Lauren Buckley Interior Design Portfolio

L AU R E N B U C K L E Y undergraduate

INTERIOR DESIGN portfolio

L AU R E N B U C K L E Y C O N TAC T

Cincinnati, OH buckleln@mail.uc.edu 859-496-4971 https://issuu.com/laurenbuckley11/docs/ lauren_buckley_portfolio

E D U C AT I O N

U N I V E R S I T Y O F C I N C I N N AT I

Cincinnati, OH B.S. Interior Design Minor: Fine Arts Projected Graduation Date: May 2022 Cumulative GPA: 3.65 Dean’s List: 2015-2021

SKILLS EXPERIENCE

Adobe Illustrator Adobe Photoshop Adobe InDesign AutoCAD Revit Enscape Rhino SketchUp

RESEARCH

Spatial Interaction Lab Summer 2020 Research Assistant

CHAMPLIN ARCHITECTURE 01/2021-PRESENT Interior Design Intern Designed multiple graphic elements for client branding Utilized Photoshop to render elevations/sections Developed SD, DD, & CD documentation in Revit Created 3D renderings using Enscape Selected finishes for various projects

WRIGHT HEEREMA ARCHITECTS 08/2019-12/2019 Interior Design Intern Designed Corridors: conceptual to technical Utilized Revit to pick up various red lines on CDs Developed/edited Revit families for firm’s standards Rendered existing elevations using Photoshop Created presentations for marketing using InDesign

M AC Y ’ S 05/2018-08/2019 Interior Design Intern Created graphic package presentations Assisted in display development Selected color & materials Developed a master brand spec book Finalized and composed large scale carpet layouts Designed a library mural for local school

TA B L E O F C O N T E N T S

PROFESSIONAL 1 Higher Education Project: Champlin

AC A D E M I C 2 Children’s Hospital 3 King Records 4 Workplace 5 Poetry Foundation 6

Sukkah Panel Artwork: Champlin

7 Premier Health: Champlin 8

Workplace: Wright Heerema

9 Experiential Space 10 Lighting Installation 11 Collage

F I N E A RT S ( m i n o r )

12 Painting: Master Copy 13 Painting: Technique Study 14

Photography: “Welcome to...”

HIGHER E D U C AT I O N PROJECT

Champlin Architecture// 2021 Working through the beginning of SD to the end of DD, I focused on the interior development of the common space and corridors. This included a large scope of graphics, signage, acoustical solutions, furniture layout, detail development, lighting, and finish selections. After developing concept in collaboration with other desingers, I worked extensively in the model to iterate and execute renderings for the client presentations. The development of technical documentation ran parallel to the render developments.

EARLY SD RENDERING

EARLY SD RENDERING

1

C H I L D R E N ’ S H O S P I TA L

Concour se & Same Day Surger y// Spring 2020 Within Cincinnati Children’s Hospital, many of the spaces are recently renovated and bring a high level of design that promotes clarity of direction and a sense of comfortability. These environments deserve an investment to create quality spaces that are healthy, safe, functional, and inviting. Our studio redesigned within the existing structure of several of the 1st & 2nd floor spaces in need of a fresh & cohesive look.

My primary goal within the design intent was to facilitate CONNECTION (connecting people, connecting people to space, & people to nature) to enhance the experience for users and utilize design to put them at ease as much as possible.

CONCOURSE RCP

RELATIONSHIP DIAGRAMS

CONCOURSE PLAN

2

SAME DAY SURGERY RCP

SAME DAY SURGERY PLAN

KING RECORDS

4 t h - Ye a r I n t e r i o r s S t u d i o / / Fall 2020 GROUP PROJECT The story of King Records in Cincinnati, OH is a story of culture, community, and the pursuit of inclusivity in the music industry. My team told that story by providing a historical framework pre though post recording era.

The aesthetic established by the team that worked on the initial programming and exterior, focused on dark, sleek finishes lit by neon accent lighting. We sought to maintain their aesthetic while curating content and display-driven movement through the space. The journey through the cultural content leads seamlessly into music industry content and ultimately King Records content.

9 3

WO R K P L AC E DESIGN

Interiors Studio// Summer 2019 We were tasked with transforming a space (currently a fast food chain) to create a marketing workplace for 5-10 people. The shell of the building could be altered, but we were to maintain site specificity. I began by collaging and noticed a reoccurring pattern of soft light with a low contrast color palette.

This developed into the integration of clerestory windows and suspended art pieces intended to capture and disperse light in a soft way. This created a welcoming, comfortable, and creative work environment with visual focal points that signal gathering spots.

PARTITION & FURNITURE PLAN

RCP

4

P O E T RY F O U N DAT I O N

Design Lab// Fall 2018 With a physical site chosen for us in the urban neighborhood of OTR (Cincinnati, OH), we began designing a Poetry Foundation (gallery/museum for poetry). The site was approximately 183’ by 40’ wedged between other buildings with the exception of a small lot toward Republic Street. In this narrow lot, limited by what’s adjacent, my parti immediately was clear-finding a way to make paths for desirable natural light. The entry was designed with a faux facade and structural facade both made of glass brick. Centralized in the plan, a light-well cuts through all 4 floors. The windows were treated to avoid harsh South light coming in. So the windows kick out at about a 30 degree angle, with the glazing facing West.

MATERIALITY

MASSING, CIRCULATION, & LIGHT

5

N to S SECTION

EAST ELEVATION

SOUTH ELEVATION

MERCY JEWISH MURAL Champlin Architecture// Co-op Summer 2021

Mercy Health participates in a annual Sukkah festival that Champlin designs the conceptual artwork for. It is later rendered through various methods by a professional artist. This year, the theme Mercy wanted to depict was resilience and renewal, focusing specifically on their first Covid-19 patient & his journey back to health.

Using a combination of hand drawing and illustrator work, I stitched together elements to form the composition with 3 important piecesmosaic, colors of the sunrise, and a tribute to the people involved. After finalizing the artwork with Mercy, I selected Sherwin Williams colors for the artist to render the composition on a 2’ x 3’ canvas.

SW 6509 Georgian Bay

SW 6508 Secure Blue

SW 9053 Agua Fria

SW 6807 Wondrous Blue

SW 6366 Ambitious Amber SW 6655 Adventure Orange SW 6634 Copper Harbor SW 2803 Rookwood Terra Cotta SW 2802 Rookwood Red

BACKGROUND MOSIAC

SW 6500 Open Seas

Ad •

• SW 6524 Commodore

•

•

• SW 6366 Ambitious Amber SW 2802 Rookwood Red

• •

SW 6634 Copper Harbor SW 2803 Rookwood Terra Cotta

SW 9018 Honey Bees

FOREGROUND 6

s p b c a a th a d b g h c fo p m n s b fo th b re li a h b a

P R E M I E R H E A LT H Champlin Architecture// Co-op Spring 2021

This project is a free standing emergency department located in Ohio. With the finishes already selected and the most of 3D elements built in Revit, I began the rendering process by adding/adjusting the materials in Revit/Enscape and placing them appropriately. Part of the goal with these renderings was to provide signage options, so a total of 6 were built and rendered. Some elements and lighting were edited post Enscape in Photoshop.

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D E TA I L DEVELOPMENT

Wright Heerema Architects //Co-op Fall 2019 This project was a corporate repositioning that I worked on extensively for about a month. I did everything from dimensioning plans, creating elevations, selecting finishes to developing a detail in section. This was done through adapting one of our standard details to adjust to what was needed.

6

R

5

1

1.1 1'-6"

13'-2 11/16"

2

3

29'-9 5/16"

S

4

30'-0"

4

3

1

299'-0"

5

30'-0"

2

6

30'-0"

7

30'-0"

8

30'-0"

9

30'-0"

10

30'-0"

11

30'-0"

11.9 1'-6" 12

13'-0"

E

D.2 8'-0"

2'-6"

D.2

D.1 D

D.1

OPEN OFFICE

OFFICE

OFFICE

12'-9"

133

134

CONF RM

CONF RM

135

136

172

104

12'-9"

OFFICE

OFFICE

TRASH ROOM

138

123

PHONE RM

N.I.C.

ALIGN

152 5'-3"

7'-6"

4'-3 1/2"

102

103

ELEVATOR LOBBY 101

3'-6 1/4"

13'-11"

12'-11"

4'-7"

VIF 4'-0" 2'-0" 12'-11"

4'-7"

12'-11"

ALIGN

8'-7"

CORRIDOR 168

CORRIDOR

EYEWASH

16'-5"

ALIGN

143

SATELLITE CORR ELECTRICAL 163 ROOM

146

BREAK RM

OFFICE

2'-6"

148

147

4'-9"

145

ALIGN

142

149 ALIGN

ALIGN

13'-9"

5'-0"

4'-0"

FIRE PUMP ROOM

6'-7 1/4" 4'-3 1/2"

ALIGN

12'-11"

4'-7"

12'-11"

4'-7"

C D

120

118

OWNER

119

116

Torburn Partners 8000 West Sunrise Lot E, LLC 1033 Skokie Blvd #480 Northbrook, IL 60062 847-562-1919

B

CORRIDOR

ALIGN

121

2'-0"

169

FIRE COMMAND ROOM

EMERGENCY ELECTRICAL ELEC. RM.ROOM MAIN

115

165

OFFICE

2'-6"

117

DOMESTIC PUMP ROOM CORR

2'-8" 7'-3"

DRAWINGS

MAIN COMM/TECH ROOM

5'-0"

UNISEX

ALIGN

MDF RM

6'-0"

114

ALIGN

ALIGN

IT WORKRM.

N.I.C. CORRIDOR SEE BASE BUILDING

ALIGN

6'-6"

COPY/PRINT

150

2'-0"

A COORD WITH FURNITURE

4'-3 1/2"

ALIGN

5'-1"

106

111

8'-7"

141

105

SECURITY PNL

1'-6"

1'-6"

6'-0"

ALIGN

13'-3"

7'-3"

TRAINING RM

2'-6"

43'-0"

5'-3"

EXIT CORRIDOR

2'-0"

N.I.C.

FRGHT ELEV.

16'-5"

ALIGN

HUDDLE RM

107

9'-3"

161

SEE BASE BUILDING DRAWINGS

WOMEN'S RM

2'-8"

OFFICE

B

MEN'S RM

VIF

160

7'-0"

6'-0"

157

BREAK RM

4'-6 1/2"

10'-0"

104 SEE BASE BUILDING DRAWINGS

9'-10"

30'-0"

135'-0"

CORRIDOR STORAGE RM 167

9'-0"

140

162

2'-0"

TRAINING RM

OFFICE

10'-0"

153

139

CORRIDOR JC

COPY/PRINT

OFFICE

130

Security Consultant Facility Control Systems, Inc. 926 Hemsath - Suite 103 St. Charles, MO 63303 Office: (636) 946-7963 ext. 103

122

151

WAITING AREA

9'-3"

131

9'-3"

OFFICE

132

9'-11"

154

ALIGN

OFFICE

ALIGN

166

HUDDLE RM

EQ

5'-9 1/2"

6'-0"

EQ

16'-5"

CORRIDOR

ALIGN

ALIGN

5'-1"

12'-9"

16'-5"

ALIGN 6'-3"

2'-0"

3'-0"

5'-1"

11'-5"

ALIGN 1'-0"

C

16'-5"

11'-5"

155 5'-1"

CONSULTANTS MEP/FP Engineer TLC Engineering 800 Fairway Drive, Suite #250 Deerfield Beach, FL 33441 954-418-9096

LOADING/ RECEIVING

MAIL RM

170

6'-5" 9'-3"

156 16'-5"

OPEN OFFICE

ALIGN

12'-9"

PHONE RM

10'-0"

44'-6"

ALIGN

12'-11"

CORRIDOR

ALIGN

164

OPEN OFFICE

LOBBY

OPEN OFFICE

100

173

158

N.I.C.

45°

TRAINING RM

171

SEE BASE BUILDING DRAWINGS

159 1'-0"

C

A.2 A.1

1'-7"

8'-0"

A.1

1'-6"

ALIGN

A.2

A

A

11.1 2 Plan 1

Q

3

4

5

6

0' 2' 4'

FIRST FLOOR PARTITION DIMENSION PLAN

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8

9

10

11

11.9 12

8'

Scale: 3/32" = 1'-0"

TORBURN - CENTENE 1700 N UNIVERSITY AVE PLANTATION, FL

D

N

GENERAL NOTES

DIMENSIONS / LAYOUT 2.01 DO NOT SCALE PLANS. SHOULD INFORMATION BE MISSING, OR IF DISCREPANCIES SHOULD ARISE, CONTACT THE ARCHITECT FOR CLARIFICATION PRIOR TO CONSTRUCTION.

Elevations

2.02 ALL VERTICAL DIMENSIONS ARE NOTED FROM TOP OF FINISHED FLOOR (A.F.F.)

3.05 THE CONTRACTOR IS RESPONSIBLE FOR THE BRACING OF WALL PARTITIONS AT ALL DOOR AND WINDOW ASSEMBLIES. 3.06 WALL PARTITIONS SHALL USE CEMENT BACKERBOARD WHERE WALL TILE IS TO BE INSTALLED AND WATER RESISTANT GYPSUM BOARD AT ALL OTHER PLUMBING WALLS; UNLESS OTHERWISE NOTED. 3.07 PREP ALL WALL PARTITIONS TO RECEIVE WALL-COVERING WITH A LEVEL '4' FINISH. REFER TO FINISH PLAN AN LEGEND FOR SPECIALTY WALL COVERINGS REQUIRING LEVEL '5' FINISH. REFER TO FINISH PLAN LEGEND FOR LOCATIONS.

2.03 ALL NEW PARTITIONS ARE DIMENSIONED FINISH FACE TO FINISH FACE UNLESS NOTED OTHERWISE. ALL ALIGNMENT INDICATIONS ARE FROM FINISHED SURFACES, UNLESS OTHERWISE NOTED.

3.08 PROVIDE GYPSUM BOARD CONTROL JOINTS AT WALLS AND DRYWALL CEILINGS AS PER ASTM C840 (SPANS LARGER THAN 30'). REVIEW AND COORDINATE LOCATIONS WITH ARCHITECT PRIOR TO INSTALLATION. .

2.04 CENTERLINE OF NEW WALL PARTITIONS SHALL ALIGN W/ CENTERLINE OF PERIMETER COLUMNS AND WINDOW MULLIONS, TYPICAL, UNLESS NOTED OTHERWISE, OR ALIGNED WITH AN EXISTING ELEMENT TO REMAIN

COORDINATION WITH EXISTING SYSTEMS 4.01 PROVIDE NEW DRYWALL AT PERIMETER AS REQUIRED.

2.05 THE CONTRACTOR SHALL PROVIDE AND COORDINATE A 'CHALK LINE' PARTITION LAYOUT FOR THE ARCHITECT AND OWNER TO APPROVE PRIOR TO THE INSTALLATION OF PARTITION FRAMING PARTITIONS 3.01 REFER TO PARTITION PLAN FOR PARTITION TYPES. INFILL WALL PARTITIONS, BETWEEN EXISTING WALL PARTITIONS, SHALL MATCH THE ADJACENT WALL PARTITION FOR CONSTRUCTION, THICKNESS, ACOUSTICAL AND/OR FIRE RATING. 3.02 EXTEND EXISTING OR PROVIDE NEW BUILDING STANDARD PERIMETER WALL PARTITIONS/SOFFIT FASCIAS TO THE UNDERSIDE OF THE STRUCTURE ABOVE WHERE THERE IS NO CEILING SYSTEM. 3.03 WHEN A WALL PARTITION OR MILLWORK INTERFACES WITH THE PERIMETER WINDOW ASSEMBLY AND/OR CONVECTOR UNIT, PROVIDE ACOUSTICAL INSULATION WITHIN THE CONVECTOR AND A CONTINUOUS CLOSED CELL GASKET PARTIALLY COMPRESSED TO CREATE A CONTINUOUS ACOUSTICAL SEAL BETWEEN ADJOINING SPACES TO PREVENT SOUND TRANSMISSION.

4.02 CONTRACTOR TO VERIFY THAT ALL EXISTING WALLS, THAT ARE REQUIRED TO BE FIRE RATED, WERE CONSTRUCTED AS A FIRE RATED ASSEMBLIES; MODIFY AS REQUIRED.

POWER (HORIZONTAL)

4.03 REPAIR, REPLACE OR CORRECT FINISHES OF ALL EXISTING EXTERIOR WINDOW SYSTEMS, DOOR ASSEMBLIES,CONVECTOR COVERS AND ETC. TO A LIKE NEW CONDITION WHETHER DAMAGE IS EXISTING OR A RESULT OF DEMOLITION AND/OR CONSTRUCTION ACTIVITIES. SURFACES SHALL BE CONTINUOUSLY FLUSH AND SMOOTH - FREE OF DEFECTS, OPENINGS, PAINT DRIPS, AND ETC. 4.04 THE CONTRACTOR SHALL PATCH, REPAIR AND PREPARE SURFACES OF ALL EXISTING WALLS, COLUMN ENCLOSURES, GYPSUM BOARDCEILINGS/SOFFITS AS REQUIRED PRIOR TO APPLYING NEW FINISH. PATCH AND REPAIR SURFACES DUE TO THE REMOVAL OF EXISTING WALL COVERING/PAPER, TEXTURED FINISHES, SIGNAGE, OUTLETS AND OTHER DEVICES, ETC. AND FILL VOIDS IN WALL SURFACES; SURFACES SHALL BE CONTINUOUSLY FLUSH AND SMOOTH - FREE OF DEFECTS, OPENINGS, PAINT DRIPS, AND ETC.

3/4"

COORDINATION WITH OTHER TRADES 5.01 ALL NEW ROOMS AND SPACES THAT ARE SEPARATED FROM THE RETURN AIR PLENUM BY FULL HEIGHT PARTITIONS ARE TO HAVE NEW TRANSFER AIR DUCTS.; UNLESS OTHERWISE NOTED. HVAC CONTRACTOR TO TEST RETURN AIR FLOW AT NEW AND RECONFIGURED ROOMS, AND INCLUDE RESULTS ON HVAC TEST & BALANCING REPORT. REFER TO ENGINEERING DRAWINGS FOR TRANSFER DUCT AND FIRE DAMPER LOCATIONS TO BE COORDINATED WITH BUILDINGS RETURN AIR.

SEALANT

5.02 PROVIDE POWER AND PLUMBING CONNECTIONS TO APPLIANCES AS SCHEDULED ON POWER / DATA PLAN SERIES A130. COORDINATE WITH MEP DRAWINGS. 5.03 THE ARCHITECTURAL DIMENSIONS SHALL GOVERN THE PLACEMENT OF ELECTRICAL, MECHANICAL OR PLUMBING DEVICES WHERE INDICATED 5.04 CONTRACTOR TO REVIEW REQUIRED CLEARANCES FOR NEW/EXISTING VERTICAL CONDUIT AND PLUMBING RISERS TO INSURE THAT THESE UTILITIES ARE FULLY CONCEALED WITHIN THE PARTITION OR INTERSTITIAL SPACE. 5.05 FIRE EXTINGUISHER AND/OR HOSE VALVE CABINETS ARE SHOWN ON ARCHITECTURAL PLANS FOR REFERENCE AND COORDINATION ONLY. REFER TO ENGINEERING DRAWINGS FOR SPECIFICATIONS AND ADDITIONAL INFORMATION. 5.06 VERIFY ALL FINAL EQUIPMENT SPECIFICATIONS WITH TENANT PRIOR TO ORDERING APPLIANCES OR FABRICATING MILLWORK. 5.07 GENERAL CONTRACTOR TO COORDINATE WORK AND PHASING OF WORK WITH CLIENT'S FURNITURE, TELEPHONE, EQUIPMENT AND DATA VENDORS.

6.03 CONTRACTOR SHALL SURVEY FLOOR ELEVATIONS TO DETERMINE THE SCOPE OF FLOOR LEVELING AND REMEDIAL REPAIR WORK. GENERAL CONTRACTOR SHALL INCLUDE IN THE SCOPE OF WORK ALL COSTS THAT ARE ASSOCIATED WITH FLOOR LEVELING AND REMEDIAL REPAIR WORK.

6.05 PATCH THE FLOOR SLAB AS REQUIRED TO ENSURE A SMOOTH, EVEN SURFACE TO ACCOMMODATE NEW FLOORING FINISHES AT ALL NON-RAISED FLOOR AREAS MILLWORK 7.01 MILLWORK: FOLLOW ARCHITECTURAL WOODWORK INSTITUTE'S QUALITY STANDARDS (BEST/HIGHEST GRADE SHALL GOVERN THE WORK.) REFER THE ARCHITECTURAL WOODWORK QUALITY STANDARD ILLUSTRATED MANUAL MOST CURRENT EDITION.

Moss & Associates 2101 N. Andrews Avenue Fort Lauderdale, FL 33311 954-524-5678

Architect's Project Number: Issue Date: 3 ISSUE FOR TENANT REVIEW 4 ISSUE FOR PERMIT & BID

MATCHING 3MM PVC EDGE BAND

BLOCKING 8.01 PROVIDE FIRE TREATED WOOD BLOCKING OR 16 GAUGE SHEET METAL PANELS IN WALL CAVITY AS REQUIRED TO ANCHOR MILLWORK, FIXTURES, FURNITURE PRODUCTS, LIGHTING, COAT ROADS, WALL-MOUNTED FLAT SCREEN TV'S, SHELVING PANEL STANDARDS, WALL MOUNTED CLOSERS, GRAB BARS, MARKER / TACK BOARDS, ETC. REFER TO FURNITURE PLAN FOR LOCATIONS OF WALL MOUNTED FURNITURE AND POWER/DATA PLANS FOR LOCATIONS OF EQUIPMENT.

MOUNT OUTLET AT FALSE BACK; COORDINATE WITH DEPTH OF EQUIPMENT

SALVAGE / RELOCATION 9.01 RELOCATED DOORS ARE GENERALLY A COMPLETE RELOCATED DOOR ASSEMBLY INCLUDING DOOR, FRAME AND HARDWARE. COORDINATE THE REINSTALLATION OF SALVAGED DOOR ASSEMBLIES AS REQUIRED TO ACCOMMODATE NEW CONSTRUCTION. WHERE THE FRAME CANNOT BE REUSED IN THE DESIRED LOCATION, THE NEW DOOR FRAME AND HARDWARE IS TO MATCH THE EXISTING. REFER TO THE DOOR AND HARDWARE SCHEDULE FOR ADDITIONAL INFORMATION.

SCHEDULED MICROWAVE PLASTIC LAMINATE ON 1/2" FLASE BACK

WHITE MELAMINE INTERIOR

6.02 FILL UNUSED FLOOR CORES OR SLEEVES WITH SIMILAR MATERIAL OR FIRE STOPPING TO MATCH THE ADJACENT CONDITION. MAINTAIN THE FIRE RATING OF THE FLOOR ASSEMBLY.

A Sheet Title:

1ST FLOOR DIMENSIO PARTITION PLAN

Sheet Number:

A111-0

© 2019 WRIGHT HEEREMA AR

WIRE PULL

3"

Detail

CONSTRUCTION MANAGER / CONT

PLAM TOP & BACKSPASH

COORDINATE WITH EQUIPMENT

FLOORING / SLAB 6.01 AS REQUIRED BY BUILDING, GC TO X RAY FLOOR SLAB PRIOR TO CORING AND FOLLOW ALL BUILDING REGULATIONS AND REQUIREMENTS FOR CORES. GC TO ALSO VERIFY ACCESS TO THE FLOOR UNDERNEATH AND INCLUDE ANY REMEDIAL WORK AND /OR OVERTIME REQUIRED TO ACCESS AND WORK ON THE SPACE BELOW.

B

6.04 ALL FLOORS SHALL BE LEVEL AND FREE OF IRREGULARITIES TO ASSURE ONE CONSTANT HEIGHT SO THAT DOOR FRAMES, WHEN SET, ARE ALL AT A CONSISTENT DIMENSION FROM THE CEILING WITH NO GAPS BETWEEN THE BOTTOM OF THE DOOR FRAME AT THE SLAB AFTER CARPETING OR OTHER FLOOR FINISHES ARE INSTALLED. ANY CHANGES IN THE FLOOR HEIGHT SHALL BE RAISED AND TROWELED TO CREATE A GRADUAL RAMP LIKE EFFECT. ALL MODIFICATION TO THE FLOOR SHALL BE MADE WITH A HIGH QUALITY, NON-CRUMBLING LATEX BASE FLASHING COMPOUND.

1 1/2"

1.04 REFER TO SHEET A651 FOR DOOR ASSEMBLY INFORMATION AND SCHEDULES.

2' - 1"

4"

1.03 REFER TO SHEET A701 FOR PARTITION TYPE DETAILS.

4.05 ALL EXISTING EXPOSED CONCRETE WALLS AND COLUMNS SHALL BE FURRED-OUT WITH GYPSUM BOARD WALL PARTITIONS AS TO MINIMALLY ENCLOSE AS REQUIRED OR INDICATED ON THE DRAWINGS FOR THE INSTALLATION OF CONDUIT, JUNCTION BOXES, PLUMBING, FIRE PROTECTION CABINETRY, TOILET ACCESSORIES AND ETC. EXCEPT WHERE WALL PARTITIONS AND COLUMN ENCLOSURES ARE REQUIRED TO ALIGN OR ARE DIMENSIONED TO THE CONTRARY.

5 1/2"

1.02 REFER TO ELEVATIONS FOR ADDITIONAL INFORMATION.

3.04 ISOLATE PARTITION FRAMING AND WALL FURRING WHERE IT ABUTS STRUCTURE, EXCEPT AT FLOOR, TO PREVENT TRANSFER OF LOADING IMPOSED BY STRUCTURAL MOVEMENT. INSTALL SLIP-TYPE JOINTS AT HEAD OF ASSEMBLIES THAT AVOID AXIAL LOADING OF ASSEMBLY AND LATERALLY SUPPORT ASSEMBLY. USE DEEP-LEG DEFLECTION TRACK WHERE REQUIRED.

2' - 10"

REFERENCE LOCATIONS 1.01 REFER TO SHEET A001 FOR DRAWING SYMBOLS LEGEND AND A002 FOR PROJECT GENERAL NOTES.

(2) SELF-CLOSING DRAWER SLIDES W/ MIN 100LB CAPACITY PER DRAWER

SCHEDULED BASE

LOBBY REFRESH

Wright Heerema Architects //Co-op Fall 2019

This lobby rendering was done using Enscape and Photoshop. My deliverables for the team were to select furnishings and lighting within the established sophisticated, nuetral aesthetic. The view included below was part of a client presentation.

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EXPERIENTIAL S PAC E P RO J E C T

Interior Design Studio// Summer 2019 The first phase of this project was creating a body mantle and then drawing inspiration from the piece to create a space. The body mantle was intended to create a negotiable bubble of personal space. As I transitioned into creating a space I considered what it looked like from two perspectives. From the outside it’s chaotic-but more importantly, the idea internally was to have a spectrum of compressed space. The triangles allowed for a transition of overhead space, where the occupant could stand comfortably in an open space or explore the point that closes in on the ground plane. The iridescent ribbon material acts as an incentive to circulate around this chaotic floor plan.

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LIGHTING I N S TA L L AT I O N Materials & Fibers// Summer 2019

GROUP PROJECT In a study of materiality combined with light, my team developed a system of backlit trace paper. Each module took a unique and organic shape due to the delicacy of the material combined with its own weight. As it caught and diffused the light, a beautiful soft glow was created. We began with a concept model (as seen to the right). Next, we considered construction-based on the impression of the light quality we decided to suspend the piece from the ceiling.

Installed about 3’ off the adjacent wall, the observer would walk along the wall to observe the piece.

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C O L L AG E WO R K Pe r s o n a l / / 2017-2021

Collage is an efficient way to explore how space operates in a 2-D medium.

It’s a great experimental tool and has tremendously helped me, specifically in conceptually translating between 3-D and 2-D. Below I have included a sample of my work that I believe to be successful in the process and compositionally well-crafted.

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MASTER COPY Intro to Painting// Fall 2020

The Green Line by Henri Matisse was created in 1905. The painting is striking in its bold color contrast and depiction of human form. To recreate this piece, I began with underpainting the basic forms, while establishing the initial warm/cool color areas. The ongoing process of layering to build up texture was a priority-to do this I utilized techniques like stumbling and scraffito.

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T E C H N I Q U E S T U DY Intro to Painting// Fall 2020

Observing the interaction of light source and the colors that compose the hand, I was able to start showing those nuances of illumination through layers and layers of blues, greens, pinks, oranges, and yellows. My techniques focused on brush strokes and layering, this included glazing, underpainting, impasto, scumbling, alla prima, knife painting, frontage, sgraffito, and tonking.

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“ W E L C O M E T O . . .”

Intro to Photography// Fall 2020 This is a sampling of my final project that examined small town decline. These scenes feel as if it could exist anywhere in the midwest-mostly unoccupied brick facades lining a quiet town square. In thinking about how these spaces have fallen out of use, I wanted to look at their entry point-the first point of human interaction. I did some light editing to remove distracting elements, but they mostly remain as seen.

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T HA N K YO U