....in fragile bark, o'er a tempestuous sea, the common harbor...

Page 1

...in fragile bark, o'er a tempestuous sea, the common … harbor

Lee Hartman Copyright ​© 2016 Ragnarok Press



...in fragile bark, o'er a tempestuous sea, the common harbor for vibraphone and concert band duration approx 8 minutes

Commissioned by M. David Wallace and the Charlotte Pride Band Premiere November 12, 2016 Meredith Butterworth, soloist; M. David Wallace, conductor; Charlotte Pride Band

Instrumentation Piccolo Flute 1 and 2 Oboe 1 and 2 Bassoon 1 and 2 Contrabassoon (optional) Clarinet in B-flat 1, 2, and 3 Bass Clarinet in B-flat Contra-alto Clarinet in E-flat (optional) Contrabass Clarinet in B-flat (optional) Alto Saxophone in E-flat 1 and 2 Tenor Saxophone in B-flat Baritone Saxophone in E-flat Solo Vibraphone Trumpet 1, 2, and 3 Horn in F 1, 2, 3, and 4 Trombone 1, 2, and 3 Euphonium Tuba Percussion (Four player minimum) Timpani (2 drum minimum, 4 pitches) Percussion 1 - Suspended Cymbal, Bass Drum Percussion 2 - Sizzle Cymbal, Rainstick, Hi-Hat Cymbals, Snare Drum, Sleigh Bells Percussion 3 - Tam-tam, Vibraslap, Anvil, Low Tom-tom (with inverted suspended cymbal)

in fragile bark, o’er a tempestuous sea, the common harbor is an instrumental requiem for vibraphone and concert band dedicated to those 49 lives lost during the the shooting at Pulse Nightclub in Orlando, Florida on June 12, 2016. I, along with countless others, wept for those beautiful LGBTQ+ and allied lives cut so senselessly short. Throughout the work there are frequent references to 7 repeated 7 times (thus equalling 49) the most noticeable of which is the climactic section of 7x7 hits which progress from a complex dissonance to a single pitch. The vibraphone serves as commentator, guide, and shepherd for the souls of those senselessly gone and those still living. The title—a quote from Longfellow’s “Old Age”—came after the piece was complete; it matched the structure of the piece perfectly, but more importantly, the tragic irony that those 49 would never reach an old age.


Stanley Almodovar III, 23 years old Amanda Alvear, 25 years old Oscar A Aracena-Montero, 26 years old Rodolfo Ayala-Ayala, 33 years old Antonio Davon Brown, 29 years old Darryl Roman Burt II, 29 years old Angel L. Candelario-Padro, 28 years old Juan Chevez-Martinez, 25 years old Luis Daniel Conde, 39 years old Cory James Connell, 21 years old Tevin Eugene Crosby, 25 years old Deonka Deidra Drayton, 32 years old Simon Adrian Carrillo Fernandez, 31 years old Leroy Valentin Fernandez, 25 years old Mercedez Marisol Flores, 26 years old Peter O. Gonzalez-Cruz, 22 years old Juan Ramon Guerrero, 22 years old Paul Terrell Henry, 41 years old Frank Hernandez, 27 years old Miguel Angel Honorato, 30 years old Javier Jorge-Reyes, 40 years old Jason Benjamin Josaphat, 19 years old Eddie Jamoldroy Justice, 30 years old Anthony Luis Laureanodisla, 25 years old Christopher Andrew Leinonen, 32 years old Alejandro Barrios Martinez, 21 years old Brenda Lee Marquez McCool, 49 years old Gilberto Ramon Silva Menendez, 25 years old Kimberly Morris, 37 years old Akyra Monet Murray, 18 years old Luis Omar Ocasio-Capo, 20 years old Geraldo A. Ortiz-Jimenez, 25 years old Eric Ivan Ortiz-Rivera, 36 years old Joel Rayon Paniagua, 32 years old Jean Carlos Mendez Perez, 35 years old Enrique L. Rios, Jr., 25 years old Jean C. Nives Rodriguez, 27 years old Xavier Emmanuel Serrano Rosado, 35 years old Christopher Joseph Sanfeliz, 24 years old Yilmary Rodriguez Solivan, 24 years old Edward Sotomayor Jr., 34 years old Shane Evan Tomlinson, 33 years old Martin Benitez Torres, 33 years old Jonathan Antonio Camuy Vega, 24 years old Juan P. Rivera Velazquez, 37 years old Luis S. Vielma, 22 years old Franky Jimmy Dejesus Velazquez, 50 years old Luis Daniel Wilson-Leon, 37 years old Jerald Arthur Wright, 31 years old


Commissioned by M. David Wallace and the Charlotte Pride Band

Transposed Score

...in fragile bark, o'er a tempestuous sea, the common harbor...   Piccolo  

Largo, q = 52

Flute 1

 

Flute 2

 

Oboe 1

 

Oboe 2

 

Bassoon 1

 

Bassoon 2

 

Contrabassoon (optional)

  

  

Clarinet in Bb 1

               

 

   

 

   

Bass Clarinet in Bb

 

Contra Alto Clarinet in Eb (optional)

 

Contrabass Clarinet in Bb (optional)

  

 

Alto Saxophone 1

  

 

Alto Saxophone 2

 

Tenor Saxophone

 

Baritone Saxophone

  

Motor off.

   Solo Vibraphone   

p

Trumpet in Bb 1

  

Trumpet in Bb 2

Largo, q = 52

     

 

 

Trumpet in Bb 3

 

Horn in F 1

 

Horn in F 2

 

Horn in F 3

 

Horn in F 4

 

Trombone 1

 

Trombone 2

 

Trombone 3

 

Euphonium

 

Tuba

  

 

Timpani

   

Suspended Cymbal

  

Sizzle Cymbal

 

Tam-tam

  

     

 

 

 

 

 

 



           

 

 

 

 

 

           

             

  

 

 

 

 

     

   

 

        

 

 

 

 

 

               

 

   



 



 

 

 

 

 



  

  



 

 





 

   



 

   

 



 



  sub. pp

 

 

mf

 

 

 





 

    

   

 

 

 

 

 

 

 



 

 

 

Composite harmony from pedal. Do not reattack.

 

   



ppp

 

 

 

Stemless noteheads are unmetered, free from the conductor, and uncoordinated with the section. Notated rhythms are merely suggestions. 7 connected attacks. Sustain all notes.

     

 

Stemless noteheads are unmetered, free from the conductor, and uncoordinated with the section. Notated rhythms are merely suggestions. 7 connected attacks. Sustain all notes.

ppp

Clarinet in Bb 3

 

Stemless noteheads are unmetered, free from the conductor, and uncoordinated with the section. Notated rhythms are merely suggestions. 7 connected attacks. Sustain all notes.

ppp

Clarinet in Bb 2

 

Lee Hartman b. 1979 Kansas City, MO 2016



 



 

 

             

 



      

 

 

 



 

 



 

 



 

 

 

 

 

 

Copyright © 2016 Ragnarok Press

                   

                   

             


14

2

Picc.

  

molto accel.













 









 

 

 

 

 

 

 

 







  

solo

 

  













 

 





Fl. 1

  

Fl. 2

 

Ob. 1

 

Ob. 2

 



















Bsn. 1

 



















Bsn. 2

 



















Cbsn.

  



















  Cl. 1  

 

  

   

 

 

 

  

Cl. 2

 

 

 

 

 

 

 

 

Cl. 3

 

 

 

 

 

 

 

B. Cl.

 













C. A. Cl.

 











Cb. Cl.

  











  A. Sax. 1  







A. Sax. 2

 

 

 

 

T. Sax.

 

 

 

Bari. Sax.

  





p

 solo

14   



p

mp cresc.

molto accel.

 

solo

         Vib.     

Tpt. 1



 

p



solo





p

 

p

 

 

p



  



p

  

 

 

 

 

 

 



























 

 

 

 

 

 

 

 

 











p

 



 

 

 

 

 







                                                                                               







   solo

Tpt. 2

 

 

 

 

 

Tpt. 3

 







Hn. 1

 







Hn. 2

 

 

 

 

Hn. 3

 





Hn. 4

 





p

 





 

 

p



 

 

 

 













 



   



 

 

 









solo

p

 

 



p

 

 

 





















 



 

 



Tbn. 2

   

   

  

  

  

  

  

   

  

 

Tbn. 3

 

  

 

  

 

 

 

  

 



  

  

 

  

 

  

 

  

 



  

  

  

   

 

  

  

 

  

 

Euph.

p cresc.

p cresc.

p cresc.

Tba.

p cresc.

  Timp.  





Sus. Cym.

  



Siz. Cym.

 

  

   

soft beater (l.v. all)

T.-t.

p

soft mallet (l.v. all)

 

pp





mallet (l.v. all)  soft 



 

 

  

 

 

pp





 

p cresc.



 

  

Tbn. 1





 















 

 

  

 

  

 

 

  

 



 

 

 

 

 


3

Picc.

  









28 Allegro maestoso,   

Fl. 1

 











Fl. 2

 











Ob. 1

 









Ob. 2

 









Bsn. 1

 







Bsn. 2

 

 

 

 

Cbsn.

  





Cl. 1

  

 

 

Cl. 2

 



Cl. 3

 

 

B. Cl.

 

C. A. Cl.

 

Cb. Cl.

23

q = 120





































 

 

 







 

 

 







 

 

 













  

 

 

A. Sax. 1

  





A. Sax. 2

 

 

T. Sax.

 



Bari. Sax.

  

 











































 

 

 

 

 













 

 

 

 

 

 















 

 

 

 

 

 

 

































 

 

 

 

 

 

 

 

 



















 

 

 

 

 

 

 

 

 

 





















 

 

 

 

 

 

 

 

 

 













 

 

 

 

 

               Vib.                ff

Tpt. 1

    

molto rit.

                                 

 

   





     

 

 

ff

 

 

 

 

28 Allegro maestoso,     

q = 120

molto rit.

Tpt. 2

 























Tpt. 3

 

 

 

 

 

 

 

 

 

 

 

 

Hn. 1

    

 

 

 

 

 

 

 

 

 

 

 

Hn. 2

 























Hn. 3

 

 

 

 

 

 

 

 

 

 

 

 

Hn. 4

 























Tbn. 1

 



 

  

 

p cresc.

ff

 

   

 

Tbn. 3

    

 

   

  

Euph.

   

 

   

 

 

 





Tba.

Timp.

Sus. Cym.

Siz. Cym.

T.-t.

p cresc.

ff

ff

 

ff

   

  

 



 

 mf To Rs.



mf To Vslap.



mf

 

p cresc.

 

  

p cresc.

     f

      

p cresc.

ff

 



   

 

  

   







 

 

p





   



   

 

 

 

    

  

    

 

  



 

  

   

  

   

  

   

 

  

  

  

   

 

  

 

  



       

 

     



     



  



   

Tbn. 2

     

 

ff

ff

ff

ff

ff

(no roll)



 





 

 

 

 

 

 

dim.

dim.

dim.

dim.



dim.



 























 

 

 

 

 

 

 

 

 

 

 

 

 

 

f


4

Picc.

34 Largo, q = 52    



molto rit.

Fl. 1

 



Fl. 2

 

 

Ob. 1

 



Ob. 2

 



Bsn. 1

 



Bsn. 2

 



Cbsn.

  



Cl. 1

  

 

Cl. 2

 

 

Cl. 3

 

 

B. Cl.

 



C. A. Cl.

 



Cb. Cl.

  



A. Sax. 1

  



A. Sax. 2

 

 

T. Sax.

 

 

Bari. Sax.

  



 Vib.   



  





mp dolce

34 Largo, q = 52    Tpt. 1  

3



 

3

 

 





  p





pp

ppp



   mp

molto rit.

   

Tpt. 2

 

 

Tpt. 3

 



Hn. 1

 



Hn. 2

 

 

Hn. 3

 



Hn. 4

 



Tbn. 1

 

p

Tbn. 2

  

Tbn. 3

 

   

  

ppp

p

ppp

  

  

  

  

   

p

Euph.

ppp

p

Tba.

ppp

p

ppp

  Timp.  



Sus. Cym.

  



Siz. Cym.

 

   

  

 

T.-t.

Rainstick

 

 

 

 

pp


5

Picc.

42 Allegro furioso, q = 120          

Fl. 1

Fl. 2

pp tutti

    



pp

Ob. 2

Bsn. 1

 

  



  

ff









    

 

 

 

 

fp

   









ff

  

    



 

     ff      



    ffp    



 





 

     ff 

Cbsn.

Cl. 1

ff

 

Bsn. 2

fp

   

pp

Ob. 1

ff

   

  



 

ff tutti

ffp

     

 

ffp

ff



 

     ff 

tutti

 pp

ff

ffp

 



ff



 









 

fp

ff

  

    









    ffp    

     ff      



 

 

 



 

 

 









 

 

 

















ffp

   fp

ff

     

 

ffp

ff

ffp

 

 

ff

Cl. 2

Cl. 3

 

 

 

 

 

 

 

 

B. Cl.

















C. A. Cl.

 

 

 

 

 

 

 

 

Cb. Cl.



















A. Sax. 1

 

















A. Sax. 2

















T. Sax.

















Bari. Sax.



 

 

 

 

 

 

 

 

    Vib.       





42 Allegro furioso,    Tpt. 1 

    

q = 120





                 ff

     





    

p





                                       ff

p



























 

 

 

 

 

 





 

 









Tpt. 2





Tpt. 3

 

 

 tutti                1/2 step ff                  1/2 step ff                1/2 step ff                1/2 step

                             1/2 step pp ff                                1/2 step pp ff                             1/2 step pp ff                             1/2 step

Hn. 1



Hn. 2

 

Hn. 3



Hn. 4



Tbn. 1

















Tbn. 2

 

 

 

 

 

 

 

 

Tbn. 3

















Euph.

 

 

 

 

 

 

 

 

















 



















   









 

 

Tba.

Timp.

Sus. Cym.

Rs.

T.-t.

  

ff

choke    

  pp

      To H-h. Cym. 

f

   

Vibraslap f

pp

choke    To B. D.

Hi-hat Cymbals         

      

 

 

mp

ff

pp

f

f

   

To T.-t.

        

mp

  

                                                   

pp


6

                             ff                                ff                              

51  

 

 

Fl. 2

 

  

Ob. 1

 

 

Ob. 2

 

  

     

Bsn. 1

 



Bsn. 2

 



Cbsn.

 



50

Picc.

  

Fl. 1

ff

 

             

   ff

 

 

Cl. 3

 

 

B. Cl.

 

C. A. Cl.

 

Cb. Cl.

  

     ff    ff   



ff

  

 

 

T. Sax.

 



Bari. Sax.

  



                                   ff                        ff                      



  



  





 

ff



  



51   

 

  

     

Tpt. 3

 

 

 

Hn. 1

 

 

Hn. 2

 

 

Hn. 3

 

 

Hn. 4

 

Tbn. 1

 

 

Tbn. 2

 

 

Tbn. 3

 

Euph.

 

      ff     

  





Tpt. 2

Tba.

  Timp.   Sus. Cym.

H-h. Cym.

Vslap.

  

                    

  

   

tutti

ff

ff



     

ff

ff



 

    

ff

      ff

  

ff

ff

  

  

 

  

 

  

    

ff

    ff  S. D.  To 

Bass Drum heavy beater

   

ff Tam-tam

    

 



             

   

 



             

       

       

                   

  



 



 

  

 

                   

  

 

  

         



 

f

 







    

       



  

mp

  

       

   

  

  

   

 

  



  

   

   

 





                        



  

    



       

               

                 

    

              

  

 

  

               

                   

                       

 





     



   

   



  



   



 

 

  

  

                  

      

     

 

   



 

  



                        

 

  

           

  



  

     

    

    ff

  



  

                  

         

Snare   Drum                                   

 

                 

      

 on rim w/ both mallets. alternately on woodblock w/butt end              



   

  

ff

  

                   

                                  



 

                                                

glissandi are optional but preferred

  

                        

      

        

              

 

   

                             

  



       



 



  

                    

       

   

                     

 



   

  

 

 

  

  

  

  

                       

    

 

                    

  

  



               glissandi are optional but preferred           glissandi are optional but preferred ff         

ff

ff

  



                     

                  

  

        

  



                       

ff

    ff    

     

                              

fff

Tpt. 1

  



     (play)                            ff              (play)               

ff

  A. Sax. 1  

  



ff



ff

Cl. 2

Vib.

           

  

A. Sax. 2



ff

 

ff

  

  

  

 



     

  Cl. 1  

 

                                                                                              

      

 

         

  

          



 







  

  

mp

 

                                      

 

 

  


                     Picc.                       Fl. 1                        Fl. 2   58

 

  

 

  

 

   

 

 

 

   







       

      

 









       

      

 

 

 

 

 

   

                             Cl. 1     

 

  

Ob. 2

  

Bsn. 1

Bsn. 2

       

Cbsn.

Cl. 2

Cl. 3

B. Cl.

C. A. Cl.

 

    







 

                            A. Sax. 1                       A. Sax. 2   Cb. Cl.

T. Sax.

  

  

 

   

  

       

Bari. Sax.

   

Vib.

 

Tpt. 1

   











Tpt. 2

  









        

Tpt. 3

  

   







       

  

  

Hn. 1

  

Hn. 2

  

Hn. 3

  

Hn. 4

  

Tbn. 1

Tbn. 2

 



 

    

     

           

  

  

     

   

 

 

     

 

     

   

   







  

    

       

                                               







Euph.

  

 

 

 

          

 

Tba.

    

       

Timp.

   

           

B. D.

  



                                  

      

 

   







    

   

 

 



 

      

 

      

  

 

   

       

     

   

           

   



    

      





 



  





 

      

  



                      

  



    

 

 

   

   



    

  

mp

   

  

 



 

                      



  

  

    



                 

   

 



 

 



  

 



 

   

  

  

 

  

 

  

      

      













 

 

 

 

 

 

    

  

 

    

 

 





              





  

                            



         



 

  

      

  

   

   

    



      



   

 

 

 

   

   

      

 

                

           

      



                               

          



      

  

                                                  

      

  

    



                                            

   

    

                                   



 

  

                          

 

      



  

    

         

  

T.-t.

  

        

Tbn. 3

S. D.

          

 

 

 

  



 

                          

        

                                         

  

 

 

  

  

   

   

  

         

   

 

                                                   



 



Ob. 1

       

  

mp

7


8 64

Picc.

  

Fl. 1

 

    

Fl. 2

 

Ob. 1

 

Bsn. 2

 

 

Cl. 1

 

Bari. Sax.

 

Vib.







       fff wild       

  

cresc. 

 

cresc.



 

   cresc.    cresc.

  



      

   fff



     

  

   

    fff



       

  

  



   







  

    

                                 cresc.

Tba.



    

 

    

 

 

                                 cresc.  

fff brassy



                         

B. D.

S. D.

 

 

  





         

  

               cresc.               

cresc.

cresc.

   

  

 



  

  

 

  





  





  



 

  





  



 

 



 

  





 

 

 

 

  

 



 

 

 

 









  

 

   

   



 

 



 

 

 

 

  



 



  



     cresc.



 

 



   



   



 



  

  



 

     

 

                                        



cresc.

fff



 

cresc.

                               cresc.         

   

  

  

   





 

 

 

   

 

     

  

  

   

  

 

 

   

      

                                           p

   



     

  

fff

fp

T.-t.

  

                                  

     

 

                                cresc.

fff

Timp.

 





cresc.

                               cresc.

 

 





Hn. 1

Euph.



 

 

                                                               cresc.                                                                     cresc.

      

Tbn. 3



 

                                                                     cresc.

 

 

   

   

cresc.

Tpt. 3

 



   cresc.



Tbn. 2



       cresc.

 

Tbn. 1

 

                                                        cresc.                                                                               cresc.          

Tpt. 2

 



    

cresc.

65                              

  Tpt. 1     

Hn. 4

 

 

                                                                cresc.          

       

    



cresc.

Hn. 3

 

                                               

    

 



  

  

  

fff wild

Hn. 2



cresc.

     

T. Sax.

 

 

                                                   cresc.                        cresc. fff wild

        Cl. 3        B. Cl.      C. A. Cl.       Cb. Cl.   

 



  

fff wild

   

A. Sax. 2

 

                                                  

Cl. 2

A. Sax. 1



fff wild



Bsn. 1



 (opt. flutter tongue until 71)     



 

Ob. 2

Cbsn.

65    (opt. flutter tongue until 71)    fff wild   (opt. flutter tongue until 71)  

  

To Anv.

    ff

cresc.

 

 

 

 

 


71

9

Largo, q = 52

Picc.

    

   

ffff

Fl. 1

Fl. 2

ffff

   

ffff

   

Ob. 1



ffff

Bsn. 1

Bsn. 2

pp

 

 

pp

 







 

    



     

         

pp

pp



 

 



Cl. 3

     

ffff

ffff

pp

   



ffff

 





  



pp

         

C. A. Cl.

         

ffff

ffff

    



ffff

    A. Sax. 1 

pp

  





 





           

pp

ffff

pp

 



ff

pp

ff

pp

 



     





ff

pp

    







 



 

          





 





    

ff

   



pp

ff

ff

   



 

  





pp

  



Vib.





   

Largo, q = 52

71     Tpt. 1  

 

     

Tpt. 3

     

ffff

 





ffff

pp

ffff

pp

ffff

 





Tbn. 1

ffff







ffff

Euph.

   

ffff on the head

  

pp



       

          



      

    

 

 







ff

ff

pp

ff

pp

       

     

ff

pp

ff

pp



     





          



      













ff

 

ff

pp

   



ff

   



 

  

pp

ff



pp

  





         

           



ff

pp

    ff

pp





pp

pp





         

             

 

pp

  

       

     

 

 

 



 

          

pp

pp

pp

ff

pp



 



          

           pp ff          

ppp

 

   

  

 

          

 



    

      



      



 

       ff       

ff

 

pp

      ff

pp

ff

pp

ff

pp

ff

ff

ff

pp

     



 

       



     

 

 

ff



ff

ff

   

 

ff

       ff

   

ppp

        ff

   





   





   

           

 

           

 

           

 

       

pp

ff

ff

pp

ff

ff



       



              pp

     

pp

ff



ff

pp

ff

pp

pp

 

ff

     

   





pp

   





         

ff

       





 

           

 



 

pp

   

pp

ff

ff

pp

ff

ff



pp

ff



         

   

 

pp

           

ff

pp





ff

              sub. ff



ff

ff

ff

 

pp

ff



pp

ff

pp

ff

   

 



     

pp

ff



ff

p 3

     ff



         

 



pp

pp

           

           pp ff          

 

pp

ff



pp

ff



           

ff

 

ff

ff



ff

pp

ff

 



ff

   

 

ff





pp

ff

 

 

 

ff



           ff



    

pp

ff

 

ff

ff

ff

pp

   

ff

 





ff

ppp

 



ff

ffff



 

 

   

ff



    ffff Anvil

T.-t.



            rimshot

S. D.

 

pp

ffff



pp

ffff

pp

ff

           

 

ffff pp (play 8va if unable to control pitch at all dynamics)

 

     

pp

 



     ff

         



           

ff

     

 

pp

          

Tbn. 3

  



pp

ffff

B. D.

pp

         

Tbn. 2

Timp.

          ffff pp         

Hn. 4

pp

ffff



 

pp

3

 

 

pp

pp



 

         

Hn. 3

Tba.

         

Hn. 2



     

pp

pp

     

           

ff

ppp (barely audible)



pp

     

Hn. 1





         

pp

3

ffff pp Tpt. 2

 

     



pp pp ff If using a motor, start at slowest possible speed gradually increasing speed during the rests until max at 99.



   

pp

    

ff

 

 

         

ff

 

ff



pp







ff



   



ff





   

 

ff

  

 

 

   



ff



   



 



 

ff

 

 

          

ff

ffff

 

 





pp

ff

   



           

     



  

pp



         

   



pp

         

T. Sax.

pp

ff



 



ffff

ff





A. Sax. 2

   

   

ff

ff

pp



   

ff

 



ffff pp

 

 

 

 

pp

ffff



ffff

Cl. 2

Bari. Sax.

  

   



         

    

B. Cl.

pp

ffff

Cb. Cl.

     

Ob. 2

Cl. 1

 



 

ffff

Cbsn.



pp

ff

ff




10 84





 

    



     



         

     

 

      

  

 

Cl. 2

 



Cl. 3

 



B. Cl.

 

 

Ob. 1

 

Ob. 2

 

Bsn. 1

 

 

Fl. 2

  

 

 

 



Fl. 1



87    



Picc.

  

  pp

 

pp

 



      pp

Bsn. 2

pp

Cbsn.



pp

Cl. 1

C. A. Cl.

     

 Cb. Cl.   A. Sax. 1

A. Sax. 2

T. Sax.

  pp 



pp

  pp 

  

 



 

Tpt. 3

 

Hn. 1

 

Hn. 2

     

Hn. 3

     

Hn. 4







          





  

mp







ff

pp

   



ff

   

 

  



pp

  

 







       

     

          

                       pp ff          







     



 

 

 

     



      

 



 

       

pp



ff

ff

ppp

 

 







         





           

 

 

          





    

 

 

 

 

ff

ff

pp

ff

pp



















          















ff

ff







 

mf

  

   

ff

pp

   



pp

ff

ff

   



 

  



pp

  

pp

















         





           

 

 



ff

pp

    ff

pp

ff

pp

pp

   





   

3

 



    

 

 

     

       

     

f

 

 

      

    

3

 

 







 

 

 







          





           





           pp ff          





 

 

         





 

 

ff

pp

 

 











 



 

           

         





 

 

 

 

          





           

 

         



 

 

pp

ff

pp

  

 

ff

          

pp

pp

pp

ff

pp

ff

pp

ff

ff

pp

pp

ff

pp

pp

ff

ff

   

 

  

pp

ff

pp

pp

ff

              ff



pp

ff

pp

   

ppp

              ff

pp

ppp

 



   





   







       

 

           

 

           

 

 

pp

ff

ff

pp

ff

ff



   





ff

pp

ff

pp

     

pp

 

ff



pp

ff

pp



   

ff

        

 

pp

 

         

ff



pp

   



pp

ff



pp

ff

ff

 

pp

ff



 

ff

   



 



     

 



ff

ff

 

   

pp

pp

 



ff

           

87     

 

pp



pp

ff

   

pp

  

   

         

ff





pp





ff

   



pp

 

     







ff

 



   

 

pp



 

  



pp

ff

ff

pp

Anv.



ff

 

pp

S. D.

 



pp

B. D.



pp

Timp.

 

ff

pp

ff



  pp 

    

pp

ff

   

pp

ff

 Tba.  

          

pp

       

Euph.

 

ff

     

 

Tbn. 3

           

pp



     

Tbn. 2



ff



   

     

ff

  

Tbn. 1



 



pp

    

pp

 

ff

3

Tpt. 2

 

ff



pp

Tpt. 1



 

pp



 Vib.   



 

pp

Bari. Sax.



 

 

   

 

 

ff

  



   

   



ff



pp


Stemless noteheads are unmetered, free from the conductor, and uncoordinated with the section. Notated rhythms are merely suggestions. 7 connected attacks. Sustain all notes.

      95

Picc.



ff

 

Fl. 1

 

Fl. 2

   

ff

   

ff

    

Ob. 1

 

 pp

  





 











pp



            

ff

Bsn. 1



 

      

Ob. 2



ff



99 

pp

ff

pp

ff

pp

ff

pp

           

Bsn. 2

   Cbsn.           Cl. 1

     

 

ff

    

Cl. 2



      

 Cb. Cl.  

ff

   



A. Sax. 1

  

A. Sax. 2



      

pp

Vib.

 

 

    

ff

     



     

Tpt. 3

       

Hn. 1

        

Hn. 2

Tpt. 1

 

ff

 

 





 

  

  



 

  

 



 

  

  

 

 

 

  

  

  

ff

ff

ff



 

 

 

  

 

 

  

 





  

 





    

 

 

ff

ppp

 

ppp

  

 

  

ppp

ppp

ff

                   

 

 

 

 

 

 



 

  



          



 

          







      

pp

pp



 

 

ff

  

ff

ff

ff

   

 

 



 

   

 

 





 

 

 

 

   

 

 

 

 

 

 

 

 

    

 

 

 

 





  

 





  

 





     

 





    





 

 

 

 

 

pp

pp

pp

    



pp

pp

pp

pp

 

 

 

pp

 

ff

 

ff

ff



ff

 

 

 



 

    

ff

 

pp

  

  

pp

 

ff

 

ppp

 

 

   

              

ff

pp

 

 

 

  

ff

ff

             



ff

ff

 

pp

    

ff

pp

pp

 

      ff      

ff





 

             





 

  

 

 

 

ppp



pp

pp

  

 

ff

             

 

ppp

 

   



pp

    

  

ppp

 

    

  

 

    



 

 

ff

   

ppp





pp

ppp





  



ppp

 

  

 

 

ff

  

            

 

   

ff

pp

ppp

 

ppp



 

pp

 



ppp

pp

  

 

ff

Anv.

 

 

ff

S. D.



ff

B. D.

 

 

ff

Timp.



ff





3

           



ff

Tba.

 

ff

Euph.

  

 

ff

Tbn. 3

ff

ff

Tbn. 2

 

ff

ff

Tbn. 1

 

ppp

   

  

pp



 



pp

ff

Hn. 4

 



ff

pp

ff

Hn. 3

 

ff

ppp

    



 

Tpt. 2

 

pp

ff

 

 

              ff

 

ff

   Bari. Sax.           





pp



 

 

pp

ppp

  

ff

 

 



ff

T. Sax.

  





  ff

pp

ff

 

pp

ff

ppp



 

  

pp

ff

C. A. Cl.

  



  

 

          







   

ff

 

 

 

B. Cl.



ppp

 



pp

ff



 

ff



11





ff

Cl. 3

 

ff



pp

pp

 pp

 pp

 pp

 

 

 

mf

 

 

mf

mf

 pp

 pp

 pp

     


106

12

      



  

      



             



      

103

Cadenza con rubato





  





  







  





  



      





 

   

 

 

Bsn. 2

     

 

   

 

 

Cbsn.

      

 

   

 

 

Cl. 1

    

 

   

 

 

Cl. 2

     



  





      



  





B. Cl.

     



  





C. A. Cl.

     



  





Cb. Cl.

      



  





    



  





      

 

   

 

 

     

 

   

 

 

      

 

   

 

 

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Bsn. 1

Cl. 3

A. Sax. 1

A. Sax. 2

T. Sax.

Bari. Sax.

only Fs should be ringing gradually turn motor off

        Vib.            

3         3                   p  

   

Tpt. 1

  



 mp 106 Cadenza con rubato     

Tpt. 2

 



  

Tpt. 3

 

 

   

Hn. 1

 

 

Hn. 2

 

 

Hn. 3

 

Hn. 4

 

Tbn. 1

   

              

    

1/2 lift

sub. pp

     

    

  









 

 

   

 

 

   

 

 

 

   

 

 

 

   

 

 

 



  





Tbn. 2

 



  





Tbn. 3

 



  





Euph.

 



  





Tba.

  



  





Timp.

   

 

   

 

 

 

 

To Sus. Cym.

B. D.

             

S. D.

  To Rs.          

 

               

 

p

p

pp

pp

To Tom.

Anv.

p

pp

Rainstick

 

 

 

 

 

 

 

 

To S.Bells

 

 

pp

   


13

From 119 until the downbeat of 131, performers who can whistle quietly should start on their lowest possible note and slowly slide upward—feeling free to sustain a pitch if desired— independently of all other pitches, rhythms, and performers on one complete air stream. Repeat the process as needed until the downbeat of 131. All slides should be upward. Aim for the downbeat of 131 to be the highest (though still quiet) possible note. Those who cannot whistle or cannot do so quietly should hum, as soft as possible, a C (in the timpani). Those with notated parts should enter at the given time and return to whistling or humming upon completion.

Largo, q = 52

119 Bsn. 1

   

solo

pp

solo

A. Sax. 2

T. Sax.

 

pp





  



3

Largo, q = 52

ppp

Suspended Cymbal

   

ppp

   

Sleigh Bells

 

    

ppp

    

ppp

solo

 

 

 

 





 

 

  





 

 

 

solo

pp

 

pp

 

  

 





pp







 



   

125

Picc.

Fl. 1

Fl. 2

Ob. 1

Cl. 1

A. Sax. 1

 

  

3

 

  

 

  



   

 

   

 

   



   

   

 

 

 

   

   

 













 

  







 







 

 

 

 

 

   



  















 

 

 

 

 









 









 

 

 

 

 

 

 

 





3



  

 

  

Sus. Cym.

   

   

 

   

 

   

T-t.

    

   

     

 

     

     

 

 pppp 131    

 

3

 

 



3

  

 

 

131 

    

   



Timp.

S.Bells





3

pp

 

 

solo

 

pp



    

solo

 

   

 

pp





solo



solo

pp

   

 Vib.   



 



  



  

 

Low Tom-tom w/ inverted suspended cymbal Play on suspended cymbal edge

T-t.



119    Timp.  

S.Bells





  

3

mf dim. al fine

Sus. Cym.

pp

solo

 solo

      



Play pattern out of time repeating pitches as necessary til next F flourish. Pattern can start and end on any of the pitches and may repeat pitches within the pattern as desired but must be played in order. Strive for a thinner texture each time.

 

  



 

 





  

 

  

 Vib.   







  



 B. Cl.    A. Sax. 1

  Cl. 1  

 

 

     

l.v.

 

    l.v.

 

 

 

 

 


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