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1 minute read
Works on Paper
from 2023 Works on Paper Catalog
by LBIF
![](https://assets.isu.pub/document-structure/230808130821-b0e5905e37785b5fa9fca00d0a744d91/v1/f23f4787bcb115867c5359f9b6a9dedc.jpeg?width=720&quality=85%2C50)
I am an Illustrator and Fine Artist based in New Jersey. I enjoy creating my illustrations with bright colors and creative shapes using an array of both digital and traditional painting techniques.
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![](https://assets.isu.pub/document-structure/230808130821-b0e5905e37785b5fa9fca00d0a744d91/v1/2dd19433ad30c47c9c8212c34ba7307e.jpeg?width=720&quality=85%2C50)
Images of people against the landscape, gathering together, moving apart, from place to place, against the land and sky, create familiar visual patterns of human drama- visual echoes beyond a specific narrative.
Paper is a historical technology that is able to record creativity. Be it a metaphor for cultural heritage as a relation between nature and artifice or as a physical stand-in for conscious thought, paper’s double focus has always appealed to me.
![](https://assets.isu.pub/document-structure/230808130821-b0e5905e37785b5fa9fca00d0a744d91/v1/974882b649cf16e6307d3afdc7574971.jpeg?width=720&quality=85%2C50)
![](https://assets.isu.pub/document-structure/230808130821-b0e5905e37785b5fa9fca00d0a744d91/v1/3eece93f4f062d31cac0b2f7d878306c.jpeg?width=720&quality=85%2C50)
My current body of work explores issues associated with the societies and politics of contemporary Mexican and Mexican American Cultures. I am inspired by my personal experiences growing up as a Mexican immigrant in California and the Midwest.
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My imagery draws from life experiences to explore a world of familial intimacy, its impact on adolescent sexuality, and the resulting complicated yearning for personal joy as an adult.
![](https://assets.isu.pub/document-structure/230808130821-b0e5905e37785b5fa9fca00d0a744d91/v1/5d369fa42276c7c0f2e3a9a0fb39abf6.jpeg?width=720&quality=85%2C50)
The work in this series refers to how we assign meaning to our chance experiences through rituals and signs. Using a random assortment of objects as meaning-making devices, I’m giving space for viewers to connect the dots for themselves in an interpretive and reflexive manner.
Old Soul #2 came from a wood pile of large tree sections downed by disease or stormy weather. The cut section exposed the scars and lines of a long life.
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