Steps (2015, revisions 2017) - Excerpts/Drafts of the Work-in-Progress

Page 1

Transposed Score Duration: ca 10 min.

  Piccolo    Flute 1

Steps

EXCERPT 1

for solo tenor saxophone and wind ensemble 2015

Tranquil q = ca. 54 2

  

3



 



Flute 2

  

 

Oboe 1, 2

  

 

English Horn

 

 

Bassoon 1, 2

  

 

Bb Clarinet 1

Bb Clarinet 2

Bb Clarinet 3

Bb Bass Clarinet Bb Contrabass Clarinet Bb Soprano Saxophone

Eb Alto Saxophone 1, 2

Bb Tenor Saxophone

Eb Baritone Saxophone

Solo Tenor Saxophone

Bb Trumpet 1

Bb Trumpet 2

Bb Trumpet 3

  

  

 

ppp

                  

   

   

Horn 1, 2

 

Horn 3, 4

 

mute

 

 

 

  

 

p espress. solotone mute - one player all others - plunger mute

  cup mute  

 

            

     

   

One Player

 

One Player

ppp

 

ppp

4

 

   

 





5





6

7

 

   



 









 





 



niente









 

 

bell tones

 

p

  

bell tones

  

p





 

 

 

pppp

pppp



ppp

 

     

pppp

 

   





 





 





           

            

 

niente

niente

 

ppp

 



 

pppp



p

pppp





 



Laura M. Kramer (b. 1984)

7





 

 







 







 



 

 



 

pppp

p









 

pppp

p

mp

pppp

pppp

 



 



 



 





 



 





 





 



straight mute

Trombone 1, 2

  

Bass Trombone

  

 



 

  





 



Euphonium

 





Tuba

   









Piano

Timpani

Percussion 1

           

   

ppp

(soft felt mallets)

 Crotales

bowed

Percussin 3

Percussion 4

        

 



 Vibes - slow motor

 

(med. rubber mallets)

      p 

Tubular Bells (medium yarn mallets)

  p





 





 





 



 

    

p



p

Marimba (medium yarn mallets)

Percussion 2

 

 



niente



 

Copyright © 2015 Laura M. Kramer (ASCAP)

 

  

bowed

 

 

 

   

     



p

 

 

   

  

ppp

  p

niente

 



 



 



  



mp

     

niente





p

  

niente


2

8

   

glassy

Fl. 1

  

9





Fl. 2

  

Ob. 1, 2

Eng. Hn.

Picc.

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.

Sop. Sax.

A. Sax. 1, 2

T. Sax.

Bari. Sax.

Ten. Sax.

Bb





  

  

  

Bsn. 1, 2

Bb Tpt. 3

F Hn. 1, 2

  

  

11



























 sostenuto

1. 2.



pp sostenuto

p

pp

p

pp



pp

pp



  







  





  





  











p

       











pp



 

 

p







ppp



 

 

pp

    

mf

    

mf













  







  







 











 



a2

pp

3 3      

3       3

p sostenuto

                

p













mf

     





   

mf

ppp

F Hn. 3. 4

 

Tbn. 1, 2

  



B. Tbn.

  









Euph.

  









Tba.

   











   









 

  

 

  



Perc. 2

  







Vib.

  





Perc. 5

  





  p    

ppp

 

p

 

Crotales bowed

mp

Vibes

a2



p

  

Perc. 1



straight mute

Timp.

  

Pno.







  

 

 

 

mf

 

ppp

 mf

 



p sostenuto

         



 

1. 2. sostenuto

mf

p

 





   

p







p



mf



 

Solo          

ppp

 



14

mute

mf

           

 

13

mf

p



 

Solo          

pp

                        sostenuto  



p

  

   

               

  

 



3

3

3

  

  Tpt. 1  

Bb Tpt. 2

10



Faster 12 Slightly q = ca. 60

Solo

 

 p 

            

  

continue pedal ad lib. 












  15

Picc.

 

Fl. 1

16

 

p





mp

p

mp



p









mp

p



Ob. 1, 2













 

 

Bsn. 1, 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.

Sop. Sax.

 

  





 

 

p

        

T. Sax.

Bari. Sax.

Ten. Sax.

Bb Tpt. 1



mp

mp

     

  

 

3

A. Sax. 1, 2

p

 

Fl. 2

Eng. Hn.

17

   





mp

p a2



p





p

mp

p



p

 

 

mp

 mp

mp





mp



 



mp

mp

p

    p

 

  Solo   

Bb Tpt. 2

Bb Tpt. 3

p



mp

 p

 

mp

  

p

3

p

      3











mp

3









p



ppp

ppp

   



mp

mute out (one player)









    p





Tbn. 1, 2







B. Tbn.







Euph.







Tba.

  





F Hn. 1, 2

F Hn. 3. 4

Pno.

Timp.

   

p

 



mp

p

 

mp

  



1.

   

















Triangle

Perc. 2







Vibes



ppp

  



Perc. 5

mute out

  

Perc. 1

Vib.







ppp

p

3

     

p

p

3

p

mp

mp

                        

 

 

p legato

ppp

ppp

p

mp

poco

     



3

 



p

3 3 3 3            

a2

21

p

p

3

                                      3

1.

3

p sostenuto

mp

mp

3

     

mp

 

 

Tutti

 

 

p

p

20

legato

 



p

p

p

3

19 A Tempo

poco rit.

p

3

3

     

p

3 3              3 3

continue pedal ad lib.


4

 



 3   3 

22

Picc.

Fl. 1

Ob. 1, 2

Eng. Hn.

Bb B. Cl.

Bb Tpt. 1

 

ppp

ppp

p

ppp

pp

mp

p



ppp

 

3

       

                

  







ppp

ppp

 

mp



 

mp

ppp

     1.

6

         

p



ppp

     



pp

p

poco

3



     



E§       





ppp





mp

 

ppp



ppp

 ppp

ppp

mp



ppp





















 



 



ppp













 

  

1.

ppp

  

Ten. Sax.

3

mp



mp

3

1.

      



Sop. Sax.

Bari. Sax.

27

T. Sax.

 

26

Bb Cb. Cl.

A. Sax. 1, 2

ppp

Bb Cl. 3

 

Bb Cl. 2

Bb Cl. 1

25



Bsn. 1, 2

24

ppp



Fl. 2

23

mp

 

ppp

ppp

 





mp

      

2.

ppp

mp

ppp

 

mp

       

1.

 

ppp

p

6















Tutti

plunger

 

 

 

remove mute, to cup mute

  









ppp

mp



ppp

Bb Tpt. 2

Bb Tpt. 3

F Hn. 1, 2





F Hn. 3. 4



















  





Tbn. 1, 2

B. Tbn.

Euph.

Tba.



Pno.

Timp.





      

 

mp

 p

poco

pedal ad lib.



Perc. 2



mp

(soft felt mallets)

Vib.



     



Perc. 5

3

 

ppp

3

Crotales

(medium yarn mallets) Marimba

  

  

p

p

ppp

 mp

ppp

             

pppp Perc. 1

Tubular Bells

pp

 bowed

 

ppp

 

  

p

 

bowed

  

ppp

 



 

 

p

 

















6   



 



 



pedal ad lib.

 

 


5

<e = q> (q = ca. 120) accel.

28

   

q = ca. 126

  



Fl. 2

  



Ob. 1, 2

  

Eng. Hn.

  

Picc.

Fl. 1

Bsn. 1, 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.

Sop. Sax.

A. Sax. 1, 2

T. Sax.

Bari. Sax.

Bb

 

p

Bb Tpt. 3

F Hn. 1, 2







 

 

 

 

  

  

  

  

   

  

      

 

  

 





 

























 















mf

mf

mf



p

p

ppp

ppp

 

 

Tutti

 



 







 

cup mute

p



p

 

  

  

pp

 

 

pp

p

p



p

36

p

 p

 

mf

35

p



mf

  

  Tpt. 1  

Bb Tpt. 2



34

 

mf

1. p 2.

33

 

p

p

Ten. Sax.

32

p

       

31

 

open a2

 p



 

 













mf

mf



3. 4.

p

1. 2.

mf

 

 

 

 

Tbn. 1, 2

  

B. Tbn.

  

Euph.

  

   

Tba.

Pno.

  p

  p

a2

 

 p

 

 

                          



 



mf



  

 

niente



mf

p



  

Perc. 1

  

Perc. 2

      

Timp.

Marimba

Vib.

Perc. 5

     

mp

  

 

p

Vibes

 

   p

p

(hard felt mallets)

 

pedal ad lib.

 

 

 

 

 

 

 

 

 

 

 

 

mf

p

p

 

F Hn. 3. 4

p


6

41 More Motion

37

Picc.

 



Fl. 1

39



Fl. 2

38

40

pp



poco







pp



Eng. Hn.

Bsn. 1, 2

 

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.

T. Sax.

Bari. Sax.

Bb

pp

Bb Tpt. 2

Bb Tpt. 3

 

F Hn. 1, 2

Tbn. 1, 2

mp

pp

Pno.



Vib.

   p

p

pp

p

pp

p

p

pp p



      

      

   



sim...

 

 

poco



 3

mute out



 

pp



mp

pp



  

 



   

p



 

 



 

Triangle

  

 

(hard felt mallets)

  

 

 

 

 

 

   

 

 



 

 

 



 

 

  

p

 p

 

p

(hard rubber mallets) p Crotales

pp

 



sim...

mf

mf

 





  

(rawhide mallets)

   

 

sim...

f

      





      

 







       poco

poco

poco

p

 

pp





pp p



f

f

poco

pp

 

  



  



p

poco



  p  

pp

poco

   3       

 

p

pp

pp p

  

 

p





Perc. 2

pp



pp p

   

 



Perc. 1

poco

p







     



poco

pp

 

 

pp





   

pp pp

 



p

      

pp

 

   

pp





1.  





 

emerging from the background

   

Euph.

p

pp



p



mp



pp p

p

 

pp p

p

   

   

B. Tbn.

Perc. 5

p

pp

Timp.

 



3.    pp    

F Hn. 3. 4

     

      

pp p

    Tpt. 1 

Tba.

p

  







poco

poco

poco

   



  

      

pp

   p



   

Ten. Sax.

 

  

pp

   

A. Sax. 1, 2

mp



a2

p

pp

Sop. Sax.

p

 

   

43

poco

Ob. 1, 2

 



 

pp

42

poco



 




   44

Picc.

 

Fl. 1

 

Ob. 1, 2

Eng. Hn.



Bsn. 1, 2

Bb Cl. 1

45

f

 

 

Fl. 2

 

 



     

f

    f

f

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.

T. Sax.

Bari. Sax.

Bb

Tbn. 1, 2

Tba.

  







f





  

 



f

mf

mf

mf

mf

   f

 

f

 





 

   

open

f

f

f

 

 

f

 

   

 

mf



   

   

 



  

 



mf



mf

mf





 





mf



  

mf

 

  

 

mf



  

f Crotales

f



 

  







   

  

1. 2.



      

mf



f





  

f

mf

   



mf

f

f



mf

 



ff

 

f

  

mf





1. 2.

mf



  

a2

mf

mf

 

   

 

Crot.

 

f

 

f

Timp.



  



Pno.

 



   

Euph.



mf





f



B. Tbn.

  



F Hn. 3. 4



  

F Hn. 1, 2



 

  

Bb Tpt. 3

 



   Tpt. 1 

Bb Tpt. 2

 

   

f

  

Ten. Sax.

 



 

A. Sax. 1, 2

47

  

  

Sop. Sax.

1. 2.



f

     

Bb Cl. 2

46





p sub.

p sub.





 

   

Tub. Bells

     f



  





 

poco

        p sub.



poco

 

 

      

      

sim.



 

      

 

p



sim.

poco

poco



   

 

sim.

p sub.



poco

          

  





    

              3



cup mute



mute



mute



straight mute



straight mute





 p sub.



p sub.

 



p sub.

mf

             

p sub. poco

p sub.

mf

 

f

Perc. 5

         

   

 

p sub.

     pp sub.

       Vibes                                                        

Vib.

51

p sub.

Triangle

Perc. 2

50

                 

a2

49

                       

f

7

48



   



  

     

 

  



  

 

pp



  

     


8

                                    52

Picc.



Fl. 1



Fl. 2

Ob. 1, 2

Eng. Hn.





Bb B. Cl.

Bb Cb. Cl.

Sop. Sax.

A. Sax. 1, 2

  

  

      

     

     

  

     

  

 

      

  

 

  

     



     



 

 

mp

1. 2.

mp

 

f

 

p

f

p

 

f

p



mp

f

p

mp

f

p

   

p



mp

 

f



 

 

mp

 

 



                                   

57

 

Bb Cl. 3

56

Bb Cl. 2

55

                               

   

Bb Cl. 1

54



Bsn. 1, 2







 









T. Sax.

Bari. Sax.



                                                                      

Ten. Sax.

Bb

53

  Tpt. 1  

Bb Tpt. 2

f

p

 

f

p

f

6

p sub.

 

  

f

mf

ff



mp

f

p

mp

f

p









Tbn. 1, 2





B. Tbn.





 

  

 



Bb Tpt. 3

F Hn. 1, 2

F Hn. 3. 4

Euph.

Tba.

Pno.

Timp.

 

Crot.

  

Perc. 2

Vib.

Perc. 5

mp

f



f



   

 

mp

 

   

 

    

 

 

 

  

 







 

   

 

    

   

 

ppp

  

  

Tam Tam bowed

 p

    



f



 



           





mp

 

 

  

 

 f



  



 

  

p

f   p                   

 


58 dark

Picc.

 

Fl. 1

Fl. 2

 







 

Eng. Hn.

mf

Bsn. 1, 2

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.













      



      

                

     

      

mf

       

                          mf

      



      

 





 









     

mf

 

mf

      

   



      

   













 







      

       

 























  

   

mf legato







             

 

       





          

 

     

 

  

 

mf legato

mf



    

 



                           

 

 



 

Crotales



mf

  

   

mf

(rawhide)



mf



  

Triangle                     mf   Vibes                                       Tub. Bells

Perc. 5

   

mf legato

Vib.





 

F Hn. 3. 4

Perc. 2

  

F Hn. 1, 2

Crot.

   



Timp.

mf

 



mf



      

Bb Tpt. 3

Pno.

mf

Tba.



mf

mf

           

mf

a2

   



mf



mf

mf



                mf                 



 

Bb Tpt. 2

Euph.

   

T. Sax.

B. Tbn.

 

A. Sax. 1, 2

Tbn. 1, 2



            





   

Sop. Sax.

Bb Tpt. 1

legato

Bb Cl. 2

Ten. Sax.

Bb Cl. 1

Bari. Sax.

  

mf



 legato



61





Ob. 1, 2



9

62

60

 

                    

      



    

 

           

     





      

      


10

63

Picc.

Fl. 1

Fl. 2

Ob. 1, 2

Eng. Hn.

Bsn. 1, 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.

Sop. Sax.

A. Sax. 1, 2

T. Sax.

Bari. Sax.

Ten. Sax.

Bb Tpt. 1

Bb Tpt. 2

Bb Tpt. 3

F Hn. 1, 2

F Hn. 3. 4

Tbn. 1, 2

B. Tbn.

Euph.

Tba.

Pno.

Timp.

Crot.

Perc. 2

Vib.

Perc. 5

65

 

 

 

 



f mf

 

  

 



 



















fp





ff







   

f mf

 

  



 















 

   

  

 



 



 

 

f mf cup mute



 

mf

 



5



f





f

   



 

 

 

 







mf

fp

mf

  

mf

 

 

 

 

 



 

p

mf

 

mute out

  mf

  mf

   

 

 

 

   

 



 



 

 

 



  

   

   

Tam Tam ff (medium yarn mallets)

mf

resonant

mute out

 





 



  

ff resonant

mf

 

 

ff

   

(med. yarn) Marimba

mf

ff

mf

 

 

fp

 

 

 

 

mf

fp

fp



 









mf

5



 

5

 

      

  

   

mf

 

fp



 

mf



fp

   

 

mf



fp



 

f



mf

  



 

fp

 



6

 





     



  

 



 

mf



mf



 





fp





66

 

 

f mf

  

fp

 



f

fp

f mf







 

fp

  

mf

ff

1. 2.

f mf

     

 

  

f





  

 

 





 

fp

f mf

   





 

 



 

f mf

   

ped. ad lib.







    

  









ff resonant

  

  

    

resonant

     

ff

ped. ad lib.

   

  


67

         Picc.   f    Fl. 1    f    Fl. 2  

68

f

Ob. 1, 2

Eng. Hn.

Bsn. 1, 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

         

    







 

p sub.

p sub.



f

F Hn. 1, 2

F Hn. 3. 4

B. Tbn.

Euph.

Tba.

Pno.

Timp.

Vib.

 







p sub.

    

    



 



 



                          

f

 

  

 

 

 

 











p sub.

 

6

p sub.

    

       



   

    

3



  

 



 



 

1. p sub. 2.

p sub. 3. 4. p sub.

 

   



 



 



    f    



 



 



f

straight mute

p sub.

 

p sub.



f

p sub.

       f p sub.                    

     

 

ff



ff

 

   



  







 

 



  



p sub.





                                         

 

                                       



p sub.

Perc. 5

mf

Perc. 2

mf

Crot.

a.2. straight mute

Tbn. 1, 2



f

Bb Tpt. 3



f

f

Bb Tpt. 2

73



                                         



Bb Tpt. 1





                                         

Bari. Sax.

72

p sub.

Ten. Sax.





T. Sax.

A. Sax. 1, 2

 





Sop. Sax.

71

p sub.

70



Bb Cb. Cl.



f

69

11



 





     

                                                    

     

                                            


12

EXCERPT 2 156

Picc.

   

Fl. 1

Fl. 2

 







  

 







  



  

Eng. Hn.

     

f

p

p

  



  

Bb B. Cl.

  

Sop. Sax.

Ten. Sax.

Bb

p



  

 

     

 



 

 

  

F Hn. 1, 2

  

F Hn. 3. 4

  

Tbn. 1, 2

B. Tbn.

     

p

  

Tba.

   

Pno.

Timp.

Crot.

Perc. 2

Vib.

Perc. 5

f



 

 



 

 

f





 



 

 

 

f

 

f



 

 



f



  

 





f

 

 

 





 

 

f

  

f

p





f

f







  

  

f

 

p



 

f

   

 



    p      p   

f

 

 

p

   



 

p

Euph.



f



 



p

Bb Tpt. 3



f

f

p

  

 

f







f

p

p

 

 

 



f

 

 

  Tpt. 1  

Bb Tpt. 2

p

   

T. Sax.

Bari. Sax.

   

A. Sax. 1, 2

f

f

   

Bb Cb. Cl.

f

 

p

   

Bb Cl. 3

 

   

Bb Cl. 2

f

1. 2.

Bb Cl. 1

157

Ob. 1, 2

Bsn. 1, 2

Building (h = ca. 63)



f



f

 

 

f

 f

 

 



 

 

  

 





  



 

 


13

        158 159                         Picc.     ff                                        Fl. 1       ff                                        Fl. 2                                            

Bsn. 1, 2

Bb Cl. 1

    ff   

ff

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.

Sop. Sax.

    























      



 

ff



      



   

Bb

 Tpt. 1  

Bb Tpt. 2

Bb Tpt. 3

F Hn. 1, 2

 

ff

ff













  



ff



    

ff





ff



ff



     ff







  



B. Tbn.

  

   

Tba.

Pno.

Timp.

  







Vib.



 

ff







 

 



 

 

     ff     

  

 

Tub. Bells ff

  

  

  

 

  

    

  

 

       

  

  

      

 



 

    

 

  

  

          



    

  









  

  



    

  



  

  

 

   

   



  

   





 

 



  

 

 

a2  

    



  



  



 

 

 

 

    

 

    



 



(soft felt mallets)

  

  

 

 

   



 

       



    

   

  

 

 



 

   



ff

Perc. 5





ff

ff Marimba

Perc. 2

ff

ff

Crot.



 

       

ff

ff

Euph.



ff

Tbn. 1, 2

a2

 

          





       

 

a2

ff

F Hn. 3. 4



                    

ff







                      

ff



                                                              

                                         A. Sax. 1, 2  ff              T. Sax.        ff       Bari. Sax.      Ten. Sax.



1. 2.

     

                                     ff a2

   

a2

ff

Eng. Hn.

   

160

      

ff

Ob. 1, 2

                                                                                   

    

 

 

 



   

 

  

 

 

   

               

 

  

 

   

  

     


14

   Picc.    dim.          Fl. 1             Fl. 2    161

dim.

Ob. 1, 2

   

dim.

Eng. Hn.

Bsn. 1, 2

Bb Cl. 1

Bb Cl. 2

          

 

    

Bari. Sax.

Ten. Sax.

Bb Tpt. 1

Bb Tpt. 2

Timp.

Crot.

dim.

Perc. 5

mp

    

mp

 



   

    

   

  



     



mp

mp



mp

  

   



 

mp

mp

mp

 



 

 

 



 

 

1. 2.



 







 

     

f

 

  (hard felt mallets)

p





 

p

 



p





 



p



p

mf

f





f

f







f







f

mp



f

p

p









mp

     



cup mute

    



 

     

mp

mp

  



cup mute



mp



mp

mp



f



f

mp



mp

Vibes

Vib.

    

   

Marimba

Perc. 2

  



3. 4.

Pno.

mp

F Hn. 1, 2

Tba.

mp

1.

Euph.

 2.   

B. Tbn.

         

 

 

Tbn. 1, 2

mp

164

Bb Tpt. 3

F Hn. 3. 4

mp



163

mp

mp

 



              

Bb B. Cl.

T. Sax.

 

         

 

     

mp

 

A. Sax. 1, 2

 

 

       

Bb Cl. 3

Sop. Sax.

 



mp

162

mp

 

Bb Cb. Cl.

   



 p

  

    






165

Picc.

    

15

Suddenly Calm

166



 

One Player

   

One Player

   



   



Bsn. 1, 2

   



Bb Cl. 1

  



Bb Cl. 2

  



Bb Cl. 3

  



Bb B. Cl.

  



Bb Cb. Cl.

  



Fl. 2

Ob. 1, 2

Eng. Hn.

Sop. Sax.

   

A. Sax. 1, 2

 

T. Sax.

Bari. Sax.

Ten. Sax.

Bb Tpt. 1

ppp

p

ppp



  



  



   

      

Bb Tpt. 3

      

p

   

   

          

p espress.

poco

cup mute

ppp

p

ppp

mute

 



 

 



 

 



 

 



 

 



 

 



 

 



 

 



 

 



 

 



 

 

  

p

       

          

 

 



 

 



 

 



 

 



 

   







 

 



 

 





 

 



 

 



 

 

 

   



 

pp

  

  

  pp  

 



 

   

Perc. 5

 

Tba.



 



Vib.



     





   

   

 



Euph.

Perc. 2



pp

 

ppp





  

Crotales

B. Tbn.

     

 

 





Tbn. 1, 2

Crot.

 

   

Timp.



   

Pno.

 

F Hn. 3. 4

plunger mute



 



 

168





Bb Tpt. 2

F Hn. 1, 2



                                   p ppp                                     

    

Fl. 1

 

167

Triangle

pp

  p

   

 

   



 

 



 

 





 

 



 

 



 

 

 

 



 

 

 

 

p

 



  


169 Tranquil q = ca. 54

16

Picc.

    

Fl. 1

   

Fl. 2

    

Ob. 1, 2

p



 

171







 

1. 2.

     

 

170



 

p

172

 

 

 

pp

   





Bsn. 1, 2

  





  



 

  



 



  



 

  



 

  



 

Sop. Sax.

  





A. Sax. 1, 2

 



T. Sax.

  



Bari. Sax.

  



Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.

Ten. Sax.

  

    



   

mp cresc...



Bb Tpt. 2

  

Bb Tpt. 3

p

p

p



 

 



  





 



 



















 

    3

  





F Hn. 1, 2

  



F Hn. 3. 4

   



Tbn. 1, 2

   

B. Tbn.

   

Euph.

Tba.



   

3

p

 poco





 





one player - to solotone all others - switch to plunger







































   









   









    









   









  









    

































   

Triangle

Perc. 5



Vib.



Perc. 2







Crot.



Timp.





 

Pno.

Bb Tpt. 1





p

 





poco



p

 

p

1.



 

poco

Eng. Hn.

Bb Cl. 1

Tutti

p

173

    



p


17

176 haunting

    

   

Fl. 2

Ob. 1, 2

174

175

177

178

179

180





   



   



Eng. Hn.

  





Bsn. 1, 2

   

 



       

       









Picc.

Fl. 1

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.

    

      

p

 

p

 

 

      



 

 



p

 

poco





poco

pp

pp





pp



 

















one player



 



ppp



p

 

     





 

 











Sop. Sax.

  





A. Sax. 1, 2

  





T. Sax.

  





Bari. Sax.

  







Ten. Sax.

  

  

   

    



Bb Tpt. 2

  

Bb Tpt. 3

  

f

ppp

p

ppp











F Hn. 1, 2

   



F Hn. 3. 4

   



   



B. Tbn.

   



Euph.

   



   





Bb Tpt. 1

Tbn. 1, 2

Tba.

Pno.

Timp.

Crot.

             









p

(hard felt mallets)

 

Vib.

    







  

 Vibes

3

3

3

p

p













 (soft felt mallets)



 



 Crotales

 



pppp

ppp

3

 

p pedal ad lib.

p

pedal ad lib.



            

3



 

ppp

ppp

ppp

p



 

gliss through entire measure

pppp

Solo

plunger

Perc. 2



   

Perc. 5

Solo

mute

 3

3

  

 3

p

 3

poco

3    



poco


Motion 183 More h = ca. 60

18

    

Fl. 1

   

Fl. 2

    

181

Picc.

Ob. 1, 2

     

Solo  





182

ppp

p

Bsn. 1, 2

Solo  

Bb B. Cl.

  

Bb Cb. Cl.

  

   



A. Sax. 1, 2

 

T. Sax.

  

Bari. Sax.

Ten. Sax.

Sop. Sax.

Bb Tpt. 1

ppp



Bb Cl. 3

186

  





  

mp



Bb Cl. 2



  

   

   

               

    

Eng. Hn.

Bb Cl. 1





p

  



  



mp



ppp

 















  



  







  

   

  

ppp

     

 

p

solotone one player



ppp

mf

mf

ppp

  

p

ppp



mute out, to plunger (one player)

 p

 

          

Bb Tpt. 2

  



Bb Tpt. 3

  



F Hn. 1, 2

    





ppp

mute out

F Hn. 3. 4

   

Tbn. 1, 2

   



B. Tbn.

   



Euph.

   



Tba.

   



Pno.

Timp.

    

 



             

   



  



Crotales

Crot.

Perc. 2

3     3   3       

   

mf

Vibes

Vib.

Perc. 5

  3   3   3        



mf

mf

  

p





 

                             



p


190

   

  

187

Picc.

Fl. 1

Fl. 2

Ob. 1, 2

Eng. Hn.

Bsn. 1, 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3





   p

A. Sax. 1, 2

T. Sax.

Bari. Sax.

Ten. Sax.

Bb

  

Bb Tpt. 2



Bb Tpt. 3

  

F Hn. 3. 4

 

Tbn. 1, 2

  

B. Tbn.

  

Euph.

Tba.

Pno.

Timp.

Crot.

Perc. 2

Vib.

Perc. 5

 

 

         

  

  

  

 







ppp



 

    



  

 

 



p

 



























    

        

p



(soft felt mallets)



  



f mute out

  



f



Tutti

f

 f

  

f









ppp













plunger      

   

 



f.





ppp



 

 















f



cup mute

  



f

f



a2



  

    

f





  

f

 



mp



 

 

p





a2

        

 

 



1.





  

  

Tutti

p



p



 p









 Tpt. 1  

F Hn. 1, 2





 p











p





Bb Cb. Cl.

Sop. Sax.





  

Tutti



 

p



189







  





  

Bb B. Cl.

188

19

  

  

p

 

  

 

  

f Marimba

                              

ff Vibes

ff

               


20

  

191

Picc.

Fl. 1

Fl. 2

Ob. 1, 2

ppp

p

 

Bb Cl. 1

ppp

p

1.

A. Sax. 1, 2

1.

ppp

p

  

T. Sax.

Ten. Sax.

 

F Hn. 1, 2

F Hn. 3. 4

 

 









 

 

   

p

poco

poco

    p

 legato

   

p

 mp

poco

    

  

  

poco

 









 

 

 





ppp

 

ppp

ppp

p

p

ppp

p

ppp

 ppp

 

 

p

 

p

 

 

pp







 

ppp

 

pp

p

ppp

 











p







p

p

ppp

ppp

  



pp

open

 

1.

ppp

ppp

legato

Euph.

Perc. 2

p

 

legato Tutti

B. Tbn.

Crot.

p



Timp.

ppp



Pno.

 

Tbn. 1, 2

 

Bb Tpt. 3

Tba.

ppp

 

Bb Tpt. 2

ppp

 

p

  

   Tpt. 1 

pp

pp

   

 poco

 

poco

p

 

Sop. Sax.

p

  

p

     

 

Bb Cb. Cl.

p

ppp

 

Bb B. Cl.

 



 

194

 

 

Bb Cl. 3

ppp

 

Bb Cl. 2





Bsn. 1, 2

Bb

 

Eng. Hn.

Bari. Sax.

193 q = ca. 120

192

  

 

  

                                                                                                

Marimba

mp Vib.

Perc. 5

 

Vibes

              

mp Tam Tam

 p

                        



       


   195

Picc.

Fl. 1

Fl. 2

Ob. 1, 2

 

Bb Cl. 2

mp

poco

mp

Bb B. Cl.

Bb Cb. Cl.

Ten. Sax.

Bb Tpt. 2

 

Bb Tpt. 3



Tbn. 1, 2

B. Tbn.



Euph.



Timp.

Crot.

Perc. 2

Vib.

Perc. 5

 



  

mp

p

       

pp

p legato

mp

p

      

p

   

p

  

                         

              

 

Tub. Bells

p

   dolce

poco

mp

p

p

         poco

  

 

         legato

p a2

mp

   legato

p

p

                                      

pp

         legato

p

p

mp

mp

   



        

 



pp

p

       

3

3

legato



p

mp

p

 

mp

ppp

ppp

ppp



 

 

p



  

1.

pp

 

 

ppp

p





ppp

pp





pp

pp

mp



   

 

legato

    

     

p

      



pp

mp



      

p 1.



  

legato

      

1.

  

p

p

  

mp

pp

mp

           

  



ppp

 

  

                                

  

ppp

      



        p legato

pp



p

   

mp

200

dolce

  

p

legato        

  

201



      

legato



198

   

F Hn. 3. 4

Pno.

poco

  

   

F Hn. 1, 2

Tba.

mp

  

  

                 

 

  

      Tpt. 1 



  

 

  







 

T. Sax.

 

  

A. Sax. 1, 2

 

Sop. Sax.

 poco

 

Bb Cl. 3

196

  

   

Bb Cl. 1

Bb



Bsn. 1, 2

Bari. Sax.

 

Eng. Hn.

21

197

ppp











  

p

Xylophone (med. rubber)

  

           pp poco      poco                                                   

      

                       

       (rawhide)

p

  

    


22 202   

legato

Picc.

 

 

p

Fl. 2

           

Ob. 1, 2

Eng. Hn.

Bsn. 1, 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3



legato

 

 

p

mp

 

 

p

mp



  

 

 

 

 

p

 

206

  

   

  

   

f





207

  



  



               

f

 

mp



mp



mp

mp

p

 



                



205

 

p

204



mp

Fl. 1

203

  

 

f

  

 

f

      



      



           

Bb B. Cl.

Bb Cb. Cl.

Sop. Sax.

         

A. Sax. 1, 2



T. Sax.

Bari. Sax.

6

 Tpt. 1 

Bb Tpt. 2

Bb Tpt. 3

7

  

 mp





p



 

Euph.

Tba.

Pno.

Timp.

Perc. 1.

Perc. 2

Vib.

Perc. 5

f

 



f

     

      



      

 

    





    



   

 

p

f



p

                   

    





    

f

    

f

  f

f quick gliss at end of beat

quick gliss at end of beat



  fp

 fp

  

fp



p



   

p





 



mp

ppp B. Tbn.

 

f

     

7

p

p

  

Tbn. 1, 2





 

F Hn. 3. 4

6

1. 2.

 

F Hn. 1, 2

6

p

6

     

1.

                                   

Ten. Sax.

Bb

               





 



 



fp



     

     

             

 



  

p

 

 

 

 

 





 

  mp

  

 

                                             

 

 

     


23

Picc.

208    



209

212

Fl. 2

Ob. 1, 2

Eng. Hn.

 







211



Fl. 1

Bsn. 1, 2

210



Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.

Sop. Sax.

A. Sax. 1, 2

T. Sax.

Bari. Sax.



Ten. Sax.

Bb Tpt. 1













 

Bb Tpt. 2

Bb Tpt. 3

F Hn. 1, 2

F Hn. 3. 4



Tbn. 1, 2

  

B. Tbn.

  

p

Euph.

  

p

f

f

f

Tba.

Timp.

Perc. 1.

Perc. 2

Vib.

Perc. 5

 





mf





mf

p

   

mf



f

Pno.





p

mf

 



 

 



 



  

 

 

 

 

 

 

 

  

 

 

 

 

 

  

 

 

 

 

 

  

 

 

 

 

 

  

 

 


24

  213

Picc.

 

Fl. 1

Ob. 1, 2

Eng. Hn.

 

215

 

 







 

 

 

 



 

 

 



 

 

 

 

    

p legato

 

legato

216

 

Bsn. 1, 2

 

Fl. 2

214

p legato p





Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb B. Cl.

Bb Cb. Cl.

 

Sop. Sax.

 

 





 



 

A. Sax. 1, 2

T. Sax.

Bari. Sax.



Ten. Sax.

Bb Tpt. 1

 

  pp

Bb Tpt. 2

Bb Tpt. 3

F Hn. 1, 2

F Hn. 3. 4

Tbn. 1, 2

  

 

B. Tbn.

  

 

Euph.

Tba.

Pno.

Timp.

Perc. 1.

Perc. 2

Vib.

Perc. 5



 





 





mp

pp

  pp

  pp



  

 

 

  

 

 

 

 

 

  

 

 

 

 

 

  

 

 

 

   



  



 

 

   


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