Leonora G. Zepeda Suárez Architecture Portfolio
full of ery time t reminds ve previure is a t only alworld, but o we truly means of a unique, HÀQHV PH DVSLUDWLRQ the urban te by arching manner; point of ans and portray a the not only but also RUP 7KH e environtranscenof the site WLRQV ZLWK associatthat the humans the conunknown nhabited.
PROPOSITO
Statement of Intent
Arquitectura es una trayectoria llena de recuerdos que son encontradas cada vez que habitamos un espacio porque nos recuerda algo que ya hemos vivido. Arquitectura es una forma de arte [única] que no solo nos permite interpretar nuestro mundo, sino también adquirimos conocimiento de quienes somos en realidad. Yo veo la arquitectura como un medio de conocerme; por lo tanto es una expresión única y personal que WDPELpQ PH GHÀQH FRQ HO WLHPSR 0L aspiración arquitectónica se ha enfocado en responder a las cualidades urbanas de la locación aproximando el conjunto del concepto en una manera cultural; convirtiendo el diseño en el punto de encuentro entre el ser humano y la cultura.Los productos representan una sensibilidad a los fundamentos de diseño, no solo especulando la idea principal sino también UHSUHVHQWiQGROD HQ OD IRUPD Ànal. El enfoque entonces es crear ambientes que aumentan la experiencia transcendente del espíritu del lugar alcanzando las expectativas del público con recuerdos inesperados; asociándolas con la idea teórica que el mundo tangible que nosotros los humanos hemos creado envuelve la idea de desenvolver las realizaciones desconocidas que algún día hemos habitado.
Architecture is a journey full of memories which are felt every time we inhabit a space because it reminds us of something that we have previously experienced. Architecture is a [unique] form of art that not only allows us to understand our world, but also to gain knowledge of who we truly are. I see architecture as a means of knowing myself; it is therefore a unique, SHUVRQDO H[SUHVVLRQ WKDW DOVR GHÀQHV PH RYHU WLPH 0\ DUFKLWHFWXUDO DVSLUDWLRQ has focused on responding to the urban qualities of the site by approaching the over arching concept in a cultural manner; making the design the point of intersection between humans and their culture. The products portray a sensibility of the fundamentals of design, not only by theorizing the main idea but also UHSUHVHQWLQJ LW LQ WKH ÀQDO IRUP 7KH approach therefore is to create environments that will enhance the transcendent experience of the spirit of the site E\ IXOÀOOLQJ WKH SXEOLF·V H[SHFWDWLRQV ZLWK unexpected memories; associating the theoretical idea that the tangible world that we as humans have created envelopes the concept of unfolding the unknown realizations that we have once inhabited.
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ARCHITECTS: Work Samples
LA RAMS STADIUM: SIDELINE CLUB 2016 - 2018 SITE: INGLEWOOD CALIFORNIA
Working on the Sideline Club of the LA Rams Stadium was challenging not only in coordinating with MEP Engineers but also in coming up with creative ways to implement GFRC material into the mill-work.
COPYRIGHT HKS ARCHITECTS
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ARCHITECTS: Work Samples
TEXAS RANGERS STADIUM 2017 SITE: ARLINGTON TEXAS
Working on the Texas Rangers Stadium inspired me to understand the culture of Texas and bring into the spaces materials such as leather and reclaimed wood to really capture that Cowboy Texan feeling. “The Hall of Fame Owner’s Suite was inspired by a baseball fanatic, which allowed us the creativity to explore design using baseball memorandum implemented through the bar, stools, and ceilings”
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The Floor Plans were inspired by the shape and form of a Baseball Ball, as well as a Horse Shoe to implement the Texas feel.
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COPYRIGHT HKS ARCHITECTS
HKS
ARCHITECTS: Work Samples
TOYOTA STADIUM RENOVATION 2015 SITE: FRISCO TEXAS
The Toyota Stadium Renovation captured the team colors for FC Dallas, red and blue throughout the interior design. The concept of creating a museum like feel in the locker room where players could showcase their soccer jersey gave a twist to the look of a regular locker room.
PAGINA 20 PAGE 20
a esign. COPYRIGHT HKS ARCHITECTS
CAG
ARCHITECTS: Work Samples
71 CALHOUN - MULTI USE 2019-2020 SITE: BLUFFTON SOUTH CAROLINA
The Low-country multi-use complex buildings takes on the language of Downtown Bluffton, by following the Town strict guidelines on the exterior. The first level on Building 1 and 3 is composed of retail, while the Second Building celebrates a Gullah Restaurant. The second and third levels of each buildings are composed of Luxury Apartments with great views.
COPYRIGHT CAG ARCHITECTS
CAG
ARCHITECTS: Work Samples RIDGE
2' - 10"
RIDGE HEIGHT
MOONLIT LULLABY
STANDING SEAM METAL ROOF MARVIN CLAD WINDOW UNIT
7' - 2"
SHAKE SIDING
SMOOTH FIBER CEMENT LAP SIDING 7" EXPOSURE
12' - 0"
SECOND FLOOR
FIRST FLOOR HT.
WEST ELEVATION 1/8" = 1'-0"
71 CALHOUN STREETBUILDING 1 10/16/2020
© COPYRIGHT 2019 COURT ATKINS GROUP
1
35' - 0"
10' - 0"
33' - 9"
WOOD RAILING
32' - 2"
LOFT FLOOR
3' - 0"
LOFT BEARING
RIDGE MOONLIT LULLABY
8' - 9"
MARVIN CLAD WINDOW UNIT OPERABLE SHUTTER
CORNER BEARING
6" LAMINATED COLUMN
BEARING HT.
3' - 0"
STANDING SEAM METAL ROOF
10' - 0"
WOOD COLUMN
33' - 9"
WOOD RAILING DECORATIVE WOOD RAILING
12' - 5 1/4"
MARVIN CLAD DOOR UNIT
MARVIN CLAD WINDOW UNIT
PAINTED CEMENTIOUS PANEL
FIRST FLOOR HT.
9' - 4"
9' - 4"
TYP.
TYP.
TYP.
WEST ELEVATION- CALHOUN STREET 1/8" = 1'-0"
71 CALHOUN STREET BUILDING 2 10/16/2020
© COPYRIGHT 2019 COURT ATKINS GROUP
1
9' - 4"
14' - 0"
SECOND FLOOR B2
35' - 9"
SMOOTH FIBER CEMENT LAP SIDING 7" EXPOSURE
CAG
ARCHITECTS: Work Samples
HILTON HEAD CHRISTIAN ACADEMY 2018-2020 SITE: BLUFFTON SOUTH CAROLINA The School Pre K - 12 takes on a different teaching methodology in which students can collaborate with other groups, and the teachers can also collaborate with each other. The idea was to create many open spaces and flexible teaching nooks. The implementation of the school colors was thought through the design both interior and exterior.
CAG
ARCHITECTS: Work Samples FIRST FLOOR PLAN
UPPER SCHOOL 801 BUCKWALTER PKWY , BLUFFTON, SC 29910
CAG
4/7/2021 4:51:36 PM
ARCHITECTS: Work Samples
HKS
ARCHITECTS: Volunteer Design
BARK & BUILD 2017 SITE: DALLAS TEXAS
The multifaceted design for a dog house in the competition of Bark and Build was inspired by the well known artist Andy Warhol. We took the colors into consideration and envisioned this sculptural piece to be part of the room decor as well as give a dog that sense of place and security.
HKS
ARCHITECTS: Volunteer Design
CANSTRUCTION 2017 SITE: DALLAS TEXAS
´0\ ERG\ LV WUXO\ WKH QDYHO RI my world, not in the [sense] Winning design of the Structural Awardofinthe theviewing CANstruction point of 2017 the competition, as a team we challenged ourselves in creating the appearance central perspective, but as of floating cans. The collaboration with Structural the colleagues, design colleagues very locusgraphic of reference, and architectural colleagues made of this design a very successful one. memory, imagination and integration.” - Pallasma
together we CAN
POL CONSTRUCTION: Freelance Design
B
A
C
D
5.370 5.270 1.600
2.160
3
3 1.300
ALMACÉN
2
2
GRANITA
JOSELO COFFEE SHOP
CB 249
BLENDTEC
0.830
BUNN
MDX
5.830
K30
0.950
AURELIA
2014
A Joselo Coffee-shop, known as the Mexican Starbucks, is a chain of coffee shops in Mexico City. I was invited to collaborate in the re-branding and design of the Coffee Shop. My main idea was to celebrate the Mexican Culture through the use of warm and typical colors such as brick. I created a gradient pattern with the brick that gradually changed from dark red in the seating areas to white in the pass-through areas and then finalized both colors on the back-splash.
TRUE TBB-2
0.920 7.440
COMEDOR
VTA 6S
1
A 1
ACCESO
B
A 1
Planta Arquitectonica A100
C
D PLANTA ARQUITECTÓNICA ESCALA 1:50
SCAD
M. ARCH
Graduate School
SCAD THESIS:
UNDERNEATH THE LAYERS OF MEXICO 2013 SITE: MORELIA MICHOACAN MEXICO
7+(6,6 $%675$&7
“ Architecture is a temporal art” When , ÀUVW UHDG WKLV SDVVDJH WKH ZRUG WKDW struck me the most was temporal, in correlation with architecture. I always saw architecture as something permanent, something that told a story for many years; something that people would look at year after year... and become a character of that story.. as architecture became the setting. Growing up in 0RUHOLD DQG ORRNLQJ DW DOO WKH EXLOGLQJV made out of stone, added to my thought of architecture being durable, something I got attached to .. but this passage resembles that architecture just like music is a
[ voyage of discovery]
a path that allows the people to explore, to detach from that which they have been seeing on a daily basis and adopt a sense of freedom, of dynamic movements, this way one has the liberty to explore their own limits, their own obstacles and form new stories, that capture new experiHQFHV LQ DFFRUGDQFH WR DQ LQGLYLGXDO·V time and passion. Also when I think of the word temporal in correlation with art I think of something that will be “viewed” or H[SHULHQFHG RQO\ RQFH %XW SHUKDSV LW would be a striking experience that will stay within us forever, in our memory. And seeing it that way, that memory which is no longer tangible, is the one that becomes more valuable.
|Neglected spaces| in architecture are caused by factors such as urban sprawl, density, and the peoples’ fear to expose a true identity. By creating events along the boulevard this thesis revitalizes the place,
[people, place, memory, culture, nature and material]
but by imitating what is there [empty space] this thesis presents the reality and the authenticity of the space. Instead of creating another mask, another building; this thesis unmasks by rediscovering what has been there from the beginning.
“ Architecture is a spatial art, as people always VD\ %XW DUFKLWHFWXUH LV DOVR D WHPSRUDO DUW 0\ experience of it is not limited to a single second.... provoking a sense of freedom the main goal is to get people to let go, bringing separate parts of the building together so we for our own attachments” - Peter Zumthor
”
PAGINA 36 PAGE 36
”
1
025(/,$ 0(; &,7< ',$/2*8(6 ',6&29(5< 2) GENIUS LOCI THROUGH THE SENSES
How can Civic Architecture enhance a sense of freedom, and get people to detach from permanent ideologies that prevent them from exploring and reveal a SODFH·V [authenticity] through a journey of discovery.
0RUHOLD 0LFKRDFDQ 0H[LFR /DQGPDUN WKH $TXHGXFW
Street Views that connect directly ZLWK WKH $TXHGXFW IURP WKH %RXOHYDUG
PAGINA 40 PAGE 40
THESIS NARRATIVE
In wondering why people rushed by quickly along the path I was walking, I told myself they must be rushed to escape this empty street full of cars, chaos, and rapid PRYHPHQWV , ZRQGHUHG ZK\ WKH\ FRXOGQ·W VWRS E\ DQG breathe. Everything around me was a blur. Ignoring the noise around me, I started noticing the shadows created by trees that were in front of me, so mysterious I realized that the shadows engraved something more than just a pattern in the ground, they marked places for us to sit. The shadows also created a maze towards something unknown. Looking closer into the ground, I noticed a path in the middle of this maze created by squares of cantera , spaced evenly into the ground. The trees around my left and right sides made me feel as if I was in a different place. I realized that I began a journey in search of something, which was yet unclear. All aspects around me seemed like clues towards a desire which I carried within myself. Shortly I came across an event in which children were playing in a fountain. I noticed a tower which stood nearby, in which the spectator could observe the aqueduct which seemed to share a relationship with this tower, almost as if they were UHODWHG 3DVVLQJ WKURXJK WKLV ÀUVW WKUHVKROG WKH FDQWHUD path disappeared, only to appear again on the ground. Following it made it easy to ignore the chaos I noticed at ÀUVW ,Q WKH GLVWDQFH , QRWLFHG DQRWKHU HYHQW ZKLFK ZDV VLPLODU IURP WKH ÀUVW RQH , ZDONHG WKURXJK %RWK IXOO RI life and activity, this one seemed to engage the public differently, as the people gathered similar to as if they were in a restaurant. Sitting within this space, the people seemed to enjoy gazpachos The space seemed enclosed HYHQ WKRXJK LW GLGQ·W FRQWDLQ GRRUV DQG LW ZDV FRPSRVHG of just two walls embracing the space where the tables were placed.
I questioned where this path was taking me, as I kept following it, I wondered if the people around me knew, or if they were just simply there to enjoy their fruit cocktail. &RQWLQXLQJ P\ ¶MRXUQH\· , UHDOL]HG WKDW SHRSOH ZHUH VWDUWing to activate these terraces which engraved the maze surrounding the path I was following, and along its sides I notices murals correlating with upcoming festivities of our culture. The third element was as ambiguous as the ÀUVW WZR IURP D GLVWDQFH PDNLQJ PH IHHO DV LI WKH\ ZHUH manifesting to something greater. This one in particular framed the next element through a monolithic frame, as well as the view of the aqueduct. This moment made me realize how little attention I pay to the things around me, living in this city for so long, today I realized that , FRXOG VHH WKH DTXHGXFW GLUHFWO\ IURP %DWDOOD GH &HUUR Gordo this aroused me to take a detour of my journey DQG LQYHVWLJDWH WKLV GLUHFW SDWK WRZDUGV WKH DTXHGXFW %XW WKH FXULRVLW\ RI FXOPLQDWLQJ P\ ZDON DORQJ WKH %RXOHYDUG ZDV VWURQJHU (DFK VWHS ZDV GLIIHUHQW P\ ÀUVW LPSUHVsion of the fourth element was curiosity, I questioned it as I was questioning the others, this one in particular KDG VRPHWKLQJ ¶VDFUHG· DV WKHUH ZDV D WUDQVOXFHQW IUDPH which was framing a glass tower, I entered the space, feeling cold and a little bit scared, only glimpses of light guided my thoughts. People in there were embracing VROLWXGH , FDQ·W EHJLQ WR GHVFULEH LW DV P\ H[SHULHQFH RI it is enough, I call it a space that brought many lost and forgotten memories to the present, and then I realized that this has become my favorite place, perhaps a home where I get lost in my own present. Realizing that what it is in my memory, I remember it and live it one more time, realizing that those are the memories which create my history, my identity.
PAGINA 46 PAGE 46
PAGINA 48 PAGE 48
0XUDO /LEUDU\
Framed Entrance
Light Tower