Win Zie Portfolio

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Win Zie Lee

Architectural Portfolio


WIN ZIE LEE + 6 0 1 7 2 8 4 0 61 6 l e e w i n z i e _ 91 7 @ h o t m a i l . c o m ht t p s : / / i s s u u . c o m / l e ew i n z

Contents

EDUCATION Bachelor of Environments (Architecture ) University of Melbourne 2014 – 2017

2016: - Committee of AND Speaker Series - Catalogue Team of GAP (Global Architecture Profiling) Puebla Exhibition 2014: - Awarded “University of Melbourne International Undergraduate Scholarship”

WORK EXPERIENCE Design Engineer Seagull Cooling Technologies (Asia Pacific), KL February 2020 - July 2022 Student Architect H2 o architects, Melbourne July 2018 - December 2018

Co o l i n g To w e r D e s i g n

WORK EXPERIENCE, H2O ARCHITECTS T h e Fr i e n d s ’ S c h o o l

BAR & RESTAURANT I s h i I z a ka y a

THIRD YEAR FINAL PROJECT Bi - learning High School

THIRD YEAR PROJECT 1 Ev e n t S p a c e : S h a d o w E l e c t r i c

TECHNICAL SKILLS BIM - Ad vance Steel - AutoCAD 3 D Modelling - Rhinoceros 3D - Grasshopper

WORK EXPERIENCE, SAP

Visualisation - Photoshop - Illustrator - InDesign Fabrication - Model Making - Digital Fabrication

SECOND YEAR PROJECT 2 ‘ S e c re t ’ P a v i l i o n

SECOND YEAR PROJECT 1 S i t e Te c t o n i c s & La n d s c a p i n g

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Cooling Tower Design Work Experience Seagull Cooling Technologies (Asia Pacific), Kuala Lumpur Professional Experience Awarded “Innovation Stars” - 2021 Design and generate General Arrangement Drawings, Civil & Structure Drawings, Installation & Detail Drawings, Fabrication Drawings and 3D Models for Cooling Towers under CTI / OSHA / other international codes and client specifications. My roles include: - Ensured to deliver design within project schedule and budget - Produced BIM drawings with Advance Steel and researched to increase team productivity in generating drawings - Generated standard parts and drawings to improve team efficiency - Researched and applied design optimisation to maximise performance - Liaised with production engineers on fabrication issues - Liaised with project managers and site coordinators on installation issues - Prepared packaging design and packing list for delivery - Provide guidance on design and BIM drawings for new team members

3D Structure Modelling: Russia AGCC Project - 20-Cell Cooling Tower

Involved Projects: - Amur Gas Chemical Complex (PE/PP/LAO Units) (by Maire Tecnimont), Russia - HPC (Hanwha Solutions Corp.) (by SGC eTEC E&C), South Korea - MPV Sugar Mill (Mitr Phol Group), Thailand - M25 Boysun Gas Processing Plan Project (by Enter Engineering), Uzbekistan - CJ Bio (PT Cheil Jedang) Pasuruan, Indonesia - Prima Cool CBD (China State Construction Engineering), Egypt - KMP (Western Japan Trading Co. Ltd.), Japan - Selangor Petrochemical Plant Phase 1 & 2 (Top Glove F44SL), Malaysia - Researched and created prototypes for Modular Tower Design GENERAL NOTES: 1.

ALL DIMENSIONS ARE IN MILLIMETERS AND ELEVATIONS ARE IN

2.

DESIGN DIMENSIONS SHOWN ON THE PRESENT DRAWINGS ARE IN

3.

ANY

METERS UNLESS OTHERWISE SPECIFIED. ACCORDANCE WITH EXISTING SITUATION.

3D Structure Modelling: Russia AGCC Project

3D Modelling: South SCREEN CAGEKorea (1) eTEC Project: Screen Cage SCREEN CAGE (2) ISOMETRIC VIEW ISOMETRIC VIEW

MINOR

INSTALLATION

MODIFICATIONS,

FIELD

FIT

UP,

ADJUSTMENT OR CUTTING TO SUIT IN FIELD INSTRUCTIONS INDICATED ON DRAWINGS WILL BE MANAGED DIRECTLY BY THE ON-SITE SUPERVISOR. 4.

ANY OUT OF TOLERANCE MODIFICATIONS OR MAJOR INSTALLATION ADJUSTMENTS THAT POTENTIALLY IMPACT THE STRUCTURAL DESIGN OR TOWER PERFORMANCE WILL NEED TO BE CHECKED AND APPROVED BY SEAGULL, PRIOR TO ANY MODIFICATION WORK.

5.

THIS DRAWINGS SHALL BE READ IN ACCORDANCE WITH RELATED DETAIL DRAWINGS DURING INSTALLATION.

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The Friends’ School Work Experience H2o Architects, Collingwood Design Directors: Tim Hurburgh & Mark O’Dwyer Professional Collaboration As a Student Architect and Office Intern in H2o architects, I have been working on office administration takes and project works to the instruction of the Project Architects. I have gained valuable practical experience and understand design stages by assisting the team in visualisation and documentation for different projects. I have also been enhancing my CAD and Adobe skills while working intensely on different projects at the same time.

The Friends’ School is located in Hobart and the firm is required to design based on its existing building. In this project, I was instructed to create virtual models and visualisation at the schematic stage. My roles include: - Building virtual (existing and designed) models in Rhino 5 - Export perspective view and visualise in Adobe Photoshop - Discuss with the architects and interior designer to choose the material The 2 images below are the examples of my work for this project.

Visualisation: Exterior Perspective (Schematic Design)

Visualistion: Interior Atrium (Schematic Design)

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Ishi Izakaya Bar & Restaurant Floor Plan & Mood Board This is for a hospitality and business assignment by Amanda Lim. Ishi Izakaya is a bar and restaurant which serves Japanese stone grill and alcohol. The client required a industrial style bar and restaurant which heavily emphasized with red brick wall and black galvanised pipe/wire fitting.

Bar (Moodboard)

Ishi Izakaya Bar & Restaurant Floor Plan

Restaurant (Moodboard)

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Bi-learning High School Third Year Final Project Tutor: Sarah Song Individual Work This project is located at the University High School in Parkville. The school values students’ individuality, diversity and excellence. The agenda is to design a high school using reflective thinking as a type of future pedagogy. The design mimics the duality of the brains as an organ as well as a thinking tool. Hence, the building was separated into two parts while making connections in between to represent the relationship between the left and the right brain. The interiors of the building are also designed to suit each theme and facilitate student’s learning and reflective thinking.

External Perspective View

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SITE ANALYSIS

DESIGN CONCEPT

FUTURE PEDAGOGY: REFLECTIVE THINKING AS A METHOD EXPERIENCE

OBSERVATION

R o y a l Pa ra d e

EXPERIMENT

CONCEPTUALISATION

y

Ro

“Think how to think.”

de

ara

P al

y

Ro

‘Movement’

de

ara

P al

y

Ro

Slice

de

ara

P al

R

Public Acess

LEFT BRAIN VS RIGHT BRAIN

Summer Solstice

Summer Breeze

Winter Solstice

Winter Breeze

LEFT BRAIN ANALYTIC Logic Sequence Linear Verbal Words Number Lines List Whole Picture

R o y a l Pa ra d e

Sunlight & Wind Direction

5x=6+3y N

H H2N

H

O

O

v=u+at

C N H

C

RIGHT BRAIN CREATIVE

N

Visual Intuitive e rad Imagination Pa l ya Ro Feeling Holistic Slice Rhythm Colours Shape Details

H

4159...

π =3.1

Oy RoF=ma

de

ara

P al

OH

Q=mL

HTML ‘Movement’

Hello こんにちは Chào 안 녕 Guten Tag

语言 Hej

MOTIVATION IDENTIFY STIMULATE EXPERIMENT

y

Ro

de

ara

P al

Public Acess

y

Ro

de

ara

P al

Circulation

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Public

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ara

P al

Private

The design cuts through the building by movements (as in site analysis) to create the effect of “left-brain” and “right-brain”. Then, create elevation by transiting from the public at a lower level to private in the upper level to differentiate the usage of the building between students and the public. Building functions are integrated with the concept (as in design matrix) and create circulation for the process of reflection.

FACADE EXPERIENCE

REFLECTION <20m

>40m

UHS School Area

Outer City

20m-40m

Greenery

Health Services

UniMelb Area

Residential

ACHIEVEMENT

Building Typology

R o y a l Pa ra d e

DESIGN MATRIX

RIGHT BRAIN

LEFT BRAIN

Main Road

Tram Station

Street & Lanes

Experience & Quality

Activities & Exercise

Motivation

• Motivated

• Gym & Work out

Stimulation

• To generate imagination and creativity •Thinking out of the box

• Daydreaming - soft/memory foam •Open Library

• Running water (Waterfall) - calming & generate thinking flow

Experience

•Holistic thinking •The sun & shading

• Outdoor-in • Counting pebbled - categories thing with pebbles

• Observe - encourage viewing different direction

Identify

• Resources & information • To deliver analysis

• Closed library

• Thinking room - a space to think and analyse

Experiment

• To test implications • Large and clear space • Less distractions or stree

• Public experiment - platform/ bulletin board • Private experiment - thinking room

Reflection

• Into detail thinking

• White wall/glass wall - marker

Achievement

• Lifespace (force field)

• Cloistered garden

Sketches of preliminary facade ideas

Sketches of facade design and connection to the building

The facades are also designed to mimic the form of a brain. In the final design, the ‘left-brain’ is represented with grid panels for logical thinking while the ‘right-brain’ is designed in parametric to present creativity. The ‘two brains’ collide and merge where the ramps are located.

Street Layout & Circulation Sketches of the ‘Collision’ between the ‘Two Brains’

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S to r y S tr eet

PLANS

Ramp from L1

Ramp from L2

Roya l Para de

Ramp from Mezzanine

Ramp

Sport Dept.

Theatrette

Theatrette

Aerobics Studio Gym Space

General Area / Cafeteria Study Area

Ramp

0

2

4

6

8

10m

Computer Room (Renaissance Centre)

Retreat Space 0

2

4

6

8

10m

Renaissance Centre

Renaissance Centre

Informal Study Space

Retreat Space

Informal Study Space Publishing Room Staff Room

Ramp

Retreat Space

Personal Study Space

Classroom

Thinking Space

Staff Room

Staff Room Kitchenette

Group Study Space

0

Ground Floor & Site Plan 1:200@A0

View of Right Brain Facade from Royal Parade

Mezzanine Plan 1:200@A0

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4

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10m

0

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8

Level 1 Floor Plan 1:200@A0

10m

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10m

Common Room Rooftop Garden & Zen

Classroom

Kitchenette

Retreat Space

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Level 2 Floor Plan 1:200@A0

10m

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10m

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10m

Level 3 Floor Plan 1:200@A0

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Ground Floor - Netball Court

‘Right Brain’ - Renaissance Centre

‘Left Brain’ - Digital Archive & Computer Room

A

A

Polycarbonate roofing

Timber truss roof structure Concrete slab flat roof / Plant room Theatrette Aerobics Studio Gym Space Retreat Space 0

2

4

B

“Achievement”

B

Sport 6 Dept. 8 10m Theatrette General Area / Cafeteria Study Area

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4

6

8

10m

“Reflection” - Detail thinking

“Experience” - Holistic thinking

Section AA

“Right Brain” Facade Glazing “Right Brain” Facade Steel Structure “Experiment” Digital Room

“Stimulation” Library - Observation Fire rated hallway from 1st floor to top floor

“Identify” Library - Analytic

“Left Brain - Analytic” Facade

Waterfall wall Fire rated structure to create fire rated hallway

Section BB

Axonometric Drawings

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Event Space: Shadow Electric Third Year Project 1 Tutor: Matthew McDonnell Individual Work The project is for the Shadow Electric event, holding annually at the Abbotsford Convent. The design specified on contrasting the experiences between past and future; between open space and secured. This includes contemporary structures to suit the ‘Shadow Electric’ event within the courtyard such as outdoor theatre and stages for the music festival which can be occupied by 250 peoples. In this case, the proposal includes a permanent open-air theatre structure (which connects two buildings on the site), a music stage, a minibar and designated area for socialisation.

0

10m

N

Internal Elevation

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ANALYSIS & CONSIDERATIONS

FORM FINDING

In order to create seats and staircase-like structure for the open-air theatre as well as blending into the landscape, the surface was sectioned. This creates an upper level and increases the surface areas for motions.

Site & Surrounding Plan Abbortsford Convent

Seats & Views Function Complexity

Design Proposal from Previous Exercises

MOVEMENT, CIRCULATION & SPACE PLANNING

In terms of form-finding, the structure was outlined in the convex slope as mentioned previously. Hence, users can experience contrast and hierarchy while walking around the structure.

Existing Site Movement

Breaking Grid Movements

Integrating Functional Space Planning

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PLAN & SECTIONS

Section AA

Section BB

B

C

Section DD

D

E

Section EE

Section FF

F

Main Entrance

A

Section CC

Entrance, Bar and Open Theatre 0

A

B

C

D

E

F

2

4

6

8

10m

N

Roof & Floor Plan

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TECTONICS & PROTOTYPES Top plates without holes

Column that goes through panels

EXPERIENCES Designated holes in panels for columns

Zig zag to match panels together

Due to the massive structure, it was hard to process large panels (about 40m). Hence, the better way is to connect each panel and lock them together horizontally to meet the quality of a massive panel. In order to provide a structured system to carry loads, columns are used to hold the panels.

Day Experience in Open Theatre

Night Experience in Open Theatre (with Portable Seatings)

Retreat Space

Retreat Space & Mini Stage - Bird Eye View

Final Model

Final Model

The panels were proposed as timber while the columns are hollow steel. As steel gives an impression of light but rigid, it is able to hold the structure in place and also create a ‘forest of steel’ underneath the staircaselike theatre.

Final Model in 1:100 Scale

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‘Secret’ Pavilion Second Year Project 2 Tutor: Pham Tuan Viet Individual Work This project is to create a place to experience ‘secret’ with different expressions of tectonics. The sire is located at the Northest of Herring Island. This project intends for patrons to explore the secret within the site (Herring Island) and project (the secret of life which was presented as a tree for visitors to discover). The journey of exploring secret starts once visitors step on the island. Visitors have to explore the secrets of the island (identified as hidden aboriginals’ sculptures) before exploring the project. The project has taken ‘Pyramid’ as a form of the secret as Pyramid is seen as an open secret. The pyramid is extruded into the ground and divided into 3 levels, showing the above ground, (on) in the ground and underground. The whole pavilion is stressing on exploring secret spots hidden in the underground level that require people to find out themselves.

North Elevation (Entrance)

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EXISTING SITE - HERRING ISLAND

RELATIONSHIP STUDIES

Port Landings Sculptures Buildings Vegetations Site Road 1m Contour N

Points, Lines & Planes

Mass & Lights

CONCEPTACLE MODEL

Frame & Infills

Conceptacle Model

Generating model from the idea of mass and light to explore the underground area more, than the surface on the ground. Hence, taking ideas from previous practices, using frame and infill to create private space (as ‘secret’), semi-open and open place (to contrast), mass as exterior/materiality and point/line/plane as a connection between the elements.

DESIGN CONCEPT

Pyramid

Deformed Pyramid

Bird Eye View

Above the ground is a glass and concrete pyramid that creates open spaces and antigravitiness that compare to other levels. The level on (in) the ground is half engraved into the ground and three sides covered and light can come in from one side. The underground is able for light to intrude through skylight and contrast to the level above ground with its heaviness. 15


PLAN & SECTIONS RESTAURANT/ CAFE KITCHEN

RESTAURANT/ CAFE

ACCESSIBLE TOILET

MALE TOILET

GALLERY SPACE

GALLERY SPACE

FEMALE TOILET

GALLERY SPACE

Ground Floor Plan

Section AA

1

5m

N Underground 1 Floor Plan

1

5m

N Underground 2 Floor Plan

1

5m

N

Section BB

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From the Bridge

Cutaway View

Cafe & Retreat Space

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Site Tectonics & Landscaping Second Year Project 1 Tutors: Phil Edwards & Patricia Robles Individual Work This studio is looking at the modification of landscape and ways to improve the quality of the land. Using the Farnsworth House as an example and located it in the Yarra to be modified into an accessible landscape. Ramps were designed to facilitate the movements of people along the landscape.

Bird-eye View after modifying landscape

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SUN SHADOW STUDIES

MODIFIED LANDSCAPE PLANS

N ABPL20047 SITE TECTONICS WIN ZIE LEE 708285

DRAWING TITLE: MODIFIED SITE PLAN

DRAWING NUMBER: A3.4.1

1:500 @ A2

+ 13.00

A

Afternoon (3pm)

C +12.50 22.6

M +7.50 m

11

12

.2

Q m

.6m 10

.0m

10

m .0

m

V

LENGTH(m) 22.6 14.9 11.2 10 10 10 10 12.2 11.7 10 10 11.3 11.7 10 10 11.3 10.6 10 10 11.2 18.7 12.4 11.1 10 28.2

HEIGHT(m) 0.5 0 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.5 0.75 0.75 0.5 0.5 0.5

GRADIENT 1:50 1:23 1:20 1:20 1:20 1:20 1:25 1:23 1:20 1:20 1:22 1:23 1:20 1:20 1:22 1:21 1:20 1:20 1:22 1:25 1:17 1:22 1:20 1:57

+ 4.25

.0

+6.50 O

10

m .0

+11.00

m

.7m

m .0 10

.0m

10

T

10

.0m

+8.50 K 10

F

.3

11

10

.0m

10

+7.00 N +6.00 P +5.00 R + 4.00

m

+10.50 G

U + 3.50

11

+8.00 L

.0

m

10

+9.00 J

.7

+11.50

10

.3

11

H+10.00

18

E

+5.50

.7m 11

D +12.00

.0m

B

+12.50

m

14

.2m

.9m

m

I +9.50

.2

Noon (12pm)

11

Morning (10am)

PATH AB BC CD DE EF FG GH HI IJ JK KL LM MN NO OP PQ QR RS ST TU UV WX XY YZ Z1Z2

S+4.50

+ FFL 5.150

+ FTL 4.250 + 3.50 X m

12.4

11.1

m

W

+3.00 Y

10

ABPL20047 SITE TECTONICS WIN ZIE LEE 708285

.00

10.0

m

N

DRAWING TITLE: CONTOUR PLAN

Upon modifying the landscape, it shows a significant reduction in the volume of up to 5788m3. This leads to a distinguishable increase in surface area of topography at 670m2.

DRAWING NUMBER: A3.4.2

+ 2.50

Z1

1:200 @ A2

This increase in surface area is extremely beneficial as it allows more room for landscaping such as design and integration of vegetations.

Perspective of House & ramp after modifying landscape

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