Jolie Magazine - Spring 2012 by Lee Huy

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LE PHUONG VY vylephuong@yahoo.com Editor LE VAN NHAT HUY leeh_style@yahoo.com Associate Fashion Editor LE PHUONG VY Fashion Write LEE HUY Fashion Stylish PHAM NGOC LAN Beauty Write PHAM MAI TRAM Editor TRAM PHAM Editor LE PHUONG VY vylephuong@yahoo.com Senior Editor PHAM NGOC LAN

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Creative Editor HOAI HUONG Art Director LEE HUY Designer VY BE PHUONG TRAM PHAM LAN PHAM Director LEE HUY Photographer Editor LAURA CAMATARA - Vogue Itatian Photographer LAURA CAMATARA LEVIS BONUR LEE HUY Retouch LEE HUY Director LE PHUONG VY 99 Reuge de la Nance Paris - France

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Salut ! It is not the first time we featured folk well out out age group, it probably wont be the last .If you read Jolie for a length of time,you will know how much we try to fulfill your requirements. In this special issue, we’ve just chatted about the newest trends over the world . Weather has became to Spring with the chilly climate, this is the season when the fashion designers from around the world come to Europe for the Spring Collection-filled with color to create sophisticated and specially designed . “Spring for Love” is the great photostream , and it’s used as main title of Jolie Spring issue Meanwhile, the world trend is favored by color block so Jolie Spring version quickly updated this wonderful style for you but with our abstinence, to bring you new feelings, vivid and impress images sensation based on the color block available . About our cover girl for new style version – Emma Waston, she is the virtual choice,because she meets all the criteria of “Jolie Spring version “special publications. Not only is she a the idol of fashion, but also she is model for the most famous brands over the word. The most important is that her impressive is very charming and beautiful , due to these reason whether nothing is more suitable than that girl?

I wish you happy with our magazine!

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Now, on iPad www.jolie.com

Content Jolie

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Info

Salut !

Sensation 24

Trend

Color Inspication

34 40

Runwayâ&#x20AC;&#x2122;s Spring 2012

Yellow & Turquiore

Street Style Spring new First Moment

Spring For Love

Up-to-date

Passion Special Guest

Travel

Sound

Jolie Novels

For C

Emma Watson

Delhi India Arvil For U ! Midnight in Paris

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Appreciation

72 82 88

Beauty

The Queen of No

Where 17

Fashion Story

Take Me To THE RIVER

Our Cover

Coco Rocha

JOLIE

Contributors

We hope you love this magazine!

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Lan Pham Previously I had been doing a lot of dry and boring job. Not to mention always have to sit there, 24 hours a day my meaningless infinity. Dependent debt pushed to my friend when she was on the water and dragged me to the work of an inspiring editor. Since then one day I would like to change, such as propeller rotation among all notebooks and event, I feel this new work environment right is my favorite.

Vy Le After graduating from Architectural University excellently, Vy Le got a scholarship to learn MBA in USA due to her impressive Cv and her good marks in university . In USA, Vy Le also attended in Graphic design class to improve her creativity .Fortunately,a lot of American were attracted by her first designed magazine,therefore,she realized what is her strong point in the wide field as graphic. During 4 years in USA , Vy Le experienced new challenges, massive hardships so she thought

Tram Pham I am a photographer greed, want to challenge yourself and discover many “land” of photography. I like the vibe of his descriptions of beautiful women before shooting fashion and theatrical but also love the exciting experience never boring when you use the camera records the face, the story, the beauty of life around through hundreds of trips all over his crossbar. I also feel passionate about making the image transmission when they return to work news reporter, newspaper.

Huy Lee South Korea holds a BA in Education and professional guides but extremely Tourism favorite media. As a dynamic, creative, loving the “luxury” in Saigon, but the desire to learn and travel in new cities. Currently working for the JOLIE Magazine on the event brochure and lifestyle features work in charge of advertising and customer relations. The work is always stressful but yet create a strong attraction. It gives you exposure to conditions for new people, experience new experiences and learn how to manage time efficiently.

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Sensation For the fashionisers affected, I hope that street style will become more popular than ever. It actually an amzing trend

Daniel P Dykes

â&#x20AC;&#x153;

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First Moment

Spring for Love in Fairy Land

JOLIE SENSATION | TRENDS Editor : Lan Lan Photographer : Vy Le

AWNURRUNWAY’S

Spring 2012

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“

Half of the fun of fashion week is people watching, and we’re not talking about the models walking down the runway. Celebrity front row spotting can be a rewarding sport, from the pleasant surprises—Justin Timberlake at Altuzarra —to the eye-searingly bright—Nicki Minaj at Marc Jacorb —to previews of what’s about to walk down the runway—Beyoncé’s tulle-layered cocktail frock at Vera Wang.

That was the problem facing Joseph Altuzarra—as well as many other young New York designers—as he was creating a spring collection he articulated as “mixing super techno with super kitsch.”

25 25

a r r a z u t l A

“A giant curtain wall of gold lamé opened to reveal Marc Jacobs’s collection in its entirety: 46 girls frozen in Bob Fosse attitudes on an arc of bentwood chairs—like the bar hawks in the Big Spender scene in Sweet Charity, or the flappers proffering an invitation to the Cabaret.”

Autumn Collection of Marc Jacorb 2011 - Paris ( France )

s b o c a J c r Ma

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Donna Karan The clothes Karan presented were consistent with her commitment to providing the New York woman with a uniform. But they also work for women in Berlin, Beijing, and beyond as the street style of New York influences the way women dress across the globe. The opening black and white looks were the strongest in their simplicity and incorporated two of spring’s developing trends: loose, flowy fabrics and an asymmetrical hem with bits of trailing material that draws interest to the leg. The Barbie-doll pink and poppy print didn’t quite hit the mark, but that’s the great thing about New York: If there’s something not to like, you just move on.t

JOLIE SENSATION | YOUR COLOR Editor : Vy Le

YELLOW

TURQUOIRE . . . After two days of rain in the UK we all need a little reminder that it is still summer… Interior Designer, writer and design junkie. This is where I share my inspiration and latest design infatuations and if I can share a few nuggets of wisdom along the way, well, that too. And if we all took a little risk now and again, and used such daring combinations in our homes, it could be summer all year long. The opening black and white looks were the strongest in their simplicity and incorporated two of spring’s developing trends: loose, flowy fabrics and an asymmetrical hem with bits of trailing material that draws interest to the leg. The Barbie-doll pink and poppy print didn’t quite hit the mark, but that’s the great thing about New York: If there’s something not to like, you just move on.

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Yellow and Turquoise. As summery as it gets. . . And if we all took a little risk now and again, and used such daring combinations in our homes, it could be summer all year long. Go on, bring on the sun !

JOLIE SENSATION | STREET SYTLE Editor : Lan Lan Photographer : Tram Pham

treet tyle

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“For the fashionisers affected, I hope that street style will become more popular than ever. It actually a n amzing trend” Daniel P Dykes

What makes a perfect spring? These pages of street style pictures are Jolie Spring’s curation of the most inspirational, fashionable and on-trend street style photos from around the world. Only a street style queen could pick out the creme of the crop. Especially when it comes down to New York City during New York fashion week.

More than a milkmaid braid Clothes : D&G

Entwined with strands of rope and secured with many a pin into a roll at the back, it’s a braid that – especially when paired with floating white pleats – ends up feeling more Midsummer Night’s Dream than it does milkmaid.

The re-rise of Ruby Clothes : Richart

So Lindsey, so chic Clothes : Zara

When model Lindsey Wixson isn’t performing her mainstream runway duties, she continues the style saga on the street, as seen in this cute, French-inspired do. The upper-torso shot is enough to justify her chic personal style. The pastel beret, nautical striped top and soft pink make-up. The ensemble is working wonders for her in thesummer-into-fall

It’s always seemed to me that the best fashion models have two career high points: there’s the first when they appear on the scene as the next big thing. That’s followed by a lull, where their popularity wanes. Then there’s the re-rise, a time that only models with real influence (i.e. the ability to influence the fashion we purchase) .

Clothes :Daniel P Dykes

Jolieâ&#x20AC;&#x2122;s choice Fairly pretty Clothes: G200

Apart from the subjectivity of that question, it usually comes down to one thing. If the dress reminds you of beaches, cocktails and sultry heat, then its job is done. This mustard Grecian dress is as close as one could get to the aforementioned definition.

Make up for Sheer spring by Daniel P Dykest

Nude make up - new trend for this spring by Emma Victoria PH

Style hair byTram Pham

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The right lace dress Clothes: H&M fashion

Sheer summer getting shorter

Not your average work

Clothes :Tania Braukämper

Clothes : Zara

The right lace dress can be a strong foundation piece of your curated wardrobe. Its the kind of piece that can transcend eras (take it from soft 60s to hippie 70s to grunge 90s with mere change in accessories) and can flit easily between the seasons as well. Chilly nights? Add some opaques. Warm, summer’s morning? A wide-brimmed hat and sandals are effortless perfection. For a smarter look, just add heels.

It’s not an outfit most would consider appropriate for work. Unless, of course, you’re a model.She may have donned this daring sheer top for the casting of Rag & Bone’s upcoming New York fashion week show, but with smartly tailored cropped pants, heels and simple slicked hair, it’s a look to take inspiration from for your own off-duty sheer looks. Even if you’re not game to wear it

JOLIE SENSATION | FIRST MOMENT Editor : Lee Huy

SPRING for Love

“I like to take classic shapes but play off of that and treat all of the details with a lot of consideration.”

In 2000, fashion designer Tess Giberson launched her namesake collection to widespread acclaim. In two short years, Giberson won the much coveted Ecco Domani Fashion Foundation award and won high praise from Julie Gilhart (then a powerful editor at W magazine), for her modern take on hand-crafted garments. Giberson’s first strength is her love of craft, inherited from her artist parents. “I was raised around parents who believed that things should be made well,” she says, citing her father’s in house glass studio and pottery wheel and her mother’s constant production of clothing and textile art. Her second strength is the focus she applies to the construction: “I’m obsessed with

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details,” says Giberson. “I like to take classic shapes but play off of that and treat all of the details with a lot of consideration.” Details often become creative springboards for Giberson’s collections: in her Magnification Fall 2005 collection, a single garment detail was magnified to a dramatic scale like the oversized lapel of an overcoat. Hand-making each garment takes its toll. After five years, she accepted the creative director position at luxury cashmere brand Tse in order to spend more time with her new-born son. Two years at Tse taught Giberson the value of working with the demands of a more commercial brand. She brings these valuable lessons as well as a new business partner, Harriott Lau (former director of Tse’s parent company) to the re-launch of the Tess Giberson collection in Spring of 2010. In this incarnation, Giberson

marries her love of design details, finish and quality with a strategic business objective to create clothes that are “the best design, the best quality, at the best prices” in the contemporary market. Says Giberson, “it’s not enough just to be doing one of those anymore, you need to provide all three to be competitive.”

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With the Spring 2012 line about to show in NYC’s fashion week, Giberson showed Theme parts of her latest construction preoccupation, superimposition, and showed us her tulle shirts with cashmere panels overlaid on the chest and skirts with lasercut lines that expose the skin underneath. We can’t wait to see the rest.

was raised â&#x20AC;&#x153; Iaround

parents who believed that things should be made well,

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â&#x20AC;?

“I like to take classic shapes but play off of that and treat all of the details with a lot of consideration.” In 2000, fashion designer Tess Giberson launched her namesake collection to widespread acclaim. In two short years, Giberson won the much-coveted Ecco Domani Fashion Foundation award and won high praise from Julie Gilhart (then a powerful editor at W magazine), for her modern take on hand crafted garments. Giberson’s first strength is her love of craft, inherited from her artist parents. “I was raised around parents who believed that things should be made well,” she says, citing her father’s in-house glass studio and pottery wheel and her mother’s constant production of clothing and textile art. Her second strength is the focus she applies to the construction: “I’m obsessed with details,” says Giberson. “I like to take classic shapes but play off of that and treat all of the details with a lot of consideration.” Details often become creative springboards for Giberson’s collections: in her Magnification Fall 2005

collection, a single garment detail was magnified to a dramatic scale like the oversized lapel of an overcoat. Hand-making each garment takes its toll. After five years, she accepted the creative director position at luxury cashmere brand Tse in order to spend more time with her new-born son. Two years at Tse taught Giberson the value of working with the demands of a more commercial brand. She brings these valuable lessons as well as a new business partner, Harriott Lau (former director of Tse’s parent company) to the re-launch of the Tess Giberson collection in Spring of 2010. In this incarnation, Giberson marries her love of design details, finish and quality with a strategic business objective to create clothes that are “the best design, the best quality, at the best prices” in the contemporary market. Says Giberson, “it’s not enough just to be doing one of those anymore, you need to provide all three to be competitive.”

JOLIE SENSATION | UP-TO-DATE Editor : Vy Le Photographer : Huy Lee

JOLIE UPDATE

BURNT COLOURS The final season for the first year of this new decade, and also the season that will go a long way to defining 2012�s fashion trends, autumn / fall 2011 is a crucial period for building your wardrobe and evolving your personal style. So what’s in store for the seasons.The Wool Crepe dress that’s just for you. Indispensable for your wardrobe!This is for all occasions, THE dress to suit you. Classical with ballerinas and a pearl necklace like Jackie Kennedy; rock with a bomber jacket and boots. You decide the style, either with a big buckled belt or a chain belt. Materials are chosen with care, quality

is high and finally they never go out of fashion. So what’s in store for the seasons for men and women? Seventies fashion remains high on the list of carry-over trends. It’s time to gaze into the crystal ball and take a look. So we’ve just seen the origins of the little black dress, as well as some of its iconic representatives… but all of that goes back quite a while ! So here is my selection of black dress fashionistas; actresses, models, politicians.

Jolie’s advice “Low-cut Wool Crepe dress can be worn in several ways: directly, with a blouse or a pullover, in the evening with muslin; like its twin, this is an allage dress.”

ANDRÉ LEON TALLEY

STATEMENT

This exhibition is really worth the detour ! The Les Arts Décoratifs of Paris invite some of the most innovative and visionary designers of our time and that past, and today honour a marvellous exhibition. My little black dress designs and produces simple, chic and easy wear dress models in France.

The final season for the first year of this new decade, and also the season that will go a long way to defining 2012�s fashion trends, autumn / fall 2011 is a crucial. Our intrepid photographer Phil Oh caught these scene stealers traversing the city and taking in the shows.

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THE LES ARTS Season oversaturated with either pale French boudoir colors or Warhol Pop brights, he showed black clothes cut with exquisite skill. The little black jacket over a silk mesh T-shirt and gaucho pants had a distinct Luis Buñuel undercurrent of erotica.

STREET STYLE We’re talking about the foundation of any season’s collections. The colours and hues that underlie them, shape them, and eventually come to define them. And even though we’re still guiding you through spring’s and autumn / fall’s fashion trends for 2011.

Passion

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anything—literature, art, science, modern culture. I was totally seduced.

“

was a dream come true. We spent the “ This whole day together, and he can talk about

Emma Waston

Passion

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â&#x20AC;&#x153;For all we know, Paris might be the hottest place in the universe.â&#x20AC;? Owen Wilson in Midnight in Paris

For C Midnight in Paris

JOLIE PASSION | YOUTH’S MAGIC Editor : Vy Le Photographer : Caman Bush

EMMMA WASTON EXCLUSIVE TINTERVIEW By JOLIE

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â&#x20AC;&#x153;I had never been to a traditional football match. So, the day after my visit to Potterworld, we took in a Chelsea vs. Manchester City game. Afterward, we went back to her apartment, which is on the top two floors of a row house. We sat down to talk about Potter, Hogwarts and all.â&#x20AC;?

Make up & hair : Abirot | Stylist : Tram Pham | Dress :ZARA | Model : Elizabeth

Make up & hair : Abirot | Shoes : D&G | Dress :ZARA |

“IF YOU HAVE TO SIT IN THE CAR WITH SOMEONE FOR TWO HOURS A DAY, YOU HAD BETTER LIKE HIM! I GET VERY JEALOUS WHEN HE DRIVES SOMEONE ELSE”

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HER LIFE DEREK BLASBERG: I can’t believe that was your very first football match ever. What have you been doing your whole life? EMMA WATSON: Oh, I don’t know. I did these little films that no one’s ever heard of. Just a few independents. BLASBERG: Was this one of those situations where you wish you had a magic wand? WATSON: Oh, my god. That is the first time in the whole course of my knowing you that you’ve resorted to making a bad Harry Potter joke. This is a sad moment. But, yes, I ran out of time. It was like MasterChef in my kitchen last night, a really stressful atmosphere . . . BLASBERG: What a weekend of firsts: first dinner party, first football game. What else? WATSON: First time I worked with [photographer] Nick Knight. He was very nice, very English. BLASBERG: Do you prefer working with an English team? When I visited you on the Harry Potter set, the majority of people were Englishmen. WATSON: Well, I shouldn’t say I have a favorite director—that wouldn’t be very diplomatic. But one of the people I enjoyed working with most was Alfonso Cuarón [who directed Watson in the third Potter film, Harry Potter and the BLASBERG: Is that why you were in Mexico earlier this year? WATSON: I went because I wanted to travel and I had heard such great things about the country.I didn’t get to see any of those guys.

BLASBERG: Of course not. A young girl in Mexico means spring break! Cancún, baby! Tequila shots at Señor Frogs! WATSON: That was the weirdest place ever. In Cancún, I felt like I had walked into an American teen movie. I was only there for two days—thankfully my friends and I were more interested in traveling around other parts of the country. But I seriously thought it was only like that in movies. BLASBERG: When I was in high school, we went to Mexico for spring break, and it was surreal. Like, school nerds entering wet-T-shirt contests, and high-school jocks screwing the secretly slutty goth theater girls. WATSON: It’s so exciting.

HER CAREER BLASBERG: This is what you missed while you were doing film Harry Potter, Emma Waston? WATSON: I know. I feel so deprived. But Cancún was certainly not my favorite. We went to Ixtapa, where the ruins are. It was a beautiful, chilled-out part of the country. We went to Mexico City, which was amazing, but quite dangerous. We were happy to get out of there in the end. And we went to Cuba BLASBERG: That’s heavy stuff for an 11-year-old. WATSON: Yeah, it was. I remember one of the producers gave this great speech while we were there, saying that maybe the reason Harry Potter was so successful, particularly then, was because people really wanted to be uplifted or taken to another place.

Make up & hair : Abirot | Dress : ZARA | Accessory Burberry

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BLASBERG: Why? Because you wanted to be in movies and be famous, or because you identified with that role? WATSON: I loved the books—I was a massive fan. I just felt like that part belonged to me. I know that sounds crazy, but from that first audition, I always knew. At the beginning, they were casting the other characters as well—but I always knew I was going out for Hermione. She came so naturally to me. Maybe so much of myself at the time was similar to her. Of course, all this terrified my parents—there were literally thousands and thousands of girls going out for the audition, and my parents were anxious about what I would do if I BLASBERG: It’s didn’t get it. BLASBERG: It’s been a pretty effective good-luck charm. And now you’re not only doing movies, you’ve become chums with Karl Lagerfeld. How is that friendship going? WATSON: I’d met Karl a few times before, at parties or something where we really couldn’t talk. But this was a dream come true. We spent the whole day together, and he can talk about anything—literature, art, science, modern culture. I was totally seduced. I felt spoiled to be spending so much time with him.

people would be bored of seeing me in Potterworld by then? BLASBERG: Not only that, it’s probably tiring being Hermione. I was on the set with you, and those are long, long days. What time are you there every morning? WATSON: At the moment, we’re there at about 6:30 a.m., which means I’m picked up at about 5:45 a.m. We’re filming both the seventh and eighth movies at once, and I’m trying to do all of my scenes now and through the summer so I’ll be available for university come September—though it

been a pretty effective good-luck charm. And now you’re not only doing movies, you’ve become chums with Karl Lagerfeld. How is that friendship going? WATSON: I’d met Karl a few times before, at parties or something where we really couldn’t talk. But this was a dream come true. We spent the whole day together, and he can talk about anything—literature, art, science, modern culture. I was totally seduced. I felt spoiled to be spending so much time with him.

BLASBERG: It’s polite and efficient, like you. WATSON: Yes, I am the Prius of my peer group.

HER LOVE BLASBERG: You’ve said previously that after the Harry Potter films are done you’re not sure you’ll continue to be a full-time actress. I personally thought that comment got a lot of unwarranted criticism. I would have said a pirate, or a fire engine. Can you imagine it? WATSON: Ha! I was a little bit shocked by people’s responses, too. Maybe it’s because, at the moment, there are so many people who want to be famous, so how could I not want this? Or, how could I not want to keep it forever? But I guess I just want to be sure it’s what I want. I was so young, and I don’t think I really knew the greatness of what I was signing on for. I really want to study. I would love to try theater. I need to try stuff out. But I say all this now—I’m sure I’ll still be here in 10 years, making Harry Potter 30. BLASBERG: Maybe you could play Hermione’s mom? WATSON: Oh, don’t! That would be so cringe! Don’t you think

BLASBERG: Can you imagine that last day of shooting? WATSON: I can’t. I will be . . . uncontrollable. It’s been half of our lives. It’s made us, it’s formed us. It’s such a big part of my life, so it will be really sad—and so much of the crew who have been there since the beginning are like my family. BLASBERG: Like your lovely driver What’s so appealing about going to an Ivy League school? WATSON: I never thought that I would want to go to America for university.to go to Oxbridge, because that’s where my parents went. When my dad talks about his time there, he says it was the

most incredible experience. Gustav Klimt, and Francis Bacon. You and I went to the Bacon exhibit at Tate Britain last year, and I thought it was so moving. BLASBERG: So that’s a requirement when you hit the Ivy League—time in the studio? WATSON: It’s really important to me to do that. Since I haven’t been in school since July, I’ve only now realized how much I miss it. I don’t make time for it now, and you reallyhave to sit yourself down and think about it and do it. Asmuch as I could, when I wasn’t filming, I would go to school. When filming, I would send all of my work back to be marked by my teachers. As I got older, though, it was harder to slip in and out. BLASBERG: And I hear you just hosted your first-ever dinner party last night. How did that go? WATSON: Well, it was a disaster. Not because I’m a terrible cook, but because the time limit was too to!short. I was only able to make half the pie—a cottage pie, which is this very British beef mince meal—so I had to abandon it.

HER LIFE BLASBERG: You’ve said previously that after the Harry Potter films are done you’re not sure you’ll continue to be a full-time actress. I personally thought that comment got a lot of unwarranted criticism. When I was 9, if someone had asked me what I wanted to be forever, I would have said a pirate, or a fire engine. Can you imagine if someone held me to that?

Make up & hair : Abirot | Shoes : LV | Dress : ZARA | Jacket : BURBERRY

WATSON: Ha! I was a little bit shocked by people’s responses, too. Maybe it’s because, at the moment, there are so many people who want to be famous, so how could I not want this? Or, how could I not want to keep it forever? But I guess I just want to be sure it’s what I want. I was so young, and I don’t think I really knew the greatness of what I was signing on for. I really want to study. I would love to try theater. I need to try stuff out. But I say all this now—I’m sure I’ll still be here in 10 years, making Harry Potter 30.

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BLASBERG: Maybe you could play Hermione’s mom? WATSON: Oh, don’t! That would be so cringe! Don’t you think people would be bored of seeing me in Potterworld by then? BLASBERG: Not only that, it’s probably tiring being Hermione. I was on the set with you, and those are long, long days. What time are you there every morning? WATSON: At the moment, we’re there at about 6:30 a.m., which means I’m picked up at about 5:45 a.m. Thank you for the interesting interview today-Emma .Hope you will get more success in your life!

Make up & hair : Abirot | Accessory : Gucci | Dress : LV

JOLIE PASSION | TRAVEL Editor : Hai Thanh Photographer: Hai Thanh

DELHI - INDIA Photographer Hai Thanh had the opportunity to Delhi, India. This is the paradise of photographers. In any place, you can also see the beautiful moments to shoot. Culture bold, vibrant and alive in this place. Jolie introduced beam photos and all of Delhiâ&#x20AC;&#x2122;s photographers Hai Thanh .

Editor : Vy Le Photographer : Jennifer Lopez

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In India, people mostly spend rupees, you should change from the odd few rupees to pay for taxi from Delhi airport to the hotel, as far as long distance 30km. You can exchange dollars into rupees at his hotel in the exchange rate of 4300 rupees for 100 usd. Indian visa in Hanoi is easy, just take the code flight ticket and passport fee 40usd/nguoi, after 2 or 3 days to obtain a visa. Address Embassy of India 58-60 Tran Hung Dao Street, Hoan Kiem District, Hanoi. Phone: 84 4 38244989, Fax: 84 4 38244998. You can find more cheap tickets airline routes of Air Asia flight transit at Bangkok airport, Thailand, and then fly to Delhi airport, India. Address Air Asia office in Hanoi: 30 Ly Thai To Street, Hoan Kiem District, Hanoi. Phone 3928 82 84 4 82 If you are handy, can buy the henna tubes with about 5-10 thousand dollars on a gift for relatives and friends. Henna is a traditional Indian ink extracted from herbs and colors used to paint decorative patterns on the arms and hands are very beautiful. Ink will fade after about 2 weeks, very popular during holidays, weddings of India. Hotel Tara Palace 419, Esplanade Road, Market car Ford opposite the Red Fort, Chandni Chowk, Delhi 110006 GOOGLE MAPS LOCATION: 28.654289,77.234085 Tel: 0091-1123276465/23276566/41569444 Fax: 0091-11-23273555 Mobile: 0091-9958397483 E-mail: contact@tarapalacedelhi.

T 4

he Catcher in the Rye is in fact a perceptive study of one individual’s understanding of his human condition. Holden Caulfield, a teenager growing up in 1950s New York, has been expelled school for poor achievement once again. In an attempt to deal with this he leaves school a few days prior to the end of term, and goes to New York to ‘take a vacation’ before returning to his parents’ inevitable wrath. Told as a DELHI, during which he describes a developing nervous breakdown, symptomised by his bouts of unexplained depression, impulsive spending and generally odd, erratic behaviour, However, during his psychological battle, life continues on around Holden as it always had, with the majority of people ignoring the ‘madman stuff’ that is happening to him - until it begins to encroach on their well defined social codes. Progressively through the novel we are challenged to think about society’s attitude to the human condition - does society have an ‘ostrich in the sand’ mentality, characterise human existence?

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â&#x20AC;&#x153; Is it society which has lost its mind for failing to see the hopelessness of their own lives? When we are honest we can see within ourselves suppressed elements of the forces operating within DELHI-INDIA, and because of this thought provoking novel as a fascinating and enlightening description of our human condition.â&#x20AC;?

1.Delhi desert 2.Main water source is the rive 3.One night in Delhi 4.Portrait 5.Little Boy

6.A family in Delhi

JOLIE CULTURE | THE BEST Editor : Samuel Delion Photographer : Leehs Casanova

ARVIL LAVIGNE &

goodbye lullaby

The new album of Arvil which reached No. 1 in the UK, and the album was certiďŹ ed four-times platinum by the Recording Industry Association of America. By 2009, over 16 million copies had been sold worldwide.

The rest of the album, according to the artist, is "somewhat more raw." Other tracks on the record include 'Smile,' which her label describes as a song that "expresses her gratitude for special people in her life," as well as the title track, 'Goodbye,' in which Lavigne explores how it feels "to close one chapter of her life and move on to the next." Lavigne was originally hoping to release the album in 2009, but a series of delays held up production, as she sought to attain the perfect sound. Knowing that her fans may get impatient, Lavigne issued an open letter in November, explaining the delay and giving a sneak preview of what they can expect. Not only is this the most meaningful and special record I have written, it is sincere, honest and close to my heart," the post reads. "People do their best work when they are doing what they want, love

Jolie Magazine S pri n g 2 0 1 2

and is natural for them, not when you are forcing them to be something that they are not like this before. " Later on in the letter, Lavigne confirmed the album's first single, 'What The Hell,' which she described as "a fun and funny anthem." and going after your dreams even if your dreams are

crazy and even if people tell you they're never going to come true." On her debut album, Let Go, Lavigne preferred the less mainstream songs, such as "Losing Grip", instead of her more radio-friendly singles, such as "Complicated", saying that "the songs I did with the Matrix... were good for my first record, but I don't want to be that pop anymore." Lavigne issued an open letter in November, explaining the delay and giving a sneak preview of what they can expect” Not only is this the most meaningful special record I have written, it is sincere, honest and close to my heart Her breakthrough single, “Complicated”, peaked at No. 1 in many countries around the world, as did the album Let Go. Her second album, Under My Skin, was released in 2004 and was her first album to peak at No. 1 on the U.S. Billboard 200

“

I KNO W MY FANS AND T LOOK HAT'S UP T WHY I SO PE M RSONA AKE M O ME Y SON L,I RE ALLY GS HOPE LOVE Y O U IT

Tracks

“

01. Black Star

08. Everybody Hurts

02. What The Hell

09. Not Enough

03. Push

10. 4 Real

04. Wish You Were Here

11. Darlin

05. Smile

12 Remember When

06. Stop Standing

13 Goodbye

07. I Love You

14 Alice

JOLIE CULTURE | THE BEST Editor : Vy Le Photographer : Lan Lan

JOLIE

FAVORITE NOVEL

EAT,PRAY LOVE

t the age of thirty-one, Gilbert moved with her husband to the suburbs of New York and began trying to get pregnant, only to realize that she wanted neither a child nor a husband. Three years later, after a protracted divorce, she embarked on a yearlong trip of recovery, with three main stops: Rome, for pleasure (mostly gustatory, with a special emphasis on gelato); an ashram outside of Mumbai, for spiritual searching; and Bali, for "balancing." These destinations are all on the beaten track, but Gilbert's exuberance and her selfdeprecating humor enliven the proceedings: recalling the first time she attempted to speak directly to God, she says, , 'I've always been a big fan of your work.'"

“

HILLARY CLITONI love “EAT,PRAY,LOVE “

Book

“

The new novels which reached bestseller in the UK, and are exported fourtimes platinum by the International Book store in America. Until 2011, over 9 million copies had been sold worldwide.

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Author: ELIZABETH GILBERT Category: Short Stories

FLYING OVER THE CUCKOO

rime is in custody in a penitentiary, was transferred to the psychiatric nursing center, is actually a mental hospital, because people think he has expressed interest unusual reasons. The central charge is nursing Nurse Ratched (Louise Fletcher), a woman who looks gentle, but always implicitly using iron discipline to the management of psychiatric patients. McMurphy initially thought when the camp that he will be living in comfort

“

It’s an absolutely amazing piece of modern ﬁction: mystery, comedy, and sci-ﬁ all rolled into one

he Catcher in the Rye is in fact a perceptive study of one individual's understanding of his human condition. Holden Caulfield, a teenager growing up in 1950s New York, has been expelled school for poor achievement once again. In an attempt to deal with this he leaves school a few days prior to the end of term, and goes to New York to 'take a vacation' before returning to his parents' inevitable wrath. Told as a monologue, the book describes Holden's thoughts and activities over these few days, during which he describes a developing nervous symptomised by his bouts of unexplained depression,

Book

Author: J.D.SALINGER Category: Short Stories

“

THE CATCHER IN THE RYE

impulsive spending and generally odd, erratic behaviour, prior to his eventual nervous collapse.However, during his psychological battle, life continues on around Holden as it always had, with the majority of people ignoring the 'madman stuff' that is happening to him - begins to encroach on their well defined social codes. Holden actually the one who is going insane, or is it society which has lost its mind for failing to see the hopelessness of their own lives? When we are honest as a fascinating and enlightening description of our human condition. However, beware... for that very reason it is not comfortable reading.

ITALIAN SHOES "rest camp" prison pending the expiration date, but he soon realized the absolute power of Nurse Ratched would hold him back a "prison "indefinitely, McMurphy begins to find ways to win the supervision of nurse Ratched.

en n in g M a n k e ll is t o o v iv id a n d c o m p e llin g a s t o r y t e lle r t o b e s u n k b y t h e c o n v e n t io n s o f e v e n t id e f ic t io n , b u t it ' s a c lo s e - r u n t h in g . T h is g e n r e is h a u n t e d b y d e p r e s s e d n a r r a t o r s . I n I t a lia n Sh o e s , h e is a n e ld e r ly e x - s u r g e o n w it h a ll t h e t im e in t h e w o r ld t o p o n d e r h is f a ilin g h e a lt h , w a s t e d t r a in in g , la c k o f empathy, potency and company.

Af t e r a m p u t a t in g t h e w r o n g a r m o f a w o m an w it h b o n e c a n c e r , h e has s p e n t t h e la s t 1 2 y e a r s a lo n e o n a n is la n d in the B a lt ic . St ill, h e c a n n ot e s c a p e illn e s s . Wh e n p e o p le o r p e t s e n t e r his lif e .

JOLIE SENSATION | FILM Editor : Tram Pham Photographer : Huy Lee

JOLIE CINEMA

A romantic comedy about a family traveling to the French capital for business. The party includes a young engaged couple forced to confront the illusion that a life different from their own is better.

ondly recalling the opening of his own Manhattan, Woody Allen’s breezy comedy Midnight in Paris begins with a series of Parisian postcard shots set to Sidney Bechet’s lilting, soulful “Si Tu Vois Ma Mere.” Allen’s affection for clarinet and Dixieland jazz make the musical choice typical, but the song is even more appropriate considering Bechet’s connection to Paris beginning in the 1920s, a time when the city was a magnet for Western culture populated by famous expatriate Americans and alive with a vibrant art scene. Right away we know this is an idealized vision and it’s a perfect start to a wonderful, wistful cinematic French kiss to the City of Light; a movie for romantics who believe a time and a place can be magic It is a fantasy of this 20th century Parisian golden age that beckons to Gil (Owen Wilson), a successful screenwriter from Pasadena who romanticizes the idea of the struggling artist and who dreams of writing a novel like Ernest Hemingway. Having spent time in the city as a young man, Gil returns with his fiancé Inez (Rachel McAdams), a materialist immune to the city’s

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magic and suspicious of her future husband’s need for anything more fulfilling than making lots and lots of money. While walking back to his hotel one night alone, Gil loses his way only to stumble upon the after-hours Paris of his dreams. There among the drinkers, the dancers a n d t h e p a r t ie r s , h e m e e t s t h e b e a u t if u l a n d mysterious Adriana (Marion Cotillard), a woman who understands his creative drive and who also shares his obsession with a Paris of a different age. In the city after midnight, will Gil find the inspiration to finish his novel? Will he be able to convert Inez to Paris’ abundant Always kind of a scruffy, puppy dog presence in films, Owen Wilson here tones down the nerdy insistence he brings to Wes Anderson’s pictures while keeping the endearing boyishness. As Gil, he’s the surrogate everyone looks for in Woody Allen movies ! Director: Woody Allen Writer: Woody Allen Actor and Actresses: Owen Wilson, Rachel McAdams and Kathy Bates

Movie

MIDNIGHT in

PARIS 63

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Appreciation

Lee Huy

â&#x20AC;&#x153;

is no colorist better â&#x20AC;&#x153; There than Mother Nature

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Fashion Story

Take Me To THE RIVER

JOLIE FASHION / BEAUTY COLLECTION

Jolie Magazine Jolie Magazine S pri n g 2 0 1 2

The

Queen of Where

Photography: Laura Cammarata Retouching: Lee Huy Styling: Silvana Rosano Make Up: Adriana Tedeschi Hair: Gaetano Pusanti Model: Veronica Pasta

“

There is no colorist better than Mother Nature These are the words of Lloyd Simmonds,

”

refined maquilleur and creative mind behind Yves Saint Laurent makeup. In fact he has dedicated the next collection to the colors of a night garden, a kaleidoscopical mix of lunar tones with contrasting shimmers: glossy and mat, sparkly and evanescent, shiny and intense. “It is so in nature: shine coexists with mat thus creating plays of light that are always new and unexpected”. And end of summer restyling plays precisely with this contrast of chiaroscuro, creating totally new makeovers. Taking on lace, color and baroque inspired accents, Magdalena really shows her personality in Robbie Spencer’s quirky stylings.

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“ Simply Italia ” The shoot was very simple, focusing on beauty than styling . Like a uber tall (uber thin) barbie doll . Suspended between reality and fantasy, dreams are a state of grace and magic in which everything becomes possible. But that, when sleep fails to come, instantly transform into their exact opposite: nightmares. Insomnia is a nightmare that affects ten percent of people. And especially women.

Obviously this has an immediate effect on the skin, compromising those indispensable mechanisms of cellular regeneration whom we have to thank for radiance and compactness. But the psychophysical repercussions of sleeping little and badly overshadow the éclat.

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“ No Where ” The tan for 2011 is intense, never very dark, and even to the point of making the skin practically perfect. Super radiant without being iridescent. Simply glowing with its own radiance, in a state of cutaneous grace that the Americans call “inner beauty”, as if it comes from within.

“ Touch me.” The tan for 2011 is intense, never very dark, and even to the point of making the skin practically perfect. Super radiant without being iridescent. Simply glowing with its own radiance, in a state of cutaneous grace that the Americans call “inner beauty”, as if it comes from within. And even if a good skin compactness has much to do with this, the correct use of the latest cosmetics has its importance too. Just by preparing the skin fifteen days before leaving for the sun with supplements wards off many anti-aesthetic risks and avoids many discomforts.

JOLIE FASHION | FASHION STORY Editor : Huy Lee Photographer : Vy Le

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Jolie Magazine

TAKE

ME THE TO

RIVER A Story about

CHRICTIAN DIOR

“I wanted to be considered a good craftsman,” wrote Christian Dior of his “Spring 1947” debut collection.

83 83

Chanel’s head tailor, Jacqueline Mercier, ehind the Paris haute couture masterworks firmly. “It’s a question of sensibility.” Head lie the fabled workrooms. Hamish Bowles dressmaker Cécile Ouvrard (who trained at meets the highly skilled tailors and dressChristian Lacroix with her mother, Janine makers whose wizardry makes the magic Ouvrard) agrees: “Each worker has a dif“I wanted to be considered a good craftsman,” wrote ferent hand, like artists. There are girls who Christian Dior of his spring 1947 debut collection. are better with chiffon, others with velvet, “I wanted my dresses to be constructed like buildothers lace.” ings, molded to the curves of the female form, stylizing Today, an estimated 200 women its shape.” Dior’s sensationally feminine and romantic buy regularly from the Paris couture, clothes—a provocative challenge to the dominant where a Chanel suit takes 150 hours to broad-shouldered, man-tailored wartime silhouette— make, requires three won him instant celebrity. fittings, and, with a But it was to Dior’s directrice “The greatest challenge is to find the smattering of embroitechnique, Marguerite Carré exact forms, the volumes, that M. Galdery by the fabled (“Dame Couture,” as he dubbed liano wants,” says M. Raffaele. “It’s a Lesage, can edge toher), that much of this early work of mutual confidence and underward a $100,000 price success must be attributed. It standing, a real collaboration with the tag (elaborate evenwas she who transformed Dior’s creator. Each season he goes further ing gowns can soar rapid, impressionistic sketches and further. For me, the most satisfying beyond that figure). A into three-dimensional desire, moment is to see in M. Galliano’s eye best-selling Chanel suit employing a roster of dressmakthat he recognizes what he wanted.” may be ordered by ten ing techniques both innovative “John knows that even if he sugor fifteen clients, though and archaic to interpret his gests something ‘impossible,’ “ chez Lacroix, for invision. More than six decades stance, only one model later, when John Galliano looked adds Rivière, “it will happen.” She certainlly thinks suggestive way, and of each evening dress is at images of those clothes to sold per country. Guidinspire his own fall haute couture then his premières realize their own interpretations in toile form. When he has ing them in their choices collection for the House of Dior, seen these, Lacroix produces a second are the vendeuses, or it was these same skills that sketch that fuses both his original salesladies, who, with a new generation of technical their directrice de la wizards employed to bring his couture, coordinate the fantasy to life. client’s requirements with the fitter and her Mme Marguerite was poached by Dior from the seamstresses to make them a reality. House of Jean Patou, wooed with the promise of This relationship “is a question of the technical direction of his entire ﬂedgling house. trust,” says Dior’s ineffably chic directrice, Traditionally, in the hierarchy of the haute couture Catherine Rivière. “You need to know her workrooms, with its courtesy titles and unquesbody,” earnest young man who comes tioning respect for the designer king, the premifrom a Neapolitan tailoring family, trained ères (heads) are responsible for a single workand worked at Chanel for a decade with M. room, where they specialize in either flou (soft Paquito, a legendary and demanding figure. dressmaking) or tailleur (tailoring). “The people (“He was so extraordinary about collars,” who work with chiffon can’t work With tweed,” says

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“ FOR ME, THE MOST SATISFYING MOMENT IS TO SEE IN M. GALLIANO’S EYE THAT HE RECOGNIZES WHAT REALLY WANTED.”

“ Each worker has

a different hand, like artists. There are girls who are better with chiffon and others with lot velvet, others laces “

recalls Deeda Blair, “and would caress the stitching of the inner canvas into curves that made them stand away. He admired your selection and was ﬂattering, or gave a subtle glance of disapproval if you tried on something unbecoming. Dior’s première of the dressmaking atelier is Florence ys Martine Houdet, one of Chanel’s head dressmakers (Chanel has two ateliers ﬂous), “but after that you need to learn the technique of the house.” At Chanel, M. Raffaele notes, Karl Lagerfeld’s exquisite sketches are so precise—every seam and pocket clearly marked—that he often doesn’t need to see a complete toile (the cotton-calico version of the garment made to confirm that it represents the designer’s vision before the precious fabrics are cut.

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JOLIE FASHION | OUR COVER

COCO ROCHA

Italian Model Jolie Magazine S pri n g 2 0 1 2

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