conference reader no.1 / program / english + deutsch
program
CAPTCHA
conference reader no.1
english + deutsch
creative approaches to living cultural archives
CAPTCHA RADIO ARCHIVES IN EUROPEAN COMMUNITY MEDIA
ferenz n o K e l X ationa O CORA I D Intern A R von Saale / e l l a in H 5 ni 201 u J . 6 5. und
ce nferen o C l a ation Intern X O CORA I D A R at e e / Saal l l a H in 5 ne 201 u j 6 – 5
livingarchives.eu
CONFERENCE INTRODUCTION Approaches to Community Media Archiving
When we talk about archives and archiving in European Community Media we face similar challenges in all countries: There is a lot of content being produced and broadcasted every minute on European Community Radios. What happens with the radio content after being broadcasted? Most of the radio stations invented their own algorithms and software to store their radio shows offline and/or republish them online – some radios have build up complex file-structures on their hard disks, some coded an automatic upload for programmes on their website, some use central archiving platforms like the Cultural Broadcasting Archives, others administrate a handful of »satellite« Website that collect programmes, interviews and reports with special interest. With the conference »Radio Archives in European Community Media« we want to encourage people involved in community radio, community media archiving processes and multi-media archiving to explore current practices on archiving in their stations, invent new community dynamics to share content and to raise awareness for archiving processes. Present and share your Infrastructure solutions: With the conference we would like to exchange different ways of how community radio stations are dealing with its output. What infrastructures to archive audio material is available for non-commercial community radios? Which innovative techniques and tools exist? Which new solutions are in use to organize and display audio-visual content? Archiving Methods and Archiving Culture: Another challenge is the implementation of archiving as an essential part of doing radio within the community. Many radio programmers until today are concentrated on their »on air« show – but, who is doing the archiving then? Who describes the programme? Where is the programme being stored and/or published? How is the material edited after broadcasting?
The responsibility to archive: We share discussions about how to deal with different languages within the archiving context. Further we ask how can we enable programme and audio-material exchange within Europe? We want to know your opinion about, what importance have analog, physical archives within the digital age? We also address copyright questions and thoughts on the responsibility of open software and open knowledge in the field of multi-media Archives. CAP TC H A – Creative Approaches to Living Cultural Archives is a
European cooperation project of Radio FRO in Linz (Austria), RADIO CORAX in Halle / Saale (Germany), Center for Media and Communication Studies of the Central European University in Budapest (CEU, Hungary) and Near Media Co-Op, community radio & TV in Dublin (Ireland).
FRIDAY
5 JUN FREITAG
9.00 – 10.30
9.00 – 10.30
9.00 REGISTRATION
9.00 ANMELDUNG
conference center HAL LI S C H ER SAAL 10.00 OPENING Michael Nicolai, AM AR C executive board
Konferenz-Zentrum HALLISCHER SAAL
10.00 ERÖFFNUNG Michael Nicolai, AMARC Vorstand
10.30 – 11.30
10.30 – 11.30
Dagmar Brunow, University Växjö, Sweden
Dagmar Brunow, Universität Växjö,
|Radio Archiving Practice. Remediating Sonic
Schweden |Vom Archiv zum Archivieren.
Memories
Radio als Funktionsgedächtnis.
Jacob Kreutzfeldt, University of Copen
Jacob Kreutzfeldt, Universität Kopen
hagen | L AR M Audio Research Archive
hagen | LARM Audio Research Archive
– Opening radio heritage for research use
– Das Radio-Kulturerbe für die Wissenschaft öffnen
12.00 – 13.00 Caroline Mitchell, University of Sunder land, U K | Re-sounding feminist radio: using radio archives as transnational connectors
12.00 – 13.00 Caroline Mitchell, University of Sunderland, U K | Wiederhallendes femi nistisches Radio: Nutzung von Radio
Joost van Beek & Kate Coyer, Central Euro
archiven als transnationale Brücken
pean University Budapest, Hungary | Bold strides or tentative steps? How commu-
Joost van Beek & Kate Coyer, Central
nity media share and archive content online
European University Budapest, Ungarn | Feste Schritte oder zögernde Tritte? Wie Community-Medien ihre Inhalte teilen und online archivieren
FRIDAY
5 JUN FREITAG
14.30 – 16.00
14.30 – 16.00
Berat Gashi, Radio Urban FM , Prishtina,
Berat Gashi, Radio Urban FM , Prishtina,
Kosovo | Radio Urban FM , Prishtina, Kosovo
Kosovo | Radio Urban FM , Prishtina, Kosovo
Marko Doles & Andraž Magajna, MTL RŠ , Ljubljana, Slovenia | 30 years rolled by:
Marko Doles & Andraz Magajna, MTLRŠ ,
Archiving physical archives of oldest European
Ljubljana, Slovenien | Rückblick auf
non-commercial student radio station
30 Jahre: Das physische Archiv der
Radio Študent Ljubljana
ältesten europäischen nicht-kommerziellen studentischen Radiostation
Jose Maria Casanova & Fernando Souto,
Radio Študent Ljubljana
CUA C FM , A Coruña, Spain |
From manual analogical recording to Radioco,
Jose Maria Casanova & Fernando Souto,
our Free Software automatic digital archiving
CUAC FM , A Coruña, Spanien |
of live broadcasting system at C UAC FM
Vom manuellen analogen Aufnehmen zu Radioco, unserer freien Software
16.30 – 17.30
Daniele Fisichella, Future Radio,
– automatische digitale Archivierung der Livesendungen bei CUAC FM
Norwich, UK | Our current archiving method Milan Chrobok, Pi Radio, Berlin, Germany | Programme calendar as archive: calcms
16.30 – 17.30 Daniele Fisichella, Future Radio, Norwich, UK | Unsere derzeitige Archivierungspraxis
18.30 – 19.30
Udo Israel, Executive Board of
Milan Chrobok, Pi Radio, Berlin |
R A DIO CO RAX |
Programmkalender als Archiv: calcms
Guided Tour through R ADI O C O RAX 18.30 – 19.30 Udo Israel, Vorstandsvorsitzender RADIO CORAX |
Geführte Tour durch die Räume und Studios von RADIO CORAX
SATURDAY
6 JUN SAMSTAG
10.30 – 11.30
10.30 – 11.30
Ingo Leindecker, Radio FRO ,
Ingo Leindecker, Radio FRO ,
Linz, Austria | UV isualize! – Visualisation
Linz, Österreich | UV isualize! – Visuali-
tool for open archives
sierungstool für offene Archive
Frank Pohu, Fréquence Sillé,
Frank Pohu, Fréquence Sillé,
Sillé le Guillaume, France |
Sillé le Guillaume, Frankreich |Archivie-
Archiving at Frequence Sille since 2003
rung bei Frequence Sille seit 2003
12.00 – 13.00
12.00 – 13.00
W O R KSHOP
WORKSHOP
Jose M. Casanova, C UAC FM ,
Jose M. Casanova, CUAC FM , A Coruña,
A Coruña, Spain |
Spanien |Wie Internet-Streaming so
How to setup your internet streaming to record
eingerichtet werden kann, dass Audio-
and archive your audio streams.
Streams aufgenommen und archiviert werden können.
14.00 – 14.30 P E R F ORMANCE
14.00 – 14.30
Lale Rodgarkia-Dara & Karl Schönswetter,
PERFORMANCE
Vienna, Austria |
Lale Rodgarkia-Dara &
Taxonomy of sonorous order
Karl Schönswetter, Wien, Österreich | Taxonomie der sonoren Ordnung
14.30 – 16.00 R O U N D TABLE DISCUSSION
14.30 – 16.00
Preserving audio memories – A discussion
PODIUMSGESPRÄCH
about the prospects and demands of free radio
Audiogedächtnisse bewahren! – Ein
archives
Gespräch über die Chancen von und Ansprüche an Freie Radioarchive
3 — 6 JUN RADIO CORAX 95.9 FM
CAPTCHA Conference Radio
During the CAPTCH A-Conference 2015 in Halle, a special bilingual Radioprogramme is planned on RADIO CORAX. It trys to catch
Thu 4 Jun | 15.10 – 18.00
Looking forward
up with the athmosphere of the lectures and
Conference-Updates, Timetable, Specials
debates, of the topics and beyond. Beside
/ a reportage about a self-attempt in the
interesting conversations with participants
RADIO-CORAX-Archive / introduction into
from all over the Europe the programme
the »Fem FM Archive« and appraisal on
contains small historical recordings – some
other Community Archives / Invited: Guests
popular, some unheard. Next a report about
and Speaker of the conference
the difficulties of using the current archive of Radio Corax we present selected shows and take a look on some international Community-Media-Archives. Broadcasted on RADIO CORAX on 95.9 FM and livestream on www.radiocorax.de
Fr 5 Jun | 15.10 – 18.00
In between – looking back and giving forwarded spin Conference-Update and Impressions / Conversation with conferenceparticipants / outlook on the reallife-difficulties on how to
Wed 3 Jun | 15.10 – 16.00
build an useable Archive (or the diffulties to
Welcome to the Conference! – Opening-Show
use a builded archive) /
Opening-Show: Idea, Topic, Content, Guests
make the history of their archive by their own
5.00 – 5.30: Radio Student goes CORAX. The Radioactivists from Slowenia tell and
and Events / an acoustic excursion from the beginnings in Budapest til the conference in Halle
Sa 6 Jun | 14.00 – 14.30
Live broadcast
of the performance »Taxonomy of sonorous order« by Lale Rodgarkia-Dara & Karl Schönswetter
3 — 6 JUN RADIO CORAX 95.9 FM
CAPTCHA Konferenzradio
Während der CAPTCHA -Konferenz wird es ein besonderes zweisprachiges Radioprogramm auf RADIO CORAX geben. Wir werden einen Einblick in das lau-
Do 4 Jun | 15.10 – 18.00
Vorrausschau auf die Konferenz
fende Konferenz-Geschehen bieten und
Übersicht und Termine / Reportage über
darüber hinaus einen eigenen hörbaren
einen Selbstversuch im RADIO-CORAX-
Diskussions- und Phantasieraum für
Archiv – Auf der Suche nach Versendetem
Betrachtungen rund um Archive schaf-
/ Vorstellung von »Fem FM Archive«
fen. Als Gäste werden Referent_Innen
und anderen Community-Archiven /
und Involvierte über ihre Erfahrungen
Eingeladen: Gäste und Referenten der
mit den Archiven ihrer Radio-Projekte
Konferenz
erzählen. In ausgewählten Beiträgen und Berichten werden wir internationale Community-Media-Archive vorstellen. Altes Audiomaterial wird dabei ebenso hörbar werden wie digitale Archive, die wir im Selbstversuch testen.
Fr 5 Jun | 15.10 – 18.00
Zwischenstand – Blick zurück und Blick nach vorn Konferenz-Updates und Impressionen
Per Radio auf 95.9 FM oder per
vom Vortag / Gespräche mit Referenten /
Livestream auf www.radiocorax.de
über die Schwierigkeiten ein funktionierendes Archiv aufzubauen und zu
Mi 3 Jun | 15.10 – 16.00
Willkommen bei CAPTCHA!
nutzen / 17.00 – 17.30: Radio Student
goes CORAX – die Aktiven aus Slowenien machen & erzählen die Geschichte ihres Radio-Archiv selbst
Involvierte stellen sich und das Projekt CAPTCHA vor – eine akustische Exkusion
von den Anfängen in Budapest bis zur Konferenz in Halle
Sa 6 Jun | 14.00 – 14.30
Live-Übertragung
der Performance Taxonomie der sonoren Ordnung von Lale Rodgarkia-Dara & Karl Schönswetter
10
FR 10.30
Dagmar Brunow, Universität Växjö, Sweden Radio Archiving Practice. Remediating Sonic Memories
Dagmar Brunows contribution offers a
Dagmar Brunow has been an editor at the
theoretical perspective on archival practice.
Freies Sender Kombinat, Hamburg’s indepen-
Film and media studies have long centred
dent radio station, since 1996. Her shows
upon the restoration and digitisation of
(Lorettas Leselampe, Camera obscura, Spiffy
archival footage. Dagmar Brunow, however,
News, Morgenradio der female machos
proposes a paradigm shift. She suggests to
[Female macho morning show] have by no
shift the focus from the archival content to
means all been archived and even fewer of
the practice of archiving. Archiving is under-
them are available online.
stood as a performative act through which
She has taught Film Studies and Gen-
sources are construced. Curatorial deci-
der Studies at various universities in Sweden
sions taken by the archivists, such as the
(Halmstad, Lund, Södertörn) since 1998. Her
modes of selection, categorising and cata-
research is situated at the interface between
loguing, are highly crucial in this process.
Film Studies and Memory Studies. In 2014 she
Using the example of the Hamburg-based
received her Ph.D. from the University of Ham-
female artists’ archive »bildwechsel« and its
burg with a study on documentary filmmaking
extremely self-reflexive archiving practice,
and the audiovisual archive (»Remediating
Dagmar Brunow indicates possible ways
Transcultural Memory: Documentary Filmmak-
of rethinking the archive which can inspire
ing as Archival Intervention», forthcoming with
radio archiving practice.
de Gruyter). She is the editor of the anthology »Stuart Hall – Aktivismus, Pop und Politik«, forthcoming with Ventil Verlag. Her publications include works on the mediatization of cultural memory, experimental and avantgarde cinema, film and video collectives in Europe, essay film, migration and diaspora in film, feminist film theory, alternative media practice, genre cinema, transnationality, archive theory, film and video archives.
12
Vom Archiv zum Archivieren. Radio als Funktionsgedächtnis.
Dagmar Brunow wirft eine theoreti-
Dagmar Brunow ist seit 1996 Redakteurin
sche Perspektive auf praktische Fragen
im Freien Sender Kombinat in Hamburg.
der Archivierung. In den Film- und
Von ihren Sendungen (Lorettas Lese
Medienwissenschaften wurde das Archiv
lampe, Camera osbcura, Spiffy News.
bislang eher in Hinblick auf Fragen von
Morgenradio der female machos) sind
Restaurierung und Digitalisierung
längst nicht alle archiviert, noch weniger
theoretisiert. Dagmar Brunow schlägt
von ihnen sind online zugänglich.
hingegen einen Paradigmenwechsel vor
Seit 1998 unterrichtet sie Filmwis
und möchte den Fokus vom Archivbe-
senschaften und Gender Studies an
stand als Produkt zum Archivieren als
verschiedenen Universitäten in Schweden
Prozess (und performativer Akt) verla-
(Halmstad, Lund, Växjö, Södertörn). Ihre
gern, in dessen Verlauf die Quellen erst
Forschung bewegt sich an der Schnitt
als solche generiert werden (zum
stelle von Medienwissenschaften und
Beispiel über kuratorische Entscheidun-
kultureller Gedächtnisforschung (Media
gen, aber auch Kategorisierungen/
Memory Studies). Im Dezember 2014
Katalogisierungen, Metadaten etc). Am
promovierte sie an der Uni Hamburg mit
Beispiel des Hamburger feministischen
der Arbeit Remediating Transcultural
Künstlerinnenarchivs bildwechsel und
Memory: Documentary Filmmaking as
seiner ausgesprochen selbstreflexiven
Archival Intervention.
Archivpraxis zeigt sie Möglichkeiten des
Dagmar Brunow hat Veröffentli
Archivierens (und des Nachdenkens
chungen zu: Mediatisierung des kulturel
darüber) auf, die auch für Freie Radios
len Gedächtnisses, Remediation, Experi
von Nutzen sein können. Ziel ist es,
mental- und Avantgardefilm, Film- und
Materialität und Diskursivität des
Videokollektive in Europa und Medien
Archivs zusammenzudenken und
zentren in der BRD, Essayfilm, Migration
insbesondere die Bedeutung des Archi-
und Diaspora im Film, feministische
vierens für die Konstruktion des stets
Filmtheorie, Gegenöffentlichkeit, alterna
medial verfassten kulturellen Gedächt-
tive Medienpraxis, Genrekino, Transnatio
nisses aufzuzeigen.
nalität, Archivtheorie, Film- und Video
archive.
10.30 FR
Jacob Kreutzfeldt, The University of Copenhagen: LARM Audio Research Archive – Opening radio heritage for research use
This talk presents the LARM Audio Research
Jacob Kreutzfeldt is Assistant Professor at
Archive, an infrastructure for research in
the Department of Arts and Cultural Studies,
Danish radio and audio heritage and TREAP
The University of Copenhagen. Kreutzfeldt
a platform for transnational research
was a part of the management of the national
in radio sources. Both are the results of
Danish infrastructure and research project
collaborations between researchers,
LARM and is presently Principal Investigator
software developers and archives. The LARM platform was developed by the LARM
in the Transnational Radio Encounters (TRE).
project (2010 – 2014) to allow research-
culture, radio history and aesthetics.
ers to access, collaborate on and share metadata relating to a repository of up to 1 million hours of Danish Radio. The TREAP is presently being developed as a part of the transnational research project TRE (2013 – 2016) for building up a shared pool of transnational radio references. Jacob Kreutzfeldt argues for the value – for broadcasters and for researchers – in making huge collections of radio accessible to researchers, and he adresses some of the challenges to such access in terms of rights management, sustainability and metadata standards. Emphasizing the need for building tools that allow specific kinds of interaction with archive material, the presentation explores the use of radio in a heritage perspective.
14
Kreutzfeldts research focuses on auditory
FR 12.00
Caroline Mitchell, University of Sunderland, UK: Re-sounding feminist radio: using radio archives as transnational connectors
Community radio programmes have created
Caroline Mitchell has been active in produc-
spaces for feminist/women’s organizations
tion, teaching and research about community
and acted as connectors (Thompson et al,
media and women and radio since 1988. In
2005) between and amongst social and
1992 she was co-founder of Fem FM the first
political movements – including women’s
women’s station in the UK. She combines work
movements – and the audience. Archives of
as a Senior Lecturer in Radio at the University
women’s community radio stations provide
of Sunderland with work in community media
us with access to programmes, documents and accounts of feminist radio activities
evaluation and training. She is currently PI on the HERA Transnational Radio Encoun-
around the world. Digitalization has contrib-
ters project carrying out participatory action
uted to open access, online and collabora-
research with community radio stations.
tive archives and the ability to communicate the women’s movement and everyday acts of feminist rebellion within and beyond country borders. Caroline Mitchell will present and discuss how Fem FM and other feminist radio archives (e.g. The Pacifica network) allow us to both study cultures of women’s radio production at different points in history and also hear creative activism afforded by women’s radio stations within and beyond national borders. Drawing on research carried out as part of the Transnational Radio Encounters Project I will look at how archives can help re circulate programmes and thereby re-sound women back into history. Lit.: THOMPSON, M. E., Anfossi Gomez, K. and Suarez Toro, M. 2005. »Women’s alternative internet radio and feminist interactive communications.« Feminist Media Studies, 5 (2), 215–236.
FR 12.00
Joost van Beek & Kate Coyer, Central European University Budapest, Hungary: Bold strides or tentative steps? How community media share and archive content online
Joost van Beek and Kate Coyer present the
nity media, to analyze the scope of content
research they conducted for the European project C APTC H A – Creative Approaches
and features offered and issues of structure,
to Living Cultural Archives on the online
allel, they conducted over fifteen in-depth
archiving and sharing practices of com-
interviews with people who have been
munity media. Through a combination of
involved with building or managing online
case studies and interviews, they have
archives or work with them on a day-to-day
explored efforts by community media in
basis. They gathered further input from a
different countries, with different histories,
range of community media practitioners at
and starkly varying resources, to facilitate
conferences and workshops.
greater access to their valuable audiovisual content online. Shifting media use patterns mean
design, navigation and interactivity. In par-
While the research will result in customized recommendations for media at different stages of creating, expanding or
that even smaller community broadcasters
re-evaluating their online archives and shar-
are likely to see an increasing share of their
ing practices, the researchers will use this
listeners prefer to tune in to their content
presentation to present preliminary findings
when, where and how they like. Online plat-
and invite public feedback.
forms for sharing content also provide ways
The study’s interest in best prac-
for communities to explore, search and
tices extends to the technical and design
interact with content which linear broad-
solutions different stations have arrived at,
casting lacks. With their broad networks
but is at least as focused on the organiza-
of volunteers and long tradition of civic
tional and conceptual strategies broadcast-
participation and innovation, community
ers are deploying. Conceptually, do they
broadcasters are in some ways especially
prioritize providing regular radio listeners
well-positioned to experiment with these.
with the means to catch up with their favou-
However, their frequently scarce financial
rite programs and broadcasts they missed?
resources and reliance on volunteers also
Pulling in a diverse online audience to
pose constraints.
explore content by theme or subject? Opti-
The researchers conducted close
mizing the exchange of content between
to twenty case study reviews of individual
stations? How do they juggle the different
community media websites, as well as
accompanying requirements? Internally,
some shorter reviews and a national over-
how do they establish effective work flow
view of practices among German commu-
processes and ensure content and archiving
16
standards, while encouraging optimal
nication Policy and Media Freedom and Plu-
engagement by volunteer program makers?
ralism, she co-authored the Alternative Media
What training and guidance is provided, and
Handbook, contributed to the Community
how is user feedback gathered?
Media Sustainability Guide, served frequently as public speaker and trainer on community media-related issues, and co-organised several
Joost van Beek has been a researcher with the Center for Media, Data and Society (CMDS) of the Central European University in Budapest since 2009, and previously worked at the Open Society Institute. Kate Coyer is Director of the Civil Society and Technology Project for the CMDS and co-organizes the Center’s flagship summer institute on internet policy advocacy. They previously co-authored a book chapter on Community Radio in Bosnia and Herzegovina: Opportunities and Challenges, and they are co-authors of A Safe Space No More? Looming Threats to Internet Freedoms, the Hungary country report of the Internet Freedom Report 2014. Joost was a contributing researcher and editor of Hungarian Media Laws in Europe, and Kate served as project advisor for that study. Kate has engaged extensively with community media going back to when she helped build community radio stations with the Prometheus Radio Project. In addition to her research on media policy, communication rights, social media and digital advocacy, reflected in publications including chapters in The Handbook of Global Media and Commu-
workshops on community media in Europe.
14.30 FR
Berat Gashi, Radio Urban FM, Prishtina, Kosovo Archiving Methods and Visions of Radio Urban FM
Radio Urban FM is in front of implementing
In this sense, when established this library
two projects (activities) which have to do
will be unique (the first and only one in
with digital archiving: 1) The establish-
Republic of Kosovo) where we will provide
ment of a permanent digital library of radio
audio / radio outlets for guests. People
outlets that during the 14 years of existence Urban FM has produced and broadcast.
can listen to audio material in our place –
In Kosovo electronic broadcasting media
starting from short radio stories produced by Urban FM, complete shows of Urban FM
(Radio and TV) starting from next year is
VJ’s but also shows and radio outlets from
passing entirely in digital mode, i.e. there
different world wide radio stations, as well
will be no use of analog anymore. As such
books (in audio format), radio- documenta-
Radio Urban FM is in the need to exchange
ries, radio-drama’s etc.
experiences and receive »know how« on the issue of digital archiving. 2) One of the
Berat Gashi is one of the main coordinators in
biggest projects that Radio Urban FM is
the process of establishing this café-library of Radio Urban FM in Prishtina.
planning to initiate in the beginning of 2015 is the establishment of café-library Urban Radio Press Café – a gathering place for journalists, civil society, editors and/or of generally young people where they (while having their regular daily coffee) they will have the opportunity to have access in print and digital radio and press outlets. In the place will be a small library which will include the section where the digital library via PC’s, will be provided to guests.
18
FR 14.30
Marko Doles & Andraž Magajna, Slovenia: 30 years rolled by: Archiving physical archives of the oldest European non-commercial student radio station Radio Študent Ljubljana
Within Museological-technical laboratorium of Radio Študent (MTLRŠ) project of
ing fieldwork and on-air ethnography, which
archiving physical (paper) archives from
most prolific way to get some archival mate-
1984 – 2009 has been finished. In collabora-
rial from ex-coworkers and their personal
tion with National Archives of the Republic
archives. Specific radio program broad-
of Slovenia (Ministry of Culture) we have
casted live at the end of the project – based
selected, sorted and catalogued all kind of
on the application of archived material in
paper documents created on and connected
collaboration with our listeners, composed
with Radio Študent. The archival material
of micro-reconstructions (which could be
(some also from very beginnings in 1968)
seen as one specific way of archiving) – will
contains legal and juridical documents
also be presented.
has been found out for only possible and
regarding establishment of Radio Študent, old rule books, records of meetings of
Marko Doles lives between Ljubljana and
editorial boards, short and long termed
Pivka. As Bachelor of Arts in Ethnology
plans of the Radio, internal and external
and Cultural Anthropology, he created and
correspondence, financial reports, central
launched Museological-technical laboratory of
register of coworkers, radio listings, texts
Radio Študent. Since 2004 he works on Radio
for broadcasts and programs, lists of played
Študent – as sound technician and member
songs, materials about events organized
of Music desk. Besides he is drummer, DJ and
by the Radio, posters and more and more.
one of the leading persons in underground
In the National Archives of Republic of Slo-
movements in Pivka.
venia fund of Radio Študent has increased from 144 boxes to more than 400 boxes; in
Andraž Magajna lives in Ljubljana. Since 2010
other words the fund of Radio Študent has
he works on Radio Študent – first as program
expanded for app. 30 linear emeters. All the
moderator and text interpreter, later also as
archive material is accessible for all schol-
sound engineer. Since the establishment of MTLRŠ, he is part of its crew. Besides he
ars, researchers and other enthusiasts. The short presentation will give a
sometimes takes part in audio interventions,
quick inside in the process of archiving
installations and performances. He has grad-
paper (physical) documents, its accessibil-
uated in the field of Ethnology and Cultural
ity, meaning, usage and application. It will
Anthropology on the Faculty of Arts, University
also highlight our methodology used for
of Ljubljana. He likes punjena vešalica and
(not only paper/physical) archiving – includ-
Wienerschnitzel.
FR 14.30 Jose Maria Casanova & Fernando Souto,
CUAC FM, Spain: From manual analogical recording to Radioco, our Free Software automatic digital archiving of live broadcasting system at CUAC FM
CUAC FM, the Community Radio of A Coruña,
This talk will be about the learned lessons
has evolved from the cassette tape analog
over the years in digital audio recording,
recording on its foundation in 1996 to cur-
media archiving and publishing, record-
rent digital times implementing automatic
ing scheduling, time synchronization and
recording, archiving and publishing sys-
its integration with a mobile application
tems. This has been a challenge to commu-
and website. Jose Maria Casanova and
nity radio station but through Free Software
Fernando Souto will show the evolution and
technologies, the adoption of organizational
how technology has impact in how they
policies and plenty of volunteer work it can
manage their organization and the quality of
be possible.
the contents. They will present their recently
CUAC FM is the community radio
developed broadcasting radio recording
station that broadcast community pro-
scheduling system Radioco developed in
grams to the A Coruña metropolitan area.
collaboration with Student of a Master
It’s located in Galicia in the North West of
Degree Thesis at University of A Coruña.
Spain. It is managed by the Cultural Associ-
This development done by Iago
Activos. All this years and diversity have
Veloso for CUAC FM is available as open source with GPLV3 license at http://radioco.
allowed us to deal with the evolution of
org/about/, the recording system can even
media archive and recording technologies.
run in a Raspberry Pi as low cost solution.
ation known as Colectivo de Universitarios
Radioco manages automatically the audio since the program are scheduled to they being published in a podcast. Radioco has been designed to be managed from a web browser, manage the scheduling of the radio station, record the live shows and publish the RSS podcast information included the information provided by each weekly show.
20
Jose Maria Casanova, Software Engineer
Fernando Souto, Software Engineer and
and free software activists that participates
mobile development geek and entrepreneur
in Spoiler, a live radio show about TV series
founder of Appeiros, a mobile apps devel-
aired on CUAC FM, the community radio that
opment company. He has been a commu-
broadcasts to A Coru単a Area. He is volunteer in the Technological Committee of CUAC FM
nity radio activist that collaborates in the Technological Committee of CUAC FM. He has
leading the migration to GNU/Linux systems
developed the first automatic recording and
and Free Software at the broadcasting station.
publishing system based in scripts and the
He has been committed to the promotion
CUAC FM mobile app for Android and IOS. This
of Free/Open Source Software in different communities as GNOME and GPUL. He is also
app allows the access to the audio archive of
one founders of the Open Source consultancy
audio streaming. Fernando stared in the CUAC
Igalia. He teach software engineering at the
FM morning humorist show QNEP and now
University of A Coru単a and has been the
has his own live show Spoiler about TV Series.
director of the computer science degree thesis about Radioco broadcasting radio recording scheduling system.
the different CUAC FM shows and allows live
FR 16.30
Daniele Fisichella, Future Radio, Norwich, UK Our current archiving method
Future Radio is a community radio based
All these archiving operations are carried
in Norwich (East of England) and has more
out by a dedicated team of volunteers and
than 100 volunteers producing and present-
coordinate by our Broadcasts Assistants.
ing programmes for us. There is a big need
The archive is also reviewed every 4 months
for archiving and categorizing audio pieces.
and out of date content is removed.
Future Radio is currently implementing a new system of doing it. They are using a
Daniele Fisichella, Future Radio Station Man-
play-out system called Myriad to manage our
ager, works in radio since 2004. Previous work
on-air content and we have created different
experiences include Italy’s national Radio,
sections within the Myriad’s audio wall for
University of West London, Peterborough FM and talkSPORT.
different shows and contents. By using specific log in details and passwords volunteers can access their own archive, save/edit the content as well as add descriptions to the audio track that can be accessed by all the volunteers. On their Myriad play out system there is a dedicated section called »Archive« that is easily accessible by the live DJs through a shortcut on the play out programme front page. Future Radio has also established a naming convention for different shows and contents, using for example BK for Breakfast Show and INT for any interview content. They also use to back up all of our archive into our servers, archiving the tracks for years, content type and creating a special category (called »Gold«) where our best interviews are stored and can be used at any point as they are not time specific.
22
FR 16.30
Milan Chrobok, Pi Radio, Berlin, Germany Programme calendar as archive: calcms Programmkalender als Archiv: calcms
Calcms is an internet user interface which
Calcms ist eine Web-Oberfläche, mit dem
enables everybody who works in radio to
alle Mitwirkende im Radio nach verein-
independently design a radio programme
barten Regeln selbstständig das Radio-
according to agreed rules. This includes pro-
programm gestalten können. Dazu
gramme planning, programme descriptions,
gehören die Programmplanung, Sendebe-
post-processing and archiving. Furthermore,
schreibungen, die Nachbereitung und
Caclms is an interface for the purposes of
Archivierung. Caclms ist weiterhin eine
web-based radio use, e.g. by incorporating the programme in websites, RDS, Twitter,
Schnittstelle zur webbasierten Nutzung des Radios, z.B. durch Einbindung des
Feeds, Magazin (PDF) and free.fm. Here,
Programms in Webseiten, RDS, Twitter,
archiving takes place by publishing the
Feeds, Magazin (PDF) und free.fm.
material in the network. The presentation
Archivierung erfolgt hier durch Veröf-
deals with this and with other possible
fentlichung im Netz. Die Präsentation
potential uses of calms.
geht auf diese und weitere Potentiale von
Milan Chrobok: Technical implementation of
calms ein.
various radio projects in Berlin: Radioherbst,
Milan Chrobok: Technische Realisation
Funkwelle, Herbstradio Kinofunk, Radio Einheit, DT64 Festival Radio; since 2010 active
diverser Radio-Projekte in Berlin: Radio herbst, Funkwelle, Herbstradio Kinofunk,
at Pi Radio and community radio stations on
Radio Einheit, DT64-Festival-Radio; seit
88vier; editorial and technical coordination at
2010 aktiv bei Pi Radio und Community
Pi Radio: playout, live streaming, automatic
Radios auf 88vier; Redaktionelle und
editing of programmes, user interface for pro-
technische Koordination bei Pi Radio:
gramme schedule management, incorporating
Playout, Live-Streaming, automatischer
the programme schedule into websites.
Schnitt von Sendungen, Oberfläche zur Verwaltung des Programmplans, Einbin dung des Programmplans auf Webseiten.
FR 18.30
Udo Israel, Executive Board of RADIO CORAX Guided Tour trough RADIO CORAX Geführte Tour durch RADIO CORAX
RADIO CORAX is a Noncommercial Local
RADIO CORAX ist ein nichtkommerzielles
Radio in Halle. The association CORAX e.V.
Lokalradio, das seit Juli 2000 im Raum
had been working since 1993 on the devel-
Halle auf 95.9 FM 24 Stunden 7 Tage in
opment of such kind of medium structure
der Woche sendet. Der Verein hat heute
in Halle. When RADIO CORAX started its
300 Mitglieder, darunter zahlreiche
daily broadcasting on July 2000, there were
lokale gesellschaftliche Akteur_innen,
about 80 people working on the radio. Now
Organisationen und Initiativen mit
there are about 300 people who more or less
verschiedenen inhaltlichen Schwerpunk-
regularly create programmes, most of them
ten. Die über 120 Sendungen von RADIO
are volunteers. With about 90 regular transmissions RADIO CORAX is the biggest non-
CORAX entstehen ehrenamtlich und inter-
profit radio in East-Germany. RADIO CORAX
greifen Themen aus diversen gesell-
has long experience in hosting conferences
schaftlichen Bereichen auf: von Kultur
and workshops in the field of media policy
über Umwelt, Regionalpolitik und
and media training. Starting in 2002 the
verschiedensten Musiksparten bis hin zu
radio developed a number of intercultural
mehrsprachen Programmen und Sendun-
and cross-border projects with a special
gen mit internationalen Thematiken.
focus on intercultural radio training and East Europe. CORAX is an active contributor
Gemeinsam treten all jene, die Sendun-
in national and international community
tes, integratives und nichtdiskriminie-
media networks.
rendes gesellschaftliches Miteinander
essengeleitet. Die Sendungsmachenden
gen produzieren, für ein gleichberechtig-
ein. Projektgebunden arbeitet RADIO CORAX hauptsächlich auf den Gebieten
mediale Bildung und Kompetenz, interkultureller Dialog und Austausch, sowie Klang- und Radiokunst mit regionalen und überregionalen Partner_ innen zusammen.
24
SA 10.30 Ingo Leindecker, Radio FRO, Linz, Austria
UVisualize! – Visualisation tool for open archives
The Cultural Broadcasting Archive (CBA)
content of the growing database. In addition
is an audio database by independent radio
to archiving, this increasingly places ques-
stations providing a central distribution tool
tions relating to an intuitive presentation
for civil society media production. The pub-
and narration of content in the foreground.
licly accessible exchange and communication platform supports the mutual transfer
The WordPress UVisualize! plugin developed on the lines of CA P TCH A enables content
of radio broadcasts and the publication and
to be structured and prepared visually in
referencing of content beyond the respec-
different ways (e.g. by way of cards, time-
tive reach of local radio stations.
lines, etc.). In this fashion, collections can
The long-term, collaborative archiving of media productions by radio stations from highly diverse regions of Austria
be made more narrational and more visually accessible. Â
and Germany has given rise to a contin-
Ingo Leindecker is an artist, cultural worker
uously growing pool of alternative media
and self-employed web developer working at
reporting which is available not only for
the interface between culture, technology and science. Long-term employee of Radio FRO.
private use but especially for research purposes. In so doing, the CBA maps the social,
Actively engaged in the Austrian association
political and cultural events in individual
of free radio stations. Member of the man-
regions and has, over the last ten years,
agement team and developer of the Cultural Broadcasting Archive (CBA).
thus developed into an important contemporary document with strong local ties. The platform is undergoing continuous further development especially with a view to maximizing its public and is constantly being adapted to the practice and the needs of independent radio broadcasters. Â UVisualize! The creation of open access to digital media archives depends not only on political and technical solutions but increasingly demands suitable forms of presentating the 26
UVisualize! – Visualisierungs-Tool für offene Archive
Das Cultural Broadcasting Archive CBA
UVisualize!
ist als Audiodatenbank freier Radios eine
Die Herstellung eines offenen Zugangs
zentrales Distributionswerkzeug
zu digitalen Medienarchiven ist nicht nur
zivilgesellschaftlicher Medienproduk-
von politischen und technischen
tion. Die offen zugängliche Austausch-
Lösungen abhängig, sondern verlangt
und Kommunikationsplattform unter-
zunehmend auch nach angemessenen
stützt die wechselseitige Übernahme von
Präsentationsformen von wachsenden
Radiosendungen sowie die Publikation
Datenbeständen. Neben der Archi
von und Bezugnahme auf Inhalte
vierung treten so die Fragen nach einer
außerhalb der jeweiligen Reichweite der
intuitiven Darstellung und Narration
lokalen Sender.
von Inhalten zunehmend in den Vorder-
Durch die langfristige, kollabora-
grund. Das im Rahmen von CAPTCHA
tive Archivierung der medialen Produk
entwickelte WordPress Plugin UVisualize!
tionen von Radiostationen aus unter-
ermöglicht es, Inhalte zu strukturieren
schiedlichsten Regionen Österreichs und
und visuell auf unterschiedliche Weise
Deutschland hat sich zudem ein kontinu-
aufzubereiten (z.B. mittels Karten,
ierlich wachsender Pool alternativer
Timelines, u.a.). Auf diesem Weg können
Medienberichterstattung herausgebildet,
Sammlungen auch erzählerisch und
der neben dem privaten Gebrauch
visuell besser zugänglich gemacht
insbesondere für Recherchezwecke offen
werden.
steht. Auf diese Weise bildet das CBA das
gesellschaftliche, politische und kultu-
Ingo Leindecker ist Bildender Künstler,
relle Geschehen einzelner Regionen ab
Kulturarbeiter und selbstständiger
und hat sich so in den letzten 10 Jahren
Webdeveloper an der Schnittstelle
zu einem bedeutenden Zeitdokument
zwischen Kultur, Technologie und
mit starkem Lokalbezug entwickelt.
Wissenschaft. Langjähriger Mitarbeiter
Besonders unter dem Gesichts-
von Radio FRO. Tätig für den Verband
punkt der größtmöglichen Offenheit wird
Freier Radios Österreich. Mitglied des
die Plattform ständig weiterentwickelt
Leitungsteams und Entwickler des
und der Praxis sowie den Bedürfnissen
Cultural Broadcasting Archives CBA.
der freien RadiomacherInnen angepasst.
SA 10.30 Frank Pohu, Fréquence Sillé, Sillé le Guillaume, France Safeguarding the oral heritage: Back on 10 years of experience in France
For over 30 years European associative and
This intervention will therefore consider
community radios participate in local life by
these aspects :
giving voice to elected officials, association
1. The presentation of an experiment
leaders, youth, history buffs, writers, sto-
conducted since 2003 by Frequence Sille in
rytellers, musicians and scientists. These
cooperation with a departmental center of
radios keep on various media unreleased
public records/archives and radio in France
recordings, testimony of an era, the need
2. The tracks of reflection in Europe
to safeguard and promote to contribute to
based on a discussion between public
the knowledge of this history marked by
archives radios and public archives centers
many changes, both at local and national
3. A presentation of some theoreti-
level that in Europe. Radios have so far
cal and technical elements that can form a
little explored this field of archives that are
basis for the development of a methodology
often abroad. However, it is essential today
of a radio archive work.
to launch a reflexion in Europe, combining radio and archives, based on various local
Franck Pohu is Project manager and Training
expériementations to suggest ways for
Manager of »Fréquence Sillé, Sauvegarde de la
the establishment of a common method-
parole sarthoise« in Sillé le Guillaume, France.
ology that would aims to bring radios and archives, taking into account their own specificity, and propose a retrieval model that meets European standards.
28
SA 12.00
WORKSHOP
Jose M. Casanova, CUAC FM, A Coruña, Spain How to setup your internet streaming to record and archive your audio streams
CUAC FM, the Community Radio of A Coruña
to show the possibilities and how you can
founded in 1996, has been streaming audio
setup it in your community radio in a GNU/
through Internet since 2006 to increase
Linux system supported with Open Source
audience coverage to places where the FM can not reach. CUAC FM uses Ice-
tools.
cast Free Software project to publish our
José M. Casanova is a free software activ-
audio streams. At CUAC FM, in 2014 we
ists that participates in Spoiler, a live radio
have deployed darkice tool to manage the
show about TV series aired on CUAC FM, the
capture of the audio from the radio station
community radio that broadcasts to A Coruña
mixer to the Icecast streaming server. It has
Area. He is volunteer in the Technological
allow us to re-encode it in many different codecs and audio containers (MP3, OGG
to GNU/Linux systems and Free Software at
and AAC) in different bitrates having differ-
the broadcasting station. He has been com-
ent streams for mobile clients and CUAC
mitted to the promotion of Free/Open Source
Committee of CUAC FM leading the migration
FM website features powerful options that
Software in different communities as GNOME
allow you to dump in realtime to a file the
and GPUL. He is also one founders of the Open
audio that has been processed and with a
Source consultancy Igalia.
simple integration of programmed tasks in the GNU/Linux operative system. Now we can maintain a simple structure for the 24hours / 365days archive of broadcasting for legal purposes. It also serves as backup system to recover failures from our Live Broadcasting recording system. As complement we have developed simple scripts that manage the naming scheme of the shows archive in a monthly organization and updates the information of the shows in the RDS and internet streaming services. The use of Network Time Protocol has also helped in the synchronization of the split of the archives avoiding shows recorded being cut at the beginning. The talk will try
SA 14.00
PERFORMANCE
Lale Rodgarkia-Dara & Karl Schönswetter, Vienna, Austria Taxonomy of sonorous order Categorising, tagging, assigning and
Lale Rodgarkia-Dara, born in Vienna, Austria.
conducting research as a creative process.
She works as a writer, radio-maker and »sound
Where do art and order come together? How
installer«. She tries to develop a new Electro-
do artists use archives or archived material?
acoustic Literature, that enables writers to
Does the digital card index therefore need
read and perform in a collective (with elec-
a digital artist? How can digital archives be
tronic artists and humans) and as individuals
handled artistically? What are the interests
with a distance to their own texts. Founded the
of community radio stations? What is the
monthly Elektronik Teatime and is producer at
infrastructure like? Lale Rodgarkia-Dara
the international art-radio-network radia and
and Karl Schönswetter want to use a live
part of the Mz. Baltazar’s Laboratory Collective
(radio) performance to transform material
and several other collectives. 2014 working
from archives and on-site recordings into
as an external lecturer at the interdisciplinary
a live feedback transmission and thereby
centre for urban culture and public space at
establish a seamless transition between
the Vienna University of Technology. 2015
a reticent lecture and an in-your-face live
Artist in Residence at the Bioart Laboratory
show. What happens if the public anno-
der Universidad Maimonides, Buenos Aires.
tates the transmission and creates a new work of art out of the archive molasses? An
Karl Schönswetter is a founding member of
acoustic overwriting of a long day of busy
the gold extra cultural association, Salzburg
conferencing mixed with archive material
(established 1998, a member until 2007),
from the conference participants. Well, now
producer of a weekly hip-hop radio show at
we know.
Radiofabrik Salzburg (2000 – 2007), 2010 to 2011 editor at Supertaalk.at (Staffel 1), since 2011 a producer for the Vienna team of Radia. fm at Radio Orange 94.0, responsible for the (co)production of three Radia broadcasts: nitropic, Radio Convoy and Radiagund.
30
Taxonomie der sonoren Ordnung Kategorisieren, Taggen, Zuordnen und
Lale Rodgarkia-Dara, geboren 1976 in
Recherchieren als kreativer Prozess. Wo
Wien, aufgewachsen in Umgebung werkt
treffen sich Kunst und Ordnung? Wie
als Medieninstallateurin, Elektroakusti
bedienen sich Künstler an Archiven bzw.
kerIn und Autorin ebenda. Sie ist Gründe
Archivmaterial? Braucht der digitale Zet-
rin der Elektronik Teatime und ist Wiener
telkasten infolge eineN digitalen Künst-
Produzentin im internationalen Kunst
lerIn. Wie kann man künstlerisch mit
radio-Netzwerk radia radia.fm, Teil des
digitalen Archiven umgehen? Welches
Kollektivs Mz. Baltazar’s Laboratory
Interesse existiert von Seiten der Com-
www.mzbaltazarslaboratory.org und
munity Radios. Wie schaut die Infrastruk-
beteiligt sich an verschiedenen Kollekti
tur aus? Lale Rodgarkia-Dara und Karl
ven. 2015 Artist in Residence am Bioart
Schönswetter wollen mit einer Live-
Laboratory der Universidad Maimonides,
(Radio)Performance Material aus Archi-
Buenos Aires. Ihr jüngstes Radioprojekt
ven und Aufnahmen vor Ort zu einer Live
»gefallene worte – reden von zukünftigen
Feedback Transmission umwandeln und
diktatorInnen« wurde im November 2014
schaffen so einen nahtlosen Übergang
während des New Adit Festivals im
zwischen Hinterrücks-Lecture und Into-
Musil-Haus in Klagenfurt verwirklicht.
The-Face-Live-Show. Was passiert, wenn man das Publikum beschlagwortet und
Karl Schönswetter ist Gründungsmitglied
aus Archiv-Melasse ein neues Kunstwerk
vom gold extra Kulturverein, Salzburg
entsteht? Eine akustische Überschrei-
(Gründung 1998, Mitglied bis 2007),
bung eines langen Tages des emsigen
Sendungsmacher für eine wöchentliche
Konferenzens gemischt mit Archiv-
Hip-Hop-Radio-Show bei der Radiofabrik
Materialien der KonferenzteilnehmerIn-
Salzburg (2000 – 2007), 2010 bis 2011
nen. Nun wissen wir es.
Redakteur bei Supertaalk.at (Staffel 1), Seit 2011 Sendungsmacher beim Wiener Team von Radia.fm bei Radio Orange 94.0, Verantwortlich für die (Co)Produk tion von drei Radia-Sendungen: nitropic, Radio Convoy und Radiagund.
SA 14.30
ROUND TABLE DISCUSSION
Preserving audio memories! – A discussion concerning the prospects and demands facing free radio archives
The plenary discussion takes as its point
This discussion is widened by the possibil-
of departure the notion that ever since their
ity of online archiving, something which is
inception, non-commercial radio stations,
primarily regarded by many members of the
community radio stations, their pro-
radio community as a tool for communica-
grammes and their features have often only
tion and sharing. However it has become
been partially documented. The archiving
clear, at the very latest since the Internet
and naming of radio broadcasts is often
archive archive.org was founded, that the
simply forgotten, put off as an additional
Internet can be a relevant storage site which
burden or is the last thing to be done in the
not only stores data in a passive fashion,
everyday work of a radio station. Against
but sets it in motion by promoting and
this background, nearly every community
encouraging as much sharing as possible.
radio station in Europe has developed its
The free radio stations are faced with the
own structures and tools for storing the
challenge of interacting anew with this
content of broadcasts. Even in the days of video cassettes, mini disks and CDs,
tremendous virtual opportunity within their
the principles on which numerous hours
stations within the medium of the Internet.
of broadcast programmes were kept and
What new questions do the community
stored depended on the individual designs
media face as a result of the intensive and
of radio producers and technicians: Every-
omnipresent use of the Internet at the pres-
one creates extensive media data records
ent time? Which new forms and means have
– to a great or smaller degree – in order to
the communities already created?
communities and of rethinking their radio
identify the audio material. What are the consequences of this unstructured form of
Speakers
archiving and what will we remember of the
Ingo Leindecker, cba.fro.at, Radio FRO
history of community radio in the future?
Ralf Wendt, Portier freie-radios.net and Pro-
Which (existing) structures have been devel-
gramme Coordinator of RADIO CORAX
oped in practice and which have proved
Dagmar Brunow, Universität Växjö, Sweden
their worth? Which archive structures are
Joost van Beek, Central European University
compatible with the idea of communi-
Budapest, Hungary
ty-based radio stations? What opportunities does organised tagging and storage offer
Moderation
– maintaining the programme archive of
Stephanie Scholz, RADIO CORAX
community radio stations? 32
Audiogedächtnisse bewahren! – Ein Gespräch über die Chancen von und Ansprüche an Freie Radioarchive
Das Podiumsgespräch setzt an der
Speicherung, eine Pflege, des Pro-
Feststellung an, dass die nicht-kommerzi-
gramm-Archivs von Community Radios?
ellen Radios, die Community Radios, ihre
Dieser Diskurs wird erweitert
Beiträge und Sendungen seit Anbeginn
durch die Möglichkeit der Online-Archi-
ihrer Geschichte oft nur unvollständig
vierung, die von vielen Mitgliedern der
dokumentieren. Das Archivieren und
Radio-Community in erster Linie als
Benennen von Radiosendungen wird
Werkzeug der Kommunikation und des
teilweise schlicht vergessen, als zusätzli-
Teilens betrachtet wird. Spätestens aber
che Belastung vertagt oder passiert als
seit dem Internet-Archiv archive.org ist
Letztes im Radioalltag. Nahezu jedes
klar, dass das Internet ein relevanter
Community Radio in Europa hat sich vor
Archiv-Ort sein kann, der Datenmaterial
diesem Hintergrund ganz eigene Struktu-
nicht nur passiv vorhält, sondern in
ren und Tools geschaffen, um Sendein-
Bewegung setzt, indem er Austausch
halte zu speichern. Bereits in den Zeiten
ermöglichst und anregt. Die Freien Radios
von Video-Kassetten, Mini-Disks und CDs
stehen vor der Herausforderung mit
kam es ganz auf die individuellen
dieser riesigen, virtuellen Chance
Entwürfe von Sendungsmachenden und
innerhalb ihrer Communities neu zu
Technikverantwortlichen an, nach
agieren und ihre Radios auch im Medium
welchen Prinzipien zahlreiche Sendestun-
Internet mitzudenken. Vor welchen neuen
den abgelegt und gespeichert wurden:
Fragen stehen Community Medien durch
Jede Person entwickelt mehr oder weniger
die intensive und omnipräsente Nutzung
umfangreiche Metadatensätze, um das
des Internets in der Gegenwart? Welche
Audiomaterial zu kennzeichnen. Welche
neuen Formen und Wege haben die
Folgen hat diese unstrukturierte Form des
Communities bereits kreiert?
Archivierens darauf, wie und was wir in Zukunft von der Geschichte der Commu-
Mit Ingo Leindecker, cba.fro.at, Radio FRO
nity Radios erinnern? Welche (bestehen-
Ralf Wendt, Portier freie-radios.net und
den) Strukturen haben sich in der Praxis
Programmkoordinator von RADIO CORAX
entwickelt und welche haben sich
Dagmar Brunow, Universität Växjö,
bewährt? Welche Archiv-Strukturen sind
Schweden
mit der Idee des community-basierten
Joost van Beek, Central European
Radios vereinbar? Welche Chancen bietet
University Budapest, Ungarn
eine organisierte Verschlagwortung und
Moderation Stephanie Scholz, CORAX
TEAM
Conference Coordination
Editorial Team & Public Relations
Helen Hahmann
Virág Bottlik & Helen Hahmann
Guest Office
Coordination »CAPTCHA Conference Radio«
Virág Bottlik
Georg Wellbrock
Assistance Guest Office & Catering
Conference Stage Management &
Gregor Kliem
Editorial Team Audio Documentation Sindy König
Technical Coordination Frontsound Leipzig
Moderation Stephanie Scholz
Visual Design & Photo Documentation Franziska Stübgen
Interpreters Ariane Stark & Michelle Toussaint,
Website Programming Marian Mortell
Körner Konferenzdolmetschen