Interior Architecture Portfolio by Lee Yunqi Kei

Interior Architecture Portfolio

Lee Yun Qi, Kylie 20102384/1 B i r m i n g h a m C i t y U n i v ersi t y x M a l a y si a n I n s ti t u te o f A r t 2019 / Year 2 Semester 3

K Y L I E, Y U N Q I L E E Interior Designer I aspire to associate human psyche and space aesthetically, promote harmony ecology that guarantee quality of life.

Lee Yun Qi, Kylie Pahang kei_yunqi@live.com +60 109080825 Malaysian 27. Februar 1995

EDUCATION GCE- SPM 2012

12As

SMK HWA LIAN / 2008-2012

Diploma In Interior Design 3.67/4

WORKING EXPERIENCES Interior Design Consultant ESSENTIAL DESIGN INTEGRATED/ DEC 2015-MARCH 2018

INTERIOR DESIGN SOCIETY/ 2015

- Refine and present the clients’ ideal lifestyle into a presentable concept story telling boards for better communication on the design concept. - Be a problem solver to develop schematic ideas into a fully functional design, through analyzing details and evaluating results to choose the best solution and solve problems through out the design process. - Prepare documentation on detailed instructions, drawings, or specification to be fabricated and constructed and make sure all documentations are up-to-date. - Identifying suitable tender by recognizing strengths and weaknesses of tenders in constructing the project. - Communicating with suppliers and builders to seek for professional advice to ensure an ideal is practical. - Performing day-to-day administrative tasks such as maintaining information files and processing paperwork. - Providing guidance to interns and monitoring their performance while helping them improve their knowledges and skills. - Involving in eight projects along the year, one of them had been completed while three projects are active currently.

“Beautify My Home Competition”- 1st Prize

Freelance Visualiser

MALAYSIAN INSTITUTE OF ART / 2013-2015

ACHIEVEMENTS “3-Gen Living and Design Showhome” -Kid’s Room HOMEDEC KLCC MALAYSIA / 2016 - a showhouse with the theme “ 3 Generations”

Best Student Award and Student Representative INTERIOR DESIGN DEPARTMENT/ 2015

President of Society

ROTARY CLUB OF PUDU MALAYSIA / 2014 - a welfare service to beautify the old folks home

“Pangkin Design- Seribu Satu Idea” ASTRO RIA / 2014 - a TV Show to celebrate Hari Raya

EDV-KNOWLEDGES 3D MAX & VRAY & SKETCHUP PHOTOSHOP & LIGHTROOM AUTOCAD & REVIT ILLUSTRATOR & INDESIGN MS OFFICE MAC & WINDOW TWINMOTION DAVINCI RESOLVE

LANGUAGES Englisch

Cambridge International Examinations - GCE ‘O’ Level Grade B(b) Chinesisch GCE- SPM - Grade AMalaiisch GCE- SPM - Grade ADeutsch B2 Kantonesisch only daily speaking

2015-PRESENT - Practicing 3D Max and Vray Rendering over time to be visualiser for projects below: - Condo Unit in Damansara City by Black Bowl Resource - Town House in Putra Height by The Roof Studio - Wai Cheong’s Residence by RDM Design

Art Teaching Assistant *Kids THE ART STUDIO ARA DAMANSARA/ MAY 2016- SEPT 2019 - Be encouraging and inspiring kids to express themselves freely by exploring the different drawing medias. - Interacing with the kids through art by listening to them and sharing to them from heart to hear.

Internship IND’ FINITY DESIGN/ OCT 2014- FEB 2015 - Participating in every stages from schematic design toward complete implementation. - Involving in seven projects along the three months internship.

Kids Art Teachers PUSAT JAGAAN CAHAYA MINDA/ DEC 2012- MARCH 2013 - Creating lesson topics every weeks for bringing out the inner artists of students to help them in building skills and self-confidence.

CONTENT INTERIOR STRATEGIES 1/ Project 1/ Pop-Up Structure

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea H

Design Communication

House & Artist Live + Workspace

6- 21

22- 47

48- 67

茶。聚 Bring people together with tea / interior strategies 1 Project 1

/ Pop-Up Structure

茶。聚 Tea Gathering Pop-Up Structure Location Cameron Highland Sungai Palas Boh Tea Plantation / Client BOH Tea / Designer Lee Yun Qi, Kylie / Year September 2019 (Year 2/Semester 3) / University Birmingham City University x Malaysian Institute of Art

LANDSCAPE X SMELLSCAPE Landscape 360 degree x infinity

In order to merge the Pop-up Structure with the surrounding terrain and contour, I study the shape of the contour on Cameron Highland, and transform it as a rotation platform. Instead of just having one single view, the rotation platform allows people to experience the panorama, 360 degree of the terrain landscape view with the generation of electricity from the footsteps collected on the center festival pavilion. As pedestrians walk across the Pavegen system that installed on the floor of the center festival pavilion, the weight from their footsteps compresses electromagnetic generators below, producing 2 to 4 watt seconds of offgrid electrical energy per step. Low-Power Bluetooth beacons connect to smartphone apps and the system can also communicate with building management systems. The electricity generated could rotate the seating platform of the Pop-Up Structure. The reflecting effect from the aluminium mirror sheet on the ceiling panel enhances the experience of the infinity view of the greenery landscape.

Smellscape mobile art x interaction

INTERIOR STRATEGIES 1/ Project 1/ Pop-Up Structure

Having a “campfire” Pop-up Structure, which I studied from the literature review entitled “From Ambient Environments to Sentient Spaces”, is to gather the people from surrounding with the help of technology and mechanism.

By studying the odour swirling or the air movement of the smell, I am inspired to make a mobile art installation as a branding strategy to promote BOH tea products, as well as to allow the people to experience the tea leaves with smelling sensation. With the air motion and air circulation surrounded the space, the smell from the mobile art would be spread out. Besides that, the people are encouraged to interact with the mobile art or with the others. They can easily pull down either one side of the mobile art and smell the tea leaves to choose which tea products they wish to have a try.

SMELL-WALKING PLAN LANDSCAPE X SMELLSCAPE / Smell-walking at site

FOREST + GRASS + WET SOIL + FRESH Walkway

TEH TARIK

Street Smell Zone 1 Street Smell Zone 2 Street Smell Zone 3

CIGARETTE + PERFUME

Street Smell Zone 4 Street Smell Zone 5 Street Smell Zone 6 Street Smell Zone 7

Urban Planner Victoria Henshaw described her smell-walking experience in such way, “ On a bright, early summer’s morning we set off to sniff out the fetid and foul, the tantalising and satisfying, the familiar and surprising in the most normal of English cities. Meandering through streets, squares and partially enclosed arcades, we inhaled deeply, and encountered a rich variety of odours, each characteristic of the different forms, materials and activities of the environments. We detected the spicy, tantalising vapours of cooking and ingredients in the international district; the predominant neutrality of the high street interrupted every few steps by caffeine-laced, soapy or dry heat emissions from store frontages or, on occassion, the dominating gusts of Lush.” (2014, The Architectural Review)

POTASSIUM + UREA

INTERIOR STRATEGIES 1/ Project 1/ Pop-Up Structure

FUEL TEA FRAGRANCE

TEA FRAGRANCE + CHEESE

NO. SYMBOL 1 2 3 4 5 6 7 8 9 10 11 12

STREET SMELL

NAME OF SMELL

TEA FRAGRANCE CHEESE TEA FRAGRANCE FUEL CIGARETTE PERFUME TEH TARIK GRASS WET SOIL FRESH FOREST POTASSIUM/UREA

ZONE SMELL INTENSITY SMELL DURATION 1 1 2 3 4 4 5 6 6 6 6 7

••••••• ••••••• ••••••• ••••••• ••••••• ••••••• ••••••• ••••••• ••••••• ••••••• ••••••• •••••••

SMELL LIKE/ DISLIKE ••••••• ••••••• ••••••• ••••••• ••••••• ••••••• ••••••• ••••••• ••••••• ••••••• ••••••• •••••••

EXPECTED SMELL YES NO YES NO NO NO NO YES YES YES YES NO

MECHANICAL + TECHNOLOGICAL + EMOTIVE

= STANDARD OF LIVING PACKAGE poposed an alternative bundling of mechanical and technological systems that would allow the building shell to be even thinner (almost disappear) and the interior to become larger (almost endless) and more informal.

Such Projects highlight the need to respond to inputs and to produce variable, changing, and dynamic spatial experiences embedded with layers of information. The information harvested can be contextual: People Passsing By Local Weather Patterns Sounds Social Media Up Trending Conversations Popular Terms Searched 10

From Ambient Environments To Sentient Spaces /

Banham described two kinds of shelter historically created by humans: The Provision of mechanical, technological, and even more emotive support rendered the Standard of Living Package a broader energy provider, whereby “energy” was interpreted in an expanded sense, as an essential part of the infrastructure of our daily lives.

1. Avoided Environment

INTERIOR STRATEGIES 1/ Project 1/ Pop-Up Structure

Literature Review

2. Interfering with local meteorology “ CAMPFIRE ” 11

Design development /

The â&#x20AC;&#x153;fireworkâ&#x20AC;? installation attempt to bring people together in varying degrees of proximity and intimacy by creating ranges of experiences and participation. Rather than continuing to flatten, minimize, and strip the representation of information, what if it became robust, thick, deep, and part of the everyday spaces we interact with?

My design solution would be:

INTERIOR STRATEGIES 1/ Project 1/ Pop-Up Structure

Pop Up Structure

Data collected such as footsteps along the pathway in tea festival would be transferred as energy to rotate the tea tasting platform in order to have a panorama view on the tea plantation.

Festival Pavilion

FOOTSTEPS

PAVEGEN FLOOR

ENERGY & DATA

Design IMplementation /

Pop Up Structure x Literature Review

Pavegen creates high engagement with humans by converting their footsteps into energy and data.

INTERIOR STRATEGIES 1/ Project 1/ Pop-Up Structure

Pop-Up Structure

Enery collected from festival pavilion to be tranformed into kinetic energy which makes the Pop-Up Structure seating to be rotatable.

Sec

Ele

Layout Plan I Pop-Up Structure

1:40

CAMPFIRE Pop Up Structure 4 sq/m

Landscape and Ancillary Space 6 sq/m

PRODUCED BY AN AUTODESK STUDENT VERSION Elevation I Pop-Up Structure 16

1:40

Construction Drawings

Brand Awareness Mobile Art Installation as Tea Leaves Display

4SQ/M POP-UP STRUCTURE Lazy Susan

Tea Appreciation Experience Enerrgy Transferred from Footsteps Spins The Tea Seating Platform

= PRODUCED BY AN AUTODESK STUDENT VERSION

INTERIOR STRATEGIES 1/ Project 1/ Pop-Up Structure

PRODUCED BY AN AUTODESK STUDENT VERSION

Design IMplementation /

Aluminium mirror reflecting sheet to be laminated on roof panel

string to be tied on acrylic tube 5mm. thk mirror to be cladded on timber circular base Wording and description to be sticked on mirror Mobile art to be framed with wood As BOH Teaâ&#x20AC;&#x2DC;s biodegradable pyramid triangle tea bag with the specific tea product

INTERIOR STRATEGIES 1/ Project 1/ Pop-Up Structure

acrylic tube

INTERIOR STRATEGIES 1/ Project 1/ Pop-Up Structure

茶。聚 Bring people together with tea / Interior Strategies 2 Project 2

/ Heritage Building As Tea House & Artist Live + Workspace

Gather the people wit Pottery + Tea as self expre 茶。聚 Tea House & Artist Live + Workspace Location No. 17, Lorong Bijeh Timah (Tin Alley), Ipoh / Client BOH Tea / Artist Tan Vooi Yam (Pottery & Ceramic Sculptor) / Designer Lee Yun Qi, Kylie / Year October 2019 (Year 2/Semester 3) / University Birmingham City University x Malaysian Institute of Art

LANDSCAPE X SMELLSCAPE Movement

Expression

I see the swirling aroma of tea in the air as one type of movement, which is air movement, the natural shape of topography landscape as direct movement, and the freedom of self-expression as abstract movement. The strategy that I use to implement the movement in space is mobile art. In retail / The visitors can easily picking the tea bags mobile art hanging above to smell the aroma of different tea products of Boh. In tea experiencing area / The visitors can easily plucking the tea leaves mobile art above the table to blend own favorite of tea. In the gallery / The visitors can pull down the self blended tea leaves mobile art to smell and appreciate the other visitorsâ&#x20AC;&#x2122; pottery art that made in the pottery workshop.

Atmosphere X materiality Movement

Expression

Curved, organic shape and mountain-like form go through all the public spaces, from entrance retail, tea appreciation seating such as table and seating platform and landscape in yard and exhibition seating, it seems like those artists, users and branding are placed in the scenario in Cameron terrain as the Boh teas plantation. Our mind, thoughts and emotions are not something static, itâ&#x20AC;&#x2122;s being in a state of constant and continuous change. The world never stands still, it is in constant flow and change just like our feelings and thoughts. The 3M dichroic film hanging with the mobile art as a product description display which allows the people to walk around the exhibition gallery and see the mobile art change in color and reflect in the light.

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

th Terrain ession art

User

Boh

“The aroma of tea leaves are swirling as motion in the air wherever on the terrain of tea estate landscape, this evokes and triggers our memory and emotion in a way to express ourselves freely.”

Artist

LANDSCAPE X SMELLSCAPE ATMOSPHERE X MATERIALITY

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

To achieve this in the interior of the heritage building, Vooi Yam’s artworks are playing a role to enhance the beauty of space with his pottery art. This can make awareness to pay attention to our feelings and relationship with ourselves by doing pottery art and tea experiencing to express ourselves and share our story with others.

USER

Encourage self-expression through pottery art and tea blending

+ BRAND Trigger usersâ&#x20AC;&#x2122; memory and emotion through tea smells from Boh products

+ ARTIST

Reflect Vooi Yam himself through pottery art as lighting design

There are three main components that I consider the most, which are user and branding and artist. My design intention is to create the interaction between three of them.

ARTIST PROFILE / Tan Vooi Yam

However soon after he realized his passion for ceramic was not limited solely to pots making. He further expanded his vision by enrolling himself in the Kuala Lumpur College of Arts in 1989 and graduated in 1992 with a Minor in Ceramic Design. He is currently a designer, founder of studio Tao Jie Fang pottery in 2010, and conducts the building of the first mini wood fire kiln in Ipoh. Vooi Yam is one of Malaysiaâ&#x20AC;&#x2122;s most accomplished artists with expertise in producing ceramic installation.

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

Tan Vooi Yam comes from the 3rd generation of a pottery family in Ipoh, Malaysia. Hence he grew up surrounded by kilns, potteries and ceramics. After completing his studies, he joined and entered his family business.

SITE ANALYSIS / No. 17, Lorong Bijeh Timah (Tin Alley), Ipoh

The given site is a vacant historic pre-war shophouse on Lorong Bijeh Timah (also known as Tin Alley), to the West of Kinta River, in the old town of Ipoh. It is a typical piece of eclectic architecture built in 1890s portraying the image of cross-cultural correlation. Originally a village, Ipoh began to grow rapidly in 1880s after huge deposit of tin was discovered within its vicinity. That was during the period the British ruled Perak. Ipoh was declared a city in 1988.

No. 17, Lorong Bijeh Timah (Tin Alley), Ipoh

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

6.00pm 6.00am

Adaptive reuse of heritage buildings is one of the aspects of a sustainable environment that has been widely studied particularly on its environmental benefits, social advantages, cultural preservations and architectural values. The adaptive reuse of buildings, where changes in the space happen with the intervention of new programmes, poses a critical decision making, whether the past should be embraced or excluded?

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

It is important for an interior designer to be radical and context-sensitive.

BRAND / BOH Tea

BOH has been a leading tea producer in Malaysia since 1929. One of the few fully-integrated tea companies in the world, BOH grows, processes, packs and markets its own brand of authentic, home-grown, Malaysian teas. As a longstanding market leader in the region, consumption of BOH teas is ingrained in community life and we continue to maintain our position at the top by staying abreast of evolving consumer needs, aspirations, lifestyles and adapting our collections to suit. Itâ&#x20AC;&#x2122;s a new era for BOH as we extend our reach in delivering distinctive teas to both domestic and international tea lovers through our website. We export our premium teas to various countries including the USA, Denmark, Germany, South Korea,Taiwan, Japan, Singapore and Brunei so our consumers overseas get the opportunity to revel in a truly Malaysian tea experience. BOH invests in the research and development of its harvesting process to improve yields and quality, whilst constantly discovering new streams of innovation. As a household brand, we are an active member of the community, supporting the local performing arts scene as well as species and environmental conservation. We are very proud that BOH is recognised as an award-winning company, receiving many accolades for high standards in product quality, esteemed brand identity and community initiatives. Everything we do revolves around our passion for creating well-loved teas! Today, BOH is proud to be amongst some of the finest tea specialists in the world, mastering the art of tea, from tea bush to teacup. We are constantly committed to producing distinctive teas that are flavourful and brisk, with lots of colour and body as testament to the great legacy left by our pioneering founder, J.A. Russell, for generations to come. (Behind BOH)

Cameronian Gold Blend

Spa Infusions

Seri Songket

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

Garden Teas

Malay Herbs

Spatial Relationship ENTRANCE Gallery Workshop Retail Counter

Artist studio

Tea Tasting artist bedroom

artist bathroom

public Toilet

Immediate Adjacency Nearby

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

Close Proximity

17 TIN ALLEY GROUND FLOOR PLAN

DP 60mm

DP 30mm

DP 40mm

DP 30mm

17 TIN ALLEY FIRST FLOOR PLAN

AUTODESK STUDENT VERSION

15 DP 300mm

Wheel Throwing

Kiln

DP 30mm

Storage

17 TIN ALLEY ROOF PLAN 1:100

1:100

DP 30mm

DP 60mm

DP 30mm

1 2 3 4 5 6 7 8 9 10 11 12

VOID

DP 30mm

13 14 15 16 17

Pottery + Tea Art Gallery Tea Tasting Bar Tea Tasting Lounge Pottery Workshop Artist Studio

1717 TIN ALLEY 1st1st FLOOR PLAN TIN ALLEY FLOOR PLAN Scale 1:50 Scale 1:75

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

Five-Feet Walkway Retail Counter Retail Display Staircase Tea Tasting Counter Tea Tasting and Blending Seating Landscape Artist Bedroom Artist Bathroom Powder Room Disabled Powder Room Backyard

Five-FeetWalkway Retail Counter Retail Display Staircase Tea Tasting Counter Tea Tasting and Blending Seating Landscape Artist Bedroom Artist Bathroom Powder Room Disabled Powder Room Backyard

17 TIN ALLEY GROUND FLOOR PLAN 1:50 Scale 1:75

1 2 3 4 5 6 7 8 9 10 11 12

DP 30mm

13 14 15 16 17

Pottery + Tea Art Gallery Tea Tasting Bar Tea Tasting Lounge Pottery Workshop Artist Studio

PRODUCED BY AN AUTODESK STUDENT VERSION

DP 300mm DP 150mm

13 14 15 16 17

PRODUCED BY AN

17 TIN ALLEY ROOF PLAN Scale 1:75

Design de Tea House

Using Site Synergy to explore the idea of design.

Boh Retail Counter & Display 38

evelopment /

Exploring the shape of topography growing through the layout of the space, indirectly to create the circulation flow of the space.

& Artist Live + Workspace

Air Level

Pottery as counter weight

Boh Tea Leaves

Touch

Middle

Step

Ground

Pull Holder

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

Smell

Implement the smellscape idea with the mobile art design.

The materials used in construction respond equally to a sustainable idea. Continuous cement floors, ceramic block walls, custom made furniture with wood fiber boards combined with the restoration painting but maintain the texture on the existing wall.

Tea Tasting & Blending Seating 40

I am proposing a new way of tea experiencing to promote the branding by letting the visitors blend the tea themselves by referring the smell from the mobile art herbs and ingredients that hang above the ceiling structure.

Self making HERBAL TEA BLEND This will encourage the interaction between the people, as they can

Dry the herbs, flowers, roots,of barks, teas, and spices discuss the ways tea blending, share the tea ingredients and mobile art. 2. Pick from the mobile art to smell 1.

3. or choose those from the containers on table 4. Blend your own tea

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

Curved and organic shape table transformed from the landscape idea, the layering as the shelving for the tea components and table legs in glass extruded out from the table surface as a vase.

By participating in the pottery workshop, the participants could enjoy the tea as well at the same time. Reusing the timber shutter doors and transform them into pivot windows to enable the continuation of greenery view from the green plants downstairs.

Pottery Workshop There are different types of seating for tea experiencing, including a topography transformed layering lounge with the view toward the greenery of the backyard.

Tea Tasting Lounge Pottery hanging from the ceiling along with the void with the different length of the timber paneling structure creating the visual movement going up to the upstairs. Tea tasting bar act as another type of seating for a different type of tea experience.

Tea Tasting Bar

To let the artist have a good view of the yard to inspire him with new ideas from time to time.

Backyard

Gallery with the iridescent box stands to enhance the beauty of Vooi Yam’s artworks.

Tea Tasting Bar & Pottery + Tea Gallery

“Within today’s context of climate change, the term “adaptive reuse” is defined. and in a significant manner. One of three destinies for existing structures, adaptive reuse, in contrast to demolition and preservation, perpetuate a continuum of growth and change. Routinely referred to as transforming an unused or underused building into one that serves a new use, the practice of adaptive reuse is rich and varied and its importance includes not only the reuse of existing structures but also the reuse of materials, transformative interventions, continuation of cultural phenomena through built infrastructure, connections across the fabric of time and space and preservation of memory - all of which result in densely woven narratives of the built environment with adaptive reuse as the tool.” (Liliane Wong, 2016, Adaptive Reuse: Extending the Lives of Buildings)

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

To maintain the existing roof trusses and restained with a new color to match back the new interior space.

Section X-X I 17 Tin Alley

1:100

17 Tin Alley Section X-X

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

In retail: The visitors can easily picking the tea bags mobile art hanging above to sme aroma of different tea products of Boh.

In gallery: The visitors can pull down the self blended tea leaves mobile art to smell and appreciate the other visitorsâ&#x20AC;&#x2122; pottery art that made in the pottery workshop.

In tea experiencing area: The visitors can easily plucking the tea leaves mobile art above the table to blend own favorite of tea.

In Workshop: The visitors can do the pottery art at the same time enjoy the tea.

INTERIOR STRATEGIES 2/ Project 2/ Heritage Building/ Tea House & Artist Live + Workspace

ell the

DEsign Communication Short film Production

a short film regarding anythings /

Digital Image Manipulation

digitally manipulating images generated from course related softwares /

Laser Cutting Model Production

learning model production by using laser cutting technique /

Conceptual Model Production

manually creating an abstract, conceptual model /

Architectural Sketching

learning on producing architectural sketches /

A1 Presentation Board Composition literature review presentation board /

Architectural Photography

learning on architectural photography technique production /

Architectural Drawing Production

creating a construction drawing by using Autodesk Revit /

Architectural Construction Detail Drawing Production creating a construction detail drawing

Short film Production /

Ky. Blossom x My Flower Online Business

Design Communication

I love to do what I like, and I encourage everyone to do so. Everyone worth a â&#x20AC;&#x153;thanksâ&#x20AC;? for whatever they have done to make the earth better or to be a better one. By gifting the flower bouquets to the strangers on the streets, I want to tell them that they are not alone, just keep moving on no matter in what condition they are.

Digital Image Manipulation /

Design Communication

A Chance to Explore Twinmotion

Being a comprehensive designer who able to master a few software instead of just a single method. Transforming the Revit construction drawings into 3D illustration and video presentation of the design with Twinmotion.

LASER CUTTING MODEL PRODUCTION / Good Exploration in Handling Laser Cutting Model Maschine

Design Communication

Fulfilling myself with the skills to utilise the variety of equipment and tools in order to complete the artworks. Exploring different methods of model making and materials using lead to a better presentation. For example, we can use the model to show the actual space experiencing.

Credit by: Designer / Kylie Model / Efron Art Director / Hazel Lighting Director / Ivan Behind the scene / Kit

CONCEPTUAL MODEL PRODUCTION / Playing Color Shadow Effect with Lighting

Design Communication

Our mind, thoughts and emotions is not something static, itâ&#x20AC;&#x2122;s being in a state of constant and continuous change and can be expressed with colors.

Architectural Sketching / Rumah Tangsi

Brief history of Rumah Tangsi From Private own -> Empire Hotel -> Peninsular Hotel -> PAM -> Refurbishment-> IKATAN Space -> Rumah Tangsi. “A concerted effort to preserve our heritage is a vital link to our cultural, educational, aesthetic, inspirational and economic legacies – all of the things that quite literally make us who we are.” (DBKL Archive, 2019)

Design Communication

From Ambient Environments To Sentient Spaces

Campfires: Lightswarm by Future Cities Lab

MECHANICAL + TECHNOLOGICAL + EMOTIVE

The interactive qualities of Lightswarm enable it to be a direct regis By occupying the full facade of the museum, between the museum’s These could be described as mutiple interiors, mutiple degrees and

Microevents and Microenvironments: Murmurw Such Projects highlight the need to respond to inputs and to produce variable, changing, and dynamic spatial experiences embedded with layers of information.