innovation
A D J U S TA B L E ALABASTER BLINDS
Alabaste
a sculpted, suspende a living ligh
er blinds
ed, moving material ht drawing
Adjustable ala an innovation to modul of interior a
In front of a window or between two indoor spaces, on a vertica discover a panoply of innovat
Windows equipped with alabaster blinds featuring subtly designed lines become a dynamic space with endless plays of light, transparency and openings.
Sculpted alabaster blinds sprang from
Atelier Alain Ellouz, an alabaster specialist, an developed this new concept. Both have a lov
abaster blinds: late the light and space architecture
al or horizontal axis, shaped like an aircraft wing or a rectangle, tive ideas in this presentation.
Windows equipped with alabaster blinds featuring subtly designed lines become a dynamic space with endless plays of light, transparency and openings.
m the imaginations of two visionaries.
nd Suntwist, a specialist in prestigious blinds, ve for stone and for technological challenges.
In a work space,
a concentration of energy
The alabaster slat
a pattern on the façade Besides adjustable blinds’ traditional function of providing protection from direct sunlight, the white stone also offers a sensation of coolness.
Alabaster blinds hung indoors must be protected from sunlight, wide temperature variations and bad weather.
The view between the slats graphic effects
Adjustable blinds,
a tableau of light, intensity and contrasts
In private spaces,
privacy, quiet, softness and well-being
In the heart of a home structure and lightness
In restaurants
a variation of ambiences
reflected light
backlighting: through light
A short guide to a sublime encounter and its variations alabaster slats light The natural translucence of alabaster Alabaster slats capture the surrounding light, screening out some of it and reflecting the rest. Alabaster’s intrinsic transparency renders it soft and multifaceted.
An endless range of effects
outside
inside
The blinds in daytime Alabaster captures the day’s changing light from one hour to the next: > The direct strength of sunrays is softened and redistributed with a new brightness.
> The graphic play of shadow and light
> Daylight’s various tones land and come to life on alabaster as the hours go by.
outside
inside
The blinds at night Dressing the window Alabaster is white enough to reflect a room’s indoor light. Replacing curtains, it makes the window space look warm.
outside
inside
Spotlights built into the wood
Blackout curtain
Optional complementary lighting Complementary equipment can be added to the blinds: A white blackout curtain with a row of lights creates a luminous wall behind the blinds. The backlit alabaster makes the room look as though it were in broad daylight. When the slats are closed, the blinds become a luminous sculptural tableau.
As soon as dusk falls, the backlit panel replaces natural light.
The rectangular slats can be equipped with integrated lighting.
2700 K°
3200 K°
4000 K°
Integrated backlighting, invisible technique, magical effect The indoor lighting developed by Atelier Alain Ellouz is a reflecting complex with LEDs in the centre of the alabaster slat. This is an option for rectangular slats.
5000 K°
The combination of a dual source, warm white and cold white, renders a wide range of colours and enhances the stone’s interior designs. The colour’s intensity and temperature are controllable.
6000 K°
Alabaster diffuses light evenly.
Making a set of adjust
Each set of ala is a unique creation fo
> The direction in w > The dimension an > The slats’ length > The metal structur > Motorisation > The backlighting o
table alabaster blinds
abaster blinds or a distinctive space.
which the slats are installed and their rhythm nd number of slats
re, design and finishes
option
Coordination The Atelier Alain Ellouz design office — the aesthetic and technical decision-making centre — works with interior architects, coordinates with the locksmith partner and the production workshop’s technical manager, selects the alabaster to ensure consistency, draws up the plans and carries them out.
Maria Lesser
Marion Biais-Sauvêtre
Alain Ellouz
Alexis Jouvin
70 mm
Elliptical
20 mm 120 mm 25 mm 200 mm
100 mm 20 mm 250 mm
30 mm
36 mm
250 mm
30 mm
Rectangular with integrated backlighting 400 mm 40 mm
Rectangular >The contemporary, efficient simplicity of the shape Aircraft wing shape > Optimisation of the space by covering it
400 mm
Aircraft wing
Three profiles designed to let the alabaster express all its richness: Elliptical > Modulation of the through light depending on the thickness
36 mm
Rectangular
The slat
The off-centre axis decreases the space taken up behind the slats The interior structure It guarantees the slat’s solidity yet, being invisible, preserves transparency. The slat is suspended.
In natural stone and metal, alabaste blinds are classified M1 by nature.
er
Slats specifications WIDTH
AXIS
THICKNESS
MAX. LENGHT HORIZONTAL AXIS
MAX. LENGHT VERTICAL AXIS
7 cm
centered
2 cm
120 cm
200 cm
3 kg
12 cm
centered
2,5 cm
150 cm
250 cm
8 kg
20cm
centered
3,6 cm
200 cm
300 cm
14 kg
10 cm
centered or off-centered
2 cm
150 cm
200 cm
5 kg
15 cm to 25 cm
centered or off-centered
3 cm
200 cm
300 cm
11 to 17 kg
25 to 45 cm
centered or off-centered
3,6 cm
200 cm
400 cm
17 to 27 kg
Aircraft wing
15 to 25 cm
centered or off-centered
3 cm
200 cm
300 cm
10 to 18 kg
Rectangular with integrated backlighting
25 to 45 cm
centered or off-centered
4 cm
200 cm
400 cm
21 to 37 kg
PROFILE
Elliptical
Rectangular
other dimensions on request
APPROXIMATE WEIGHT (LINEAR METER)
The choice of direction, vertical or horizontal, in which to install the slats: a graphic option for the panel’s design
Infrastructure The slats are embedded into a metal track at both ends. The weight-bearing infrastructure’s design is based on the window’s specificities, dimensions and depth. The metal’s finish meets the architect’s specifications. It can be integrated.
The slats’ mobility a demanding technical challenge
Example of how the blinds can be adjusted The adjustment of the slats’ angle gives the blinds lightness. The tilt rods can be motorised. Installed in the rear part, it is quiet and discrete.
Aesthetic requirements Alabaster is mainly white, but there are different varieties. The quarry of provenance, cutting direction and traces of water influence the patterns, tones, transparency and translucence of each piece. Atelier Alain Ellouz chooses only the most beautiful stone. With over 3,000 slabs in stock, we’re committed to ensuring each project’s aesthetic coherence.
The diversity of alabaster
Atelier Alain Ellouz For over 10 years, Atelier Alain Ellouz has created precise, innovative projects with alabaster, a stone of unmatched aesthetic qualities for interior architecture. The adjustable slat continues in the line of high-performance solutions with strong constraints to move mobile panels to decorate façades’ alabaster with natural light. Venetian (horizontal) and Californian (vertical) blinds round out the palette of ways in which alabaster can be integrated into prestigious projects.
Sun Twist SUN TWIST is an artisan-manufacturer specialising in blinds made of noble materials. With a firm command of integration and motorisation, it develops sophisticated lines with leather, rare woods or innovative materials based on natural fibres.
FRANCE SHOWROOM & ATELIER 121 rue Tabuteau - 78530 BUC + 33 (0)1 73 95 03 20 contact@atelieralainellouz.com
UK SHOWROOM Mayfair, London WIJ 8EA, UK +44 (0) 203 729 0609 contactuk@atelieralainellouz.com
USA BUREAU / OFFICE +1 (212) 381 6172 contactusa@atelieralainellouz.com
SHOWROOM 171 Spring St, New York, NY 10012 (open in june 2018)
www.atelieralainellouz.com
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