LAUREN DAVIS 2020 CA F Pri ze Prop os al
RESUME
( 8 0 3 ) - 2 5 7 - 4 2 0 9 | lfdavis@g.clemso n.edu
PERSONAL STATEMENT
EXPERIENCE
In my a p p r o ach t o ar ch it ect u r e, I am t ir e l e s s l y c u r i ou s t o l e a r n a s m u c h a s I c a n w i t h
ARCOSANTI, ARIZONA
e a c h proj ect t h at I d o . I s eek w it h f as cin a t i on f or w or k t h a t c a n i m p r ov e h ow w e l i v e ou r l i ve s , a n d I h av e d o n e t h is t h r o u g h o u t m y e d u c a t i on b y v ol u n t e e r i n g a n d a p p l y i n g t o pr o gr a m s t h at exp an d m y p er s p ect iv e. I s e e m y w or k a n d l i f e a s a n e t w or k f or e n g a g i n g wi t h t he w o r l d an d cr eat in g p o s it iv e ch a n g e i n m y s u r r ou n d i n g s .
Planning Intern | May- Aug 2018
An e x pe r i e n ti al le ar n i n g ce n te r be g un i n 1970 fo r se e ki n g alte r n ati ve s o f u rba n spra wl. T here I co mple te d a five we e k co n str ucti o n wo r ksh o p an d wo r ke d un de r an ar chitec t to a ssist with var i o us pr o je cts o n si te . SYNCHRONICITY, CHARLESTON Architecture Intern | May- Aug 2019
Ar ch i te ctur e an d L an dscape fir m fo cuse d o n mi x e d-use ur ban i n fill i n do w ntown C ha rleston
EDUCATION
Knowledge
hybrid environment, focused in communi ty se r v i c e
Hand D raf ti ng Hand Sketchi ng 3D Pr i nti ng Fi eld Su r veyi ng Pu b li c Sp eak i ng G rap hi c D esi gn I m ag e edi ti ng Wo o dwo r k i ng Pho to grap hy Wr i ti ng Eng li sh, Fi r st Lau ng u ag e Sp ani sh, I nter m edi ate
HONORS AND LEADERSHIP
Computer
CLEMSON UNIVERSITY Fall 2016 - Spring 2020
Bach elor of Arts in Architecture, Art H istor y Mi n o r BARCELONA ARCHITECTURE CENTER Spring 2019
Program focused on training architects i n th e f r a m e o f Europea n urban and landscape design ten de n c i e s CLEMSON DESIGN CENTER CHARLESTON Fall 2019
Program bridging academia and practice b y te a c h i n g i n a
R U D O L P H E . L E E Prof e ssi ona l Prom i se Aw ar d N ominee
A I A S B O A R D M E M B E R Eve nts coordi nator , assisted
in pl a n ni ng t he Sout h Qua d f orum i n 2020 H A B I T A T F O R H U M A N I T Y Club Mem b er , Assisted in
a V irt u a l Re a li t y Model f or t he Clem son hous e in 2018 S O L I D G R E E N Sust a i na bi li t y Club Mem b e r D E A N ’ S L I S T Fa ll 2016, Spri ng 2017, Spri ng & Fall 2018
P R E S I D E N T ’ S L I S T Spring and Fall 20 1 9
Pho to sho p I llu strato r I nD esi gn R evi t R hi no 3D Lu m i o n M aya Au to Cad SketchU p U ni t y M i cro so f t G rassho p p er
METANOIA, NORTH CHARLESTON Contractor Intern | Aug - Dec 2019
Co mmun i ty de ve lo pme n t n o n -fo r -pr o fit i n ve ste d i n n e i g h bo r h o o d asse ts to bu ild lea ders, e stabli sh quali ty h o usi n g an d g e n e r ate e co n o mi c de ve lo pme n t i n th e do wntown of a historic n e i g h bo r h o o d SOUTH CAROLINA RILEY MAYORS DESIGN FELLOWSHIP Intern | Aug 2019- April 2020
Educate s mayo r s wi th th e to o ls to i mple me n t pr o je cts th at po si ti ve ly i m pa c t the bu ilt e n vi r o n me n t
COMMUNITY INVOLVMENT BIKE AND BUILD DRIFT WEST August 2020
F u n draised 3,000 for a 1,000 m ile bike t rip across Wash in g t on St at e t o raise aware ne ss o f the ne e d s o f aff ordable h ou sin g an d v olu n t eer for v ariou s aff ordable h ou sin g n on profi t s STUDIO V Fall 2019
P art icipat ed in a com m u n it y bu ild st u dio t o bu ilt a farm st an d for a a sit e u n der the Na ti o na l R e gi stry o f h ist oric places t h at ben efi t ed an aff fordable h ou sin g n eig h borh ood wit h a com m u ni ty ga rd e n KONNAROCK TRAIL CREW Summer 2017
Worked wit h a t eam t o rest ore wildfi re dest royed t rails for 10 days in t h e Nan t ah a la Na ti o na l Fo re st SALAMANDER SPRINGS (WOOF) Summer 2017
Volu n t eered on a p e rm a c ulture f a rm i n
Millidg ev ille, G eorg ia for on e week t o learn it s prin ciples of org an ic farm in g an d susta i na b i li ty
TRAVEL PROPOSAL TRACING LOST STEPS IN AN ARCHITECTURAL LINEAGE I see t he CA F P riz e in A rc h itec tu re as an op p o r tu ni ty to s tu d y w ha t ha p p e ns to a r chi te ctu r e w he n i t ha s t o as s imil ate to tec h n ol ogy f rom ou ts i d e o f i ts o w n co nte xt. I b e ca m e i nte r e s te d i n ho w inno v ation affec ts th e b u il t worl d th rou gh r e a d i ng I n Pr a i s e o f S ha d o w s b y J u n’i che r o T a ni za k i . T hi s bo o k il l u s trated to me n ot on l y th e b eau ty o f tr a d i ti o na l J a p a ne s e a r chi te ctu r e b u t i ts k e y philo sop h ic al an d f ormal d ifferen c es f rom w e s te r n a r chi te ctu r e . T a ni za k i o u tl i ne s thi s b e a u ty i n the c ult iv a tion of ric h s h adows in Jap an es e archi te ctu r e . F o r e xa mp l e , to q u o te T a ni za k i , “i n the g o thi c c a t hed ral of th e wes t, th e roof is th ru s t u p a nd u p s o a s to p l a ce i ts p i nna cl e a s hi g h i n the he a ve ns a s po ss ib l e- an d th at h erein is th ou gh t to li e i n i ts s p e ci a l b e a u ty. I n the te mp l e s o f J a p a n, o n the o t he r h an d, a roof of h eav y til es is fi rs t l aid o u t, a nd i n the d e e p , s p a ci o u s s ha d o w s cr e a te d b y the e a v e s th e res t of th e s tru c tu re is b u il t.” Ta niz aki f u rth er exp l ain s h ow as n ew tec h no l o g i e s f r o m the w e s t b e co m e a ne ce s s i ty to mo d e r n l i f e , Ja pa n h ad to ad ap t to take on wes tern s ty le s o f a r chi te ctu r e . I n thi s p r o ce s s , i ts i nhe r e nt b e a u ty bec o mes l os t. I wan t to u n ders tan d th e imp o r ta nce o f w ha t b e co m e s l o s t i n a n a r chi te ctu r a l l i ne a g e when arc h itec tu re c an n ot move f orward in o r d e r e d s te p s . F i r s t I w o u l d l i k e to g a i n a n u nd e r s ta nd i ng o f Ja p a n es e arc h itec tu re’s b eau ty th rou gh vi s i ti ng the to w ns me nti o ne d i n S ha d o w s a s ha vi ng s o m e o f t he ric h es t tradition al arc h itec tu re in Jap a n. T he n I w a nt to tr a ce w ha t i s l e f t o f i ts p a s t l e g a cy t hr o ugh v is itin g Toky o, th e mos t wes tern ize d ci ty i n J a p a n. I w o u l d l i k e to a p p l y my i nte r e s t a nd e x per ien c e in p h otograp h y to th e en viron me nts I d i s co ve r a s a to o l to a i d my u nd e r s ta nd i ng o f the q ua lit ies of l igh t p res en t an d h ow th ey are s ha p e d b y the i r cu l tu r a l co nte xt. T hr o u g h p ho to g r a p hi ng t he t r ad ition al arc h itec tu re al on gs ide th e a p p r o p r i a te d f o r ms I fi nd ; I w i l l e vi d e nce w ha t i s l o s t w he n a r c hit ec tu re is ou tfi tted f or tec h n ol ogy , as w e l l a s e vi d e nce p o s s i b l e s o l u ti o ns f o r the f u tu r e . To o o f ten , in n ovation is s een as a n ec es s ity. T he a d va nta g e s o f a p r e vi o u s te chno l o g y, a p r e vi o u s wa y o f l if e, b ec ome f orgotten in its wake. F u r the r m o r e , the a ff e ct o n a r chi te ctu r e w he n i t ha s to a ssim i l ate to tec h n ol ogy f rom ou ts ide of it s o w n co nte xt i s a n u nd e r a p p r e ci a te d a s p e ct o f inno v ation an d c u l tu ral iden tity . A s th e wor l d i s d e ve l o p i ng a t r a te s ne ve r s e e n b e f o r e , a nd ci ti e s a r e t r an s f ormed b y c l imate c h an ge, th is affe ct w i l l o nl y b e co me m o r e r e l e va nt. I f a n a r chi te ct i s lo o k ing to c reate c omp l ete en viron men ts , i t i s ne ce s s a r y to ho no r the hi s to r y o f tha t e nvi r o nm e nt. Wit h t h is s en s ib il ity , on e c an u n ders tan d w ha t b e co me s l o s t i n a n a r chi te ctu r a l l i ne a g e w he n i t d ev elo p s too rap id l y . M y trip is ab ou t d ev e l o p i ng a n u nd e r s ta nd i ng o f a n a r chi te ctu r a l he r i ta g e tha t d id not h av e th e ab il ity to move f orward in i ts o w n w a y. Ja pa n was b rou gh t to my atten tion th rou g h I n the Pr a i s e o f S ha d o w s , b u t the a p p l i ca ti o n o f thi s r e sea r c h c ou l d b e trac ed to an y u rb an c on te xt. I ca n s e e i ts he r i ta g e i n the m a ny p l a ce s I ha ve st ud ied arc h itec tu re, in c l u din g th e f ooth ill s ve r na cu l a r o f Cl e ms o n, the l e g a cy o f the Cha r l e s to n S ing le Home, th e in fl u en c es of th e ad ob e p u e b l o i n Pa o l o S o l e r i ’s u r b a n e xp e r i m e nt o f A r co s a nti , a nd t h e p eriods of h is tory l ay erin g th e c ity o f Ba r ce l o na . H o w e ve r , tr a ve l i ng to a n e a s te r n co nte xt, d ev o id of Roman f ou n d ation s , wil l giv e me a n e nti r e l y ne w he r i ta g e o f a r chi te ctu r e to d e ci p he r . I t hink th is is vital f or me movin g f orward in ca r e e r a s p i r a ti o ns a s I a m r e a l l y i nte r e s te d i n p u r s u i ng inno v ativ e b u t c ommu n ity d riv en arc h itec tu r e thr o u g h a d e s i g n b u i l d l e ns .
PRELIMINARY ITENERARY
SITES OF INTEREST
(Official dates not determined in the wake of COVID-19)
MODERN SOLUTIONS Ribbon Chapel – Hiros hi Nakamara & Nap Fukuyama Fukuyama M us eum of Art Kohtei Pavilion by SANDWICH Architects Fukuyama Clover Hous e / Kats uhiro M iyamoto & As s ociates – Nis hinomiya Otani M emorial art mus eum – Nis hinomiya Hous e of L ight by James Turrel – Tokamachi Birch M os s Chapel by Kengo Kuma and As s ociates – Nagano Azumaya -Nagayama & As s ociates - Tokyo
DAY 1: Fly from Atlanta, GA to Osaka, Japan Approximate Round Trip Cos t: 1,000 Hos tel Cos t: $20 DAY 2-4: Fukuyama Train: $8 Approximate Cos t of s tay: $200 DAY 5-6: Kyoto and Nishinomiya Train: $8 Approximate Cos t of Stay: $150 DAY 7-8: Sakai Train: $1 Approximate Cos t of Stay: $150 DAY 9-16: Wakayama Train: $5 Approximate Cos t of Stay: $400 DAY 17-19: Nagano Train: $20 Approximate Cos t of Stay: $200
DAY 22-29: Tokyo Train: $8 Approximate Cos t of Stay: $400 DAY 30-31: Return Home Train to Os aka: $20 Round trip flight taken back to the States
To ka m a ch i
Total Planned Expens e: $3000
Kyo to
To kyo
S a ka i
Wa kaya m a Fu ku ya m a
F ind ing th es e p attern s an d imp l emen tin g the m i nto a b u i l d i ng w a s s o g r a ti f yi ng tha t I ca nno t im a g in e des ign in g qu al ity s p ac es with ou t thi s s k i l l . T hr o u g h the CA F tr i p , I w a nt to co nti nu e d ev elo p in g th is s kil l s o th at I c an c on tin u e to a p p l y i t to a r chi te ctu r a l p r o j e cts o f the f u tu r e .
NATURAL INFLUENCES: Sens ui Is land - Fukuyama Shirara Beach – Wakayama M t. Fiji – Tokyo Hos hitoge Rice Terrace – To kamac h i Yos hino-Kumano Nationa l P ark - W akay ama
Nagano
Wha t b rou gh t me toward s th is “ l en s ” was t hr o u g h w o r k i ng o n the E ns to n H o me F a r m S ta nd thr o u g h t he C harl es ton Commu n ity b u il d s tu dio. The r e I l e a r ne d the i m p o r ta nce o f r o o ti ng i nno va ti ve a r c hit ec tu re in th e c on text of a h is toric al and a r chi te ctu r a l l y s i g ni fi ca nt ne i g hb o r ho o d , the E ns to n H o m e s. Ou r f arm s tan d ap p eal ed to th e res i d e nts o f the ne i g hb o r ho o d b y tr a ns l a ti ng i m p o r ta nt hist o r ic al p attern s th rou gh a modern l en s . I t w a s m y i nte r e s t f r o m the b e g i nni ng to s tu d y the s e pa t t er n s an d imp l emen t th eir tec h n ol ogy i nto o u r r e s u l ti ng b u i l d i ng . T he s e p a tte r ns i ncl u d e d a g a t eway th at ac ts as a s ign ifi er to a c ommuni ty, a r che s tha t s i g ni f y the e ntr a nce o f a b u i l d i ng , a c lea r story to b rin g in l igh t, an d a p itc h ed r o o f to w i ths ta nd he a vy r a i nf a l l . H a d w e no t d o ne e x t e ns ive res earc h th es e imp ortan t p attern s , w e w o u l d ha ve no t b e e n a b l e to u nd e r s ta nd ho w to inno v ate f rom th eir tec h n ol ogy . Th e res u l t i ng b u i l d i ng p r o vi d e s a mo d e r n a p p r o a ch w hi l e s ti l l f o r m ing to is c on text th at th e n eigh b orh ood ca n a p p r e ci a te a nd l o ve f o r i ts b e a u ty.
RECOMMENDED IN PRAISE OF SHADOWS M yooin Temple - Fukuyama Fukuyama Cas tle Kus adoinari Shrine – Fukuy ama Kokoen Gardens – Fukuyama Hemeji Cas tle – Fukuyama Nis hinomiya Shrine Hirota Shrine – Nis hinomiy a Sus anoo Shrine – Nis hino miy a Kannoji Temple – Nis hino miy a M yokokuji Temple – Sakai Dais en Park Japanes e Gard e n – S akai Hochigai Shrine – Sakai Kumano Koda Pilgrimage Ro ut e – W akay ama Seigantoji Temple – Wakay ama Fus himi Inari-Tais ha Shrin e - K y o t o Higas hichaya Old Town – K y o t o Kozenji Temple – Koyoto Zenkohi Tample - Nagano Koganei-Shi Architecture Muse um – To ky o Its ukas hima Shrine - Toky o WESTERNIZED URBAN CENTERS Grid Commercial Building b y T-S quare D e sig n As s ociates – Nis hinomiya Olympic Park – Nagano Saint M ary’s Cathedral, Ken z o Tan g e , - To ky o Nakgin Capule Tower, Kish o K uro kaw – To ky o M ais on Hermes , Renzo Pia n o - To ky o International Hous e of Jap an , K un io Mae kawa – To ky o Tokyo Tower, Nikken Sekke i – To ky o Des ignSight21_21 Tadao A n d o – To ky o National M us eum of Wes te rn A rt , Le C o rb usie r – Gallery of Horyuji Treas ur e s , Yo sh io Tan ig uc h i – Zens ho-ji Temple, Seeichi S h ira
DAY 20-21: Tokamachi Train: $5 Approximate Cos t of Stay: $150
$500 For Unplanned Expens es and Incidentals
TRADITIONAL ARCHITECTURE
N i s h i n o m i ya
OTHER POINTS OF INTEREST: Nis hininomiya Kitayama B o t an ic al G ard e n Horaikyo Park– Nis hinomi y a M ozu Burial M ounds – Sak ai Hamano M us eum – Sakai - S akai Hamadera Park - Sakai
PORTFOLIO IARC se eHIT myECTUR wo rk E a sPaOnRTFO L I O exte nsi o n o f my l i fe . Studyin g a rch i te c t u re has tau g h t m e to t a ke risks, s ea rch fo r t r u t h , ke e p an o pe n m i n d, an d m o st i m po r t a n t l y, to exist t h ro u g h a c t i o n . In th e sa m e way I de l ve into my pro je c t s wi t h a se nse of de e p c uri o si ty, I e n ga ge wi t h a n d ex pl o re th e wo rl d a ro u n d m e . I d o t h i s t h ro u g h trave lin g , l ea rn i n g n ew pe rspe c t i ve s, an d see ki n g n ew expe rie n ce s. I se e my life an d wo rk wove n toge th e r to e n g a g e wi t h th e wo rl d a n d c rea te positive ch a n g e .
c a n w i t h e a c h p r o je c t t h a t I d o . I s e e k w i t h f a s c i n a t i on f o r w o r k t h a t c a n improve how we live our lives, and I have done this throughout my education b y v o l u n t e e r i n g a n d a p p l y i n g t o p r o g r a m s t h a t e xp a n d m y p e r s p e c t i v e . I s e e my work and life as a network for engaging with the world and creating positive change in my surroundings. CLEMSON DESIGN CENTER 701 E BAY STREET. SUITE 202 CHARESTON, SC 29403
ENSTO N H O ME FA R M STA N D ThisCORRUGATED studi o GALVANIZED METAL ROOF
bu i l d pro je c t locate d i n Ch a rl e sto n , South Ca ro l i n a , i s a Farm M a n a g e r ’s S t a t i o n WOOD TRUSS ASSEMBLY for a loc a l n o n pro f i t . Th e n e i g h bo rh o o d, GALVANIZED CORRUGATED METAL ROOF William En sto n H o m e , is re giste re d o n t h e Nation a l R e g i st r y o f Historic P l a ce s. I t i s a lowCAST inINco m e h o usi n g PLACE CONCRETE PIER commu n i ty fo r t h e e lde rly. Th e st r uc t u re will be u se d fo r commu n i ty g a t h e ri n g , ve ge ta bl e pro ce ssi n g , an d a tea ch i n g spa ce fo r e ducati n g n e i g h bo ri n g e le m e nt a r y sch o o l s. Th e desi g n i s a n ch o re d SOUTH ELEVATION into 1 th e n e i g h bo rh o o d’s 1/2" =o1'-0" context f re pe t i t i ve arch e s a n d g a teways.
1 A301
TRUSS POINT 12' - 3"
2 A502
B.O. HIGH TRUSS 12' - 1 13/16" ROOF PLAN 9' - 9 3/4"
Professor: David Pastre, Clemson University Structural: John Moore, 4SE Structural Engineers Designers:
Audrey Hesson Taylor Bissert Nicole Coker Alex Poston Chari Chambers Dris Devone
Jaylin Richmond Kendall Massey Ahmad Walker Lauren Davis Libby Pelzel Chloe Voltaire
B.O. LOW TRUSS 7' - 0 1/2"
Pla cem ent i n N ei g hb o rh o o d T.O. PIER 3' - 0"
3
A501
Du rat ion: Sem ester Date : Fall 2019 Profe s s or : D avid Pastre
Co n ce p tu a l Pre s e n ta ti o n
Fo u n d a ti o n a n d Pi e r D eve lo pm en t
FLOOR PLAN 0' - 0"
Sh o p Tr u s s D eve l o p m e n t
A202
Gateway Preced ent s an d N ei g hb o rh o o d Co ntext
Fi n a l As s e m b l a g e
SOUTH ELEVATION
10/16/2019 4:52:07 PM
CLEMSON DESIGN CENTER 701 E BAY STREET. SUITE 202 CHARESTON, SC 29403 Professor: David Pastre, Clemson University
1
GALVANIZED CORRUGATED METAL ROOF
A300
Structural: John Moore, 4SE Structural Engineers
TRUSS POINT 12' - 3"
2x4 WOOD PURLINS GALVANIZED CORRUGATED METAL ROOF
B.O. HIGH TRUSS 12' - 1 13/16"
WOOD TRUSS ASSEMBLY
Designers:
Audrey Hesson Taylor Bissert Nicole Coker Alex Poston Chari Chambers Dris Devone
Jaylin Richmond Kendall Massey Ahmad Walker Lauren Davis Libby Pelzel Chloe Voltaire
ROOF PLAN 9' - 9 3/4"
3 A502
B.O. LOW TRUSS 7' - 0 1/2" CAST IN PLACE CONCRETE PIERS 3 A501
1 A500
FLOOR PLAN 0' - 0"
Fi n a l Pro j e c t
EAST ELEVATION 1/2" = 1'-0"
A201 EAST ELEVATION
19 4:52:01 PM
1
T.O. PIER 3' - 0"
O p e n B ay
Co nve r ti b l e B e n ch
A rch Construc tion L ayers an d Assem bly
Sto ra ge B ay
Ta b l e To p
T HE VE I N Th e Ve i n u se s A n to n i Gaudi’s pl a n o f t h e surroun di n g bl o cks both to ba l a n ce t h e m onum e n t a l i ty o f t h e Sa gra da Fa m i l i a a n d to conn e c t wi t h t h e g re e n spa ce s o f Ba rce l o n a . O u r proposa l t a ke s t h e i dea of his di a g o n a l to di vi de th e site i n to two h a l ve s, th e above g ro u n d a n d un de rgro u n d. Th i n ki n g o f th e divi si o n l i ke a ve i n , t h e re st of t h e si te u se s t h e logic o f a l ea f ’s c i rc ul a t i o n to deve l o p spa ce . Th e program m i n g a n d struc tu re o f t h e m u se um fur th e r fo l l ows t h e se two halve s. Du rat ion: Sem ester Date : S p rin g 2019 Profe s s or : M iquel
-1.8m
-2.20m
Co n cep t Co l l a g e 5
-6.45m
10
20m
-7.11m
S i te P l a n
Si te P l a n
S p ri n g
Summer
Au t u m n
Wi n te r
Platanus x acerifolia (Plataner) Building Chamaerops humilis (European fan palm) Grevillea robusta (Silky Oak) Castanea sativa (European chestnut) Arbutus unedo
P l an t i n g A rea
(Strawberry Tree)
Pave m e n t
Platanus x acerifolia
Chamaerops humilis
Grevillea robusta
Castanea sativa
Arbutus unedo
(Plataner)
(European fan palm)
(Silky Oak)
(European chestnut)
(Strawberry Tree)
B ri ck Pave m e n t
Con ce p t an d Form D evelopm ent
Wo o d e n Pave m e n t
Co n c re te Pave m e n t
Buxus Ophiopogon sempervirens japonicus (Boxwood) (Mondo grass)
G l a s s M a te ri a l
C i ty Si te P l a n MUSEU GAUDI Barcelona Architecture Center I Design Studio SPRING 2019 I Miquel Rodriguez
L an d s c ap e Pro g ram
B a rce l o n a Gre e nway D i a gra m
THE VEIN
Lauren Davis & Xingjian Wang / Clemson University / Undergraduate
02
-1.8m
Ex te ri o r R e n d e r
Ae rial R en der
-2.20m
5
-6.45m
10
20m
-7.11m
Si te P l an 1 :500
Si te P l a n Spri n g
Su mm er
Au t u mn
Wi n ter
Platanus x acerifolia (Plataner) Bu i l d i n g Chamaerops humilis (European fan palm) Grevillea robusta (Silky Oak) Castanea sativa (European chestnut) Arbutus unedo
P l an t i n g A rea
(Strawberry Tree)
Pave m e n t
Platanus x acerifolia
Chamaerops humilis
Grevillea robusta
Castanea sativa
Arbutus unedo
(Plataner)
(European fan palm)
(Silky Oak)
(European chestnut)
(Strawberry Tree)
B ri ck Pavem en t
Axo n o m et ri c Di a g ram
Wooden Pavem en t
Con c rete Pavem en t
MUSEU GAUDI Lan d s ca p e D i a g ra m
G l a s s Ma teri a l
Barcelona Architecture Center I Design Studio SPRING 2019 I Miquel Rodriguez
Buxus Ophiopogon sempervirens japonicus (Boxwood) (Mondo grass)
L an d s cap e Pro g ram
THE VEIN Lauren Davis & Xingjian Wang / Clemson University / Undergraduate
02
U NE A RT H I N G T H E C I TY Un ear th i n g t h e Ci ty i s an off i ce bui l di n g i n Manha tt a n t h a t m a ke s a stron g co n n e c t i o n to t h e comm un i ty by e l eva t i n g a n ope n te rra ce to t h e ra i se d park of t h e H i g h L i n e . I t s de sign i n spi ra t i o n i s ba se d off of a l e g e n d o f h ow t h e city deve l o pe d, wh e re t h e be drock o f Ma n h a tt a n i s close r to t h e su r fa ce , t h e skylin e rea ch e s g rea te r h e ights. O ur bu i l di n g re pre se n t s t h i s co n di t i o n with a pl i n t h , ex pre ssi n g t h e be drock t h ro u g h h o ri zo n t a l l y shiftin g e l e m e n t s, a n d wi t h a m on o l i t h i c st r uc t ure , expre ssi n g a re spo n se to th e h e i g h t o f t h e pl i n t h wi t h ve r tica l l y sh i f t i n g e l e m e n t s.
Massing
Fi g ure G ro un d o f Manhatt an
Scre e n D eve l o p m e n t
Fi g ure G ro un d o f S i te w i t h t h e H i g hl i n e
Du rat ion: Sem ester Date : Fall 2018 Profe s s or : Julie Wilkerson
Fi n a l Fo rm i n Si te
D i a g ra m o f M a n h a tta n’s B e d ro ck Ra i s i n g th e Sky l i n e
W. 19th Street
W. 18th Street
1st Floor | Coworking 0’-0” 10th Avenue
2nd Floor | Coworking 14’-5”
OPEN TO BELOW
3rd Floor | Incubator 29’-0” (HL level)
Wall Sec tion Of th e Contrastin g Screens
P hysi c al Mo d el S h ow i n g L i g ht i n g Q ual i ty
Se co n d a n d T h i rd F l o o r P l a n s
4th Floor | Incubator 41’-0”
View Fro m Terra ce
Co n n e c ti o n to th e Hi g h l i n e
METAMO R PH O S I S Me tam o rph o si s i s a viewin g pl a t fo rm f ra m e d to a dm i re a sce n i c vi st a on a m o un t a i n si de . It is inte n de d to be a conte mpl a t i ve g a t h e ri n g pla ce th a t re spe c t s th e passa g e o f t i m e by m ovi n g wi t h i t . Ove r th e co urse o f t h e day, th e ro o f co l l a pse s an d expa n ds to c rea te compel l i n g fo rm s a n d provide a dyn a m i c spa ce . I t s st ro n g silh oue tte a n d sh a dows mimic t h e bea u ty o f a tre e’s sh a dow. I t s form a n d st r uc t ure i s de rive d f ro m o ri g a m i te sse lla t i o n s. Du rat ion: Sem ester Date : Fall 2017 Profe s s or : Clarissa M en dez
Chan gi n g Fo rm an d S ha d ows
As s e m b l a g e o f Pi e ce s
S E LECT E D PH OTO S
Blu e Ri d g e Parkway, N C
J ero m e, AZ
New Yo rk C i ty, NY
Mo nt serrat , S pai n
Fo l l y B ea ch , SC
G l en Canyo n, UT
Ra l e i g h , NC