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Winter Home & Garden
EDITORIAL
Managing Editor Noah Mitchell 612-461-8723
Editorial Assistant Linda Raines 612-436-4660
Editor Emeritus Ethan Boatner
Contributors Layla Amar, Lakey Bridge, E.B. Boatner, Buer Carlie, Natasha DeLion, Arthur Diggins, Alyssa Homeier, Terrance Griep, Elise Maren, Jen Peeples-Hampton, Linda Raines, Alexander Reed, Gregg Shapiro, Randy Stern, Susan Swavely, Carla Waldemar, Todd P. Walker, Emma Walytka, Spencer White
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ADMINISTRATION
Publisher Lavender Media, Inc.
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Founders George Holdgrafer, Stephen Rocheford
Inspiration Steven W. Anderson (1954-1994), Timothy J. Lee (1968-2002), Russell Berg (1957-2005), Kathryn Rocheford (1914-2006), Jonathan Halverson (1974-2010), Adam Houghtaling (1984-2012), Walker Pearce (1946-2013), Tim Campbell (1939-2015), John Townsend (1959-2019), George Holdgrafer (1951-2024)
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Don’t Even Drive Straight?
BY NOAH MITCHELL
Leave a Light On
I’ll admit that of the four seasons, winter is easily the hardest to put together a home and garden issue for.
For one, half of the topic is almost entirely out the window. As far as winter gardening goes, I haven’t been able to turn up any great stories about local window-box gardening experts or succulent salespeople. (If anyone has any leads, please drop me a line for next year.)
And while, unlike most gardening options, our homes don’t disappear over the winter months, those months are dominated by holiday decorations. While I enjoy getting into the holiday spirit, the overwhelming influence of tradition on festive furnishings leaves few exciting new developments ripe for coverage in a magazine.
However, what winter home and garden choices lack in variety they more than make up for influence. Whatever décor choices you make for winter, you’re going to be spending a lot of time inside, staring at them.
Personally, I am no interior design expert. I’ve experienced enough second-hand embarrassment from seeing “male living spaces” on the internet
to make sure I get something up on my walls and scraped together enough impressions from betterdesigned rooms and to make sure it’s not a complete disaster. “Not a complete disaster” is about the highest compliment I’d confidently give myself, though.
Despite my lack of overall experience, though, I have one winter home tip I’ll share confidently: invest in some quality lighting. Keeping up my fight against the winter darkness, however ultimately
futile it may be, does wonders for my mood. Also, it turns out the daylight alarm clocks I once thought were a gimmick actually do ease my transition from the womb-like comfort of my bed to the cold, dark harshness of a winter morning as advertised.
For all of your other winter home and garden questions, I’ll leave it to the experts we’ve featured in this issue of Lavender. Lord knows I need their help. At least I have enough light in my apartment to be able to read their sage advice.
Photo courtesy of BigStock/Kotenko
BY E.B. BOATNER
Time Is An Ever-Flowing Stream
I’m writing on a quiet, grey Tuesday. Guy Fawkes Day if you’re historically-minded, Election Day if you’re centered in the here-and-now. I’m looking back.
A photo; my first Christmas. Sitting on the floor, snug in my bathrobe, smiling up at the tree that’s mysteriously appeared indoors; enchanted by the tinsel, shiny balls, ropes of silver and gold, strands of colored lights. I couldn’t have said I was almost eight months old, or known, yet, the pretty packages were mine. Much less could I have said that eighteen days earlier, a Hawaiian island had been bombed, or the next day my country entered World War II. You’d excuse a baby, but when does one begin to have a handle on things? To know… I’ve always played catch-up.
Years back, when I was researching an article on fireworks, a co-worker suggested talking to a professor “over in the Science Building.” I called, and soon was at his office, seated across a desk piled with papers and scattered metal tchotchkes. When I mentioned fireworks, he exclaimed, “People think black powder will explode! It will not! I will show you!” Pulling an envelope from a drawer, he shook some black powder into a squat metal cylinder on the desktop and began striking matches. To my relief, nothing caught fire. Much later, reading
Make sure your business, organization or event is part of
“American Prometheus,” I finally realized the elderly professor was the George Kistiakowsky, the “cylinder” a copy of the ignition system he and his team created to detonate Trinity on July 16, 1945.
It was long after the war I read of our government’s internment of some 120,000 Japanese-American citizens; entire families stripped of their homes, shops and belongings, for the duration of the war. And when I say “read of,” I don’t mean during any high school history classes, for those events weren’t mentioned. Much more has been revealed over the years, but just this week I read Tim Arango’s New York Times editorial on the part baseball played in the lives of those in camp Manzanar, isolated in the Mojave Desert. Forbidden their own language or practice of their own religions, the Japanese internees were somehow not forbidden balls and bats but were allowed to sketch out a field and to own equipment to play baseball. The ongoing games kept an American thread running through their lives, as it had since 1872, explains Arango, after Horace Wilson, an educator from Maine, introduced baseball to Japan.
Dan Kwong, a performance artist whose mother was incarcerated in Manzanar, long dreamed of having Japanese teams play baseball there once again. For two decades he wrestled with the Nation-
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al Park’s argument that Manzanar was an archaeological site that couldn’t be disturbed — an ironic decision considering those related to people once unable to leave Manzanar should now be unable to enter to play ball.
Kwong persisted, and today the original field has been restored to its original dusty self, via vintage photographs and the dig’s own information — rusty pegs located bases, lines, even unearthed coins and soda bottles left behind. Two exhibition games were played between Games 1 and 2 of this year’s World Series. While Japanese phenomenon Shohei Ohtani shone for the winning Dodgers, Dan Kwong, 69, was at Manzanar playing first base for the Li’l Tokyo Giants, his team for the past 53 years.
Two exhibition games; just the players, one allotted guest each and some volunteers. A slender beginning, but there it was: the restored field, Japanese teams in vintage gear and baseball played in Manzanar for the first time in 80 years. In his early pitch to sponsors Kwong embroidered on “Field of Dreams,” promising, “If we build it, they will come. This time willingly.”
Time is an ever-flowing stream. It’s always Opening Day somewhere, a fresh arm is winding up for the first pitch in a whole new ballgame. Take deep breaths.
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CARLA WALDEMAR
Hot Time in the Old Town
Hot Springs, Ark. (pop. 38,000) is the hole in the doughnut of Arkansas’ 47 thermal hot springs that populate our country’s oldest existing national park. This urban doughnut hole is a supremely tasty one, stuffed with eccentric museums, tasty dining discoveries, local shopping ops and far more art than a town of this size has a right to (bravo!).
The frosting on this particular doughnut, and the prime reason the town has blossomed into a tourist mecca, is a line-up like no other of ultra-gorgeous bathhouses constructed between 1898 and 1923 to employ these thermal waters, hailed for their supposed healing powers, dubbed Bathhouse Row. One still functions as it did in those glory days (more on that later).
After landing at Little Rock’s Clinton Airport an hour away (Bill spent his high school years in Hot Springs), steer your rental auto to Hot Spring’s main drag, where The Waters, my accommodation, served as an intimate, cosmo resting place (New Orleans style breakfasts to rooftop view-cum-bar) anchoring the avenue. (Punching above its weight, the town offers 3,000 hotel rooms of all stripes.) It faces elegant Bathhouse Row, where eight of those classic beauty queens still flaunt their gorgeous facades.
One of them, the Fordyce, today serves as the town’s visitors center. Here, park rangers offer engaging free tours of the museum within the former bathhouse building — an ideal intro to the town’s vivid history.
“Hot Springs, from its inception, was one giant hospital,” reveals Ranger Cane West as we gathered in the Cooling Room, offering “needle showers and Scottish douches,” plus “cabinets that bake you,” resembling torture devices more than therapy, if you ask me.
On to the lush entrée to the thermal tubs — a waiting room for High Society, rocking chairs and all — embellished with stained glass windows. We climb to the top floor, which functions as a huge gymnasium, popular with the town’s baseball team on rainy days.
“Back in the day, men were the primary thermal bathhouse users,” Ranger Cane relates, “seeking respite from venereal diseases.”
Back outside, he leads us to a spring beside the building, where we dutifully drink the water instead of lounging in it.
So far, so good: Back in the day you got clean and healthy during daylight hours, but … what to do after dark? The Gangster Museum tells all. Eight small galleries, each with a video narration and stuffed with artifacts, reveal that Hot Springs was “Vegas before there was a Vegas,” reveals our guide, “hosting the largest illegal gambling operation in the nation, backed by the mayor and police.”
“Al Capone considered this his second home,” he reveals, where the moonshine kept him coming back. Bank robbers and outlaws, including Dillinger and Bonnie and Clyde, were regulars. “People came for the hot water, or — heh, heh — to get out of hot water. The town’s banks were never robbed because the robbers were all hanging out here.”
Black Americans came, too, to what they called Black Broadway, where performers included Ella Fitzgerald, Duke Ellington and Count Basie. The town’s primo madame, Maxine Malone, also did well until Winthrop Rockefeller, elected Arkansas’ governor, put an end to all the fun. The Ohio Club, next door to the museum, debuted in 1905 as a casino-cum-brothel, serving the gangster crowd as celebs like Mae West and Tony Bennet performed. Today it serves luscious burgers instead.
Just down the street, the Pancake House welcomed us for breakfast, as it has done since 1960, and career waitress Janey delivered fresh-squeezed OJ plus local sausage and from-scratch (“no mix!”) flapjacks for many of those ensuing decades.
Plump and happy, we headed out of town to Garvan Woodland Gardens: 210 acres of serenity to explore amid fall’s bright foliage (look for daffodils in February, followed by hundreds of tulips) as fairy lights were readied for the Christmas season. Its Garden of the Pine Woods is considered the best Japanese garden in North America, while an adult-size tree house, further on, and a glass-walled chapel blend into their surroundings.
A bite of lunch at Kollective Coffee & Tea (try the Cuban sandwich) readied us for another tour — this time, art-focused. First stop: Dryden Arkansas Pottery, where third-generation owner-artists form and glaze elite clay vases and more, just as grandpa did back in his day. They’re not only lovely, they’re affordable, so feel free to fill your suitcase.
Next, a whirl through the town’s many, and diverse, murals, ranging from visions of a fairy-tale garden to a façade of baseball cards to one representing the town’s Black Broadway. Luck drew us to the spot where an Italian artist had come to town to work on a triptych mural echoing his visits to Japan. Justus Gallery, our grand finale, offers more upscale, and lovely, regional art. If you’re visiting on a First Friday, join the hordes on the monthly gallery hop.
The bathhouse experience is an art form, too. Here’s the drill: Line up in the early afternoon at the Buckstaff — the solo operator, these days — for a turn in the tub (men go left, ladies take a right). Fifteen minutes of supervised soaking are followed by a 30-minute massage. Then, feeling as relaxed as a spaghetti noodle, it’s time to seek dinner. Maybe just down the block at Superior Bathhouse, converted into a brewpub. Choose your brew, or a flight, then demand that superior starter called pimento cheese (or, okay, maybe the mustard and giant pretzel) while perusing entrée choices, such as my succulent fish & chips. It’s the only brewery using thermal springs water in a national park — and woman-owned, too.
Arkansas is the number-one state for rice growing in the USA. That’s what drew Ben Bell, a sake lover, to land here (plus the great water). Rice-based sake, he instructs at Origami, his site, is not distilled — it’s fermented.
“It pairs with many foods,” he instructs. “Drink it warm in winter, chilled in summer, but don’t age it.”
Once open, a bottle lasts (if you have willpower) up to two weeks. For tours and tasting, check the website at origamisake.co.
Arkansas — namely, Hot Springs — is number-one in documentary screenings, too. Its annual festival, in its 33rd year, is the oldest all-documentary festival in North America. We caught a movie covering President Kennedy’s evolving thinking when up against Alabama Governor George Wallace’s stand against school integration, which whetted our interest, then our appetites. Time for dinner! Make it one of the primo pies at Deluca’s Pizzeria, recently named “One of the Top 101 Best Pizzas in America” by Daily Meal.
Well, how about Best Barbecue? I’ll vote for McClard’s Bar-B-Que, making folks happy since 1928. Four generations later, the tender meat still wafts a comehither hickory perfume. “Bill Clinton always ordered the chopped sandwich,” its owner reveals. Folks in the know line up for its famous tamale, too.
Time for a little shopping before we say adieu. “Oooh, you’ve been to McClard’s,” moaned the clerk at Stella Mae, sniffing my sweater as I wandered in. This is the place for sassy gifts like X-rated tea towels. Handbags salute the Wizard of Oz or Netflix All Day, while earrings drip with tiny corncobs, popcorn bags or buckets of KFC. Its neighbor, Wrapped, offers a little more elite assembly of gifts and accessories. For more ways to spend your time and dollars, check out www. hotsprings.org.
The notorious Ohio Club - hangout of gangsters in the bad old days. Photo courtesy of Carla Waldemar
Paella to Picasso: A Journey Through Valencia and Madrid
Spain has long been a country I’ve wanted to explore more deeply, so I set my sights on two key cities: Valencia and Madrid. From the moment I arrived I was on the move from morning until night, determined to experience everything Valencia and Madrid had to offer. I explored historic sites, soaked in the local culture, and sampled more tapas and paella than I’d like to admit. Brace yourself; I’ve got a lot to share from this whirlwind visit filled with history, art, and the flavors that make Spain unforgettable.
Valencia
Valencia is located on Spain’s eastern coast, bordered by the Mediterranean Sea, and is the country’s third-largest city. Known for its historic Old Town and the famous City of Arts and Sciences, Valencia appeals to travelers seeking both history and a touch of the avant-garde. It’s also the birthplace of paella, a culinary cornerstone of Spain. Mark your calendars and start planning a visit as Valencia will host the Gay Games from June 27th to July 5th in 2026.
Day 1: A Walk Through Valencia’s Old Town
In Valencia, I headed straight to my hotel, Hotel Marques House, in the heart of Old Town. My guide, Sonia, led me first to Valencia Cathedral, a grand structure believed to hold the chalice of the Holy Grail. Its stone walls and Renaissance frescoes make each corner feel like a piece of living history. From there, we walked over to Saint Nicholas Church, known as the “Sistine Chapel of Valencia.” Every inch of its Baroque interior is filled with intricate frescoes.
To end a day of exploring Valencia’s Old Town, I made my way to Mercado de Colón to enjoy a refreshing horchata, a traditional Valencian drink made from tiger nuts. Served chilled and typically enjoyed with fartons — light, powdered pastries perfect for dipping — horchata offers an earthy, slightly sweet flavor that locals love as an afternoon treat.
Day 2: Biking Valencia and the City of Arts and Sciences
On my second day in Valencia, I switched gears and explored the city by bike. Valencia is flat and bike-friendly, making it one of the best ways to take in the sights. My route started with the Turia Gardens, a sprawling green space that was once a riverbed. Decades ago, the Turia River was diverted after a massive flood, and in its place, the city created this incredible park. It stretches for miles, winding through different areas that feature sports fields, playgrounds, sculptures, and shaded paths.
After a lunch of traditional Spanish tapas, I headed to the City of Arts and Sciences, an architectural marvel that feels almost futuristic against the historic backdrop of Valencia. Designed by Santiago Calatrava, the complex is made up of sleek, white structures that curve and angle in ways that catch the light just right.
First up was the Science Museum Hall, a space dedicated to interactive science exhibits. The museum is hands-on, inviting visitors to engage with interactive displays. Next, I moved to the Hemisfèric, a planetarium and IMAX cinema housed in a building that resembles a giant eye. Inside I finished my tour at the Palau de les Arts Reina Sofía, Valencia’s opera house. This building is an impressive marvel, with several concert halls and theaters, each designed to enhance sound and visual experience.
Day 3: Albufera Rice Fields and Paella Cooking Class
For my last day in Valencia, I took a quick trip to Albufera, a peaceful nature reserve just south of the city. Known for its rice fields, Albufera has been supplying Valencia with the key ingredient for its most iconic dish, paella. Surrounded by open skies and quiet waters, it was a fitting start before heading back to the city.
Visiting Albufera was the perfect lead-in to a paella cooking class back in the city, where I’d be using its famous rice. At Sea & Saffron, I joined a handson class to prepare Valencia’s signature dish, crafted with simple yet essential ingredients: chicken, rabbit, runner beans, butter beans, fresh tomatoes, smoked paprika, saffron, and short-grain rice from Albufera’s fields.
At Sea & Saffron, we started by browning the chicken and rabbit, adding golden runner beans and heating the paprika and saffron to release their aroma. Fresh tomatoes went in next to create a rich base. Once the stock was added, we let it all simmer, stirred in the butter beans, and finally spread the Albufera rice evenly across the pan.
The final trick was carefully controlling the heat so the rice absorbed the broth and formed a crisp layer on the bottom, called “socarrat.” After a brief rest, the paella was ready to enjoy!
Madrid
After a high-speed ride on the AVE bullet train, I arrived in Madrid—a capital city pulsing with life through busy streets, historic landmarks, and neighborhoods full of character. Home to three million people, Madrid mixes tradition with contemporary flair. From the grandeur of the Royal Palace to the art-filled halls of the Prado Museum and Reina Sofía, the city holds some of Spain’s finest cultural treasures. I stayed at Room Mate Oscar in Chueca, a lively neighborhood known as the city’s gay district. Centered around Plaza de Chueca, the area is packed with tapas bars, boutique shops, and a vibrant spirit that carries well into the night.
Photos by Todd P. Walker
Day 4: Tapas Crawl
After arriving in Madrid, I dropped my bags, picked up a Metro card and went straight to a tapas crawl with Foodlover Tours. A highlight for me was Jamón Ibérico, a prized cured ham made from acorn-fed Iberian pigs with a rich, nutty flavor. I also enjoyed patatas bravas—crispy potatoes topped with spicy aioli—and gambas al ajillo, garlic shrimp cooked in olive oil. Paired with local wines, these tapas capture the essence of dining in Madrid.
Day 5: City Highlights Tour
I started the day bright and early, exploring Madrid with a Hop-On Hop-Off tour to see some of the city’s iconic sites. The first stop was Plaza Mayor, Madrid’s grand central square, surrounded by historic architecture and bustling cafés. Next was the Royal Palace, Spain’s largest royal residence, with over 3,000 rooms reflecting centuries of history. From there, I visited Almudena Cathedral, which combines Gothic and modern styles in a spacious interior. Continuing down Gran Vía, Madrid’s main avenue, I took in the lively stretch of theaters, shops, and classic buildings. In the evening, I checked out the Royal Collections Gallery, a new museum filled with treasures from Spain’s royal heritage, offering a glimpse into the lives and tastes of Spanish monarchs.
Day 6: Art, Flamenco, and Famous Eats
To dive into Madrid’s art scene, I joined a tour of the top museums, beginning at the Prado Museum, home to works by Goya, Velázquez, and Titian—a deep exploration of Spanish and European art. Next, we visited the Reina Sofía to see Picasso’s “Guernica,” a powerful piece capturing the anguish of war. In the evening, I went to Torres Bermejas for a flamenco show, an intense display of Madrid’s musical culture. Afterward, I stopped to reflect on my day at San Ginés for churros and hot chocolate. Established in 1894, San Ginés is open 24 hours a day—a must-visit for this classic Madrid treat.
To cap off my visit to Spain, I treated myself to dinner at Sobrino de Botín, officially recognized as the oldest restaurant in the world. Founded in 1725, it’s known for traditional Castilian dishes like roast suckling pig. It was the perfect end to a few packed days in Madrid, where each experience added a layer to the city’s story.
Reflecting on my time in Spain, I came away with a real appreciation for both Valencia and Madrid. Valencia’s history and flavors, Madrid’s art and energy—each city offered a unique look into Spain’s culture. The experiences and people I encountered left an impression beyond just sights or meals. Spain has a way of staying with you, and I’m already looking forward to my next visit.
“Will
I See You Again?”
An Award-Winning Short Film About Love and What Gets in the Way
If given the chance to find out if your personal “one that got away” felt the same way about you, would you take that chance? What if that chance was more of an ultimatum than an option? To raise the stakes even more, what if that ultimatum was issued by a recently deceased friend, passed down through his will and executed through two women operating polygraphs?
That is the premise of the award-winning short film “Will I See You Again?”
Max (Hosea Chanchez) and Paul (Nick Wechsler) — best friends turned lovers turned bitter exes — are forced into the same room at a mutual friend’s funeral. Both men half-heartedly try to reconnect. Both men rebuff each other. Luckily their friend knew the pair well enough to know how to force the conversation both men want and neither will ask for. Pushed to address their troubled romantic past, the two men ask and answer questions that have festered for years.
Real-life husbands Rhett Lindsey (Writer, Executive Producer and Poster Designer) and Michael Perez-Lindsey (Writer, Director and Executive Producer) are the minds behind this deep but quirky project, which is loosely based on Lindsey’s past.
“The story is based on my own experiences from college, capturing moments of connection, love, and loss that have stayed with me over the years,” Lindsey says. “While we’ve taken some creative liberties to shape the narrative, the emotional core of the film is rooted in my own journey and memories.”
Lindsey continues: “‘Will I See You Again?’ [is for] anyone who has ever loved, lost, or found themselves facing the shadows of the past … This story has universal themes that I believe can resonate with a wide audience, but especially with those who feel a pull toward stories of self-discovery and healing.”
Festival audiences across the country have appreciated the relational themes of “Will I See You Again?” Lindsey explains: “It’s been incredibly moving to hear people’s reactions … Audiences often tell us how deeply they connect with the story — It’s truly rewarding to see the story resonate so strongly with viewers.”
“Will I See You Again?” began as a short story that Lindsey wrote, which he and his husband later adapted for the screen. “The original short story focused heavily on inner monologue and personal reflection, capturing the nuances of memory and emotion,” Lindsey says. “Translating that into a visual medium required us to expand certain scenes and bring subtle moments of connection to life in a way that felt authentic on film.”
A few other elements of the short story needed tweaking to successfully transition to a short film. “We … made some structural adjustments to create a clearer narrative flow, adding visual symbolism to help convey themes that were originally explored more introspectively,” Lindsey says. “The heart of the story remains the same, but the shift to film allowed us to bring a layered, almost tangible intimacy to these characters and their journey.”
Creating art with a romantic partner or spouse can be both difficult and rewarding, but for PerezLindsey and Lindsey, the latter is more often true than the former. “Having been married for almost eight years, we’ve developed a creative partnership built on trust and openness,” Lindsey says. “We’re not afraid to challenge each other, which often brings out the best in our work. At the same time, we’re incredibly aligned — about 95% of the time — on the overall vision and choices we make.”
It was important to Perez-Lindsey to bring a similar spirit of collaboration to the set. “I genuinely believe that the best creative outcomes happen when everyone on set feels valued and encouraged to
share their unique perspectives,” Perez-Lindsey says. “This approach drives me to engage openly with everyone, welcoming their ideas and interpretations and creating a space where people feel a shared ownership of the project. For me, that dynamic not only strengthens the story but also makes the whole process more fulfilling.”
Perez-Lindsey has been working in the film industry for years, but “Will I See You Again?” marks his debut as a director. “Directing ‘Will I See You Again?’ as my film debut was a deeply rewarding experience for me,” Perez-Lindsey says. “I embraced the challenge of bringing such a personal story of my husband’s to life and navigating the creative process.”
The cast of “Will I See You Again” features many actors that audiences might recognize. Rosanny Zayas from “The L Word: Generation Q,” Richard Lawson, from Tyler Perry’s “Divorce In The Black,” Nick Wechsler (“Revenge” and “Shades of Blue”) and Hosea Chanchez (The Game), are all key players in this short film.
“Working with such a talented cast was truly one of the most rewarding parts of making ‘Will I See You Again?’” Perez-Lindsey says. “I loved watching them bring so much depth and nuance to their characters, often in ways I hadn’t even imagined … Their commitment to the story and to each other brought a new level of authenticity to the film, and I couldn’t be more grateful for that.”
I would be remiss not to mention the gorgeous poster art for this project, which was also designed by Lindsey. “I chose to feature stained glass as it serves as a powerful representation of Max’s character,” he explains. “The stained glass symbolizes both the beauty and complexity of his identity — his faith is central to who he is, yet he’s a ‘stained’ individual, shaped by his experiences and struggles.”
Unfortunately, “Will I See You Again?” is not yet available for purchase or streaming online, but it should be once it finishes the festival circuit. Until then, the best way to support the short and stay in the loop on any updates on availability is to follow along on social media. (Instagram @wisyafilm, Facebook under “Will I See You Again?” and at the website listed below.) Perez and Perez-Lindsey have also begun working on a limited series based on the short film, which will give audiences a deeper look at the men at the center of this story. Lavender recommends giving this short film (and impending mini-series!) a watch once they are available. Not only is “Will I See You Again” a beautiful slice-of-life story, but it also offers the viewer an interesting lens through which to look at their own relationships and regrets. Lindsey agrees: “I hope viewers walk away with a sense of empathy and reflection on their own connections and perhaps even the unresolved relationships in their lives.”
www.williseeyouagain.com
Instagram: wisyafilm
Facebook: Will I See You Again?
Photo courtesy of MythReel Productions
Friends of Dorothy Pitch In For A Special Pair Of Shoes
The Judy Garland Museum in Grand Rapids, Minnesota is calling on all friends of Dorothy to help bring a pair of the iconic ruby slippers from “The Wizard of Oz” home where they belong. The Judy Garland Museum is located in the beloved movie star’s childhood home in Grand Rapids, Minn., and is a loving display of the cherished star’s life, accomplishments and artifacts.
Janie Heitz, executive director of the Judy Garland Museum, says, “Over the past 50 years, we have lovingly restored Judy Garland’s childhood home and created a museum to share her life and legacy.” Through this restoration and collection of artifacts from the life of the famed gay icon, Judy Garland, the museum has created a space to learn about and celebrate the star’s life. This is exactly why the museum is looking to bring home a pair of ruby slippers from the 1939 film “The Wizard of Oz.”
It’s a well-known fact: Judy Garland’s life was full of difficulties and challenges. Along with her massive fame, beautiful voice and incredible talent came the pressures and abuse of Old Hollywood, addiction and body image issues. In other words, Garland’s life wasn’t always a happy one. That’s why Heitz says, “We think it is fitting to have a pair [of ruby slippers] in a place where Judy Garland was happy and is celebrated.”
Judy Garland stood (and stands!) as a symbol for the gay community, especially to gay men. This is, of course, how the phrase “friends of Dorothy” (from “The Wizard of Oz”) became an innuendo for queerness and a way for gay people to recognize and connect with each other in a time when queer love was a criminal act. Garland’s personal struggles in her life, along with her beautiful performances and campy acting contributed to her popularity among the queer community. And it is said of the young movie star, that she truly wanted people to feel empowered to be themselves. This included her adoring audience, which she knew included many members of the LGBTQ+ community.
Not only is Garland an incredibly important gay icon, she’s an American icon as well. Heitz says, “‘The Wizard of Oz’ means so much to people from around the world; it would be a shame to have the slippers locked up by a private collector. The public deserves a pair to cherish in small-town Midwest America.”
How does the Judy Garland Museum plan to get these shoes? The answer is simple, but they need your help to succeed: they’re going to bid on the shoes on December 7th, 2024. The current owner, Hollywood memorabilia collector Michael Shaw, has lent the slippers to the museum many times. At the beginning of 2024, he decided to sell them at auction.
According to the Judy Garland Museum’s website, “While we can’t know the final amount to raise as [the ruby slippers] are being sold at auction, the FBI estimated their value at $3.5 million.” The museum is off to a great start, with The Minnesota Legacy Finance Bill, signed by Governor Tim Walz on May 17th, 2024, providing $100,000 for the museum to bid on the shoes this December. The museum plans to build upon this start with donations from the community!
Dorothy’s ruby slippers belong in the childhood home of the iconic, troubled, lovely and heartbreakingly strong woman who played her. It would be an honor to help contribute to the cause that will bring these slippers back home where they belong. Judy Garland herself said once, “Everything I can remember about Grand Rapids has charm and gaiety, you know …” Garland’s slippers should be in a place where the movie star felt truly happy.
Heitz says it best: “There’s no place like home, and these ruby slippers need a home.” You can help bring Dorothy’s ruby slippers home to her childhood house at the Judy Garland Museum in Grand Rapids by donating to the cause on their website! Check out judygarlandmuseum.com to learn more!
And if you’re looking to visit the Judy Garland Museum, you can find it located at 2727 S. Pokegama Ave., Grand Rapids, MN 55744! Remember, if you follow the yellow brick road, you might just end up at Dorothy’s home in Grand Rapids.
Have a heart, a brain and some courage: help bring Dorothy’s slippers home!
Listings Ad Representative: Lavender Media, Minnesota’s LGBTQ Media Company, is seeking a par t or full time Listings Ad Representative for Lavender ’s Pride Pages Direc tor y. We are seeking an outgoing, organized, self- driven & motivated professional with excellent phone and writing skills. Candidates must be local and should enjoy working direc tly with clients who are interested in growing their business through paid ad listings in Lavender ’s Pride Pages Direc tor y. This hourly position pays $15 per hour + commission and an employee bene ts package that includes group health, dental, life insurance and LTD.
Please send your cover letter and resume to stephen.rocheford@lavendermagazine.com.
Photo courtesy of BigStock/ChicagoPhotographer
Queer Holiday Market Returns
The Queer Holiday Market returns Dec. 18 and 19 at Summit Brewing Co. to promote queer-owned businesses and fundraise.
The market, a two-night fundraising event for The Aliveness Project, a nonprofit focused on HIV prevention and support services, is entering its third year with a whole new line-up of vendors. John Thompson, creator of the market, says the idea for the market came from his previous store, Scout.
“We had it open for five years, little over five years, and I met a lot of really great local queer-owned businesses and local queer makers and just thought it would be a great idea to try to pull some makers together, local queer businesses, to have a queer-specific market,” Thompson says.
The market space is donated to the market by their host, Summit Brewing Co., so they don’t have to charge a booth fee to the vendors, according to Thompson. He added that vendors agree to donate a certain percentage of their profits to The Aliveness Project, and Summit will donate a portion of the proceeds from its bar sales.
“Aliveness typically does their own sort of fundraising at the event as well,” Thompson says. “Last year, they did raffle tickets, and I’m guessing this year they’ll do something similar … but the primary mode of fundraising is through the percent of sales that vendors donate.”
The market strives for a party feel, serving alcohol to of-age attendees and hosting raffles and drag shows. While alcohol will be served, Thompson says the market is for all ages. There will even be a food truck. This fits with its identity as a night market, as it runs from 5-9 p.m. each night.
“It really is about supporting and promoting the local queer-owned businesses,” Thompson says. “So, I think this is a great opportunity for people to get out and, you know, get exposure to these queer-owned businesses.”
Thompson says the Queer Holiday Market is a great spot for last-minute gifts.
“We do tend to focus really on that last-minute gift giving,” Thompson says. “So, a lot of stocking
stuffers and little things to pick up to kind of round out their holiday gifting.”
The market brings in new and different vendors each year. Thompson says most vendors this year weren’t in either of the previous markets.
“We try to keep the product types to one, sometimes two vendors who sell sort of the same thing,” Thompson says. “So, it’s a very, very wide mix. I think this year we have some baked goods, some ceramics, some jewelry. We have a couple of florists who’re gonna be there selling wreaths and house plants.”
Aside from product diversity, Thompson says a focus of the market is BIPOC representation. He says the market is committed to filling 50% of its space with BIPOC-owned businesses.
“Our community needs to sometimes be better by supporting our BIPOC community members,” Thompson says.
According to Thompson, the most important aspect of the market is the network it creates for queer business owners and the community it fosters.
Information on the Queer Holiday Market can be found on its Instagram and Facebook.
Queer Holiday Market 2024
Dec. 18-19, 5-9 p.m.
Summit Brewing Company 910 Montreal Circle St. Paul, MN 55102
Rethinking Pillsbury Castle A Design Home to Live In, Show… and Share
Mathew Trettel and Ryan Hanson are both showmen at heart, each owning businesses specializing in producing events ranging from charity galas to weddings, and both embody a passion and respect for design and artistic talent.
So it followed that when they decided to start a family, they purchased a stately home in the Tangletown area to live in and work with creatively — but when renovating this home proved impractical, they ended up gravitating to another property which had been on Trettel’s radar scope since 2016: the Alfred Pillsbury Mansion, a historical structure in need of TLC which, as things developed, would soon provide a broad and varied palette for the artistic talents of designers, remodelers, and artisans of every description.
Their creation, Pillsbury Castle, is not just the American Society of Interior Designers (ASID) Design Home 2024 — it is an extreme makeover of a historical structure that bespeaks the planning and contributions of dozens of creative individuals and craftsmen. And it’s a legacy they are determined to share with the community that hosts and has created it.
“The project was the largest interior design and construction project from a residential standpoint in a long time,” Trettel says. In fact, 30 ASID designers, eight general contractors and a dozen subcontractors from the National Association of the Remodeling Industry were necessary to bring Pillsbury Castle to life. The structure has the distinction of being the first ASID Design Home in seven years and the largest such effort in “a very long time,” Trettel says.
Of course, the house was already a historically important achievement when Trettel and Hanson purchased it. Built in 1903, it represents one of the few grand family homes of that era in Minneapolis that have not been converted or demolished, Trettel says. Furthermore, the home features a “very open” floor plan, atypical of its time of construction, and welcomes in a lot of natural light, also not a feature of the mansions built at this time. So, this approachable space appealed to Trettel and Hanson not only as an architectural achievement: “It felt like a home,” Trettel says.
At the same time, Trettel says he and Hanson knew that even a private home of such scope “needs to be shared with the public,” though they didn’t know what that would mean at the time of their purchase.
It didn’t take long for this notion to find expression, however, as their initial plan to do a “30-year remodel” of the home changed when connections with Mpls.St.Paul Magazine (a partner with Trettel’s wedding shows) provided the inspiration to make the Pillsbury Mansion into an ASID Design Home. The edifice, as it stood, already fulfilled the base requirements of such a project, Trettel says: “It was a brick residence, it was the proper scale, and it had enough room to accommodate the Design Home concept.”
The remodel itself took ten months, culminating in a public showing of the completed home in July of this year. “When people enter the house, they’re blown away by not only the detail of the architecture but also by what the designers brought to the table in blending the history of the home with the clean lines of more modern furnishings and lighting which allow the architecture to stand out,” Trettel says. In other words, the historical elegance of the space dovetails with a requirement for modern livability.
N ORTHLAND V ISIONS
Also, Hanson added, “We asked the designers to use materials which would be ageappropriate to the home, so there is a lot of marble and natural stone and tile. The house has a lot of saturated colors which would be appropriate to the turn of the century, but the motifs might be a little more modern in the finishes of wallpapers and that sort of thing.” Wallpapers, in particular, provide a canvas for the creativity of designers, Hanson says, as they include pressed fabrics, stitched denim, and even leather … with zippers. “It’s not wallpaper like you think of wallpaper,” he says with a laugh.
A billiards room and a speakeasy (located in Alfred Pillsbury’s vault) are some of the owners’ favorite interior features of the home, but any number of the installed rooms and features could form a feature article in themselves.
Trettel and Hanson wish to extend special thanks and credit to the LGBTQ+ designers who contributed to the home. They include:
• Rob Edman, Allied ASID, of edmanhill Interior Design, Room: Peacock Lounge
• Mike Rataczak, Allied ASID, of Mike Rataczak Studios, Rooms: Primary Bathroom, Primary Closet, and Gift Wrapping Closet
• Tim Mohnkern, Allied ASID, of TDM Designs, Room: The Study
• Shane Spencer, Associate ASID, of Spencer Design Associates, Rooms: Billiards Room, Speakeasy, and Wine Cellar
• David Wehrspann, Associate ASID, of Abitare Design Studio, Rooms: Billiards Room, Speakeasy, and Wine Cellar.
Trettel and Hanson, like previous resident Alfred Pillsbury, are passionate art collectors, and they note that designers also worked to incorporate their private art collection into the overall space.
Regrets about the design? None. “I honestly can’t think of anything that I would change,” Trettel says.
In keeping with the goal of sharing this space with others, Trettel noted that Children’s Theater and Children’s Hospital have already enjoyed access to the home for charitable events, and, he says, “We would like to create a holiday tradition open to the public.”
So, this elegant property is not just an asset for its owners, but also a legacy to share with the community. It’s a castle. It’s a dream made real. And it’s home.
Note that a paid, virtual tour of the Pillsbury Castle property is now available at a site dedicated to information about that property and its owners: www.pillsburycastle.com/
Far Trek Bader Companies Explore New Worlds… Without Leaving the Lake State
Space, according to one decades-old science fiction franchise, is the final frontier … but, according to one Minnesota-based property management organization, space is also a commodity, a currency, a compensation that can be bought, bequeathed, endued, endowed, invested, traded, rented … and even shared. Bader Companies claim on their website, “Our mission serves as our compass, inspiring us to build not just better apartments, but a better experience for every individual who is touched by the spaces we create.”
These space creators have been part of the Twin Cities realty scene longer than it’s been Bader Companies. “Our long-standing company, Steven Scott Management, joined Bader Development and Bader Diamond Fund to become one company, Bader,” recounts the current organization’s chief revenue officer, Brenda Hvambsal. “It is a continuation of the same company, but when management company partner Steve Schachtman retired in 2021, it made most sense to put all companies under one umbrella.”
An online bio elaborates: “Bader, a multi-generational, family company headquartered in Minneapolis, Minnesota, takes residential concepts from idea to reality. Founded in 1968, Bader has been setting the standard in multi-family housing for nearly sixty years. Through creativity and innovation, Bader consistently provides exceptional value to all its shareholders.”
Of course, it’s people who introduce residents to such “exceptional value.” The company website affirms: “At Bader, we are proud to have so many hard-working and dedicated employees who choose to continue their employment year after year. In fact, we have so many long-term employees, that we started calling them our ‘Loyal Legends.’”
Long-term workers aren’t the only ones catalyzing Bader Companies’ extant efforts. “Our employees are the heart of our company, and we simply could not be where we are today without their support and loyalty,” the Bader Companies website fairly gushes. “We truly care about our people, and we work hard to keep them happy.”
The sheer range of such care takes up more than a little space. “One of the biggest things we offer to the community is a variety of rental options, our portfolio is extremely diverse and we welcome all,” Hvambsal notes. “Affordable to luxury, urban to suburban, student to senior, apartment to townhomes and lofts, and from historic to new … and everything in between.” All told, this range is composed of nearly 12,000 units.
This quantity irresistibly leads to a variety of space that has, in recent years, been subject to change in deference to a variety of changes. Says Hvambsal, “People are in their apartments and amenity spaces much more — work from home —we had started to have video call rooms prior to the pandemic, but they have been added to existing communities and new communities.”
If community can be salvaged from individuals separated by infection-defeating separation, community can be redefined in any number of other ways, as well. “Other amenities that have been added to make homes for resident engagement include podcasting rooms, maker spaces, extending seasons — rooftop heaters at some communities,” Hvambsal continues. “Coming out of the work-from-home era, we have found that in many of our communities, it has become even more important for people to have the ability to connect.”
This community can even connect renters to rentees. “We have worked to encourage from block parties, barbecues and more,” supposes
Hvambsal. “In 2023, inspired by Katie Steller and her work on Steller Kindness Project, Bader launched the Kindness Crew. This employee-led group supports everything from large neighborhood initiatives to local
That crewed kindness can lend space to more specific outreach. “Bader has been supporting the LGBTQ+ community in sponsorships since early the 2000s with advertising and sponsoring events,” acclaims Hvambsal. This support includes an unmistakable presence at the annual Twin Cities Pride Festival, as well as a Pride kick-off
Most of the positive vibes generated by Bader Companies, however, are demographic-free. “In addition to our company financial donations, Bader’s employee-led Kindness Crew coordinates and runs several volunteer projects each year, all benefiting local charities,” Hvambsal catalogs. “The Kindness Crew currently makes up over thirty members, all employees who come together throughout the year and make a difference.”
Somewhat like that decades-old, difference-making science fiction franchise, Bader Companies seeks to boldly go where no property management organization has gone before. To cite Bader Companies’ company vision, “Our vision propels us forward, urging us to set the standard for excellence in housing through dedication, integrity and genuine care for our people and our communities.”
Bader Companies 3020 France Ave. Minneapolis, MN 55422 (952) 540-8600
www.badercompanies.com
www.badercompanies.com/contactus
‘Artists, Welcome Home’ — A Look Inside Minnesota Opera’s Luminary Arts Center
When art meets science, there is a beautiful expression of expectation, growth and gratitude. This expectation builds on the initiative that creators innately have within them. To create a space and home for artists that is flexible and honors the innovative principles of exponential design, Shelter Architecture carefully and intentionally captured the vision of a multi-purposed theater space with the director and artist in mind.
What makes the Luminary Arts Center unique is that the architects and interior designers led with functionality, accessibility and inclusivity. Theater spaces are supposed to give an ideal experience whenever they are used, and Shelter Architecture produced a tension wire grid that “offers unparalleled flexibility and safety for performers and technicians by eliminating the need for Genie lifts, ladders and safety harnesses typically used in production setup.” Safety is priority, especially in low visibility areas; this addition compliments the intimate setting.
As for accessibility, Shelter made sure to utilize extra space for seating to mitigate performance interruption. In addition to repurposing space, they also updated the restrooms to be gender-neutral with an adult changing table for inclusivity. These design considerations in the Luminary Arts Center were so transformational that they received the well-deserved National FOCUS design award from the American Society of Interior Designers (ASID).
Lavender Magazine asked Shelter Architecture about the source of their inspiration for such ambitious design decisions, and they responded, “Inclusivity and accessibility. There is literal transparency of what’s going on inside through the new lobby.” An intention to bring community to the theater with an open storefront that welcomes any from outside the space to view inside from the large industrial windows. Ambition is necessary to consider many. It reminds designers that there is a chance to make history through the memories of all who have experienced art through the productions hosted in the Luminary Arts Center and the welcoming space that allowed them to do so.
Shelter Architecture understood that this was more than a project, it was the start of a legacy that promoted and supported the whole spectrum of artists. This included toning down some prior features that were in place to
bring more emphasis on the performance and a stone wall backdrop that is a favorite amongst performance groups. These diligent attributes convey a consistent intention from Shelter that has an arsenal of talent and experience in the firm. They expressed, “We routinely share our work with one another which enhances our designs and translates into spaces that are more beautiful, more efficient and more inspiring. When you work with us, you’re not just hiring individuals, you’re hiring a team.”
The demand of the Luminary Arts Center project was so robust, but it was successful due to the incredible support and partnership from Minnesota Opera, the owners of the Luminary Arts Center. While there were unpredictable moments during the renovation and construction such as the COVID-19 pandemic, structural integrity issues with over-20-foot-tall foundational walls, necessary upgrades on utility connections and multi-level plumbing concerns, Shelter “learned new ways to work and share our information with our project partners that kept everyone safe and healthy while not losing any part of our regular design process.” Even though there were budget adjustments that grew in complexity, the intention for the space to be welcoming and radically inclusive maintained the motivation to finish strong.
Artists, your voices have been heard and Luminary Arts Center welcomes you home. The historical features from the Guthrie Lab have been preserved as there were unique traits such as the stone wall. Shelter Architecture ensured to grow this space for many generations to come by tackling the difficult head-on. This new space is designed with everyone, including the audience, technicians and outdoor passersby, in mind. The Luminary Arts Center holds true to amplifying the underheard and shining light on the beautiful bonds that stretch from multiple walks of life.
If you have a project and are looking for a family-oriented team that is sure to deliver a human-centered space through innovation and intention Shelter Architecture + Interior Design is your go-to. Their information has been added below!
Shelter Architecture
275 Market Street # 292 Minneapolis, MN 55405
612-870-4081
www.shelterarchitecture.com
BY NOAH MITCHELL
LGBTQ+ Migration to Minnesota
Sarah Rostance, president of the Minnesota chapter of the LGBTQ+ Real Estate Alliance and licensed realtor at Edina Realty, has received multiple inquiries from LGBTQ+ people interested in moving to Minnesota because of its LGBTQ+-friendly laws and politics since the 2024 presidential election.
Rostance says she had a client reach out to her individually, along with two clients referred to her through the Real Estate Alliance, who specifically cited Minnesota’s LGBTQ+-friendly laws as their reason for moving in the weeks following the election.
Those laws include the Trans Refuge law protecting patients and providers of gender-affirming care from out-of-state legal restrictions, the Take Pride Act updating language in the Minnesota Human Rights Act related to gender identity and sexual orientation to expand legal protection, and bans on conversion therapy and the so-called panic defense, according to a GLAAD fact sheet.
“One couple,” the one who reached out to Rostance individually, “is moving from Texas and found me on the app Everywhere is Queer,” she says. “They said they were thinking of moving to Minnesota because it is such a safe place for queer folks.”
Everywhere is Queer is an app featuring “a world-wide map of queerowned businesses,” according to its website.
Rostance says she’s also had clients reach out for the same reasons over the past few years preceding the election. While rising concerns about antiLGBTQ+ legislation across the country in the wake of the 2024 presidential election may be the proverbial straw that broke the camel’s back, Rostance says it mainly brings increased attention to a deeper issue.
“People who are oppressed always have that in the back of their mind, that they need to move somewhere where they feel allowed to exist,” Rostance says.
While this trend is unlikely to create a major shift in the local market, it does add to the high demand in a market with very little new housing stock being built, especially starter homes, according to Rostance.
The market currently has about two months of housing supply, Rostance says. A balanced market has four to six months and a buyer’s market has six months or more — Rostance says she hasn’t seen that in ten years.
Another factor limiting new housing stock is restrictive single-family zoning laws, according to Rostance. While some people have concerns about increased population density negatively affecting their neighborhoods, Rostance says the data doesn’t back that up.
“Data shows that when you have diverse communities and a lot of people, the community thrives better,” Rostance says.
An article from The Pew Charitable Trusts discussing Minneapolis land use reforms agrees: “Research shows that communities with strict zoning requirements tend to have higher home prices, rent growth, and levels of homelessness than those with more permissive zoning laws.”
People moving to Minnesota as an LGBTQ+ refuge haven’t congregated in any one neighborhood or suburb, according to Rostance.
One factor in this phenomenon is the Fair Housing Act. It prohibits discrimination in housing based on several factors, including gender identity and sexual orientation. Encouraging a client to consider or avoid a specific area based on these factors, known as “steering,” is considered illegal discrimination.
This means Rostance and other real estate agents cannot legally direct LGBTQ+ people to LGBTQ+ neighborhoods. Instead, Rostance says she encourages clients to scout out neighborhoods themselves to determine if they would be a good fit.
“Drive around!” Rostance says she tells her clients. “In this day and age, it’s pretty easy to tell who your people are based on the signs you see.”
Community Connection brings visibility to local LGBTQ-friendly non-profit organizations. To reserve your listing in Community Connection, email advertising@lavendermagazine. com.
ANIMAL RESCUE
Second Chance Animal Rescue
Dedicated to rescuing, fostering, caring for, and adopting out dogs and cats into forever homes.
P.O. Box 10533 White Bear Lake, MN 55110 (651) 771-5662 www.secondchancerescue.org
BUSINESS ASSOCIATIONS
Quorum
Minnesota's LGBTQ+ and Allied Chamber of Commerce working to build, connect, and strengthen for a diverse business community. 2446 University Ave. W., Ste 112 St. Paul, MN 55114 (612) 460-8153 www.twincitiesquorum.com
ENVIRONMENT
The Nature Conservancy
TNC is an environmental nonprofit working to create a world where people and nature thrive. 1101 W. River Pkwy., Ste. 200 Minneapolis, MN 55415-1291 (612) 331-0700 minnesota@tnc.org www.nature.org/minnesota
EVENT VENUES
Landmark Center
A classic venue, with a grand cortile and beautiful courtrooms, accommodates celebrations of all sizes. 75 W. 5th St. St. Paul, MN 55102 (651) 292-3228 www.landmarkcenter.org
GRANTMAKERS/FUNDERS
PFund Foundation
PFund is the LGBTQ+ community foundation that provides grants to students and grants to non-profits. PO Box 3640 Minneapolis, MN 55403 (612) 870-1806 www.pfundfoundation.org
HEALTH & WELLNESS
Aliveness Project
Community Center for individuals living with HIV/AIDS – on-site meals, food shelf, and supportive service. 3808 Nicollet Ave. S. Minneapolis, MN 55102 (612) 824-LIFE (5433) www.aliveness.org
Family Tree Clinic
We're a sliding fee sexual health clinic and education center, now in Minneapolis. 1919 Nicollet Ave. Minneapolis MN 55403 (612) 473-0800 www.familytreeclinic.org
COMMUNITY CONNECTION
Keane Sense of Rhythm
Celebrate your true self with Tap dance!
1st week free, Join us now!
2161 University Avenue W., Ste. 117 St. Paul, MN. 55114 (612) 251-4744 info@tapcompany.org www.tapcompany.org
NAMI Minnesota
(National Alliance on Mental Illness)
Providing free classes and peer support groups for people affected by mental illnesses.
1919 University Ave. W., Ste. 400 St. Paul, MN 55104 (651) 645-2948 www.namimn.org
Red Door Clinic
HIV and STI screening, treatment, education, and referrals. Doxy PEP, nPEP, PrEP, and Reproductive Health. 525 Portland Ave., 4th Fl. Minneapolis, MN 55415 (612) 543-5555 reddoor@hennepin.us www.reddoorclinic.org
LIBRARIES
Quatrefoil Library
Your LGBTQ+ library and community center. Free membership, events, and e-books/audiobooks. Check us out!
1220 E. Lake St. Minneapolis, MN 55407 (612) 729-2543 www.qlibrary.org
MEDIA & COMMUNICATIONS
Radio K
Radio K is the award-winning studentrun radio station of the University of Minnesota.
330 21st. Ave. S. Minneapolis, MN 55455 (612) 625-3500 www.radiok.org
MUSEUM
Minnesota Historical Society
Create your own adventure at MNHS historic sites and museums around Minnesota. mnhs.org
Minneapolis Institute of Art
Enjoy masterpieces from all over the world & every period of human history. Free admission daily!
2400 3rd Ave. S. Minneapolis, MN 55404 (612) 870-3000 www.artsmia.org
Walker Art Center
Showcasing the fresh, innovative art of today and tomorrow through exhibitions, performances, and film screenings.
725 Vineland Pl. Minneapolis, MN 55403 (612) 375-7600 www.walkerart.org
PERFORMING ARTS
Chanhassen Dinner Theatres
The nation's largest professional dinner theater and Minnesota's own entertainment destination.
501 W. 78th St. Chanhassen, MN 55317 (952) 934-1525 www.ChanhassenDT.com
Children’s Theatre Company
Children’s Theatre Company excites the imagination with world-class family-friendly theatre for kids, teens, and adults.
2400 3rd Ave. S. Minneapolis, MN 55404 (612) 874-0400 www.childrenstheatre.org
Guthrie Theater
Open to the public year-round, the Guthrie produces classic and contemporary plays on three stages. 818 S. 2nd St. Minneapolis, MN 55415 (612) 377-2224 www.guthrietheater.org
Minnesota Opera
World-class opera draws you into a synthesis of beauty; breathtaking music, stunning costumes & extraordinary sets. Performances at the Ordway Music Theater - 345 Washington St. St. Paul, MN 55102 (612) 333-6669 www.mnopera.org
Minnesota Orchestra
Led by Music Director Designate Thomas Søndergård, the Minnesota Orchestra, one of America’s leading symphony orchestras.
1111 Nicollet Mall Minneapolis, MN 55403 (612) 371-5656, (800) 292-4141 www.minnesotaorchestra.org
Ordway Center for the Performing Arts
Leading performing arts center with two stages presenting Broadway musicals, concerts & educational programs that enrich diverse audiences. 345 Washington St. St. Paul, MN 55102 (651) 224-4222 info@ordway.org www.ordway.org
Twin Cities Gay Men’s Chorus
An award-winning chorus building community through music and offers entertainment worth coming out for! 1430 W. 28th St., Ste. B Minneapolis, MN 55408 (612) 339-SONG (7664) chorus@tcgmc.org www.tcgmc.org
RELIGIOUS & SPIRITUAL
All God’s Children Metropolitan Community Church
A welcoming, inclusive, safe place to explore and discover God’s love for ALL God’s children. 3100 Park Ave. Minneapolis, MN 55407 (612) 824-2673 www.agcmcc.org
Hennepin Avenue United Methodist Church
Everyone is welcome at Hennepin Church! Vibrant Worship. Authentic Community. Bold Outreach. 511 Groveland Ave. Minneapolis, MN 55403 (612) 871-5303 www.hennepinchurch.org
Plymouth Congregational Church
Many Hearts, One Song; Many Hands, One Church. Find us on Facebook and Twitter. 1900 Nicollet Ave. Minneapolis, MN 55403 (612) 871-7400 www.plymouth.org
St. Philip's Lutheran Church
We invite and welcome those of every spiritual background, ethnicity, gender orientation, or economic situation. 6180 Hwy 65 Fridley, MN 55432 (763) 571-1500 www.splcmn.org
University Baptist Church
Creating safe and inclusive spaces for 175 years, UBC stands proudly with our LGBTQ+ family. 1219 University Ave. SE Minneapolis, MN 55414 (612) 331-1768 www.ubcmn.org
Westminster Presbyterian Church
An open and affirming congregation, welcoming persons of all sexual orientations, gender expressions and identities. 1200 Marquette Ave. Minneapolis, MN 55403 (612) 332-3421 www.westminstermpls.org
SENIOR LIVING Friends & Co
Fostering meaningful connections for older adults for 50+ years. Offering quick drop-in chat line, phone & visiting companionship services.
2550 University Ave. W., Ste. 260-S St. Paul, MN 55114 (612) 721-1400 www.friendsco.org
Lyngblomsten Community Services
Empowering older adults to live well at home through caregiver support, memory-loss enrichment, & wellness education. 1415 Almond Ave. St. Paul, MN 55108 (651) 632-5330 www.Lyngblomsten.org/CommunityServices
Senior Community Services
Providing non-medical services that meet the changing needs of older adults & support their caregivers. 10201 Wayzata Blvd., Ste. 335 Minnetonka, MN 55305 (952) 541-1019 www.seniorcommunity.org/lav
SOCIAL SERVICES
Lutheran Social Service of Minnesota
Serving all Minnesotans with personcentered services that promote full and abundant lives.
lssmn.org | (651) 642-5990 | (800) 582-5260 Employment Opportunities | lssmn.org/careers PICS (Partners in Community Supports) | picsmn.org
Pooled Trust | (888) 806-6844
Supported Decision-Making | (888) 806-6844
TRAVEL DESTINATIONS
Westopolis
Minnesota’s Sweet Spot! Visit us for exceptional dining, attractions, shopping, hotels and event space.
1660 Hwy 100 S., Ste. 501 St. Louis Park, MN 55416 (952) 426-4047 www.westopolis.org
Locally
Estimates 7am-4:30pm
Listings Ad Representative: Lavender Media, Minnesota’s LGBTQ Media Company, is seeking a par t or full time Listings Ad Representative for Lavender ’s Pride Pages Direc tor y. We are seeking an outgoing, organized, self- driven & motivated professional with excellent phone and writing skills. Candidates must be local and should enjoy working direc tly with clients who are interested in growing their business through paid ad listings in Lavender ’s Pride Pages Direc tor y. This hourly position pays $15 per hour + commission and an employee bene ts package that includes group health, dental, life insurance and LTD.
Please send your cover letter and resume to stephen.rocheford@lavendermagazine.com.
Account Executive: Lavender Media, Minnesota’s LGBTQ Media Company, is seeking to add a Twin Cities based full-time Account Executive to our sales team. We are seeking an outgoing, organized, self- driven & motivated professional with excellent phone, writing and presentation skills. Candidates must be local and should enjoy working direc tly with clients who are interested in growing their business through adver tising and event sponsorships with Lavender. Compensation: $1,500 base + commission ever y issue (two weeks) and an employee bene ts package that includes group health, dental, life insurance and LTD
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Aliveness Project Hopes to Help Reduce Barriers Through Their Soon-To-Open Pharmacy – “Grand Opening” on World AIDS Day
World AIDS Day (December 1) marks an important time to remember those we’ve lost and work to raise awareness about the fight against HIV and AIDS. It also marks the grand opening celebration of The Aliveness Project’s new pharmacy.
The pharmacy won’t actually open until January, but Matt Toburen, Aliveness’s Executive Director, says there was no better day to celebrate their clinic and pharmacy.
“We celebrate and love the folks who are living with HIV, and also look to the future of hope to say, ‘Here’s where we are going and can go, and that there’s a bright future ahead,’” Toburen says.
The Thrive Clinic is currently open and operational, providing a variety of HIV prevention services for free, including PrEP, PEP, HIV testing and STI testing for free. At the moment, you can get a prescription for PrEP and PEP, and soon you’ll be able to fill it at their pharmacy and leave with it the same day, according to Toburen.
Toburen says the pharmacy can expand access to medications for people with barriers to care. They’ve also expanded to include a psychologist who can provide mental health services and prescribe mental health medications as well as gender-related care like HRT.
“The goal is to have a pharmacy that is by and for the community that’s targeted and focused on how we can use a pharmacist and a pharmacy to move us forward on ending that [HIV] epidemic in Minnesota,” Toburen says.
With HIV medications being expensive, up to $3000 a month, Aliveness has access to different programs and patient assistance that can help support people and increase access to medications, according to Toburen.
“Another benefit of the pharmacy is to be able to get medications that are either low cost or free, and trying to reduce as many barriers as possible for folks to access medications and cost being a huge barrier,” Toburen says.
While Minnesota continues to see an HIV outbreak, Aliveness hopes to help make getting medication, mental health care and PrEP easier for those who need it.
“There’s a lot of other places around the country that are really seeing dramatic decreases in new HIV infections and are really doing a lot more to end the epidemic than we are in Minnesota,” says Toburen. “If we want to do something different, we have to be bold and we have to really just not keep doing the same things over and over again.”
The clinic and pharmacy space is bright and colorful, featuring four murals, plants and a fish tank to foster a warm environment. Toburen says they worked with MSR Design to create the space and with local artists living with HIV, as well as getting input from the community, to design the murals.
The space is designed to create a comforting environment that feels like a community and steers away from usual clinical settings where people may have had negative experiences, according to Toburen.
Another important aspect of creating a warm and welcoming clinic is the staff. Toburen says that while the pharmacist hasn’t been hired yet, it’s important they have a relationship with the community like the clinic staff.
“The clinicians, the clinic front desk staff are all part of the community, either LGBTQ+ or living with HIV, and they’re the ones who created and developed [the clinic],” Toburen says.
To make all of this possible, Aliveness received congressional funding support from U.S. Senators Tina Smith and Amy Klobuchar, according to Toburen. They expanded their lower level to create a one-stop shop model for people to access all of the resources available.
The pharmacy will serve uninsured people at the start, as Toburen says the process for independent pharmacies to have a contract with insurance companies has proven to be difficult, hence the delay in opening. Once open, you can access the pharmacy during Aliveness’ typical hours Monday through Friday.
Beyond the clinic, Aliveness has multiple peer-support networks including Melanin, for Black men at risk of HIV, and Tea Time, for transfemme-identifying individuals. These networks provide education, support and spaces to discuss issues with people who share identities and experiences. Additionally, Aliveness hosts various fundraising events including the Red Undie Run.
Aliveness will also be celebrating World AIDS Day with their annual Red Undie Run, and they want you to join them! The run will be on December 7 at noon. Since the Stone Arch Bridge is closed for repair, the run will be held downtown.
Participants run about a mile in red underwear to raise awareness and funds that support HIV and AIDS causes.
“We invite everybody to come run or volunteer or just come out to support,” Toburen says.
The Aliveness Project
www.aliveness.org
www.aliveness.org/hiv-prevention-services
Red Undie Run
www.give.aliveness.org/event/red-undierun-2024/e598682
