. 6.

A.2

A.6

A.8

C.1

C.5

TYP @ EACH FLOOR

REFER TO LANDSCAPE DRAWINGS FOR SITE LAYOUT, MATERIALS, GRADING, PLANTING, AND SITE UTILITIES. REFER TO DRAWING A1.06 AND PLUMBING DRAWINGS FOR SLOPED INSULATION AND DRAINS LOCATIONS AT ROOFS. REFER TO HVAC DRAWINGS FOR LAYOUT OF ROOFTOP MECHANICAL EQUIPMENT. WINDOW WASHING ANCHOR SYSTEM TO BE DESIGNED, ENGINEERED, AND INSTALLED BY SUPPLIER. QUANTITIES ARE AS DOCUMENTED ON ROOF PLAN. REFER TO SHEETS A0.04 FOR RATED PARTITIONS TYPICAL INTERIOR WALLS ARE TYPE 2A, UNLESS OTHERWISE NOTED. REFER TO SHEET A0.04 FOR INTERIOR PARTITION TYPES. REFER TO SHEET A0.05 FOR INTERIOR FLOOR/CLG ASSEMBLIES AND FLOOR FINISH TRANSITIONS REFER TO SHEET A0.07 FOR TYPICAL EXTERIOR WALL AND ROOF ASSEMBLIES.

PLAN GENERAL NOTES: 1.

1 | A2.02

1.2

rendering | second floor plan

EWA-1C

A2.03

1 A5.08

EWA-3

3 A3.11

EWA-1C

20' - 1 1/8"

150 camden

150 Camden is a 40+ unit multifamily project scheduled to be completed in December 2018. In addition to the perspective opposite I worked in the construction documents phase on exterior and interior details. Specifically, I detailed envelope transitions between brick and cement panel cladding, exterior signage attached to brick, brick site walls, and wall-rating priority details.

t: 617.426.0077 w: www.hacin.com METAL WINDOW

GEOTECHNICAL

McPhail Associates 2269 Massachusetts Avenue Cambridge, MA 02140 t: 617.868.1420 w:www.mcphailgeo.com

SEALANT SOLID SURFACE SILL ALIGN WITH SOFFIT ABOVE

CIVIL ENGINEER/SURVEYOR

Howard Stein Hudson Associates, Inc.

professional38 Chauncy workStreet, 9th Floor Boston, MA 02111 t: 617.482.7080 w: www.hshassoc.com

STRUCTURAL ENGINEER

INSET BRICK

Souza True and Partners, Inc. 265 Winter Street, Third Floor Waltham, MA 02451 t:617.926.6100 w: www.souzatrue.com

CW 87 DEG. OUTSIDE CORNER 3" = 1'-0"

MEP/FP ENGINEERS

5 3/4"

Allied Consulting Engineers 215 Boston Post Road Sudbury, MA 01776 t: 978.443.7888 w: www.alliedconsulting.net

7 5/8" CEMENT BOARD THERMALLY BROKEN ATTACHMENT

LANDSCAPE ARCHITECT

Warner Larson Landscape Architects 130 West Broadway Boston, MA 02127 t: 617.464.1440 w: www.warnerlarson.com

5/8" GYP SEALANT

EWA-2C

LED FIXTURE TO BACKLIGHT LETTER ON BRICK FACE

VERTICAL RETURN OF THROUGH WALL FLASHING SEPARATING CAVITY OF BRICK AND PANEL. .

C.1

CODE CONSULTANT/COMISSIONING AGENT

WALL FRAMING S.S.D.

RAISED METAL SIGNAGE LETTERS, .050 ALUM.

C3: Commercial Construction Consulting, Inc. 313 Congress Street Boston, MA 02210 t: 617.330.9390 w: www.c3boston.com

BRICK

MOUNTING SPECIFIED BY MANUFACTURER

4" INSULATION

SPECIFICATIONS

FASTENERS SET IN SEALANT

Kalin Associates 1211 Washington Street Newton, MA 02465 t: 617.964.5477 w: www.kalinassociates.com

BRICK TIE 5/8" FIRE RATED EXTERIOR PLYWOOD FOR 1-HOUR RATING AT EXTERIOR WALL SPRAY FOAM IN CAVITY

AVB

1 HOUR EXTERIOR WALL ASSEMBLY

EWA-1D

OUT

Douglass Park BRICK / FIBERCEMENT TRANSISITON

SEPTEMBER 11, 2015

1 1/2" = 1'-0"

A.2

7 2

DETAILS.

5021

EWA-1A

SILICONE SLIP SHEET

150 CAMDEN STREET BOSTON MA 02118

EWA-1D

RETURN AVB

ISSUANCE:

4" INSULATION

P.T. BLOCKING

FASTENERS SET IN SEALANT GPW 416

NO.

DATE 05/28/15 07/09/15 09/11/15

ISSUE 75% CONSTRUCTION DOCUMENTS CONSTRUCTION DOCUMENTS PERMIT SET

BRICK TIE 5/8" FIRE RATED EXTERIOR PLYWOOD FOR 1-HOUR RATING AT EXTERIOR WALL SPRAY FOAM IN CAVITY

BRICK

6" MTL STUD

A.8 Â° 92 1. 10

METAL WINDOW

AVB

2 LAYERS GWB CONTINOUS TO EXTERIOR SHEATHING AT ALL EXTERIOR 1 HOUR DEMISING WALLS WALL ASSEMBLY 3 5/8" MTL STUD AT GROUND FLOOR 2x6 WD STUD FRAMING 1" AIR GAP BLOCKING AS REQ'D

SEALANT SOLID SURFACE SILL

6" MTL STUD

ALIGN WITH SOFFIT ABOVE

EWA-1B EWA-1D

CUT BRICK AS REQ'D TO MAKE CORNER

EXTERIOR PLAN DETAILS

9 3

BRICK CORNER AT A.8 TYPICAL DEMISING WALL AT EXTERIOR WALL

N WALL TRANSISITON

1 1/2" = 1'-0" 1 1/2" = 1'-0"

A5.24

East Stair Section - East @ SKYLIGHT 1 1/2" = 1'-0"

6 SLOPE ROOF TO DRAIN

CONTINUE 2 HOUR RATED WALL OF STAIR SHAFT TO EXTERIOR SHEATHING SEAL ALL JOINTS

A.2

EAST STAIR

H.S.S. BELOW WITH INTUMESCENT COATING

PRE-FINISHED ALUM. CLOSURE PLATE BY C.W. MANUFACTURER 1/2" PLYWOOD

150 camden

THERMALLY BROKEN ATTACHMENT, TYP. SEALANT AT FLASHING TERMINATION NESTED STUD LINTEL

CLIENT

Hamilton Construction Management 39 Brighton Avenue Allston, MA 02134 t: 617.783.0039 w: www.hcmcorp.com/

METAL FLASHING - PROVIDE MEMBRANE FLASHING AT ALL JOINTS

ARCHITECT

Hacin + Associates 112 Shawmut Ave, Studio 5A Boston, MA 02118 t: 617.426.0077 w: www.hacin.com

WEEP W/ BAFFLE @ 5' O.C. (2 PER PANEL MIN.), TYP.

GEOTECHNICAL

McPhail Associates 2269 Massachusetts Avenue Cambridge, MA 02140 t: 617.868.1420 w:www.mcphailgeo.com CIVIL ENGINEER/SURVEYOR

Howard Stein Hudson Associates, Inc. 38 Chauncy Street, 9th Floor Boston, MA 02111 t: 617.482.7080 w: www.hshassoc.com STRUCTURAL ENGINEER

ALUMINUM WINDOW FRAME SEE RCP FOR CEILING HEIGHT AND TYPE

Typical Punched Window Head Detail at MPS

MEP/FP ENGINEERS

Allied Consulting Engineers 215 Boston Post Road Sudbury, MA 01776 t: 978.443.7888 w: www.alliedconsulting.net

3" = 1'-0"

EXTERIOR DETAILS GENERAL NOTES: 1.

Souza True and Partners, Inc. 265 Winter Street, Third Floor Waltham, MA 02451 t:617.926.6100 w: www.souzatrue.com

REFERENCE A5.11 FOR TYPICAL FLASHING DETAILS.

EWA-1A

LANDSCAPE ARCHITECT

Warner Larson Landscape Architects 130 West Broadway Boston, MA 02127 t: 617.464.1440 w: www.warnerlarson.com

2.2

EWA-1

CODE CONSULTANT/COMISSIONING AGENT

MAINTAIN FULLDOUBLE STUD BRICK DIM. ACROSS THERMALLY BROKEN FRONT OF ATTACHMENT, TYP. FACADE

C3: Commercial Construction Consulting, Inc. 313 Congress Street Boston, MA 02210 t: 617.330.9390 w: www.c3boston.com

MEMBRANE COUNTER SILICON SLIP FLASHING SHEEP I

SPECIFICATIONS

Kalin Associates 1211 Washington Street Newton, MA 02465 t: 617.964.5477 w: www.kalinassociates.com

SEAL AIR/VAPOR RETARDER MEMBRANE TO WINDOW

details

MEMBRANE CLAD COPING FLASHING U.O.N. SET FRAME IN BED OF SEALANT P.T. WOOD BLOCKING & SHIM AS REQ'D, ROUTE BACK OF BLOCKING TO ACCEPT ANGLE BUTYL SEALANT

ROUGH OPENING

WEEPS, 6" O.C.

EWA-1A ROUGH OPENING

See detail 1 for wall assembly.

SILL BELOW SET FRAME IN BED OF SEALANT P.T. WOOD BLOCKING & SHIM AS REQ'D, ROUTE FULL DEPTH SOLID SURFACEBACK SILL OF TO BLOCKING TO ACCEPT ANGLE ALIGN WITH INTERSECTING WALL BUTYL SEALANT

Douglass Park

ALUMINUM WINDOW FRAME

w Head Detail at T.O. Brick

SEPTEMBER 11, 2015

Typical Punched Window Jamb Detail at MPS 3" = 1'-0"

GROUND FLOOR - TYP. BAY CORNER 3" = 1'-0"

GROUND FLOOR - TYP. BAY CORNER 2 3" = 1'-0"

5021

ALUMINUM WINDOW FRAME

150 CAMDEN STREET BOSTON MA 02118

P.T. WOOD BLOCKING & SHIM AS REQ'D, ROUTE BACK OF BLOCKING TO ACCEPT ANGLE

ISSUANCE:

3/4" BRICK RECESS

3/8"

PROVIDE AVB COUNTER FLASHING AT SILL WITH END DAMS AT EACH SIDE

ROUGH OPENING

BUTYL SEALANT ALUMINUM ANGLE BY WINDOW MANUF. TO LAP AVB

KOROGARD R110 RECESSED PARTITION END GUARD

NO.

DATE 05/28/15 07/09/15 09/11/15

2.7 ISSUE 75% CONSTRUCTION DOCUMENTS CONSTRUCTION DOCUMENTS PERMIT SET

professional work

STAIR WITH CONTRASTING STRIPE ON TREAD NOSING

2 | A2.00

Sim

A5.71

A5.11

H1-2

1.8 2

H1-3

1BR-A

CIP RETAINING WALL WITH GUARDRAIL AT PARKING RAMP

H101

LOUNGE

A3.00

HAMILTON CONSTRUCTION MANAGEMENT 39 BRIGHTON AVE BOSTON, MA 02134

H1-1

WOOD DECK

A3.00

BUILDER PRE-FAB SITE WALL BEFORE GARAGE RAMP

1 A4.14

HACIN + ASSOCIATES 500 HARRISON AVE STUDIO 4F BOSTON, MA 02118

GUARD RAIL FULL LENGTH OF WALL STAIR WITH CONTRASTING STRIPE ON TREAD NOSING

ARCHITECT

83 gardner

EWA-3A

SITE WALL

H102

2 / A7.50 LOBBY

2.4

H101-5

H100

H1-4 ?

MAIL ROOM H103

H101-3

H101-1

H101-4

ASPHALT RAMP

H101-2

H101

H101-6

EWA-2B

2% S-4

GLASS CURTAIN WALL

1 | A2.00 1' - 6 5/8"

A5.03

CW5

101B

ENTRY VESTIBULE

101E

ELEVATOR VESTIBULE

ST1-1

STAIR 1 DN

100

7 8

A6.31

8.4 EWA-4A

RIVER STONE INFILL

EWA-4B

EWA-1B

CW4

A6.22

6 100A

U-5A

CORRIDOR

A8.41 U-2D

U-1A

U-2I

10.5

U-2G U-3A

U-4A

U-4A U-4A

U-5A

U-2A

10.7

EWA-1A

U-5A

U-4A

10.2

A4.11

U-4B

111

U-2A U-2B

U-2B

U-3A

U-2B U-3A

U-2B

U-3A U-3A

2BR-A Grp 2

2BR-D

1 / A7.02

1 / A7.05

UNIT 102

U-6E-1

U-6E-1 3

STAIR WITH CONTRASTING STRIPE ON TREAD NOSING

UNIT 101

U-6E-1

1 A5.72

A5.12

2 | A2.02

F.2

U-3A

2BR-A

A5.04

U-2B

U-3A

1 / A7.01

UNIT 103

U-4A

U-2F

U-2B

A8.31

A6.31 2 | A2.01

WALK-OFF MAT PRECAST PLANTERS, REF TO LANDSCAPE DWG 1 | A2.02

4.7 5

A2.00

PAVERS ON COURTYARD DECK SEE L5.001

EWA-3B

G.4

83 gardner H

J.6

83 Gardner is a four-story 35+ unit courtyard-style apartment building on Gardner Street in Allston, MA. Expected completion is in mid 2019. I worked on this project from the concept design phase into construction administration. Design concepts of mine were ultimately incorporated into the project and are under construction. The public approvals phase of this project forced many iterations and the presentations I put together were instrumental in gaining approval.

ISSUANCE

? 5%

ADDENDUM 1 DATE: 04.21.2017

A5.11

LEVEL 01 - GROUND FLOOR PLAN

A5.03

north & south elevations | enlarged plan

professional work

BLACK ANODIZED EXTRUDED ALUMINUM OUTSIDE CORNER REVEAL

EWA-3A

EXTERIOR

EWA-3A

BLACK ANODIZED EXTRUDED ALUMINUM OUTSIDE CORNER REVEAL

SPECIAL BOARDS AT CORNER & WINDOWS

Sim

A6.22

FILL CAVITY WITH MINERAL WOOL

AVB

SPECIAL BOARDS AT CORNER & WINDOWS

1 FILL CAVITY WITH MINERAL WOOL

WD PANELING EWA-2B

EWA-3A

BLACK ANODIZED EXTRUDED ALUMINUM OUTSIDE CORNER REVEAL

INTERIOR EWA-3B EWA-3A

CUSTOM ZEE

AVB

GM 23

EWA-3B INTERIOR

PLAN DETAIL AT NW CORNER OF FRONT BAR 1 1/2" = 1'-0" 1

PLAN DETAIL AT PROJECTION ON FRONT BAR 1 1/2" = 1'-0"

PLAN

1 1/2" =

83 gardner

EXTERIOR

Sim EWA-3A

A6.22

EWA-3A

SPECIAL BOARDS AT WINDOWS

Sim

SUBFRAMING RADIUS

A6.22

Sim

G R WB 10 "

CHANNE L R 1' - 8 5/8 "

A6.22

DECK

N DETAIL AT BALCONY DOOR ON FRONT BAR

= 1'-0"

PLAN DETAIL AT FRONT CORNER OF BAY 1 1/2" = 1'-0"

E 1

CLIENT

HAMILTON CONSTRUCTION MANAGEMENT 39 BRIGHTON AVE BOSTON, MA 02134 617.783.0039

THE HAMILTON COMPANY INC. 39 BRIGHTON AVE BOSTON, MA 02134 617.783.0039

BUILDER

HACIN + ASSOCIATES 500 HARRISON AVE STUDIO 4F BOSTON, MA 02118 617.426.0077

INTERIOR

Sim

A6.22 SPECIAL BOARDS AT WINDOWS

E EXTERIOR

UNIT INTERIOR 1

EWA-3A THERMALLY-BROKEN RAIN SCREEN ATTACHMENT SYSTEM GPW 216

EWA-2B

AVB

3 FILL CAVITY WITH MINERAL WOOL SPECIAL BOARDS AT CORNER & WINDOWS UNIT INTERIOR

BLACK ANODIZED EXTRUDED ALUMINUM OUTSIDE CORNER REVEAL

EWA-3B CONTINUOUS BUG SCREEN AT RAINSCREEN FIBER CEMENT PANELS ON THERMALLY-BROKEN RAIN SCREEN ATTACHMENT SYSTEM RAINWATER LEADER

PLAN DETAIL AT BUILDING SET BACK IN COURTYARD

DATE 02/15/2017 PERMIT SET 04/21/2017 ADDENDUM #1

H+A#: 7034

NO.

SCALE: 1 1/2" = 1'-0"

1 1/2" = 1'-0"

83 GARDNER STREET, BOSTON, MA 02134

PLAN DETAIL AT SIDE CORNER OF BAY

79-83 GARDNER STREET

EWA-3A

A5.11

AVB 1

ISSUANCE

ISSUE

GWB R 10"

construction photo | details

SUBFRAMING RADIUS

ADDENDUM 1 DATE: 04.21.2017

L NE " AN /8 CH ' - 8 5 R1

EXTERIOR PLAN DETAILS AT FRONT BAR

EWA-2B

ARCHITECT

1 EWA-3A

1 1/2" = 1'-0"

professional work

2 A3.000

Second Floor Roof Deck

P13

230

205A

2BR-A E205

45 brighton

P12

UNIT 206

E206

206A

P29

2 | A2.001

2BR-A

UNIT 206

UNIT 205

3 A4.000

P13

EA2A 207A

P29

208A 10

1BR-A

2BR-A

A7.109

UNIT 208

UNIT 207

E207

E208 1' - 1 5/16" 1' - 7 5/16"

4' - 0" P12

7 | A2.002

1' - 9 5/16"

227

1' - 6 13/16"

A7.105 6

Fitness Bathroom

A7.400

EA2A

F.5

1BR-B - Group 2A

P13 EA1A

EA3A E210

E212

1 A4.001

1BR-A

9 7

2BR-G

UNIT 210

Lounge

A7.005

UNIT 212

228

A7.109

P17

UNIT 209

E209

PJ.9

P13

E228

229

209A

1 A7.109

1 | A2.002

13 16 14 15 A7.109

227A

3 A5.005

E227

4 | A2.002

Fitness Room

2 | A2.002

3 | A2.002

PK 224 Trash

West Stair 1' - 1 5/16"

210A

224

212A

228A 7

Corridor 223

A7.400

3/8"

6 7/8"

5 | A2.002

Closet

221

7 3/4"

6 | A2.002

PM.1

221

213A

211A

215A

217A

1 A3.000

2BR-D

UNIT 211

7 A4.000

2BR-D

UNIT 213

UNIT 217

UNIT 215

4 / A7.102

COND FLOOR

= 1'-0"

OCIATES

1' - 4 5/8"

EA1A

6 A4.001

EA3A 1' - 9 3/8"

EA1A

5 A4.001

4 A4.001

1 A3.001

wormâ&#x20AC;&#x2122;s eye oblique | englarged plan

2 A7.000

Data Closet 226

EA3A

2 A3.001

1 | A2.000

1.1

45 brighton 3.1

P77

P88

5.1

7.1

45 Brighton is a six-story 75+ unit L-shaped apartment building on Brighton Avenue in Allston, MA. It includes 3500+ square feet of street-front retail space. Construction documents are schduled to be issued in early 2019. I worked on this project from the concept design phase through construction documents. The design of the front elevation is meant to replicate the bay rhythm of the surrounding context in a contemporary way. The brick bays are detailed in such a way as to appear like an exterior layer being peeled away from the building.

226

professional work

PLAN DETAIL AT SW METAL PANEL CORNER

3" = 1'-0"

1'-1" F.O. Sheathing Inflection Point

TYPICAL PLAN DETAIL AT ANGLED METAL PANEL WALL OUTSIDE CORNER

3" = 1'-0"

1'-1"

7 5/8"

F.O. sheathing inflection point

7 5/8"

F.O. Sheathing, Typ U.N.O.

7 5/8"

F.O. sheathing inflection point

F.O. Sheathing, Typ U.N.O.

7 5/8"

F.O. Sheathing Inflection Point

2 3/4

" 8 1/2 .L. ng C Glazi

Reference D BRICK WALL brick wall as reference ex

Window in metal panel jamb detail, typical

" 3/8"

3" = 1'-0"

g penin gh O Rou

NORTH JAMB DETAIL AT WINDOW IN SHORT ANGLED in at brick asMETAL shown. PANEL WALL Reference Detail "TYPICAL PLAN DETAIL AT BRICK WALL CORNER" this sheet for further brick wall assembly annotation. Also reference exterior and interior assemblies.

Sealant and backer rod between brick and metal panel. Metal panel folds

g penin gh O Rou

Cut brick as needed at inside corner. Conceal cut edge.

3/8"

Reference Detail "TYPICAL PLAN DETAIL AT BRICK WALL CORNER" this sheet for further brick wall assembly annotation. Also reference exterior and interior assemblies.

Window in metal panel jamb detail, typical

Sealant and backer rod between brick and metal panel. Metal panel folds in at brick as shown.

2 3/4

Cut brick as needed at inside corner. Conceal cut edge.

" 8 1/2 .L. ng C Glazi

Window in metal panel jamb detail, typical

NORTH JAMB DETAIL AT WINDOW IN SHORT ANGLED METAL PANEL WALL 3" = 1'-0"

PLAN D

3" = 1'-0" D Reference BRICK WALL brick wall as reference ex

PLAN D 3" = 1'-0"

Window in metal panel Window in brick jamb detail, typical jamb detail, typical

g penin gh O 3/8" Rou

MP 2-6

Cut brick at inside corner. Conceal cut edge.

Window in brick jamb detail, typical

F.O. sheathing inflection point

3/4"

20.00°

MP 2-6

Cut brick at inside corner. Conceal cut edge.

R: 6'-2

g penin gh O 3/8" Rou

Blocking as needed

Blocking as needed 1'-1 1'-1

3/4" ing heath

S F.O.

3/8"

Cut half brick at jamb. Conceal cut edge.

1 3/4" air space at wall end and north side of angled wall

/8" '-7 5

BR 2-6

g penin Masonry anchors. gh OSpacing per Rouspecifications. manufacturer 3/8" 1 3/8" air space

2.0°

4" rigid insulation Cut half brick jamb.barrier. Seal Continuous airatvapor Conceal cut edge.all penetrations. and counterflash

SOUTH JAMB DETAIL AT WINDOW IN SHORT ANGLED METAL PANEL WALL 3" = 1'-0"

6.0°

Full continue 5/8"bricks plywood sheathing Steel tube framing. Reference Detail "TYPICAL PLAN DETAIL AT Reference BRICK WALL CORNER" this sheet for structural further drawings. 1 3/4" brick wall assembly annotation. Alsoair space at wall end and north side of angled wall reference exterior and interior assemblies.

7/8 2.0° 3

4" metal stud framing Masonry anchors. Spacing per manufacturer specifications. 3

/8" '-7 5

6.0°

Full bricks continue

Steel tube framing. Reference structural drawings.

3/4"

20.00°

F.O. sheathing inflection point

R: 6'-2

3/4" ing heath

S F.O.

BR 2-6

g penin gh O Rou

1 3/8" air space

Full bricks continue

4" rigid insulation

Plane of F.O. sheathing inflection point

Continuous air vapor barrier. Seal and counterflash all penetrations. 5/8" plywood sheathing 4" metal stud framing

3 7/8 TYPICAL PLAN DETAIL AT ANGLED BRICK WALL INFL

3" = 1'-0"

Full bricks continue Plane of F.O. sheathing inflection point

TYPICAL PLAN DETAIL AT ANGLED BRICK WALL INFL 3" = 1'-0"

details | bay axonometric | south elevation

45 brighton

professional work

north bar axonometric sketch

45 brighton

professional work

kitchen axonometrics

a kitchen

a kitchen This kitchen was designed as part of a single-family townhouse project in the Beacon Hill neighborhood of Boston. I produced these drawings of the kitchen for issue 4 of H+ Magazine: The Gathering Edition.

professional work

fp3 | 78 beacon

marketing elevations

marketing elevations During the course of my time at Hacin + Associates I worked on creating marketing elevations of past projects the firm designed. The intent is to include these drawings in the 25th anniversary monograph of H+Aâ&#x20AC;&#x2122;s work. Expected publication is mid 2019.

professional work

h+a streetscape | 160 east berkeley | district hall

marketing elevations

Vanishing Palace The only thing he knew for sure was that he could not stop. Panting heavily, he sprinted past ancient facades and around broken down corners that he had spent his entire life memorizing. Every cobblestone he touched was an urgent reminder that he was running out of time. His destination was no more than several blocks away, but he could not shake his panic...

Will jolted awake in a cold sweat. It was the same dream again. He glanced at his bedside clock and read 02:33. Sighing angrily, he threw himself back down onto the pillow. He felt a slight pain in his throat and wondered when he had last been sick. “I’m probably due for some kind of illness, I’m 67 after all…” he quipped to himself as his thoughts unfocused and he slid back into a restless sleep. “It must almost be dinner time.” Will thought as the sun kissed the tip of the bell-tower. He had spent the entire day walking, pacing, and thinking. Trying to remember – remember something. “I’ll remember as soon as I stop trying.” He told himself reassuringly as if there were someone there to agree with him. He passed a fenced-off hole in the ground a couple blocks from his flat. Hadn’t he known that building in his youth? But no, it was just one of those ancient wasted buildings from that damn dream. He coughed as he rounded the corner onto his street. He awoke to the same dream. It was beginning to feel like a nightmare. Gasping for breath he had a coughing fit. They were becoming more common and more painful. “I’ll call the doctor tomorrow if I’m not feeling any better,” he thought as he grabbed the glass of water from his bedside table. “That will be $17.42 - thank you - have a nice day.” Will said hoarsely as the customer left his convenience store. He watched them leave the store and he could see a crane being erected down the block on the site where he had once danced with that girl he had liked so much. What was her name? The building was now rubble, but he thought he could remember it being a beautiful building, a school or hall of some kind. He grabbed his handkerchief as he was seized by another fit of coughs. The kerchief came away pink as the next customer in line put their items on the counter looking at him worriedly. Over the phone Will’s doctor had told him that she was abnormally busy this week, but would come in early to see him if he could get to the office by 08:00. Will wrote himself a note with the doctor’s address on it - he had been having trouble remembering things lately – and stuck it to the front door of his flat. He poured himself a mug of the earl grey he had brewed, but left the mug on the counter. It was only 18:00 o’clock, but he couldn’t ... he was so tired. As Will headed for bed he could feel the vibrations of another building being torn down nearby. 2021.08.25 Wednesday 15:31 – “No doubt, this scale of urban renovation would have numerous benefits for our struggling economy as many of this city’s inhabitants have already mentioned. Yet, as a doctor of psychology specializing in memory, I wholeheartedly discourage this much demolition in such a short time. It is unprecedented and may have similarly unprecedented effects on the city’s inhabitants.” - Dr. Philip Ramment, MD, Ph.D.

Will sat up in bed shaking and damp with sweat from his typical nightmare. He wheezed slowly as he noticed a brown stain on his pillow. Thinking nothing of it he hopped into the shower warming up and washing some kind of crust from his left ear. It turned pink in the water. After dressing he walked past the now-cold mug of tea, grabbed the note from the door, and headed out. He walked past an infinite row of empty lots, some with backhoes or bulldozers or other machines he did not recognize. The sun was just beginning to rise when Will arrived at the address scribbled on the note. Above the door was a sign that read Dr. Emma Samuelson, M.D. The door was locked. Will coughed into his handkerchief, which was still damp from his last fit. The ground rushed up to greet him.

a short story

“Clear my schedule until lunch… I know that, we’ll reschedule… He was bleeding on the sidewalk outside the office; I need some time to look into this… Thank you.” Will opened his eyes to bright fluorescent lights and squinted at a woman in a white coat. “Good morning, Mr. Davies. How are you feeling?” “Dizzy.” Will whispered painfully sitting up on the paper-covered, cushioned table. “Can you remember what happened?” “I can’t remember much these days.” “I found you lying on the sidewalk outside my office when I arrived at 07:45. Both of your ears were bleeding and you’ve been unconscious for two hours. I’m going to run some tests if that’s alright with you?” “Oh.” Will lay back down and closed his eyes. “Phil, he seems to be losing his memory, but I can’t find any signs of external or internal trauma. His body is in perfect health, but his brain seems to be shutting down a segment at a time. Alzheimer’s occurred to me, but it can’t be, it’s much too severe. I cannot think of an explanation, but at this rate I don’t think he has long.” “Well, I wish I could say this was my first call like this, Emma. Including you almost all of the PCPs in town have called me describing similar things in some of their patients. The afflicted all seem to be middle-aged or older and people who have lived in town their entire lives, maybe there’s something in that.” “Shit! But you don’t have any idea what’s causing all of this? He’s not my only patient with these symptoms, ya know.” “I have a theory, but if it’s accurate there isn’t much we can do. You’d be better off calling the city’s redevelopment authority.” Will was staring out the hospital room window watching a cloud of dust and smoke rising around the ruins of another block of buildings crumbling to the ground. He blinked and felt like he was being disassembled. This or that portion of himself faded away replaced by emptiness. He took the oxygen mask off as he erupted into one of his coughing fits; the white sheets now polka dot red. The city he knew so well was disappearing and he seemed to be fading into oblivion with it. Not only did he no longer have a childhood to speak of, but now he couldn’t even remember his late wife’s face or if they had had any children. Davies, William DOB: 1955.03.14 Date: 2022.07.15 Status: Vitals normal, intermittent coughing fits, esophageal bleeding, otorrhagia, non-responsive, possibly catatonic. Time of Death: 19:29:42

“Director, I demand a meeting with the redevelopment authority! You need to halt the demolitions. I have a series of deaths that I believe are a direct result of this so-called urban renewal... No, I don’t have hard evidence linking them to the demolition; I believe it’s psychological in nature… We could lose a hundred more people looking for proof… Please! Fine, all this is on your hands then!” Dr. Philip Rammence stuffed his cell phone back into his pocket as he hurried past the recently constructed steel skeleton down the street from his brownstone. He stared at the orange-ish brown of the steel and tried to remember what had stood in its place before; he coughed into his elbow and thought that he had much more important things to worry about. ______________________________

personal work

cross section | enlarged

streets in the sky

streets in the sky Spring 2014 | Instuctor: Vivian Lee This was a one-week charet advancing principles from urban stoop conditions. Cities like Brooklyn and Amsterdam have a particular quality to them that is arguably thanks to their use of the urban stoop. The project mirrors and stacks a plan of typological brownstone structures in an attempt to densify the area while retaining the walkable nature of the street. The streets in the sky become havens for communal interaction outside.

personal work

in situ | exploded wormâ&#x20AC;&#x2122;s eye axonometric

4 rooms and a stair

4 rooms and a stair This project is conceived as a starter-home prototype for young professionals. As the housing crisis worsens in magnet cities, young professionals in the phase between school and starting a family are struggling to find a space they can call their own without falling deeper into debt. Conceived as four rooms and a small balcony, this living unit is one room per floor.

personal work

The form consists of a truncated pyramid that has been twisted slightly and punctured by a cylinder of vertical circulation. The area of the rooms lessens as one ascends, which dictates the program. Living is at ground level, kitchen/dining up one level, a bedroom above that, and the bathroom just under the balcony at the top.

The small footprint (18’x18’ at the largest) allows for this building to be thought of as urban-infill, clustered in a “community”, single-family-home at the edge of the city and the suburbs, or even rural cottage from which to work remotely.

plans & sections | in situ

4 rooms and a stair

personal work

triangle axonometric | site plan

a staring contest

a staring contest Fall 2014 | Instuctor: Keith Mitnick This project developed out of an interest in a question of purpose. The aim was to develop a formal architectural language that appeared both familiar, but also novel. The project consists of two structures that exist in a very specific relationship to each other. The first, a tilted cube, functions as a viewing platform from which to see the second. The second presents itself as the physical embodiment of an abstract territory, the Bermuda Triangle.

personal work

sections

a staring contest

personal work

plans | cube axonometric

a staring contest

With generic specificity these two objects hope to receive whatever narrative viewers desire to place on them, but also to propose their own narrative. Placed exactly 39.4 miles apart, only the very tip of the triangle can be seen above the horizon from the top of the cube.

personal work

perspectival section | 7th floor plan

fungal urbanism

fungal urbanism Fall 2013 | Instuctor: Neal Robinson Every city uses an immence amount of resources. Yet, cities also produce resources as byproducts of their existence. This project aims to find resources, evident and inscrutable, offered by the city of Detroit. The city, as empty as it appears, offers a surprising wealth of unseen or un-utilized resources. Detroitâ&#x20AC;&#x2122;s state of emptiness is no longer negative, but can be used as a resource for this project.

personal work

metropolitan building facade | warped aerial | steam network map

fungal urbanism

personal work

The proposal is to create fungal farms in abandoned buildings across Detroit; the Metropolitan building serves to illustrate this strategy to be implemented across the city. The mushrooms, cultivated with the help of Detroitâ&#x20AC;&#x2122;s existing and functioning underground steam network, are harvestable, but also serve to slowly break down the ruins of the city.

before & after perspectives | plan phases

fungal urbanism

personal work

model | wall section vignette

stoopifly

stoopifly Spring 2014 | Instuctor: James MacGillivray Team: Omar Ali, Jaclyn Zaborski, Myself This project is a comprehensive design for low-density urban housing. We studied the urban morphologies of Brooklynâ&#x20AC;&#x2122;s stoops and Montrealâ&#x20AC;&#x2122;s front stairs as precedents. Both the stoop and stair provide a palpable buffer between the traffic on the sidewalk and the domestic realm. We tried to carry this feature forward to the level of the community in our design.

personal work

stoopifly

building section

We chose to site our project in Harlem, NYC. It replaces a modernist “tower in the park” development on a super block between 127th and 131st. The apparent post-modernist aspects of this project were inspired by both the typologies of the stoop and stair, but also Harlem’s historic character. These aspects, unlike traditional post-modernism, are more than just surface treatment.

personal work

unit axonometrics

stoopifly

personal work

a monument in two-dimensions

“There is a danger of being inflationary, when too many competing markers (monuments) trivialize and obscure the ones that really matter.” - Charles Moore + Donlyn Lyndon

stirling: redrawn | abraham: redrawn

“Monument in its most original sense is a human creation, erected for the purpose of keeping single human deeds or events in the minds of future generations.” -Alois Riegl

“[Etienne-Louis]Boullée states outright that architecture should no longer be defined in the Vitruvian tradition as the ‘art of building’ but rather as the ‘art of presenting images through the disposition of bodies’.” -Martin Bressani

a monument in two-dimensions Spring 2015 | Advisor: Mireille Roddier This project takes on the original definition of “monument”. It argues that if the science of building lies in the realm of engineering, architecture produces the images of constructible things. It values the autographic over the allographic as a requirement for the production of monumentality. If architecture is an art of image production, the image itself is the project.

personal work

The work consists of a curation of intentionally un-built projects proposed for New York City. This provides fodder from which to design a monument to the curated set of architectural memories.

Design work is predominantly manual in the belief that monumentality relies on an autographic, un-reproducible nature. The process of manually constructing a drawing leaves traces behind in the form of marks like construction lines. These produce another layer of memory. The drawing itself becomes an artifact, not just a print, and, in so doing, becomes the monument.

elements of the monument

a monument in two-dimensions

personal work

panorama of the monument

a monument in two-dimensions

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