LEO Weekly Sept 15, 2021

LEOWEEKLY.COM // SEPTEMBER 15, 2021 1 REMEMBERING REV. AL SHANDS III, LOUISVILLE ARTS ADVOCATE | PAGE 28 SEP.15.2021FREE A RECAP OF THE SPECIAL SESSION | PAGE 6 Photo Biennial 2021 6 ALBUMS TO LISTEN TO BEFORE LOUDER THAN LIFE A SNEAK PEEK OF THIS YEAR’S ART ALSO

2 LEOWEEKLY.COM // SEPTEMBER 15, 2021 FOUNDER John Yarmuth PUBLISHER Laura Snyder, lsnyder@leoweekly.com CONTROLLER Elizabeth Knapp, eknapp@leoweekly.com MANAGING EDITOR Scott Recker, srecker@leoweekly.com A&E EDITOR Erica Rucker, erucker@leoweekly.com DIGITAL CONTENT EDITOR Danielle Grady, dgrady@leoweekly.com ART DIRECTOR Talon Hampton, thampton@leoweekly.com CONTRIBUTING VISUAL ARTS EDITOR Jo Anne Triplett, jtriplettart@yahoo.com CONTRIBUTORS Robin Garr, Syd Bishop, Tyrel Kessinger, Hannah Drake, Carolyn Brown, Kevin Wilson, Dan Savage 974 BRECKENRIDGE LANE #170. LOUISVILLE KY 40207 PHONE (502) 895-9770 FAX (502) 895-9779 Volume 31 | Number 38 LOUISVILLE ECCENTRIC OBSERVER LEO Weekly is published weekly by LEO Weekly LLC. Copyright LEO Weekly LLC. All rights reserved. The opinions expressed herein are exclusively those of the writers and do not necessarily reflect the position of the Publisher. LEO Weekly is available free of charge, limited to one copy per reader. No portion may be reproduced in whole or in part by any means, including electronic retrieval systems, without the express permission of LEO Weekly LLC. LEO Weekly may be distributed only by authorized independent contractors or authorized distributors. Louisville Eccentric Observer (LEO) is a trademark of LEO Weekly LLC. ON THE COVER Writer Illustrations by Yoko Molotov ACCOUNT EXECUTIVES Marsha Blacker, mblacker@leoweekly.com Lisa Dodson, lisa@leoweekly.com DISTRIBUTION MANAGER Megan Campbell Smith, distribution@leoweekly.com EUCLID MEDIA GROUP CHIEF EXECUTIVE OFFICER Andrew Zelman CHIEF OPERATING OFFICERS Chris Keating, Michael Wagner VP OF DIGITAL SERVICES Stacy www.euclidmediagroup.comVolhein REMEMBERING REV. AL SHANDS III, LOUISVILLE ARTS ADVOCATE SEP.15.2021FREE Photo Biennial 2021 6 ALBUMS TO LISTEN TO BEFORE LOUDER THAN LIFE A SNEAK PEEK OF THIS YEAR’S ART “CABIN FIRE” BY STEPHEN DORSETT

• VIEWS EDITOR’S NOTE A POWER GRAB THAT STARTED WITH A WHIMPER: THE SPECIAL SESSION

A faction of the party’s wingnuts tried to make it even worse, although their amendments failed, like one that aimed to ban every school district from establishing any sort of mask policy.

WE’RE heading into our second pandemic winter, with a surge of variant-fueled cases and sadly stagnant vaccine numbers, while state politicians continue to play powerstruggle games. During last week’s special session, where the GOP-controlled legislature essentially inherited control of the state’s coronavirus response after a recent Kentucky Supreme Court ruling shifted policymaking power, it became glaringly obvious, very early on, that the emergency lawmaking meeting wasn’t about new ideas. It was about tearing down what Gov. Andy Beshear built. It was about some sort of delusional payback. On the first day of the special session, Sen. Damon Thayer, the Republican majority floor leader, was one of the many members who made it clear. “Many of us felt that the governor’s unilateral decisions were made in a non-collaborative fashion with the people’s branch of government, and that businesses and our liberties were arbitrarily impacted,” he said, referencing Beshear’s executive orders at the beginning of the pandemic, before reading from the state Constitution about the power of the various branches of government.

By Scott Recker | leo@leoweekly.com

Once you get past the whole “arbitrarily impacted” portion of that sentence — like a deadly virus hasn’t been tearing through the globe — he pretty much just epitomized what the Republican supermajority has been clamoring about for more than a year. Their perspective has basically been reduced to ‘Beshear didn’t consult us last year; now we’re in charge, buckle up for some reactionary and visceral decision making.’So,the special session was headlined by the GOP’s top goal: They ended statewide mask mandates, a staple in Beshear’s virus response. That includes schools, where student and teacher mask policies will now fall to district leaders. I’m not sure if you’ve seen what a typical school board meeting looks like lately, but it’s something like a family reunion political argument after a case of Wild Turkey, and this is going to enchance the nightmare.

The session also encouraged vaccine campaigns and more access to monoclonal antibody treatments and established money for testing supplies. On a school level, passed legislation added 20 remote learning days per district, no matter the size, which have to be used on an individual school or classroom, and money toward a test-tostay program, which would allow students and teachers who were exposed to the virus at school not have to quarantine if they continue to test negative. The latter has been used in Green County, which has 1,675 students compared Jefferson County’s 101,000, and it’s unclear how it would be scaled up. There was a lot of talk about district-todistrict flexibility, but not much of it seems to favor Louisville. It was forward-thinkingdevoidscattershot,ofprecise,ideas.Noleaderhashadaperfect response to the pandemic, because that would have been virtually impossible, but Beshear’s poise and willingness to make tough calls initially put Kentucky in a better spot than a lot of other states. With something as unpredictable as a mutating virus and an economic downturn, the plan had to evolve, but what happened at the special session was more of a symbolic power grab and a middle finger to Beshear than a unified response to an issue that remains incredibly pressing and devastating.

The first sentence of a column in the Lexington Herald Leader said that the session “could have been worse,” which is probably an accurately jaded take about a political mess. But that’s what we settle for — vapid, obstructionist politics that don’t burn the entire house down — because that’s what we’re used to. Let’s see if the lawmakers can do better, or at least not worse, when they return in January.

LEOWEEKLY.COM // SEPTEMBER 15, 2021 3

OVER THE WEEKEND, I watched an exchange with USA Today reporter Phillip Bailey and the Louisville GOP about an email sent by the Kentucky GOP titled, “Does Democrat Craig Greenberg Stand with Greg Fischer on Critical Race Theory?”

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What is critical to me is that you have taken a concept like Defund The Police and distorted it instead of acknowledging what would help Louisville/Kentucky when dealing with crime is for communities to have their basic needs met.

What is critical to me is that we are a city and state in crisis, and now is not the time to play games with our very lives. What is critical to me is policing, fair housing, environmental justice, employment, health insurance, etc.

This is a tried and true method of the Republican Party — use racism to scare people into voting for them, but I can guarantee, if you were to ask all the members of the Kentucky GOP to define critical race theory, they couldn’t answer the question. (These are the same people that question science during a pandemic. Reflect on that.)

By Hannah Drake | leo@leoweekly.com

Critical race theory is a straightforward concept. It is a practice that seeks to understand the role of race and racism in society and how racism impacts systems, particularly the legal system. Critical race theory examines social, cultural and legal issues primarily related to race and racism. One tenet of critical race theory is that racism and disparate racial outcomes result from complex, changing and often subtle social and institutional dynamics rather than explicit and intentional prejudices of individuals. I have said this many times, and I understand this is difficult for some people to fully grasp, but racism impacts every system in America.Many people don’t want to think of racism in that manner, because it is easier to point to a person and say, “If we just get rid of that person, we will eradicate racism.” For instance, after the 2020 election, when Joe Biden was elected, many thought all would be right with the world because they saw Donald Trump as the source of racism. However, we have clearly seen removing one person doesn’t end racism. You have to view racism as the Hydra — a monster with many heads. While many attempted to defeat the Hydra by cutting off one of its heads, they failed to understand if you cut off one head, two more grow in its place. They had to completely cut off the Hydra’s main head. That is how I view racism. Removing one person doesn’t make a difference because racism is baked into every single system — banking, housing, education, policing, etc. So, to truly impact racism, we cannot focus on one person; we must focus on racism as a whole and understand how racism has played a part across systems in CriticalAmerica.racetheory is not about saying all White people are evil. Many of those in power know that, but they understand they can toss out these phrases that they have worked to place negativity around, and their base will fully support them. Critical race theory has become the Willie Horton issue of the upcoming elections. It is a big, bad theory that many elected officials cannot explain. Still, they know their constituents immediately associate the concept of critical race theory with being Black, and in America, that is often enough to shift the results of anThatelection.iswhy the Kentucky GOP sent the email. They are betting on racism working in their favor because it often does. What they really want to say is, do you want your children learning about Black people? Do you really want your children to learn about the true history of this country? Do you really want your children to know that white people were not the victors but, in fact, victimized Indigenous people, enslaved Black people and committed some of the most heinous crimes against humanity? But, that is the history of this nation. That is what happened. There is no getting around it. You cannot change it. It happened, and what happened in this country occurred. I know it may not feel good. People may not want to accept it. They may not like it, but history is simply history. Period. When Bailey posted his comments, Louisville GOP responded, “Since half agree with us already, we’ll take those odds.”

Half of whom is my question. Since the Kentucky/Louisville GOP wants to focus on critical race theory, let me tell you what I view as critical.Whatis critical to me is that thousands upon thousands of Louisville/Kentucky citizens are sick.What is critical to me is that Louisville/ Kentucky doctors, nurses and hospital staff, need relief and are suffering under the weight of your willful ignorance, since many in your party refuse to believe the basic fundamentals of science.Whatis critical to me is that over 600,000 Kentucky residents have gotten sick from COVID-19, 103,000 of them in Louisville. What is critical to me is that over 8,000 Kentucky residents have died from Covid-19, over 1,000 of them from Louisville. What is critical to me is that your party weakened the Governor of this state in the middle of a global pandemic because of your gluttonous desire for political power. What is critical to me is when Kentucky residents were leaning on those we have elected to political office to have a backbone, you chose the jellyfish route of politics. What is critical to me is that when we needed every politician to lead, your party failed and passed the buck to school boards while our teachers and kids are sick and dying. What is critical to me is that you spent time in a pissing contest living out your high school fantasies of playing quarterback only to age poorly and now play armchair quarterback, and what we found (which we always knew) is that you have no plan to help the citizens of Louisville or all of Kentucky during this time of uncertainty.Whatis critical to me is that we are burying young Black boys and girls killed by senseless violence daily. What is critical to me is specific areas of our state do not have access to clean drinking water.

4 LEOWEEKLY.COM // SEPTEMBER 15, 2021 VIEWS WRITE SOME SHIT DEAR KENTUCKY GOP, STOP USING THE FEAR OF BLACK PEOPLE TO KEEP YOU IN OFFICE

What is critical to me is that women have the right to govern what happens to their bodies.

What is critical to me is that all Louisville/ Kentucky residents have the opportunity to thrive and give back to their communities so that we can all be better. How dare you, Kentucky GOP! How dare you, Louisville GOP, as if you are oblivious to the protests of 2020. As if you are oblivious to the pain and heartache that still roams throughout our bluegrass. Louisville is a city that is fighting for some semblance of restoration and reconciliation. Instead of cooperating with that effort, the GOP decides to do what it always does, use fearmongering, dog whistles and racism to influence a political campaign. And then the Louisville GOP has the audacious audacity to claim half the people agree with them. Half of what people in Louisville? Because I stood on the front lines during the 2020 protests. I stood with Black people. I stood with white people. I stood with brown people. I stood with LGBTQ people. I stood with those with disabilities. I stood with men. I stood with women. I stood with the rich. I stood with the poor. I stood with lawmakers. I stood with teachers. I stood with pastors. I stood with business owners. I stood with doctors. I stood with journalists. I stood with all walks of life. Rest assured, what I can tell you is that Louisville is tired of the fuckery. We are tired of the bullshit. We are tired of the dog whistles. We are tired of the games. We are tired of the tomfoolery. We are tired of the shenanigans. We are tired of the racism. We…are…tired. It is easy to sit in some office and send out an email when you have no skin in the game, but Black people and others have given their very blood, sweat and tears trying to impact this city and state. In 2020, we were fighting for our very right to breathe. We were fighting for Breonna Taylor — for a 26-year-old Black woman murdered in her home. And we are still fighting to find some point of restoration and reconciliation. Something it would be wise for the Louisville GOP to contribute to for the betterment of this city. But that isn’t your goal. Your goal is division. Your goal is to sow and water seeds of racism. Tell me, Kentucky/Louisville GOP, what fruit do you want to bear within this city? Have you not seen enough?! Are you living in the same Louisville that I am?! Because I am tired. I want to live somewhere, where every day isn’t a fight. Where, every day, I don’t have to try to prove to you that my life matters. I want to live somewhere, where those in positions of power are not working overtime to divide us. Where those in power are not sending out emails to scare people into hating me because I am Black. I want to live somewhere, where we are not fighting to survive but for once, just once, we all work together to create a world where everyone can thrive. Shouldn’t that be your goal too, Louisville GOP? Ain’t you tired? Here’s an idea, and I know it’s one you have never thought of, stop using the fear of Black people to keep you in office. Stop using racism to keep you in cushy seats so you can create laws that do not seek to benefit the whole. If you have a candidate worthy of running, put them to the test. Let the people decide. Try to do something without racism and fearmongering for a change. Try to do something that is going to bring this city and state together and not further pull it apart. Try that.

LEOWEEKLY.COM // SEPTEMBER 15, 2021 5

State Rep. Josie Raymond, D-Louisville, wrote a poem on the morning of Kentucky’s special legislative session, cobbled together from the subject lines of emails sent to every state legislator, Republican and Democrat. “Don’t let us down,” the second line read. The day after the legislative session, which resulted in the Republican majority tearing down the universal school mask mandate, Raymond sent LEO a follow-up poem: “There are no emails / the day after sine die / just consequences.”

“Nothing good happens after 2 a.m.,” is a quippy catchphrase for worried moms, but it shouldn’t be used as justi cation for public policy. We’re jubilant that council member Cassie Chambers Armstrong dropped her ordinance that would have pushed back bar closing time from 4 a.m. to 2 a.m. because of violence along Bardstown Road. Two of the recent shootings along the thoroughfare have occurred before or around 2 a.m.. So, it seems the rule would have done more harm to struggling small business owners than good. Now, what’s this we hear about shutting down the road to tra c on late weekends? Do go on...

The town of Clarksville seems to be determined to do whatever possible to shut down Theatair X permanently. The town government has been locked in a legal struggle with the adult superstore since 2018, starting with an inspection during which the building commissioner found “glory holes” between the business’ peep show booths. We’re all for consenting adults doing whatever, but we understand why the town felt it couldn’t tolerate that. But, the “glory holes” have since been sealed and a new owner says they want to add an LGBT community center to the business. Why won’t the town see how it works out, instead of doing what it’s attempting to do now, which is deny the business’ annual license?

THORN: GOOD COMMUNITY GUN, ER, FUN Video from the multicultural WorldFest shows Louisville Metro Police Department o cers in bullet proof vests and large guns walking through the crowd. An LMPD spokesperson told WHAS reporter Tom Lally that its SWAT o cers were providing security for the event and were just going for some lunch. But, surely there was a way for them to walk through the crowd without looking like they were going to war? It’s a lot easier to connect with the community when there’s not a weapon of destruction

Several Republican House of Representatives members talking at the special session. | LRC PUBLIC INFORMATION.

THORN: HORNY FOR REVENGE

MASKS AND MISINFO: WHAT TO KNOW ABOUT THE COVID SPECIAL SESSION

ROSE: BYE BYE TO BAD POLICY

THORN: A LEGISLATOR’S FRUSTRATIONS

By Danielle Grady | dgrady@leoweekly.com

Meanwhile, conservative Kentucky legislators were allowed to spew vaccine misinformation at the session without public admonishments from GOP leadership. When Sen. Adrienne Southworth implied that vaccines don’t work, Sen. Chris McDaniel was the one to step in and challenge her. Where was Senate President Robert Stivers? If he actually wants people to take the vaccine, as his action of handing out incentives in his home county indicates, he should be shutting down dangerously misinformed statements such as Southworth’s.

6 LEOWEEKLY.COM // SEPTEMBER 15, 2021 NEWS & ANALYSIS

Lawmakers passed two bills targeting mask mandates during the special session: One discards the universal masking rule in Kentucky schools, set by the Kentucky Board of Education. The other will prevent Gov. Andy Beshear from creating any further mask mandates until 2023.Beshear vetoed those line items, but the Republican supermajority overruled his vetoes.

KENTUCKY REPUBLICANS were supposed to use last week’s special legislation session to help the state as it continues to struggle with COVID-19. They’re now in charge of our coronavirus response after the court system upheld legislation they passed last year that limited Gov. Andy Beshear’s ability to respond to the crisis via executive orders.

And, while Republicans did some of the things Beshear wanted them to during the special session, they went off script, too. The results may have left Kentuckians more vulnerable to COVID than they were before.

THE WORST, BEST & MOST ABSURD

THORNS&ROSES

MASK MANDATES SCRAPPED

In public remarks on Senate Bill 1, the legislation nixing Kentucky’s school mask mandate, state Rep. Josie Raymond, D-Louisville said, “If we allow districts to take the masks off, COVID will spread, cases will rise, hospitals will fill, and more people will unnecessarily die.”The Centers for Disease Control and Prevention and the American Academy of Pediatrics both recommend universal masking in schools. Proponents of the bill said it was about giving school districts flexibility. These districts can now choose whether or not to require masks. Prior to the mandate, two-thirds of Kentucky schools were planning to open without requiring masks, according to WFPL. In July, JCPS’ school board approved a mask mandate. SCHOOL LEGISLATION IN THE SPOTLIGHT SB 1 also contained provisions to give school districts other options in fighting COVID-19, but they weren’t passed without critiques either. Senate Bill 1 gives school districts 20 days to move individual schools, classes, grades or individuals to remote learning. This adds to the 10 NTI days that

THORN: WHERE IS YOUR LEADER?

LEOWEEKLY.COM // SEPTEMBER 15, 2021 7 No Contracts, Ever No Hidden Fees No Added Taxes Our Fastest Speeds Available Everywhere We Serve 24/7/365CustomerDedicatedU.S.-based,Support X X X X X X X SPECTRUM BUSINESS VERIZON AT&T CENTURYLINK FRONTIER X Our competition can’t say the same. SPECTRUM BUSINESS TAKES THE NONSENSE OUT OF BUSINESS INTERNET. Switch to Spectrum Business Internet and Phone Service today and you can get more speed + and proven reliability ˚ for half the price.^ /mo. forbundledwhen1yr* /mo. per line when bundled with Internet for 1 yr**$49 99 $19 99 200 Mbps INTERNET BUSINESS PHONE BUSINESS.SPECTRUM.COM | 844.310.2929 Based on info on competitors’ websites and through mystery chats, obtained 08/19/2021. Limited-time offer; subject to change. Qualified new business customers only. Must not have subscribed to applicable services w/ in the last 30 days & have no outstanding obligation to Charter. *$49.99 Internet offer is for 12 mos. when bundled w/ TV or Voice & incl. Spectrum Business Internet starting speeds. Actual speeds may vary. Speed based on wired connection. Wireless Internet speeds may vary. Spectrum Internet modem is req’d & included in price. **$19.99 Voice offer is for 12 mos. when bundled with Internet & incl. one business phone line w/ unlimited local & long distance w/ in the U.S., Puerto Rico, & Canada. Includes phone taxes, charges and fees. Other phone services may have corresponding taxes and rates. Standard pricing applies after promo. period. Installation & other equipment, taxes & fees may apply. +Speed claim based on Internet download speeds of competitors' current customers vs 200Mbps Internet starting speed from Spectrum Business. ^Based on average savings with Spectrum Business promo rates vs. competitors' non-promo rates for Internet & 2 phone lines. Actual savings may vary. ˚99.9% network reliability based on average HFC Availability, Jan 2019 - Jun 2021. Visit business.spectrum.com/network-reliability for details. Services subject to all applicable service terms & conditions, which are subject to change. Services & promo. offers not avail. in all areas. Restrictions apply. Call for details. © 2021 Charter Communications, Inc.

OTHER BILLS THAT PASSED THIS SESSION Senate Bill 3 – Sets aside $69.2 million in federal American Rescue Plan Act funds for pandemic response. The legislation encourages the money to be spent on the monoclonal antibody treatment centers and “test to stay” program mentioned in SB 1. Senate Bill 5 – Diverts $410 million from the state rainy day fund to give to companies willing to invest at least $2 billion in the state. The legislation mentions a site in Hardin County. •

VACCINE MISINFORMATION

From March 1 to Aug. 25, 90.6% of COVID-19 cases, 90.8% of COVID-19 hospitalizations and 87.1% of COVID-19 deaths in the state were among partially vaccinated or unvaccinated Kentuckians. As for masks, the most recent large study, looking at 340,000 adults in Bangladesh, showed that villages that did mask had about 9% fewer symptomatic cases of COVID-19 than those that didn’t. Villages that wore surgical masks performed even better. And, a study collaborator told WebMD that she believes the results were a “substantial underestimate.”SomeKentucky lawmakers took the time to debunk their colleagues’ claims themselves.Rep.Steve Sheldon, R-Bowling Green, said that VAERS is an unverified database. And, Sen. Chris McDaniel, R-Taylor Mill, said at a separate meeting, “Now we can debate how we get from A to Z and all the various routes in between. But at the end of the day, when you have to do the balancing act in the final measure, the numbers don’t lie, the vaccine works and we need to take it.”

Reps. Nancy Tate, R-Brandenburg, and Ryan Dotson, R-Winchester, said that 7,000 people have died from taking the vaccine, citing the Vaccine Adverse Event Reporting databaseVAERSSystem.isafederally-managedforcitizenstoself-report vaccine side effects. Reports to VAERS are unverified and may not be accurate, according to the CDC. “To date, VAERS has not detected patterns in cause of death that would indicate a safety problem with COVID19 vaccines,” says the CDC.

Senate Bill 2, the legislation stopping Beshear from creating further mask mandates, also contained provisions directing the state to create more monoclonal antibody treatment centers and to expand testing and vaccine capacity.

NEWS & ANALYSIS

Rep. Danny Bentley, R-Russell, suggested that the FDA hasn’t approved the Pfizer vaccine. In August, the U.S. Food & Drug Administration (FDA) did grant full approval for the use of Pfizer’s coronavirus vaccine in adults, but it’s now being marketed under the name Comirnaty. Pfizer’s vaccines for teens and all vaccines from Moderna and Johnson & Johnson remain under the FDA’s emergency use authorization, with more approvals expected later this year. Sen. Adrienne Southworth, R-Lawrenceburg, implied that both masks and the COVID vaccine do not work. “Those are the only solutions we have had for a year, and look where we are — worse than ever,” she said. Kentucky did hit record COVID case counts last week, but the worst outcomes are for those who are unvaccinated.

Kentucky school districts already had to use in the event of COVID-related school closings. The 20 additional days are per district, whether it has one school or more than 150, like JCPS. Rep. Tina Bojanowski, D-Louisville, attempted to pass an amendment that would allow 20 extra remote learning days per school building, saying on Twitter that the bill as-is gave “significantly less flexibility to larger districts.” But, her bidThefailed.passed bill does allow districts to add time to the school day in order to make up missed days.

SB1 also instructs the Kentucky Department for Public Health to create a “test to stay” program, which would allow students and staff who have been exposed to COVID-19 to stay in school as long as they test negative for the virus. And it eases restrictions on getting substitute and retired teachers into classrooms.

Some lawmakers used their public platform to spread vaccine misinformation on the floor of the General Assembly during the special session. Here’s a breakdown on what each lawmaker said and a fact check.

PHOTO 2021BIENNIAL

FOR MORE than two decades, the Louisville Photo Biennial has been a beacon for the power of artistic photography, bringing together dozens of simultaneous exhibitions at various locations throughout the metro area and beyond. This year, the event runs from Sept. 9 through the Nov. 14, at more than 50 galleries, museums and cultural institutions. All of the exhibits and activities share one common theme: they’re all free to attend. Other than that, the Biennial’s organizer, Paul Paletti, said that the venues were able to take their photo shows in any way they chose — although common trends“Weemerged.didn’thave themes that we imposed or set out because we want the various venues to choose its own photographers, and the vision, and the work that they show,” Paletti said. “That being said, we have several shows with social justice themes, and I think that’s a natural outgrowth of what’s gone on in the last year — year and a half.”

The Louisville Photo Biennial has been around since 1999. What was once a dream by former Artemesia owner Erin Devine was almost lost until Paletti stepped in and took the helm. Now despite the setbacks of the pandemic, the Biennial has once again found a way forward. For a full list of every venue and show, visit louisvillephotobiennial.com/ participants. But, first, enjoy the following selection of some of the photography being shown.

A SAMPLER OF SOME OF THE ART FROM THIS YEAR’S LOUISVILLE PHOTO BIENNIAL

“Alium” by Sharon and Jessica Bussert. Showing at Chestnuts and Pearls.

8 LEOWEEKLY.COM // SEPTEMBER 15, 2021

“Noli me Tangure” by Scott Perry. Showing at fteenTWELVE.“Clay Spring” by Marcia Lamont Hopkins. Showing at Clarksville Library.

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LEOWEEKLY.COM // SEPTEMBER 15, 2021 9

“Always Planning” by Jane Chancellor Moore. Showing at Melissa Hall.

“Justice Flag” by Sam Upshaw. Showing at KCAAH.From “this is new york.” Showing at Louisville Free Public Library.

From “Character” by Myra Greene. Showing at KMAC.

10 LEOWEEKLY.COM // SEPTEMBER 15, 2021

“Flowers for Fasting” by Carlos Gamez de Francisco.” Showing at KORE. “Phases” by Amber Thieneman.Showing at Revelry.Untitled by Jonathan Cherry. Showing at Portland Museum. “Albino Deer” by Keith Carter. Showing at Paul Paletti Gallery. Portraits featuring Daylin Gonzales, showing at Tim Faulkner Gallery.

LEOWEEKLY.COM // SEPTEMBER 15, 2021 11

“Sonia” by CJ Pressma. Showing at Pyro. “Cabin Fire” by Stephen Dorsett. Showing at garner narrative. “Prince, WV” by David Modica. Showing at The Root.

From “American Nocturne” by Zed Saeed. Showing at Moremen Gallery.

Judas Priest PAINKILLER (1990) Sure, just about anyone can name you at least one of Judas Priest’s cache of hits, but what they probably don’t know is that none of the biggest ones were on their 1990 masterpiece, Painkiller. But it doesn’t change the fact that, among true Priest fans, it’s one of their most lauded. If you can’t tell what kind of badassery you’re about to enter from the album cover alone — a metallic, winged angel/daredevil jumping a pit of hell on a motorcycle made from a dragon with buzzsaw wheels — you’ve got problems. Of course, Priest was considered a heavy metal act long before Painkiller (it’s their 12th studio album) but it became their stomping ground to prove how metal they truly were. The result: an album that is the absolute definition of a tour de force. Filled with uber-melodic, yet virtuoso level guitar technicality courtesy of K.K. Downing and Glenn Tipton, drums that literally sound like anvil strikes and a never-ending smorgasbord of Rob Halford banshee squalls, and — most importantly — a no-holds barred headbanging ferocity, the record hits hard. Yet, despite this, Painkiller still delivers a “pleasant” melodic listening experience complete with monster-sized choruses as hook-y as any pop song — although a wee bit scarier. From the squealing whiplash opening of the titular “Painkiller,” to the driving metal-pop of “Between The Hammer & The Anvil” to the frighteningly demonic “A Touch Of Evil,” Priest, thankfully, made zero effort to soften their mighty sonic blows. It is, after all, the only kind of tribute the metal gods acknowledge. —Tyrel Kessinger JUDAS PRIEST PERFORMS AT 7:15 P.M. ON SUNDAY.

Jane’s Addiction

NOTHING’S SHOCKING (1988) This album exemplified the pure might that was possible from Jane’s Addiction as a band, but also the mood of a generation. It was pissed off and took up an amazing amount of room whenever you listened to it. From the first notes of “Up the Beach,” it is more than apparent that this album is going to be “a whole mood” to put it plainly. It remains a beast, 34 years later. It was the kind of album that defined a period in your life. When you hear it, even now, you’ll return — good or bad — to the exact moment you heard it first, and immediately you’ll recall the cover art with the nude, flaming twins. This record was a thumbtack for anyone who heard it at the end of the ‘80s. It perfectly captured the end of the era of excess and, truly, for me, set the tone for the coming decade. Despite the L.A. roots, it shook off any connection to the ‘80s hair band music and dug deep into the grit and filth of life in a big place. It sat the listener firmly on the ground and teased you with the darkness. What is essentially the title track, “Ted, Just Admit It,” is the perfect example of this. With the guitar work of Dave Navarro, paired with singer Perry Farrell screaming “Sex is violent,” this song is a moment that truly sits opposite so much of the late ‘80s tits and spandex world: “Show me everybody / naked and disfigured / nothing shocking.” This song exemplifies the album and the rage the band feels at the lack of separation between media for entertainment and media for information. Generation X is a generation that questioned, quite loudly, why the status quo was the status quo and fought back against the free-love, daisies and buttercups of their parents’ hippie generation. This is the first generation to come of age during the HIV/ AIDS crisis, so free love was never an option. Sex, in the way it was presented in media, was often irresponsible, and, for women in particular, it was violent. This album is a consciousness on its own. Other notable tracks: “Ocean Size,” “Mountain Song”, “Idiots Rule” and “Pig’s in Zen” — and, yes, obviously “Jane Says.” —Erica Rucker

12 LEOWEEKLY.COM // SEPTEMBER 15, 2021

IT’S ALMOST TIME. One of the most elusive social gatherings over the last two years, a music festival, is about to happen in Louisville. Fingers crossed. But, before you head to Louder Than Life — a four-day fest featuring hard rock, metal and hip-hop from Sept. 23-26 on Highland Festival Grounds at the Kentucky Exposition Center — we have some homework for you. From classic albums from Metallica, Judas Priest and Snoop Dogg to the brand new Turnstile record, here’s what you need to listen to before you go. They are listed in chronological order, with festival set times at the end. For the full lineup and tickets, visit louderthanlifefestival.com.

JANE’S ADDICTION PERFORMS AT 8:10 P.M. ON FRIDAY.

Cypress Hill BLACK SUNDAY (1993) Seeing as how Kentucky is the historical motherland when it comes to the cultivation of cannabis in North America, it is rather fitting that a group of the crop’s most outspoken advocates (and earliest promoters of lifting the proscription against both industrial hemp and marijuana) will return to the area this weekend as part of the Louder Than Life festival. To be sure, Cypress Hill, which takes its name from a seedy street in an L.A. neighborhood, came on strong when it first appeared on the hiphop landscape of the early 1990s. But even in its heyday, the enigmatic ensemble was something of a mixed bag, known largely for presenting an aggressive assortment of stoned beats and in-your-face lyrics to a crossover audience of predominantly white, MTV-watching college kids. That approach led to grumbling among rap purists that never really subsided, but it also ensured massive amounts of short-term success for the crew. While its 1991 debut release is super-solid, the Latin-flavored blunt-burning band would deliver what is arguably its peak performance in the studio on its sophomore album, Black Sunday. Replete with intentionally ominous-looking cover art (by 1993 standards, at least) and a selection of songs that includes such all-time fan favorites as, “I Wanna Get High,” “I Ain’t Goin’ Out Like That,” “When the Shit Goes Down” and “Insane in the Brain,” this LP is your best bet for sourcing a vintage record with enduring appeal from B-Real and the boys. —Kevin M. Wilson CYPRESS HILL PERFORMS AT 6:45 P.M. ON THURSDAY.

LEOWEEKLY.COM // SEPTEMBER 15, 2021 13

Metallica METALLICA (1991) Like a lot of albums that sold more than 20 millions copies, two things hold true about Metallica’s 1991 self-titled album, usually referred to as The Black Album: 1) Unless you live in that weird replica of Noah’s Ark in rural Kentucky that the state government gave a bunch of tax breaks to, you’ve heard at least three songs from this album. 2) It pissed a lot of hardcore fans off. Instead of the band’s visceral production and general headfirst studio style, The Black Album is significantly more measured, melodic and straightforward. Although it’s still soaked in darkness and explosive, the ambitious and enormous chest-beating radio juggernaut featured era-defining riffs and a newfound sense of controlled and poise, catapulting the band from greasy thrashers to pop culture overlords. It’s hard for the cool kids to not cold shoulder their favorite band when the latest album becomes the soundtrack for middleaged dads working on cars, but, retroactively, even though it’s hard to appoint it Metallica’s best album, it’s almost impossible to throw the iconic metal album into the sometimes-assigned sell-out territory: There’s too much bite, substance and distinctiveness. Revisit it, front to back, something you probably haven’t done in years. Three decades later, it still hits —Scott Recker METALLICA PERFORMS AT 9:15 P.M. ON FRIDAY AND AT 8:20 P.M. ON SUNDAY.

DOGGYSTYLE (1993) When Snoop Dogg takes the stage, it will quickly become apparent to anyone who didn’t already know that, as an artist, this quintessential West Coast bad boy is a complex amalgamation of influences. Doggystyle, which was his 1993 debut, showcases that fact better than any other studio album that Snoop has made during his now decades-long run atop the world of rap. Here, the young artist is found creating (alongside co-conspirator Dr. Dre) a distinctive blend of riffs and rhymes that are folded into something resembling traditional funk motifs and instrumentation, collectively evoking the lighthearted spirit of a 1970s-era party. But don’t let the presence of George Clinton’s influence fool you into thinking that this recording was anything other than hardcore, and, well, innovative. Praised for its lyrical realism at the time, the tracks contained on this LP, which speak to the harsh truths surrounding hip-hop culture, are all-out raucous affairs. Populated by big-ballin’ yet somehow tragic characters, overall, Doggystyle laid down the primary themes (musical and otherwise) that Snoop Dogg is still circling around to this day. Beyond all that, this song cycle will always be special in that it contains what has become Snoop’s signature tune, “Gin and Juice.” —Kevin M. Wilson SNOOP DOGG PERFORMS AT 8:10 P.M. ON SATURDAY.

14 LEOWEEKLY.COM // SEPTEMBER 15, 2021

Snoop Dogg

Turnstile

GLOW ON (2021) The Louder Than Life limelight usually shines heavily on the established icons, the radio notables that define the soundtrack of the Cumulus highways, but look a little closer at the lineup, and dig a little deeper, and you can find contemporary bands on the cutting edge. And Turnstile’s brand new record, GLOW ON, might be the most innovative, ambitious and important heavy record of the year, taking a hardcore base and morphing it into a genre-jumping adventure that never loses sight of the passion and intensity that defines the band’s style and mission. They still got the prowess to make the kids go bat-shit, but, on GLOW ON, they finally have successfully achieved the full throttle crossover that they’ve been aiming for over the past few years — there’s an unpredictable roller coaster of ideas, but it’s all glued together by charisma and intensity. Above all, even with a truly great record, Turnstile is a live band. And not one you’ll want to miss. —Scott Recker TURNSTILE PERFORMS AT 5:55 P.M. ON FRIDAY.

LEOWEEKLY.COM // SEPTEMBER 15, 2021 15 splendor, myth & ritual | KEITH CARTER WITHKEYNOTEPHOTOLOUISVILLEBIENNIALSPEECHKEITHCARTERSEPTEMBER24,6PMTHESPEEDMUSEUM Paul Paletti Gallery 713 East Market Street Louisville, KY 40202 Gallery Hours: Monday - Friday 9 - 5 pm, and by appointment Please call 502.589.9254

Float like a butter y over to Southern Indiana for a free festival celebrating art and nature. The gorgeous grounds of Southern Indiana’s Mount Saint Francis friary will be the perfect backdrop to enjoy live music, local food and drinks and activities for kids — plus, of course, plenty of live butter ies. This event is rain or shine, but capacity may be limited. – Carolyn Brown FLY

Saturday, Sept. 18 Our Lady of Perpetual Hops 300 Foundation Court, New Albany, Indiana | Search Facebook | No cover | 2 p.m.

The specials on German-style beers and ights will get you ready for the stein hoisting contest. Live music and a costume contest will also take place.

Saturday, Sept. 25 Holsopple Brewing 8023 Catherine Lane Unit 105 | Search Facebook | No cover | 2-11 p.m. With live music, games, prizes, costumes, Phantom Chef 502 serving up signature dishes and, of course, plenty of beer, Holsopple is going all out.

STAFF PICKS

Saturday, Sept. 18 Falls City Brewing Co. 901 E. Liberty St. | Search Facebook | No cover | 4-11 p.m.

Change Today, Change Tomorrow | 1753 Bardstown Road | change-today.org | Free | Doors at 7 p.m., event starts at 8 p.m. This art show is one component of Change Today, Change Tomorrow’s programming as part of Give For Good, a citywide event that helps local nonpro ts. Local artists Kayla Morgan and Ci’Vaughn Green will be exhibiting their art at Pocket Change, a store that showcases works by Black entrepreneurs and creators. Enjoy mini cheese boards, a silent auction and signature cocktails.

A party to celebrate two new seasonal releases from Gallant Fox: Das Boot, their Festbier, and Foxtoberfest, their Oktoberfest beer.

The best beer-drinking season of the year is upon us. Although some events have already happened, here are a few ways to celebrate the boozy holiday over the next two weeks.

FRIDAY, SEPT. 17

A celebration of the companies original brewer, Otto Doerr, they are hosting Otto Fest, featuring a seasonal beer in his honor. On the day that Octoberfest kicks o in Munich, Falls City will have music, sausages, and steins owing with festbier.

Friday, Sept. 24-25 Gallant Fox Brewing 2132 Frankfort Ave. | Search Facebook | No cover | 5-11 p.m.

SATURDAY, SEPT. 18-25 Oktoberfest

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Who Don’t Love Art Art Show

—Carolyn Brown LOVE SATURDAY, SEPT. 18 Springfest 2021 Toonerville Trolley Park | 1215 S. Brook St. | ttnalouisville.org/springfest | Free | 10 a.m.-7 p.m. In a topsy-turvy year like 2021, it just makes sense that Springfest would occur at the tailend of summer. This COVID-postponed event in Old Louisville is naly happening. And even though the weather will be di erent, the spirit is the same with music, a beer garden and vendors, featuring nearly 100 gourmet food trucks, nonpro ts and artists, selling upcycled goods, jewelry, pottery, clothing, handmade soaps and wood crafts. In addition to refreshing beers, you’ll be able to wash all the good times down with a bourbon slushie. The event is free, but the festival is requiring tickets to enter in case contract tracing is required. —Danielle Grady NEVER TOO LATE

The microbrewery’s second annual Oktoberfest will be headlined by their seasonal beer Munich Delight but will also feature speciality mugs, T-shirts, games and music.

Saturday, Sept. 25 TEN20 Craft Brewery 1020 E Washington St. | Search Facebook | No cover | 3 p.m.

DRINK SATURDAY, SEPT. 18

The Monarch Festival at MountFest Mount Saint Francis Center for Spirituality | 101 St. Anthony Drive, Mount Saint Francis, Indiana | mountsaintfrancis.org | Free | Noon–8 p.m.

The Candle Burns On: 20 Years of Looking for Lilith

CELEBRATE

Logan Street Market | 1001 Logan St. | bit.ly/btsbday-921 | $12 in advance, $15 day of | 1-4.pm

SATURDAY SEPT. 18

Calling all local Army! Come to Logan Street Market and celebrate the birthdays of BTS members RM (Sept. 12) and Jungkook (Sept. 1). Bring your photocards for trading and be ready to hit the vendors and participate in ra es for cool merch. Each ticket purchased will receive a custom birthday cupsleeve, speciality “bubble” tea by Boba Fête and a vegan treat by Sugar High Louisville. There will be one big ra e prize and a few extra “secret” souvenirs.

ANNIVERSARY

—Erica Rucker

방탄소년단 RM+Jungkook Birthday Cupsleeve Event

C. Douglas Ramey Amphitheatre | Central Park, 1340 S. Fourth St. | Suggested donation of $20 | 5 p.m.

It is a fortuitous coincidence that the 20th anniversary of Looking for Lilith coincides with the 50th anniversary of Helen Reddy’s iconic feminist anthem, “I Am Woman.” Reddy sang of being strong and invincible, and there are no better words to describe the resilience and courage with which LFL continued its work during last year’s pandemic — including its rich centennial dive into the role of Louisvillians in the su rage movement. LFL had planned to celebrate its 20th at the Kentucky Center this fall, but, faced with a pandemic resurgence, the company has pivoted to the great outdoor venue that typically hosts Kentucky Shakespeare. The 19 members of this superb ensemble will be —Martysuperbtotopany,Ifinwomen,notworkyearpany’sexcerptsperformingfromthecom-remarkable20historyoforiginalthatilluminatesonlythelivesofbuteveryoneourcommunities.youknowthiscom-youknowwhatexpect.Ifyou’renewLFL,thiswillbeaintroduction.Rosen

SATURDAY, SEPT. 18

LEOWEEKLY.COM // SEPTEMBER 15, 2021 17 STAFF PICKS

18 LEOWEEKLY.COM // SEPTEMBER 15, 2021 STAFF PICKS SUNDAY, SEPT. 19 Kentucky Bat Festival Robards Barn and Venue | 4435 North Preston Highway, Fox Chase, Kentucky | secondchanceswildlife.org | $15 | 4–7 p.m. Bats, bluegrass, barbecue and beer — it’s the perfect recipe for an awesome event that bene ts rehabilitating injured and orphaned wildlife. This festival, previously called Bourbon and Bats, will be educational and entertaining: you’ll get to meet bats up close, learn about nature and meet children’s character Stellaluna. — Carolyn Brown BAT-PARTY SUNDAY, SEPT. 19 Son Volt Headliners Music Hall | 1388 Lexington Road | headlinerslouisville.com | $20 | 8 p.m. One of the nation’s most venerable and lasting alt-country bands, Son Volt continues to deliver sturdy songs that take tradition and twist it into something distinct. Led by Jay Farrar — who was also a founding member of Uncle Tupelo with Je Tweedy — Son Volt carries an abundance of both sadness and hope, still sounding like modern troubadour music three decades in. Recker—Scott MUSIC Son Volt.

LEOWEEKLY.COM // SEPTEMBER 15, 2021 19 STAFF PICKS SATURDAY, SEPT. 25 LIVE at the Falls Falls of the Ohio State Park | 201 W. Riverside Drive, Clarksville, Indiana | fallsoftheohio.org/live | $40 general admission, $200 VIP | 6:30-10:30 p.m. We’ve fallen in love with this concert already — who wouldn’t? Two-time Grammy nominee Cedric Burnside and Suzanne Santo will be bringing the sounds of blues and Southern jams to an outdoor show at the Falls of the Ohio. Make sure you bring a chair or blanket, plus money for the local food trucks (unless you splurge on a VIP ticket, in which case you’ll get a reserved table, plus food and drinks.) If you’ve never seen a show played on a 390-million-year-old fossil bed, now’s your chance — this show’s gonna rock. —Carolyn Brown LIVE THROUGH OCT. 1 ‘Local Color’ By Lynn Dunbar Bayus Stoneware & Co. | 731 Brent St. | stonewareandco.com | Free Lynn Dunbar Bayus knows Kentucky. Her impressionistic style of the wonders of the state have been featured on colorful paintings and prints as well as the 2018 Kentucky Derby and Oaks posters and the 2018 Woodford Reserve Holiday Bourbon bottle. David McGuire, former co-owner of the sorely missed CRAFT(s), is a fan. As the retail manager at Stoneware & Co. (formerly Louisville Stoneware), he said her “latest work re ects her ability to capture the authentic spirit of Kentucky.” This show turns her spotlight on our little part of the Commonwealth.—Jo Anne Triplett ART ‘Blue Aerial’ by Lynn Dunbar Bayus. Oil on canvas.

PHOTOGRAPHY ‘Tower Reliquary’ by Wendi Smith. Wood and paint. ‘Washing the Elephant’ by Keith Carter. Digital photography.

TICKETS & PASSES AVAILABLE

The 2021 Festival of Faiths will examine issues of systemic racism in America and the role of spirituality in healing from the trauma of oppression. Sacred Change: Essential Conversations on Faith and Race seeks to celebrate the unique beauty, power and strength of the Black faith experience while facing the profoundly brutal outcomes of genocide, slavery and “profit at any cost.” Join us Nov. 18-20, 2021, as renowned speakers and artists help us challenge prevailing narratives and explore pathways to truth, repair and hope in framing a future defined by justice.

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Free Rituals are important to Wendi Smith, but not the ones that immediately come to mind. Her focus is on nature. “I borrow from the reliquaries of prophets and saints to make sacred the tombs of turtles and birds,” she said. Smith does this by placing found objects, such as animal bones or butter y wings, into wood boxes. Then she paints what’s inside the box on the outside, in “an attempt to tap into the ceremonies and objects that are prayerful, hopeful and evocative of unseen power.” This is Smith’s second solo show at garner narrative. It had been scheduled for last year but had to be postponed due to the pandemic.

—Jo Anne Triplett RITUAL THROUGH DEC. 31 ‘Splendor, Myth & Ritual’

By Keith Carter

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STAFF PICKS THROUGH OCT. 10 ‘Elegy’ By Wendi Smith garner narrative contemporary ne art | 642 E. Market St. | garnernarrative.com

Paul Paletti Gallery | 713 E. Market St. | louisvillephotobiennial.com

Free Paul Paletti, organizer of theLou-isville Photo Biennial, has chosen Keith Carter’s work to feature in his eponymous gallery. The Los Angeles Times dubbed Carter “a poet of the ordinary.” Not a bad title for someone who’s been featured on CBS Sunday Morning, has work in the personal photography collection of Elton John and been awarded the Texas Medal of Arts. The artist reception is Saturday, Sept. 25 from 2-5 p.m.. The Texas photographer is also the keynote speaker for this year’s LPB. He will give a talk on Friday, Sept. 24, at 6 p.m. at the Speed Art Museum. While the event is free, it’s recommended to reserve tickets on the Speed website.

—Jo Anne Triplett

www.FESTIVALofFAITHS.orgNOVEMBER18-20,2021

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OF WINK O’BANNON:

THE

HONORING LIFE

LEOWEEKLY.COM // SEPTEMBER 15, 2021 21 MUSIC

LEO: How did this project come about? Tara Key: You know, when Wink was still alive, a group of his friends and us had gotten kind of the idea to do something, to help pay some of his expenses. So we had started that and then pandemic hit. Everything just ground to a halt and it was very difficult. There’s 15 songs, in two-thirds of it Antietam played the backing tracks. We were inviting folks to sing along with the tracks and mailing stuff around, so obviously when that happened, everyone was kind of like paralyzed and then, then Wink passed. And, so we really were kind of like, ‘What do we do now?’ We loved thinking about him in this way. Then, we came up with the idea of directing the proceeds from the record to two charities in Louisville. Which are AMPED and Girls Rock Louisville. And, you know, so everybody eventually finished their tracks and now we’re ready to go. How were the songs chosen? The first single is “Hurdy-Gurdy Man.” They’re all covers. They’re all songs that he chose. I kind of tricked him, like one day I just texted him and said, ‘Hey, wait, tell me your top 10 favorite songs of all time.’ And then told him why. And then he went into a Wink tizzy, and then hours later he wrote, ‘How could you possibly expect me to pick 10 songs?’ He sent me a list of 50 and so we drew the choices from that list. The first single is ‘Hurdy Gurdy Man.’ That’s the September 15 release and that features Catherine Irwin and Will Oldham singing leads with Tari O’Bannon and Anna Krippenstapel doing backing vocals. The whole record ends with just Wink playing by himself for a minute and a half, which I can still not listen to.

What should folks remember about Wink? I just feel like Wink wasn’t as wellknown as he should have been, which is the story, you know, with a lot of people from Louisville. And, I just feel like he was so integral as an architect of that scene, but also beyond that, just like his role as an educator and an archivist and how he just taught so many people, so many things. That was kind of beyond just being in a rock band.

ANTIETAM PULLS TOGETHER STELLAR LINEUP OF TALENT FOR TRIBUTE ALBUM, ‘HIS MAJESTY’S REQUEST’

LEO also aksed some of those who participated in this project their thoughts on O’Bannon and why this album was so important: Tara Jane O’Neil (musician and DJ) “Music is the way I became friends with everyone on this complication and how I became friends with Wink. So, of course, when Tara asked me to contribute something it was an obvious yes and another reminder of the power of music as a healing and

By Erica Rucker | leo@leoweekly.com GUITARIST WINK O’BANNON’S mark on Louisville is quite widely known. His work from Bodeco all the way back to the early punk scene in Louisville left a mark on the town that few find easy to forget. When he passed away at the end of June last year, some of his friends and colleagues were in the midst of creating a work to help fund his cancer treatments. After he died, the project continued to thrive, even amidst the pandemic and despite the original mission shifting. Now the project, titled His Majesty’s Request, is set to release its first single, a cover of Donovan’s “Hurdy Gurdy Man.” With Antietam acting as the backing band for most of the tracks, this first single features them with guest musicians Catherine Irwin, Will Oldham, Tari O’Bannon and Anna Krippenstapel. The rest of the album is also covers, curated from a list of songs picked by O’Bannon Participantshimself.include Louisvillians Will Oldham, Todd Brashear (Slint), Catherine Irwin and Anna Krippenstapel (Freakwater), Tara Jane O’Neil, David Grubbs, Chip Nold (Babylon Dance Band), and Wolf Knapp (Antietam founding member), as well as Ira Kaplan, Georgia Hubley and James McNew of Yo La Tengo; Eleventh Dream Day’s Rick Rizzo, Janet Bean and Douglas McCombs; and Sue Garner (Shams, Run On, 75 Dollar Bill), Carter Suter (of Lexington’s No Excuse) and Juanita. The guest list on this record is stellar and that is a testament to the influence and reach that O’Bannon’s work and life had. LEO caught up with Tara Key of Antietam to discuss the project. This record came together in a way that even Key couldn’t have anticipated. As a document, this work is an important piece of Louisville’s music history.

22 LEOWEEKLY.COM // SEPTEMBER 15, 2021 ON SALE FRIDAY 10AM!

MUSIC binding force. At the time, Wink was dealing with his health issues and needed support and perhaps even some joy inside of that. Tara assigned me a song by Dusty Springfield that was on Wink’s list. I recorded ‘This Girl’s In Love’ in a lighthearted manner, imagining a burlesque rendering sung directly to him and imagining the laughs that might escape his tougher veneer, hoping for maybe even a blush. I finished and sent it in to Tara, then she reminded me that the song she actually assigned me was not ‘This Girl’s In Love’ but ‘The Look of Love.’ We decided to stay with my recording anyway.Everyone on this compilation has taught me something about music. Wink especially offered some education in my early years and also support that remained all the way through our friendship. To the question of why it’s important… this kind of project shows us exactly why music is important. It manifests love and healing and it reaches out beyond the intentions and the imagined ‘results.’ We’re here to do this music so we can share joy and support and learning with each other and then keep it all rolling. Sending out much love to our community and to the spirit of Wink and his ‘boss’ Alex Cosby.”

Todd Breshear (Slint, Solution Unknown) “I was flattered to be asked to participate in this project as Wink was one of my rock n roll heroes. I feel really fortunate to have seen him perform so many times, and every time I felt like I was seeing the real deal. It was also really neat to see the list of his favorite songs, there are some interesting picks for sure and all of the artists did a great job with them.”

Wink told me years ago ‘Walk Away Renee’ was his favorite song, so when Tara asked me to sing that one, it was an honor. Also, having James McNew as vocal buddy and mix master was perfect. Wish Wink could of heard this record.”

Janet Bean (Freakwater and Eleventh Dream Day) “The breadth of music on Wink’s list of favorite songs is a testament to his scope of talent and his genuine love of music. To be on the receiving end of one of his impassioned discourses on the brilliance of ‘Walk Away Renee’ or ‘Hurdy Gurdy Man’ was the best musical schooling one could hope for. He was my friend, my bandmate and, without a doubt, one of my best teachers ever. Chip Nold (Babylon Dance Band) “Wink came across as the crabbiest guy imaginable, to a comical degree. But, when I look back over our acquaintance, the lasting hallmark is generosity: He introduced me to music I treasure (Howlin’ Wolf, Arthur Alexander), rescued a band I was in and proved to be an incredible collaborator (on bass, an instrument I never remember him playing before or later); and shepherded some of the greatest Louisville bands I ever heard, either as a member (Skull of Glee, Bodeco) or as a mentor (Juanita). He was central to the Louisville music scene that started in 1978, and it’s hard to imagine it flourishing the way it has without him. One of the bands Wink and I bonded over was the New York Dolls, so “Vietnamese Baby” was a perfect choice — and a blast to play with my dear friends in Antietam, even at 700-something miles’ remove.”

Wolf Knapp (founding member of Antietam, Your Food in Louisville) “I’m not sure if I remember any occasion on which Wink and I explicitly admitted to agreeing on anything. But if Mingus came up, we would have. It was such a pleasure to contribute something I know he loved in celebration of Wink’s cantankerous joy.”

Will Oldham (Bonnie ‘Prince’ Billy, Superwolves, Palace Brothers) “Figuring that Wink is not the man to go quietly, we created a soundtrack for his hauntings. Wink is a man with a unique and powerful influence over many of us in Louisville’s music community. We had no excuse to not sing him out and keep on keeping on.”

Rick Rizzo (Eleventh Dream Day) “The hours I spent with Wink, in a van, RVs., dressing rooms, studios and onstage were some of the best moments of my life. He always inspired me. We had countless conversations over the years about the songs featured on this compilation, and we shared many of the same loves and influences. It’s great to be able to honor his legacy with these songs. Wink was a true rock hero. One-of-a-kind.”

•

Sue Garner (Shams and Run On, and is currently playing with 75 Dollar Bill) “When friends and people you love get sick, anything you can do to help in any small way is the easiest yes of all. Thanks to Tim and Tara for putting all of this together!!

FOTOCRIME HEART OF CRIME

Link: https://energyremoval.bandcamp.com/album/idle-wild

Link: https://fotocrime.bandcamp.com/album/heart-of-crime

ENERGY REMOVAL IDLE/WILD

Throughout each release, Ryan Patterson’s work under the name Fotocrime is more and more realized. On Heart of Crime, the ‘80s new-wave vibes from 808-style drum work to bleating synths. First and foremost, Patterson’s baroque croon is the central figure on display. For the most part, the album is cool, calm and melancholic. Still, tracks like “Industrial Pig” recall the fury of his work with Coliseum. There is an otherworldly country-western vibe at the onset of “Learn to Love the Lash,” partially due to the slide guitar work and swing drumming. Here, Patterson is joined by his brother to create something alien, but familiar all at once, a darkwave track with Southern gothic roots, an eerie theremin warbling in the distance. Heart of Crime shows Patterson’s compositional maturation, moving from homage to a pastiche of styles that recall works by similar groups like Killing Joke, Sisters of Mercy, but also bands like Rites of Spring.

Link: https://thanielionleemusic.bandcamp.com/album/new-age-music

LEOWEEKLY.COM // SEPTEMBER 15, 2021 23 *For new clients only. Not to be combined with any other offer. Up to 2 pets per household. Exp. 8/30/14. Cashier Code. 700.500 *For new clients only. Not to be combined with any other offer. Up to 2 pets per household. Exp. 8/30/14. *For new clients only. Not to be combined with any other offer. Up to 2 pets per household. Exp. 8/30/14. Cashier Code. 700.500 Wellness/Preventative care Dentistry • Surgery Grooming • Senior Pet Care GET A $25 FIRST EXAM!* *For new clients only. Not to be combined with any other offer. Up to 2 pets per household. Exp. 8/30/14. Cashier Code. 700.500 *For new clients only. Not to be combined with any other offer. Up to 2 pets per household. Exp. 8/30/14. Cashier Code. 700.500 VCA FAIRLEIGH ANIMAL HOSPITAL 1212 Bardstown Road • Louisville, KY 40204 502-451-6655 VCAfairleigh.com @vca_fairleigh @vcafairleighanimalhospital www.vcafairleigh.com LISTEN NOW PODCASTS FOR EVERYONE Listen wherever you get your podcasts, or find all of our podcasts on the LPM app. FOUR NEW ALBUMS FROM LOUISVILLE ARTISTS By Syd Bishop | leo@leoweekly.com MUSIC THANIEL ION LEE NEW AGE MUSIC

Link: https://ajamison.bandcamp.com/album/blood-sacrifıce

For years now, composer and artist Thaniel Ion Lee has quietly crafted gorgeous works of ambient music, on par with genre greats like Stars of the Lid or Steven Roach. On his latest, Lee flips the notion of new-age music on its head, offering up an album that is as dense and enveloping as you would expect from a drone ambient release, but with a sinister feel throughout. This is contrary to new-age music as a genre, although, given the tenor of the world, it feels wholly appropriate. With that in mind, it’s hard not to see Lee’s work as a treatise on the pandemic, the police state, draconian laws and more. This is heavy, foreboding music that has a gravity all its own — expect to be pulled in and subject to the physics of an unrelenting masterpiece.

A. JAMISON BLOOD SACRIFICE With “Blood Sacrifice,” emcee and producer A. Jamison makes a statement on artistic and personal struggles. Jamison takes disparate genres from trap to R&B to electronica and synthesizes that into something fresh. Opener “Friends” sets the tone for the album, here with Jamison reflecting on fairweather friends and how they complicate finding real connections. Singing “fake friends have made it hard to make friends,” the pathos in Jamison’s voice is real and vulnerable, suggesting the realness in his struggle for platonic relationships. On “Churches,” Jamison sings again about betrayal. Here, “church” is a venue for performance, a place where people can go to see someone put on a show. It’s hard to say if this reference is a cynical reference to religion or if the church is just a free and common area for people in the community to go, sing and get feedback on one another. Whatever the case, lines like “And now you want to flip things around, but I ain’t ever been a gymnast,” are clever and show Jamison’s prowess as a lyricist.

There is an element to summarizing instrumental music that feels like a fool’s errand. Even with lyrics or other oral or written cues, it’s hard to capture what an artist is about at the best of times. Fortunately, although Idle/Wild by Energy Removal lacks in any direct narrative, the music is designed to transport and thrill, a cinematic affair that pulls from krautrock and modern indie as much as the work of Hans Zimmer or Vangelis. The songs are tightly wound with an often post-rock place that emphasizes delicate lows and soaring highs. On “Idle/Wild 2,” the opening phrase is reminiscent of the musical communication in “Close Encounters of the Third Kind.” As such, there are hard-to-place nostalgic moments throughout the album, the kind that would feel right at home as the score to “Stranger Things” or something like that — intentionally retro-futuristic jams that feel familiar and still exciting.

By Tyrel Kessinger | leo@leoweekly.com

THE GREAT THING about instrumental songs is that they leave the door wide open to interpretation, an element Bryan Hamilton, chief songwriter for Tsunami Samurai, capitalizes on in their latest release, “Texas Toast.” Ultimately, he said he wants the song to be a “soundtrack” to the dreams of our daily lives. “This song is about staring out your car window and letting your imagination run wild,” Hamilton told LEO. “I hope people take away a song that gives their road trip a little more vibe. A song that makes daily life a little more epic. A song that makes runimaginationthefreefor a little hardsongToast”“Texaswhile.”isathat’sto define. Hamilton and Twangytheiranythingingexperiment-here,cautionthrowbandmateshisallasideboldlywithinreach.surfguitars? Check. Bouncy gypsy groove? Check. Ethereal, angelicesque choruses? Check. A Russian Cossack-style danceability? Check. Perhaps the best way to explain the song is saying it would fit right at home in a Tarantino film. It’s a song painted with broad strokes, though underneath the smorgasbord of sonic textures lies a stable, easy backbeat swing that keeps the song grounded to an ear-pleasing listenability.“Musicwise, we approached ‘Texas Toast’ as a surreal western painting,” Hamilton explained. “It’s built from ‘70 tracks, and they were layered in for both musicality and texture. It has a lot of small details like a jaw harp or a chain being dropped on the floor that can make it fun to keep listening to. Despite the ‘70 tracks, the song still has a surprising amount of space, which I think attests to how many of those tracks were just a single detail.”

“This song, and all of the Tsunami Samurai songs that I wrote, are first and foremost written for my own enjoyment,” he said. “Everything we have done has been without any promise of an audience. I personally cater to my own goals and expectations when composing. The most important thing, to me, is to have a song I can look back on later and know it was worth writing in the first place.”

•

24 LEOWEEKLY.COM // SEPTEMBER 15, 2021 AMERICAN BRANDY, GIN && ABSINTHE DISTILLERYEXPERIENCEBOURBONAMERICANDISTILLERYBRANDYAGEDINKENTUCKYBARRELSSONICAGING:LISTENTOTHEBARRELSROCK‘NROLLEXPLORETHESKYDECK&TAKEINTHEVIEWSOFDOWNTOWNLOUISVILLE1121E.WASHINGTONSTLOUISVILLE,KY40206COPPERANDKINGS.COMVOTEDBESTLOUISVILLEDISTILLERY MUSIC SONIC BREAKDOWN TSUNAMI SAMURAI — “TEXAS TOAST” (2021)

Hamilton also found a silver lining in the pandemic lockdown, a positive air that lends itself to the tone of both “Texas Toast” and Tsunami Samurai’s aesthetics: “Luckily, I had just purchased an interface and some other home recording equipment to recordingstart and the Toast,”makethingstutorials.”YouTubeofhundredsinvolvedwaystepnearlyexperiencelearningwastotimeallowedthecreatedvacuumbypandemicmetolearnuseit.ItatotaleveryoftheandhoursofOneofthethat“Texasand Tsunami Samurai, so intriguing is the band’s refusal to play by the rules of songwriting. Hamilton believes its more important to be fulfilled by the music he makes than to simply appeal to a fanbase or be pigeonholed to one genre.

By Robin Garr | LouisvilleHotBytes.com

| PHOTOS BY ROBIN GARR.

A veggie Reuben may sound like an oxymoron, but marinated portobello chunks lled in surprisingly well for corned beef in this veggie twist on the tradition.

RECOMMENDED KAYROUZ CAFE DOES FOOD AND SAFETY RIGHT

FOOD & DRINK

This is reassuring: “Our entire kitchen and wait sta have been fully vaccinated,” a sheet on the front door assures customers; all who served us were properly masked, too.

SHOW me a fourth generation family restaurant that traces its heritage back to the 1920s, and I’ll show you a restaurant that’s doing things right. That would be Kayrouz Cafe, and it should come as no surprise that the current generation is handling COVID safety with style and grace. “Our entire kitchen and wait staff have been fully vaccinated,” a sheet on the front door assures customers. There’s ample outdoor dining, with a half-dozen patio tables offering a significant boost to the tiny eatery’s interior seating.

The Kayrouz family has been making local diners happy with good, simple and delicious fare for a very long time, all the way back to the original Kayrouz Cafe at Preston and Fehr (now Liberty) streets nearly a century ago. J.P. Kayrouz, of the second generation of the family business, operated in St. Matthews for 25 years or so until its building was demolished in 2003 to make way for Wilson & Muir bank. A third generation opened the current location in 2006 in the tiny St. Matthews building where it still resides, now with a

LEOWEEKLY.COM // SEPTEMBER 15, 2021 25

fourth family generation in charge. The food is still freshly made and delicious, the service careful and friendly, and quite a few popular dishes have remained on the menu through the generations. The menu consists almost entirely of sandwiches (and burgers), soups and salads, and pricing has remained fair, with only reasonable inflationary hikes since my 2006 review. The avocado and mango salad, then $7.85, is just $10 now. The “nova” chicken breast sandwich with avocado, bacon and brie topped the sandwich list then at $8.95, and it’s still the high-end sandwich at $12.75Fivenow.burger choices — hand-pressed, cooked to order and served on brioche bun — are priced from $13 (for the Kayrouz cheeseburger) to $22.95 (for the massive TJ Double, featuring two half-pound patties with double cheese and bacon). A nonsandwich item, 10 hand-breaded and fried extra-select oysters, is $17.95. Three meal-size appetizers are priced from $10 (for homemade hummus with pitas) to $12.75 (for a chicken quesadilla).

KAYROUZ CAFE 3801 Willis Ave. kayrouzcafe.com896-2630

House-made chili and cheddar broccoli soup are both $6.50 for a bowl. Three dinner salads are all $10; the café house salad is $6. Dining under pretty turquoise umbrellas on an outdoor table was surprisingly comfortable, a sensation enhanced by Kayrouz’ use of heavy, quality silverware wrapped in large, white-cloth napkins and attractive dishes that remind me of Fiesta ware. A memorable Parmesan and pesto salad ($10, but $3.50 more if you add chicken) was thoughtfully designed and artfully assembled. Fresh mixed greens were tossed with chopped tomatoes, pine nuts, and grated strips of Parmigiano Reggiano, then topped with strips of unctuous caramelized onions and dressed with an aromatic dressing of fresh pesto and oil. In a nice extra touch, the server discerned that we intended to share the salad and had the kitchen serve it on separate plates. We had planned on a cod sandwich but got there too late: The kitchen had run out. We went with haddock instead, which looked like a significant up-charge until I ran the numbers: Eight ounces of cod is $13.25; a huge slab of haddock — 11 to 14 ounces for a fillet — is $17.95. What a deal! It truly was an impressive slab of fish, an entire fillet long enough to extend off both sides of a dinner plate, enough to make two sandwiches with the tasty seeded rye bread provided. The breading was hot and crisp, while the white fish was flaky and mild. Haddock and cod are related and boast similar flavors. Haddock has a reputation for being more flavorful but not as flaky, so you can take your choice. We were happy. Homemade tartar sauce was excellent too, creamy with plenty of dill. The menu offers both a regular Reuben ($12.50) and a veggie Reuben ($10.75). With its heritage in the Omaha stockyards and loaded with corned beef, the standard Reuben is such an iconic meat sandwich that the idea of a meatless model tickled my fancy. It was good, too, built like a standard Reuben with sauerkraut, swiss cheese, thousand island dressing, and crisp rye bread all contributing their characteristic flavors. It’s so good that you don’t mind the substitution of portobello mushroom chunks in tart-sweet marinade one bit. Most of the sandwiches come with choice of a half-dozen sides. Homemade curly kettle chips, warm, salty and supercrisp, were good enough to wean us from the factory model. Regular French fries were top-notch, too — long and hand-cut, fried with an extra-crisp, and a crunchy exterior surrounding creamy, steaming potato.

FOOD & DRINK

The menu doesn’t list desserts, but the server told us that carrot cake was available, handmade by the chef’s grandmother and big enough to serve four. Maybe next time! With strong, clear, iced tea ($2.50), an excellent lunch for two totaled $43.67, plus a $10 tip. •

QUEEN PAWTIFA shopsassyfoxconsign.comfashionforwardwithoutspendingafortune New Hours Tue–Fri 11–5 pm Sat 10–4 pm 502.895.3711

Please give a warm welcome to the one and only Queen Pawtifa! Queen Pawtifa is a oneyear-old torbie beauty who came to the Kentucky Humane Society when her owners moved out of their home and left poor Queen Pawtifa behind. When she arrived, we immediately noticed she was heavily pregnant and ready to give birth at any time. We sent her into a foster home so could raise her kittens away from the stresses of the shelter and now that her kittens are grown, it’s time for Queen to find a new family to love! Queen Pawtifa is a petite lady weighing around 8 pounds and has a very slender build to her. Her markings are stunning and she easily attracts the attention of visitors! She has done well living with cats but would prefer no dogs in her forever home. Queen Pawtifa is definitely a fun kitty and loves climbing to the highest perch in the room to look over her inferiors as they work. She also will sit gladly on your shoulder and be your pirate kitty! Could you use a loving friend by your side forever? If so, come meet Queen Pawtifa today! Queen Pawtifa is spayed, micro-chipped, up-to-date on vaccinations and ready to go home with you. Come meet her at the Main Campus, 241 Steedly Drive, or learn more at kyhumane. org/cats.

26 LEOWEEKLY.COM // SEPTEMBER 15, 2021

150 Chenoweth Ln

A huge 3/4-pound slab of delicious haddock about made a memorable fried- sh sandwich.

Don’t mind if I sashay in here, do ya? The name’s Shay - and I’m excited to meet you! I’m a seven-month-old pup who is looking for a family as fun-loving and energetic as myself! How did a gorgeous, inspiring, wonderful, cute, bright, loving (I could go on) dog end up here at the Kentucky Humane Society, you ask? Well, I had been adopted...but my family had some pretty unrealistic expectations on how to care for a dog. So I came back to KHS to find a family who’s prepared for a canine companion this time! I appear to be a Cur/American Pit Bull Terrier mix. And with a combo like that, you can expect a positively amazing doggo! A little bit about me: I LOVE life. Everything is just so fun and new to a puppy like me! I love exploring, running, and playing, so I need a family that is already active so that I don’t become bored. The staff at KHS say I’m really smart and might be a good fit for something called “agility” - whatever that is. I’m nearly 50 pounds of dog-social, playful energy but don’t always know my size. As such, I need to meet any canine siblings before going home, and they should be my size (no small doggies). Oh, and about those animals called cats! Aw man, they are SO much fun! I love to chase them and try to grab them like a squirrel, haha! But for some reason, the cats don’t really enjoy that game. What party poopers! My new home should be free of any cats or other small animals that would otherwise spoil my fun game of chase. Speaking of games, I have played with older children and would probably do well with sturdy kiddos who are looking for a dog to play and run with! My previous family also said I was housetrained. I’ve heard that’s a good thing for humans! Phew, I think that’s it! I’d love to meet you in person so you can see how awesome I am. I’m spayed, microchipped, up-to-date on my shots. All I’m missing is you! Come visit me at the Main Campus, 241 Steedly Drive, or learn more at kyhumane.org/dogs.

• To watch the “Modern Living and You” short, search YouTube. Follow Fonza on Instagram for more information about the production: @ nemo_of_ephyra.

LOUISVILLE and Kentucky have seen a lot of film activity in recent years. With tax incentives for filmmakers, Kentucky has made it easier and more attractive for films to be made in the state. A new film by local director Lucio Fonza, called “Roach Motel,” will be filming in the Louisville area. His Out of the Inkwell crew will begin work on the film over the next couple of months, employing mostly local talent for the production. The film will shoot in October and November, and Fonza said the project grew out of his time in quarantine last year. “My feelings of 2020 put to page, not just with the pandemic, but everything that was going on,” said Fonza. “So not only do we have characters that are stuck with their own belief system shattering before them — among these four walls that feel like they are closing in amongst them — we have a deep political satire.” Out of the beginnings of this project, Fonza made a film short, “Modern Living and You.” “Modern Living and You” is a campy look at the Red Scare. For those that don’t know, the Red Scare was a period during the Cold War between the United States and Russia where panic over the fear of communism was rampant. The short is a play on the mood of films from the 1950s that exacerbated the feelings of fear of Russia, but instead of adding to the fear, it centers on a confused housewife who is trying to understand the panic, and that communists might ultimately be regular people. For the filming of “Roach Motel,” Fonza told LEO that he is employing local talent. He will also be co-starring as one of the leads in this film. Other locals that are involved include Cameron Bernard and DianaraFonza’sCrawford.crewincludes: J. Kwame Jackson, M.A. Bakere, Cindy Lou Howard, Lacee Pyles, Bryan Cucullu and Dave Elswick. All of whom are also from Louisville. Fonza said he would be “nothing without the team at Out of the Inkwell Productions.”

Fonza decided to shoot the film in Louisville because the city is modern, yet has a vintage look and feel. “It’s colorful and stylish and a plethora of unrecognized beautiful talent everywhere you look,” said Fonza. “Many of the artists here are driven and passionate, but many unheard.”Hecalls Louisville one of the homes to the truest type of bohemians. “Whether it be faced with the realities of injustice and creating a medium around this or a blank canvas with unlimited potential and love ready to be poured into it, Louisville is starting to be seen on people’s radar,” said Fonza. “It is home to many of the true bohemians, the creative, the unsung artists. I’ve lived and worked in Louisville most of my life and I’ve met some truly fascinating and eccentric individuals full of life and talent.”

LEOWEEKLY.COM // SEPTEMBER 15, 2021 27 ARTS & ENTERTAINMENT

‘ROACH MOTEL’ BEGINS FILMING IN LOUISVILLE SOON

By Erica Rucker | erucker@leoweekly.com

28 LEOWEEKLY.COM // SEPTEMBER 15, 2021 ARTS & ENTERTAINMENT

By Erica Rucker | leo@leoweekly.com

Louisville Visual Art posted the following: “The entire LVA family is saddened by the news of the passing of the Reverend Al Shands III. As an art collector and philanthropist, he was an example for his entire community and LVA is only one of the organizations that benefited from his largesse. At the 2019 LVA Honors we recognized how much his leadership and generosity had shaped this creative community through the Great Meadows Foundation and through private acts of support. A great friend and true gentleman has passed from our midst.”

REV. AL SHANDS III, LOUISVILLE ARTS ADVOCATE, PHILANTHROPIST AND COLLECTOR, DEAD AT 92

THE LOCAL visual arts community is mourning the passing of Rev. Al Shands III today. Shands was an integral figure in local arts through his avid collecting and his support of artists through his Great Meadows Foundation. Shands was 92 years old. According to the Great Meadows Foundation website, Shands’ involvement in local arts began when his wife, Mary, was asked to lead the Kentucky Art and Craft Foundation, which has since become Kentucky Museum of Arts and Crafts. Their collection began with regional ceramicists and quickly branched out into different mediums and artists of national and international reputation. The focus of their collection seemed to settle on sculpture and this was the impetus for the Shands to build their home at Great Meadows, where they would have space for their growing art Alcollection.Shands continued collecting after the passing of Mary in 2009. Shands was also the author of two books and a filmmaker with more than 35 documentary credits to his name. During his life, he was a trustee of the Speed Art Museum in Louisville and on the Advisory Board of the Peggy Guggenheim Museum in Venice. He has also been a member of New York’s Whitney National Committee and the Museum of Modern Art’s (MOMA) International Council. Through the formation of Great Meadows, Shands continued the legacy begun by himself and his wife Mary, which offers visual artists and organizations the funds to create and sustain projects as well as money for artist educational travel. Many memories of Al Shands and his legacy have been shared by the local arts community. Here are a few of those sentiments: John Brooks, owner of Quappi Projects Gallery, wrote this on Facebook: “The news of Al Shands’ passing hits hard. His impact on the visual arts community in Louisville and Kentucky simply cannot be measured—and, when one considers the extraordinary breadth and depth of his collection and the ongoing work of Great Meadows Foundation, it is obvious that his endeavors made and will continue to make waves around the world. Al was many things to many people, but I can only speak for myself: I considered him to be a supporter, a patron, a benefactor, a sage, and, most importantly, as of late, a friend. A scholar, a gentleman, and a magnificently kind and curious human being, he was truly a man for all seasons. Simply irreplaceable. Ars longa, vita brevis.”

The KMAC Museum posted this: “The KMAC Museum family mourns the loss of a great friend, supporter and visionary art leader. Al Shands, a visionary philanthropist, and avid contemporary art enthusiast, gave so generously of his time and treasure to KMAC Museum. He will be remembered and honored as a guide, an emblem and advocate for art in the region, supporting artist development through the Great Meadows Foundation and through his ceaseless collecting. Al’s devotion to KMAC and love for art ensures that the path that the museum has been on will continue forever.”

• Rev. Al Shands III. | PHOTO BY ROSS GORDON.

LEOWEEKLY.COM // SEPTEMBER 15, 2021 29 ETC. THINK TWICE The New York Times Magazine Crossword BY AIMEE LUCIDO AND ELLA DERSHOWITZ / EDITED BY WILL SHORTZ No. 0829 ACROSS 1 Confound 6 Sarcastic internet laughter 10 Most Times Square signage 13 Performance check 17 Dark hair and a warm smile, for two 19 Samoan capital 20 To’s opposite 21 Full-length 23 Something that bugs criminals? 25 Blabberer 27 Duplicitous 28 Musicianship 30 ____ dress 31 Pasture 32 Signed off on 33 Ukr. or Lith., formerly 34 Places for development 36 Corn kernel, e.g. 38 Actress Merrill 40 Genre for BTS or Blackpink 43 Added to the staff? 45 Alerts 48 ____ of lies 49 Aquafina : PepsiCo :: ____ : Coca-Cola 52 #$%& and @%¢! 55 Practice whose name means, literally, ‘union’’ 57 Words before ‘‘before’’ 58 ‘‘Deck the Halls’’ contraction 59 Symbol on the Connecticut state quarter 60 Stop along the highway 61 Quite 64 Finished brushing one’s teeth, say 66 Racial-justice movement since 2013, in brief 67 ‘‘Really, though?’’ 68 Word in many font names 69 Betray . . . or a hint to four answers in this puzzle 73 ____ the Cat (fictional feline of children’s books) 74 Thin incision 75 Some $200 Monopoly properties, in brief 76 Set of 50 on the Argo, in myth 77 Coaxed (out of) 79 Insurance giant bailed out in 2008 80 Word before cap or pop 81 Awesomest bud 82 Spirit in Arabian myth 83 Arizona county or its seat 85 Pushing up daisies 90 Neighbor of Mozambique 92 Nonwriting credentials for Conan Doyle and Chekhov, informally 93 Seller’s need 95 Artificial habitat 97 Abolitionist Lucretia 98 The avant-garde ‘‘artists’’ Congo and Pierre Brassau 100 Hedy of the 2017 documentary ‘‘Bombshell’’ 103 Kind of chip 105 Question of perplexion 108 ‘‘The Raven’’ writer’s inits. 109 Like 110 Big believer in the freedom of assembly? 112 Press ____ 113 What the beleaguered are behind 115 Classic folk story that teaches a lesson of sharing 118 Be up for some biking? 120 Fast runners 121 Advanced math degree? 122 Ninny 123 Sternutation 124 Real cutup 125 Landscaper’s supply 126 In the past 127 ‘‘As You Like It’’ forest DOWN 1 Novelist Margaret 2 Absorb the beauty of, as a scene 3 Lacked the gumption to 4 Gladly, old-style 5 Jazzy James and Jones 6 First law-enforcement org. in the U.S. to hire a female officer (1910) 7 Nail-polish brand 8 List of performers 9 Star man? 10 Half of a ’55 union merger 11 ‘‘That’s enough arguing out of you!’’ 12 Lip-puckering 13 Things that may be rubbed after din-din 14 Playwright Will who was a 2005 Pulitzer finalist 15 Crew implement 16 One getting special instruction 18 Ink holders in pens and squid 22 ‘‘Just like ____!’’ 24 Like morning people vis-à-vis night owls, around dawn 26 Response to ‘‘How bad was it?’’ 29 Extends, in a way 35 Lead-in to call 37 Cause for an onslaught of yearly txts 39 ‘‘If the pessimists are right . . .’’ 41 Stroke 42 East: Ger. 44 Wednesday, but not Friday 46 Accelerator particles 47 Overwhelm 48 Some tax breaks 50 Boos and cheers 51 Light 53 Latin list ender 54 Some Hershey candies 56 Bought in 61 Time-consuming assignment to grade 62 Xanax alternative 63 Monthly publication of the National Puzzlers’ League, with ‘‘The’’ 64 More convinced 65 ‘‘The Magic School Bus’’ was its first fully animated series 66 Sound at the end of December, appropriately? 67 Beach with a girl who ‘‘swings so cool’’ 70 Part of many a corsage 71 Bite site 72 Job to do 78 High-quality cannabis, in slang 80 ‘‘Success!’’ 81 Decorate 82 ‘‘I. Can’t. Even.’’ 84 Spain’s Duchess of ____ 86 Classic novel with the line ‘‘You must be the best judge of your own happiness’’ 87 Environmental opening 88 When repeated, a reproof 89 Overturned 91 Most chiffonlike 94 Figure out 96 Not thinking 97 The Supremes’ record label 99 Bad temper 100 Makeup target 101 Where a ‘‘Married at First Sight’’ contestant meets his or her mate 102 Language in which ‘‘kia ora’’ is a greeting 104 Up on 106 Confused responses 107 Fight site 111 Long runs? 113 ‘‘A man’s character is his ____’’: Heraclitus 114 ‘‘Suds’’ 116 Prefix with classical 117 Prof’s degree 119 Post on Insta TSETSDAZLOLELDDA TUCNUORFAIPASTIART HTUOMDUOLGNPPATERW AELMORPRAEDECAFENO TELBINIRETURSSDKO DETATONPOPKANID INASADBEWSEIFITON AGOYSDROWRETTELOWT NNIKAOSITRONO TISIMLBTAPSOSREVE ETEPSSORCELBUODSNAS DESAETSRAOSRRTILS NNIJFFBECIGIA REDNUTEEFEERHTAMUY REMOTSUCSDMWALAM SEPATTOMEMODOIB PAEAHWOHCANRRAMAL LLABRUOFTIKAEKIALA EILEEHWAPOPPUOSENOTS EZEENSTIWTHTNSERAH NEDRAECNODOSTOIR 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127

HANDS ON

If I were in your shoes, I would probably wonder how much time, if any, passed between my friend/massage therapist becoming consciously aware of his romantic feelings for me and the moment he disclosed those feelings—and I might find myself thinking back on our previous sessions and feeling a little goobed out. But while it’s uncomfortable to contemplate a massage therapist taking his own pleasure in your sessions, RUBBED, that’s always a risk. (Kind like friends catching feelings for friends is always a risk.) We rely on massage therapists to be professionals and to quash feelings of sexual attraction during a session, regardless of how long we’ve been seeing them. And regardless of what kind of relationship we might have with them outside the treatment room. Some of the massage therapists I spoke with felt you should report him, but the majority did not—and I’m going to stick with my advice not to report him. But you get to make your own call.

A: 1. I can’t respond to every email I receive; there are too many of them and just one of me. And while I’m the kind of progressive who feels bad about anything and everything, I don’t feel too bad about this. Because after hearing from so many people who’ve said that just the act of writing to me was helpful—that putting their problem in an email helped them— and hearing from just as many people who’ve said that my advice is terrible, RSVP, I long ago concluded that the people I don’t respond to are the ones I’m helping most.

A: Men who practice orgasm denial— whether they’re withholding their own orgasms or being denied orgasms by their dominant partners—often report existing in a pleasantly buzzy state of perpetual horniness. Doms who lock their lover’s cocks up in chastity devices (instead of relying on them to refrain climaxing or jacking off) often report that their perpetually horny partners are more attentive. And while those are attractive perks, I’ve never been tempted to go the orgasm denial route myself. First and foremost, I enjoy coming too much to give it up. And coming in a close second, multiple studies have shown a link between frequent ejaculation and a lower incidence of prostate cancer. Maybe at 72 you’re not worried about prostate cancer—seeing you haven’t gotten it by now—but guys who don’t want to risk prostate cancer should err on the side of busting those nuts (which is not to be confused with busting those balls). As for your problem, WAD, if withholding orgasms is making it difficult for you to have ‘em when you want ‘em, well, then you might wanna stop withholding ‘em. But considering how much pleasure you get out of withholding them—that buzz, those spectacular orgasms when you do come—maybe unpredictable orgasms are a price you’re willing to pay.

Followmail@savagelove.netDanonTwitter @ CheckFakeDanSavage.outmynew website at Savage. Love!

Q: I’m a healthy and active 72-yearold man who found love the second time around. In fact, I have discovered not only a depth of love I never knew existed, with my new mate I have the most active and satisfying sex life I’ve ever known. My question is this: During nearly a year of solitary processing after my marriage ended, I chanced upon writings about Tantric lovemaking practices and was fascinated by them. I began to practice withholding ejaculation, which is a Tantric practice that has tremendous benefits. One of those benefits is existing in a state of perpetual desire for my partner and this lovely hum of continual sexual energy between us. But after two years of practicing withholding semen, I now find it almost impossible to come at the time of my choosing. It is almost as if my inner Tantric Shaman has taken hold of the controls. The wonderful woman in my life consistently has multiple orgasms, but I come about once every seventh or eighth time, and only when we have a long, involved, and deeply connected sex session. While the release, when it comes, is always spectacular, I would like to have more control over my orgasms. Do you have any Wantingsuggestions?ADirection

Q: I’m a 35-year-old straight woman living in the Midwest. I was seeing a massage therapist for three years and we became very close friends. I referred my friends to him and helped him grow his business. He eventually disclosed to me that he had developed feelings for me. I went into instant shock and said that I had no idea and I thought we were only growing in our friendship. He told me that he had to tell me and wanted to leave it up to me if I felt comfortable continuing to see him. I was really numb from my shock and thought I was okay at first, only later realizing how upset and violated I felt. I never went back to him. I found out that he closed his practice during COVID. My question is, should I report him to his ethics board? Really Upset By EroticBewilderingDisclosure

30 LEOWEEKLY.COM // SEPTEMBER 15, 2021 SAVAGE LOVE By Dan Savage | mail@savagelove.net @fakedansavageROBINSONRACHELBYPHOTO

A massage therapist I shared your email with told me that your former massage therapist handled this the way he was trained to handle similar situations in the professional ethics courses he was required to take to get his license: disclose and discontinue the professional Anotherrelationship.massage therapist I spoke to did think your former massage therapist was guilty of an ethical lapse. He referred me to the professional code of conduct published by his professional association—the College of Massage Therapists of British Columbia—which bars entering into a “close personal relationship” with a client. He felt the friendship was the ethical violation; if your massage therapist had done the right thing and kept your relationship strictly professional, he wouldn’t have caught feelings for you the way he did. And if he hadn’t caught feelings for you the way he did, RUBBED, he wouldn’t have put himself in the position of having to disclose those feelings to you. Or put you in the position of having to listen to him make that discomforting disclosure. I understand not wanting to to see this massage therapist again, RUBBED, and I understand feeling squicky about this.

It’s also possible that age caught up with you and your orgasms became a little less reliable at the same time you took up Tantric sex practices. (For the record: Tantra is a nearly two-millennia old tradition/ body of wisdom that originated in India and is typically practiced by Hindus and Buddhists. While sex is a part of tantra, sex isn’t the only thing tantra is about.)

Q: I am new to your wonderful column. I have two questions: 1. Do you personally respond to each email you receive? Or do you only respond to inquiries in your column? (I sent an email this morning and haven’t heard back yet.) 2. Is it possible to get email updates from you on a daily basis, since I would like to read the column every day? Response Sought Very Persistently

2. I have a brand-new website—courtesy of the tech-savvy, at-risk youth—where you can sign up for my new weekly email newsletter, which includes links to new columns and old ones, my weekly podcast, upcoming book events, and more. And while new columns only come out once a week, RSVP, there are enough old columns in the archives for you to read a brand-new-to-you column every day for the rest of your life.

ETC.

A: ThisNo.guy was initially your massage therapist, RUBBED, but you eventually became very close friends. I’m going to assume this was one those consensual friendships—meaning, your former massage therapist didn’t force his friendship on you—and that you welcomed his friendship. So, while you may have gotten to know him in a unique professional setting, you wound up in a kind of two-track relationship with him: he was your massage therapist and also your friend. It’s not uncommon for friends to catch feelings for each other and it would seem to be in that capacity—in his capacity as your friend—that your massage therapist caught feelings for you. Given that he developed feelings for you, I don’t see how he could avoid making this disclosure. Indeed, keeping these feelings to himself while continuing to see you as a client—or dropping you as a client without explanation (an explanation that you, as a friend, would have felt entitled to)—would have constituted an ethical violation. “What he did was borderline, but not unethical,” said a physical medicine practitioner that I shared your question with. “That he brought up the fact that she could/should consider no longer seeing him keeps it just in bounds. The most correct thing would’ve been to maintain boundaries and not become friends in the first place.”

502 Towing & Recovery, 3301 7th Street road, Louisville, KY 40216 (502)-777-7652, has intention to obtain title of a 2007 Ford Expedition VIN: 1FMFK18577LA59836, and will be dispose of in accordance with local and state statute On OCT 6 2021. Unless owner or lienholder: Owner Christopher Gwyn. Lien Holder: Kentuckiana Finance. objects in written form within 14 days after this notice.

NOTICE - LIONEL JOE JARVIS STATE OF MICHIGAN 37th JUDICIAL CIRCUIT COURT ORDER FOR SERVICE BY PUBLICATION/POSTING AND NOTICE OF ACTION CASE NO. 21-0126-DO Court address: 161 East Michigan Avenue, Battle Creek, Michigan 49014 Court telephone no: (269) 969-6518 Plainti : Ruthann Kay Jarvis, 75 Wallace Avenue, Apt. E., Battle Creek, MI 49014. Plainti ’s attorney: Cindy L. Thomas (P62502) 395 South Shore Drive, Suite 204, Battle Creek, Michigan 49014 (296) 964-5080 Defendant: Lionel Joe Jarvis, 1850 Date Street, Louisville KY 40210 TO: Lionel Joe Jarvis

1. EPEMBEW PEMBEW 2012 BLACK DODGE JOURNEY 3C4PDCAB7CT256857

Located at 4 North Calumet Court, at Southland Mobile Home Community Cellco Partnership and its controlled a liates doing business as Verizon Wireless (Verizon Wireless) proposes to build a 35-foot light pole Communications Tower at the approx. vicinity of 107 H W Market Street, Louisville, Je erson County, KY 40202. Public comments regarding potential e ects from this site on historic properties may be submitted within 30 days from the date of this publication to: Trileaf Corp, [Edward Reynolds, e.reynolds@trileaf.com], [1515 Des Peres Road, Suite 200, St. Louis, MO 63131, 314-997-6111].

3. SANDRA HOPKINS 2000 WHITE LEXUS RX300 JT6GF10UXY0067603

4. ZACHARY FEENEY 2009 SILVER CHEVY TRAVERSE 1GNEV23D39S101544 PUBLIC NOTICE Pursuant to KRS 376.480, the following abandoned mobile home located at 67 Calumet Drive, at Southland Mobile Home Community, Louisville, Kentucky shall be sold by Southland via sealed bid on Friday, October 15, 2021 at 10:15 AM to recover rent, storage and legal fees incurred by the owners of said mobile home. The sealed bids will be accepted at 401 Outer Loop, Louisville, KY 40214. Title to the mobile home is not warranted, subject to prior liens and all sales are nal. Seller reserves the right to bid. Terms of sale cash only. David E. Wood Unknown Heirs or Bene ciaries Unknown Owner(s) or Creditor(s) Year: 1986 Make: Crestline Homes Model: Unknown VIN: ZC112489 Located at 67 Calumet Drive, at Southland Mobile Home Community

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Robert K. Walton, II Brandi N. Cook Unknown Heirs or Bene ciaries Unknown Owner(s) or Creditor(s) Year: 1987 Make: Holly Park Model: Forest Glen VIN: 01FPC17218 Located at 103 Calumet Drive, at Southland Mobile Home Community

502 Towing & Recovery, 3301 7th Street road, Louisville, KY 40216 (502)-777-7652, has intention to obtain title of a 2005 FORD FIVEHUNDRED VIN:1FAFP23105G133075, and will be dispose of in accordance with local and state statute On OCT 6 2021. Unless owner or lienholder: Owner JAMES STAHL OR DANNY STAHL. Lien Holder:NONE. objects in written form within 14 days after this notice.

502 Towing & Recovery, 3301 7th Street road, Louisville, KY 40216 (502)-777-7652, has intention to obtain title of a 2011 DODGE DURANGO VIN: 1D4SE5GT7BC613941, and will be dispose of in accordance with local and state statute On OCT 6 2021. Unless owner or lienholder: Owner TRAVIS SMITH. Lien Holder: AMERICAN CREDIT ACCE. objects in written form within 14 days after this notice.

502 Towing & Recovery, 3301 7th Street road, Louisville, KY 40216 (502)-777-7652, has intention to obtain title of a 2010 TOYOTA CAMRY VIN:4T1BF3EK5AU544454, and will be dispose of in accordance with local and state statute On OCT 6 2021. Unless owner or lienholder: Owner Lauren MUIR. Lien Holder: KY TELCO. objects in written form within 14 days after this notice.

502 Towing & Recovery, 3301 7th Street road, Louisville, KY 40216 (502)-777-7652, has intention to obtain title of a 1986 JAGU XJ6 VIN: SAJAV1340GC437422, and will be dispose of in accordance with local and state statute On OCT 6 2021. Unless owner or lienholder: Owner Lauren MUIR. Lien Holder: NONE. objects in written form within 14 days after this notice.

The Je erson County Extension District Board’s most recent audit and adopted budget can be viewed anytime on the Department for Local Government’s Public Portal website. If you would like to view our most recent nancial statement, please visit us at our home o ce located at 4200 Gardiner View Ave., Suite 101, Louisville, KY 40213, during our normal o ce hours of 8:00 a.m. – 4:30 p.m. Monday – Friday. http://kydlgweb. ky.gov/ Per KRS 65A.080(2) Derby City Tires located at 2606 Dixie Hwy intends to sell abandoned cars on or before 10/5/21 if not picked up by owner. Call 290-4442 or come by.

502 Towing & Recovery, 3301 7th Street road, Louisville, KY 40216 (502)-777-7652, has intention to obtain title of a 2008 MAZDA 3 VIN: JM1BK343081817533, and will be dispose of in accordance with local and state statute On OCT 6 2021. Unless owner or lienholder: Owner GASHI FETI. Lien Holder: CRAFT WILLIAM GARRY. objects in written form within 14 days after this notice.

2. SAID ABDULLAHI 2011 SILVER MAZDA M6 1YVHZ8CH3B5M26760

American Transmission at 6313 A Preston Hwy Louisville Ky 40219 502-968-4805 has intentions to obtain a title to 2007 Lexus ES 350 Vin # JTHBJ46G472018581 unless the owner or lienholder objects in writing within (14) Days after the last publication of legal notice. Gregory A Stokes (Owner) and Credit Acceptance #9445705 (Lienholder) PUBLIC NOTICE Pursuant to KRS 376.480, the following abandoned mobile home located at 4 North Calumet Court, at Southland Mobile Home Community, Louisville, Kentucky shall be sold by Southland via sealed bid on Friday, October 15, 2021 at 10:30 AM to recover rent, storage and legal fees incurred by the owners of said mobile home. The sealed bids will be accepted at 401 Outer Loop, Louisville, KY 40214. Title to the mobile home is not warranted, subject to prior liens and all sales are nal. Seller reserves the right to bid. Terms of sale cash only.

Katherine Beesley Patricia Hendricks Unknown Heirs or Bene ciaries Unknown Owner(s) or Creditor(s) Year: 1979 Make: Model:UnknownUnknownVIN:0IL15257

IT IS ORDERED: You are being sued in this court by the plainti in a Complaint for Divorce. You must le your answer or take other action permitted by law in this court at the court address above on or before, 28 days from the rst publication. If you fail to do so, a default judgment may be entered against you for the relief demanded in the complaint led in this case.

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