Braun autumn 2014

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Fall 2014


The Art of Posters and Winter Sports Jean-Daniel Clerc | Jean-Marc Giroud 192 pages | 200 illustrations ISBN 978-3-03768-185-5 ÂŁ 69.95 October 2014


• Winter sport posters from the 20th century • Structured according to six themes • Very large format • Includes one reprint of an original poster


CHAPTERS • The Aristocracy of Ice and Snow • High Society • Glory of Competition • The Success Story of Alpine Skiing • Globalization and Technical Progress • Advertising and Lifestyle


The Success Story of Alpine Skiing Die Erfolgsgeschichte des Skifahrens

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English text lorem ipsum dolor sit amet, consectetuer adipiscing elit. Suspendisse nulla nisl, dapibus egestas, molestie mattis, euismod quis, magna. Donec urna leo, tristique et, placerat quis, auctor ac, risus. Nunc sollicitudin ante ac tellus. Sed rutrum tempus sem. Etiam porta varius arcu. Vestibulum ullamcorper arcu in dolor. In pharetra. Nulla tristique dolor sit amet lorem blandit condimentum. Sed at nisl. Aliquam molestie purus. Ut ultricies lorem ut mi. Praesent vel augue. Donec interdum. Maecenas in lorem vitae nibh pretium convallis. Nam fringilla augue ut magna. Nam condimentum bibendum tortor. Ut euismod ipsum pretium augue. Morbi ligula. Curabitur hendrerit ultrices odio. Donec tempus. Lorem ipsum dolor sit amet Suspendisse dictum malesuada augue. Ut sollicitudin, lectus id gravida tincidunt, nisl risus cursus dui, at ultrices lacus diam sed odio. In eget pede nec ligula cursus tristique. Quisque porttitor. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos hymenaeos. Cras sapien. In nisi erat, pellentesque ut, dignissim vitae, dictum non, velit. Sed arcu felis, facilisis ac, consequat a, pretium et, justo. Quisque augue mi, rutrum sit amet, hendrerit sit amet, condimentum eu, nunc. Nulla tempus vulputate dui. Nullam dignissim, lorem in accumsan semper, elit dolor vulputate mi, vitae aliquam nisl nibh nec lacus. Suspendisse bibendum ipsum a elit. Donec viverra lacus a erat. Cras consectetuer, nisl non molestie facilisis, massa ligula consectetuer sem, vitae semper orci nulla in justo. Quisque semper, arcu ut pellentesque pulvinar, diam justo feugiat lacus, ut semper erat purus non libero. Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Suspendisse nulla nisl, dapibus egestas, molestie mattis, euismod quis, magna. Donec urna leo, tristique et, placerat quis, auctor ac, risus. Nunc sollicitudin ante ac tellus. Sed rutrum tempus sem. Etiam porta varius arcu. Vestibulum ullamcorper arcu in dolor. In pharetra. Nulla tristique dolor sit amet lorem blandit condimentum. Sed at nisl. Aliquam molestie purus. Ut ultricies lorem ut mi. Praesent vel augue. Donec interdum. Maecenas in lorem vitae nibh pretium convallis. Nam fringilla augue ut magna. Nam condimentum bibendum tortor. Ut euismod ipsum pretium augue. Morbi ligula. Curabitur hendrerit ultrices odio. Donec tempus. Lorem ipsum dolor sit amet Suspendisse dictum malesuada augue. Ut sollicitudin, lectus id gravida tincidunt, nisl risus cursus dui, at ultrices lacus diam sed odio. In eget pede nec ligula cursus tristique. Quisque porttitor. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos hymenaeos.

Deutscher Text lorem ipsum dolor sit amet, consectetuer adipiscing elit. Suspendisse nulla nisl, dapibus egestas, molestie mattis, euismod quis, magna. Donec urna leo, tristique et, placerat quis, auctor ac, risus. Nunc sollicitudin ante ac tellus. Sed rutrum tempus sem. Etiam porta varius arcu. Vestibulum ullamcorper arcu in dolor. In pharetra. Nulla tristique dolor sit amet lorem blandit condimentum. Sed at nisl. Aliquam molestie purus. Ut ultricies lorem ut mi. Praesent vel augue. Donec interdum. Maecenas in lorem vitae nibh pretium convallis. Quisque portitor class aptent Suspendisse dictum malesuada augue. Ut sollicitudin, lectus id gravida tincidunt, nisl risus cursus dui, at ultrices lacus diam sed odio. In eget pede nec ligula cursus tristique. Quisque porttitor. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos hymenaeos. Cras sapien. In nisi erat, pellentesque ut, dignissim vitae, dictum non, velit. Sed arcu felis, facilisis ac, consequat a, pretium et, justo. Quisque augue mi, rutrum sit amet, hendrerit sit amet, condimentum eu, nunc. Nulla tempus vulputate dui. Nullam dignissim, lorem in accumsan semper, elit dolor vulputate mi, vitae aliquam nisl nibh nec lacus. Suspendisse bibendum ipsum a elit. Donec viverra lacus a erat. Cras consectetuer, nisl non molestie facilisis, massa ligula consectetuer sem, vitae semper orci nulla in justo. Quisque semper, arcu ut pellentesque pulvinar, diam justo feugiat lacus, ut semper erat purus non libero. Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Suspendisse nulla nisl, dapibus egestas, molestie mattis, euismod quis, magna. Donec urna leo, tristique et, placerat quis, auctor ac, risus. Nunc sollicitudin ante ac tellus. Sed rutrum tempus sem. Etiam porta varius arcu. Vestibulum ullamcorper arcu in dolor. In pharetra. Nulla tristique dolor sit amet lorem blandit condimentum. Sed at nisl. Aliquam molestie purus. Ut ultricies lorem ut mi. Praesent vel augue. Donec interdum. Maecenas in lorem vitae nibh pretium convallis. Nam fringilla augue ut magna. Nam condimentum bibendum tortor. Ut euismod ipsum pretium augue. Morbi ligula. Curabitur hendrerit ultrices odio. Donec tempus. Suspendisse dictum malesuada Suspendisse dictum malesuada augue. Ut sollicitudin, lectus id gravida tincidunt, nisl risus cursus dui, at ultrices lacus diam sed odio. In eget pede nec ligula cursus tristique. Quisque porttitor. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos hymenaeos. Ut ultricies lorem ut mi. Praesent vel augue. Donec interdum. Maecenas in lorem vitae nibh pretium convallis. Nam fringilla augue ut magna. Nam condimentum bibendum tortor. Ut euismod ipsum

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Gstaad Alex Diggelmann, 1934 85 x 124 cm

Winter Sports in the French Alps Roger Broders, 1929 86 x 121 cm Collection Galerie 123

Sainte Croix et les Rasses Anonymes, 1930 112 x 160 Collection Galerie 123


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Hotel Cachat’s-Majestic Atelier Faria, 1900 116 x 90 cm


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Palace Hotel St. Moritz Emil Cardinaux, 1921 Collection Galerie 123

Davos Emil Cardinaux, 1918 Collection Galerie 123


Living in Style Architecture + Interiors Chris van Uffelen 456 pages | 700 illustrations ISBN 978-3-03768-177-0 ÂŁ 49.95 October 2014


• Homage to the home as focal point of private life • From architecture via interior design to decor • Habitats of all types and sizes • With relatively unrestricted functional demands high level of creative potential


Lake Lugano House Switzerland JM Architecture


18th century Villa Positano, Italy Lazzarini Pickering Architetti


Casa Kike Cahuita, Costa Rica Gianni Botsford Architects


House in Hakusan Japan Fujiwarramuro Architects

LOFT

WORK SPACE

DECK

KIDS ROOM

DINING LIVING

BED ROOM

Section X-X' S=1:100

Section Y-Y' S=1:100


Chalet One Oak Combloux, France Dr. Tapesh Anand


Corallo House Santa RosalĂ­a, Guatemala PAZ Arquitectura


Shelter Island House New York, USA Stamberg Aferiat + Associates

SHELTER ISLAND PAVILION STAMBERG AFERIAT + ASSOCIATES


CASA SON VIDA

COLLECTOR’S LOFT

Curvaceous shape creates a bold juxtaposition between old and new

The meandering walls frame an open a space that privileges long perspectives, with more sheltered corners and niches nestled in the curves. In this hybrid space exhibition areas merge into the living areas; a floating exhibition wall blends into library shelves on one side and into a display case on the other side. The client as collector had sought a space in which he could live comfortably while interacting with the many paintings, objects and books he has brought together over the years. The loft aims to merge life and art by facilitating these daily interactions, and by making clearer his own unusual way of seeing. Located approximately 15 minutes outside of Palma de Mallorca in an exclusive community called Son Vida, the eponymously named Casa is an example of design poetry in motion. The completion of this home marks the arrival of third millennia architecture on the island of Mallorca. The task at hand was straightforward: take a very un-extraordinary existing Mediterranean villa constructed in the 60s and transform it into something extraordinary. The 800-square meter luxury villa transgresses the constraints of site and context, redefining luxury architecture as it is typified by the traditional and prolific Mediterranean and Tuscan styles otherwise found on the island.

Manhattan home mediating between art gallery and living space. Architect | tec Architecture Interior Design | Marcel Wanders Size | 790 sqm Location | Palma de Mallorca, Spain Completion | 2008 Further facts | Lorem ipsum

Architect: UNStudio Lighting Design: Renfro Deisgn Group Size: 550 sqm Location: Greenwich Village, New York, USA Completion: 2010 Further facts: Lorem ipsum

LIBRARY

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Spotlight: Concept: “Casa Son Vida 1 aims to redefine the notion of the luxury villa by moving most of the paradigms of luxury towards a more contemporary and forward-looking expression of architecture and technology.” -Sebastian Knorr, tec co-founder and design director.

Spotlight History: The collector and the architect became acquainted when Ben van Berkel was involved in the unrealized renovation and expansion of the Wadsworth Atheneum. Soon after the collector spoke of his intention to have a house designed by his new friend, the architect. Over the years, the pair regularly visited possible sites for this new house in the suburbs of Hartford. In a phone call to Amsterdam in the early spring of 2007 the collector announced he had bought a loft space in Manhattan. The architect finally received his commission: not for a house, but for a home for the collector and his art and books.

REFLECTED CEILING PLAN

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Bars, Clubs & Lounges Sibylle Kramer 256 pages | 400 illustrations ISBN 978-3-03768-176-3 ÂŁ 39.95 October 2014


• Places to escape everyday life • Architecture and design as decisive factors • One of the most exciting fields for interior designers • Interplay of lighting, space, form and furnishing


Ozone Club Hongkong, China Wonderwall


Pracownia Lodz, Poland Karina Wiciak


Allure Nightclub Abu Dhabi UAE Orbit Design Studio


Cronnus Tokyo, Japan Doyle Collection


Press Lounge at Ink48 Hotel New York, USA CCS Architecture


Nisha Bar-Lounge Mexico-City Pascal Arquitectos


Twister Kiev, Ukraine Sergey Makhno and Vasiliy Butenko


The Attic Bar Minsk, Belarus Inblum Architects


The Living Room Seattle, USA Skylab


INSTALACAO

GRAFFITI Sufficient dose of artistry as reference to Gallery of Modern Art situated in the same building.

Architect | Studio Mode Light fixures | Tom Dixon Size | 250 sqm Location | Varna, Bulgaria Completion | 2011 Further facts | Lorem ipsum

Architect | José Carlos Cruz Light fixures | Tom Dixon Size | 250 sqm Location | Baixa district, Porto, Portugal Completion | 2013 Further facts | Lorem ipsum

The designers had to merge the front part of the space being close to the exterior of the building with the back zone by “reducing depth of space while keeping the panorama.” They wanted the overall look to be an Escher-inspired space but had to deal with complex acoustic and ventilation issues, meaning they had to find a way to mix Inside, the primary space at Instalaçao is a long corridor. Arched brass tubing creates

materials throughout. The linear elements that begin on the curvy pillars and continue

a “golden tunnel” effect overhead. A bar runs the length of one side, and a raised

onto the ceiling are phenomenal and definitely help create the cohesive environment

DJ platform is situated at the far end. Video monitors in various sizes behind the DJ

they were looking for.

provide a cool, stimulating multi-media backdrop. Polished aluminum surfaces create reflections and inset lighting emits a glow that provides a completely different dimension to the narrow space. Off to the side is a lounge for conversation and relaxing. Concrete blocks line the walls, textured concrete is overhead and polished concrete is on the floor. It’s a contemporary and soothing minimalist device that adds to the uniqueness of the design and the swankiness of the room.

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ATRIUM CHAMPAGNER BAR A nine-storey high pyramid, clad entirely in white marble, with a highly reflective, black polished granite floor. Architect | Foster + Partner Size | 170 sqm Location | ME Hotel, London, UK Completion | 2013 Further facts | Lorem ipsum

The challenge for the design was to complement and not detract from, the 80 foot high top-lit space. The minimal furnishings were custom-made and include a 30-metre-long curving bench, sleek black reception desks and a freestanding triangular champagne bar. Rather than works of art that interrupt the space, the projections cel-

A glowing, floating lighting program expands the space visually and draws the attention to reflections and illumination.

ebrate its scale, a giant jellyfish rise upwards as if from the depths of the sea, and the

Arrefecedor de garrafas

triangulated panels of the marble cladding are illuminated and animated like origami.

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Sommeliers’ Heaven The Greatest Wine Cellars of the World Paolo Basso 304 pages | 500 illustrations ISBN 978-3-03768-183-1 £ 49.95 November 2014


• Selection edited by “Best Sommelier of the World” • Latest technology meets outstanding design • Spaces to store, present and taste wine • Public and private wine cellars


Poolhouse with Wine Cellar Nashville, USA


Concrete Blonde Sydney, Australia


Restaurant Taizu Tel Aviv, Israel


Wine Tower at Radisson Blue Zurich, Switzerland


Novelty Hill Januik Winery Seattle, USA


Private Cellar Jesenice, Slovenia


Staircase Solution Wuppertal, Germany


Mistral Wine Store S達o Paulo, Brazil


Hedonism Wines London, UK


Ritz Carlton Hongkong, China


RESIDENTIAL CELLAR

HO MAN TI CELLAR

Istanbul, Turkey

Hongkong, China

Inspired by these two rooms, the cellar is organised as a narrative of spaces flowing one into the other, rather than a singular and centric cellar. From the entrance door till the wine safe at the end, the visitors are led and amazed at every step by intricate details, such as the polished natural tree trunk, custom woven drapery with grape figures, antique copper countertop, hand-forged iron sliding doors and more. Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Suspendisse nulla nisl, dapibus egestas, molestie mattis, euismod quis, magna. Donec urna leo, tristique et, placerat

Designer: Focus Wine Cellars Location: Confidential Client: Confidential Type: Private Cellar Number of Bottles: Confidential Further participants: Lorem Ipsum Further facts: Lorem Ipsum

quis, auctor ac, risus. Nunc sollicitudin ante ac tellus.

Se calquant sur ces deux pièces, la cave est organisée en espaces narratifs se mêlant l’un à l’autre plutôt qu’en une cave unique et circulaire. Depuis la porte d’entrée

The private cellar has a unique design that radiates a unique feeing of space. The

jusqu’au coffre-fort à vins situé au fond, les visiteurs sont guidés, stupéfaits à chaque

wine bottles are arranged on cut glass shelves in a polar array of 300 degrees, from

nouvelle étape, par des détails complexes comme le tronc d’arbre poli véritable, des

the ceiling to the floor. The ultra-modern-setting, in combination with ingenious

draperies aux motifs en grappes de raisin tissées selon la coutume, un comptoir de

concealed LED illumination gives the wine cellar a divine quality. Lorem ipsum dolor

cuivre antique, des portes coulissantes en fer forgé à la main, et bien d’autres encore.

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urna leo, tristique et, placerat quis, auctor ac, risus. Nunc sollicitudin ante ac tellus.

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Inspiriert von diesen beiden Zimmern ist der Weinkeller als eine räumliche Erzählung konzipiert. Auf dem Weg von der Eingangstür bis zum Weintresor wird der Besucher

Cette cave privée au design unique évoque un sentiment d’espace exceptionnel. Les

durch spannende Details eingenommen, wie dem polierten Naturbaumstamm, indivi-

bouteilles de vin sont placées sur des étagères de verre disposées en arcs de cercle

duell gewebte Vorhänge mit figürlichen Darstellungen und Weintraubenmotiven, der

de 300 degrés allant du sol au plafond. Le cadre ultra-moderne associé à l’éclairage

antiken Kupfertheke, der handgeschmiedeten Schiebetüren ais Eisen und vieles mehr.

de lumières LED ingénieusement dissimulées donne à la cave un aspect divin. Lorem

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rutrum tempus sem. Etiam porta varius arcu.

quis, auctor ac, risus. Nunc sollicitudin ante ac tellus. Sed rutrum tempus sem. Etiam

Designer: Focus Wine Cellars Location: Confidential Client: Confidential Type: Private Cellar Number of Bottles: Confidential Further participants: Lorem Ipsum Further facts: Lorem Ipsum

porta varius arcu. Vestibulum ullamcorper arcu in dolor. In pharetra. Nulla tristique dolor sit amet lorem blandit condimentum. Sed at nisl. Aliquam molestie purus.

Das einzigartige Design dieses privaten Weinkellers strahlt ein ganz besonderes Raumgefühl aus. Die Weinflaschen sind auf vom Boden bis zur Decke reichenden Glasregalen arrangiert, die in einem 300 Grad-Bogen stehen. Der Keller erhält seine magische Stimmung durch die mit raffiniert verborgenen LED. Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Suspendisse nulla nisl, dapibus egestas, molestie mattis, euismod quis, magna. Donec urna leo, tristique et, placerat quis, auctor ac, risus. Nunc sollicitudin ante ac tellus. Sed rutrum tempus sem. Etiam porta varius arcu. Vestibulum ullamcorper arcu in dolor. In pharetra. Nulla tristique dolor sit amet lorem blandit condimentum. Sed at nisl. Aliquam molestie purus.

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Link it! Masterpieces of Bridge Design Chris van Uffelen 192 pages | 300 illustrations ISBN 978-3-03768-175-6 ÂŁ 45.00 September 2014


• One of the oldest and most important type of construction • Modern technologies allow for new construction possibilities • Design focuses increasingly on the visual appearance • Often highly prominent and iconic


Sheikh Zayed Bridge Abu Dhabi, UAE Zaha Hadid


Max-GleiĂ&#x;ner-Bridge Tirschenreuth, Germany Annabau


Helix Bridge Singapore Cox Architecture with Architects 61


Alfenz Bridge St. Anton, Austria Marte Marte Architects


Gold Line Bridge Arcadia, CA, USA Rivka Night with Andrew Leicester


Peace Bridge Calgary, Canada Santiago Calatrava EXISTING LEVEL

EXISTING LEVEL

+0.00 = 1043.0 meter above sea level


Hovenring Eindhoven, Netherlands ipv Delft


Viaduc de Millau France Foster & Partners


PASSERELLE SIMONEDE-BEAUVOIR PARIS, FRANCE

The pedestrian bridge with a width of twelve meters connects the French National Library and the Bercy park. The new footbridge maintains the coherence of this unusually open Parisian space by reaching across the river in a single, continuous span, without intermediate supports. Two arches constitute the geometry of the bridge, the tender form answers to the strictness of the architectural environment. These arches are structure and pathfare at the same time.

Hamburg’s streams, rivers and canals are crossed by over 2300 bridges, more than Venice, Amsterdam and London put together. Planning: Feichtinger Architects Location: Between 12th and 13th district Length: 304 meters Completion: 2006 Client: Mairie de Paris Further participants: Lorem ipsum Further facts: Lorem ipsum

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Planning: Denton Corker Marshall with Robert Owen Location: Docklands Length: 225 meters Completion: 2007 Client: Mirvac/Docklands Authority Further participants: Lorem ipsum Further facts: Lorem ipsum

WEBB BRIDGE

“The hardest thing to learn in life is which bridge to cross and which to burn.” – David Russell, Scottish classical guitarist

MELBOURNE, AUSTRALIA The bridge comprises two distinct sections: the 145m long existing structure and a new curved 80m long ramped link. The ramp takes up level changes and creates a point of arrival at the south bank. Both are joined seamlessly, with an emphasis on volume and containment within the curved and sinuous form. There are two main components to the bridge: the deck/ belly of pigmented concrete screed on steel box beams and the containing baskets or ribs of circular and ovoid hoops which encircle the bridge deck.

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The Box Architectural Solutions with Containers Sibylle Kramer 192 pages | 300 illustrations ISBN 978-3-03768-173-2 ÂŁ 45.00 September 2014


• Advantageous with regard to strength, availability and cost • Modular fexibility through only two standard sizes • Wide variety of applications • Setting new standards in functionality and esthetics


Cruise Ship Terminal Seville, Spain Arquitectos Hombre de Piedra and Bur贸4


Barneveld Noord Station Netherlands NL Architects


Amin Library Batu, Indonesia Dpavilion architects


ECOntainer Bridge Ariel Sharon Park, Israel Yoav Messer Architects


Smallest House of Antwerp Belgium sculp(IT)


IBA-Dock Hamburg, Germany Architech


Kindergarten Ajda Ravne Na Koroškem, Slovenia Jure Kotnik


WHF House Wuxi, China Arcgency


Puma City Store everywhere LOT-EK


At the hottest spot in the most important alley of decoration in the city: alameda Gabriel Monteiro da Silva there was the only empty plot left. The client rented it and commissioned the architect to come up with a very low budget design, something that could be assembled quickly, respecting the existing trees. The idea was to use discarded containers, to reuse a readymade object, a leftover of the actual intense commodities exchange. The project was organized inside two tunnels of containers, taking advantage of the linearity of its inside spaces, and a double height hangar attached to it, a contrasting cubic volume. Huge polycarbonate sliding doors connect the store with the city and an inner garden.

Architect: Graft Architects Consultancy: Baik Jiwon Location: Cheongdam Number of container used: 28 Gross floor area: 415 sqm Completion: 2009 Client: Platoon Further facts: Lorem ipsum

DECAMERON

SÃO PAULO, BRAZIL Architect: Studio mk27 Interior Designer: Diana Radomysler, Mariana Simas Location: private Number of container used: 6 Gross floor area: 145 sqm Completion: 2011 Client: private Further facts: Lorem ipsum

PLATOON KUNSTHALLE SEOUL, KOREA

The project is a space for subculture in Asia. The program provide a communication platform for anybody interested in subcultural creative fields like street art, graphic design, fashion, video art, programming, music, club culture, political activism. Any number of activities can occur within, all of which help promote a growing artistic movement in the heart of Seoul. As icons of a flexible architecture in a globalized culture, the stacked containers form a unique construction that can be rebuilt anywhere else any time.

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“Architecture is basically a container of something. I hope they will enjoy not so much the teacup, but the tea.” – Yosho Taniguchi, Japanese Architect If the number of containers of todays biggest vessel were loaded onto a train it would need to be 44 miles or 71 kilometers long.

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Built on Water Floating Architecture + Design Lisa Baker 272 pages | 400 illustrations ISBN 978-3-03768-178-7 ÂŁ 45.00 October 2014


• Climate change and urbanization as catalysts • Enlargement of the zone inhabitated by mankind • Long tradition of residential building on water • Wide variety of concepts


Brockholes Visitor Center Preston, UK Adam Khan Architects


One Ocean Thematic Pavilion for Yeosu Expo Korea Soma


Fenell House Portland, USA Robert Oshatz


Cruiseterminal anywhere Waterstudio


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Infinite Landscape Sapporo, Japan Ryo Yamada

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Silodam Amsterdam, Netherlands MVRDV


Piscine Josephine Baker Paris, France Robert de Busni


Point Zero Amsterdam, Netherlands NIO architecten


Aquadomi Star Hotel & Z Hotel anywhere C.F. Møller Architects


FLOATING CONFERENCE CENTER

Achitects:: Concrete Structural engineers: ABT Delft Location: Haparandadam 45, Amsterdam, The Netherlands Completion: 2011 Client: De Principaal Amsterdam Gross floor area: 661 m2 Function: restaurant, office Built on water: supported by steel columns

HAMBURG, GERMANY The one-storey structure contains two conference rooms. The two-storey section houses a bar and lounge, as well as a multifunctional event room, kitchen, sanitary facilities etc. On the side facing the canal, the outer shell of the building is distinguished by generous window elements which allow an unob-structed view of the water. On the shore side, the building ends with the rounded stern made of the white coated façade panels which are so characteristic of the Floating Homes. The spacious patios provide conference guests and and visitors with an attractive and highly flexible outdoor area.

REM EILAND

AMSTERDAM, THE NETHERLANDS

In2007ConcretewasaskedbyhospitalityentrepreneurNick van Loon to come up with an idea for the REM-island located intheriverIJinAmsterdam.Theprogramconsistsofanoffice function on the first deck and a restaurant on decks two and three, an extra story has been created spreading the restaurantovertwofloors.Thedistinctiveredandwhite-checkered buildingrestson12-meterhighcolumnsandislocated15metersoffshore.Walkingaroundtheislandthevieweristreatedto agreatviewfromeveryterrace.Theredandwhite-checkered patternofthebuildingiscontinuedinthenewextension.Long externalfootbridges,largesignallightsandalifeboatarealso located on the island.

Planning: Floating Homes GmbH Location: Quay 10, Hamburg Harbour Area: 450 sqm Completion: 2010 Client: Mercure Hotel Hamburg City Further participants: Lorem ipsum Further facts: Lorem ipsum

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„Man masters nature not by force but by understanding. This is why science has succeeded where magic failed: because it has looked for no spell to cast over nature.“ – Jacob Bronowski, Polish-British mathematician

“In matters of style, swim with the current; in matters of principle, stand like a rock.” – Thomas Jefferson, 3rd President of the USA

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Bamboo Architecture & Design Chris van Uffelen 192 pages | 350 illustrations ISBN 978-3-03768-182-4 ÂŁ 35.00 November 2014


• Very fast growing plant • Great combination of sustainability and technical performance • Light and hard at the same time • Impressive versatility of usage


Barajas International Airport Madrid, Spain Rogers Stirk Harbour + Partners


The Green School Ubud, Bali, Indonesia PT Bamboo Pure


Low Energy Bamboo House Rotselaar, Belgium AST 77 Architecten


Indochine Cafe Kontum, Vietnam Vo Trong Nghia Architects


Bamboo bridge Pereira, Columbia Jรถrg Stamm


Parking Garage Zoo Leipzig, Germany HPP


Mason Lane Farm Goshen, KY, USA De Leon & Primmer Architecture Workshop


Ilhabela House Brazil Studio mk27


Centre Pompidou Metz

Bamboo Courtyard Teahouse

Shigeru Ban Architects Location:

Metz, France

Client:

Municipality of Metz

Bamboo use:

Supporting Structure

Completion:

2010

Gross floor area: 11.330 m2 Photos:

Didier Boy de la Tour

i Elevation s Woven roof form

HWCD Associates This annex for the Pompidou Center in Paris, is to be built in Metz as a complex including an art museum and theater. By locating a large roof in the park, and by opening the glass shutter faรงade around the perimeter, a continuous transition of the interior and exterior space is created. The roof is made from laminated wood in a hexagonal woven pattern composed in the form of a Chinese bamboo-woven hat. This large wooden roof is covered in a Teflon-coated fiberglass membrane and allows soft natural light to filter into the interior. The main galleries are a series of 90mx15m cantilevering rectilinear tubes that float above the ground, and their glass window ends point in the direction of the cathedral and other monuments of the city.

Location:

Yangzhou, China

Client:

Building And Construction Authority

Bamboo use:

Corridors and brises soleil

i Section p Roof support

i Asymmetric cubes on the lake s Shade providing structure

2

i Main gallery s Covered entrance area

Completion:

Photos:

3

T+E

The tea house is organised in asymmetric cubes on a lake. From the exterior, the bamboo courtyard is a cubic form with a variation of solids and voids. The strong verticality becomes more apparent at night when the teahouse lights up to illuminate the surroundings. The simple form illustrates the congruent blending of architecture with nature. Moreover, the natural materials such as bamboo and bricks provide sustainable sensibilities. The pocket of voids improves natural ventilation within the bamboo courtyard while the thick brick wall retains heat in winter, reducing the dependency of mechanical heating and cooling system.

i Floor plan

6

i Tall rows of bamboo create corridors s View at night

7

p Roof shape

i Courtyard structure s Detail

4

2012

Gross floor area: 400 m2

5

8

p Harmony between bamboo, bricks and water

9


Tropical Living Dream Houses at Exotic Places 224 pages | 500 illustrations ISBN 978-3-03768-179-4 ÂŁ 39.95 October 2014


• Architecture and design in tropical regions • Residential buildings and interiors of all kinds • International styles meet local building traditions • All new projects, nothing taken from Tropical Houses.


Sun House Singapore Guz Architects


Latterner Residence Miami, USA Max Strang Architecture


Deck House Janda Baik, Pahang, Malaysia Choo Gim Wah Architect


Brick Kiln House Maharashtra, India Spasm Design


Costa Azul House San Salvador, El Salvador Cincopatasalgato Architecture


Baan Botanica Bangkok, Thailand Bensley Design Studio


House in Iporanga Brazil Nitsche Arquitetos Associados


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Flotanta House Puntarenas, Costa Rica Architect: Benjamin Garcia Saxe Architecture Builder: Dante Medri Completion Year: 2013 Size: 300 sqm

The plot of land was predominantly comprised of a very

sentially lifted the house up into the air on a series of

steep slope, and the view of the ocean could only be seen piloti which gives the impression that it is floating above from the upper-mid portion of the site. The architects

the hillside. By doing this it saved the immense cost of

saw this as an opportunity rather than a constraint and

creating soil retention walls around the site. This common

immediately considered an architectural response that

sense solution allowed to create a very delicate interven-

was appropriate for these conditions. Ultimately, they

tion, one that allows the terrain to breathe whilst provid-

decided to allow the slope, the earth, the vegetation,

ing spectacular views out towards the ocean from the key

water, and animals to flow underneath the house. The es- location on the site.

208

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209

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212

213

from above to below, from left to right: sketch, view towards the beach, hallway, living room

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Villa Amanzi Phuket, Thailand Architect: Original Vision Nestled in a ravine with a stunning outlook over the Completion: 2008 azure blue of the Andaman Sea to the south, the Main materials: Stainless steel, terrazzo, glass commission; to do this demanding but ultimately

210

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211

214

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in the bedrooms; and they continue to command respect down the tropical jungle steps that arrive at a secluded rock platform. Cantilevered over a massage room, the

spectacular site justice, was both daunting and exciting.

swimming pool completes the composition. It is the

The defining elements are the rock and the view. They

focal point that draws the eye to the view and instills a

resonate on first approach, through the migration from

calmness that provides balance with the energy of the

public to private space, in the living areas, in the gardens,

architecture.

215


Townhouse Design Urban Layered Living Chris van Uffelen 272 pages | 400 illustrations ISBN 978-3-03768-172-5 ÂŁ 45.00 September 2014


• Increased interest to live in the city center • Ideal combination of privacy and urban life • Creation of maximum space on limited plots • Multiple floors connected by stairs


N

Slip House London, UK Carl Turner


Black Pearl Rotterdam, Netherlands Studio Rolf.fr + Zecc Architecten


Nieuw Leyden Netherlands 24H Architecture


House in Nada Osaka, Japan Fujiwaramuro architects


Townhous Fabrigsog Landscrona, Sweden Elding Oscarson


Cologne Townhouse Cologne, Germany Lk Architekten

Dachterrasse

Wohnen + 12.00

Essen + 10.50

Zimmer 3 + 9.00

Bad + 7.50

Zimmer 2 + 6.00

Einheit 2: Wohnen

Eingang Wohnung

Einheit 1: Arbeiten

Zimmer 1 + 4.50

'Treppenhaus'

Eingang Büro

Einheit 2: Wohnen Einheit 1: Arbeiten

Büro 2 + 1.50 Eingang Büro

Schwalbengasse

0.00

Büro 1

Längsschnitt B - B

Innenhof

- 1.50

Hausanschluss

Teeküche

- 3.00

Archiv - 4.15

SCHWALBENGASSE 32 / KÖLN

W O H N E N U N D A R B E I T E N A U F 12 E B E N E N

L K A RCHITEKTEN


House 77 P贸voa de Varzim, Portugal dIONISO LAB


TOWNHOUSE DESIGN

GLUCK+

P R O J E C T FA C T S

Address: Manhattan, New York, USA. Other creatives involved: Robert Silman Associates P.C. (structurla engineering). Client: private. Completion: 2009. Size: Lorem ipsum. Futher facts: Lorem ipsum.

231

TOWNHOUSE DESIGN

Bernd Albers

P R O J E C T FA C T S

Address: Caroline-von-Humboldt-Weg 14, 10117 Berlin, Germany. Client: private. Completion: 2009. Gross floor area: 610 m 2 . Further facts: Lorem ipsum.

235

i | Interior view, room towards street o | View of ensemble, courtyard

Urban Manhattan Townhouse

i | Custom water- cut aluminum rain screen k | Exterior view

House P6

New York

Berlin

This project reinvents the typology of the urban townhouse on a typically narrow infill Manhattan plot. By radically reconfiguring the organization and façade of the building, open loft-like living spaces find privacy from the street behind a four-storey vertical library. The conventional plan and section were redefined with the stair and elevator core pushed up against the street façade, instead of running along one of the party walls. The front façade engages the street with a custom water-cut aluminum rain screen with brickshaped openings relating to the solid bricks of its neighbors and panel joints corresponding to the neighboring building stories. During the day, it appears as a flat, patterned mass, marked off from the adjacent houses by the tall glass slots on either side. At dusk, this impression wanes as the glow from the horizontal slit windows and the vertical glass slots animates the street façade.

TOWNHOUSE DESIGN

GLUCK+

Townhouse P6 on Caroline-von-Humboldt-Weg 14 is a five-floor urban residential home with a height of 19 meters located on a lot that is only 6.50 meters wide and 35 meters deep, i.e. measuring only 227 square meters. The residential concept is based on the “stacking” of three different styled duplexes, each measuring approximately 120 square meters. The appearance of the whitewashed house is dominated by three window axes with nearly room-high French windows edged in delicately profiled pilasters. The central entrance is enhanced by the folded wall and presents a generous entrance invitation in conjunction with the front yard. This provides the individual residency in the center of Berlin with a truly urban physique – in harmony with the scale of the metropolis.

U R B A N M A N H AT TA N T O W N H O U S E

233

TOWNHOUSE DESIGN

BERND ALBERS

HOUSE P6

ff | Stairs that wind around the elevator core f | Diagram s | View towards the terrace

g | Exterior view, alignment i | Entrance area d | Section p | Exterior view from the street

237


Studios & Workshops Spaces for Creatives Sibylle Kramer 272 pages | 400 illustrations ISBN 978-3-03768-181-7 ÂŁ 45.00 November 2014


• Workspaces for creative professions • Activities involving both intellectual and practical aspects • Fusion of function as office and place for production • Focus on architecture and interior design firms


Analog Folk London, UK DH Liberty


HDG Architecture Offices Spokane, USA


DreamHost Brea, CA, USA Studio O+A


Onesize Amsterdam, Netherlands Origins Architects


Pixiv Office Tokyo, Japan Teamlab


STUDIOS + WORKSHOPS

Selgascano Arquitectos

P R O J E C T FA C T S

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233

STUDIOS + WORKSHOPS

Spacesmith with Li & Fung

P R O J E C T FA C T S

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229

i | Portada s | Showroom

Selgascano Office

i | Daylight zone o | View at night p | Autumn ambiance

i | Reception desk

LFWomens Apparel Group

Madrid

New York

The office takes the form of an aerodynamic tube, with a long window on one wall that extends into part of the ceiling. Acting as both a window and a skylight, the glass wall floods the office with light, eliminating the need for artificial lighting during the day. The window is lined with the employee’s desks, giving them an eye-level view of the forest floor. Falling leaves, animals, and wildlife pass by, creating a shifting forest landscape that changes throughout the day. Employees can also look up into the tree boughs and sky through the curved part of the glass casing.Half of the building is submerged into the earth, which provides an excellent degree of insulation. A stone staircase leads down into the office, which has sturdy lower walls of brick. Shared desks line the bunker, which glows with spherical lanterns and desk lamps when illuminated at night.

This building houses the cooperative bank Rabobank Nederland. The company selected Sander Architecten from of a group of twenty to create and supervise the execution of the entire interior design. The client required a new design for the offices that would support new ways of working. The design needed to emphasize cooperation between employees and teamwork. The workspaces are tailored to suit specific activities: group and one-toone meetings, or a place to write a report with maximum concentration. Architect Ellen Sander sought to create space that would ‘flow’ naturally. The busiest routes automatically formed around the cores with the lifts and staircases, beyond which more peaceful zones naturally emerged. Vertical partitions were avoided so that the horizon would always be visible. The meeting pavilions are made from washi paper and paperboard, creating a distinctly tactile experience.

STUDIOS + WORKSHOPS

235

SELGASCANO OFFICE

SELGASCANO ARQUITECTOS

i | Exterior view towards work stations d | Section

i | Evening atmosphere d | Detail

STUDIOS + WORKSHOPS

231

L F W O M E N S A P PA R E L G R O U P

S PA C E S M I T H W I T H L I & F U N G

i | Reception lounge s | Corridor with seating areas

i | Conference room s | Floor Plan


Masterpieces: Library Architecture + Design Manuela Roth 304 pages | 540 illustrations ISBN 978-3-03768-174-9 ÂŁ 39.95 September 2014


• Updated and revised edition with a majority of new projects • New requirements for libraries through multimedia requirements • Necessity to provide research facilities as well as reading rooms • New buildings, conversions, extensions


Seattle Central Library USA OMA


LiYuan Library Beijing, China Li Xiaodong Atelier


King Fahad National Library Riyadh, Saudi Arabia Gerber Architects


University of Aberdeen New Library UK Schmidt Hammer Lassen Architects


National Library of Sejong City Korea Samoo Architects & Engineers


City Library in Sein채joki Finland JKMM Architects


Yuwen Library Tainan, Taiwan Mayu Architects


MAX DUDLER

ANTTINEN OIVA ARCHITECTS

www.maxdudler.com Client: Duisburg branch of the Building and Real Estate Management Authority, Completion: 2012, Size: 1.707 sqm, Photos: Stefan Müller, Berlin

FOLKWANG LIBRARY ESSEN-WERDEN, GERMANY

www.aoa.fi Client: University of Helsinki, Completion: 2012, Size: 31.700 sqm, Photos: Courtesy of the architect

HELSINKI UNIVERSITY MAIN LIBRARY HELSINKI, FINLAND

Left: Public area | Right: Section Left: Main façade from the courtyard | Right: Drawing southern side

Folkwang Library was conceived as a monolithic body built atop the level base of an old rough stone wall. The design concept for the building is based on the idea of the ‘museum showcase’: An exterior shell protecting the valuable contents within. The functional areas are grouped around the reading room, which lies at the centre of the building. The book shelves are arranged in strict order around this

The library was designed to offer a wide range of services flexibly to a large number of customers. This imposing building provides a gateway to the new information age. The design of the building’s interior is based on an aligned series of openings in the ceilings. Three distinct apertures and the main staircase form a series of spaces serving as a basis for the ambiance of the interior, the functional zones as well as the architecture of the façade. The

room, thereby lending scale and structure to the building as a whole. There are two entrances to the library: The main entrance is from the courtyard via a flight of external steps, designed to approximate the style of the entrances to the other buildings leading off from the courtyard. The library’s other entrance on the Klemensborn serves as an emergency exit.

From left to right, from above to below: Detail of façade, Rear façade, Desks, chairs and shelves, Reading room. Right: View through the library towards façade

127

architectural concept of the façade directly reflects the functional solutions of the interior. The facilities have been divided into functional zones with the aim of facilitating the use of the library and its services. This will, in turn, support and facilitate the learning process. The apertures are encircled by walkways and the information zone, which is, in turn, surrounded by the collections zone.

From left to right, from above to below: Hall with staircase, Façade opening, Exterior view. Right: Working areas 131


101 Hotel Baths & Spas Corina Kretschmar-Joehnk Peter Joehnk (eds) 232 pages | 400 illustrations ISBN 978-3-03768-180-0 ÂŁ 39.95 November 2014


• Private and public spaces • Design follows atmosphere • Each project as individual design solution for hotels worldwide • Same book concept as “101 Hotel Rooms”


Sheraton Bogenhausen

Le Clervaux

Bogenhausen/Germany

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pretium augue. Morbi ligula. Curabitur

Hotel Category: ★ ★ ★ ★

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licitudin ante ac tellus. Sed rutrum tempus

sed odio. In eget pede nec ligula cursus

sem. Etiam porta varius arcu. Vestibulum

tristique. Quisque porttitor. Class aptent

sem. Etiam porta varius arcu. Vestibulum

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The Brief: Dolor sit amet lorem

quis, magna. Donec urna leo, tristique et,

sollicitudin, lectus id gravida tincidunt, nisl

Floor area: lorem ipsum

placerat quis, auctor ac, risus. Nunc sol-

risus cursus dui, at ultrices lacus diam

licitudin ante ac tellus. Sed rutrum tempus

Public Toilets Hotel Category: ★ ★ ★ ★ ★ Hotel Type: Lorem ipsum The Brief: Dolor sit amet lorem Floor area: lorem ipsum

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10

11

14

15

City Resort Baden-Baden

Hotel Ritter

Baden-Baden/Germany

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Spa Extention

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hendrerit ultrices odio. Donec tempus.

Hotel Category: ★ ★ ★ ★ ★

Hotel Type: Lorem ipsum

Private Bath

12

Munich/Germany

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Hotel Category: ★ ★ ★ ★

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pretium augue. Morbi ligula. Curabitur

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quis, magna. Donec urna leo, tristique et,

sollicitudin, lectus id gravida tincidunt, nisl

placerat quis, auctor ac, risus. Nunc sol-

risus cursus dui, at ultrices lacus diam

sed odio. In eget pede nec ligula cursus

licitudin ante ac tellus. Sed rutrum tempus

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sem. Etiam porta varius arcu. Vestibulum

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condimentum. Sed at nisl. Aliquam moles-

sapienpurus non libero.

dapibus egestas, molestie mattis, euismod

Suspendisse dictum malesuada augue. Ut

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quis, magna. Donec urna leo, tristique et,

sollicitudin, lectus id gravida tincidunt, nisl

Floor area: lorem ipsum

placerat quis, auctor ac, risus. Nunc sol-

risus cursus dui, at ultrices lacus diam

licitudin ante ac tellus. Sed rutrum tempus

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13

16

17


101 Hotel Rooms Corina Kretschmar-Joehnk Peter Joehnk (eds) 232 pages | 400 illustrations ISBN 978-3-03768-184-8 ÂŁ 19.95 November 2014


• Softcover edition • Broad spectrum of possibilities • Individual design solutions for each hotel


Alpina Ferienlodge

Content

St. Oswald / Austria Lindner Park-Hotel Hagenbeck,

184

Quartierhotel, Dresden / Germany

Hamburg / Germany: Concept ‘Africa’

186

Quartierhotel, Dresden / Germany: Suites

Lindner Park-Hotel Hagenbeck,

188

Residenzhotel, Augsburg / Germany

Hamburg / Germany: Concept ‘Asia’

190

Hotel Ritter, Durbach / Germany

Lindner Park-Hotel Hagenbeck,

192

Hotel Ritter, Durbach / Germany: Junior Suite

Hamburg / Germany: Suites

194

Hotel Ritter, Durbach / Germany: SPA Suite

132

Luxury Hotel, Bonn / Germany

196

River Lounge Hotel, Prague / Czech Republik

Golf Resort, Belek / Turkey: Townhouse

136

Maris Resort / Turkey

198

082

Grand Hotel, Vienna / Austria: Junior Suite

138

Mercure Hotel & Residenz,

The Charleston, Berlin / Germany

084

Grand Hotel, Vienna / Austria: Superior Room

030

Cityhotel, Cologne / Germany

086

Green Hotel, Prague / Czech Republic

032

Citytower, Würzburg / Germany

088

034

Congress Hotel, Berlin / Germany

090

036

‘Contemporary’ Guest Room Concept

038

Cruiser Cabin Concept

040

Crystal Tower, Berlin / Germany

042

Crystal Tower, Berlin / Germany: Presidential Suite

044

Dolce Hotel, Munich / Germany

046

Dolce Hotel, Munich / Germany: Presidential Suite

048

Dom Hotel, Cologne / Germany: Concept ‘Next Generation’ Dom Hotel, Cologne / Germany:

007

Preface

070

Hotel Gendarm nouveau, Berlin / Germany

010

‘Adaptable’ Guest Room Concept

072

Hotel Gendarm nouveau, Berlin / Germany:

012

Alpina Ferienlodge, St. Oswald / Austria

014

‘Art Déco’ Guest Room Concept

016

Beach Hotel, Ulcinj / Montenegro

018

Boardinghouse, Munich / Germany

076

Golden Arch Hotel, Zurich / Switzerland

020

Boutiquehotel ‘Le Clervaux’, Clerf / Luxembourg

078

Golf Resort, Belek / Turkey

022

Budgethotel Guest Room Concept

080

026

‘C-Cube’ Guest Room Concept

028

SPA Suite 074

126 128

Hotel Gendarm nouveau, Berlin / Germany: Gendarm Suites

130

Located in a beautiful Alpine village far

The original wooden walls and ceilings

Hotel Category: ★ ★ ★ ★

above the tree line, the cosy design of

were retained, along with many of the old

Hotel Type: Holiday Village

these gorgeous wooden cottages will

furnishings, while the accessories, fabrics,

The Brief: Conversion of existing lodges /

delight guests – the Alpina Ferienlodge in

lighting elements and new furnishings are

Designing a concept for an apartment

St. Oswald is everything an Alpine tourist

resolutely twenty-first-century designs.

could wish for.

The result is an unaffected design that

Robinson Club Fleesensee, Göhren-Lebbin /

The cottages are a testament to the beauty

blends the old and the new in an atmo-

Germany

of traditional Alpine designs, and their re-

sphere of timeless elegance. The white

200

Schlosshotel Taunus, Oberursel / Germany

furbishment presented a special challenge.

designer armchair, the old wooden table,

140

Mercure Hotel, Krefeld / Germany

202

Schlosshotel Taunus, Oberursel / Germany: Suite

Rather than masquerading as an original

and the grey “state-of-the-art” fabric uphol-

‘Green Room’ Guestroom Concept

142

Mercure Hotel, Stuttgart Bad Cannstatt / Germany

204

Seeresidenz, Binz on the Island of Rügen /

interior that is more than 100 years old, the

stery on the old corner sofa are all perfectly

Hilton Hotel Danube, Vienna / Austria

144

Mid-scale Guest Room Concepts

Germany

new room concept preserves the charm of

matched to this cosy old “Alpine hut”.

092

Hilton Hotel, Frankfurt-Airport / Germany

150

‘Modu X’ Guest Room Concept

206

Luxus Ski Resort, Bukovel / Ukraine

the existing architecture and marries it with

094

Hilton Hotel, Frankfurt-Airport / Germany:

152

Mövenpick Hotel, Munich-Airport / Germany:

210

Skyline Towers, Nuremberg / Germany

a sleek new look – a traditional design that

Rustic Alpine traditions married to a

Concept ‘Outside IN’

212

Stadtpalais Leipzig / Germany

has moved with the times.

modern design concept.

214

Steigenberger Grandhotel, Heringsdorf on the

Presidential Suite 154

Mövenpick Hotel, Regensdorf / Switzerland

Germany

158

NH Hotel, Frankfurt Niederrad / Germany

098

Hotel am Zwinger, Dresden / Germany

160

Nordsee Resorthotel Keitum on the Island of Sylt / Germany

100

Hotel an der Musikhalle, Hamburg / Germany

162

‘Organic Trace’ Guest Room Concept

102

Hotel di Arte e Cultura, Tuscany / Italy

164

Ostseeresort, Ahlbeck on the Island of Usedom / Germany

104

Hotel Klee, Berlin / Germany

166

Hotel Palaisgarten Baden-Baden / Germany:

Concept ‘Blau-Gold Haus’

106

Jagdschloss, Spreewald / Germany

052

Doubletree by Hilton, Oradea / Romania

108

LakeSite Hotel am Fleesensee / Germany

054

Dubai Pearl, Dubai / UAE: Suites

110

Landgasthof, Hanover / Germany

058

Extended stay Appartements, Frankfurt Main / Germany

112

Le Méridien Grand Hotel, Nuremberg / Germany

170

Palaishotel, Vienna / Austria

222

Thermenhotel, Bad Schallerbach / Austria

060

Fibonacci Hotel, Prague / Czech Republic

116

Le Méridien Parkhotel, Frankfurt Main / Germany

172

Park Hotel, Brussels / Belgium

224

TUI Hotel, Kaluga / Russia

062

Fibonacci Hotel, Prague / Czech Republic:

120

Les Jardins d’Alysea, Roeser / Luxembourg:

174

Park Hotel, Brussels / Belgium: Junior Suite

226

Wellnesshotel, Monschau / Germany

Comfort Suite

176

Park Inn Krakow / Poland

228

Westend Tower, Zurich / Switzerland

Les Jardins d’Alysea, Roeser / Luxembourg:

178

‘Purple Trace’ Guest Room Concept

La Résidence & Les Villas

180

Pyramids Palace, Cairo / Egypt

231

Interior Design Conception and Authors

Linden Suites, Berlin / Germany

182

Pyramids Palace, Cairo / Egypt: Royal Suite

232

Picture Credit and Imprint

096

Twin Bed Room 064

Fitnesshotel, Hamburg / Germany

066

Fleethotel, Hamburg / Germany: Suites

068

‘Future Visions’ Guest Room Concept

Floor area incl. bathrooms: 55.58 m2

Frankfurt Main / Germany

Holiday village, Mecklenburg Lake District /

050

Apartment Concept

122 124

4

Island of Usedom / Germany 216

‘Baltic’

Hotel Palaisgarten Baden-Baden / Germany:

Steigenberger Hotel Treudelberg, Hamburg / Germany

‘Modern Sophisticated’ Concept 168

Steigenberger Grandhotel, Heringsdorf on the Island of Usedom / Germany: Residences Concept

218 220

Steigenberger Hotel Treudelberg, Hamburg / Germany: SPA Suite

‘Relaxed Classic’ Concept

5

12

13

‘Adaptable’

Boutiquehotel ‘Le Clervaux’

Guest Room Concept what could be more sensible than to do

Hotel Category: ★ ★ ★ ★ ★

enclosure into the room creates tension,

away with the rigidity of a fixed location for

Hotel Category: ★ ★ ★ ★ superior

Hotel Type: City hotel

both horizontally and vertically. This fluid

the desk? This concept proposes a flexible

Hotel Type: Boutique + Design Hotel

sculptural feature is balanced and ac-

table/desk that can be moved anywhere in

The Brief: Complete refurbishment /

commodated by the long swinging arc of a

the room, even next to the bed or in front of

Designing a concept for a suite

sideboard along the opposite wall.

the armchair. Once work is done, the amor-

Floor area incl. bathrooms: 42.44 m2

Integrated into the sideboard is a mobile

The Brief: New construction / Designing a concept for a guest room Floor area incl. bathrooms: 30.30 m2

10

Clerf, Luxembourg

The diagonal slant of the bathroom

Room Concept

Located between Clervaux’s two central

contemporary furnishings and transpar-

squares in the shadow of the mighty castle,

ency provided by semi-satin glazing and

this hotel is housed in what was once one

a unique shared fireplace that joins the

of the town’s foremost villas. Following

bedroom and living room (the latter can

a longer closure this grand old lady of

be easily closed off should guests wish

Clervaux is set to throw open her doors

to be alone).

phously shaped desk can be fitted back into

again – an awoken Sleeping Beauty that

Spacious baths, separate toilets, walk-

desk. In recent years the way hotel desks

its niche in the sideboard. This pioneering

will delight and enchant guests with its

in wardrobes, fireplaces and traditional

are used has changed radically. Today,

design idea was a response to numerous

new design!

rooms furnished in a sophisticated urban

digital nomads travel everywhere with a

wishes by guests.

The project will entail the creation of ap-

style provide a luxurious setting for a

portable computer and want to be reach-

proximately 35 suites in the old building,

wellness retreat or a business meeting

able at all times. Wi-Fi is a necessity,

which will be connected to the existing

in ‘Le Clervaux’!

prompting a common-sense approach to

hotel by a bridge. This design seeks to

Suite Concept

the use of space. Given that a flatscreen

An interactive room and a desk on

preserve the character of this histori-

Experience history in a contemporary

television can be connected to a laptop,

the move.

cal private villa while combining it with

lifestyle environment.

11

20

21


The Charleston

Citytower

Berlin / Germany

Würzburg / Germany Transparency and an airy style balance the

bed is tucked into the niche created by the

Hotel Category: ★ ★ ★ ★ ★

strong lines of the building’s glass façade

bathtub. Guests spend much of their time

Hotel Type: City hotel

in this design: a conversion project that is

in bed, so the traditionally blank surface

The Brief: Conversion of an

set to transform the Citytower into a hotel.

of the ceiling was replaced with a visual

existing building / Create a

The design language balances the interior

lullaby: a work of art that will inspire and

design concept for a room

and exterior, subtly translating elements

calm the mind. This is a room for individu-

of the existing architecture in the process:

alists with a panoramic view of the city:

materials are suggestive of the swinging

the flowing line of the bathroom’s exterior

bright, open, inspiring.

flavour. They want to experience something

movements of dancers, evoking images of

wall reflects the curvature of the tower’s

real, something that they can tell their

pearl necklaces, and feather boas. Long

exterior – the reflective glass surfaces and

friends and colleagues about.

live the Charleston!

bright materials capture its transparency.

Room Concept

The building’s exterior features a contem-

Hotel Category: ★ ★ ★ ★ ★ superior

in the Roaring Twenties, when all of Berlin

porary design and clear lines. But can the

seemed to kick up its heels to the sound

Hotel Type: Conference hotel

modern vocabulary of this new concept

of the Charleston as celebrities flocked to

The Brief: New building / Create a

match the classic splendour of Berlin’s

the city’s Grand Hotels, many of which

design concept for a room

most iconic hotels? It’s a challenge that

still exist!

Floor area incl. bathrooms: 29.69 m2

calls for an innovative approach: today’s

The interior design translates the charm of

guests want something more, they want

that era into a modern look: the lines and

an emotional experience with an authentic

Room Concept

Floor area incl. bathrooms: 31.11 m2

The solution: a cutting edge design with a

In a new spatial experience, the bathtub is

story that appeals to the emotions! Berlin

encased in a cubic form that extends into

is once again the capital of Germany. The

A dynamic and elegant design with plenty

the living area, opening up the room and

A perfect balance – an interior design that

golden age of this grand metropolis was

of history: The Roaring Twenties are back.

flooding the bathroom with daylight. The

matches the façade.

28

29

32

33

Cityhotel

Dubai Pearl

Cologne / Germany

Dubai / UAE

Black and white meets reed green: the

need for a nightcap or an early morning

A special building for a special location:

a variety of functions. The first pearl in the

Hotel Category: ★ ★ ★ ★

austere colour scheme creates an elegant

coffee. The wardrobe sports an intelligent

Hotel Category: ★ ★ ★ ★ ★ superior

this design is intended for one of seven

floor marks off the reception area, while

Hotel Type: Business hotel

and fresh look. This is a place where

open design – with an average stay of just

Hotel Type: City hotel

high-rise buildings planned as part of a

a second – decorated with an exquisite

business guests can unwind, recharge

1.3 days, guests are likely to leave some-

The Brief: New building / Create a design

new development in the heart of this excit-

inlay – shields the private chambers and

their batteries, and prepare for their next

thing behind in a closed wardrobe. Last but

ing metropolis. Enjoying first-class views

guides guests through to the bathroom and

meeting. The refreshing effect of the green

not least, the bathroom: spacious show-

of the Palm Jumeirah project, the buildings

sleeping areas. The circular platform with

accents will sooth raw nerves at the end

ers are the next big thing. In order to give

are laid out in an elegant circle reminiscent

its crescent-shaped sofa arrangement will

of a busy day. Natural imagery infuses the

guests the best of both worlds, this bath

of a pearl. Each of the buildings will fulfil a

seal the deal: this fully automated platform

room with a sense of lightness.

features a spacious shower zone.

different function; this tower will house a

can be rotated through 360° to take in the

All-round comfort: an oval ottoman serves

luxury hotel.

suite’s magnificent sea views!

as a side table, footrest and tray in one.

This design for a premium suite located on

This homely accessory contrasts neatly

the top floor of the hotel dazzles with its

Room Concept

The Brief: New building / Create a design concept for a room Floor area incl. bathrooms: 28.83 m2

Suite Concept – Type E

concept for a suite Floor area incl. bathrooms: 68.89 m2

with the reserved style of the design. A cor-

30

accomplished application of the organic

ner unit houses a collection of glasses and

Pin stripes: a city hotel in business attire

motif throughout the interior. The soft

The power of the pearl: a suite with push-

a coffee percolator – all that guests will

with a splash of green.

curving forms shape the interior and fulfil

button mobility.

31

54

55


JAPANESE Interior Design

JAPANESE Interior Design Michelle Galindo

Japanese Interior Design Michelle Galindo 208 pages | 300 illustrations ISBN 978-3-03768-119-0 ÂŁ 19.95 November 2014


• Softcover edition • History, geography, traditions and culture have led to some particular interior design characteristics • Projects of a wide range of typologies

numerous design and architectural books as well as city guides for different international publishers.

Michelle Galindo, née en 1982, a etudié l’architecture à Los Angeles et vit actuellement à Berlin. Depuis 2004, elle rédige et ecrit de nombreux livres d’architecture ainsi que des guides touristiques pour de différentes maisons d’éditions internationales.

At first glance, Japanese interior design seems ruled by

À première vue, l’architecture intérieure japonaise

contradictions. Simple color schemes articulate complex

semble se fonder sur des contradictions. Des couleurs

and playful concepts, hyper-modern spaces are created

simples cachent des concepts compliqués et ludiques,

using only traditional materials, and the relationship

des espaces hyper modernes sont construits avec des

between nature and human architecture is sometimes

matériaux traditionnels et le rapport entre la nature et

tense, sometimes harmonious. Some aspects do remain

l’architecture est parfois tendu, parfois harmonieux. Cer-

constant: stylish minimalism rules, the color palette

tains aspects restent constants. Le minimalisme chic

tends to be warm and light, and the designers always

domine, les couleurs sont surtout claires et chaudes, et

seem to invent extraordinary solutions to ordinary

les créateurs trouvent toujours des solutions extraordi-

challenges. This volume presents 47 of Japan’s most

naires à des problèmes ordinaires. Cet ouvrage présente

exciting contemporary interior design projects, with a

47 projets d’architecture intérieure japonaise contempo-

range of areas that includes hotels, offices, shops, bars,

raine, comprenant des hôtels, des bureaux, des bars, des

restaurants, and private homes. From world-renowned

restaurants et des domiciles privés. Des concepteurs de

designers like Jo Nagasaka and nendo to up-and-coming

renommée internationale comme Jo Nagasaka et nendo

young talents, the Land of the Rising Sun proves to be a

ainsi que de nouveaux talents montrent que le pays du

land of endless inspiration and creativity.

Soleil-Levant est aussi le pays de la créativité sans fin.

www.braun-publishing.ch ISBN 978-3-03768-076-6

JAPANESE Interior Design

JAPANESE Michelle Galindo, born 1982, currently living in Berlin, has studied architecture in Los Angeles. Since 2004 she has edited and written

Interior Design Michelle Galindo


numerous design and architectural books as well as city guides for different international publishers.

Michelle Galindo, née en 1982, a etudié l’architecture à Los Angeles et vit actuellement à Berlin. Depuis 2004, elle rédige et ecrit de nombreux livres d’architecture ainsi que des guides touristiques pour de différentes maisons d’éditions internationales.

At first glance, Japanese interior design seems ruled by

À première vue, l’architecture intérieure japonaise

contradictions. Simple color schemes articulate complex

semble se fonder sur des contradictions. Des couleurs

and playful concepts, hyper-modern spaces are created

simples cachent des concepts compliqués et ludiques,

using only traditional materials, and the relationship

des espaces hyper modernes sont construits avec des

between nature and human architecture is sometimes

matériaux traditionnels et le rapport entre la nature et

tense, sometimes harmonious. Some aspects do remain

l’architecture est parfois tendu, parfois harmonieux. Cer-

constant: stylish minimalism rules, the color palette

tains aspects restent constants. Le minimalisme chic

tends to be warm and light, and the designers always

domine, les couleurs sont surtout claires et chaudes, et

seem to invent extraordinary solutions to ordinary

les créateurs trouvent toujours des solutions extraordi-

challenges. This volume presents 47 of Japan’s most

naires à des problèmes ordinaires. Cet ouvrage présente

exciting contemporary interior design projects, with a

47 projets d’architecture intérieure japonaise contempo-

range of areas that includes hotels, offices, shops, bars,

raine, comprenant des hôtels, des bureaux, des bars, des

restaurants, and private homes. From world-renowned

restaurants et des domiciles privés. Des concepteurs de

designers like Jo Nagasaka and nendo to up-and-coming

renommée internationale comme Jo Nagasaka et nendo

young talents, the Land of the Rising Sun proves to be a

ainsi que de nouveaux talents montrent que le pays du

land of endless inspiration and creativity.

Soleil-Levant est aussi le pays de la créativité sans fin.

www.braun-publishing.ch ISBN 978-3-03768-076-6

JAPANESE Interior Design

JAPANESE Michelle Galindo, born 1982, currently living in Berlin, has studied architecture in Los Angeles. Since 2004 she has edited and written

Interior Design Michelle Galindo


numerous design and architectural books as well as city guides for different international publishers.

Michelle Galindo, née en 1982, a etudié l’architecture à Los Angeles et vit actuellement à Berlin. Depuis 2004, elle rédige et ecrit de nombreux livres d’architecture ainsi que des guides touristiques pour de différentes maisons d’éditions internationales.

At first glance, Japanese interior design seems ruled by

À première vue, l’architecture intérieure japonaise

contradictions. Simple color schemes articulate complex

semble se fonder sur des contradictions. Des couleurs

and playful concepts, hyper-modern spaces are created

simples cachent des concepts compliqués et ludiques,

using only traditional materials, and the relationship

des espaces hyper modernes sont construits avec des

between nature and human architecture is sometimes

matériaux traditionnels et le rapport entre la nature et

tense, sometimes harmonious. Some aspects do remain

l’architecture est parfois tendu, parfois harmonieux. Cer-

constant: stylish minimalism rules, the color palette

tains aspects restent constants. Le minimalisme chic

tends to be warm and light, and the designers always

domine, les couleurs sont surtout claires et chaudes, et

seem to invent extraordinary solutions to ordinary

les créateurs trouvent toujours des solutions extraordi-

challenges. This volume presents 47 of Japan’s most

naires à des problèmes ordinaires. Cet ouvrage présente

exciting contemporary interior design projects, with a

47 projets d’architecture intérieure japonaise contempo-

range of areas that includes hotels, offices, shops, bars,

raine, comprenant des hôtels, des bureaux, des bars, des

restaurants, and private homes. From world-renowned

restaurants et des domiciles privés. Des concepteurs de

designers like Jo Nagasaka and nendo to up-and-coming

renommée internationale comme Jo Nagasaka et nendo

young talents, the Land of the Rising Sun proves to be a

ainsi que de nouveaux talents montrent que le pays du

land of endless inspiration and creativity.

Soleil-Levant est aussi le pays de la créativité sans fin.

www.braun-publishing.ch ISBN 978-3-03768-076-6

JAPANESE Interior Design

JAPANESE Michelle Galindo, born 1982, currently living in Berlin, has studied architecture in Los Angeles. Since 2004 she has edited and written

Interior Design Michelle Galindo


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