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Volume 30, Issue 780 • April 17-30, 2025
Managing Editor Noah Mitchell 612-461-8723
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Editor Emeritus Ethan Boatner
Contributors Lakey Bridge, E.B. Boatner, Buer Carlie, Natasha DeLion, Arthur Diggins, Alyssa Homeier, Terrance Griep, Elise Maren, Jen Peeples-Hampton, Linda Raines, Aspen Rush, Gregg Shapiro, Randy Stern, Susan Swavely, Sommer Wagen, Carla Waldemar, Todd P. Walker, Emma Walytka, Spencer White
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Founders George Holdgrafer, Stephen Rocheford
Inspiration Steven W. Anderson (1954-1994), Timothy J. Lee (1968-2002), Russell Berg (1957-2005), Kathryn Rocheford (1914-2006), Jonathan Halverson (1974-2010), Adam Houghtaling (1984-2012), Walker Pearce (1946-2013), Tim Campbell (1939-2015), John Townsend (1959-2019), George Holdgrafer (1951-2024)
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OUR LAVENDER | FROM THE EDITOR
BY NOAH MITCHELL
Fashion and style can be fun and exciting ways to express yourself, but they can also be so much more. The stories in this issue of Lavender show the power of clothing, accessories and more to not only show what you like but also define or redefine who you are.
When we first found a story for this issue discussing fashion’s gender-affirming value, I was delighted. When we found four more, I was overjoyed.
As the Twin Cities and Minnesota continue to grow as a focal point for LGBTQ+ migration, I am incredibly excited to be able to showcase the people and places in our community dedicated to making LGBTQ+ people, and specifically trans and nonbinary people, comfortable, both in their own spaces by creating welcoming and environments and in the broader community by helping to make them feel comfortable and express themselves in full.
I also want to make clear that this issue is far from an exhaustive list of LGBTQ+ fashion and style resources in our community. Twin Cities Pride’s Rainbow Wardrobe, for example, goes without a feature in this issue, but is another incredible resource for those seeking gender-affirming clothing.
Furthermore, these resources aren’t limited to the Twin Cities or Minnesota. Dapper Boi, featured on the cover of this issue, is available nationwide online. And, again, this issue barely scratches the surface of the full extent of available resources. While fashion and style may seem surface-level, the stories in this issue offer further proof that they are anything but. I hope this issue showcases not only the power of things as simple as clothing or accessories, but also the serious positive impact such simple things can make on the well-being of people, especially trans and nonbinary people, in a time when personal fulfillment and acceptance are increasingly difficult to come by.
Photo courtesy of BigStock/Studio Light and Shade
OUR LAVENDER | A WORD IN EDGEWISE
BY E.B. BOATNER
“Blue,” that is, the hue, creates a ninth character in the Guthrie’s latest production of Agatha Christie’s “The Mousetrap.” Set in a winter snowstorm, the frisson of murder onstage is intensified through the spectrum of chilly blues painted throughout the vast single-room set; the walls, the window trim, the blue height of the ceiling all make the viewer unconsciously pull his sweater around a bit tighter. The whole deftly reminds even today’s audience of the post-WWII want still felt across Britain in 1952, even among the formerly well-todo.
The young couple, Mollie and Giles Ralston, welcoming the first guests to the opening of their respectable inn, have laid in tinned goods, “just in case,” and hope their coal supply will be adequate for their furnace to face the rising storm. The set’s exaggeratedly high walls display the spiked heads of long-defunct ungulates, lives ended in an obviously more prosperous era, their glassy eyes offering cold comfort to owners and guests alike here at Monkswell Manor, Berkshire, England. Young proprietors Mollie and Giles, married just a year, open their doors to an odd assortment of regis-
tered guests — and one outlier who claims his car lies in a drift and is begging for shelter. “Odd” embraces pretty much everyone: fey Christopher Wren (lighter loafers and he’d be eye-to-eye with the elk), Mrs. Boyle, (“What dissatisfies you?” — “What’ve you got?”), Major Metcalf (Harumph!), Miss Casewell (briskly Y-chromosomed), Mr. Paravicini (risen from the drifts) and Det. Sgt. Trotter (arrived by ski to sort it all out). Tracy Bergen, justifiably lauded for her direction of Guthrie’s “Dial M for Murder” last season, a “long-time fan of murder mysteries,” explains in the program’s Q&A, “There’s a formula to both writing murder mysteries and making them work onstage.” Directing a Christie, “master of puzzles on the page,” her job is to find the balance between fairness to the viewer re: available clues while keeping secrets close to the vest. She manages both.
The only guest not under scrutiny is the prickly Mrs. Boyle (who lies dead on the parquet), but the others…? My sacred vow of silence (requested of each audience member by Christie herself from the beginning) keeps me from revealing more, but then, Christie’s puzzle skills assured no early revelation. Why did the Ralstons lie to each other? Why
did Paravicini’s car sink into that particular nearby drift? Is this Christopher Wren really an architect? And, why, under her husband’s jealous gaze, would Mollie call this stranger “Chris”?
“The Mousetrap” continues as the world’s longest, continually running (except during COVID) play — in the world — and Christie is credited, along with contributing to ordinary murder mysteries, for having invented this sub-genre of “country house murders” all by herself.
Christie created her own mysteries and personal puzzles. Her cleverest perhaps was to seal it into her will that “The Mousetrap” could not be made into a (more widely-distributed) movie until the play closed on the West End. The closest — but no cigar — contender was “See How They Run” (2022), whose title sourced a line from the “Three Blind Mice”nursery rhyme, featured characters from the play and was set in London’s Ambassadors Theatre, the real play’s original production seating 453, housing the first 21 years of “Mousetrap”’s run.
This one’s on the Guthrie’s McGuire Proscenium Stage through May 18.
BY LINDA RAINES
Where did you grow up? I grew up in Chicago on the West Side with my parents and eight siblings. I have lived in Minnesota for the past 46 years. I lived in Burnsville, then Minneapolis. I lived in New York for a year (1988-89) while working for Northwest Airlines.
Where do you live?
I currently live in South St. Paul. I am fortunate to live in a Dakota County Senior Community. The building is designed for independent living that allows me to age well and safely. I believe that, as a sole senior, I need to advocate for myself and make the best choices for me.
Who do you live with?
I live alone in a great apartment. The building I live in has 60 units with amenities (security, community room, underground parking, elevator, accessibility features for aging well).
What is your occupation?
I am retired, but not really; I am an ordained priest, parent, grandparent and great-grandparent. I provide spiritual support to folks in recovery and advocate for LGBTQIA seniors. I spent my working life in multiple careers (retail, airline industry, legal and higher education).
When did you come out?
I began my coming out process in 1982. I returned to college to finish my degree that was interrupted by the Vietnam War and military service. I took a course called Human Sexuality with a fabulous professor, and this opened the door for my journey of coming out as a gay man. Every day is a coming out day, and I refuse to allow anyone to deny who I am as a human being. As an older samegender-loving person, the struggle is ongoing.
How’d that go?
Coming out is never easy because of our social norms. Coming out was the most difficult journey I have ever taken. As a married man (husband), father of three amazing children and human being living a “straight life,” it was brutal. Coming out during the AIDS epidemic complicated this journey. My therapist captured my journey perfectly when he said, “You arrived at the station, and someone blew up the f—ing station.”
When do you wake up?
I wake up every day at 5 a.m. The military training has never left me. I am a creature of habit. The early morning hours allow me to meditate, think and plan my day. COVID has changed the way I operate. I am not rushing out the door any longer.
Phone alarm or old school alarm?
The old-school alarm is on the nightstand, but I normally wake before it starts playing music.
What’s the first thing you do in the morning?
Grab my glasses and check the weather.
Breakfast?
Breakfast is important for me. Steel-cut oatmeal, eggs or protein shake. Breakfast is my favorite meal of the day.
Coffee?
Black coffee jump-starts my day. 2 cups of black coffee every day. A day without coffee just will not work.
Cream or no?
No cream; good black coffee needs nothing added.
How do you spend your commute?
No commute required these days.
What do you nerd out for (gaming, music, history, etc.)?
I nerd out on HGTV!
What music have you been digging lately?
My taste in music is simple. Loss of hearing means I need music to be clear, mild and relaxing. I love music from the ‘60s and ‘70s.
Is your workspace tidy or a hot mess?
I am compulsive, so my workspace is tidy.
What’s been your favorite job?
Being an ordained priest has allowed me to do incredible things. I have officiated weddings, funerals, special services for folks. I have officiated three weddings in prison settings. I officiated a gay couple’s wedding at a place called MSOP Moose Lake. I can support folks during their most difficult journeys and their most important events.
Favorite weeknight meal: Go out, takeout or cook in?
As a sole senior, cooking for one isn’t as enjoyable as it should be. Cooking at home is far better than going out or takeout. Homemade chili is wonderful.
On a usual weeknight, you are doing what?
It seems that my weeknights are simple and easy. Dinner, TV or connecting with friends. Since I spend time in the morning on work, I try to limit my time on technology. During football season, I seem to watch a lot of games.
Bedtime?
Between 9 and 10 is bedtime. I need 7 to 8 hours of sleep.
Favorite weekend activity?
My weekend activities vary with the seasons. Fall and winter revolve around football, either games for my grandsons or NFL games. My team is the Kansas City Chiefs. My church on Sunday is the NFL! Spring and summer, I enjoy biking and spending time outside.
What are you most proud of, and why?
I am most proud of my children and grandchildren. Imagine having a gay dad, grandfather who isn’t hiding in the closet but is a priest/human being who is active and willing to be visible and vocal. My children and grandchildren have been awesome in supporting me during the challenges of life. Each of my children and grandchildren had a role in my ordination.
Words of wisdom to share:
Cherish the people in your life, be there for those you love.
Nestled along the shores of the Gulf of Mexico, Pensacola, Fla, offers a unique blend of history, culture and coastal charm along with a vibrant LGBTQ community. From its lively markets to its delectable dining options and picturesque natural wonders, Pensacola has something to offer every visitor. Let’s take a closer look at some of the must-visit attractions in this captivating city.
I began my journey through Pensacola at the Palafox Market, where the community comes alive every Saturday morning. Located in the heart of downtown Pensacola, this bustling market offers a diverse array of locally grown produce, artisanal crafts and delicious treats. Stroll through the rows of vendors, chat with local artisans and immerse yourself in the vibrant atmosphere of this beloved community gathering. If I had brought more than a carry-on, I probably would have purchased a few items to bring home.
After exploring the market, treat yourself to a memorable dining experience at The Kennedy. This quaint but well-appointed establishment is the perfect place to grab a craft cocktail and sample some local fare. I opted for an Old Fashioned, which happened to be a Happy Hour special, as well as an order of the Pork Gyoza and Pork Belly Deviled Eggs. The music-inspired restaurant was right up my alley, and the laid-back atmosphere was the perfect way to start the evening.
Pensacola boasts a thriving LGBTQ nightlife scene, with an array of bars, clubs and restaurants that cater to the community. Check out The Roundup and Cabaret, two bars offering a variety of LGBTQ events and activities throughout the week.
Check in to the Holiday Inn Express Pensacola Beach for your stay. Located right on the beach, this is not your everyday Holiday Inn Express. The rooms are elegantly appointed, and every room comes complete with unobstructed views of the Gulf. Stroll along the beach to witness both the sunrise and sunset. This section of the beach is less crowded with tourists, so at moments you’ll feel as if you’re the only one on the sand. I woke up early each day to watch the sunrise, and it was magical.
History enthusiasts won’t want to miss a visit to Fort Pickens, a historic military fort located on the western tip of Santa Rosa Island. Built in the early 19th century, Fort Pickens played a crucial role in defending the Gulf Coast during the Civil War and World War II. Today, visitors can explore the well-preserved fortifications, stroll along the scenic nature trails and learn about the rich history of this fascinating landmark. Don’t forget to bring your camera to capture breathtaking views of the Gulf and surrounding coastline.
Continued on page 12
Conclude your journey with a visit to the Gulf Islands National Seashore, a pristine stretch of coastline renowned for its sugar-white sands and crystal-clear waters. Take a leisurely stroll along the shore, go for a refreshing swim, or simply relax and soak up the sun on one of the many secluded beaches.
Continue your day with a visit to the Pensacola Beach Pier, where you can try your hand at fishing or simply admire the panoramic views of the Gulf and Pensacola Beach. The newly reopened pier is 1471 feet in length and is one of the most popular attractions along the beach. By the time you walk to the end of the pier, you’ll be hovering almost dozens of feet over the Gulf of Mexico. It’s the perfect place to watch the waves or catch the stunning sunset.
Pensacola is a vibrant hub of LGBTQ culture and community along the Florida panhandle. From colorful events and supportive organizations to inclusive spaces and advocacy efforts, Pensacola shines as a beacon of LGBTQ culture. Pensacola’s LGBTQ community is as diverse as the city itself, encompassing people of all ages, backgrounds and identities. PFLAG operates a chapter in Pensacola and the city is home to numerous events throughout the year, including the Pensacola Pride Festival, held annually over Memorial Day weekend, and is the perfect kickoff to Pride month. This year will be highlighted with performances by DJs Will Lowe, Hector Fonseca, Dani Toro, Erick Ibiza and Robbie Cardigan and is a highlight of the city’s calendar, featuring a colorful parade, live music and drag performances. Pensacola Pride draws tens of thousands of visitors and is one of the largest and most unique Pride experiences in the country.
Another not-to-be-missed event in Pensacola is their annual LGBTQ film festival called Stamped. Stamped Film Festival was spearheaded in 2012 by Sara Latshaw to create a more accepting, safe and educated community. The film festival board and organization have continued to grow over the years, with increased attendance at the annual film festival and by hosting other outreach activities. Stamped showcases the artistic contribution of LGBTQ+ film and filmmakers from all over the world. In 2015, the festival re-branded itself from Pensacola LGBTQ+ Film Fest to Stamped Film Festival, a name paying homage to the days when Memorial Day Weekend LGBTQ tourists stamped their money to demonstrate their significant impact on the local economy.
For cat lovers, I highly recommend a visit to the Coastal Cat Café to play with and/or adopt one of their beautiful feline friends. The café has been open for about a year, and reservations are recommended to visit. About 20 cats roam freely between two rooms where they interact with visitors who are encouraged to give them some of their favorite treats. Unfortunately, my hotel didn’t allow animals, otherwise I might have added a new member to my family. So far, almost 50 cats have been adopted by café visitors. Foodies searching for authentic Gulf Coast flavors should head to Flounder’s Chowder House, a beloved local institution since 1979. Located on the scenic Pensacola Beach Boardwalk, this laid-back eatery specializes in fresh seafood dishes, including their famous chowder and signature crab cakes. Relax on the outdoor patio, feel the gentle sea breeze and savor the flavors of the Gulf as you dine overlooking the pristine white sands and emerald waters of Pensacola Beach. I ordered the legendary Bushwacker, a milkshake-style cocktail created in Pensacola, to accompany my entrée, which consisted of blackened red snapper with sautéed asparagus. The snapper was cooked to perfection and was accompanied by a delicious sauce.
End your visit to Pensacola with a sunset dolphin cruise with Frisky Mermaid Boat Tours. My particular excursion was led by an all-female crew and was wonderful despite only getting to see a few dorsal fins. The tour lasts for about two hours and the friendly crew tries their best to seek out as many beautiful dolphins as possible, although sometimes they can be hard to find. Nature can be unpredictable.
Pensacola offers a wealth of experiences for visitors to discover. From vibrant markets and culinary delights to historic landmarks and natural wonders, this charming city has something for everyone. Whether you’re exploring its rich cultural heritage or simply basking in the beauty of its coastal landscapes, Pensacola is sure to leave a lasting impression on all who visit.
Enjoy the Journey!
“If I were to put on my big boy director glasses and give you the most, like, highfaluting answer, I’d probably say it’s human.”
Denzel Belin is sitting across from me at a table at Queermunity, explaining the tone of “Spellbound,” a new play he is directing for Threshold Theater. “Spellbound” is special not only because the project has been in development since 2019 (yet another timeline interrupted by the pandemic) but also because it marks Threshold Theater’s first full-length production. This dramatic comedy hinges on the moment when a man uses a love potion on one of his best friends — who happens to be a happily married, expectant father.
Matthew Everett, Threshold’s literary director and the playwright behind “Spellbound,” sits next to Belin nodding enthusiastically. “On the front page of the script it says a romantic comedy-drama about love and consent,” Everett says.
“When you think of comedy, drama, love, consent,” Belin says, “Those are four vastly different words … there are moments in this play that are going to make you laugh really hard, where you’re going to fall in love, sit with the tension [and] … want to slap someone.”
“I like to say that it’s funny up until the point where it isn’t anymore,” Everett says.
“Spellbound” grapples with some heady themes and centers queer people, but its aim is to show queer people living normal lives. It’s just that in this case, their “normal lives” include a dash of magic.
“It’s so important to show the fullness of [living] as a queer person during these times because we’re constantly being reduced to headlines,” Belin explains. “… This play is just people who are queer and who are not queer, living their messy lives joyously.”
Bringing the right actors in to tell this story was a priority. “As a company, Threshold is committed to diverse casting,” Everett says. “We’re not just presenting queer stories — we’re presenting an array of different kinds of people and different types of actors.”
Belin nods. “I read an article in college that talks about the idea of moving away from ‘blank blind casting’ … to ‘blank conscious casting,’” he says. “So, color blind, gender blind to [color and gender] conscious casting … I love to bring in an actor and see how that character is through them as opposed to forcing the character on to an actor that I could cast.”
Belin and Everett are both cerebral, enthusiastic artists and both are busy. Belin works with Brave New Workshop, Minnesota Leather Pride and Twin Cities Spectrum, and puts a huge priority on balancing his love of life with his desire to make an impact. “I like to stay busy in a conscious way,” he explains. “I like to engage within my communities and do activism work, but also bring in that joy, which is a kind of activism in itself.”
Most of Everett’s creative work is tied up in Threshold these days. He is Threshold’s Literary Director, his play “Spellbound” is being produced through Threshold, and he coordinates a yearly playwriting challenge. The Threshold Theater Writing Challenge was inspired by Red Theater in Chicago and brings us full circle in a very satisfying way: Red Theater’s playwriting challenge provided the seed that grew into “Spellbound.”
“The challenge that day was [to] write a scene in which magic is real,” Everett says. With this in mind, Everett built a story in which a man plays around with a love potion, accidentally doses his best friend, and finds himself “horrified by the consent issues involved and basically trying very hard not to let [his friend, who is married with a baby on the way] do something that he’s going to regret later.”
The Threshold Theater Writing Challenge offers writers the same opportunity to create something amazing.
“We have writers who come back year after year because they say it’s their most productive month,” Everett says.
Writers have submitted 10-minute plays, one acts, won competitions and are getting their works produced.
Being a playwright himself, Everett is all too familiar with the difficulty that playwrights face in trying to get their work produced.
“It’s hard being a playwright,” Everett says. “Theaters can’t work with a dead actor, but they can work with a dead playwright and many theaters prefer that. Playwrights are competing with everyone who’s ever written.”
This understanding lends Everett a distinct sensitivity to writers who submit to Threshold. It is also part of what drew him to Threshold in the first place: Threshold only produces new works centering LGBTQ+ voices.
“[Prioritizing new work is how] we keep stories relevant, the way we keep adding to the cannon,” Belin says.
When James Zappa, Nick Mrozek and David Schlosser first imagined Threshold Theater back in 2019, they hoped to prioritize locally written works. Quickly, however, they realized that opening submissions up further would increase their ability to showcase those fresh voices telling intersectional LGBTQ+ stories.
“[We asked ourselves], are we telling trans stories, are we telling stories by asexual writers, bisexual writers, gay, lesbian? There have been historical [stories], comedies, dramas, sci-fi, horror,” Everett says.
Submissions have steadily increased ever since.
“We have that embarrassment of riches in terms of options,” Everett explains. “I wish that there were 10 or 15 Threshold Theaters that could produce all of these writers all at once. There is so much out there.”
Threshold Theater also hosts play readings throughout the year.
“We started a partnership with the Black Hart of St. Paul to start doing in-person readings,” Everett says. “They’ve got a little back lounge there so we’ve been partnering with them ever since we started doing in-person readings again.”
Threshold offers a lot to creatives.
“I find myself drawn back to Threshold time and time again [because] it’s a community space,” Belin says. “… There are writers who Threshold has worked with time and time again, people audition for Threshold productions because they read Threshold’s mission and values and they like that.”
There are so many ways to support Threshold Theater and its mission. Attend a reading at Black Hart, join the writing challenge this November, and see “Spellbound” at Phoenix Theater this month. Performances run from Friday, April 18 through Saturday, May 3, and tickets are sold on a sliding scale from $10 to $25.
If you have been looking for a way to support and enjoy modern, queer storytelling, Threshold Theater is a great place to start.
Threshold Theater www.thresholdtheatermpls.com
The Minnesota-born indie pop artist talks his upcoming EP “Venison Forever,” scene-setting in music and preparing to graduate from college and start his music career
Minnesota-born singer-songwriter August James’ wildest dream is to play The Armory.
“That’s honestly a major, major goal for me,” the 21-year-old from Falcon Heights says. “It’s not even close to the most iconic venue in the Twin Cities, but I think it represents a scale that excites me. A lot of artists I loved in high school played there, so I would love to.”
For now, though, James is finishing his economics degree at Occidental College in Los Angeles and preparing to release his second EP, “Venison Forever,” which is out April 25.
Judging only by the titles of the EP’s singles, “Prairie Eyes” and “Montana Riverbeds,” one might expect a country-inspired or indie folk sound from James, but in his own words, “‘Indie folk’ doesn’t mean much.”
Instead, James says he considers himself a pop writer first, taking songwriting and production inspiration from icons such as Selena Gomez and Lady Gaga, whose music he grew up with.
More recent standouts like Caroline Polachek’s 2023 album “Desire, I Want to Turn Into You” influenced James’ emphasis on place in his music, especially on “Venison Forever.”
“It’s honestly become one of my favorite albums ever,” he says. “That’s the most direct inspiration I drew from in terms of trying to establish a really strong world throughout the project.”
We agreed that “Sunset” on Polachek’s record evokes a sweeping shot of a Mediterranean vista in the summertime. James’ “Prairie Eyes” similarly brings to mind driving through endless amber waves in Big Sky Country.
James says a road trip last summer through Montana and Wyoming inspired the visual world of “Venison Forever,” even though he had written many of the songs beforehand.
“The American West is this sort of classic symbol for escape, but also this myth and something that’s tied to a really complicated history,” he says. “I liked using that symbol, especially being a queer artist. I thought it was conducive to the themes I wanted to write about.”
In that sense, there’s a “Brokeback Mountain” mood permeating the two singles — a yearning to escape into star-crossed queer love as expansive as the Mountain West. The EP’s title comes from the lyrics, “I’d eat
venison forever / Just to keep you here,” evoking a level of devotion to someone that only comes from roughing it together.
James’ feather-light vocals also bring to mind the father of queer wistfulness in music, Sufjan Stevens.
Still, James says he doesn’t want his queerness to define him as an artist.
“It definitely informs the themes that I write about, especially on this new EP, but I don’t need to be known as ‘the gay singer-songwriter,’” he explained.
One might think James’ musical aspirations and love for the West are what brought him to Los Angeles for school, but really, he ended up at Occidental College because of a coin flip.
“I was considering going to Florida State University because they have a big circus program there,” James explained. (That’s right — growing up, James did work as a circus performer.)
Still, James admitted, “Coming to school here was the excuse to be in LA.” The odds ended up in his favor.
Economics might also seem like an arbitrary major chosen by aspiring creatives, but James says he only started focusing on music as a professional pursuit within the past year, even though he started making music on school-issued iPads in middle school (“shout out SPPS.”)
“I’m the most ‘in’ as I’ve ever been,” he says. “I could’ve studied music, and I’m sure it would’ve been beneficial in a lot of ways, but I’ve felt pretty capable without a formal music education. School was always gonna be separate from my music, and music is not my only interest.”
With new management and more experience working in the studios with producers, a path forward into the music industry seems to have emerged for James. But like many students in their last semester of college, his future is still largely uncertain.
“In a perfect world, I’m pursuing music in LA,” he says. “The hope is that the EP continues to forge the path I’ve been on and allows me to work with exciting people. But it’s also hard to live in LA, so there’s a good chance I’ll come home this summer, put the pieces together, then go back.”
James also says he could envision a life in the Twin Cities, but that the closeness to the industry in LA is tough to beat.
For now, he says, his mentality is: “We’ll see what happens.”
That’s not to say he’ll never return to Minnesota on tour, which he says is in the works.
One of these years, he may even be playing at The Armory.
Bryce Burton is not the hardened, rugged individual one might expect when picturing a stereotypical tattooist. As an individual and as an artist, Bryce embodies a distinct tenderness and intention. Burton is a trans nonbinary artist, illustrator and self-proclaimed wizard. To them, tattooing is a sacred calling and an extension of their practice of community care. Burton’s practice focuses on helping individuals feel at home in their bodies through intentional placement and design. Burton playfully describes tattooing as “customizing a meat suit.”
Sometimes silly, sometimes serious, but always remarkable, Burton creates unique pieces tailored to each individual. Their style is distinct, combining their fine arts background, lived experience and unique worldview to produce vivid ethereal tattoos and striking black and white images.
Marking a body can be transformative, and it can be a way for trans and nonbinary individuals to transform their bodies. Gender-affirming care looks different for each individual, and for some, it can mean tattoos. Burton considers themself to be a facilitator of adoration, connecting people with their physical form.
Burton works at Jackalope Tattoo in Minneapolis where all artists are of marginalized genders, focused on carving out a safe space in the tattoo world. When they started out in 2020, Burton landed their apprenticeship in Zimmerman, Minn.
“Being an openly trans person in a really small town was interesting. There were the people who really loved me and encouraged me,” Burton recollects. “There were people who really didn’t. That kind of messed up my heart a little bit.”
Burton’s gender identity is intrinsic to their practice, and they consider tattooing “a repossession, reconnection and reclamation of one’s identity and body.”
Working at an urban tattoo shop that aligns with their values has been a refreshing shift for Burton, delving deeper into trans-informed and inspired projects. Burton is unafraid to lean into their softness, exercising vulnerability like a muscle. Their openness allows clients to return it in kind.
“We have the electrical components that are our consciousness, and then we have our little meat interface suit,” Burton explains.
Tattooing can allow an individual to care for their physical body.
“As trans people, we are just distilling ourselves into our truest form,” Bryce expresses. “It’s not something scary or mournful. There’s parts of grief to it, but it’s that transformation process … I think it’s beautiful … I see myself as a facilitator of another person’s truth.”
Burton explained their creative process when clients approach them with an idea, elaborating, “They often give me a little bit of their soul.” With that soul fragment, Burton transforms it into an image, returning to clients saying, “Look what I did with it — I turned it into a flower!”
Burton considers their tattooing a version of gender-affirming care. As a trans person, they know the value of finding home within their body.
“That inherently is a trans process because it’s a transformative process,” Burton says. “It doesn’t always have to do with surgery, because not all trans people have surgeries … Body reclamation is really important to me.”
Burton has found their calling in tattooing, but that doesn’t mean it is without struggle. Tattooing has been a good fit not just because of their art but also because it has allowed Burton the flexibility to listen to their body as they work with a chronic illness. After suffering from burnout in 2023, Burton has made a point to disengage from hustle culture and lean away from oppressive power dynamics.
“For me specifically, tattooing is one of the few work forms I can sustain while being disabled,” Burton says.
Tattooing allows them to create their own schedule and listen to their bodily limitations, sometimes rescheduling sessions. Burton’s disability has given them an unexpected superpower.
“In a way, it has helped other people who are disabled or have different abilities within their bodies,” Burton says, considering the ways their disability has manifested.
In a post-COVID world, Burton is sensitive to health concerns and tries to cultivate as safe an environment as possible.
“Having a safe place for people who are disabled or differently abled is a huge thing,” Burton says. “There are so many places that don’t have good accessibility.”
Burton approaches everything they do with care and intention, and it shows.
BY LINDA RAINES
We’ve all been there — you’re going out on an amazing date or have a posh event to attend, and you want to make sure you look sharp in a new outfit. You run to the mall or your favorite clothing shop, and absolutely nothing fits quite right or looks good on you. Too long, too short, too baggy in some places, far too tight in others, and you don’t dare bend over to pick up a dropped cocktail napkin for fear of the sound of ripping threads or the sensation of your guts being compacted by a waistband that suddenly feels like a vise grip.
This scenario is all too familiar for many folks, but especially so for those who are in search of clothing that is both gender-neutral and size-inclusive with prices that won’t break the bank. Enter Dapper Boi, the clothing line that ticks all of the boxes!
Dapper Boi is the brainchild of Vicky and Charisse Pasche, married life partners who have also become business partners. The two met through mutual friends in 2009 in San Diego and, according to Charisse Pasche, “from the start, we knew we were meant to build something meaningful together, both in life and in business.” She comments that the two had even considered building another business that they’d dubbed Hey Girl Hey! before the birth of what would eventually become Dapper Boi.
Charisse Pasche recalls that Vicky Pasche was discovering it to be increasingly difficult to find clothes that fit both her style and her body. She often encountered discomfiting sidelong glances from sales staff as well as from other shoppers in both the men’s and women’s sections of shops in her quest to find clothes that were attractive, well-fitting and tasteful. Jeans especially were a big problem according to Charisse Pasche because Vicky Pasche wanted denim “that had a masculine aesthetic but were designed to fit curves.”
After dealing with this conundrum for too long, Vicky Pasche came to the conclusion that there was a definite need for a line of clothing that was tailored for a wide variety of sizes and builds and that was also affordable and fashionable. Both women established that there was a “definite gap in the market for size- and genderinclusive fashion and [they] realized that if we wanted change, we had to create it ourselves.”
The Pasches launched a Kickstarter campaign that soon surpassed their expectations. It quickly became obvious that they were not the only ones who saw the need for having access to clothing that not only looked great and fit well but also served to boost the confidence of the person wearing it. As Charisse Pasche says, “It’s just so heartwarming to see what type of effect this has on people, how they carry on in their lives. Like, I can’t even, it’s just so heartwarming to see the confidence that a pair of jeans really brings to somebody and what that means for their life.”
The 2015 Kickstarter campaign saw the Pasches launch their first product, and the company was born. As with starting any new small business, they soon found themselves facing challenges as they began their journey to see their dream come to fruition. They downsized from a comfortable four-bedroom townhouse into a 630 square foot apartment to be able to pour as much of their money as possible into building their business. Vicky and Charisse Pasche relied on their business acumen, their talents, their creativity and their drive, along with a sizeable measure of blood, sweat and tears to power through each of the hurdles, including becoming parents to twins.
Charisse Pasche says that those challenges only strengthened them in a multitude of ways. Balance is key — finding balance in their relationship, their role as parents and their shared goal of seeing their fledgling business succeed and thrive. She says that they never lose sight of what is important and that they have “had to be intentional about setting boundaries — designating time to just be a couple, just be moms, and not always be in business mode.”
She also says that much of Dapper Boi’s solid foundation is built upon the bedrock of their re-
lationship. “We trust each other completely, and our shared vision keeps us going, even when things get tough,” Charisse Pasche says. “Plus, our kids get to see firsthand what it means to build something with passion and purpose, which makes it all even more meaningful.”
2023 saw what would become a game-changer for Dapper Boi and the Pasches. Eight years after they started the company, they appeared on ABC’s “Shark Tank,” and although they didn’t come out of the show with a deal, Charisse Pasche says that “the exposure was invaluable. It put Dapper Boi on the map, introduced us to a much larger audience, and reinforced that there was a real demand for inclusive, functional fashion.” She also reflects that being on the show gave both her and Vicky Pasche a huge boost in their conviction and persistence that was needed to continue to move ahead with their dream.
Charisse Pasche believes that the experience of being on Shark Tank built their confidence even more, empowering both of them to see that their clothing at Dapper Boi wasn’t just a matter of giving people quality clothing that fit well, but that it was also “creating a movement that makes people feel seen, valued and confident in who they are.”
While Dapper Boi is owned by a lesbian couple, the Pasches don’t like to specifically call it an LGBTQ+ company. Charisse Pasche says that while Dapper Boi is “proudly women- and queer-owned”, they “represent truly everybody, and confidence doesn’t have a gender, doesn’t have a sexual ori-
entation.” Their goal is to instill pride and confidence in anyone who wears their clothes and stands a little taller because they finally have a fit and style that truly suits every aspect of who they are.
Because of this, Dapper Boi has grown to offer a wide range of clothing to suit every need and circumstance. Jeans and t-shirts abound in an array of styles, washes and colors that work well for any occasion. There are also wide choices of clothing to take you from business casual to stylish evening wear to comfortable weekend togs to trendy vacation and athletic wear. In all of these areas, the one thing that sets Dapper Boi apart, according to Charisse Pasche, is their absolute commitment to designing size-inclusive clothes. She says that the whole backbone of Dapper Boi is its commitment to “ensure our clothing is made for a wide range of body types, allowing everyone to express themselves authentically and confidently in any setting.”
In addition, quality is just as key to the success of the company. Charisse Pasche points out that they only partner with ethically certified manufacturers both domestically and internationally and ensure that their fabrics, as well as the finished products, are responsibly sourced and produced. She stresses that “every design is created in-house, and we personally approve all fabrics, fits and materials to guarantee the best quality and comfort. We’re always testing, tweaking, and improving to provide our customers with clothing that not only looks great but feels great too.”
There are a huge number of options for purchasing clothing, both at brick-and-mortar stores and online. Although Dapper Boi is currently available exclusively online, what sets it apart from other companies is their commitment to building a community as much as clothing it. Charisse and Vicky Pasche and their staff want to make sure that their customers are seen, celebrated and empowered. Dapper Boi’s mission says it best when it states that they want to ensure that “everyone has access to affordable, stylish clothes that fit both their body, and more importantly, their personality.” The company and Vicky and Charisse Pasche truly believe that “changing your clothes can change your life.”
Dapper Boi continues to put their inimitable stamp on the fashion industry and fill a muchneeded niche for consumers. After years of hard work in making their name in the fashion industry, they have just been chosen to be featured at Nordstrom to, as the Paches put it, “prove what we’ve known all along: that inclusive fashion isn’t a trend—it’s the future.”
Even more exciting things are coming down the pike, so stay tuned by checking out their website at dapperboi.com!
www.jewelrybyjohan.com
If there’s one universal truth out there, it’s that a good hair day makes for a much, much better day. Looking in the mirror and loving the way your hair looks can truly make or break your whole mood — and this is even truer when your hair helps reflect how you see your gender.
Gender-affirming haircuts have been helping queer people see themselves more clearly, and it's more important now than ever before that queer stylists like Frankie are here to provide queer cuts. So, whether you’re looking for a sexy wolf cut, a colorful buzz, an effortlessly cool shag or something else entirely, queer hair is a revolution all on its own!
That’s just what Frankie, or @freshbyfrankie on Instagram, an incredible hair stylist at Steller, provides for their clients. “Gender-affirming haircuts help us see on the outside what we’ve always seen on the inside. One of my favorite parts of my job is when I see people look in the mirror and can tell right away they love themselves a little more and smile a little bigger,” Frankie says.
Loving what you see when you look at yourself is such a crucial part of the human experience, and this is only amplified when it comes to genderqueer, trans and nonbinary experiences. Having a haircut that makes you feel like you can do wonders for your self-esteem, mindset and whole attitude about yourself!
“It can make you feel good about yourself, and that confidence boost you get from a haircut or color can give you a kickstart of motivation and change in your life,” Frankie says.
One of Frankie’s clients, Alyssa, says, “Frankie has made me feel more my nonbinary self this last year by not only encouraging me to push boundaries with my hair but also making me feel comfortable to do so.”
Frankie has worked as a hairstylist for 2 1/2 years, so they definitely know what they’re doing with their scissors! They graduated from Aveda, a top beauty school, after deciding the traditional high school-to-college pipeline wasn’t right for them.
“I’ve always been really into hair, makeup and fashion, ever since I was young. High school was really hard for me, especially realizing not all brains are meant for college,” they say.
Frankie’s hairstyling approach is very community-focused. They know how important it is to create a safe, welcoming environment for all their clients, so everyone has the best experience imaginable!
“So much vulnerability comes with a haircut. Creating a safe space to be able to share, receive and be a part of someone’s journey is a true honor,” they say.
There’s truly no doubt about it, if you sit in Frankie’s chair, you’re not only going to love the haircut you walk out with, but you’re going to have a fun, positive experience the whole time, too! Take it from another of Frankie’s clients, Elohim: “Frankie is a person I can go to and feel completely safe and comfortable the entire time. The care that they put into their work and their clients is unmatched, unrivaled by other stylists I’ve gone to.”
Creating these warm and inviting places for queer people to come and be vulnerable and feel liberated enough to fully express themselves is absolutely crucial, particularly right now.
“Especially in the state of the world right now, being around other queer people makes sure you know you’re not alone and that someone validates how you want to be seen,” Frankie says.
In a time where it feels like gender is under attack in the United States, these pockets of safety and community are more important than ever before, and fearless gender expression is an even more precious and brave act.
And the best part? This is all just the beginning of Frankie’s journey in hairstyling and creative work.
“My goals are to keep creating connections with my clients and community, grow my social accounts and be more consistent!” Frankie says. “Doing more photoshoots and editorial work, becoming more confident in what I do and moving to NYC in June 2026.”
Check out Frankie’s Instagram @freshbyfrankie and book your next haircut or color appointment at Stella in Minneapolis!
Steller Hair Company 945 Broadway St NE #162, Minneapolis (612) 619-5212
www.stellerhair.com
Marcy Darling’s son came out to them as trans-masculine when he was 11 years old, but when he was ready to start wearing binders, she quickly realized finding them was not an easy feat.
The only places to shop were online and often overseas, meaning finding sizes and trying them on were not an option. In a search for any in-person stores in the U.S., she only heard whispers of places in other major cities like New York and Portland, but nothing was for sure.
That’s when the idea for UnderDare blossomed. On the lower level of their shop, there was enough space to turn a small corner into an in-person store for people to find and try on genderaffirming garments. After setting up the place and using their personal credit to purchase the inventory, UnderDare officially opened in March of 2024.
“I know I need to open this door because everybody I talk to starts crying when I tell them what I’m doing,” Darling says. “There are people I know that are older than me and younger than me, that are like, ‘I’m so proud of you,’ but I’m just doing what has to be done, right? Nobody else is doing it.”
UnderDare brings the first in-person shopping experience for gender-affirming undergarments to the Twin Cities. The shop offers a safe and private space for the trans community of all ages and provides sizes ranging from XXXS to 8X.
The store carries an extensive stock of products including binders, tucking boxers and leggings, foam and silicone packers, bra buds, trans tape, shapewear, corsets, beard balm and oil, scar salve and strips, non-hormone interfering face wash and resource books for both parents and kids. She also has items available for try-on that can then be specially ordered or ordered online once someone knows their size.
Darling says she is also a resource for people still learning the ropes and for allies so their trans friends don’t have to be their only source of information. Part of their learning process with their son and opening the store was doing research and “learning a new language” of sorts.
“Somebody asked me if I felt weird about doing that and I’m like, ‘No, I am a resource,’ and I think that I can be a resource for allies as well as trans folks,” Darling says. “I’m so okay with that because the more you know, the less you’re going to be weirded out or afraid, or the more you can pass on, and the more ‘normal’ it is, whatever normal is.”
It runs on appointments only due to the space being small and also to keep the address of the store private for shoppers’ comfort and safety. Darling also does pop-ups at community centers or even homes to educate and bring their stock for people to try on and buy.
Since Darling took out personal credit to stock UnderDare, their goal for 2025 was to have the store be self-sustaining by the end of the year. Darling was already able to meet that goal, being able to pay the rent and bills on time and seeing an upward trend for the rest of the year.
“I had a really good January and February, which is weird for when it’s really cold, so that means that the word is getting out there better,” Darling says.
The space is filled with colors and random items to create a comfortable experience, especially for neurodivergent people. Shopping for intimate items and the experience of trying things on can be really difficult for everyone, especially trans and nonbinary people. Darling aims to cultivate a comfortable and enjoyable experience through laughter and what they call their “ADHD superpowers.”
“When I was younger, the community that always had time for me and always accepted me was the community I didn’t know I was actually a part of, the queer community,” Darling says. “It’s always been my community and it’s the community I feel the safest and most real in, and I think that really comes through.”
Despite only being a year in, Darling has many goals for the future of UnderDare, including UnderCarriage, which is a shuttle bus that can take UnderDare’s products to rural places. She also hopes to be at county Prides this year, continue their personal and community pop-ups, and continue to build awareness and fundraise to make these goals happen.
A longer-term goal is to eventually create a sliding scale for payments so price isn’t a barrier. Darling says binders that she carries range from $45 to about $70, but she also has a pre-owned section (aka a “past lives section”) that is between $5 and $25.
“Somebody that doesn’t have a lot of money shouldn’t have to have a used binder. That shouldn’t be your only option, is what I believe,” Darling says. “That’s not the vibe that we should be putting out there.”
What started with supporting their son has blossomed into creating a space for trans people and trans youth to feel comfortable and safe trying on, buying and exploring gender-affirming undergarments and products. Darling created a much-needed space for the trans community and hopes this helps alleviate fears and hurdles around shopping for these products.
“People come in and they’re super grateful … and they leave and they’re so happy. How can that be a bad thing?” Darling says. “At this point, UnderDare can’t go away, it’s too important.”
UnderDare www.underdare.me
Artist and designer couple Christina Nauman and Leda Zawacki have an unlikely origin story, their paths crossing over 2,000 miles away from the Twin Cities. In what can only be described as a scene from a movie, the pair happened to find themselves at a concert in Montreal. Nauman spotted Zawacki in the crowd, and the rest is history. At the time, Zawacki was in graduate school in Vermont while Nauman was still in Minnesota. Zawacki had been nomadic, moving around every five years or so, but when she met Nauman, Zawacki found herself returning to the Twin Cities for a second time, and this time for good. That was 2 1/2 years ago, and their partnership has bloomed not just romantically, but creatively, giving birth to slow-fashion brand Tooth Saint.
Professionally, the couple could not have been more different. Zawacki is a professional cartoonist, creating constantly, while Nauman works a full-time job as a food and agriculture scientist.
Nauman felt that something was missing in her life, and got to thinking about pursuing her own creative outlet. Beginning with a leatherworking class, Nauman started crafting handmade accessories tailored to her specific tastes, creating increasingly complex projects. Leatherworking became a passion project, so she began sourcing the highest quality materials, and weaving intention into her work from materials procurement to creation to final project.
Nauman’s first projects were leather collars and fashion harnesses, but her repertoire expanded with each piece she produced. After honing her craft for months, Nauman wanted to introduce her work to the community.
In collaboration with her partner Zawacki, the duo conceived of a small batch apparel company out of their garage. With a distinct gothic aesthetic, inspired by weird B-Horror, niche foreign films and the macabre, Zawacki and Nauman’s business Tooth Saint was born.
The name itself stems from Nauman’s lifelong fascination with teeth. As a child, Nauman loved the tooth fairy but was horrified to discover a stash of her baby teeth in her mom’s drawer.
“I brought them outside, lined them up on the sidewalk and smashed them all with a hammer because I thought I was being haunted by the tooth fairy,” Nauman recalls. “Then I took the tooth dust and flushed it down the toilet.”
As an adult, she remains fascinated with teeth. Nauman and Zawacki’s oddities cabinet features several loved ones’ teeth X-rays. Zawacki was the one who ultimately came up with the moniker after watching a series of dentistry videos. The name embodied their dark aesthetic.
“We make weird, kind of creepy, kind of goth, kind of horror.” Zawacki describes.
Tooth Saint appeared at maker’s markets across the Twin Cities. The duo was enjoying their craft, tabling booths at maker’s markets and making enough money to fund their next project. They weren’t sure if they would continue selling, having yet to find their target audience. At 2024 People’s Pride, Tooth Saint sold out their entire stock in just four hours.
“Eight months of my work!” Nauman says, remembering the overwhelm. “This is great, but we have so many more markets this summer … That was when I really realized people like our stuff. People want quality leather goods.”
A couple of months later, Tooth Saint was an officially registered LLC, and the pair has tabled at a maker’s market every month since. Tooth Saint is a true meeting of the minds. Nauman conceives most of the ideas, and Zawacki uses her artistic skills to turn them into designs.
“I feel like I’m working with my best friend/ partner, who knows just what’s in my mind. I can’t articulate what I want.” Nauman describes. “Leda says ‘Here, let me just do it,’ and I’m like, ‘Yeah! That’s exactly what I’m talking about.’”
Tooth Saint’s items are handmade in the most literal sense of the word, constructed from start to finish in a studio garage. The leather is cut, dyed, finished and conditioned, then hand-sewn.
“There are a lot of things that can’t be sped up,” reflects Nauman. “There are things that can, but there are a lot of little steps that I want to take the time to do.”
Zawacki responds, emphasizing the intimacy of their practice: “We’re hand-sewing all of the leather at this point.”
Tooth Saint has developed alongside a community of creatives that embody a similar dark aesthetic. When they first started selling, Tooth Saint found themselves out of place.
“Sometimes, in the markets we were in, we were the only weird, gothy ones.”
They knew there was a market for their work, but they were missing their demographic, so Tooth Saint founded the Midnight Creatures Art Collective. They wanted to build a community.
“It’s part of what having markets is about. You’re creating these relationships with other artists … There’s always going to be somebody that feels like they don’t belong in a community,” Zawacki says. “If you can bring those people in, and say you’re welcome here — that’s important.”
Midnight Creatures is growing, hosting events and connecting with more members all the time.
“I think the friendships and collaborations that have happened are what make this collective and community really special,” Nauman reflects.
Midnight Creatures Collective and Tooth Saint have big plans for the coming year, endeavoring to create new artistic collaborations and planning events.
“We only have a million ideas,” Zawacki says.
BY EMMA WALYTKA
Created by women, for women, JANE, a low-dose cannabis company, was born after founder and CEO Michelle Courtright‘s diagnosis with breast cancer in 2017, where she received numerous pharmaceuticals that resulted in nausea, vomiting and early onset menopause from chemotherapy.
For over 600 million years, people and animals have had a relationship with cannabis, Courtright says, from the endocannabinoid systems’ regulatory roles with sleep, pain and perception to healing communities through plant medicine centuries ago.
“Well, [the company’s name] did come from ‘Mary Jane,’” Courtright says. “There’s something strong about Jane. It feels like she’s truly every woman, and also like she is level-headed.”
Though marijuana for recreational use has been legalized since May 2023, the same month JANE was founded, Courtright says the stigmatization toward cannabis still exists. JANE was created with the intention of providing relief through re-education on pre-existing stigmas that weed is “bad,” or only used as a means to get high.
Josh Hochstatter, Director of Operations, says JANE isn’t about an online product, but rather about pulling in a community of people and entrepreneurs in the conversation around THC and menopause, acting as a platform for people to talk and initiate conversations.
“Every time I take it during the day, I just have such a more productive and better day,” Hochstatter says. “I just forget about the stress.”
Growing up, Courtright says she smoked weed with one purpose: to get high. Her goals since remission, experiencing motherhood and founding her own business have evolved with an emphasis on micro-dosing.
Micro-dosing, the act of taking a fraction of the regular dose of cannabis, which Courtright says gives an additional benefit — helping manage stress, irritability, hot flashes and trouble sleeping.
“We’re so out of balance with the way we eat and with pharmaceuticals when it comes to what they’re giving us to take for our bodies,” Courtright says. “Even though, we’ve heard the commercials selling pharmaceuticals that are like, ‘Side effects may include death,’ and we must ask ourselves — why aren’t we trying something natural?”
When it comes to what defines a low dose, Courtright says she takes one to three 2.5 mg gummies, the product name being “JOY,” with effects in 2025 minutes, laying upwards to three hours. All of Courtright’s products are ironically named after what they intend to tackle or inspire; from “F— CANCER,” “CREATIVITY” and “MENOPAUSE” tinctures to an intimacy roll titled “PLEASURE.”
“Unfortunately, we stigmatized it, we made it illegal, we locked people up and had lives irrevocably taken away, which is f—ing crazy,” she says. “Alcohol is depressive and we know it’s not good for us, and yet we still have it as a cultural touchstone.”
Community Connection brings visibility to local LGBTQ-friendly non-profit organizations. To reserve your listing in Community Connection, email advertising@lavendermagazine. com.
ANIMAL RESCUE
Second Chance Animal Rescue
Dedicated to rescuing, fostering, caring for, and adopting out dogs and cats into forever homes.
P.O. Box 10533 White Bear Lake, MN 55110 (651) 771-5662 www.secondchancerescue.org
Quorum
Minnesota's LGBTQ+ and Allied Chamber of Commerce working to build, connect, and strengthen for a diverse business community. 2446 University Ave. W., Ste 112 St. Paul, MN 55114 (612) 460-8153 www.twincitiesquorum.com
The Nature Conservancy
TNC is an environmental nonprofit working to create a world where people and nature thrive. 1101 W. River Pkwy., Ste. 200 Minneapolis, MN 55415-1291 (612) 331-0700 minnesota@tnc.org www.nature.org/minnesota
EVENT VENUES
Landmark Center
A classic venue, with a grand cortile and beautiful courtrooms, accommodates celebrations of all sizes. 75 W. 5th St. St. Paul, MN 55102 (651) 292-3228 www.landmarkcenter.org
GRANTMAKERS/FUNDERS
PFund Foundation
PFund is the LGBTQ+ community foundation that provides grants to students and grants to non-profits. PO Box 3640 Minneapolis, MN 55403 (612) 870-1806 www.pfundfoundation.org
HEALTH & WELLNESS
Aliveness Project
Community Center for individuals living with HIV/AIDS – on-site meals, food shelf, and supportive service. 3808 Nicollet Ave. S. Minneapolis, MN 55102 (612) 824-LIFE (5433) www.aliveness.org
Family Tree Clinic
We're a sliding fee sexual health clinic and education center, now in Minneapolis. 1919 Nicollet Ave. Minneapolis MN 55403 (612) 473-0800 www.familytreeclinic.org
NAMI Minnesota
(National Alliance on Mental Illness) Providing free classes and peer support groups for people affected by mental illnesses.
1919 University Ave. W., Ste. 400 St. Paul, MN 55104 (651) 645-2948 www.namimn.org
Red Door Clinic
HIV and STI screening, treatment, education, and referrals. Doxy PEP, nPEP, PrEP, and Reproductive Health. 525 Portland Ave., 4th Fl. Minneapolis, MN 55415 (612) 543-5555 reddoor@hennepin.us www.reddoorclinic.org
Quatrefoil Library
Your LGBTQ+ library and community center. Free membership, events, and e-books/audiobooks. Check us out!
1220 E. Lake St. Minneapolis, MN 55407 (612) 729-2543 www.qlibrary.org
Radio K
Radio K is the award-winning studentrun radio station of the University of Minnesota.
330 21st. Ave. S. Minneapolis, MN 55455 (612) 625-3500 www.radiok.org
Minnesota Historical Society
Create your own adventure at MNHS historic sites and museums around Minnesota. www.mnhs.org
Minneapolis Institute of Art Enjoy masterpieces from all over the world & every period of human history.
Free admission daily!
2400 3rd Ave. S. Minneapolis, MN 55404 (612) 870-3000 www.artsmia.org
Chanhassen Dinner Theatres
The nation's largest professional dinner theater and Minnesota's own entertainment destination.
501 W. 78th St. Chanhassen, MN 55317 (952) 934-1525 www.ChanhassenDT.com
Children’s Theatre Company
Children’s Theatre Company excites the imagination with world-class family-friendly theatre for kids, teens, and adults.
2400 3rd Ave. S. Minneapolis, MN 55404 (612) 874-0400 www.childrenstheatre.org
Guthrie Theater
Open to the public year-round, the Guthrie produces classic and contemporary plays on three stages. 818 S. 2nd St. Minneapolis, MN 55415 (612) 377-2224 www.guthrietheater.org
Minnesota Opera
World-class opera draws you into a synthesis of beauty; breathtaking music, stunning costumes & extraordinary sets. Performances at the Ordway Music Theater - 345 Washington St. St. Paul, MN 55102 (612) 333-6669 www.mnopera.org
Minnesota Orchestra
Led by Music Director Designate Thomas Søndergård, the Minnesota Orchestra, one of America’s leading symphony orchestras. 1111 Nicollet Mall Minneapolis, MN 55403 (612) 371-5656, (800) 292-4141 www.minnesotaorchestra.org
Ordway Center for the Performing Arts
Leading performing arts center with two stages presenting Broadway musicals, concerts & educational programs that enrich diverse audiences. 345 Washington St. St. Paul, MN 55102 (651) 224-4222 info@ordway.org www.ordway.org
Twin Cities Gay Men’s Chorus
An award-winning chorus building community through music and offers entertainment worth coming out for! 1430 W. 28th St., Ste. B Minneapolis, MN 55408 (612) 339-SONG (7664) chorus@tcgmc.org www.tcgmc.org
All God’s Children Metropolitan Community Church
A welcoming, inclusive, safe place to explore and discover God’s love for ALL God’s children. 3100 Park Ave. Minneapolis, MN 55407 (612) 824-2673 www.agcmcc.org
Hennepin Avenue United Methodist Church
Everyone is welcome at Hennepin Church! Vibrant Worship. Authentic Community. Bold Outreach. 511 Groveland Ave. Minneapolis, MN 55403 (612) 871-5303 www.hennepinchurch.org
Plymouth Congregational Church
Many Hearts, One Song; Many Hands, One Church. Find us on Facebook and Twitter. 1900 Nicollet Ave. Minneapolis, MN 55403 (612) 871-7400 www.plymouth.org
St. Philip's Lutheran Church
We invite and welcome those of every spiritual background, ethnicity, gender orientation, or economic situation. 6180 Hwy 65 Fridley, MN 55432 (763) 571-1500 www.splcmn.org
University Baptist Church
Creating safe and inclusive spaces for 175 years, UBC stands proudly with our LGBTQ+ family. 1219 University Ave. SE Minneapolis, MN 55414 (612) 331-1768 www.ubcmn.org
Westminster Presbyterian Church
An open and affirming congregation, welcoming persons of all sexual orientations, gender expressions and identities. 1200 Marquette Ave. Minneapolis, MN 55403 (612) 332-3421 www.westminstermpls.org
Lyngblomsten Community Services
Empowering older adults to live well at home through caregiver support, memory-loss enrichment, & wellness education. 1415 Almond Ave. St. Paul, MN 55108 (651) 632-5330 www.Lyngblomsten.org/CServices
Senior Community Services
Providing non-medical services that meet the changing needs of older adults & support their caregivers. 10201 Wayzata Blvd., Ste. 335 Minnetonka, MN 55305 (952) 541-1019 www.seniorcommunity.org/lav
Friends & Co
Fostering meaningful connections for older adults for 50+ years. Offering quick drop-in chat line, phone & visiting companionship services.
2550 University Ave. W., Ste. 260-S St. Paul, MN 55114 (612) 721-1400 www.friendsco.org
Lutheran Social Service of Minnesota Serving all Minnesotans with personcentered services that promote full and abundant lives.
lssmn.org | (651) 642-5990 | (800) 582-5260 Employment Opportunities | lssmn.org/careers PICS (Partners in Community Supports) | picsmn.org
Pooled Trust | (888) 806-6844
Supported Decision-Making | (888) 806-6844
Westopolis Minnesota’s Sweet Spot! St. Louis Park & Golden Valley offer exceptional dining, attractions, shopping, hotels and event space.
1660 Hwy 100 S., Ste. 501 St. Louis Park, MN 55416 (952) 426-4047
www.westopolis.org
7:30am-4:30pm
JANE products like the tinctures are self-modulated, allowing users to take half of a drop if needed, depending on how fast or slow their body metabolizes the cannabis, Courtright says. Taking a dose that is too high for a user’s metabolic rate can result in unwanted symptoms, such as paranoia or added anxiety.
“I’m not trying to tell people to switch from alcohol to a drug,” Courtright says. “I’m trying to say we’ve had this herb — this plant medicine, for 600 million years at least, and our body has a rhythm with it.”
Andi Powers, a customer, says JANE created a comfortable, accepting space for her and her wife, Yvonne Powers.
“The first thing that I noticed about the brand, was how it felt very comfortable and very much like they’re listening and really taking feedback from not only a queer couple but also people in our age group, which I feel like usually isn’t the case,” Andi Powers says.
JANE was the most medicinal experience that the couple had had, as they used to smoke weed until it reached a point where the two needed a break from the way getting overly high was disrupting their lives.
“JANE products erase the little irritability and the little edge you have throughout your day,” Yvonne Powers says. “You’re able to be really mindful and content — I feel more connected to nature and my environment.”
LouAnn Berglund, co-founder and CEO of JANE, says her own process isn’t strictly cannabis, as she has used plant medicines over the last five years, which has helped her with symptoms she has had as a result of menopause.
“I don’t drink alcohol and I haven’t for years, just because I’ve chosen not to — don’t like how I feel,” Berglund says. “But to be able to take half a gummy every once in a while and not feel anything other than just myself is very refreshing.”
With Mother’s Day approaching, JANE is working to bridge the generational gap and generate more conversation about the benefits, a task that comes with the challenge of cannabis once being illegal and highly stigmatized during their childhoods, through one gummy.
The campaign will include a single, premium low-dose gummy and two designed keepsake intention cards — one written especially for moms called the Nurturer.
‘When you say Delta-9, a lot of people think that’s an adulterated product or something like that,” Courtright says. “We only use pure organic, Minnesota organic grown hemp, so it’s local, and all of that is the same plant — It’s the same species.”
Anyone who is skeptical or has assumptions about cannabis, just take a step back and realize that it’s natural and growing in every environment, Hochstatter says.
“This is a brand for women, by women, and I’m definitely not a woman, but the beauty is that I’m learning more and more just how important it is for everyone to share this message and this journey together,” Hochstatter says. “I’m not a woman, but I was born from a woman, and my best friend’s a woman, and my boss is a woman. And you know, it’s just, it is the representation of life, so it’s just so important to support it.”
Being in a dual female household, Andi Powers says she likes how female-focused JANE is, with some of the products relating to sex that relate to the two being mindful together.
“A lot of the products we use we end up using together, and we get to be creative together, whether it relates to sex, or like waking up in the morning and drinking our smoothies together, having our coffee, and going on walks and things like that,” Andi Powers says. “So, it’s been really interesting and really cool to have it be such a part of our life as a couple together.”
This intentional gifting experience features a single, premium low-dose gummy and two beautifully designed keepsake intention cards — including one written especially for Mom. Thoughtfully crafted by women, for women, it’s designed to offer her a gentle pause in her day — to breathe, reset, and return to herself. Choosing cannabis shouldn’t be stressful. This ritual makes it simple, meaningful, and full of care — a gift that says: you deserve this moment.
What’s Included:
- 1 premium low-dose cannabis gummy Precisely dosed for comfort, clarity, and ease
- 2 collectible intention cards:
- Harmonizer — Created to complement the gummy formula, this card invites balance and inner calm
- Nurturer — A tribute to Mom, centered on gratitude, self-compassion, and support
- Elegant, gift-ready packaging
Dose: 2.5mg THC/gummy
How to use: Start by eating one gummy. Results can be felt with 15–20 minutes. For a stronger experience, eat an additional gummy after initial effects have kicked in. What it tastes like: Tropical fruit Ingredients: Organic Tapioca Syrup, Sugar, Pectin, Citric Acid, Vegetable and Fruit Powders, Fruit Oils, Coconut Oil, Sodium Citrate, Delta-9 THC. Vegan.
Disclaimer: This product is not FDA approved and does not claim to treat/diagnose any medical conditions. The effects of this product are not the same across individuals and it is recommended you use the lowest effective dose. Always consult a physician prior to starting any supplement.
