Having left the gallery model for free form street installations, a narrative of artwork is grouped and reconstructed in a reverse white wall format late June at the Leo Kesting Gallery. The collection of prints, illustrations, paintings and installations takes its name Dead Letter Playground as a reference to the tactile paper quality of most works and the open letter format that street art has embraced as building dialog with the public.
”This collection adheres to the galler's principles of showcasing the most contemporary urban figurative works. These artists alter their surrounding environments, using public install as catalyst for positive reform,” states gallery co-director David Kesting. ”In contrast to dead letters not reaching their readers, these artworks embrace a playground of viewer’s eyes and an earnest public wanting more.”
