Sale 501 | American and European Art

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American and european art

May 24, 2017

American and European Art

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Wednesday 24 May 2017

PREVIEW

FRIDAY 19 may | 10AM – 5PM SATURDAY 20 may | 10AM – 3PM SUNDAY 21 may | 12PM – 4PM MONDAY 22 may | 10AM – 5PM TUESDAY 23 may | 10AM – 5PM auction

WEDNESDAY 24 MAY | 10:00AM CT Lots 1 – 111 P R O P E RT Y P I C K U P H OUR S

MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.

Lots marked with an asterisk (*) are tax exempt

LHLIVE

as permitted by law.

lesliehindman.com ©Leslie Hindman Auctioneers, Inc. 2017 Cover Lot 23 | Jules Breton, Brittany Girl at a Well, c. 1870.

CHI C A G O , I L L I N O I S ILLINOIS AUCTION FIRM LICENSE NUMBER 444000295

P R O P E RT Y F R O M T H E E S TAT E S O F

Beverly Pierson Carmichael Bradley, Kansas City, Missouri Richard Collignon, Chicago, Illinois Alyn and Marlyn Essman, St. Louis, Missouri Richard Gardiner-McSwyny, Naples, Florida Mead and Mary Ferguson, Woodward, Oklahoma Susan Sale, St. Louis, Missouri Kiran Stordalen Revocable Trust, Osceola, Wisconsin P R O P E RT Y F R O M T H E CO L L E CT I ONS O F

Hollister Steel Armour, Chicago, Illinois Mr. and Mrs. Jerry Ash, Detroit, Michigan Carla Benninga, Fort Myers, Florida The Braverman Family, Highland Park, Illinois The Foster Family, Kansas City, Missouri Dr. Walter Garst, Miami, Florida Betty Klaerich, La Grange Park, Illinois K. Kleiva, Chicago, Illinois David and Gail McRorie, Kansas City, Missouri Henry Ohlef, Fort Myers, Florida Frank Redfield, Cohasset, Minnesota Burton and Darlene Rudolph, St. Paul, Minnesota Nancy Schall, Mundelein, Illinois The Terra Foundation for American Art

Opposite Lot 107 | Henri Le Sidaner, (French, 1862-1939), Vieilles maisons Ă Chartres, 1921

Contents American and european art | lots 1 –111

12

AUCTION INQUIRIES

72

CONDITIONS OF SALE

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TELEPHONE / ABSENTEE BID FORM

76

Opposite Lot 54 | Frederick Carl Frieseke, (American, 1874-1939), Mrs. Frieseke at the Kitchen Window, 1912.

beverly pierson, carmichael bradley O F K AN S A S C I T Y , M I S S OU R I

Leslie Hindman Auctioneers is pleased to offer exceptional works of art from the Estate of Beverly Pierson Carmichael Bradley for sale at auction. Beverly Pierson Carmichael Bradley was a woman with incredible taste and elegance. She co-founded “Fashion Fair”, a Kansas City modeling agency and party planning company. In 1950, she married John “Jack” L. Carmichael. Shortly after their marriage, Beverly and Jack moved to Indianapolis where they resided for almost 23 years. They had three children, and Beverly was very active in their education and activities.

Throughout her life Beverly was a strong advocate for the arts. A volunteer and fund-raiser for the John Herron Art Museum, she later became one of the original 3 founders of the Alliance of Indianapolis Museums of Art and was instrumental in facilitating the new museum location located on the Lilly estate.

She served as a trustee for the Indiana University School of Art, served on the Board of the Salvation Army, was a member of the National Opera Committee and was also an Officer of Clowes Memorial Hall at Butler University.

Returning to Kansas City in 1972, Beverly began an extended career selling real estate. She maintained her real estate license until the very end. Beverly married Ellis G. Bradley of Cedar Rapids, Iowa in 1977.

She volunteered on behalf of the March of Dimes, founding the Gourmet Gala fundraiser. In addition, she was the chair for the opening gala for the Eye Foundation, and a lifetime member of the Kansas City Rose Society. Beverly also served on the Board of Trustees for Barstow School, and was awarded Alumna of the Year in 1996. She was particularly proud of her Swedish heritage and served as the honorary chair of the 300th Anniversary of Swedish-American descendants in Kansas City. She was a member of the Second Presbyterian Church and the Carriage Club in Kansas City and the Woodstock Country Club of Indianapolis, Indiana.

Opposite Lot 109 | Henri Jean Guillaume Martin, (French, 1860-1943), Jeune fille dans un pré.

7

T H E E S TAT E O F

ALYN AND MARLYN ESSMAN Leslie Hindman Auctioneers is proud to offer artwork from the Estate of Alyn and Marlyn Essman in the May 23 Post War and Contemporary Art and May 24 American and European Art auctions. The Essmans were involved in numerous artistic and philanthropic organizations in their hometown of St. Louis and abroad.

Alyn built his career at CPI Corporation, retiring as Chairman and CEO after 44 years. In retirement, Alyn spent his time as a student and teacher of literature, music, economics and philosophy at the Lifelong Learning Institute at Washington University in St. Louis. Both Alyn and Marlyn devoted time to philanthropic endeavors, each serving on multiple institutional boards, including the Saint Louis Art Museum, BarnesJewish Hospital, Jewish Community Centers Association and the St. Louis Symphony.

The Essmans shared a love of art, although they did not begin collecting works of art until their children were grown. When they designed their home, they included a gallery, with the specific purpose of being able to display their growing art collection. Among the wonderful works that Leslie Hindman Auctioneers will be presenting at auction are a Thomas Hart Benton and a Jean Dufy. We are delighted at the opportunity to work with the Essman family.

Opposite Lot 64 | Thomas Hart Benton, (American, 1889-1975), Still Life, 1962.

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T H E CO L L E CT I ON O F

Horst Rechelbacher and Kiran Stordalen Leslie Hindman Auctioneers is honored to offer more property from the singular collection of Horst Rechelbacher and Kiran Stordalen. A pioneer in plant-based personal care and aromatherapy, Horst M. Rechelbacher was a committed environmentalist who changed the world of beauty. As a dynamic entrepreneur, he excelled in several lifetimes of pursuits including artist, organic farmer, author, speaker and passionate collector.

Born during World War II in Klagenfurt, Austria, Horst worked from the age of 14 as a hairdresser’s apprentice, his acclaim eventually bringing him to New York, Chicago and Minneapolis. Horst’s first salon in Minneapolis soon became three, and he would eventually found the Aveda Corporation after travels to India introduced him to plant medicines, pure essential oils and aromatherapy. Nearly two decades later, Horst sold Aveda to Estée Lauder and shifted focus to Intelligent Nutrients, a health and beauty company centered on 100% food-based, safe, non-toxic and organic ingredients.

Horst and Kiran Stordalen, his partner in life and work, traveled throughout Europe, India and Asia searching for new product ideas and materials while finding incredible art and artifacts to bring home to Osceola, Wisconsin. Rare and unique objects were found in bazaars from North Africa to India; items were salvaged from warehouses in Turkey and India, spending months on a freighter before reaching their final destination. Horst and Kiran’s collection represents a lifetime of adventures and a deep appreciation for the beauty, art and craftsmanship that can be found throughout the world.

Opposite Lot 7 | Hans Zatzka, (Austrian, 1859-1945), Madonna and Child.

11

1

Harriet Whitney Frishmuth

(American, 1880-1980) The Star, 1918 bronze inscribed Harriet W Frishmuth and dated; stamped Gorham Co. Founders (base) Height: 18 1/4 inches. $8,000-12,000

1

12

AMERICAN AND EUROPEAN ART

2

Harriet Whitney Frishmuth

(American, 1880-1980) Sweet Grapes, 1928 bronze inscribed Harriet Frishmuth, dated and stamped Gorham Co. Founders OGAF (base) Height: 19 inches.

Note: Sweet Grapes was modeled from 1927 to 1928 and cast between 1928 and 1971 in an edition of 26. One metal pattern and seventeen additional bronzes were cast by Gorham Co. Founders and eight were cast by Roman Bronze Works, Inc. There is also a 55 1/2 inches high version modeled in 1928 and cast between 1928 and 1931. $8,000-12,000

2

3

Bonnie McLeary

3

(American, 1890-1971) Untitled bronze inscribed Bonnie McLeary and stamped Gorham Co. Founders OFCY (base) Height: 18 1/2 inches. $1,500-2,500

13

4

4

Franciszek Żmurko

(Polish, 1859-1910) Reclining Nude oil on canvas signed F Zmurko (lower left) 24 1/2 x 37 1/2 inches. $6,000-8,000

14

AMERICAN AND EUROPEAN ART

5

Jules Pascin

(French, 1885-1930) Marinette au manteau rouge, 1927 oil on canvas signed Pascin (lower right); titled and dated (verso) 27 x 34 1/2 inches.

Framed: 27 x 35 1/2 inches.

Provenance: Lucy Krohg, Paris, France Niveau Gallery, New York, New York Private Collection, New York

5

Exhibited: New York, Niveau Gallery, October-November, 1971, reproduced no. 5.

Literature: Y. Hemin, G. Krohg, K. Perls & A. Rambert, Pascin, catalogue raisonne, dessins, aquarelles, pastels, peintures, dessins erotiques, vol. IV, Paris, 1984, no. 1256 (illustrated p. 373).

Note: This work is accompanied by a photo-certificate issued by Lucy Krohg, Pascin’s Paris dealer and mistress, dated February 8, 1971. The painting is purported to be a portrait of her. $30,000-50,000

15

6*

Daniel O’Neill

(Irish, 1920-1974) Woman with Child oil on canvas signed D O’Neill (lower right) 16 x 20 inches.

Property from the Estate of Richard Collignon, Chicago, Illinois Provenance: Associated American Artists Gallery, New York, New York (label verso) $7,000-9,000

6

7*

Hans Zatzka

(Austrian, 1859-1945) Madonna and Child oil on canvas signed H Zatzka (lower left) 31 1/2 x 25 inches.

Property from the Kiran Stordalen Revocable Trust, Osceola, Wisconsin Provenance: Dorotheum, Vienna, April 20, 2010, Lot 69 Acquired from the above by present owner $6,000-8,000

7

8

Attributed to Michel Barthélémy Ollivier

(French, 1712-1784) A Venetian Fête oil on canvas 25 ½ x 31 inches.

Note: This is a composition inspired by Watteau’s Les Plaisirs du Bal in the Dulwich Picture Gallery. We would like to thank Alan Wintermute for his help with the attribution. $3,000-5,000 8

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AMERICAN AND EUROPEAN ART

9

Attributed to Pierre Patel

(French, 1605-1676) Classical Landscape oil on canvas 20 1/4 x 23 2/4 inches.

Provenance: Collection of Sir Douglas Blackett, Baronet of Malden Hall in Northumberland, England Christie’s, London, November, 1965 Acquired from the above by present owner $6,000-8,000

9

10*

Edward Ladell

(British, 1821-1886) Still Life with Fruit oil on canvas initialed EL (lower left) 17 x 14 inches.

Property from the Collection of Frank Redfield, Cohasset, Minnesota $5,000-7,000

10

17

11*

Josef Schรถpf

(Austrian, 1745-1822) Cupid and Psyche, 1780 oil on canvas signed J. Shopf Rome and dated (lower left) 67 x 49 inches.

Property from the Kiran Stordalen Revocable Trust, Osceola, Wisconsin Provenance: Dorotheum, Vienna, March 27, 2003, Lot 264 Acquired from the above by the present owner $20,000-30,000 12*

Karl Truppe

(Austrian, 1887-1959) Bauernmadonna, 1924 oil on canvas signed K. Truppe and dated (lower right) 51 1/2 x 79 inches.

Property from the Kiran Stordalen Revocable Trust, Osceola, Wisconsin Provenance: Dorotheum, Vienna, November 26, 2003, Lot 137 Acquired from the above by the present owner $7,000-9,000 11

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AMERICAN AND EUROPEAN ART

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14

13

14*

(Polish, 1851-1925) Roadside Meeting, 1889 oil on panel signed Jan Chelminski, MĂźnchen and dated (lower right) 15 x 21 inches. $5,000-7,000

(German, 1856-1928) Russian Soldier on Horseback, 1919 oil on canvas signed F. Roubaud, Munchen and dated (lower right) 16 x 20 inches.

Property from the Estate of Susan Sale, St. Louis, Missouri $8,000-12,000

Jan van Chelminski

Franz Roubaud

19

15

Salvador Sånchez Barbudo (Spanish, 1857–1917) La Pareja, 1908 oil on canvas signed Barbudo Roma and dated (lower right) 16 x 10 1/4 inches. $1,000-2,000 16*

Karl Wagner

(German, 1839-1923) Along the Coast oil on canvas signed K Wagner (lower left) 29 1/2 x 39 1/2 inches.

Property from the Estate of Mead and Mary Ferguson, Woodward, Oklahoma $1,000-2,000

17*

Johannes Christiaan Karel Klinkenberg (Dutch, 1852-1924) View of Amsterdam oil on panel signed Klinkenberg (lower left) 9 3/8 x 12 5/8 inches.

Property from the Collection of Carla Benninga, Fort Myers, Florida $6,000-8,000 18

Charles G. Dyer

(American, 1851-1912) Sunset at Venice oil on canvas signed Gifford Dyer (lower right) 21 x 28 inches. $4,000-6,000 15

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AMERICAN AND EUROPEAN ART

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AMERICAN AND EUROPEAN ART

19

Narcisse Virgile Diaz de la Peña

(French, 1807-1876) Mare à l’entrée d’un bois oil on panel signed N. Diaz (lower left) 16 x 20 inches.

Provenance: Sotheby’s, New York, May 22, 1991, lot 146 Acquired by the present owner from the above Literature: Pierre and Rolande Miquel, Narcisse Virgile Diaz de La Peña catalogue raisonné de l’oeuvre peint, Paris, 2006, no. 450 (illustrated, pg. 71). $5,000-7,000 21

20

Narcisse Virgil Diaz de la Peña

(French, 1808-1876) Woman Collecting Firewood at Fontainebleau, 1866 oil on canvas signed N Diaz and dated (lower left) 16 x 13 inches. $8,000-12,000 Provenance : Galerie Georges Petit, Paris, October 12, 1920 Galerie Schoeller, Paris Ader, Hôtel Drouot, Paris, July 5, 1943 Private Collection, Richmond, Virginia Literature: Pierre and Rolande Miquel, Narcisse Virgile Diaz de La Peña catalogue raisonné de l’oeuvre peint, Paris, 2006, no. 722 (illustrated, pg. 111).

21*

James Kay

(Scottish, 1858-1942) Early Spring, Gareloch Side oil on board signed James Kay RSW ARSA (lower right) 24 3/4 x 30 inches. $1,500-2,500 22

Frederick Morgan

22

(British, 1856-1927) Childhood Sweethearts oil on canvas signed Fred Morgan (lower right) 27 x 19 1/2 inches. $10,000-15,000

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AMERICAN AND EUROPEAN ART

23*

Jules Breton

25

24*

Albert Bierstadt

(French, 1827-1906) Brittany Girl at a Well, c. 1870 oil on canvas signed Jules Breton (lower left) 21 x 15 1/4 inches.

Property from the Collection of Hollister Steel Armour, Chicago, Illinois

(American, 1830-1902) Two Deer in Landscape graphite on paper signed Bierstadt (lower left) 14 x 17 inches.

Property from the Collection of Henry Ohlef, Fort Myers, Florida

Note: We would like to thank Annette Bourrut Lacouture for providing additional catalogue information and for confirming the authenticity of this lot. This work will be included in her forthcoming catalogue raisonné of the artist’s work.

Note: The work is accompanied by a letter of authenticity issued by Gordon Hendricks in 1973. $2,000-4,000

Paul De Longpré

(American/French, 1855-1911) California Poppie in a Green Ginger Jar, 1903 watercolor on paper signed Paul de Longpré and dated (lower right); titled (verso) 16 1/8 x 13 3/4 inches. $3,000-5,000 26

Ivan Albright

(American, 1897-1983) Untilted (Glencoe Home) oil on canvas signed Ivan Lorraine Albright (lower right) 18 x 24 inches.

Note: The work is accompanied by a letter from the artist. $8,000-12,000

The model for Brittany Girl at a Well is the same as La Fontaine, a Salon painting, 1872. $20,000-40,000

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25

Opposite | Lot 23

26 25

27*

Charles Ephraim Burchfield

(American, 1893-1967) Untitled (Exterior Scene), 1926 watercolor on paper signed Charles Burchfield (lower left); initialed and dated (lower right) 9 3/4 x 11 3/4 inches.

Property from the Collection of Mr. and Mrs. Jerry Ash, Detroit, Michigan $15,000-25,000

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AMERICAN AND EUROPEAN ART

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28_2

28*

Hermann Dudley Murphey

(American, 1867-1945) Patio Scene and View of Taxco (a pair of works) oil on board Patio Scene signed H. Dudley Murphy (lower right) Both: 16 x 12 inches.

Property from the Collection of K. Kleiva, Chicago, Illinois $2,000-4,000 29

Abbott Fuller Graves

(American, 1859-1936) Field of Wildflowers oil on canvas signed Abbott Graves (lower left) 11 x 13 inches. $2,000-4,000

29

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30*

Charles Harold Davis

(American, 1856-1933) Autumn Hillside oil on canvas signed C. H. Davis (lower left) 20 x 27 inches. $2,000-4,000

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31 | One of three pictured

31*

Louis Oscar Griffith

(American, 1875-1956) Brown County, Indiana Landscapes (a group of three works) oil on canvasboard each signed L. O. Griffith (lower recto) Largest: 9 3/4 x 11 3/4 inches.

Property from the Collection of Betty Klaerich, La Grange Park, Illinois $3,000-5,000

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AMERICAN AND EUROPEAN ART

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32

John Joseph Enneking

(American, 1841-1916) Sunset Glow oil on board 14 x 18 inches.

Provenance: Mrs. Elliot Joseph Enneking Giovanni Castono Acquired from the above by present owner $1,000-2,000

33

33*

Thomas Hoyne

(American, 1924-1989) Macquarie, 1977 oil on board signed Tom Hoyne (lower right) 20 x 22 1/2 inches.

Property from the Collection of Nancy Shall, Mundelein, Illinois Provenance: The artist Acquired directly from the above by present owner $15,000-25,000

29

34

34

Theodore Earl Butler (American, 1861-1936) Figure Studies pastel on paper 5 x 12 1/2 inches.

Provenance: Collection of James P. Butler, New York City Maxwell Galleries, San Francisco, California Acquired from the above by the present owner, 1972 Exhibited: San Francisco, California, Maxwell Galleries, Theodore Earl Butler, June 16-July 15, 1972 pg. 61 Note: This work comes with a signed photo certificate from James P. Butler $800-1,200 35

Martin Lewis

(American, 1881-1962) City Blizzard watercolor on paper signed Martin Lewis (lower left) 21 x 14 inches. $4,000-6,000

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AMERICAN AND EUROPEAN ART

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Gifford Beal

(American, 1879-1956) Setting up the Tents watercolor, gouache and pencil on paper titled (verso) 12 1/2 x 18 3/4 inches.

Provenance: Kraushaar Galleries, New York Acquired from the above by the present owner $4,000-6,000 37*

William Wendt

(American, 1865-1946) Tahoma, the Silent, 1934 oil on canvas signed William Wendt (lower left); titled (verso) 16 x 20 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida

36

Provenance: The artist Gifted to Mrs. Fisk, February 22, 1934 Glenn A. Long, Coral Gables, Florida George Campbell Gifted to Dr. Garst, December, 25, 1974 Note: The work is accompanied by a hand-written letter from the artist to Mrs. Fisk and titled on a hand-written label affixed to frame. $10,000-15,000

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40

(American, 1896-1977) Back Lawn, 1929 oil on canvas signed William S. Schwartz, titled and dated (verso) 24 x 30 1/4 inches.

(American, 1883-1962) A Day on Bradford Beach, 1915 oil on canvas signed F. Spicuzza and dated (lower left) 30 1/4 x 36 1/4 inches. $5,000-7,000

William Samuel Schwartz

Provenance: Hirschl & Adler Galleries, New York David Klein Gallery, Birmingham, Michigan $10,000-15,000

Francesco Spicuzza

39

No lot

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AMERICAN AND EUROPEAN ART

41*

Mabel May Woodward

(American, 1877–1945) Young Women Swimming, 1915 oil on panel signed M. M. Woodward and dated (lower left) 23 1/4 x 19 3/8 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Provenance: Gilded Age Antiques & Interiors, Banner Elk, NC $3,000-5,000

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42*

William Trost Richards

(American, 1833-1905) Seacoast oil on board signed Wm. T. Richards (lower left) 14 x 24 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Provenance: Patricia Weiner Gallery, Cincinnati, Ohio $8,000-12,000

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AMERICAN AND EUROPEAN ART

43

43*

Emil Carlsen

(American, 1853-1932) Heading Out to Sea, 1881 oil on canvas signed Emil Carlsen and dated (lower left) 30 x 40 1/8 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Provenance: The Red Piano Art Gallery, Hilton Head Island, South Carolina $8,000-12,000

35

44*

Norton Bush

(American, 1834-1894) Mountain Landscape, 1892 oil on canvas signed Norton Bush and dated (lower right) 34 1/4 x 48 1/4 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri $5,000-7,000

44

45*

Henry Ward Ranger

(American, 1858-1916) Forest Scene, 1919 oil on canvas laid to board signed with artist’s cipher and dated (lower left) 18 x 25 5/8 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Literature: Henry Ward Ranger and the Humanized Landscape by Jack Becker, essay by Lance Mayer and Gay Myers June 5 - September 5, 1999, Florence Griswold Museum, Old Lyme, Connecticut $2,000-4,000

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AMERICAN AND EUROPEAN ART

46*

Henry Ward Ranger

(American, 1858-1916) Summertime oil on canvas signed Ranger (lower left and verso) 10 1/8 x 14 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Provenance: Patricia Weiner Gallery, Cincinnati, Ohio $2,000-4,000

46

47*

Bruce Crane

(American, 1857-1937) Autumn Landscape oil on canvas signed Bruce Crane (lower right) 12 x 16 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Provenance: The Red Piano Gallery, Hilton Head Island, South Carolina $2,000-4,000

47

37

48*

Mathias Joseph Alten

(American, 1871-1938) Still Life with Jug, 1903 oil on canvas signed M Alten and dated (lower right) 16 x 20 1/4 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Note: We would like to thank Mr. James A. Straub for confirming the authenticity of this work, which will be included in his online catalogue raisonnĂŠ. $3,000-5,000

48

49*

Louis Ritman

(American, 1889-1963) Still Life with Teapot oil on board signed L Ritman (lower left); estate stamp (verso) 20 x 18 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Provenance: Sold: Christie’s Los Angeles, June 19, 2002, lot 75 $2,000-4,000

49

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AMERICAN AND EUROPEAN ART

50*

Louis Ritman

(American, 1889-1963) Pastoral Scene oil on canvas estate/authentication stamp (verso) 25 5/8 x 32 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Provenance: R. H. Love Galleries, Chicago, Illinois The Patricia Weiner Gallery, Cincinnati, Ohio $2,000-4,000

50

51*

Ernest Lawson

(American/Canadian, 1873-1939) Moonlight, Segovia, Spain oil on panel signed E. Lawson (lower left) 12 x 8 1/2 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Provenance: The Red Piano Art Gallery, Hilton Head Island, South Carolina Mr. Earl W. Cole, California $4,000-6,000

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52

52*

Charles Rollo Peters

(American, 1862-1928) Adobe by Moonlight oil on canvas signed Charles Rollo Peters (lower left) 18 x 28 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri $3,000-5,000 53*

Frederick Carl Frieseke (American, 1874-1939) Nasturtiums, ca. 1917 oil on artist’s board signed F C Frieseke (lower right) 11 3/8 x 9 3/8 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri

53

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AMERICAN AND EUROPEAN ART

Provenance: Chris Wyman Hollis Taggart Gallieres, New York, 2002 Patrica Weiner FIne Art, 2002 Exhibited: Macbeth Gallery, New York, New York, 1917.

Note: This painting will be included in the forthcoming catalogue raisonné of Frieseke’s work being compiled by Nicholas Kilmer, the artist’s grandson, and sponsored by Hollis Taggart Galleries, New York. $8,000-12,000

54

54*

Frederick Carl Frieseke

(American, 1874-1939) Mrs. Frieseke at the Kitchen Window, 1912 oil on canvas signed F.C. Frieseke (lower left) 25 3/4 x 31 3/4 inches.

Property from the Terra Foundation for American Art, Sold to Benefit Future Acquisitions Provenance: The artist Estate of the above Frances Frieseke Kilmer, daughter of the artist, by descent Berry-Hill Galleries, Inc., New York Daniel J. Terra Collection, Chicago, Illinois, 1987 Gift to the present owner from the above, 1987

Exhibitions: Chicago, Illinois, Terra Museum of American Art, American Artists and the Paris Experience, 18801910, November 22, 1997-March 8, 1998; Giverny, France, Musée d’Art Américain Giverny, April 1-July 1, 2001, on loan. Giverny, France, Musée d’Art Américain Giverny, Giverny en Fleurs, March 2-November 30, 2003. Giverny, France, Musée d’Art Américain Giverny, Visages de l’Amérique: de George Washington à Marilyn Monroe, April 1-October 31, 2004, p.31. Crakow, Poland, International Cultural Center, Twarze Ameryki: Portrety z kolekcji Terra Foundation for American Art, 1770-1940, February 15-May 7, 2006, pp.

106-07, illustrated. Beijing, China, National Art Museum of China; Shanghai, China, Shanghai Art Museum and Shanghai Museum of Contemporary Art; Moscow,

Russia, The Pushkin Museum of Fine Arts; Bilbao, Spain, Guggenheim Bilbao, Art in America: 300 Years of Innovation, February 9, 2007-April 27, 2008, p. 170, illustrated.

Literature: W.H. Gerdts, et al., Lasting Impressions: American Painters in France, 1865-1915, exhibition catalogue, Chicago, Illinois, 1992, p. 86, fig. 82, illustrated.

R. Gomes, Impressions of Giverny: A Painter’s Paradise, 1883-1914, San Francisco, California, 1995, pp.

96-97, 116, pl. 93, illustrated.

Note: This painting will be included in the Frederick C. Frieseke Catalogue Raisonné being compiled by Nicholas Kilmer, the artist’s grandson, with the support of the Hollis Taggart Galleries, New York. $70,000-90,000

41

55*

56*

(American, 1890-1967) The Beach at St. Malo, France oil on canvas signed Gab Spat (lower left) 6 5/8 x 8 7/8 inches.

Property from the Terra Foundation for American Art, Sold to Benefit Future Acquisitions

(American, 1858-1924) Spring Flowers oil on panel signed Prendergast (lower left) 13 1/2 x 10 5/8 inches.

Property from the Terra Foundation for American Art, Sold to Benefit Future Acquisitions

Provenance: The artist Berry-Hill Galleries, Inc., New York, New York Terra Foundation for the Arts Collection, Chicago, Illinois, 1986

Provenance: The artist Charles Prendergast, 1924 (brother of the artist) Mrs. Charles Prendergast, 1948 (wife of Charles Prendergast) Daniel J. Terra Collection, Chicago, Illinois, 1983 Terra Foundation for the Arts Collection, Chicago, Illinois, 1992

Gabriel Spat

Exhibited: Selections from the Permanent Collection: Americans at Home and Abroad, Terra Museum of American Art, Chicago, Illinois, November 6–29, 1987; An American Revelation: The Daniel J. Terra Collection, Terra Museum of American Art, Chicago, Illinois, February 28–October 1, 1988; American Artists and the French Experience, Terra Museum of American Art, Chicago, Illinois, April 1–August 27, 1997; Studied Abroad: Painted Impressions from the Collection, Terra Museum of American Art, Chicago, Illinois, September 6, 2003–April 4, 2004; Le Passage à Paris: les artistes américains en France, 1860–1930, Musée d’Art Américain Giverny, France, April 1–October 31, 2005 and April 1– October 29, 2006; Le Temps des loisirs : peintures americaines, Musee d’Art Americain Giverny, France, July 15–October 31, 2007 and April 1–October 31, 2008. $600-800

Maurice Brazil Prendergast

Exhibited: Paintings and Watercolors by Maurice Prendergast: A Loan Exhibition, Knoedler Galleries, New York, New York, November 1–26, 1966; A Proud Heritage: Two Centuries of American Art, Terra Museum of American Art, Chicago, Illinois, April 21–June 21, 1987; The Work of Charles and Maurice Prendergast, Terra Museum

55 42

56 AMERICAN AND EUROPEAN ART

of American Art, Chicago, Illinois, March 16–April 21, 1991; American Treasures: Chase, Whistler and the Prendergasts, Terra Museum of American Art, Chicago, Illinois, April 26, 1996–January 5, 1997; The Decorative Form: The Aesthetic Movement, Arts & Crafts and the Asian Influence in American Art, Terra Museum of American Art, Chicago, Illinois, September 16–December 5, 1999.

Literature: Sawyer, Charles H. Maurice B. Prendergast. in Paintings and Watercolors by Maurice Prendergast, New York: Knoedler Galleries, 1966 (illustrated).

Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff, Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-118, p. 227 (color).

Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 326, p. 277; ill. no. 326, p. 277 (black and white).

Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915, Chicago, Illinois: Terra Foundation for the Arts, 1992.

Text p. 96; fig. 98, p. 97 (black & white).

Gerdts, William H. et al. Impressions de toujours: les peintres americains en France, 1865–1915, Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 96; fig. 98, p. 97 (black & white). $25,000-35,000

57*

John Leslie Breck

(American, 1860-1899) Giverny Hillside oil on canvas signed Breck (lower left) 18 1/4 x 22 inches.

Property from the Terra Foundation for American Art, Sold to Benefit Future Acquisitions Provenance: The artist Berry-Hill Galleries, Inc., New York, New York

Daniel J. Terra Collection, Chicago, Illinois, 1987 Terra Foundation for the Arts Collection, Chicago, Illinois, 1987 Exhibited: Selections from the Permanent Collection: Americans at Home and Abroad, Terra Museum of American Art, Chicago, Illinois, November 6–29, 1987; An American Revelation: The Daniel J. Terra Collection, Terra Museum of American Art, Chicago, Illinois, February 28–October 1, 1988; American Painters in France, 1830–1930, Terra Museum of American Art, Chicago, Illinois, June 14–September 3, 1989; Impressions de toujours: les peintres américains en France, 1865–1915, Musee d’Art Americain Giverny, France, June 1–November 1, 1992, April 1–October 31, 1993, April 1–October 30, 1994 and April 1–October 31, 1995; Permanent collection installation, Musée d’Art Americain Giverny, France, April 1–July 1, 2001; D’une colonie a une collection: le Musee d’Art Américain Giverny fête ses dix ans, Musée d’Art

Américain Giverny, France, March 30–June 16, 2002; En Plein Air: American Painters in Giverny, Terra Museum of American Art, Chicago, Illinois, March 8–May 25, 2003; Into the Light: The Paintings of William Blair Bruce, Art Gallery of Hamilton, Ontario, Canada, May 24–October 5, 2014.

Literature: Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915, Chicago, Illinois: Terra Foundation for the Arts, 1992.

Text pp. 146–47; pl. 16, p. 152 (color).

Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915, Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 146–47; pl. 16, p. 152 (color).

Bruce, Tobi and Joan Padgett, eds., Into the Light: The Paintings of William Blair Bruce (1859-1906), Ontario: Art Gallery of Hamilton, 2014. Ill. p. 102 (color); text p. 245 (checklist). $30,000-50,000

57 43

58*

Frederick Warren Freer

(American, 1849-1908) Portrait of a Woman oil on paper mounted on board signed F W F and dated (upper right) 12 x 9 inches.

Property from the Terra Foundation for American Art, Sold to Benefit Future Acquisitions Provenance: The artist John and Dorothy Estabrook Estate of John and Dorothy Estabrook Terra Foundation for the Arts Collection, Chicago, Illinois $400-600

58

59

59

Attributed to John Frederick Peto (American, 1854-1907) Still Life oil on canvas laid to panel 16 x 20 inches. $4,000-6,000

44

AMERICAN AND EUROPEAN ART

60

60

William Aiken Walker

(American, 1838-1921) Male Cotton Picker oil on board signed WWalker (lower left) 12 1/4 x 6 1/8 inches. $4,000-6,000 61

Elizabeth O’Neill Verner

(American, 1883-1979) Portrait of a Woman Smoking a Pipe gouache on paper signed Elizabeth O’Neill Verner (lower right) 7 3/4 x 6 inches. $2,000-4,000

61

45

63*

Thomas Hart Benton

(American, 1889–1975) Fiddler sepia wash, ink and pencil on paper signed Benton (lower right) 12 x 9 inches.

Property from the Foster Family Collection, Kansas City, Missouri Provenance: Collection of the artist Purchased from the above by the present owner Literature: Thomas Hart Benton, Benton Drawings: A Collection of Drawings by Thomas Hart Benton, Columbia, 1968, (illustrated p. 69). $8,000-12,000 62

62*

(American, 1889-1975) Still Life, 1962 oil and tempera on masonite signed Benton and dated (lower right) 24 x 16 inches.

Property from the Estate of Alyn and Marlyn Essman, St. Louis, Missouri

Provenance: Collection of the artist Purchased from the above by the present owner

Provenance: Sold: Selkirk’s, St. Louis, Missouri, May 2, 1995, sale 243, lot 132

Literature: Thomas Hart Benton, Benton Drawings: A Collection of Drawings

by Thomas Hart Benton, Columbia, 1968, (illustrated p. 78).

46

Note: Unfinished study to verso depicting tobacco leaves. $12,000-18,000

AMERICAN AND EUROPEAN ART

Thomas Hart Benton

Thomas Hart Benton

(American, 1889-1975) Sorting Tobacco sepia wash, ink and pencil on paper signed Benton (lower right); titled (verso) 11 x 14 1/4 inches.

Property from the Foster Family Collection, Kansas City, Missouri

63

64*

Note: This work will be included in the forthcoming Thomas Hart Benton catalogue raisonné in preparation by the foundation. $100,000-200,000

47

65

66

48

AMERICAN AND EUROPEAN ART

65

Preston Dickinson

(American, 1891-1930) Still Life pastel on paper signed P. Dickinson (lower left) 12 3/8 x 17 inches. $6,000-8,000 66

Frederic Milton Grant

(American, 1886-1995) Still Life oil on canvas signed Frederic M Grant (lower left) 24 x 20 inches.

Property of the Union League Club of Chicago, Sold to Benefit its Acquisition Fund $2,000-4,000 67

67

Wilson Henry Irvine

(American, 1869-1936) Branching Tracery, ca. 1916 oil on canvas signed Irvine (lower right) 23 1/2 x 27 inches.

Property of the Union League Club of Chicago, Sold to Benefit its Acquisition Fund Exhibited: Art Institute of Chicago, Chicago Annual Exhibition, 1917, #172. $3,000-5,000 68

Selden Connor Gile

68

(American, 1877-1947) Untitled (Landscape) oil on board signed SC Gile (lower right) 11 5/8 x 19 1/4 inches. $8,000-12,000

49

69

69

Milton Avery

(American, 1885-1965) Wharf at Dusk, c. 1940 watercolor on paper signed Milton Avery (lower left) 15 x 22 inches.

50

Provenance: Chapellier Galleries, New York ACA Galleries, New York Sheldon Ross Gallery, Birmingham, Michigan David Klein Gallery, Birmingham, Michigan

AMERICAN AND EUROPEAN ART

Exhibited: Livingston, New Jersey, The National Council of Jewish Women, Essex Section, Focus on Art $15,000-25,000

70

70*

Guy A. Wiggins

(American, b. 1920) A Feast of Blue Points oil on canvas signed Guy A. Wiggins (lower right) 20 x 16 inches.

Property from the Collection of the Braverman Family, Highland Park, Illinois $1,000-2,000 71

Robert Kipniss

(American, b. 1931) Open Door oil on canvas signed Kipniss (lower right) 24 x 20 inches. $1,500-2,500

71 51

72

73

74

(American, 1907-1992) The Tourist Room oil on board signed Aaron Bohrod (lower right) 10 x 8 inches. $2,000-4,000

(American, 1907-1992) Crossing the Bridge, 1939 oil on masonite signed Bohrod and dated (lower left) 16 x 19 inches. $2,000-4,000

(American, 1907-1992) A Lady with her Antiques, 1938 oil on masonite signed Bohrod and dated (lower right) 13 x 17 inches. $2,000-4,000

Aaron Bohrod

72

73

52

AMERICAN AND EUROPEAN ART

Aaron Bohrod

74

Aaron Bohrod

75

75

Raphael Soyer

(Russian/American, 1899-1987) Seated Dancer oil on canvas signed Raphael Soyer (lower right) 14 x 20 inches. $2,000-4,000

76 | Three of five pictured

76

Abraham Walkowitz

(American, 1878-1965) Isadora Duncan Dancers (a group of five works) watercolor and ink on paper each signed A. Walkowitz (lower recto) Each approximately: 14 x 8 1/2 inches.

Provenance: The J. L. Hudson Gallery, Detroit, Michigan and Bernard Danenberg Galleries, Inc., New York, New York $2,000-4,000 77

Abraham Walkowitz

(American, 1878-1965) People in the Street (a pair of works) watercolor, pen and ink on paper each signed A. Walkowitz (lower left) Sight: 9 3/4 x 7 3/4 inches. $400-600

53

78

79

80

54

AMERICAN AND EUROPEAN ART

81

82

78

80

82*

(American, 1876-1958) The Dinner Conversation and Conversation (a pair of works) watercolor and ink on paper each signed Both: 5 1/4 x 7 1/2 inches. $1,500-2,500

(American, 1898-1969) Portrait of Sigmund Freud, 1956 pencil on paper signed Ben Shahn (lower right) 9 1/2 x 9 inches.

(Israeli, 1893-1974) Landscape Near Safed oil on canvas signed Reuven Rubin (lower right) 20 x 24 inches.

Property from the Collection of Burton and Darlene Rudolph, St. Paul, Minnesota

Richard Hayley Lever

79

Gandy Brodie

(American, 1925-1975) Flowers in Rusted Can, 1966 gouache on paper signed Gandy Brodie and dated (lower left) 19 3/4 x 14 inches.

Provenance: Richard Gray Gallery, Chicago, Illinois $400-600

Ben Shahn

Provenance: Kennedy Galleries, Inc., New York, New York Larew’s Galleries, Evanston, Illinois $400-600 81

Ben Shahn

(American, 1898-1969) Untitled gouache on paper signed Ben Shahn (lower right) 15 1/4 x 11 1/2 inches. $1,500-2,500

Reuven Rubin

Provenance: The artist Acquired directly from the above by present owner Note: A certificate of authenticity issued by the artist in 1971 will accompany this work. $40,000-60,000

55

83

83

Nicola Simbari

(Italian, 1927-2012) Women of Sapri oil on canvas signed Simbari (lower right) 25 1/4 x 33 1/4 inches.

Provenance: Wally Findlay Gallery, Chicago, Illinois $4,000-6,000

56

AMERICAN AND EUROPEAN ART

84

Mai Thu

(Vietnamese, 1906-1980) Woman on Balcony, 1948 ink and gouache on silk signed Mai Thu and dated (middle right) 15 3/4 x 10 1/4 inches. $30,000-50,000

84

57

85*

Vu Cao Dam

(French, 1908-2000) DivinitĂŠ,1966 oil on canvas signed Vu Cao Dam and dated (lower left); signed, titled and dated (verso) 18 x 15 inches.

Property from the Estate of Mead and Mary Ferguson, Woodward, Oklahoma Provenance: Wally F Galleries, New York $7,000-9,000

85

86*

Vu Cao Dam

(French, 1908-2000) Rencontre, 1964 oil on canvas signed Vu Cao Dam and dated (lower right); signed, titled and dated (verso) 18 x 15 inches.

Property from the Estate of Mead and Mary Ferguson, Woodward, Oklahoma Provenance: Wally F Galleries, New York $7,000-9,000

86

58

AMERICAN AND EUROPEAN ART

87*

NoĂŠ Canjura

(French, 1925-1973) Nature morte et paysage oil on canvas signed Canjura (lower right); titled and signed (verso) 24 x 32 inches.

Property from the Estate of Mead and Mary Ferguson, Woodward, Oklahoma Provenance: Findlay Galleries, Chicago and Palm Beach $2,000-4,000

87

88*

Jean Dufy

(French, 1888-1964) Bouquet de fleurs oil on canvas signed Jean Dufy (lower right) 9 3/4 x 6 1/2 inches.

Property from the Estate of Richard Gardiner-McSwyny, Naples, Florida Note: We would like to thank Jacques Bailly for confirming the authenticity of this work, which will be included in the forthcoming catalogue raisonnĂŠ.

This work is accompanied by a certificate of authenticity, no. 4596. $6,000-8,000

88

59

89

89*

Jean Dufy

(French, 1888-1964) Nature morte au bouquet, 1927 oil on canvas signed Jean Dufy and dated (lower right) 28 3/4 x 36 1/2 inches.

Property from the Estate of Alyn and Marlyn Essman, St. Louis, Missouri Provenance: Collection R. Cornet, Paris, France Galerie Jacques Bailly, Paris, France

60

AMERICAN AND EUROPEAN ART

Literature: J. Bailly, Jean Dufy, Catalogue raisonné de l’oeuvre, Paris, 2010, vol. II, no. B.624 (illustrated, p. 314).

Exhibited: Paris, France, Raoul et Jean Dufy Complicité et rupture, April-June 2001 $50,000-70,000

90

90*

Jean Dufy

(French, 1888-1964) Promenade avenue Foch goauche and watercolor on paper signed Jean Dufy (lower right) 17 1/4 x 23 1/4 inches.

Property from the Estate of Alyn and Marlyn Essman, St. Louis, Missouri

Note: We would like to thank Jacques Bailly for confirming the authenticity of this work, which will be included in the forthcoming catalogue raisonnĂŠ.

This work is accompanied by a certificate of authenticity, no. 4589. $10,000-15,000

61

91

91

Raoul Dufy

(French, 1877-1953) Cour de ferme, 1943 watercolor on paper signed Raoul Dufy (lower right); stamped M. Eugene Storck, Notaire, Saint-Avold (Moselle) (verso) 19 3/4 x 25 3/4 inches.

Property from the Estate of Catherine H. Anderson, Englewood, Colorado Provenance: Maxwell Davidson Gallery, New York, New York Acquired from the above by present owner, 1984

62

AMERICAN AND EUROPEAN ART

Exhibition: Maxwell Davidson Gallery, New York, New York, Raoul Dufy, May 8 - June 9, 1984.

Literature: F. Guillon-Laffaille, Raoul Dufy, Catalogue raisonnĂŠ des aquarelles, gouches et pastels, Vol. I, Paris, 1981, no. 538 (illustrated p. 193).

Note: We would like to thank Fanny Guillon-Laffaille for issuing a certificate of authenticity, which will accompany this work. $20,000-40,000

92

Raoul Dufy

(French, 1877-1953) Project de décor pour le boeuf sur le toit, 1920 watercolor and ink on paper signed R Dufy (lower left) Sight: 9 x 9 3/4 inches.

Provenance: JPL Fine Arts, London Note: This work will be reproduced in the supplement of the catalogue raisonné of watercolors, gouaches and pastels of Raoul Dufy, currently in preparation by Fanny Guillon-Laffaille, certificate no. A92-791. $7,000-9,000

92

93

Everett Shinn

(American, 1876-1953) Jester and a Lady pastel on paper signed E Shinn (lower left) 24 x 17 inches. $5,000-7,000 94

Bernard Lorjou

(French, 1908-1986) Liliom, 1933 oil on canvas signed B. Lorjou and dated (lower right) 79 x 86 1/2 inches.

Exhibited: Salon des Indépendants, Paris, January, 1935

93

Literature: Shibanuma, Junko, Lorjou, p.188 (illustrated).

Note: Liliom, or Le Cique, is named after the 1909 Hungarian play and the famous 1934 Fritz Lang movie bearing the same name. The 1945 musical Carousel written by Richard Rodgers and Oscar Hammerstein is an adaptation of the play. $6,000-8,000

94 63

95

Hans Bohler

(Austrian, 1884-1961) Wiener Neustädter Canal, 1931 oil on canvas 25 1/2 x 36 inches.

Exhibited: The Annual Spring Exhibition, Secession, Vienna, 1935 Note: Accompanied by a copy of a letter written in 1938 by the artist, which identifies and dates this work. $8,000-12,000

95

96

Vilmos Aba-Novák

(Hungarian, 1894-1942) Italian Harbor Scene, ca. 1930 oil on panel signed Aba-Novak (lower left) 16 x 20 inches.

Provenance: Jovich Family Collection, Hungary Thence by descent to present owner $4,000-6,000

96

97

Jacques Bouyssou

(French, 1926–1997) Parisian Street Scene oil on canvas signed Jacques Bouyssou (lower right) 23 3/4 x 29 inches. $800-1,200

97

64

AMERICAN AND EUROPEAN ART

98

98

Paul Signac

(French, 1863-1935) Untitled, 1900 watercolor and charcoal on paper signed Paul Signac (lower right) 8 1/2 x 11 inches.

Provenance: Marlborough Gallery, London and New York City (label to verso) $8,000-12,000

65

99

100

103

104

99

Paul Émile Pissarro

(French, 1884-1972) Poiriers et pommiers clos en Normandie oil on canvas signed Paul Émile Pissarro (lower right); signed and titled (verso) 18 x 24 inches. $4,000-6,000 100

Hughes Claude Pissarro

(French, b. 1935) Les voiliers de Rueil oil on canvas signed H. Claude Pissarro (lower right) 20 x 24 inches $6,000-8,000

66

101

Hughes Claude Pissarro (French, b. 1935) Les jetées de Trouville pastel on paper signed H Claude Pissarro (lower left) 20 x 14 1/4 inches.

Note: A certificate of authenticity issued by Claude H Pissarro in 1996 accompanies this work. $2,000-4,000 102

Hughes Claude Pissarro (French, b. 1935) Untitled pastel on paper signed H. Claude Pissarro (lower left) 14 1/2 x 20 inches. $2,000-4,000

AMERICAN AND EUROPEAN ART

103

Hughes Claude Pissarro (French, b. 1935) Les bateaux pêcheurs de la compagnie jean guillemette à la rochelle. pastel on paper signed H Claude Pissarro (lower right) 14 1/2 x 20 inches.

Note: A certificate of authenticity issued

by Claude H Pissarro in 1996 accompanies this work. $2,000-4,000 104

Yolande Ardissone

(French, b. 1927) Régates à carnac oil on canvas signed Ardissone 18 x 21 inches. $1,000-2,000

102

101

105

105

Yolande Ardissone

(French, b. 1927) Jardins bretons oil on canvas signed Ardissone (lower left) and titled (verso) 18 x 21 1/2 inches. $1,000-2,000 106*

Gustave Loiseau

(French, 1865-1935) Vase de fleurs et statuettes, 1908 oil on board laid to panel signed G Loiseau and dated (lower left) 24 x 19 1/2 inches.

Property from the Estate of Beverly Pierson Carmichael Bradley, Kansas City, Missouri Note: The work will be included in the forthcoming catalogue raisonnĂŠ in preparation by Didier Imbert and is accompanied by a certificate of authenticity. $10,000-15,000

106 67

107

68

AMERICAN AND EUROPEAN ART

108

107*

Henri Le Sidaner

(French, 1862-1939) Vieilles maisons à Chartres, 1921 oil on canvas signed Le Sidaner (lower left) 39 1/2 x 32 inches.

Property from the Estate of Beverly Pierson Carmichael Bradley, Kansas City, Missouri Provenance: Galerie Georges Petit, Paris, no. 5562 Mme. de Saint-Amans Private Collection Exhibited: Galerie Guillaume Campo, Anvers, Belgique, Maîtres Français, n. 73, (illustrated).

Literature: Camille Mauclair, Le Sidaner, Paris, 1928, p. 103 (illustrated).

Yann Farinaux-Le Sidaner, Le Sidaner, L’œuvre peint et grave, Milan, 1989, p. 181, no. 460 (illustrated).

Yann Farinaux-Le Sidaner, Henri Le Sidaner - Paysages Intimes, Paris 2013, p. 82 (illustrated).

Note: We would like to thank Yann Farinaux-Le Sidaner for issuing a certificate of authenticity, which will accompany this work. $200,000-400,000

108*

Henry Moret

(French, 1856-1913) Paysage à Pont-Aven, 1894 oil on canvas signed Henry Moret and dated (lower left) 18 x 21 inches.

Property from the Estate of Beverly Pierson Carmichael Bradley, Kansas City, Missouri Provenance: Arthur Tooth & Sons Ltd., London Hammer Galleries, New York Note: The work will be included in the forthcoming catalogue raisonné in preparation by Jean-Yves Rolland and is accompanied by a certificate of authenticity. $30,000-50,000

69

109*

Henri Jean Guillaume Martin

(French, 1860-1943) Jeune fille dans un pré oil on panel signed Martin (lower left) 14 x 17 1/4 inches.

Property from the Estate of Beverly Pierson Carmichael Bradley, Kansas City, Missouri Provenance: Sotheby Parke Bernet, Paris

109

110*

111*

(French, 1912-1987) Le modèle en bleu, au café du Moulin Rouge oil on canvas signed F. Gall (lower left) 18 x 10 1/2 inches.

Property from the Estate of Beverly Pierson Carmichael Bradley, Kansas City, Missouri $2,000-4,000

(French, 1882-1969) Rue Royale, Madeleine oil on canvas signed Edouard Cortès (lower right) 12 1/4 x 17 1/4 inches.

Property from the Estate of Alyn and Marlyn Essman, St. Louis, Missouri $10,000-20,000

François Gall

Edouard Léon Cortès

111

110

70

AMERICAN AND EUROPEAN ART

Note: We would like to thank Cyril Martin for confirming the authenticity of this work and Marie-Anne Destrebecq-Martin for including this work in the forthcoming catalogue raisonné. $8,000-12,000

LESLIE HINDMAN AUCTIONEERS u p coming a u ction sched u le

497 | Documenting History: Science, Exploration and Entertainment may 4 | chicago

509 | arts of the American West may 6–7 | denver

501 | american and european art may 24 | chicago

543 | hermes scarves june 13 | live online only auction

498 | modern design

502 | interiors

may 11 | chicago

june 13–23 | online only

515 | african and oceanic art

504 | Fine Furniture and

may 8–18 | timed online only auction

Decorative Arts july 17–18 | chicago

499 | post war and

522 | interiors

contemporary art

august 17–18 | online only

may 23 | chicago

500 | fine prints

523 | fine jewelry

may 23 | chicago

september 10–11 | chicago

This schedule is subject to change. Changes can be found at lesliehindman.com

71

Auction Inquiries fine art DEPARTMENT

Zack Wirsum Senior Specialist Post War and Contemporary Art zachary@lesliehindman.com

Sarah Wilson Associate Specialist American and European Art sarahwilson@lesliehindman.com

Reed Landin Associate Specialist Fine Prints reedlandin@lesliehindman.com

OFFICE OF THE PRESIDENT

Fine Art

Leslie S. Hindman President and CEO 312.280.1212

Zack Wirsum Senior Specialist zachary@lesliehindman.com

Adam Spender Executive Assistant 312.334.4201

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Clare Brody Account Executive clarebrody@lesliehindman.com 312.447.3290 Fine Jewelry and Timepieces Alexander Eblen, G.G. Director alexandereblen@lesliehindman.com

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT

Sarah Wilson Associate Specialist/Cataloguer sarahwilson@lesliehindman.com

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ADMINISTRATION

Corbin Horn Specialist corbinhorn@lesliehindman.com

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72

Mike Intihar Senior Specialist mike@lesliehindman.com

Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282 Genevieve King Cataloguer genevieveking@lesliehindman.com Modern Design Luke Palmer Specialist lukepalmer@lesliehindman.com Mike Intihar Senior Specialist mike@lesliehindman.com Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282 Fine Books and Manuscripts Sophie Hammond Hagman Account Executive sophiehammond@lesliehindman.com 312.334.4231 Asian Works of Art Annie Wu Specialist anniewu@lesliehindman.com

AMERICAN AND EUROPEAN ART

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International Representative Tina Fisher Grow 561.315.9100

Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping Arrangements Leslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

Guide for Prospective Buyers Conditions of Sale Leslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions Leslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates Leslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

$0 - $200 ............................................. $10

$200 - $500 ............................................. $25

$500 - $1,000 .......................................... $50 $1,000 - $2,000 ........................................ $100 $2,000 - $5,000 ........................................ $200 $5,000 - $10,000 ...................................... $500 $10,000 - $20,000 ................................... $1,000 $20,000 - $50,000 ................................... $2,000 $50,000 - $100,000 ................................. $5,000 $100,000 - $200,000 ............................... $10,000

Over > $200,000 ......... Auctioneer’s Discretion In-House Bidding Live bidding at Leslie Hindman Auctioneers, Inc. is by paddle only.

Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Driving Directions/Parking From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking: Leslie Hindman Auctioneers, Inc. has a private parking lot located on Ada Street, diagonally across the street from our entrance.

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are:

73

Conditions of Sale LESLIE HINDMAN AUCTIONEERS, INC. AS AGENT

The lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability.

Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment.

Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Leslie Hindman Auctioneers.

Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser.

In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $100,000; twenty percent (20%) of any amount in excess of $100,000 up to and including $1,000,000; and twelve percent (12%) of any amount in excess of $1,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $100,000; twenty-one percent (21%) of any amount in excess of $100,000 up to and including $1,000,000; and thirteen percent (13%) of any amount in excess of $1,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

74

AMERICAN AND EUROPEAN ART

Collecting Purchases Once Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

medium, provenance, exhibition history, literature or historical relevance.

Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.

Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.

Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law

Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

Discretion Any and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc. 2017

c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

LIABILITY Condition Reports Leslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance,

lh

e.) to offset against any amount owed

75

leslie hindman auctioneers CHICAGO | DENVER

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

fx 312. 280. 12 1 1 | bid @ lesliehind m an. com Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

501

$0 - $200 ........................................ $10

$200 - $500 ........................................ $25

$500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 Sale Number/Name $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 Business Name $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 Billing Address $100,000 - $200,000 .......................... $10,000

Over > $200,000 .... Auctioneer’s Discretion City State Name

Country/Zip

For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

Primary Phone

Contact Name

I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

A per lot buyer’s premium is added to the final hammer price as per the following:

Signature Date

Leslie Hindman Auctioneers, Inc. is not responsible for failure or other inadvertent errors relating to the execution of your bids.

For Leslie Hindman AUCTIONEERS, INC.

Date

$0 - $100,000 .......................................... 25% $100,001 - $1,000,000 ............................ 20% $1,000,001 + ............................................ 12%

First time bidders please provide a valid credit card and one of the following: Passport / Driver’s License / National Identity Card Lot Number

PHONE BID

Absentee Bid

LOT DescriPtion

US Dollar Limit

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

Back-up Bid

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

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leslie hindman auctioneers

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