Sale 586 | Made In Chicago

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MADE IN CHICAGO

OCTOBER 23, 2018 VIEW TH E C ATALOG UE ON L I N E AT L E S L I E H I N DM A N .C OM

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Made in Chicago

Tuesday 23 October 2018

Tuesday 23 October 2018

PREVIEW

FRIDAY 19 OCTOBER | 10AM – 5PM SATURDAY 20 OCTOBER | 10AM – 3PM SUNDAY 21 OCTOBER | 12PM – 4PM MONDAY 22 OCTOBER | 10AM – 5PM

AUCTION

TUESDAY 23 OCTOBER | 10:00AM CT LOTS 1 – 224 PROPERTY PICK UP HOURS

MONDAY – FRIDAY | 9:00AM – 4:30PM

LH

LH

Made in Chicago

All property must be picked up within seven business days per our Conditions of Sale.

LHLIVE

Lots marked with an asterisk (*) are tax exempt as permitted by law.

LHLIVE

LH

Lot 129 | Three Chicago Street Signs

CHI C A G O , I L L I N O I S ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

Cover

Lot 129 | Three Chicago Street Signs

Lot 129 | Three Chicago Street Signs

MONDAY 22 OCTOBER | 10AM – 5PM

AUCTION

TUESDAY 23 OCTOBER | 10:00AM CT LOTS 1 – 224 PROPERTY PICK UP HOURS

MONDAY – FRIDAY | 9:00AM – 4:30PM

Lots marked with an asterisk (*) are tax exempt as permitted by law.

©Hindman LLC 2018 C H IC AG O , ILLIN O IS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

Made in Chicago

Tuesday 23 October 2018

Tuesday 23 October 2018

PREVIEW

FRIDAY 19 OCTOBER | 10AM – 5PM SATURDAY 20 OCTOBER | 10AM – 3PM SUNDAY 21 OCTOBER | 12PM – 4PM MONDAY 22 OCTOBER | 10AM – 5PM

AUCTION

TUESDAY 23 OCTOBER | 10:00AM CT LOTS 1 – 224 PROPERTY PICK UP HOURS

MONDAY – FRIDAY | 9:00AM – 4:30PM

Lots marked with an asterisk (*) are tax exempt as permitted by law.

©Hindman LLC 2018 CHI C A G O , I L L I N O I S ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

PREVIEW

FRIDAY 19 OCTOBER | 10AM – 5PM SATURDAY 20 OCTOBER | 10AM – 3PM SUNDAY 21 OCTOBER | 12PM – 4PM MONDAY 22 OCTOBER | 10AM – 5PM

AUCTION

TUESDAY 23 OCTOBER | 10:00AM CT LOTS 1 – 224 PROPERTY PICK UP HOURS

MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.

LHLIVE

lesliehindman.com Cover

SUNDAY 21 OCTOBER | 12PM – 4PM

Made in Chicago

All property must be picked up within seven business days per our Conditions of Sale.

LHLIVE

SATURDAY 20 OCTOBER | 10AM – 3PM

lesliehindman.com

LH

Cover

FRIDAY 19 OCTOBER | 10AM – 5PM

All property must be picked up within seven business days per our Conditions of Sale.

lesliehindman.com ©Hindman LLC 2018

PREVIEW

Lots marked with an asterisk (*) are tax exempt as permitted by law.

lesliehindman.com Cover

Lot 129 | Three Chicago Street Signs

©Hindman LLC 2018 C H IC AG O , ILLIN O IS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

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PROPERTY FROM THE COLLECTION OF

PROPERTY FROM THE COLLECTION OF

Estela Bernal, Skokie, Illinois

Estela Bernal, Skokie, Illinois

Zenaida Harry, Olympia Fields, Illinois

Zenaida Harry, Olympia Fields, Illinois

Anita Livaditis, Winnetka, Illinois

Anita Livaditis, Winnetka, Illinois

Mrs. Mary Jean Thomson, Riverwoods, Illinois

Mrs. Mary Jean Thomson, Riverwoods, Illinois

Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

Opposite

Opposite

Lot 132 | Ed Paschke (American, 1939-2004) Key Bulb, 1970

Lot 132 | Ed Paschke (American, 1939-2004) Key Bulb, 1970

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PROPERTY FROM THE COLLECTION OF

PROPERTY FROM THE COLLECTION OF

Estela Bernal, Skokie, Illinois

Estela Bernal, Skokie, Illinois

Zenaida Harry, Olympia Fields, Illinois

Zenaida Harry, Olympia Fields, Illinois

Anita Livaditis, Winnetka, Illinois

Anita Livaditis, Winnetka, Illinois

Mrs. Mary Jean Thomson, Riverwoods, Illinois

Mrs. Mary Jean Thomson, Riverwoods, Illinois

Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

Opposite

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Opposite

Lot 132 | Ed Paschke (American, 1939-2004) Key Bulb, 1970

Lot 132 | Ed Paschke (American, 1939-2004) Key Bulb, 1970

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Contents

Contents

MY (OUR) KIND OF TOWN ............................................................................ 8

MY (OUR) KIND OF TOWN ............................................................................ 8

LOTS 1-224 ..................................................................................................10

LOTS 1-224 ..................................................................................................10

AUCTION INQUIRIES.....................................................................................88

AUCTION INQUIRIES.....................................................................................88

CONDITIONS OF SALE ................................................................................90

CONDITIONS OF SALE ................................................................................90

TELEPHONE / ABSENTEE BID FORM ...........................................................92

TELEPHONE / ABSENTEE BID FORM ...........................................................92

Opposite

Opposite

Lot 61 | A Granada Theater Full-Sized Cast Plaster Statue

Lot 61 | A Granada Theater Full-Sized Cast Plaster Statue

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Contents

Contents

MY (OUR) KIND OF TOWN ............................................................................ 8

MY (OUR) KIND OF TOWN ............................................................................ 8

LOTS 1-224 ..................................................................................................10

LOTS 1-224 ..................................................................................................10

AUCTION INQUIRIES.....................................................................................88

AUCTION INQUIRIES.....................................................................................88

CONDITIONS OF SALE ................................................................................90

CONDITIONS OF SALE ................................................................................90

TELEPHONE / ABSENTEE BID FORM ...........................................................92

TELEPHONE / ABSENTEE BID FORM ...........................................................92

Opposite

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Opposite

Lot 61 | A Granada Theater Full-Sized Cast Plaster Statue

Lot 61 | A Granada Theater Full-Sized Cast Plaster Statue

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Lot 146 | Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975

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Lot 146 | Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975

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Lot 146 | Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975

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Lot 146 | Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975

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MY (OUR) KIND OF TOWN

MY (OUR) KIND OF TOWN

Leslie Hindman Auctioneers is pleased to bring to auction a collection of art, design

Leslie Hindman Auctioneers is pleased to bring to auction a collection of art, design

and memorabilia relating to our home base —the great city of Chicago. Made in

and memorabilia relating to our home base —the great city of Chicago. Made in

Chicago features items of historical and cultural significance, ranging from maps

Chicago features items of historical and cultural significance, ranging from maps

of Chicago dating from the 19th century to contemporary paintings by Chicago

of Chicago dating from the 19th century to contemporary paintings by Chicago

Imagists. The city is currently in a yearlong celebration of the role that Chicago has

Imagists. The city is currently in a yearlong celebration of the role that Chicago has

and continues to play in the cultural landscape of America. The Made in Chicago

and continues to play in the cultural landscape of America. The Made in Chicago

auction event is a tribute to this celebration.

auction event is a tribute to this celebration.

Lot 7 | “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets.

Lot 7 | “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets.

Conducted chronologically, the sale will open with a number of books and maps

Conducted chronologically, the sale will open with a number of books and maps

relating to the Great Chicago Fire and the era of the World’s Columbian Exposition

relating to the Great Chicago Fire and the era of the World’s Columbian Exposition

of 1893. Items include a panoramic albumen print of the aftermath of the fire,

of 1893. Items include a panoramic albumen print of the aftermath of the fire,

and also pre-fire abstract deed books used to rebuild the city after the tragedy.

and also pre-fire abstract deed books used to rebuild the city after the tragedy.

Also included is a two-volume set of architectural works by the firm of Graham,

Also included is a two-volume set of architectural works by the firm of Graham,

Anderson, Probst & White.

Anderson, Probst & White.

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MA D E I N CHI CA G O

MY (OUR) KIND OF TOWN

Leslie Hindman Auctioneers is pleased to bring to auction a collection of art, design

Leslie Hindman Auctioneers is pleased to bring to auction a collection of art, design

and memorabilia relating to our home base —the great city of Chicago. Made in

and memorabilia relating to our home base —the great city of Chicago. Made in

Chicago features items of historical and cultural significance, ranging from maps

Chicago features items of historical and cultural significance, ranging from maps

of Chicago dating from the 19th century to contemporary paintings by Chicago

of Chicago dating from the 19th century to contemporary paintings by Chicago

Imagists. The city is currently in a yearlong celebration of the role that Chicago has

Imagists. The city is currently in a yearlong celebration of the role that Chicago has

and continues to play in the cultural landscape of America. The Made in Chicago

and continues to play in the cultural landscape of America. The Made in Chicago

auction event is a tribute to this celebration.

auction event is a tribute to this celebration.

Lot 7 | “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets.

Lot 7 | “View of Aftermath of Chicago Fire.” Panoramic albumen print on two sheets.

Conducted chronologically, the sale will open with a number of books and maps

Conducted chronologically, the sale will open with a number of books and maps

relating to the Great Chicago Fire and the era of the World’s Columbian Exposition

relating to the Great Chicago Fire and the era of the World’s Columbian Exposition

of 1893. Items include a panoramic albumen print of the aftermath of the fire,

of 1893. Items include a panoramic albumen print of the aftermath of the fire,

and also pre-fire abstract deed books used to rebuild the city after the tragedy.

and also pre-fire abstract deed books used to rebuild the city after the tragedy.

Also included is a two-volume set of architectural works by the firm of Graham,

Also included is a two-volume set of architectural works by the firm of Graham,

Anderson, Probst & White.

Anderson, Probst & White.

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Architectural elements by architects such as Daniel Burnham, Louis Sullivan and Frank Lloyd Wright will be offered throughout the sale, originating from historical structures such as the Potter Palmer mansion, the Chicago Athletic Association, the Oriental Theater, Union Station and the Chicago Theater. Examples will include fragments in the Modernist, neo-Gothic and Beaux-Arts styles.

Lot 14 | A Louis Sullivan Auditorium Hotel Dining Room Skylight Window.

Unique items include costumes from the Lyric Opera, notably the 1976 production of Three Oranges by Sergei Prokofiev and a custom-made book, bound in goat hide, of headlines pertaining to Cubs history and their 2016 World Championship.

The sale will conclude with an homage to contemporary Chicago creators, closing with a session of paintings by artists such as Leon Golub, Karl Wirsum, Ed Paschke and Roger Brown.

Lot 139 | A Lyric Opera Cream, Black and Brown Clown Costume from Love of Three Oranges by Sergei Prokofiev.

Lot 189 | Ed Paschke (American 1939-2004), Cineface, 1993.

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1 [MAPS OF CHICAGO AND ILLINOIS]. A group of 4 maps and bird’s-eye views of Chicago $400-600

1 [MAPS OF CHICAGO AND ILLINOIS]. A group of 4 maps and bird’s-eye views of Chicago $400-600

2 FLOWER, W. L. Map Of Cook County Illinois. [Chicago: S. H. Burnhams and J. Van Vechten, 1862].

Engraved wall map with contemporary hand-coloring (1798 x 1580 mm sheet), inset maps of Chicago and Blue Island, inset diagram of the state of Illinois. (Mounted on new linen, a few tiny losses to edges, some minor staining as usual.)

2 FLOWER, W. L. Map Of Cook County Illinois. [Chicago: S. H. Burnhams and J. Van Vechten, 1862].

Engraved wall map with contemporary hand-coloring (1798 x 1580 mm sheet), inset maps of Chicago and Blue Island, inset diagram of the state of Illinois. (Mounted on new linen, a few tiny losses to edges, some minor staining as usual.)

FIRST EDITION, ONE OF THE EARLIEST MAPS OF COOK COUNTY, A FINE COPY OF THIS PRE-FIRE RARITY $4,000-6,000

FIRST EDITION, ONE OF THE EARLIEST MAPS OF COOK COUNTY, A FINE COPY OF THIS PRE-FIRE RARITY $4,000-6,000

3 J. H. COLTON. New Sectional Map of the State of Illinois. Compiled From the United States Surveys. [New York, 1852].

Lithographed map with hand-coloring, image 1037 x 712 mm (sheet 1102 x 788 mm). Printed within decorative borders, insets of Galena and St. Louis, untitled profile of the Michigan Canal.

(Mounted on new linen, new selvage, a few closed splits just touching image.) $600-800

3 J. H. COLTON. New Sectional Map of the State of Illinois. Compiled From the United States Surveys. [New York, 1852].

Lithographed map with hand-coloring, image 1037 x 712 mm (sheet 1102 x 788 mm). Printed within decorative borders, insets of Galena and St. Louis, untitled profile of the Michigan Canal.

(Mounted on new linen, new selvage, a few closed splits just touching image.) $600-800

4 [HARPER’S WEEKLY]. A group of Harper’s Weekly 20 steel engravings (some with hand-coloring), image of largest 15 1/4 x 29 1/4”, pale spotting, a few pale marginal stains, many matted, all framed (not examined out of frame). $200-300

4 [HARPER’S WEEKLY]. A group of Harper’s Weekly 20 steel engravings (some with hand-coloring), image of largest 15 1/4 x 29 1/4”, pale spotting, a few pale marginal stains, many matted, all framed (not examined out of frame). $200-300

5 [PRE-FIRE CHICAGO]. A group of 3 Pre-Fire Abstract Deed Books, 1830s-1860s.

Folio (352 x 242 mm). Manuscripts, in a secretarial hand throughout, recording land transactions in Chicago and Cook County, occasionally accompanied by hand-drawn maps. $700-900

5 [PRE-FIRE CHICAGO]. A group of 3 Pre-Fire Abstract Deed Books, 1830s-1860s.

Folio (352 x 242 mm). Manuscripts, in a secretarial hand throughout, recording land transactions in Chicago and Cook County, occasionally accompanied by hand-drawn maps. $700-900

6 [CHICAGO FIRE]. Original printing plate, circa 1871.

Copper plate (191 x 280 mm) mounted on wooden backing, depicting the city during the Chicago Fire from the vantage point where the Chicago River meets Lake Michigan. The view is similar to that popularized by Currier and Ives in their “The Great Fire at Chicago, Oct’r 8th 1871,” published in a larger format in 1871. $500-700

6 [CHICAGO FIRE]. Original printing plate, circa 1871.

Copper plate (191 x 280 mm) mounted on wooden backing, depicting the city during the Chicago Fire from the vantage point where the Chicago River meets Lake Michigan. The view is similar to that popularized by Currier and Ives in their “The Great Fire at Chicago, Oct’r 8th 1871,” published in a larger format in 1871. $500-700

7 [CHICAGO FIRE]. “View of Aftermath of Chicago Fire.”

Panoramic albumen print on two sheets (approximately 300 x 780 mm). Matted, framed and glazed (not examined out of frame).

12 x 31 inches (visible). $400-600

7 [CHICAGO FIRE]. “View of Aftermath of Chicago Fire.”

Panoramic albumen print on two sheets (approximately 300 x 780 mm). Matted, framed and glazed (not examined out of frame).

12 x 31 inches (visible). $400-600

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1 [MAPS OF CHICAGO AND ILLINOIS]. A group of 4 maps and bird’s-eye views of Chicago $400-600

1 [MAPS OF CHICAGO AND ILLINOIS]. A group of 4 maps and bird’s-eye views of Chicago $400-600

2 FLOWER, W. L. Map Of Cook County Illinois. [Chicago: S. H. Burnhams and J. Van Vechten, 1862].

Engraved wall map with contemporary hand-coloring (1798 x 1580 mm sheet), inset maps of Chicago and Blue Island, inset diagram of the state of Illinois. (Mounted on new linen, a few tiny losses to edges, some minor staining as usual.)

2 FLOWER, W. L. Map Of Cook County Illinois. [Chicago: S. H. Burnhams and J. Van Vechten, 1862].

Engraved wall map with contemporary hand-coloring (1798 x 1580 mm sheet), inset maps of Chicago and Blue Island, inset diagram of the state of Illinois. (Mounted on new linen, a few tiny losses to edges, some minor staining as usual.)

FIRST EDITION, ONE OF THE EARLIEST MAPS OF COOK COUNTY, A FINE COPY OF THIS PRE-FIRE RARITY $4,000-6,000

FIRST EDITION, ONE OF THE EARLIEST MAPS OF COOK COUNTY, A FINE COPY OF THIS PRE-FIRE RARITY $4,000-6,000

3 J. H. COLTON. New Sectional Map of the State of Illinois. Compiled From the United States Surveys. [New York, 1852].

Lithographed map with hand-coloring, image 1037 x 712 mm (sheet 1102 x 788 mm). Printed within decorative borders, insets of Galena and St. Louis, untitled profile of the Michigan Canal.

(Mounted on new linen, new selvage, a few closed splits just touching image.) $600-800

3 J. H. COLTON. New Sectional Map of the State of Illinois. Compiled From the United States Surveys. [New York, 1852].

Lithographed map with hand-coloring, image 1037 x 712 mm (sheet 1102 x 788 mm). Printed within decorative borders, insets of Galena and St. Louis, untitled profile of the Michigan Canal.

(Mounted on new linen, new selvage, a few closed splits just touching image.) $600-800

4 [HARPER’S WEEKLY]. A group of Harper’s Weekly 20 steel engravings (some with hand-coloring), image of largest 15 1/4 x 29 1/4”, pale spotting, a few pale marginal stains, many matted, all framed (not examined out of frame). $200-300

4 [HARPER’S WEEKLY]. A group of Harper’s Weekly 20 steel engravings (some with hand-coloring), image of largest 15 1/4 x 29 1/4”, pale spotting, a few pale marginal stains, many matted, all framed (not examined out of frame). $200-300

5 [PRE-FIRE CHICAGO]. A group of 3 Pre-Fire Abstract Deed Books, 1830s-1860s.

Folio (352 x 242 mm). Manuscripts, in a secretarial hand throughout, recording land transactions in Chicago and Cook County, occasionally accompanied by hand-drawn maps. $700-900

5 [PRE-FIRE CHICAGO]. A group of 3 Pre-Fire Abstract Deed Books, 1830s-1860s.

Folio (352 x 242 mm). Manuscripts, in a secretarial hand throughout, recording land transactions in Chicago and Cook County, occasionally accompanied by hand-drawn maps. $700-900

6 [CHICAGO FIRE]. Original printing plate, circa 1871.

Copper plate (191 x 280 mm) mounted on wooden backing, depicting the city during the Chicago Fire from the vantage point where the Chicago River meets Lake Michigan. The view is similar to that popularized by Currier and Ives in their “The Great Fire at Chicago, Oct’r 8th 1871,” published in a larger format in 1871. $500-700

6 [CHICAGO FIRE]. Original printing plate, circa 1871.

Copper plate (191 x 280 mm) mounted on wooden backing, depicting the city during the Chicago Fire from the vantage point where the Chicago River meets Lake Michigan. The view is similar to that popularized by Currier and Ives in their “The Great Fire at Chicago, Oct’r 8th 1871,” published in a larger format in 1871. $500-700

7 [CHICAGO FIRE]. “View of Aftermath of Chicago Fire.”

Panoramic albumen print on two sheets (approximately 300 x 780 mm). Matted, framed and glazed (not examined out of frame).

12 x 31 inches (visible). $400-600

7 [CHICAGO FIRE]. “View of Aftermath of Chicago Fire.”

Panoramic albumen print on two sheets (approximately 300 x 780 mm). Matted, framed and glazed (not examined out of frame).

12 x 31 inches (visible). $400-600

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9 [ARCHITECTURE]. MATZ, Otto (1830-1919). Sketchbook, ca 1880-1885.

Oblong folio (245 x 330 mm). 21 leaves of mostly architectural drawings in pen and ink, a few with wash, depicting buildings and architectural elements, many in and around Chicago. Black roan-backed cloth, gilt lettering-piece to upper cover (spine perished, worn). One page of drawings specifically names buildings on Michigan Boulevard, Washington Boulevard, and a turret at the corner of Rhodes Street and College Street. $1,500-2,000

9 [ARCHITECTURE]. MATZ, Otto (1830-1919). Sketchbook, ca 1880-1885.

Oblong folio (245 x 330 mm). 21 leaves of mostly architectural drawings in pen and ink, a few with wash, depicting buildings and architectural elements, many in and around Chicago. Black roan-backed cloth, gilt lettering-piece to upper cover (spine perished, worn). One page of drawings specifically names buildings on Michigan Boulevard, Washington Boulevard, and a turret at the corner of Rhodes Street and College Street. $1,500-2,000

10 [CHICAGO SCENES].

15 woodcut engravings, image of largest 7 1/2 x 21”, matted and framed. $300-500

10 [CHICAGO SCENES].

15 woodcut engravings, image of largest 7 1/2 x 21”, matted and framed. $300-500

11 ROEHR, Frank. Map of Chicago. [Chicago, ca 1880].

Colored lithograph folding map (706 x 408 mm sheet). (A few splits at folds neatly repaired on verso.)

Folding into printed covers (Cover title: “Travelers’ and Shippers’ Railway guide Map of Chicago”).

Rare folding map depicting parks and major thoroughfares in color, with a directory of city street at bottom. Published in the decade following the Chicago Fire, this map depicts the rapid growth of the city during the period of great rebuilding in the years leading up to the World Columbian Exposition. $300-500

11 ROEHR, Frank. Map of Chicago. [Chicago, ca 1880].

Colored lithograph folding map (706 x 408 mm sheet). (A few splits at folds neatly repaired on verso.)

Folding into printed covers (Cover title: “Travelers’ and Shippers’ Railway guide Map of Chicago”).

Rare folding map depicting parks and major thoroughfares in color, with a directory of city street at bottom. Published in the decade following the Chicago Fire, this map depicts the rapid growth of the city during the period of great rebuilding in the years leading up to the World Columbian Exposition. $300-500

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9 [ARCHITECTURE]. MATZ, Otto (1830-1919). Sketchbook, ca 1880-1885.

Oblong folio (245 x 330 mm). 21 leaves of mostly architectural drawings in pen and ink, a few with wash, depicting buildings and architectural elements, many in and around Chicago. Black roan-backed cloth, gilt lettering-piece to upper cover (spine perished, worn). One page of drawings specifically names buildings on Michigan Boulevard, Washington Boulevard, and a turret at the corner of Rhodes Street and College Street. $1,500-2,000

9 [ARCHITECTURE]. MATZ, Otto (1830-1919). Sketchbook, ca 1880-1885.

Oblong folio (245 x 330 mm). 21 leaves of mostly architectural drawings in pen and ink, a few with wash, depicting buildings and architectural elements, many in and around Chicago. Black roan-backed cloth, gilt lettering-piece to upper cover (spine perished, worn). One page of drawings specifically names buildings on Michigan Boulevard, Washington Boulevard, and a turret at the corner of Rhodes Street and College Street. $1,500-2,000

10 [CHICAGO SCENES].

15 woodcut engravings, image of largest 7 1/2 x 21”, matted and framed. $300-500

10 [CHICAGO SCENES].

15 woodcut engravings, image of largest 7 1/2 x 21”, matted and framed. $300-500

11 ROEHR, Frank. Map of Chicago. [Chicago, ca 1880].

Colored lithograph folding map (706 x 408 mm sheet). (A few splits at folds neatly repaired on verso.)

Folding into printed covers (Cover title: “Travelers’ and Shippers’ Railway guide Map of Chicago”).

Rare folding map depicting parks and major thoroughfares in color, with a directory of city street at bottom. Published in the decade following the Chicago Fire, this map depicts the rapid growth of the city during the period of great rebuilding in the years leading up to the World Columbian Exposition. $300-500

11 ROEHR, Frank. Map of Chicago. [Chicago, ca 1880].

Colored lithograph folding map (706 x 408 mm sheet). (A few splits at folds neatly repaired on verso.)

Folding into printed covers (Cover title: “Travelers’ and Shippers’ Railway guide Map of Chicago”).

Rare folding map depicting parks and major thoroughfares in color, with a directory of city street at bottom. Published in the decade following the Chicago Fire, this map depicts the rapid growth of the city during the period of great rebuilding in the years leading up to the World Columbian Exposition. $300-500

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12 A Palmer V. Kellogg Mansion Leaded Glass Window, Burnham & Root

12 A Palmer V. Kellogg Mansion Leaded Glass Window, Burnham & Root

maker unknown, of rectangular form depicting a vase with fruit, in a later wooden frame.

Height 33 x width 22 inches overall. $5,000-7,000

maker unknown, of rectangular form depicting a vase with fruit, in a later wooden frame.

Height 33 x width 22 inches overall. $5,000-7,000

CIRCA 1883

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CIRCA 1883

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12 A Palmer V. Kellogg Mansion Leaded Glass Window, Burnham & Root

12 A Palmer V. Kellogg Mansion Leaded Glass Window, Burnham & Root

maker unknown, of rectangular form depicting a vase with fruit, in a later wooden frame.

Height 33 x width 22 inches overall. $5,000-7,000

maker unknown, of rectangular form depicting a vase with fruit, in a later wooden frame.

Height 33 x width 22 inches overall. $5,000-7,000

CIRCA 1883

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CIRCA 1883

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14

MADE I N CHI CA GO

14

MA D E I N CHI CA G O

14

MADE I N CHI CA GO

14

MA D E I N CHI CA G O

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16

MADE I N CHI CA GO

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MA D E I N CHI CA G O

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MADE I N CHI CA GO

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MA D E I N CHI CA G O

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13

13

13 A Louis Sullivan Auditorium Theater Skylight Window

13 A Louis Sullivan Auditorium Theater Skylight Window

fabricated by Healy & Millet, having a foliate medallion within celtic knot border.

Overall: 37 3/4 x 60 3/4 inches.

fabricated by Healy & Millet, having a foliate medallion within celtic knot border.

Overall: 37 3/4 x 60 3/4 inches.

CIRCA 1889

18

CIRCA 1889

Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect

Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect

Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings $30,000-50,000

Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings $30,000-50,000

MADE I N CHI CA GO

18

MA D E I N CHI CA G O

13

13

13 A Louis Sullivan Auditorium Theater Skylight Window

13 A Louis Sullivan Auditorium Theater Skylight Window

fabricated by Healy & Millet, having a foliate medallion within celtic knot border.

Overall: 37 3/4 x 60 3/4 inches.

fabricated by Healy & Millet, having a foliate medallion within celtic knot border.

Overall: 37 3/4 x 60 3/4 inches.

CIRCA 1889

18

CIRCA 1889

Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect

Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect

Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings $30,000-50,000

Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings $30,000-50,000

MADE I N CHI CA GO

18

MA D E I N CHI CA G O

14

14

14 A Louis Sullivan Auditorium Hotel Dining Room Skylight Window

14 A Louis Sullivan Auditorium Hotel Dining Room Skylight Window

fabricated by Healy & Millet, in four parts creating a circular medallion.

Overall: 54 x 46 inches.

fabricated by Healy & Millet, in four parts creating a circular medallion.

Overall: 54 x 46 inches.

CIRCA 1889

CIRCA 1889

Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect

Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect

Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings

Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings

Exhibited: Block Museum of Art, Northwestern University $30,000-50,000

Exhibited: Block Museum of Art, Northwestern University $30,000-50,000

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V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M

19

14

14

14 A Louis Sullivan Auditorium Hotel Dining Room Skylight Window

14 A Louis Sullivan Auditorium Hotel Dining Room Skylight Window

fabricated by Healy & Millet, in four parts creating a circular medallion.

Overall: 54 x 46 inches.

fabricated by Healy & Millet, in four parts creating a circular medallion.

Overall: 54 x 46 inches.

CIRCA 1889

CIRCA 1889

Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect

Provenance: Acquired from Roosevelt University By descent to the present owner, J. Marion Gutnayer, Architect

Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings

Examples of this window are widely accepted to be from the Auditorium Building. They were removed and stored on site during the many transformations of use of the buildings

Exhibited: Block Museum of Art, Northwestern University $30,000-50,000

Exhibited: Block Museum of Art, Northwestern University $30,000-50,000

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19

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15 Four Sullivanesque Terra Cotta Facade Elements EARLY 20TH CENTURY

possibly produced by Midland Terra Cotta.

Terracotta Height of largest 19 3/4 x width 18 1/2 x depth 6 inches. $1,000-2,000 16 A Pair of Louis Sullivan Stock Exchange Window Pulls CIRCA 1894 manufactured by the Yale & Towne MFG. Co., each with twist form handle and demilune mounting plates.

Height 7 1/2 inches. $300-500

19 [VIEWS OF CHICAGO ARCHITECTURE].

A group of 10 facsimile-typogravures from Art and Architecture Magazine with one other 11 facsimile-typogravures, [1893-1895], image of largest 13 x 9 1/2”, some pale spotting or browning, matted and framed (not examined out of frames). $300-500

15 Four Sullivanesque Terra Cotta Facade Elements EARLY 20TH CENTURY

possibly produced by Midland Terra Cotta.

Terracotta Height of largest 19 3/4 x width 18 1/2 x depth 6 inches. $1,000-2,000 16 A Pair of Louis Sullivan Stock Exchange Window Pulls CIRCA 1894 manufactured by the Yale & Towne MFG. Co., each with twist form handle and demilune mounting plates.

Height 7 1/2 inches. $300-500

20 A Louis Sullivan Stock Exchange Iron Elevator Frieze Panel CIRCA 1894

manufactured by the Winslow Brothers Foundry, Chicago.

Height 17 3/4 x width 17 inches. $1,000-2,000

17 [COLUMBIAN EXPOSITION]. A group of 3 Columbian Exposition ephemera $200-300

17 [COLUMBIAN EXPOSITION]. A group of 3 Columbian Exposition ephemera $200-300

18 [POSTCARDS]. A group of post cards, including views of Chicago, Illinois, and the World’s Fair Postcards, image of largest 142 x 88 mm.

Sold to benefit the Chicago Art Deco Society. $400-600

18 [POSTCARDS]. A group of post cards, including views of Chicago, Illinois, and the World’s Fair Postcards, image of largest 142 x 88 mm.

Sold to benefit the Chicago Art Deco Society. $400-600

19 [VIEWS OF CHICAGO ARCHITECTURE].

A group of 10 facsimile-typogravures from Art and Architecture Magazine with one other 11 facsimile-typogravures, [1893-1895], image of largest 13 x 9 1/2”, some pale spotting or browning, matted and framed (not examined out of frames). $300-500 20 A Louis Sullivan Stock Exchange Iron Elevator Frieze Panel CIRCA 1894

manufactured by the Winslow Brothers Foundry, Chicago.

Height 17 3/4 x width 17 inches. $1,000-2,000

20 20

MADE I N CHI CA GO

15 Four Sullivanesque Terra Cotta Facade Elements EARLY 20TH CENTURY

possibly produced by Midland Terra Cotta.

Terracotta Height of largest 19 3/4 x width 18 1/2 x depth 6 inches. $1,000-2,000 16 A Pair of Louis Sullivan Stock Exchange Window Pulls CIRCA 1894 manufactured by the Yale & Towne MFG. Co., each with twist form handle and demilune mounting plates.

Height 7 1/2 inches. $300-500

20 20

19 [VIEWS OF CHICAGO ARCHITECTURE].

A group of 10 facsimile-typogravures from Art and Architecture Magazine with one other 11 facsimile-typogravures, [1893-1895], image of largest 13 x 9 1/2”, some pale spotting or browning, matted and framed (not examined out of frames). $300-500

MA D E I N CHI CA G O

15 Four Sullivanesque Terra Cotta Facade Elements EARLY 20TH CENTURY

possibly produced by Midland Terra Cotta.

Terracotta Height of largest 19 3/4 x width 18 1/2 x depth 6 inches. $1,000-2,000 16 A Pair of Louis Sullivan Stock Exchange Window Pulls CIRCA 1894 manufactured by the Yale & Towne MFG. Co., each with twist form handle and demilune mounting plates.

Height 7 1/2 inches. $300-500

20 A Louis Sullivan Stock Exchange Iron Elevator Frieze Panel CIRCA 1894

manufactured by the Winslow Brothers Foundry, Chicago.

Height 17 3/4 x width 17 inches. $1,000-2,000

17 [COLUMBIAN EXPOSITION]. A group of 3 Columbian Exposition ephemera $200-300

17 [COLUMBIAN EXPOSITION]. A group of 3 Columbian Exposition ephemera $200-300

18 [POSTCARDS]. A group of post cards, including views of Chicago, Illinois, and the World’s Fair Postcards, image of largest 142 x 88 mm.

Sold to benefit the Chicago Art Deco Society. $400-600

18 [POSTCARDS]. A group of post cards, including views of Chicago, Illinois, and the World’s Fair Postcards, image of largest 142 x 88 mm.

Sold to benefit the Chicago Art Deco Society. $400-600

20 20

MADE I N CHI CA GO

19 [VIEWS OF CHICAGO ARCHITECTURE].

A group of 10 facsimile-typogravures from Art and Architecture Magazine with one other 11 facsimile-typogravures, [1893-1895], image of largest 13 x 9 1/2”, some pale spotting or browning, matted and framed (not examined out of frames). $300-500 20 A Louis Sullivan Stock Exchange Iron Elevator Frieze Panel CIRCA 1894

manufactured by the Winslow Brothers Foundry, Chicago.

Height 17 3/4 x width 17 inches. $1,000-2,000

20 20

MA D E I N CHI CA G O

23

23

21 A D.H. Burnham & Co. Fisher Building Cast Iron Elevator Door Panel

21 A D.H. Burnham & Co. Fisher Building Cast Iron Elevator Door Panel

manufactured by the Winslow brothers Foundry, Chicago, of rectangular form with cast foliate decoration.

22 x 11 1/2 inches. $700-900

manufactured by the Winslow brothers Foundry, Chicago, of rectangular form with cast foliate decoration.

22 x 11 1/2 inches. $700-900

CIRCA 1896

CIRCA 1896

22 A Potter Palmer Mansion Oak and Iron Staircase Panel

22 A Potter Palmer Mansion Oak and Iron Staircase Panel

CIRCA 1880 S

CIRCA 1880 S

23 A Columbus Memorial Building Brass and Bronze Wall Sconce

23 A Columbus Memorial Building Brass and Bronze Wall Sconce

with carved and cast foliate decoration.

Height 18 3/4 inches. $800-1,200

with carved and cast foliate decoration.

Height 18 3/4 inches. $800-1,200

LATE 19TH CENTURY

LATE 19TH CENTURY

with shield shaped back plate decorated with lions, castle and fleur de lis and issuing the two arms.

Height 13 3/4 inches. $1,000-2,000

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with shield shaped back plate decorated with lions, castle and fleur de lis and issuing the two arms.

Height 13 3/4 inches. $1,000-2,000

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23

23

21 A D.H. Burnham & Co. Fisher Building Cast Iron Elevator Door Panel

21 A D.H. Burnham & Co. Fisher Building Cast Iron Elevator Door Panel

manufactured by the Winslow brothers Foundry, Chicago, of rectangular form with cast foliate decoration.

22 x 11 1/2 inches. $700-900

manufactured by the Winslow brothers Foundry, Chicago, of rectangular form with cast foliate decoration.

22 x 11 1/2 inches. $700-900

CIRCA 1896

CIRCA 1896

22 A Potter Palmer Mansion Oak and Iron Staircase Panel

22 A Potter Palmer Mansion Oak and Iron Staircase Panel

CIRCA 1880 S

CIRCA 1880 S

23 A Columbus Memorial Building Brass and Bronze Wall Sconce

23 A Columbus Memorial Building Brass and Bronze Wall Sconce

with carved and cast foliate decoration.

Height 18 3/4 inches. $800-1,200

with carved and cast foliate decoration.

Height 18 3/4 inches. $800-1,200

LATE 19TH CENTURY

LATE 19TH CENTURY

with shield shaped back plate decorated with lions, castle and fleur de lis and issuing the two arms.

Height 13 3/4 inches. $1,000-2,000

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21

with shield shaped back plate decorated with lions, castle and fleur de lis and issuing the two arms.

Height 13 3/4 inches. $1,000-2,000

21

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24 A Henry Ives Cobb Athletic Association Building Carved Mahogany Molding Fragment CIRCA 1893

of rectangular form.

Length 12 1/8 inches. $300-500 25 A Fisher Building Floor Mosaic

CIRCA 1896

fabricated by Heally & Millet, Chicago, of diamond form with repeating border decoration.

53 x 43 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $400-600

22

CIRCA 1893

of rectangular form.

Length 12 1/8 inches. $300-500 25 A Fisher Building Floor Mosaic

CIRCA 1896

fabricated by Heally & Millet, Chicago, of diamond form with repeating border decoration.

53 x 43 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $400-600

22

CIRCA 1936

having two medallions with leaf decoration.

Height 13 3/4 x width 29 1/4 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $400-600

MADE I N CHI CA GO

CIRCA 1893

of rectangular form.

Length 12 1/8 inches. $300-500 25 A Fisher Building Floor Mosaic

27 A Louis Sullivan Terra Cotta Schiller Building Loggia Spandrel

CIRCA 1896

fabricated by Heally & Millet, Chicago, of diamond form with repeating border decoration.

53 x 43 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $400-600

CIRCA 1892

manufactured by the Northwestern Terra Cotta Co., Chicago, in four parts.

Height 17 x width overall 64 inches. $2,000-4,000

MADE I N CHI CA GO

24 A Henry Ives Cobb Athletic Association Building Carved Mahogany Molding Fragment

24 A Henry Ives Cobb Athletic Association Building Carved Mahogany Molding Fragment

26 A George Grant Elmslie Edison School Terra Cotta Panel

22

26 A George Grant Elmslie Edison School Terra Cotta Panel having two medallions with leaf decoration.

Height 13 3/4 x width 29 1/4 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $400-600

CIRCA 1893

of rectangular form.

Length 12 1/8 inches. $300-500 25 A Fisher Building Floor Mosaic

27 A Louis Sullivan Terra Cotta Schiller Building Loggia Spandrel

CIRCA 1896

fabricated by Heally & Millet, Chicago, of diamond form with repeating border decoration.

53 x 43 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $400-600

CIRCA 1892

manufactured by the Northwestern Terra Cotta Co., Chicago, in four parts.

Height 17 x width overall 64 inches. $2,000-4,000

22

CIRCA 1936

having two medallions with leaf decoration.

Height 13 3/4 x width 29 1/4 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $400-600 27 A Louis Sullivan Terra Cotta Schiller Building Loggia Spandrel

CIRCA 1892

manufactured by the Northwestern Terra Cotta Co., Chicago, in four parts.

Height 17 x width overall 64 inches. $2,000-4,000

MA D E I N CHI CA G O

24 A Henry Ives Cobb Athletic Association Building Carved Mahogany Molding Fragment

CIRCA 1936

26 A George Grant Elmslie Edison School Terra Cotta Panel

MA D E I N CHI CA G O

26 A George Grant Elmslie Edison School Terra Cotta Panel

CIRCA 1936

having two medallions with leaf decoration.

Height 13 3/4 x width 29 1/4 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $400-600 27 A Louis Sullivan Terra Cotta Schiller Building Loggia Spandrel

CIRCA 1892

manufactured by the Northwestern Terra Cotta Co., Chicago, in four parts.

Height 17 x width overall 64 inches. $2,000-4,000

28 A Louis Sullivan Glazed Terra Cotta Block

30 A Louis Sullivan Schiller Building Terra Cotta Cornice Frieze

28 A Louis Sullivan Glazed Terra Cotta Block

30 A Louis Sullivan Schiller Building Terra Cotta Cornice Frieze

of rectangular form with relief decoration.

Width 17 3/4 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $200-400

of rectangular form with geometric decoration.

Width 26 inches. $500-700

of rectangular form with relief decoration.

Width 17 3/4 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $200-400

of rectangular form with geometric decoration.

Width 26 inches. $500-700

EARLY 20TH CENTURY

29 A Louis Sullivan Auditorium Building Brass Door Key and Fob

CIRCA 1892

EARLY 20TH CENTURY

30A An American Terra Cotta Company Salesmans Sample

29 A Louis Sullivan Auditorium Building Brass Door Key and Fob

EARLY 20TH CENTURY

in the form of a figure in a bowl, with stamped marks to back Length 5 inches. $200-400

CIRCA 1900

the fob of shield form with hotel’s name and stamped room number.

Length 6 3/8 x width 1 3/4 inches. $300-600

CIRCA 1892

30A An American Terra Cotta Company Salesmans Sample

EARLY 20TH CENTURY

in the form of a figure in a bowl, with stamped marks to back Length 5 inches. $200-400

CIRCA 1900

the fob of shield form with hotel’s name and stamped room number.

Length 6 3/8 x width 1 3/4 inches. $300-600

27

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28 A Louis Sullivan Glazed Terra Cotta Block

30 A Louis Sullivan Schiller Building Terra Cotta Cornice Frieze

28 A Louis Sullivan Glazed Terra Cotta Block

30 A Louis Sullivan Schiller Building Terra Cotta Cornice Frieze

of rectangular form with relief decoration.

Width 17 3/4 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $200-400

of rectangular form with geometric decoration.

Width 26 inches. $500-700

of rectangular form with relief decoration.

Width 17 3/4 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $200-400

of rectangular form with geometric decoration.

Width 26 inches. $500-700

EARLY 20TH CENTURY

29 A Louis Sullivan Auditorium Building Brass Door Key and Fob CIRCA 1900

the fob of shield form with hotel’s name and stamped room number.

Length 6 3/8 x width 1 3/4 inches. $300-600

CIRCA 1892

EARLY 20TH CENTURY

30A An American Terra Cotta Company Salesmans Sample

29 A Louis Sullivan Auditorium Building Brass Door Key and Fob

EARLY 20TH CENTURY

in the form of a figure in a bowl, with stamped marks to back Length 5 inches. $200-400

CIRCA 1900

the fob of shield form with hotel’s name and stamped room number.

Length 6 3/8 x width 1 3/4 inches. $300-600

27

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23

CIRCA 1892

30A An American Terra Cotta Company Salesmans Sample

EARLY 20TH CENTURY

in the form of a figure in a bowl, with stamped marks to back Length 5 inches. $200-400

27

23

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31

31

24

MADE I N CHI CA GO

24

MA D E I N CHI CA G O

31

24

MADE I N CHI CA GO

31

24

MA D E I N CHI CA G O

31 Frank Lloyd Wright

31 Frank Lloyd Wright

a window from the Albert Heurtley House, Oak Park, Illinois leaded glass $8,000-12,000

a window from the Albert Heurtley House, Oak Park, Illinois leaded glass $8,000-12,000

32 A Contemporary Low Table, after Frank Lloyd Wright

32 A Contemporary Low Table, after Frank Lloyd Wright

having a rectangular top raised on squared legs joined by medial shelf.

Height 15 x width 38 x depth 22 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $300-500

having a rectangular top raised on squared legs joined by medial shelf.

Height 15 x width 38 x depth 22 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $300-500

CIRCA 1902

CIRCA 1902

LATE 20TH CENTURY

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LATE 20TH CENTURY

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31 Frank Lloyd Wright

31 Frank Lloyd Wright

a window from the Albert Heurtley House, Oak Park, Illinois leaded glass $8,000-12,000

a window from the Albert Heurtley House, Oak Park, Illinois leaded glass $8,000-12,000

32 A Contemporary Low Table, after Frank Lloyd Wright

32 A Contemporary Low Table, after Frank Lloyd Wright

having a rectangular top raised on squared legs joined by medial shelf.

Height 15 x width 38 x depth 22 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $300-500

having a rectangular top raised on squared legs joined by medial shelf.

Height 15 x width 38 x depth 22 inches.

Property from the Collection of Dr. Brian and Becky Hinrichs $300-500

CIRCA 1902

CIRCA 1902

LATE 20TH CENTURY

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25

LATE 20TH CENTURY

25

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33 A Cast Iron Michael Reese Hospital Baluster Panel, Hugh Garden

33 A Cast Iron Michael Reese Hospital Baluster Panel, Hugh Garden

likely manufactured by the Winslow Brothers Foundry, Chicago, of linear form.

Height 40 inches. $300-500

likely manufactured by the Winslow Brothers Foundry, Chicago, of linear form.

Height 40 inches. $300-500

CIRCA 1907

CIRCA 1907

34 [BUILDERS OF CHICAGO]. Black and white photograph. Circa 1909.

The Builders of Chicago meet in Daniel Burnham’s office to discuss Burnham’s plan of Chicago, 1909. Visible area 29 1/2 x 39 1/2”. Matted and framed (not examined out of frame). $400-600

34 [BUILDERS OF CHICAGO]. Black and white photograph. Circa 1909.

The Builders of Chicago meet in Daniel Burnham’s office to discuss Burnham’s plan of Chicago, 1909. Visible area 29 1/2 x 39 1/2”. Matted and framed (not examined out of frame). $400-600

34A A Blackstone Hotel Rooster Doorknob and Backplate

34A A Blackstone Hotel Rooster Doorknob and Backplate

CIRCA 1909 34A

26

CIRCA 1909

manufactured by the Yale & Towne Mfg. Co., Stamford, Ct., mounted on a modern wood panel.

Length overall 13 1/2 inches. $300-500

MADE I N CHI CA GO

34A

26

MA D E I N CHI CA G O

33 A Cast Iron Michael Reese Hospital Baluster Panel, Hugh Garden

33 A Cast Iron Michael Reese Hospital Baluster Panel, Hugh Garden

likely manufactured by the Winslow Brothers Foundry, Chicago, of linear form.

Height 40 inches. $300-500

likely manufactured by the Winslow Brothers Foundry, Chicago, of linear form.

Height 40 inches. $300-500

CIRCA 1907

CIRCA 1907

34 [BUILDERS OF CHICAGO]. Black and white photograph. Circa 1909.

The Builders of Chicago meet in Daniel Burnham’s office to discuss Burnham’s plan of Chicago, 1909. Visible area 29 1/2 x 39 1/2”. Matted and framed (not examined out of frame). $400-600

34 [BUILDERS OF CHICAGO]. Black and white photograph. Circa 1909.

The Builders of Chicago meet in Daniel Burnham’s office to discuss Burnham’s plan of Chicago, 1909. Visible area 29 1/2 x 39 1/2”. Matted and framed (not examined out of frame). $400-600

34A A Blackstone Hotel Rooster Doorknob and Backplate

34A A Blackstone Hotel Rooster Doorknob and Backplate

CIRCA 1909 34A

26

MADE I N CHI CA GO

manufactured by the Yale & Towne Mfg. Co., Stamford, Ct., mounted on a modern wood panel.

Length overall 13 1/2 inches. $300-500

CIRCA 1909

manufactured by the Yale & Towne Mfg. Co., Stamford, Ct., mounted on a modern wood panel.

Length overall 13 1/2 inches. $300-500

34A

26

MA D E I N CHI CA G O

manufactured by the Yale & Towne Mfg. Co., Stamford, Ct., mounted on a modern wood panel.

Length overall 13 1/2 inches. $300-500

36

35 A La Salle Hotel Brass Sixteen-Light Chandelier CIRCA 1909

likely manufactured by the R. Wiliamson Co., Chicago.

Height 52 x diameter 33 inches. $1,000-2,000 36 A Lyric Opera Egyptian Revival Papier Maché Mask

CIRCA 1920 S

molded and painted as a traditional Egyptian mask.

Height 21 inches. $500-700

36

37 [CHICAGO ARCHITECTURE]. A group of 11 drypoint etchings by James Swann, Leon Pescheret, Chester S. Danforth and others, including: 11 drypoint etchings, image of largest 12 x 8 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600

35 A La Salle Hotel Brass Sixteen-Light Chandelier CIRCA 1909

likely manufactured by the R. Wiliamson Co., Chicago.

Height 52 x diameter 33 inches. $1,000-2,000 36 A Lyric Opera Egyptian Revival Papier Maché Mask

38 [CHICAGO ARCHITECTURE]. A group of 10 drypoint etchings by Otto J. Schnieder, Karl Warren, S. Chester Danforth and others, including: 10 drypoint etchings, image of largest 16 1/4 x 9 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600

VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM

CIRCA 1920 S

molded and painted as a traditional Egyptian mask.

Height 21 inches. $500-700

CIRCA 1909

likely manufactured by the R. Wiliamson Co., Chicago.

Height 52 x diameter 33 inches. $1,000-2,000 36 A Lyric Opera Egyptian Revival Papier Maché Mask

CIRCA 1920 S

molded and painted as a traditional Egyptian mask.

Height 21 inches. $500-700

27

36

37 [CHICAGO ARCHITECTURE]. A group of 11 drypoint etchings by James Swann, Leon Pescheret, Chester S. Danforth and others, including: 11 drypoint etchings, image of largest 12 x 8 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600

35 A La Salle Hotel Brass Sixteen-Light Chandelier CIRCA 1909

likely manufactured by the R. Wiliamson Co., Chicago.

Height 52 x diameter 33 inches. $1,000-2,000 36 A Lyric Opera Egyptian Revival Papier Maché Mask

38 [CHICAGO ARCHITECTURE]. A group of 10 drypoint etchings by Otto J. Schnieder, Karl Warren, S. Chester Danforth and others, including: 10 drypoint etchings, image of largest 16 1/4 x 9 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600

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38 [CHICAGO ARCHITECTURE]. A group of 10 drypoint etchings by Otto J. Schnieder, Karl Warren, S. Chester Danforth and others, including: 10 drypoint etchings, image of largest 16 1/4 x 9 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600

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36

35 A La Salle Hotel Brass Sixteen-Light Chandelier

37 [CHICAGO ARCHITECTURE]. A group of 11 drypoint etchings by James Swann, Leon Pescheret, Chester S. Danforth and others, including: 11 drypoint etchings, image of largest 12 x 8 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600

CIRCA 1920 S

molded and painted as a traditional Egyptian mask.

Height 21 inches. $500-700

27

37 [CHICAGO ARCHITECTURE]. A group of 11 drypoint etchings by James Swann, Leon Pescheret, Chester S. Danforth and others, including: 11 drypoint etchings, image of largest 12 x 8 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600 38 [CHICAGO ARCHITECTURE]. A group of 10 drypoint etchings by Otto J. Schnieder, Karl Warren, S. Chester Danforth and others, including: 10 drypoint etchings, image of largest 16 1/4 x 9 3/4”, most limited and signed, matted and framed (not examined out of the frames). $400-600

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39 A Linden Glass Company Leaded and Stained Glass Window

39 A Linden Glass Company Leaded and Stained Glass Window

of rectangular form, centered with a crest.

Height 40 x width 15 1/2 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $3,500-4,500

of rectangular form, centered with a crest.

Height 40 x width 15 1/2 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $3,500-4,500

40 A Linden Glass Company Sculptural Leaded Glass Window

40 A Linden Glass Company Sculptural Leaded Glass Window

of rectangular form, centered with a bird.

Height 21 x width 17 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500

of rectangular form, centered with a bird.

Height 21 x width 17 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500

41 A Linden Glass Company Leaded and Stained Glass Window

41 A Linden Glass Company Leaded and Stained Glass Window

19TH/20TH CENTURY

19TH/20TH CENTURY

19TH/20TH CENTURY

39

19TH/20TH CENTURY

19TH/20TH CENTURY

of rectangular form, centered with a portrait rondel.

Height 23 x width 16 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $1,500-2,500

39

42 A Linden Glass Company Sculptural Leaded Glass Window

42 A Linden Glass Company Sculptural Leaded Glass Window

of rectangular form, decorated with a lady holding a cornucopia.

Height 22 x width 13 1/2 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500

of rectangular form, decorated with a lady holding a cornucopia.

Height 22 x width 13 1/2 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500

19TH/20TH CENTURY

42

28

MADE I N CHI CA GO

19TH/20TH CENTURY

42

28

MA D E I N CHI CA G O

39 A Linden Glass Company Leaded and Stained Glass Window

39 A Linden Glass Company Leaded and Stained Glass Window

of rectangular form, centered with a crest.

Height 40 x width 15 1/2 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $3,500-4,500

of rectangular form, centered with a crest.

Height 40 x width 15 1/2 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $3,500-4,500

40 A Linden Glass Company Sculptural Leaded Glass Window

40 A Linden Glass Company Sculptural Leaded Glass Window

of rectangular form, centered with a bird.

Height 21 x width 17 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500

of rectangular form, centered with a bird.

Height 21 x width 17 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500

41 A Linden Glass Company Leaded and Stained Glass Window

41 A Linden Glass Company Leaded and Stained Glass Window

19TH/20TH CENTURY

19TH/20TH CENTURY

19TH/20TH CENTURY

39

19TH/20TH CENTURY

19TH/20TH CENTURY

of rectangular form, centered with a portrait rondel.

Height 23 x width 16 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $1,500-2,500

39

28

MADE I N CHI CA GO

19TH/20TH CENTURY

of rectangular form, centered with a portrait rondel.

Height 23 x width 16 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $1,500-2,500

42 A Linden Glass Company Sculptural Leaded Glass Window

42 A Linden Glass Company Sculptural Leaded Glass Window

of rectangular form, decorated with a lady holding a cornucopia.

Height 22 x width 13 1/2 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500

of rectangular form, decorated with a lady holding a cornucopia.

Height 22 x width 13 1/2 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $2,500-3,500

19TH/20TH CENTURY

42

19TH/20TH CENTURY

of rectangular form, centered with a portrait rondel.

Height 23 x width 16 inches.

Provenance: Nels E. Johnson, Vice President of Linden Glass Company, Chicago, by 1942 Marguerite Phillips, Chicago, circa mid 1940s Thence by descent Acquired from the above by the present owner $1,500-2,500

19TH/20TH CENTURY

42

28

MA D E I N CHI CA G O

43

43

43 A Set of Four William Eugene Drummond Windows

44 A Set of Three William Eugene Drummond Windows

43 A Set of Four William Eugene Drummond Windows

for the First Methodist Episcopal Church of River Forest. stained glass and lead Middle: Height 54 x width 17 inches Outside: Height 52 x width 16 inches Below: Height 6 1/2 x width 43 inches These examples were removed by the church in 1964-1967 $3,000-5,000

for the First Methodist Episcopal Church of River Forest. stained glass and lead Height 40 x width 25 1/2 inches overall.

These examples were removed by the church in 1964-1967 $1,000-2,000

for the First Methodist Episcopal Church of River Forest. stained glass and lead Middle: Height 54 x width 17 inches Outside: Height 52 x width 16 inches Below: Height 6 1/2 x width 43 inches These examples were removed by the church in 1964-1967 $3,000-5,000

CIRCA 1912

CIRCA 1912

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CIRCA 1912

44 A Set of Three William Eugene Drummond Windows

CIRCA 1912

for the First Methodist Episcopal Church of River Forest. stained glass and lead Height 40 x width 25 1/2 inches overall.

These examples were removed by the church in 1964-1967 $1,000-2,000

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43

43 A Set of Four William Eugene Drummond Windows CIRCA 1912

for the First Methodist Episcopal Church of River Forest. stained glass and lead Middle: Height 54 x width 17 inches Outside: Height 52 x width 16 inches Below: Height 6 1/2 x width 43 inches These examples were removed by the church in 1964-1967 $3,000-5,000

43

44 A Set of Three William Eugene Drummond Windows

43 A Set of Four William Eugene Drummond Windows

for the First Methodist Episcopal Church of River Forest. stained glass and lead Height 40 x width 25 1/2 inches overall.

These examples were removed by the church in 1964-1967 $1,000-2,000

for the First Methodist Episcopal Church of River Forest. stained glass and lead Middle: Height 54 x width 17 inches Outside: Height 52 x width 16 inches Below: Height 6 1/2 x width 43 inches These examples were removed by the church in 1964-1967 $3,000-5,000

CIRCA 1912

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CIRCA 1912

44 A Set of Three William Eugene Drummond Windows

CIRCA 1912

for the First Methodist Episcopal Church of River Forest. stained glass and lead Height 40 x width 25 1/2 inches overall.

These examples were removed by the church in 1964-1967 $1,000-2,000

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46

45 GLESSNER, John J. The Commercial Club of Chicago: Its Beginnings and Something of its Work. Chicago: Privately Printed for Presentation to Members of the Commercial Club, 1910. $100-200 46 Victor Higgins (American, 1884-1949) Moorland Gorse and Bracken Study, c. 1911 oil on canvas signed V Higgins (lower left) 12 1/2 x 14 inches.

This painting is a complete study for the larger and final version at The Union League Club of Chicago. $1,500-2,500

30

46

45 GLESSNER, John J. The Commercial Club of Chicago: Its Beginnings and Something of its Work. Chicago: Privately Printed for Presentation to Members of the Commercial Club, 1910. $100-200

47 Karl Ouren (American/Norwegian, 1882-1943) Untitled, 1925 oil on canvas signed Karl Ouren and dated (lower left) 23 1/4 x 30 inches. $400-600

46 Victor Higgins (American, 1884-1949) Moorland Gorse and Bracken Study, c. 1911 oil on canvas signed V Higgins (lower left) 12 1/2 x 14 inches.

This painting is a complete study for the larger and final version at The Union League Club of Chicago. $1,500-2,500

47A Corna Searcy Hanlin (American, 20th Century) Wacker Drive, 1928 oil on canvas signed Corna Searcy Hanlin (lower left) 25 x 28 inches.

Exhibited: Chicago, Illinois, Illinois Academy of Fine Art, Third Annual Exhibition, 1928 $600-800

MADE I N CHI CA GO

30

46 Victor Higgins (American, 1884-1949) Moorland Gorse and Bracken Study, c. 1911 oil on canvas signed V Higgins (lower left) 12 1/2 x 14 inches.

This painting is a complete study for the larger and final version at The Union League Club of Chicago. $1,500-2,500

30

MADE I N CHI CA GO

47A Corna Searcy Hanlin (American, 20th Century) Wacker Drive, 1928 oil on canvas signed Corna Searcy Hanlin (lower left) 25 x 28 inches.

Exhibited: Chicago, Illinois, Illinois Academy of Fine Art, Third Annual Exhibition, 1928 $600-800

MA D E I N CHI CA G O

46

45 GLESSNER, John J. The Commercial Club of Chicago: Its Beginnings and Something of its Work. Chicago: Privately Printed for Presentation to Members of the Commercial Club, 1910. $100-200

47 Karl Ouren (American/Norwegian, 1882-1943) Untitled, 1925 oil on canvas signed Karl Ouren and dated (lower left) 23 1/4 x 30 inches. $400-600

46

45 GLESSNER, John J. The Commercial Club of Chicago: Its Beginnings and Something of its Work. Chicago: Privately Printed for Presentation to Members of the Commercial Club, 1910. $100-200

47 Karl Ouren (American/Norwegian, 1882-1943) Untitled, 1925 oil on canvas signed Karl Ouren and dated (lower left) 23 1/4 x 30 inches. $400-600

46 Victor Higgins (American, 1884-1949) Moorland Gorse and Bracken Study, c. 1911 oil on canvas signed V Higgins (lower left) 12 1/2 x 14 inches.

This painting is a complete study for the larger and final version at The Union League Club of Chicago. $1,500-2,500

47A Corna Searcy Hanlin (American, 20th Century) Wacker Drive, 1928 oil on canvas signed Corna Searcy Hanlin (lower left) 25 x 28 inches.

Exhibited: Chicago, Illinois, Illinois Academy of Fine Art, Third Annual Exhibition, 1928 $600-800

30

MA D E I N CHI CA G O

47 Karl Ouren (American/Norwegian, 1882-1943) Untitled, 1925 oil on canvas signed Karl Ouren and dated (lower left) 23 1/4 x 30 inches. $400-600 47A Corna Searcy Hanlin (American, 20th Century) Wacker Drive, 1928 oil on canvas signed Corna Searcy Hanlin (lower left) 25 x 28 inches.

Exhibited: Chicago, Illinois, Illinois Academy of Fine Art, Third Annual Exhibition, 1928 $600-800

48 James Jeffrey Grant (American, 1883-1960) Dock Scene oil on canvas laid to board signed J. Jeffrey Grant (lower right) 14 x 16 inches. $1,000-1,500

48 James Jeffrey Grant (American, 1883-1960) Dock Scene oil on canvas laid to board signed J. Jeffrey Grant (lower right) 14 x 16 inches. $1,000-1,500

49 James Jeffrey Grant (American, 1883-1960) Harbor Scene watercolor signed J. Jeffrey Grant (lower right) 16 x 14 inches. $600-800

49 James Jeffrey Grant (American, 1883-1960) Harbor Scene watercolor signed J. Jeffrey Grant (lower right) 16 x 14 inches. $600-800

48

50 Tunis Ponsen (American, 1891-1968) Female Nude in Repose, c. 1920 oil on canvas signed Tunis Ponsen (lower right) 36 x 44 inches. $800-1,200

50 Tunis Ponsen (American, 1891-1968) Female Nude in Repose, c. 1920 oil on canvas signed Tunis Ponsen (lower right) 36 x 44 inches. $800-1,200

51 Pauline Palmer (American, 1867-1938) Ready for the Ball oil on canvas signed Pauline Palmer (lower right) 24 x 18 inches. $3,000-5,000

51 Pauline Palmer (American, 1867-1938) Ready for the Ball oil on canvas signed Pauline Palmer (lower right) 24 x 18 inches. $3,000-5,000

52 Pauline Palmer (American, 1867-1938) Untitled oil on board signed Pauline Palmer (lower right) 29 x 24 inches. $1,000-2,000

52 Pauline Palmer (American, 1867-1938) Untitled oil on board signed Pauline Palmer (lower right) 29 x 24 inches. $1,000-2,000 51

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51

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48 James Jeffrey Grant (American, 1883-1960) Dock Scene oil on canvas laid to board signed J. Jeffrey Grant (lower right) 14 x 16 inches. $1,000-1,500

48 James Jeffrey Grant (American, 1883-1960) Dock Scene oil on canvas laid to board signed J. Jeffrey Grant (lower right) 14 x 16 inches. $1,000-1,500

49 James Jeffrey Grant (American, 1883-1960) Harbor Scene watercolor signed J. Jeffrey Grant (lower right) 16 x 14 inches. $600-800

49 James Jeffrey Grant (American, 1883-1960) Harbor Scene watercolor signed J. Jeffrey Grant (lower right) 16 x 14 inches. $600-800

48

50 Tunis Ponsen (American, 1891-1968) Female Nude in Repose, c. 1920 oil on canvas signed Tunis Ponsen (lower right) 36 x 44 inches. $800-1,200

50 Tunis Ponsen (American, 1891-1968) Female Nude in Repose, c. 1920 oil on canvas signed Tunis Ponsen (lower right) 36 x 44 inches. $800-1,200

51 Pauline Palmer (American, 1867-1938) Ready for the Ball oil on canvas signed Pauline Palmer (lower right) 24 x 18 inches. $3,000-5,000

51 Pauline Palmer (American, 1867-1938) Ready for the Ball oil on canvas signed Pauline Palmer (lower right) 24 x 18 inches. $3,000-5,000

52 Pauline Palmer (American, 1867-1938) Untitled oil on board signed Pauline Palmer (lower right) 29 x 24 inches. $1,000-2,000

52 Pauline Palmer (American, 1867-1938) Untitled oil on board signed Pauline Palmer (lower right) 29 x 24 inches. $1,000-2,000 51

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48

51

31

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53 Pauline Palmer (American, 1867-1938) Untitled (Portrait) oil on canvas signed Pauline Palmer (lower left) 24 x 18 inches. $2,000-4,000

53 Pauline Palmer (American, 1867-1938) Untitled (Portrait) oil on canvas signed Pauline Palmer (lower left) 24 x 18 inches. $2,000-4,000

54* Pauline Palmer (American, 1867-1938) Still Life oil on board signed Pauline Palmer (lower left) 20 x 24 inches.

Property from the Collection of Anita Livaditis, Winnetka, Illinois

54* Pauline Palmer (American, 1867-1938) Still Life oil on board signed Pauline Palmer (lower left) 20 x 24 inches.

Property from the Collection of Anita Livaditis, Winnetka, Illinois

Provenance: Sold: Leslie Hindman Auctioneers, Chicago, September 18, 2005, Lot 124 $3,000-5,000

Provenance: Sold: Leslie Hindman Auctioneers, Chicago, September 18, 2005, Lot 124 $3,000-5,000

55 A Union Station Bronze Pendant Light Fixture EARLY 20TH CENTURY of circular form set with bent white glass panels.

Diameter 18 inches. $1,000-2,000

55 A Union Station Bronze Pendant Light Fixture EARLY 20TH CENTURY of circular form set with bent white glass panels.

Diameter 18 inches. $1,000-2,000

55

56 A Cook County Criminal Courts Bronze Spittoon Cover

56 A Cook County Criminal Courts Bronze Spittoon Cover

of square form with canted corners, with raised lettering and foliate decoration.

10 x 10 inches. $500-700

of square form with canted corners, with raised lettering and foliate decoration.

10 x 10 inches. $500-700

CIRCA 1920 S

32

CIRCA 1920 S

57

MADE I N CHI CA GO

32

53 Pauline Palmer (American, 1867-1938) Untitled (Portrait) oil on canvas signed Pauline Palmer (lower left) 24 x 18 inches. $2,000-4,000

54* Pauline Palmer (American, 1867-1938) Still Life oil on board signed Pauline Palmer (lower left) 20 x 24 inches.

Property from the Collection of Anita Livaditis, Winnetka, Illinois

54* Pauline Palmer (American, 1867-1938) Still Life oil on board signed Pauline Palmer (lower left) 20 x 24 inches.

Property from the Collection of Anita Livaditis, Winnetka, Illinois

Provenance: Sold: Leslie Hindman Auctioneers, Chicago, September 18, 2005, Lot 124 $3,000-5,000

Provenance: Sold: Leslie Hindman Auctioneers, Chicago, September 18, 2005, Lot 124 $3,000-5,000 55 A Union Station Bronze Pendant Light Fixture EARLY 20TH CENTURY of circular form set with bent white glass panels.

Diameter 18 inches. $1,000-2,000

55

56 A Cook County Criminal Courts Bronze Spittoon Cover

56 A Cook County Criminal Courts Bronze Spittoon Cover

of square form with canted corners, with raised lettering and foliate decoration.

10 x 10 inches. $500-700

of square form with canted corners, with raised lettering and foliate decoration.

10 x 10 inches. $500-700

CIRCA 1920 S

32

MADE I N CHI CA GO

57

MA D E I N CHI CA G O

53 Pauline Palmer (American, 1867-1938) Untitled (Portrait) oil on canvas signed Pauline Palmer (lower left) 24 x 18 inches. $2,000-4,000

55 A Union Station Bronze Pendant Light Fixture EARLY 20TH CENTURY of circular form set with bent white glass panels.

Diameter 18 inches. $1,000-2,000

55

55

CIRCA 1920 S

57

32

MA D E I N CHI CA G O

57

57 No Lot 58 A Marshall Field & Co. Bronze Stamp Box FIRST HALF 20TH CENTURY

of rectangular form with hinged lid, stamped MADE IN OUR CRAFT SHOP/ MARSHALL FIELD & CO. Width 4 inches. $200-400 59 A Chicago Theater Terra Cotta Panel, Designed by Rapp & Rapp

CIRCA 1921

manufactured by the Boston Valley Terra Cotta Co., of rectangular form centered with a flower having an opening for a light bulb.

Width 16 inches. $800-1,200 60 An Oriental Theater Auditorium Figural Seat End

CIRCA 1920 S

manufactured by the Heywood-Wakefield Co., Menominee, Mich.

Height 25 1/2 inches. $800-1,200 59

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33

61

61

34

MADE I N CHI CA GO

34

MA D E I N CHI CA G O

61

34

MADE I N CHI CA GO

61

34

MA D E I N CHI CA G O

61 A Granada Theater Full-Sized Cast Plaster Statue

61 A Granada Theater Full-Sized Cast Plaster Statue

likely manufactured by the Decorators’ Supply Co., modeled as a standing maiden.

Height 87 inches. $8,000-12,000

likely manufactured by the Decorators’ Supply Co., modeled as a standing maiden.

Height 87 inches. $8,000-12,000

CIRCA 1926

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CIRCA 1926

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61 A Granada Theater Full-Sized Cast Plaster Statue

61 A Granada Theater Full-Sized Cast Plaster Statue

likely manufactured by the Decorators’ Supply Co., modeled as a standing maiden.

Height 87 inches. $8,000-12,000

likely manufactured by the Decorators’ Supply Co., modeled as a standing maiden.

Height 87 inches. $8,000-12,000

CIRCA 1926

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CIRCA 1926

35

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62

62

62 A Granada Theater Terra Cotta Element, Edward E. Eichenbaum

62 A Granada Theater Terra Cotta Element, Edward E. Eichenbaum

manufactured by the American or the Midland Terra Cotta Co., Chicago, modeled as a putto mask within scrolling and foliate decoration.

Height 20 inches. $800-1,200

manufactured by the American or the Midland Terra Cotta Co., Chicago, modeled as a putto mask within scrolling and foliate decoration.

Height 20 inches. $800-1,200

CIRCA 1926

CIRCA 1926

63 An Art Deco Brass and Glass Chandelier

63 An Art Deco Brass and Glass Chandelier

FIRST HALF 20TH CENTURY

FIRST HALF 20TH CENTURY

Provenance: Removed from the Avalon Theater $600-800

Provenance: Removed from the Avalon Theater $600-800

in the form of a palm tree, hung with prisms throughout.

Height 28 x diameter 19 inches.

The Estate of Audrey Morris, renowned jazz singer and pianist, Chicago, Illinois

36

MADE I N CHI CA GO

in the form of a palm tree, hung with prisms throughout.

Height 28 x diameter 19 inches.

The Estate of Audrey Morris, renowned jazz singer and pianist, Chicago, Illinois

36

MA D E I N CHI CA G O

62

62

62 A Granada Theater Terra Cotta Element, Edward E. Eichenbaum

62 A Granada Theater Terra Cotta Element, Edward E. Eichenbaum

manufactured by the American or the Midland Terra Cotta Co., Chicago, modeled as a putto mask within scrolling and foliate decoration.

Height 20 inches. $800-1,200

manufactured by the American or the Midland Terra Cotta Co., Chicago, modeled as a putto mask within scrolling and foliate decoration.

Height 20 inches. $800-1,200

CIRCA 1926

CIRCA 1926

63 An Art Deco Brass and Glass Chandelier

63 An Art Deco Brass and Glass Chandelier

FIRST HALF 20TH CENTURY

FIRST HALF 20TH CENTURY

Provenance: Removed from the Avalon Theater $600-800

Provenance: Removed from the Avalon Theater $600-800

in the form of a palm tree, hung with prisms throughout.

Height 28 x diameter 19 inches.

The Estate of Audrey Morris, renowned jazz singer and pianist, Chicago, Illinois

36

MADE I N CHI CA GO

in the form of a palm tree, hung with prisms throughout.

Height 28 x diameter 19 inches.

The Estate of Audrey Morris, renowned jazz singer and pianist, Chicago, Illinois

36

MA D E I N CHI CA G O

67

67

64 A Lawndale Theater Leaded and Stained Glass Medallion

66 A Bronze Staircase Double Side Baluster Panel, National Bank Building

64 A Lawndale Theater Leaded and Stained Glass Medallion

66 A Bronze Staircase Double Side Baluster Panel, National Bank Building

likely manufactured by the Drehobl Brothers, Chicago, of circular form centered with a polychrome crest.

Diameter 32 inches. $1,000-2,000

likely manufactured by the Winslow Brothers Foundry, Chicago, cast with opposing dolphins.

11 3/4 x 7 1/2 inches. $600-800

likely manufactured by the Drehobl Brothers, Chicago, of circular form centered with a polychrome crest.

Diameter 32 inches. $1,000-2,000

likely manufactured by the Winslow Brothers Foundry, Chicago, cast with opposing dolphins.

11 3/4 x 7 1/2 inches. $600-800

CIRCA 1927

65 Two Painted Canvas Theater Murals

CHICAGO, CIRCA 1927

depicting a scene from an Indian procession, by repute, salvaged from the United Artists Theatre (demolished 1989).

First: 17 feet 5 inches x 16 feet 1 inch. $200-400

CIRCA 1920 S

CIRCA 1927

67 A Chicago Athletic Association Silver-Plate Twelve-Light Chandelier

65 Two Painted Canvas Theater Murals

CHICAGO, CIRCA 1927

depicting a scene from an Indian procession, by repute, salvaged from the United Artists Theatre (demolished 1989).

First: 17 feet 5 inches x 16 feet 1 inch. $200-400

CIRCA 1920 S

likely manufactured by the Beardslee Mfg. Co., Chicago.

Height 39 x diameter 36 inches. $1,000-2,000

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CIRCA 1920 S

67 A Chicago Athletic Association Silver-Plate Twelve-Light Chandelier

CIRCA 1920 S

likely manufactured by the Beardslee Mfg. Co., Chicago.

Height 39 x diameter 36 inches. $1,000-2,000

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67

67

64 A Lawndale Theater Leaded and Stained Glass Medallion

66 A Bronze Staircase Double Side Baluster Panel, National Bank Building

64 A Lawndale Theater Leaded and Stained Glass Medallion

66 A Bronze Staircase Double Side Baluster Panel, National Bank Building

likely manufactured by the Drehobl Brothers, Chicago, of circular form centered with a polychrome crest.

Diameter 32 inches. $1,000-2,000

likely manufactured by the Winslow Brothers Foundry, Chicago, cast with opposing dolphins.

11 3/4 x 7 1/2 inches. $600-800

likely manufactured by the Drehobl Brothers, Chicago, of circular form centered with a polychrome crest.

Diameter 32 inches. $1,000-2,000

likely manufactured by the Winslow Brothers Foundry, Chicago, cast with opposing dolphins.

11 3/4 x 7 1/2 inches. $600-800

CIRCA 1927

65 Two Painted Canvas Theater Murals

CHICAGO, CIRCA 1927

depicting a scene from an Indian procession, by repute, salvaged from the United Artists Theatre (demolished 1989).

First: 17 feet 5 inches x 16 feet 1 inch. $200-400

CIRCA 1920 S

CIRCA 1927

67 A Chicago Athletic Association Silver-Plate Twelve-Light Chandelier

65 Two Painted Canvas Theater Murals

CHICAGO, CIRCA 1927

depicting a scene from an Indian procession, by repute, salvaged from the United Artists Theatre (demolished 1989).

First: 17 feet 5 inches x 16 feet 1 inch. $200-400

CIRCA 1920 S

likely manufactured by the Beardslee Mfg. Co., Chicago.

Height 39 x diameter 36 inches. $1,000-2,000

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CIRCA 1920 S

67 A Chicago Athletic Association Silver-Plate Twelve-Light Chandelier

CIRCA 1920 S

likely manufactured by the Beardslee Mfg. Co., Chicago.

Height 39 x diameter 36 inches. $1,000-2,000

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68 An Art Deco Cast Iron Elevator Grill, Holabird & Root

68 An Art Deco Cast Iron Elevator Grill, Holabird & Root

of rectangular form with linear decoration.

Height 11 inches. $400-600

of rectangular form with linear decoration.

Height 11 inches. $400-600

CIRCA 1928

CIRCA 1928

69 A Pair of Century of Progress Sky Ride Elevator Button Plaques, Otis Elevator Co.

69 A Pair of Century of Progress Sky Ride Elevator Button Plaques, Otis Elevator Co.

CIRCA 1933

CIRCA 1933

70 A Pair Finkl & Sons Enameled Steel Light Fixtures

70 A Pair Finkl & Sons Enameled Steel Light Fixtures

each of Art Deco style stepped rectangular form with UP and DOWN buttons.

Height 8 1/8 inches. $800-1,200

69

each of Art Deco style stepped rectangular form with UP and DOWN buttons.

Height 8 1/8 inches. $800-1,200

69

FIRST HALF 20TH CENTURY

of conical form.

Diameter 16 1/2 inches. $300-500

71 A Century of Progress Enameled Metal Street Sign

CIRCA 1933

CIRCA 1933

72 A Century of Progress Cast Resin Paperweight

72 A Century of Progress Cast Resin Paperweight

of circular form enameled with a black biplane within conforming border.

Diameter 12 inches. $700-900

CIRCA 1933

38

CIRCA 1933

of circular form with Century of Progress, Chicago and 1933 in raised lettering.

Diameter 3 1/2 inches. $400-600

MADE I N CHI CA GO

of circular form with Century of Progress, Chicago and 1933 in raised lettering.

Diameter 3 1/2 inches. $400-600

71

38

MA D E I N CHI CA G O

68 An Art Deco Cast Iron Elevator Grill, Holabird & Root

68 An Art Deco Cast Iron Elevator Grill, Holabird & Root

of rectangular form with linear decoration.

Height 11 inches. $400-600

of rectangular form with linear decoration.

Height 11 inches. $400-600

CIRCA 1928

CIRCA 1928

69 A Pair of Century of Progress Sky Ride Elevator Button Plaques, Otis Elevator Co.

69 A Pair of Century of Progress Sky Ride Elevator Button Plaques, Otis Elevator Co.

CIRCA 1933

CIRCA 1933

70 A Pair Finkl & Sons Enameled Steel Light Fixtures

70 A Pair Finkl & Sons Enameled Steel Light Fixtures

each of Art Deco style stepped rectangular form with UP and DOWN buttons.

Height 8 1/8 inches. $800-1,200

69

each of Art Deco style stepped rectangular form with UP and DOWN buttons.

Height 8 1/8 inches. $800-1,200

69

FIRST HALF 20TH CENTURY

of conical form.

Diameter 16 1/2 inches. $300-500

71 A Century of Progress Enameled Metal Street Sign

MADE I N CHI CA GO

of conical form.

Diameter 16 1/2 inches. $300-500

CIRCA 1933

CIRCA 1933

72 A Century of Progress Cast Resin Paperweight

72 A Century of Progress Cast Resin Paperweight

of circular form enameled with a black biplane within conforming border.

Diameter 12 inches. $700-900

CIRCA 1933

38

FIRST HALF 20TH CENTURY

71 A Century of Progress Enameled Metal Street Sign

of circular form enameled with a black biplane within conforming border.

Diameter 12 inches. $700-900

71

of conical form.

Diameter 16 1/2 inches. $300-500

71 A Century of Progress Enameled Metal Street Sign

of circular form enameled with a black biplane within conforming border.

Diameter 12 inches. $700-900

71

FIRST HALF 20TH CENTURY

CIRCA 1933

of circular form with Century of Progress, Chicago and 1933 in raised lettering.

Diameter 3 1/2 inches. $400-600

71

38

MA D E I N CHI CA G O

of circular form with Century of Progress, Chicago and 1933 in raised lettering.

Diameter 3 1/2 inches. $400-600

73

73

73 [GRAHAM ANDERSON PROBST & WHITE]. The Architectural Work of Graham Anderson Probst & White Chicago and their Predecessors D.H. Burnham & Co. and Graham Burnham & Co. London: Privately published by B.T. Batsford Ltd, 1933.

73 [GRAHAM ANDERSON PROBST & WHITE]. The Architectural Work of Graham Anderson Probst & White Chicago and their Predecessors D.H. Burnham & Co. and Graham Burnham & Co. London: Privately published by B.T. Batsford Ltd, 1933.

2 volumes, folio (410 x 295 mm). 385 photogravure plates. (Some very minor offsetting.) Brown crushed levant gilt, spines gilt, top edges gilt, others uncut, signed by Sangorski and Sutcliffe (some very minor ribbing to spine ends and raised bands, otherwise fine); cloth slipcases (some light wear to extremities).

LIMITED EDITION, number 277 of 300 copies SIGNED BY ERNEST P. GRAHAM for presentation (but naming no recipient). A FINE COPY.

2 volumes, folio (410 x 295 mm). 385 photogravure plates. (Some very minor offsetting.) Brown crushed levant gilt, spines gilt, top edges gilt, others uncut, signed by Sangorski and Sutcliffe (some very minor ribbing to spine ends and raised bands, otherwise fine); cloth slipcases (some light wear to extremities).

LIMITED EDITION, number 277 of 300 copies SIGNED BY ERNEST P. GRAHAM for presentation (but naming no recipient). A FINE COPY.

$4,000-6,000

$4,000-6,000

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73

73

73 [GRAHAM ANDERSON PROBST & WHITE]. The Architectural Work of Graham Anderson Probst & White Chicago and their Predecessors D.H. Burnham & Co. and Graham Burnham & Co. London: Privately published by B.T. Batsford Ltd, 1933.

73 [GRAHAM ANDERSON PROBST & WHITE]. The Architectural Work of Graham Anderson Probst & White Chicago and their Predecessors D.H. Burnham & Co. and Graham Burnham & Co. London: Privately published by B.T. Batsford Ltd, 1933.

2 volumes, folio (410 x 295 mm). 385 photogravure plates. (Some very minor offsetting.) Brown crushed levant gilt, spines gilt, top edges gilt, others uncut, signed by Sangorski and Sutcliffe (some very minor ribbing to spine ends and raised bands, otherwise fine); cloth slipcases (some light wear to extremities).

LIMITED EDITION, number 277 of 300 copies SIGNED BY ERNEST P. GRAHAM for presentation (but naming no recipient). A FINE COPY.

2 volumes, folio (410 x 295 mm). 385 photogravure plates. (Some very minor offsetting.) Brown crushed levant gilt, spines gilt, top edges gilt, others uncut, signed by Sangorski and Sutcliffe (some very minor ribbing to spine ends and raised bands, otherwise fine); cloth slipcases (some light wear to extremities).

LIMITED EDITION, number 277 of 300 copies SIGNED BY ERNEST P. GRAHAM for presentation (but naming no recipient). A FINE COPY.

$4,000-6,000

$4,000-6,000

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76

74 Francis Chapin (American, 1899-1965) Cedarburg Church, c. 1930-39 oil on canvas signed Francis Chapin (lower right) 20 x 18 inches. $500-700 75 Frances Foy (American, 1890-1963) Remembered Corner, 1934 etching signed and numbered 31/100 in pencil 8 3/4 x 7 inches. $300-500

40

76

76 Julia Thecla (American, 1896-1973) The White Hat, 1936 embellished lithograph signed Julia Thecla and dated (lower right); titled (lower left) 12 1/2 x 10 1/2 inches. $1,000-2,000

74 Francis Chapin (American, 1899-1965) Cedarburg Church, c. 1930-39 oil on canvas signed Francis Chapin (lower right) 20 x 18 inches. $500-700 75 Frances Foy (American, 1890-1963) Remembered Corner, 1934 etching signed and numbered 31/100 in pencil 8 3/4 x 7 inches. $300-500

77 A. George Miller (American, 1905-1982) Untitled (Abstract Landscapes), c.

1930 (a group of seven works) mixed media on paper signed Largest: 10 1/2 x 14 1/2 inches. $700-900

MADE I N CHI CA GO

40

75 Frances Foy (American, 1890-1963) Remembered Corner, 1934 etching signed and numbered 31/100 in pencil 8 3/4 x 7 inches. $300-500

40

MADE I N CHI CA GO

77 A. George Miller (American, 1905-1982) Untitled (Abstract Landscapes), c.

1930 (a group of seven works) mixed media on paper signed Largest: 10 1/2 x 14 1/2 inches. $700-900

MA D E I N CHI CA G O

76

74 Francis Chapin (American, 1899-1965) Cedarburg Church, c. 1930-39 oil on canvas signed Francis Chapin (lower right) 20 x 18 inches. $500-700

76 Julia Thecla (American, 1896-1973) The White Hat, 1936 embellished lithograph signed Julia Thecla and dated (lower right); titled (lower left) 12 1/2 x 10 1/2 inches. $1,000-2,000

76

76 Julia Thecla (American, 1896-1973) The White Hat, 1936 embellished lithograph signed Julia Thecla and dated (lower right); titled (lower left) 12 1/2 x 10 1/2 inches. $1,000-2,000

74 Francis Chapin (American, 1899-1965) Cedarburg Church, c. 1930-39 oil on canvas signed Francis Chapin (lower right) 20 x 18 inches. $500-700 75 Frances Foy (American, 1890-1963) Remembered Corner, 1934 etching signed and numbered 31/100 in pencil 8 3/4 x 7 inches. $300-500

77 A. George Miller (American, 1905-1982) Untitled (Abstract Landscapes), c.

1930 (a group of seven works) mixed media on paper signed Largest: 10 1/2 x 14 1/2 inches. $700-900

40

MA D E I N CHI CA G O

76 Julia Thecla (American, 1896-1973) The White Hat, 1936 embellished lithograph signed Julia Thecla and dated (lower right); titled (lower left) 12 1/2 x 10 1/2 inches. $1,000-2,000 77 A. George Miller (American, 1905-1982) Untitled (Abstract Landscapes), c.

1930 (a group of seven works) mixed media on paper signed Largest: 10 1/2 x 14 1/2 inches. $700-900

79

78 Carl Hoerman (American, 1885-1955) Visions etching signed Carl Hoerman and titled in pencil 6 x 5 1/2 inches. $300-500

78 Carl Hoerman (American, 1885-1955) Visions etching signed Carl Hoerman and titled in pencil 6 x 5 1/2 inches. $300-500

79 John Wilde (American, 1919-2006) Woman and Snakes, 1948 oil and tempera on masonite initialed JW and dated (upper left) 12 x 7 inches. $8,000-12,000

79 John Wilde (American, 1919-2006) Woman and Snakes, 1948 oil and tempera on masonite initialed JW and dated (upper left) 12 x 7 inches. $8,000-12,000

80 John Wilde (American, 1919-2006) Mother and Sick Child, 1946 oil on board signed Jthn WA and dated (lower right) 8 1/4 x 6 inches.

80 John Wilde (American, 1919-2006) Mother and Sick Child, 1946 oil on board signed Jthn WA and dated (lower right) 8 1/4 x 6 inches.

79

Provenance: Hewitt Gallery, New York

Provenance: Hewitt Gallery, New York

Exhibited: Madison, Wisconsin, Chazen Museum of Art, With Friends, 2005 $7,000-9,000

Exhibited: Madison, Wisconsin, Chazen Museum of Art, With Friends, 2005 $7,000-9,000

81 A Cellini Shop Aluminum Chafing Dish

81 A Cellini Shop Aluminum Chafing Dish

with carved wood finial and handle, on stand.

Width over handle 19 inches. $200-400

with carved wood finial and handle, on stand.

Width over handle 19 inches. $200-400

CIRCA 1940

CIRCA 1940

80

80

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79

41

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78 Carl Hoerman (American, 1885-1955) Visions etching signed Carl Hoerman and titled in pencil 6 x 5 1/2 inches. $300-500

78 Carl Hoerman (American, 1885-1955) Visions etching signed Carl Hoerman and titled in pencil 6 x 5 1/2 inches. $300-500

79 John Wilde (American, 1919-2006) Woman and Snakes, 1948 oil and tempera on masonite initialed JW and dated (upper left) 12 x 7 inches. $8,000-12,000

79 John Wilde (American, 1919-2006) Woman and Snakes, 1948 oil and tempera on masonite initialed JW and dated (upper left) 12 x 7 inches. $8,000-12,000

80 John Wilde (American, 1919-2006) Mother and Sick Child, 1946 oil on board signed Jthn WA and dated (lower right) 8 1/4 x 6 inches.

80 John Wilde (American, 1919-2006) Mother and Sick Child, 1946 oil on board signed Jthn WA and dated (lower right) 8 1/4 x 6 inches.

79

Provenance: Hewitt Gallery, New York

Provenance: Hewitt Gallery, New York

Exhibited: Madison, Wisconsin, Chazen Museum of Art, With Friends, 2005 $7,000-9,000

Exhibited: Madison, Wisconsin, Chazen Museum of Art, With Friends, 2005 $7,000-9,000

81 A Cellini Shop Aluminum Chafing Dish

81 A Cellini Shop Aluminum Chafing Dish

with carved wood finial and handle, on stand.

Width over handle 19 inches. $200-400

with carved wood finial and handle, on stand.

Width over handle 19 inches. $200-400

CIRCA 1940

CIRCA 1940

80

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80

41

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85

82 Three Cellini Shop Hand-Hammered Aluminum Articles CIRCA 1940

comprising a floriform bowl, an octagonal dish and an ash receiver.

Diameter of largest 11 inches. $200-400 83 Two Cellini Shop Hand-Hammered Aluminum Chargers

CIRCA 1940

each of circular form, one with raised handles, the other with linear decoration.

Width of wider 13 1/2 inches. $300-500

42

85

84 A Grant Hospital Aluminum Dedication Plaque

82 Three Cellini Shop Hand-Hammered Aluminum Articles

of rectangular form incised with a dedication naming the groups who made the hospital possible.

Height 18 by width 28 inches. $200-400

comprising a floriform bowl, an octagonal dish and an ash receiver.

Diameter of largest 11 inches. $200-400

CIRCA LATE 1950 S

CIRCA 1940

83 Two Cellini Shop Hand-Hammered Aluminum Chargers

85 Medard Klein (American, 1905-2002) Untitled, 1949 mixed media on board signed Klein and dated (lower right) 21 1/2 x 29 1/4 inches. $2,000-4,000

CIRCA 1940

each of circular form, one with raised handles, the other with linear decoration.

Width of wider 13 1/2 inches. $300-500

MADE I N CHI CA GO

42

84 A Grant Hospital Aluminum Dedication Plaque

CIRCA LATE 1950 S

of rectangular form incised with a dedication naming the groups who made the hospital possible.

Height 18 by width 28 inches. $200-400 85 Medard Klein (American, 1905-2002) Untitled, 1949 mixed media on board signed Klein and dated (lower right) 21 1/2 x 29 1/4 inches. $2,000-4,000

MA D E I N CHI CA G O

85

82 Three Cellini Shop Hand-Hammered Aluminum Articles CIRCA 1940

comprising a floriform bowl, an octagonal dish and an ash receiver.

Diameter of largest 11 inches. $200-400 83 Two Cellini Shop Hand-Hammered Aluminum Chargers

CIRCA 1940

each of circular form, one with raised handles, the other with linear decoration.

Width of wider 13 1/2 inches. $300-500

42

MADE I N CHI CA GO

85

84 A Grant Hospital Aluminum Dedication Plaque

82 Three Cellini Shop Hand-Hammered Aluminum Articles

of rectangular form incised with a dedication naming the groups who made the hospital possible.

Height 18 by width 28 inches. $200-400

comprising a floriform bowl, an octagonal dish and an ash receiver.

Diameter of largest 11 inches. $200-400

CIRCA LATE 1950 S

CIRCA 1940

83 Two Cellini Shop Hand-Hammered Aluminum Chargers

85 Medard Klein (American, 1905-2002) Untitled, 1949 mixed media on board signed Klein and dated (lower right) 21 1/2 x 29 1/4 inches. $2,000-4,000

CIRCA 1940

each of circular form, one with raised handles, the other with linear decoration.

Width of wider 13 1/2 inches. $300-500

42

MA D E I N CHI CA G O

84 A Grant Hospital Aluminum Dedication Plaque

CIRCA LATE 1950 S

of rectangular form incised with a dedication naming the groups who made the hospital possible.

Height 18 by width 28 inches. $200-400 85 Medard Klein (American, 1905-2002) Untitled, 1949 mixed media on board signed Klein and dated (lower right) 21 1/2 x 29 1/4 inches. $2,000-4,000

91

91

86 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower right) 9 3/4 x 7 1/4 inches. $400-600

89 Medard Klein (American, 1905-2002) Untitled, 1953 mixed media on paper signed Klein and dated (lower left) 11 x 13 inches. $800-1,200

86 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower right) 9 3/4 x 7 1/4 inches. $400-600

89 Medard Klein (American, 1905-2002) Untitled, 1953 mixed media on paper signed Klein and dated (lower left) 11 x 13 inches. $800-1,200

87 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower center) 8 x 14 1/2 $400-600

90 Medard Klein (American, 1905-2002) Idyll, 1953 mixed media on paper signed M. Klein and dated (upper right) 9 3/4 x 11 1/2 inches. $800-1,200

87 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower center) 8 x 14 1/2 $400-600

90 Medard Klein (American, 1905-2002) Idyll, 1953 mixed media on paper signed M. Klein and dated (upper right) 9 3/4 x 11 1/2 inches. $800-1,200

88 Medard Klein (American, 1905-2002) Untitled mixed media on paper 11 1/2 x 14 1/2 inches. $800-1,200

91 Rudolph Weisenborn (American, 1881–1974) Untitled No. 1A, 1940 mixed media on paper 25 1/2 x 18 inches. $1,000-2,000

88 Medard Klein (American, 1905-2002) Untitled mixed media on paper 11 1/2 x 14 1/2 inches. $800-1,200

91 Rudolph Weisenborn (American, 1881–1974) Untitled No. 1A, 1940 mixed media on paper 25 1/2 x 18 inches. $1,000-2,000

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91

91

86 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower right) 9 3/4 x 7 1/4 inches. $400-600

89 Medard Klein (American, 1905-2002) Untitled, 1953 mixed media on paper signed Klein and dated (lower left) 11 x 13 inches. $800-1,200

86 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower right) 9 3/4 x 7 1/4 inches. $400-600

89 Medard Klein (American, 1905-2002) Untitled, 1953 mixed media on paper signed Klein and dated (lower left) 11 x 13 inches. $800-1,200

87 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower center) 8 x 14 1/2 $400-600

90 Medard Klein (American, 1905-2002) Idyll, 1953 mixed media on paper signed M. Klein and dated (upper right) 9 3/4 x 11 1/2 inches. $800-1,200

87 Medard Klein (American, 1905-2002) Inscape graphite on paper signed Klein (lower center) 8 x 14 1/2 $400-600

90 Medard Klein (American, 1905-2002) Idyll, 1953 mixed media on paper signed M. Klein and dated (upper right) 9 3/4 x 11 1/2 inches. $800-1,200

88 Medard Klein (American, 1905-2002) Untitled mixed media on paper 11 1/2 x 14 1/2 inches. $800-1,200

91 Rudolph Weisenborn (American, 1881–1974) Untitled No. 1A, 1940 mixed media on paper 25 1/2 x 18 inches. $1,000-2,000

88 Medard Klein (American, 1905-2002) Untitled mixed media on paper 11 1/2 x 14 1/2 inches. $800-1,200

91 Rudolph Weisenborn (American, 1881–1974) Untitled No. 1A, 1940 mixed media on paper 25 1/2 x 18 inches. $1,000-2,000

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92

44

92

92 Daniel Massen (American, 1896-1979) Composition 50.W.8, 1951 tempera on board signed Daniel Massen and titled (verso) 28 x 22 inches.

92 Daniel Massen (American, 1896-1979) Composition 50.W.8, 1951 tempera on board signed Daniel Massen and titled (verso) 28 x 22 inches.

Provenance: Robert Henry Adams Fine Art, Chicago

Provenance: Robert Henry Adams Fine Art, Chicago

Exhibited: Chicago, Illinois, The Art Institute of Chicago, Artists of Chicago and Vicinity, Fifty-fifth Annual Exhibition, 1951 $2,000-4,000

Exhibited: Chicago, Illinois, The Art Institute of Chicago, Artists of Chicago and Vicinity, Fifty-fifth Annual Exhibition, 1951 $2,000-4,000

MADE I N CHI CA GO

44

MA D E I N CHI CA G O

92

44

92

92 Daniel Massen (American, 1896-1979) Composition 50.W.8, 1951 tempera on board signed Daniel Massen and titled (verso) 28 x 22 inches.

92 Daniel Massen (American, 1896-1979) Composition 50.W.8, 1951 tempera on board signed Daniel Massen and titled (verso) 28 x 22 inches.

Provenance: Robert Henry Adams Fine Art, Chicago

Provenance: Robert Henry Adams Fine Art, Chicago

Exhibited: Chicago, Illinois, The Art Institute of Chicago, Artists of Chicago and Vicinity, Fifty-fifth Annual Exhibition, 1951 $2,000-4,000

Exhibited: Chicago, Illinois, The Art Institute of Chicago, Artists of Chicago and Vicinity, Fifty-fifth Annual Exhibition, 1951 $2,000-4,000

MADE I N CHI CA GO

44

MA D E I N CHI CA G O

93

93 Richard Koppe (American, 1916-1973) Metropolis, c. 1960 oil on canvas signed Koppe (lower right) 42 x 56 inches.

Exhibited: Chicago, Illinois, Chicago Sun-Times, First Annual Chicago Artists Competition, 1960 $2,000-4,000 94 Harold Noecker (American, 1912-2002) Street Scene, c. 1957 oil on masonite signed Noecker (lower left) 24 x 36 inches. $1,000-2,000

93

95 Harold Noecker (American, 1912-2002) Grant Park oil on masonite signed Noecker (lower right) 24 x 36 inches. $1,000-2,000

93 Richard Koppe (American, 1916-1973) Metropolis, c. 1960 oil on canvas signed Koppe (lower right) 42 x 56 inches.

Exhibited: Chicago, Illinois, Chicago Sun-Times, First Annual Chicago Artists Competition, 1960 $2,000-4,000

96 Harold Noecker (American, 1912-2002) Surrealist Landscape (Red Trees), c. 1957 oil on masonite signed Noecker (lower left) 24 x 18 inches. $800-1,200

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94 Harold Noecker (American, 1912-2002) Street Scene, c. 1957 oil on masonite signed Noecker (lower left) 24 x 36 inches. $1,000-2,000

95 Harold Noecker (American, 1912-2002) Grant Park oil on masonite signed Noecker (lower right) 24 x 36 inches. $1,000-2,000 96 Harold Noecker (American, 1912-2002) Surrealist Landscape (Red Trees), c. 1957 oil on masonite signed Noecker (lower left) 24 x 18 inches. $800-1,200

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93

93 Richard Koppe (American, 1916-1973) Metropolis, c. 1960 oil on canvas signed Koppe (lower right) 42 x 56 inches.

Exhibited: Chicago, Illinois, Chicago Sun-Times, First Annual Chicago Artists Competition, 1960 $2,000-4,000 94 Harold Noecker (American, 1912-2002) Street Scene, c. 1957 oil on masonite signed Noecker (lower left) 24 x 36 inches. $1,000-2,000

93

95 Harold Noecker (American, 1912-2002) Grant Park oil on masonite signed Noecker (lower right) 24 x 36 inches. $1,000-2,000

93 Richard Koppe (American, 1916-1973) Metropolis, c. 1960 oil on canvas signed Koppe (lower right) 42 x 56 inches.

Exhibited: Chicago, Illinois, Chicago Sun-Times, First Annual Chicago Artists Competition, 1960 $2,000-4,000

96 Harold Noecker (American, 1912-2002) Surrealist Landscape (Red Trees), c. 1957 oil on masonite signed Noecker (lower left) 24 x 18 inches. $800-1,200

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45

94 Harold Noecker (American, 1912-2002) Street Scene, c. 1957 oil on masonite signed Noecker (lower left) 24 x 36 inches. $1,000-2,000

45

95 Harold Noecker (American, 1912-2002) Grant Park oil on masonite signed Noecker (lower right) 24 x 36 inches. $1,000-2,000 96 Harold Noecker (American, 1912-2002) Surrealist Landscape (Red Trees), c. 1957 oil on masonite signed Noecker (lower left) 24 x 18 inches. $800-1,200

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97

98

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97 Harold Noecker (American, 1912-2002) Thistle, 1957 oil on masonite signed Noecker (lower right) 30 x 24 inches. $1,000-2,000

98 Irene Clark (American, 1927-1980) Jumping Rope, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000

98 Irene Clark (American, 1927-1980) Jumping Rope, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000

99 Irene Clark (American, 1927-1980) Portrait of a Woman, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000

99 Irene Clark (American, 1927-1980) Portrait of a Woman, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000 100 Seymour Rosofsky (American, 1924-1981) Portrait of a Woman, 1958 oil on canvas signed S. Rosofsky and dated (lower left) 36 1/4 x 20 1/2 inches. $600-800

101 Seymour Rosofsky (American, 1924-1981) Waiting in a Cafe, c. 1950 oil on canvas signed S. Rosofsky (lower left); estate stamped (verso) 47 x 33 inches.

101 Seymour Rosofsky (American, 1924-1981) Waiting in a Cafe, c. 1950 oil on canvas signed S. Rosofsky (lower left); estate stamped (verso) 47 x 33 inches.

Provenance: Thomas McCormick Works of Art, Chicago $1,500-2,500

Provenance: Thomas McCormick Works of Art, Chicago $1,500-2,500

98

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97

100 Seymour Rosofsky (American, 1924-1981) Portrait of a Woman, 1958 oil on canvas signed S. Rosofsky and dated (lower left) 36 1/4 x 20 1/2 inches. $600-800

MADE I N CHI CA GO

97

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97 Harold Noecker (American, 1912-2002) Thistle, 1957 oil on masonite signed Noecker (lower right) 30 x 24 inches. $1,000-2,000

MA D E I N CHI CA G O

97 Harold Noecker (American, 1912-2002) Thistle, 1957 oil on masonite signed Noecker (lower right) 30 x 24 inches. $1,000-2,000

97 Harold Noecker (American, 1912-2002) Thistle, 1957 oil on masonite signed Noecker (lower right) 30 x 24 inches. $1,000-2,000

98 Irene Clark (American, 1927-1980) Jumping Rope, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000

98 Irene Clark (American, 1927-1980) Jumping Rope, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000

99 Irene Clark (American, 1927-1980) Portrait of a Woman, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000

99 Irene Clark (American, 1927-1980) Portrait of a Woman, c. 1950 oil on canvas laid to board signed Irene Clark (lower right) 10 x 8 inches. $1,000-2,000

97

100 Seymour Rosofsky (American, 1924-1981) Portrait of a Woman, 1958 oil on canvas signed S. Rosofsky and dated (lower left) 36 1/4 x 20 1/2 inches. $600-800

100 Seymour Rosofsky (American, 1924-1981) Portrait of a Woman, 1958 oil on canvas signed S. Rosofsky and dated (lower left) 36 1/4 x 20 1/2 inches. $600-800

101 Seymour Rosofsky (American, 1924-1981) Waiting in a Cafe, c. 1950 oil on canvas signed S. Rosofsky (lower left); estate stamped (verso) 47 x 33 inches.

101 Seymour Rosofsky (American, 1924-1981) Waiting in a Cafe, c. 1950 oil on canvas signed S. Rosofsky (lower left); estate stamped (verso) 47 x 33 inches.

Provenance: Thomas McCormick Works of Art, Chicago $1,500-2,500

Provenance: Thomas McCormick Works of Art, Chicago $1,500-2,500

98

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102

102

102* Leon Golub (American, 1922-2004) Head XXVI, 1959 oil on canvas signed Golub (lower right); signed, titled and dated (verso) 48 x 44 1/2 inches.

Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

102* Leon Golub (American, 1922-2004) Head XXVI, 1959 oil on canvas signed Golub (lower right); signed, titled and dated (verso) 48 x 44 1/2 inches.

Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

Provenance: Allan Frumkin Gallery, New York

Provenance: Allan Frumkin Gallery, New York

Exhibited: New York, New York, American Federation of Arts, The Figure International, 1965-1966 $40,000-60,000

Exhibited: New York, New York, American Federation of Arts, The Figure International, 1965-1966 $40,000-60,000

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102

102

102* Leon Golub (American, 1922-2004) Head XXVI, 1959 oil on canvas signed Golub (lower right); signed, titled and dated (verso) 48 x 44 1/2 inches.

Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

102* Leon Golub (American, 1922-2004) Head XXVI, 1959 oil on canvas signed Golub (lower right); signed, titled and dated (verso) 48 x 44 1/2 inches.

Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

Provenance: Allan Frumkin Gallery, New York

Provenance: Allan Frumkin Gallery, New York

Exhibited: New York, New York, American Federation of Arts, The Figure International, 1965-1966 $40,000-60,000

Exhibited: New York, New York, American Federation of Arts, The Figure International, 1965-1966 $40,000-60,000

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103

103

104

103 Max Kahn (American/Russian, 1902-2005) Low Tide oil on canvas signed Max Kahn (lower right) 40 x 50 inches.

Provenance: B.C. Holland Inc, Chicago Fairweather Hardin Gallery, Chicago $800-1,200

48

104 Robert Natkin (American, 1930-2010) Untitled oil on canvas signed Natkin (lower right) 27 x 34 inches. $3,000-5,000

105 Robert Natkin (American, 1930-2010) Untitled, 1958 pastel on paper board signed Natkin and dated (lower right) 17 x 24 inches. $3,000-5,000

MADE I N CHI CA GO

104

103 Max Kahn (American/Russian, 1902-2005) Low Tide oil on canvas signed Max Kahn (lower right) 40 x 50 inches.

Provenance: B.C. Holland Inc, Chicago Fairweather Hardin Gallery, Chicago $800-1,200

48

104 Robert Natkin (American, 1930-2010) Untitled oil on canvas signed Natkin (lower right) 27 x 34 inches. $3,000-5,000

MA D E I N CHI CA G O

103

103

104

103 Max Kahn (American/Russian, 1902-2005) Low Tide oil on canvas signed Max Kahn (lower right) 40 x 50 inches.

Provenance: B.C. Holland Inc, Chicago Fairweather Hardin Gallery, Chicago $800-1,200

48

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104 Robert Natkin (American, 1930-2010) Untitled oil on canvas signed Natkin (lower right) 27 x 34 inches. $3,000-5,000

105 Robert Natkin (American, 1930-2010) Untitled, 1958 pastel on paper board signed Natkin and dated (lower right) 17 x 24 inches. $3,000-5,000

105 Robert Natkin (American, 1930-2010) Untitled, 1958 pastel on paper board signed Natkin and dated (lower right) 17 x 24 inches. $3,000-5,000

104

103 Max Kahn (American/Russian, 1902-2005) Low Tide oil on canvas signed Max Kahn (lower right) 40 x 50 inches.

Provenance: B.C. Holland Inc, Chicago Fairweather Hardin Gallery, Chicago $800-1,200

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104 Robert Natkin (American, 1930-2010) Untitled oil on canvas signed Natkin (lower right) 27 x 34 inches. $3,000-5,000

105 Robert Natkin (American, 1930-2010) Untitled, 1958 pastel on paper board signed Natkin and dated (lower right) 17 x 24 inches. $3,000-5,000

106

107

106 Rudolph Weisenborn (American, 1881-1974) Untitled, 1962 mixed media signed Weisenborn and dated (lower right) 14 x 19 inches. $1,000-2,000

107 Karl Wirsum (American, b. 1939) Untitled, 1961 oil on canvas signed K. Wirsum and dated (right center) 32 x 48 inches. $2,000-4,000

107 Karl Wirsum (American, b. 1939) Untitled, 1961 oil on canvas signed K. Wirsum and dated (right center) 32 x 48 inches. $2,000-4,000

108 Karl Wirsum (American, b. 1939) Untitled, c. 1960 (a group of ten works) etchings each signed in pencil Largest: 18 x 13 inches. $800-1,200

108 Karl Wirsum (American, b. 1939) Untitled, c. 1960 (a group of ten works) etchings each signed in pencil Largest: 18 x 13 inches. $800-1,200

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107

106

106 Rudolph Weisenborn (American, 1881-1974) Untitled, 1962 mixed media signed Weisenborn and dated (lower right) 14 x 19 inches. $1,000-2,000

49

106 Rudolph Weisenborn (American, 1881-1974) Untitled, 1962 mixed media signed Weisenborn and dated (lower right) 14 x 19 inches. $1,000-2,000

107

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106

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106 Rudolph Weisenborn (American, 1881-1974) Untitled, 1962 mixed media signed Weisenborn and dated (lower right) 14 x 19 inches. $1,000-2,000

107 Karl Wirsum (American, b. 1939) Untitled, 1961 oil on canvas signed K. Wirsum and dated (right center) 32 x 48 inches. $2,000-4,000

107 Karl Wirsum (American, b. 1939) Untitled, 1961 oil on canvas signed K. Wirsum and dated (right center) 32 x 48 inches. $2,000-4,000

108 Karl Wirsum (American, b. 1939) Untitled, c. 1960 (a group of ten works) etchings each signed in pencil Largest: 18 x 13 inches. $800-1,200

108 Karl Wirsum (American, b. 1939) Untitled, c. 1960 (a group of ten works) etchings each signed in pencil Largest: 18 x 13 inches. $800-1,200

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107

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109

109 Richard Hunt (American, b. 1935) Tubing Form #10, 1962 copper Height: 13 inches.

109 Richard Hunt (American, b. 1935) Tubing Form #10, 1962 copper Height: 13 inches.

Provenance: B.C. Holland, INC., Chicago Acquired from the above by the present owner in 1974 $4,000-6,000

Provenance: B.C. Holland, INC., Chicago Acquired from the above by the present owner in 1974 $4,000-6,000

MADE I N CHI CA GO

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109

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109

109 Richard Hunt (American, b. 1935) Tubing Form #10, 1962 copper Height: 13 inches.

109 Richard Hunt (American, b. 1935) Tubing Form #10, 1962 copper Height: 13 inches.

Provenance: B.C. Holland, INC., Chicago Acquired from the above by the present owner in 1974 $4,000-6,000

Provenance: B.C. Holland, INC., Chicago Acquired from the above by the present owner in 1974 $4,000-6,000

50

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110

111

110 Julia Thecla (American, 1896-1973) Evening Lawn Party, 1966 tempera and collage on blue paper signed Thecla and dated (lower right) 5 1/4 x 5 1/4 inches. $1,000-2,000

111 Julia Thecla (American, 1896-1973) Snow Bird & Feather Collage, 1966 tempera and collage on blue paper signed Thecla and dated (lower left) 5 1/4 x 5 1/4 inches. $1,000-2,000

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111

110

111

51

110 Julia Thecla (American, 1896-1973) Evening Lawn Party, 1966 tempera and collage on blue paper signed Thecla and dated (lower right) 5 1/4 x 5 1/4 inches. $1,000-2,000

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111

51

111 Julia Thecla (American, 1896-1973) Snow Bird & Feather Collage, 1966 tempera and collage on blue paper signed Thecla and dated (lower left) 5 1/4 x 5 1/4 inches. $1,000-2,000

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110

111 Julia Thecla (American, 1896-1973) Snow Bird & Feather Collage, 1966 tempera and collage on blue paper signed Thecla and dated (lower left) 5 1/4 x 5 1/4 inches. $1,000-2,000

110 Julia Thecla (American, 1896-1973) Evening Lawn Party, 1966 tempera and collage on blue paper signed Thecla and dated (lower right) 5 1/4 x 5 1/4 inches. $1,000-2,000

51

110 Julia Thecla (American, 1896-1973) Evening Lawn Party, 1966 tempera and collage on blue paper signed Thecla and dated (lower right) 5 1/4 x 5 1/4 inches. $1,000-2,000

111 Julia Thecla (American, 1896-1973) Snow Bird & Feather Collage, 1966 tempera and collage on blue paper signed Thecla and dated (lower left) 5 1/4 x 5 1/4 inches. $1,000-2,000

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112

112 Emilio Cruz (American, 1937-2004) Two Figures, 1965 pastel on paper signed Emilio Cruz and dated (lower right) 14 x 11 inches. $500-700 113* Jose Bernal (American/Cuban, 1925-2010) Organic Forms in Arrangement, 1972 oil on canvas signed J. Bernal and dated (lower right) 24 x 30 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800

52

112

114* Jose Bernal (American/Cuban, 1925-2010) Drought in Paradise, 1974 oil on canvas signed J Bernal and dated (lower right) 24 x 30 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800

112 Emilio Cruz (American, 1937-2004) Two Figures, 1965 pastel on paper signed Emilio Cruz and dated (lower right) 14 x 11 inches. $500-700 113* Jose Bernal (American/Cuban, 1925-2010) Organic Forms in Arrangement, 1972 oil on canvas signed J. Bernal and dated (lower right) 24 x 30 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800

115* Jose Bernal (American/Cuban, 1925-2010) Sketch for the Creation of Adam, 1975 acrylic on board signed J Bernal and dated lower right 9 x 12 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800

MADE I N CHI CA GO

52

113* Jose Bernal (American/Cuban, 1925-2010) Organic Forms in Arrangement, 1972 oil on canvas signed J. Bernal and dated (lower right) 24 x 30 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800

52

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115* Jose Bernal (American/Cuban, 1925-2010) Sketch for the Creation of Adam, 1975 acrylic on board signed J Bernal and dated lower right 9 x 12 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800

MA D E I N CHI CA G O

112

112 Emilio Cruz (American, 1937-2004) Two Figures, 1965 pastel on paper signed Emilio Cruz and dated (lower right) 14 x 11 inches. $500-700

114* Jose Bernal (American/Cuban, 1925-2010) Drought in Paradise, 1974 oil on canvas signed J Bernal and dated (lower right) 24 x 30 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800

112

114* Jose Bernal (American/Cuban, 1925-2010) Drought in Paradise, 1974 oil on canvas signed J Bernal and dated (lower right) 24 x 30 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800

112 Emilio Cruz (American, 1937-2004) Two Figures, 1965 pastel on paper signed Emilio Cruz and dated (lower right) 14 x 11 inches. $500-700 113* Jose Bernal (American/Cuban, 1925-2010) Organic Forms in Arrangement, 1972 oil on canvas signed J. Bernal and dated (lower right) 24 x 30 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800

115* Jose Bernal (American/Cuban, 1925-2010) Sketch for the Creation of Adam, 1975 acrylic on board signed J Bernal and dated lower right 9 x 12 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800

52

MA D E I N CHI CA G O

114* Jose Bernal (American/Cuban, 1925-2010) Drought in Paradise, 1974 oil on canvas signed J Bernal and dated (lower right) 24 x 30 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800 115* Jose Bernal (American/Cuban, 1925-2010) Sketch for the Creation of Adam, 1975 acrylic on board signed J Bernal and dated lower right 9 x 12 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $600-800

116

116

116 John Wilde (American, 1919-2006) Moonlight, 1960 oil on board initialed J and dated (upper left); signed John Wilde and dated (verso) 5 1/2 x 7 1/2 inches. $5,000-7,000

116 John Wilde (American, 1919-2006) Moonlight, 1960 oil on board initialed J and dated (upper left); signed John Wilde and dated (verso) 5 1/2 x 7 1/2 inches. $5,000-7,000

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116

116 John Wilde (American, 1919-2006) Moonlight, 1960 oil on board initialed J and dated (upper left); signed John Wilde and dated (verso) 5 1/2 x 7 1/2 inches. $5,000-7,000

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116 John Wilde (American, 1919-2006) Moonlight, 1960 oil on board initialed J and dated (upper left); signed John Wilde and dated (verso) 5 1/2 x 7 1/2 inches. $5,000-7,000

53

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119

117 John Foote (American, 1921-1968) Untitled (Surreal Sports), 1961 oil on board signed Foote Jr. and dated (upper right) 12 x 16 inches. $500-700 118 Fred Berger (American, 1923-2006) He Was One of Us, 1963-64 oil on canvas signed F. Berger and dated (lower right) 71 3/4 x 71 1/2 inches. $400-600

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119

119 Robert Lostutter (American, b. 1939) Figure #2, c. 1965 oil on canvas signed Lostutter (lower right) 70 x 68 inches.

117 John Foote (American, 1921-1968) Untitled (Surreal Sports), 1961 oil on board signed Foote Jr. and dated (upper right) 12 x 16 inches. $500-700

Exhibited: Chicago, Illinois, the Art Institute of Chicago, Sixty Eighth Annual Exhibition by Artist of Chicago and Vicinity, 1965 $3,000-5,000

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118 Fred Berger (American, 1923-2006) He Was One of Us, 1963-64 oil on canvas signed F. Berger and dated (lower right) 71 3/4 x 71 1/2 inches. $400-600

54

118 Fred Berger (American, 1923-2006) He Was One of Us, 1963-64 oil on canvas signed F. Berger and dated (lower right) 71 3/4 x 71 1/2 inches. $400-600

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Exhibited: Chicago, Illinois, the Art Institute of Chicago, Sixty Eighth Annual Exhibition by Artist of Chicago and Vicinity, 1965 $3,000-5,000

MA D E I N CHI CA G O

119

117 John Foote (American, 1921-1968) Untitled (Surreal Sports), 1961 oil on board signed Foote Jr. and dated (upper right) 12 x 16 inches. $500-700

119 Robert Lostutter (American, b. 1939) Figure #2, c. 1965 oil on canvas signed Lostutter (lower right) 70 x 68 inches.

119

119 Robert Lostutter (American, b. 1939) Figure #2, c. 1965 oil on canvas signed Lostutter (lower right) 70 x 68 inches.

117 John Foote (American, 1921-1968) Untitled (Surreal Sports), 1961 oil on board signed Foote Jr. and dated (upper right) 12 x 16 inches. $500-700

Exhibited: Chicago, Illinois, the Art Institute of Chicago, Sixty Eighth Annual Exhibition by Artist of Chicago and Vicinity, 1965 $3,000-5,000

118 Fred Berger (American, 1923-2006) He Was One of Us, 1963-64 oil on canvas signed F. Berger and dated (lower right) 71 3/4 x 71 1/2 inches. $400-600

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119 Robert Lostutter (American, b. 1939) Figure #2, c. 1965 oil on canvas signed Lostutter (lower right) 70 x 68 inches.

Exhibited: Chicago, Illinois, the Art Institute of Chicago, Sixty Eighth Annual Exhibition by Artist of Chicago and Vicinity, 1965 $3,000-5,000

121

123

120 Don Ruf (American, 1905-1982) Untitled mixed media on paper signed Don Louis Ruf (lower left) 16 1/2 x 17 inches. $100-200

120 Don Ruf (American, 1905-1982) Untitled mixed media on paper signed Don Louis Ruf (lower left) 16 1/2 x 17 inches. $100-200

121 Gladys Nilsson (American, b. 1940) Three Women, 1965 watercolor on paper titled and dated (verso) 13 3/4 x 14 inches. $3,000-5,000

121 Gladys Nilsson (American, b. 1940) Three Women, 1965 watercolor on paper titled and dated (verso) 13 3/4 x 14 inches. $3,000-5,000

122 Karl Wirsum (American, b. 1939) We Got Nuthun to Hyde!

Unique Art Auction at 8/ Special Fund Razor, 1974, together with The Portable Hairy Who, 1966 and The Hairy Who Sideshow, 1967 screenprint in red on acetate, stapled to offset lithograph in black on white wove paper each signed Karl Wirsum Largest: 13 1/2 x 10 inches. $1,500-2,500

122 Karl Wirsum (American, b. 1939) We Got Nuthun to Hyde!

Unique Art Auction at 8/ Special Fund Razor, 1974, together with The Portable Hairy Who, 1966 and The Hairy Who Sideshow, 1967 screenprint in red on acetate, stapled to offset lithograph in black on white wove paper each signed Karl Wirsum Largest: 13 1/2 x 10 inches. $1,500-2,500

123 Karl Wirsum (American, b. 1939) Untitled (Study for Bird Dog with Powder Puff), 1966 mixed media on paper signed Karl Wirsum (upper right) and dated (lower right) 10 1/4 x 13 3/4 inches. $3,000-5,000

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123

121

55

123

123 Karl Wirsum (American, b. 1939) Untitled (Study for Bird Dog with Powder Puff), 1966 mixed media on paper signed Karl Wirsum (upper right) and dated (lower right) 10 1/4 x 13 3/4 inches. $3,000-5,000

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120 Don Ruf (American, 1905-1982) Untitled mixed media on paper signed Don Louis Ruf (lower left) 16 1/2 x 17 inches. $100-200

120 Don Ruf (American, 1905-1982) Untitled mixed media on paper signed Don Louis Ruf (lower left) 16 1/2 x 17 inches. $100-200

121 Gladys Nilsson (American, b. 1940) Three Women, 1965 watercolor on paper titled and dated (verso) 13 3/4 x 14 inches. $3,000-5,000

121 Gladys Nilsson (American, b. 1940) Three Women, 1965 watercolor on paper titled and dated (verso) 13 3/4 x 14 inches. $3,000-5,000

122 Karl Wirsum (American, b. 1939) We Got Nuthun to Hyde!

Unique Art Auction at 8/ Special Fund Razor, 1974, together with The Portable Hairy Who, 1966 and The Hairy Who Sideshow, 1967 screenprint in red on acetate, stapled to offset lithograph in black on white wove paper each signed Karl Wirsum Largest: 13 1/2 x 10 inches. $1,500-2,500

122 Karl Wirsum (American, b. 1939) We Got Nuthun to Hyde!

Unique Art Auction at 8/ Special Fund Razor, 1974, together with The Portable Hairy Who, 1966 and The Hairy Who Sideshow, 1967 screenprint in red on acetate, stapled to offset lithograph in black on white wove paper each signed Karl Wirsum Largest: 13 1/2 x 10 inches. $1,500-2,500

123 Karl Wirsum (American, b. 1939) Untitled (Study for Bird Dog with Powder Puff), 1966 mixed media on paper signed Karl Wirsum (upper right) and dated (lower right) 10 1/4 x 13 3/4 inches. $3,000-5,000

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123

123 Karl Wirsum (American, b. 1939) Untitled (Study for Bird Dog with Powder Puff), 1966 mixed media on paper signed Karl Wirsum (upper right) and dated (lower right) 10 1/4 x 13 3/4 inches. $3,000-5,000

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124

125

56

124 Joseph Yoakum (American, 1886-1972) Mt. Negoi in Transylvania Alps of Romania near town Cluj, 1966 mixed media on paper signed Joseph E. Yoakum, titled, and dated (upper left) 17 1/4 x 11 3/4 inches.

Provenance: Douglas Kenyon Inc., Chicago $5,000-7,000

Provenance: Douglas Kenyon Inc., Chicago $5,000-7,000

125

56

125

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124

125* Joseph Yoakum (American, 1886-1972) Syrian Desert Namrath Syria} of Saudi Arabia S.E.A. 1967 mixed media on paper titled and dated (upper edge) 11 1/2 x 15 1/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $5,000-7,000

MADE I N CHI CA GO

124

56

124 Joseph Yoakum (American, 1886-1972) Mt. Negoi in Transylvania Alps of Romania near town Cluj, 1966 mixed media on paper signed Joseph E. Yoakum, titled, and dated (upper left) 17 1/4 x 11 3/4 inches.

125* Joseph Yoakum (American, 1886-1972) Syrian Desert Namrath Syria} of Saudi Arabia S.E.A. 1967 mixed media on paper titled and dated (upper edge) 11 1/2 x 15 1/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $5,000-7,000

MA D E I N CHI CA G O

124 Joseph Yoakum (American, 1886-1972) Mt. Negoi in Transylvania Alps of Romania near town Cluj, 1966 mixed media on paper signed Joseph E. Yoakum, titled, and dated (upper left) 17 1/4 x 11 3/4 inches.

124 Joseph Yoakum (American, 1886-1972) Mt. Negoi in Transylvania Alps of Romania near town Cluj, 1966 mixed media on paper signed Joseph E. Yoakum, titled, and dated (upper left) 17 1/4 x 11 3/4 inches.

Provenance: Douglas Kenyon Inc., Chicago $5,000-7,000

Provenance: Douglas Kenyon Inc., Chicago $5,000-7,000

124

125* Joseph Yoakum (American, 1886-1972) Syrian Desert Namrath Syria} of Saudi Arabia S.E.A. 1967 mixed media on paper titled and dated (upper edge) 11 1/2 x 15 1/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $5,000-7,000

125

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125* Joseph Yoakum (American, 1886-1972) Syrian Desert Namrath Syria} of Saudi Arabia S.E.A. 1967 mixed media on paper titled and dated (upper edge) 11 1/2 x 15 1/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $5,000-7,000

126

126* Raymond Siemanowski (American, 1938-2006) Cardboard Landscape, 1968 acrylic on canvas signed Siemanowski and dated (verso) 67 1/4 x 72 1/4 inches.

Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

126* Raymond Siemanowski (American, 1938-2006) Cardboard Landscape, 1968 acrylic on canvas signed Siemanowski and dated (verso) 67 1/4 x 72 1/4 inches.

Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

Provenance: Allan Frumkin Gallery, Chicago

Provenance: Allan Frumkin Gallery, Chicago

Exhibited: Champaign, Illinois, Krannert Art Museum $2,000-4,000

Exhibited: Champaign, Illinois, Krannert Art Museum $2,000-4,000

127 Robert Lostutter (American, b. 1939) Untitled (Mini Skirt Woman), 1969 oil on canvas signed Lostutter and dated (lower center) 78 x 60 inches. $5,000-7,000

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127 Robert Lostutter (American, b. 1939) Untitled (Mini Skirt Woman), 1969 oil on canvas signed Lostutter and dated (lower center) 78 x 60 inches. $5,000-7,000

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126* Raymond Siemanowski (American, 1938-2006) Cardboard Landscape, 1968 acrylic on canvas signed Siemanowski and dated (verso) 67 1/4 x 72 1/4 inches.

Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

126* Raymond Siemanowski (American, 1938-2006) Cardboard Landscape, 1968 acrylic on canvas signed Siemanowski and dated (verso) 67 1/4 x 72 1/4 inches.

Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois

Provenance: Allan Frumkin Gallery, Chicago

Provenance: Allan Frumkin Gallery, Chicago

Exhibited: Champaign, Illinois, Krannert Art Museum $2,000-4,000

Exhibited: Champaign, Illinois, Krannert Art Museum $2,000-4,000

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127 Robert Lostutter (American, b. 1939) Untitled (Mini Skirt Woman), 1969 oil on canvas signed Lostutter and dated (lower center) 78 x 60 inches. $5,000-7,000

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127 Robert Lostutter (American, b. 1939) Untitled (Mini Skirt Woman), 1969 oil on canvas signed Lostutter and dated (lower center) 78 x 60 inches. $5,000-7,000

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128 Playboy Bunny costume with accessories & ephemera including a copy of the Bunny Manual, a Playboy Club Employee Handbook, a Playboy Club dinner menu, a Bunny study guide, a list of food service tips for Bunnies and a study guide for adhering to the Bunny image; the costume and its accessories together with a serving tray mounted with an additional name badge, tail, cuffs, cufflinks, collar, bow tie, lighter, pen and pen light; also included are a leaded glass “Bunny” souvenir, an additional cased set of cuff links, an ash tray, a set of cuffs and collar, a lighter and other ephemera. $3,000-5,000

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128 Playboy Bunny costume with accessories & ephemera including a copy of the Bunny Manual, a Playboy Club Employee Handbook, a Playboy Club dinner menu, a Bunny study guide, a list of food service tips for Bunnies and a study guide for adhering to the Bunny image; the costume and its accessories together with a serving tray mounted with an additional name badge, tail, cuffs, cufflinks, collar, bow tie, lighter, pen and pen light; also included are a leaded glass “Bunny” souvenir, an additional cased set of cuff links, an ash tray, a set of cuffs and collar, a lighter and other ephemera. $3,000-5,000

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128 Playboy Bunny costume with accessories & ephemera including a copy of the Bunny Manual, a Playboy Club Employee Handbook, a Playboy Club dinner menu, a Bunny study guide, a list of food service tips for Bunnies and a study guide for adhering to the Bunny image; the costume and its accessories together with a serving tray mounted with an additional name badge, tail, cuffs, cufflinks, collar, bow tie, lighter, pen and pen light; also included are a leaded glass “Bunny” souvenir, an additional cased set of cuff links, an ash tray, a set of cuffs and collar, a lighter and other ephemera. $3,000-5,000

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128 Playboy Bunny costume with accessories & ephemera including a copy of the Bunny Manual, a Playboy Club Employee Handbook, a Playboy Club dinner menu, a Bunny study guide, a list of food service tips for Bunnies and a study guide for adhering to the Bunny image; the costume and its accessories together with a serving tray mounted with an additional name badge, tail, cuffs, cufflinks, collar, bow tie, lighter, pen and pen light; also included are a leaded glass “Bunny” souvenir, an additional cased set of cuff links, an ash tray, a set of cuffs and collar, a lighter and other ephemera. $3,000-5,000

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129 Three Enameled Chicago Street Signs MID 20TH CENTURY designating West Chicago, South Michigan, and North Ashland Avenues.

Width with bracket 26 3/4 inches. $150-250

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129 Three Enameled Chicago Street Signs MID 20TH CENTURY designating West Chicago, South Michigan, and North Ashland Avenues.

Width with bracket 26 3/4 inches. $150-250

130 James Rosenquist (American, 1933-2017) See saw, class system (Mayor Daley), 1968 offset lithograph 22 1/2 x 35 inches. $100-200

130 James Rosenquist (American, 1933-2017) See saw, class system (Mayor Daley), 1968 offset lithograph 22 1/2 x 35 inches. $100-200

131 Charles White (American, 1918-1979) Untitled (Portrait of a Man) lithograph; printed 1984 stamped signature (lower right) 8 3/4 x 12 inches. $2,000-4,000

131 Charles White (American, 1918-1979) Untitled (Portrait of a Man) lithograph; printed 1984 stamped signature (lower right) 8 3/4 x 12 inches. $2,000-4,000

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129 Three Enameled Chicago Street Signs MID 20TH CENTURY designating West Chicago, South Michigan, and North Ashland Avenues.

Width with bracket 26 3/4 inches. $150-250

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129 Three Enameled Chicago Street Signs MID 20TH CENTURY designating West Chicago, South Michigan, and North Ashland Avenues.

Width with bracket 26 3/4 inches. $150-250

130 James Rosenquist (American, 1933-2017) See saw, class system (Mayor Daley), 1968 offset lithograph 22 1/2 x 35 inches. $100-200

130 James Rosenquist (American, 1933-2017) See saw, class system (Mayor Daley), 1968 offset lithograph 22 1/2 x 35 inches. $100-200

131 Charles White (American, 1918-1979) Untitled (Portrait of a Man) lithograph; printed 1984 stamped signature (lower right) 8 3/4 x 12 inches. $2,000-4,000

131 Charles White (American, 1918-1979) Untitled (Portrait of a Man) lithograph; printed 1984 stamped signature (lower right) 8 3/4 x 12 inches. $2,000-4,000

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132 Ed Paschke (American, 1939-2004) Key Bulb, 1970 oil on canvas signed E. Paschke and dated (lower right) 28 x 21 3/4 inches.

132 Ed Paschke (American, 1939-2004) Key Bulb, 1970 oil on canvas signed E. Paschke and dated (lower right) 28 x 21 3/4 inches.

Provenance: Deson-Zaks Gallery, Chicago Mr. Warren Casey, Chicago Ms. Marianne Deson, Chicago

Provenance: Deson-Zaks Gallery, Chicago Mr. Warren Casey, Chicago Ms. Marianne Deson, Chicago

Exhibited: Chicago, Illinois, Deson-Zaks Gallery, May, 1970 $50,000-70,000

Exhibited: Chicago, Illinois, Deson-Zaks Gallery, May, 1970 $50,000-70,000

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132 Ed Paschke (American, 1939-2004) Key Bulb, 1970 oil on canvas signed E. Paschke and dated (lower right) 28 x 21 3/4 inches.

132 Ed Paschke (American, 1939-2004) Key Bulb, 1970 oil on canvas signed E. Paschke and dated (lower right) 28 x 21 3/4 inches.

Provenance: Deson-Zaks Gallery, Chicago Mr. Warren Casey, Chicago Ms. Marianne Deson, Chicago

Provenance: Deson-Zaks Gallery, Chicago Mr. Warren Casey, Chicago Ms. Marianne Deson, Chicago

Exhibited: Chicago, Illinois, Deson-Zaks Gallery, May, 1970 $50,000-70,000

Exhibited: Chicago, Illinois, Deson-Zaks Gallery, May, 1970 $50,000-70,000

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133 Ed Paschke (American, 1939-2004) Klaus, 1976 lithograph signed, titled, and numbered 11/20 in pencil 29 x 22 inches $1,000-2,000

133 Ed Paschke (American, 1939-2004) Klaus, 1976 lithograph signed, titled, and numbered 11/20 in pencil 29 x 22 inches $1,000-2,000

134 Ed Paschke (American, 1939-2004) Untitled, 1976 lithograph signed, dated, and inscribed III/ IV in pencil 9 1/2 x 7 inches. $800-1,200

134 Ed Paschke (American, 1939-2004) Untitled, 1976 lithograph signed, dated, and inscribed III/ IV in pencil 9 1/2 x 7 inches. $800-1,200

135 Robert Lostutter (American, b. 1939) Untitled, 1972 watercolor and graphite on paper signed Lostutter and dated (lower margin) 6 3/4 x 4 1/2 inches. $2,000-4,000

135 Robert Lostutter (American, b. 1939) Untitled, 1972 watercolor and graphite on paper signed Lostutter and dated (lower margin) 6 3/4 x 4 1/2 inches. $2,000-4,000

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133 Ed Paschke (American, 1939-2004) Klaus, 1976 lithograph signed, titled, and numbered 11/20 in pencil 29 x 22 inches $1,000-2,000

133 Ed Paschke (American, 1939-2004) Klaus, 1976 lithograph signed, titled, and numbered 11/20 in pencil 29 x 22 inches $1,000-2,000

134 Ed Paschke (American, 1939-2004) Untitled, 1976 lithograph signed, dated, and inscribed III/ IV in pencil 9 1/2 x 7 inches. $800-1,200

134 Ed Paschke (American, 1939-2004) Untitled, 1976 lithograph signed, dated, and inscribed III/ IV in pencil 9 1/2 x 7 inches. $800-1,200

135 Robert Lostutter (American, b. 1939) Untitled, 1972 watercolor and graphite on paper signed Lostutter and dated (lower margin) 6 3/4 x 4 1/2 inches. $2,000-4,000

135 Robert Lostutter (American, b. 1939) Untitled, 1972 watercolor and graphite on paper signed Lostutter and dated (lower margin) 6 3/4 x 4 1/2 inches. $2,000-4,000

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136 A Lyric Opera Black and Red Stripe Cape $40-60

136 A Lyric Opera Black and Red Stripe Cape $40-60

137 A Lyric Opera Green Velvet Double Breasted Bolero Labeled: Russell Uniform Co. New York $30-50

137 A Lyric Opera Green Velvet Double Breasted Bolero Labeled: Russell Uniform Co. New York $30-50

138 A Lyric Opera Taupe Velvet and Pink Satin Coat $50-70

138 A Lyric Opera Taupe Velvet and Pink Satin Coat $50-70

139 A Lyric Opera Cream, Black, and Brown Clown Costume with Brown Neck Piece 1976, From Love of Three Oranges by Sergei Prokofiev.

Labeled: Tirelli Costuma Roma. $80-120

139 A Lyric Opera Cream, Black, and Brown Clown Costume with Brown Neck Piece 1976, From Love of Three Oranges by Sergei Prokofiev.

Labeled: Tirelli Costuma Roma. $80-120

140 A Lyric Opera Green and Gold Clown Costume 1976, From the Love of Three Oranges by Sergei Prokofiev.

Labeled: Tirelli Costuma Roma. $80-120

140 A Lyric Opera Green and Gold Clown Costume 1976, From the Love of Three Oranges by Sergei Prokofiev.

Labeled: Tirelli Costuma Roma. $80-120 141 A Collection of Four Lyric Opera Hats $100-200

142 A Lyric Opera Brown Wool Military Crop Jacket $30-50

142 A Lyric Opera Brown Wool Military Crop Jacket $30-50

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141 A Collection of Four Lyric Opera Hats $100-200

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136 A Lyric Opera Black and Red Stripe Cape $40-60

136 A Lyric Opera Black and Red Stripe Cape $40-60

137 A Lyric Opera Green Velvet Double Breasted Bolero Labeled: Russell Uniform Co. New York $30-50

137 A Lyric Opera Green Velvet Double Breasted Bolero Labeled: Russell Uniform Co. New York $30-50

138 A Lyric Opera Taupe Velvet and Pink Satin Coat $50-70

138 A Lyric Opera Taupe Velvet and Pink Satin Coat $50-70

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139 A Lyric Opera Cream, Black, and Brown Clown Costume with Brown Neck Piece 1976, From Love of Three Oranges by Sergei Prokofiev.

Labeled: Tirelli Costuma Roma. $80-120

139 A Lyric Opera Cream, Black, and Brown Clown Costume with Brown Neck Piece 1976, From Love of Three Oranges by Sergei Prokofiev.

Labeled: Tirelli Costuma Roma. $80-120

140 A Lyric Opera Green and Gold Clown Costume 1976, From the Love of Three Oranges by Sergei Prokofiev.

Labeled: Tirelli Costuma Roma. $80-120

140 A Lyric Opera Green and Gold Clown Costume 1976, From the Love of Three Oranges by Sergei Prokofiev.

Labeled: Tirelli Costuma Roma. $80-120

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141 A Collection of Four Lyric Opera Hats $100-200

141 A Collection of Four Lyric Opera Hats $100-200

142 A Lyric Opera Brown Wool Military Crop Jacket $30-50

142 A Lyric Opera Brown Wool Military Crop Jacket $30-50

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143 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated, and numbered 5/25 in pencil 10 x 13 1/4 inches. $200-400 144 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated and numbered 3/22 in pencil 13 1/4 x 10 inches. $50-70 145 Jack Beal (American, 1931-2013) Chicago Skyline color lithograph 30 x 40 inches. $500-700

146 Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975 oil on canvas laid to board titled (verso) 30 1/2 x 18 3/4 inches.

Provenance: James Speyer, Chicago, Illinois Darthea Speyer Collection, Hydra, Greece Sold: Concept Art Gallery, Pittsburgh, PA, May 21, 2011, Lot 97 $20,000-40,000

144 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated and numbered 3/22 in pencil 13 1/4 x 10 inches. $50-70 145 Jack Beal (American, 1931-2013) Chicago Skyline color lithograph 30 x 40 inches. $500-700

144 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated and numbered 3/22 in pencil 13 1/4 x 10 inches. $50-70

146A* Jose Bernal (American/Cuban, 1925-2010) Untitled, 1986 mixed media assemblage 8 x 10 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acci贸n Cuba: Hurricane Relief Fund) $600-800

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143 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated, and numbered 5/25 in pencil 10 x 13 1/4 inches. $200-400

143 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated, and numbered 5/25 in pencil 10 x 13 1/4 inches. $200-400

145 Jack Beal (American, 1931-2013) Chicago Skyline color lithograph 30 x 40 inches. $500-700

143 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated, and numbered 5/25 in pencil 10 x 13 1/4 inches. $200-400

Provenance: James Speyer, Chicago, Illinois Darthea Speyer Collection, Hydra, Greece Sold: Concept Art Gallery, Pittsburgh, PA, May 21, 2011, Lot 97 $20,000-40,000

144 James Valerio (American, b. 1938) Nude, 1971 lithograph signed, dated and numbered 3/22 in pencil 13 1/4 x 10 inches. $50-70

146A* Jose Bernal (American/Cuban, 1925-2010) Untitled, 1986 mixed media assemblage 8 x 10 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acci贸n Cuba: Hurricane Relief Fund) $600-800

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145 Jack Beal (American, 1931-2013) Chicago Skyline color lithograph 30 x 40 inches. $500-700

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Provenance: James Speyer, Chicago, Illinois Darthea Speyer Collection, Hydra, Greece Sold: Concept Art Gallery, Pittsburgh, PA, May 21, 2011, Lot 97 $20,000-40,000 146A* Jose Bernal (American/Cuban, 1925-2010) Untitled, 1986 mixed media assemblage 8 x 10 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acci贸n Cuba: Hurricane Relief Fund) $600-800

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146 Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975 oil on canvas laid to board titled (verso) 30 1/2 x 18 3/4 inches.

146 Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975 oil on canvas laid to board titled (verso) 30 1/2 x 18 3/4 inches.

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146 Roger Brown (American, 1940-1997) Ranchers Crucifix Gold St. Albuquerque, 1975 oil on canvas laid to board titled (verso) 30 1/2 x 18 3/4 inches.

Provenance: James Speyer, Chicago, Illinois Darthea Speyer Collection, Hydra, Greece Sold: Concept Art Gallery, Pittsburgh, PA, May 21, 2011, Lot 97 $20,000-40,000 146A* Jose Bernal (American/Cuban, 1925-2010) Untitled, 1986 mixed media assemblage 8 x 10 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acci贸n Cuba: Hurricane Relief Fund) $600-800

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147 Thomas Strobel, (American, 1931-2001) Twenty Eyes mixed media 7 3/4 x 7 3/4 inches. $700-900

150 Ruth Duckworth (British, 1919-2009) Untitled partially glazed ceramic Height: 4 1/2 inches. $500-700

147 Thomas Strobel, (American, 1931-2001) Twenty Eyes mixed media 7 3/4 x 7 3/4 inches. $700-900

150 Ruth Duckworth (British, 1919-2009) Untitled partially glazed ceramic Height: 4 1/2 inches. $500-700

148 Robert Nickle (American, 1919-1980) Untitled mixed media collage 9 1/2 x 11 1/2 inches. $1,000-1,500

151 Ruth Duckworth (British, 1919-2009) Construction partially glazed ceramic Height: 13 1/4 inches. $1,000-2,000

148 Robert Nickle (American, 1919-1980) Untitled mixed media collage 9 1/2 x 11 1/2 inches. $1,000-1,500

151 Ruth Duckworth (British, 1919-2009) Construction partially glazed ceramic Height: 13 1/4 inches. $1,000-2,000

149 Robert Nickle (American, 1919-1980) Untitled, 1979 mixed media collage framed with a signed photograph of the artist 8 1/4 x 9 inches.

152 Joseph A. Burlini (American, b. 1937) Untitled, 1972 bronze numbered 4/5, signed A Burlini and dated Height: 14 1/2 inches. $500-700

149 Robert Nickle (American, 1919-1980) Untitled, 1979 mixed media collage framed with a signed photograph of the artist 8 1/4 x 9 inches.

152 Joseph A. Burlini (American, b. 1937) Untitled, 1972 bronze numbered 4/5, signed A Burlini and dated Height: 14 1/2 inches. $500-700

Provenance: Richard Gray Gallery, Chicago $1,000-2,000

153 George Snyder (American, b. 1951) Cross Expression, 1982 acrylic on canvas signed SNYDER and dated (verso) 62 x 62 inches. $500-700

Provenance: Richard Gray Gallery, Chicago $1,000-2,000

153 George Snyder (American, b. 1951) Cross Expression, 1982 acrylic on canvas signed SNYDER and dated (verso) 62 x 62 inches. $500-700

149A* Jose Bernal (American/Cuban, 1925-2010) Marine Shipwreck, 1962 mixed media assemblage signed J. Bernal and dated (lower left) 7 1/2 x 9 1/2 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acci贸n Cuba: Hurricane Relief Fund) $600-800

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154* Richard Loving (American, b. 1924) Novalis oil on canvas signed Richard Loving and dated (verso) 51 x 40 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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154* Richard Loving (American, b. 1924) Novalis oil on canvas signed Richard Loving and dated (verso) 51 x 40 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

MA D E I N CHI CA G O

147 Thomas Strobel, (American, 1931-2001) Twenty Eyes mixed media 7 3/4 x 7 3/4 inches. $700-900

150 Ruth Duckworth (British, 1919-2009) Untitled partially glazed ceramic Height: 4 1/2 inches. $500-700

147 Thomas Strobel, (American, 1931-2001) Twenty Eyes mixed media 7 3/4 x 7 3/4 inches. $700-900

150 Ruth Duckworth (British, 1919-2009) Untitled partially glazed ceramic Height: 4 1/2 inches. $500-700

148 Robert Nickle (American, 1919-1980) Untitled mixed media collage 9 1/2 x 11 1/2 inches. $1,000-1,500

151 Ruth Duckworth (British, 1919-2009) Construction partially glazed ceramic Height: 13 1/4 inches. $1,000-2,000

148 Robert Nickle (American, 1919-1980) Untitled mixed media collage 9 1/2 x 11 1/2 inches. $1,000-1,500

151 Ruth Duckworth (British, 1919-2009) Construction partially glazed ceramic Height: 13 1/4 inches. $1,000-2,000

149 Robert Nickle (American, 1919-1980) Untitled, 1979 mixed media collage framed with a signed photograph of the artist 8 1/4 x 9 inches.

152 Joseph A. Burlini (American, b. 1937) Untitled, 1972 bronze numbered 4/5, signed A Burlini and dated Height: 14 1/2 inches. $500-700

149 Robert Nickle (American, 1919-1980) Untitled, 1979 mixed media collage framed with a signed photograph of the artist 8 1/4 x 9 inches.

152 Joseph A. Burlini (American, b. 1937) Untitled, 1972 bronze numbered 4/5, signed A Burlini and dated Height: 14 1/2 inches. $500-700

Provenance: Richard Gray Gallery, Chicago $1,000-2,000

153 George Snyder (American, b. 1951) Cross Expression, 1982 acrylic on canvas signed SNYDER and dated (verso) 62 x 62 inches. $500-700

Provenance: Richard Gray Gallery, Chicago $1,000-2,000

153 George Snyder (American, b. 1951) Cross Expression, 1982 acrylic on canvas signed SNYDER and dated (verso) 62 x 62 inches. $500-700

149A* Jose Bernal (American/Cuban, 1925-2010) Marine Shipwreck, 1962 mixed media assemblage signed J. Bernal and dated (lower left) 7 1/2 x 9 1/2 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acci贸n Cuba: Hurricane Relief Fund) $600-800

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149A* Jose Bernal (American/Cuban, 1925-2010) Marine Shipwreck, 1962 mixed media assemblage signed J. Bernal and dated (lower left) 7 1/2 x 9 1/2 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acci贸n Cuba: Hurricane Relief Fund) $600-800

MADE I N CHI CA GO

149A* Jose Bernal (American/Cuban, 1925-2010) Marine Shipwreck, 1962 mixed media assemblage signed J. Bernal and dated (lower left) 7 1/2 x 9 1/2 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acci贸n Cuba: Hurricane Relief Fund) $600-800

154* Richard Loving (American, b. 1924) Novalis oil on canvas signed Richard Loving and dated (verso) 51 x 40 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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154* Richard Loving (American, b. 1924) Novalis oil on canvas signed Richard Loving and dated (verso) 51 x 40 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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155* Phyllis Bramson (American, b. 1941) Untitled collage on canvas 60 x 48 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

155* Phyllis Bramson (American, b. 1941) Untitled collage on canvas 60 x 48 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

156* Phyllis Bramson (American, b. 1941) Psychology of Me (Man) and Psychology of Me (Woman), 1984 (two works) lithographs signed, titled and dated in pencil 22 x 29 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200

156* Phyllis Bramson (American, b. 1941) Psychology of Me (Man) and Psychology of Me (Woman), 1984 (two works) lithographs signed, titled and dated in pencil 22 x 29 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200

157* Various Artists (Phyllis Bramson, Kerry James Marshall, Jno Cook) (American, 20th/21st century) An Exquisite Corpse, 1999 mixed media on paper signed Kerry James Marshall and dated (center left) 30 x 11 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

157* Various Artists (Phyllis Bramson, Kerry James Marshall, Jno Cook) (American, 20th/21st century) An Exquisite Corpse, 1999 mixed media on paper signed Kerry James Marshall and dated (center left) 30 x 11 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

158* Seymour Rosofsky (American, 1924-1981) Untitled (Pair) mixed media on paper signed Rosofsky (lower right) Largest: 25 x 20 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

158* Seymour Rosofsky (American, 1924-1981) Untitled (Pair) mixed media on paper signed Rosofsky (lower right) Largest: 25 x 20 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

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155* Phyllis Bramson (American, b. 1941) Untitled collage on canvas 60 x 48 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

155* Phyllis Bramson (American, b. 1941) Untitled collage on canvas 60 x 48 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

156* Phyllis Bramson (American, b. 1941) Psychology of Me (Man) and Psychology of Me (Woman), 1984 (two works) lithographs signed, titled and dated in pencil 22 x 29 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200

156* Phyllis Bramson (American, b. 1941) Psychology of Me (Man) and Psychology of Me (Woman), 1984 (two works) lithographs signed, titled and dated in pencil 22 x 29 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200

157* Various Artists (Phyllis Bramson, Kerry James Marshall, Jno Cook) (American, 20th/21st century) An Exquisite Corpse, 1999 mixed media on paper signed Kerry James Marshall and dated (center left) 30 x 11 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

157* Various Artists (Phyllis Bramson, Kerry James Marshall, Jno Cook) (American, 20th/21st century) An Exquisite Corpse, 1999 mixed media on paper signed Kerry James Marshall and dated (center left) 30 x 11 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

158* Seymour Rosofsky (American, 1924-1981) Untitled (Pair) mixed media on paper signed Rosofsky (lower right) Largest: 25 x 20 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

158* Seymour Rosofsky (American, 1924-1981) Untitled (Pair) mixed media on paper signed Rosofsky (lower right) Largest: 25 x 20 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

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159 Hollis Sigler (American, 1948-2001) Expect the Unexpected lithograph signed and numbered 3/4 pp in pencil 15 1/2 x 21 inches. $200-400 160 Hollis Sigler (American, 1948-2001) I Find Hope On The Horizon Of My Tomorrows, 1996 lithograph signed, dated and numbered 7/20 A.P. in pencil 22 x 30 inches. $3,000-5,000 161* Hollis Sigler (American, 1948-2001) She Was Beginning To Question mixed media on fabric 27 1/2 x 27 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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162* Hollis Sigler (American, 1948-2001) There is No Future for It, 1984 and Stepping Outside of Her Life, 1996 pair of lithographs each signed, numbered and dated in pencil Largest: 18 x 24 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 163 Hollis Sigler (American, 1948-2001) My Body is No Longer a Temple oil on canvas mounted in artist painted frame signed Hollis Sigler (lower right) 26 x 30 inches.

Provenance: Steven Scott Gallery, Baltimore, Maryland Arkansas Art Center, Little Rock, Arkansas Carl Hammer Gallery, Chicago, Illinois $4,000-6,000

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159 Hollis Sigler (American, 1948-2001) Expect the Unexpected lithograph signed and numbered 3/4 pp in pencil 15 1/2 x 21 inches. $200-400 160 Hollis Sigler (American, 1948-2001) I Find Hope On The Horizon Of My Tomorrows, 1996 lithograph signed, dated and numbered 7/20 A.P. in pencil 22 x 30 inches. $3,000-5,000 161* Hollis Sigler (American, 1948-2001) She Was Beginning To Question mixed media on fabric 27 1/2 x 27 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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160 Hollis Sigler (American, 1948-2001) I Find Hope On The Horizon Of My Tomorrows, 1996 lithograph signed, dated and numbered 7/20 A.P. in pencil 22 x 30 inches. $3,000-5,000 161* Hollis Sigler (American, 1948-2001) She Was Beginning To Question mixed media on fabric 27 1/2 x 27 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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162* Hollis Sigler (American, 1948-2001) There is No Future for It, 1984 and Stepping Outside of Her Life, 1996 pair of lithographs each signed, numbered and dated in pencil Largest: 18 x 24 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 163 Hollis Sigler (American, 1948-2001) My Body is No Longer a Temple oil on canvas mounted in artist painted frame signed Hollis Sigler (lower right) 26 x 30 inches.

Provenance: Steven Scott Gallery, Baltimore, Maryland Arkansas Art Center, Little Rock, Arkansas Carl Hammer Gallery, Chicago, Illinois $4,000-6,000

163 Hollis Sigler (American, 1948-2001) My Body is No Longer a Temple oil on canvas mounted in artist painted frame signed Hollis Sigler (lower right) 26 x 30 inches.

Provenance: Steven Scott Gallery, Baltimore, Maryland Arkansas Art Center, Little Rock, Arkansas Carl Hammer Gallery, Chicago, Illinois $4,000-6,000

MA D E I N CHI CA G O

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159 Hollis Sigler (American, 1948-2001) Expect the Unexpected lithograph signed and numbered 3/4 pp in pencil 15 1/2 x 21 inches. $200-400

162* Hollis Sigler (American, 1948-2001) There is No Future for It, 1984 and Stepping Outside of Her Life, 1996 pair of lithographs each signed, numbered and dated in pencil Largest: 18 x 24 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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159 Hollis Sigler (American, 1948-2001) Expect the Unexpected lithograph signed and numbered 3/4 pp in pencil 15 1/2 x 21 inches. $200-400 160 Hollis Sigler (American, 1948-2001) I Find Hope On The Horizon Of My Tomorrows, 1996 lithograph signed, dated and numbered 7/20 A.P. in pencil 22 x 30 inches. $3,000-5,000 161* Hollis Sigler (American, 1948-2001) She Was Beginning To Question mixed media on fabric 27 1/2 x 27 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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162* Hollis Sigler (American, 1948-2001) There is No Future for It, 1984 and Stepping Outside of Her Life, 1996 pair of lithographs each signed, numbered and dated in pencil Largest: 18 x 24 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 163 Hollis Sigler (American, 1948-2001) My Body is No Longer a Temple oil on canvas mounted in artist painted frame signed Hollis Sigler (lower right) 26 x 30 inches.

Provenance: Steven Scott Gallery, Baltimore, Maryland Arkansas Art Center, Little Rock, Arkansas Carl Hammer Gallery, Chicago, Illinois $4,000-6,000

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164 Don Baum (American, b. 1922) Sky House VI, 1985 plastic, mirror glass and wood Height: 15 inches.

164 Don Baum (American, b. 1922) Sky House VI, 1985 plastic, mirror glass and wood Height: 15 inches.

Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000

Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000

164A Don Baum (American, 1922-2007) Kiki van Patton, 1988 oil on canvasboard and wood titled (interior) 13 1/2 x 7 x 14 inches.

164A Don Baum (American, 1922-2007) Kiki van Patton, 1988 oil on canvasboard and wood titled (interior) 13 1/2 x 7 x 14 inches.

Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000

Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000

165 Don Baum (American, 1922-2008) Diana, 1992 mixed media and wood Height: 19 inches. $1,000-2,000

165 Don Baum (American, 1922-2008) Diana, 1992 mixed media and wood Height: 19 inches. $1,000-2,000

166* Margaret Wharton (American, 1943-2014) Isadora’s Fate painting on silk signed Wharton and titled (lower edge) 52 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

166* Margaret Wharton (American, 1943-2014) Isadora’s Fate painting on silk signed Wharton and titled (lower edge) 52 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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164 Don Baum (American, b. 1922) Sky House VI, 1985 plastic, mirror glass and wood Height: 15 inches.

164 Don Baum (American, b. 1922) Sky House VI, 1985 plastic, mirror glass and wood Height: 15 inches.

Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000

Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000

164A Don Baum (American, 1922-2007) Kiki van Patton, 1988 oil on canvasboard and wood titled (interior) 13 1/2 x 7 x 14 inches.

164A Don Baum (American, 1922-2007) Kiki van Patton, 1988 oil on canvasboard and wood titled (interior) 13 1/2 x 7 x 14 inches.

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Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000

Provenance: Betsy Rosenfeld Gallery Inc., Chicago $1,000-2,000

165 Don Baum (American, 1922-2008) Diana, 1992 mixed media and wood Height: 19 inches. $1,000-2,000

165 Don Baum (American, 1922-2008) Diana, 1992 mixed media and wood Height: 19 inches. $1,000-2,000

166* Margaret Wharton (American, 1943-2014) Isadora’s Fate painting on silk signed Wharton and titled (lower edge) 52 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

166* Margaret Wharton (American, 1943-2014) Isadora’s Fate painting on silk signed Wharton and titled (lower edge) 52 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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167* Maria Tomasula (American, b. 1958) Rhythm, 1997 oil on board signed Tomasula (lower right) 12 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois Provenance: Zolla Lieberman Gallery, Chicago $300-500 168* Winifred Godfrey (American, b. 1944) White Orchids with Crimson oil on canvas signed W. Godfrey (lower center) 48 x 84 inches.

Property from the Collection of Zenaida Harry, Olympia Fields, Illinois Provenance: Prince Galleries $700-900 169* Winifred Godfrey (American, b. 1944) Flower oil on canvas signed W. Godfrey (lower left) 24 x 30 inches.

Property from the Collection of Zenaida Harry, Olympia Fields, Illinois $300-500

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Provenance: Zolla Lieberman Gallery, Chicago $300-500 168* Winifred Godfrey (American, b. 1944) White Orchids with Crimson oil on canvas signed W. Godfrey (lower center) 48 x 84 inches.

Property from the Collection of Zenaida Harry, Olympia Fields, Illinois Provenance: Prince Galleries $700-900 169* Winifred Godfrey (American, b. 1944) Flower oil on canvas signed W. Godfrey (lower left) 24 x 30 inches.

Property from the Collection of Zenaida Harry, Olympia Fields, Illinois $300-500

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Provenance: Edward Thorp Gallery. New York.

Acquired from the above by the present owner in 1995. $500-700

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Provenance: Zolla Lieberman Gallery, Chicago $300-500

171 Richard Hunt (American, b. 1935) Untitled, 1998 bronze inscribed R Hunt and dated Height: 14 3/4 inches. $1,000-2,000

168* Winifred Godfrey (American, b. 1944) White Orchids with Crimson oil on canvas signed W. Godfrey (lower center) 48 x 84 inches.

Property from the Collection of Zenaida Harry, Olympia Fields, Illinois

172 Richard Hunt (American, b. 1935) Untitled mixed media on paper signed R Hunt (lower left) 23 x 29 inches. $400-600

MADE I N CHI CA GO

167* Maria Tomasula (American, b. 1958) Rhythm, 1997 oil on board signed Tomasula (lower right) 12 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois

167* Maria Tomasula (American, b. 1958) Rhythm, 1997 oil on board signed Tomasula (lower right) 12 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois

170 June Leaf (American, b. 1929) Woman with the Iron Hair, 1992 handforged iron and steel rods 9 x 2 1/2 x 2 1/2 inches.

Provenance: Prince Galleries $700-900 169* Winifred Godfrey (American, b. 1944) Flower oil on canvas signed W. Godfrey (lower left) 24 x 30 inches.

Property from the Collection of Zenaida Harry, Olympia Fields, Illinois $300-500

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Provenance: Edward Thorp Gallery. New York.

Acquired from the above by the present owner in 1995. $500-700

Provenance: Zolla Lieberman Gallery, Chicago $300-500

171 Richard Hunt (American, b. 1935) Untitled, 1998 bronze inscribed R Hunt and dated Height: 14 3/4 inches. $1,000-2,000

168* Winifred Godfrey (American, b. 1944) White Orchids with Crimson oil on canvas signed W. Godfrey (lower center) 48 x 84 inches.

Property from the Collection of Zenaida Harry, Olympia Fields, Illinois

172 Richard Hunt (American, b. 1935) Untitled mixed media on paper signed R Hunt (lower left) 23 x 29 inches. $400-600

Provenance: Prince Galleries $700-900 169* Winifred Godfrey (American, b. 1944) Flower oil on canvas signed W. Godfrey (lower left) 24 x 30 inches.

Property from the Collection of Zenaida Harry, Olympia Fields, Illinois $300-500

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Provenance: Edward Thorp Gallery. New York.

Acquired from the above by the present owner in 1995. $500-700 171 Richard Hunt (American, b. 1935) Untitled, 1998 bronze inscribed R Hunt and dated Height: 14 3/4 inches. $1,000-2,000 172 Richard Hunt (American, b. 1935) Untitled mixed media on paper signed R Hunt (lower left) 23 x 29 inches. $400-600

MA D E I N CHI CA G O

167* Maria Tomasula (American, b. 1958) Rhythm, 1997 oil on board signed Tomasula (lower right) 12 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois

170 June Leaf (American, b. 1929) Woman with the Iron Hair, 1992 handforged iron and steel rods 9 x 2 1/2 x 2 1/2 inches.

170 June Leaf (American, b. 1929) Woman with the Iron Hair, 1992 handforged iron and steel rods 9 x 2 1/2 x 2 1/2 inches.

MA D E I N CHI CA G O

170 June Leaf (American, b. 1929) Woman with the Iron Hair, 1992 handforged iron and steel rods 9 x 2 1/2 x 2 1/2 inches.

Provenance: Edward Thorp Gallery. New York.

Acquired from the above by the present owner in 1995. $500-700 171 Richard Hunt (American, b. 1935) Untitled, 1998 bronze inscribed R Hunt and dated Height: 14 3/4 inches. $1,000-2,000 172 Richard Hunt (American, b. 1935) Untitled mixed media on paper signed R Hunt (lower left) 23 x 29 inches. $400-600

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173 Jim Lutes (American, b. 1955) Just Trying to Live With It, 1990 mixed media on paper signed Lutes, titled and dated (lower edge) 41 x 77 inches.

173 Jim Lutes (American, b. 1955) Just Trying to Live With It, 1990 mixed media on paper signed Lutes, titled and dated (lower edge) 41 x 77 inches.

Provenance: Dart Gallery, Chicago $6,000-8,000

Provenance: Dart Gallery, Chicago $6,000-8,000

174 John Himmelfarb (American, b. 1946) What they Were, Regression, Whirled Map, and Actually Doing lithographs each signed, titled and dated in pencil 15 x 20 inches. $500-700

174 John Himmelfarb (American, b. 1946) What they Were, Regression, Whirled Map, and Actually Doing lithographs each signed, titled and dated in pencil 15 x 20 inches. $500-700

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173 Jim Lutes (American, b. 1955) Just Trying to Live With It, 1990 mixed media on paper signed Lutes, titled and dated (lower edge) 41 x 77 inches.

173 Jim Lutes (American, b. 1955) Just Trying to Live With It, 1990 mixed media on paper signed Lutes, titled and dated (lower edge) 41 x 77 inches.

Provenance: Dart Gallery, Chicago $6,000-8,000

Provenance: Dart Gallery, Chicago $6,000-8,000

174 John Himmelfarb (American, b. 1946) What they Were, Regression, Whirled Map, and Actually Doing lithographs each signed, titled and dated in pencil 15 x 20 inches. $500-700

174 John Himmelfarb (American, b. 1946) What they Were, Regression, Whirled Map, and Actually Doing lithographs each signed, titled and dated in pencil 15 x 20 inches. $500-700

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176 Gaylen Gerber (American, b. 1955) Untitled (Still Life), c. 1990 oil on canvas signed Gerber (verso) 40 x 38 inches. $4,000-6,000

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175 Rodney Carswell (American, b. 1946) Untitled oil and encaustic on canvas 89 x 72 inches. $1,000-2,000

176 Gaylen Gerber (American, b. 1955) Untitled (Still Life), c. 1990 oil on canvas signed Gerber (verso) 40 x 38 inches. $4,000-6,000

MA D E I N CHI CA G O

175 Rodney Carswell (American, b. 1946) Untitled oil and encaustic on canvas 89 x 72 inches. $1,000-2,000

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176 Gaylen Gerber (American, b. 1955) Untitled (Still Life), c. 1990 oil on canvas signed Gerber (verso) 40 x 38 inches. $4,000-6,000

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175 Rodney Carswell (American, b. 1946) Untitled oil and encaustic on canvas 89 x 72 inches. $1,000-2,000

MA D E I N CHI CA G O

175 Rodney Carswell (American, b. 1946) Untitled oil and encaustic on canvas 89 x 72 inches. $1,000-2,000

176 Gaylen Gerber (American, b. 1955) Untitled (Still Life), c. 1990 oil on canvas signed Gerber (verso) 40 x 38 inches. $4,000-6,000

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177 McArthur Binion (American, b. 1946) Untitled 1985 lithograph signed, dated and numbered 16/50 in pencil 16 1/4 x 24 1/4 inches. $300-500 178* William Conger (American, b. 1937) Illini, 1993 mixed media signed W. Conger, titled and dated (verso) 3 1/2 x 10 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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177 McArthur Binion (American, b. 1946) Untitled 1985 lithograph signed, dated and numbered 16/50 in pencil 16 1/4 x 24 1/4 inches. $300-500

179 Robert Barnes (American, b. 1934) Untitled (Reclining Nude) acrylic and liquitex on board 16 1/2 x 18 inches. $1,000-2,000 179A Robert Barnes (American, b. 1934) Untitled oil on canvas 49 x 56 3/4 inches. $1,500-2,500

178* William Conger (American, b. 1937) Illini, 1993 mixed media signed W. Conger, titled and dated (verso) 3 1/2 x 10 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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179 Robert Barnes (American, b. 1934) Untitled (Reclining Nude) acrylic and liquitex on board 16 1/2 x 18 inches. $1,000-2,000 179A Robert Barnes (American, b. 1934) Untitled oil on canvas 49 x 56 3/4 inches. $1,500-2,500

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177 McArthur Binion (American, b. 1946) Untitled 1985 lithograph signed, dated and numbered 16/50 in pencil 16 1/4 x 24 1/4 inches. $300-500 178* William Conger (American, b. 1937) Illini, 1993 mixed media signed W. Conger, titled and dated (verso) 3 1/2 x 10 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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177 McArthur Binion (American, b. 1946) Untitled 1985 lithograph signed, dated and numbered 16/50 in pencil 16 1/4 x 24 1/4 inches. $300-500

179 Robert Barnes (American, b. 1934) Untitled (Reclining Nude) acrylic and liquitex on board 16 1/2 x 18 inches. $1,000-2,000 179A Robert Barnes (American, b. 1934) Untitled oil on canvas 49 x 56 3/4 inches. $1,500-2,500

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178* William Conger (American, b. 1937) Illini, 1993 mixed media signed W. Conger, titled and dated (verso) 3 1/2 x 10 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

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179 Robert Barnes (American, b. 1934) Untitled (Reclining Nude) acrylic and liquitex on board 16 1/2 x 18 inches. $1,000-2,000 179A Robert Barnes (American, b. 1934) Untitled oil on canvas 49 x 56 3/4 inches. $1,500-2,500

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180* Robert Lostutter (American, b. 1939) Hummingbird, 1993 and Green Oropendola, 1989 lithographs each signed, titled and number in pencil Largest: 11 1/2 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $800-1,200 181* Robert Lostutter (American, b. 1939) Untitled, 1989 etching signed, dated and numbered 8/10 in pencil 2 3/4 x 2 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500 182 Karl Wirsum (American, b. 1939) Jello Joel, 1989 lithograph signed, titled, dated and numbered 18/50 in pencil Sheet: 30 x 22 1/4 inches. $300-500

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183 Karl Wirsum (American, b. 1939) Single Signal, 1993 color lithograph signed, titled and inscribed 5 P.P. in pencil 20 1/2 x 15 inches. $600-800

180* Robert Lostutter (American, b. 1939) Hummingbird, 1993 and Green Oropendola, 1989 lithographs each signed, titled and number in pencil Largest: 11 1/2 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $800-1,200

184* VARIOUS AUTHORS. Who Chicago? An Exhibition of Contemporary Imagists. England: Ceolfrith Gallery and Sunderland Arts Centre, 1980.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $2,000-4,000

181* Robert Lostutter (American, b. 1939) Untitled, 1989 etching signed, dated and numbered 8/10 in pencil 2 3/4 x 2 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500

184A Gladys Nilsson (American, b. 1940) The Music Book: Turning the Page watercolor on paper titled (verso) 12 x 22 1/4 inches.

182 Karl Wirsum (American, b. 1939) Jello Joel, 1989 lithograph signed, titled, dated and numbered 18/50 in pencil Sheet: 30 x 22 1/4 inches. $300-500

Provenance: Berta Walker Galleries, Provincetown, Massachusetts $4,000-6,000

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183 Karl Wirsum (American, b. 1939) Single Signal, 1993 color lithograph signed, titled and inscribed 5 P.P. in pencil 20 1/2 x 15 inches. $600-800 184* VARIOUS AUTHORS. Who Chicago? An Exhibition of Contemporary Imagists. England: Ceolfrith Gallery and Sunderland Arts Centre, 1980.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $2,000-4,000 184A Gladys Nilsson (American, b. 1940) The Music Book: Turning the Page watercolor on paper titled (verso) 12 x 22 1/4 inches.

Provenance: Berta Walker Galleries, Provincetown, Massachusetts $4,000-6,000

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180* Robert Lostutter (American, b. 1939) Hummingbird, 1993 and Green Oropendola, 1989 lithographs each signed, titled and number in pencil Largest: 11 1/2 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $800-1,200 181* Robert Lostutter (American, b. 1939) Untitled, 1989 etching signed, dated and numbered 8/10 in pencil 2 3/4 x 2 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500 182 Karl Wirsum (American, b. 1939) Jello Joel, 1989 lithograph signed, titled, dated and numbered 18/50 in pencil Sheet: 30 x 22 1/4 inches. $300-500

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183 Karl Wirsum (American, b. 1939) Single Signal, 1993 color lithograph signed, titled and inscribed 5 P.P. in pencil 20 1/2 x 15 inches. $600-800

180* Robert Lostutter (American, b. 1939) Hummingbird, 1993 and Green Oropendola, 1989 lithographs each signed, titled and number in pencil Largest: 11 1/2 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $800-1,200

184* VARIOUS AUTHORS. Who Chicago? An Exhibition of Contemporary Imagists. England: Ceolfrith Gallery and Sunderland Arts Centre, 1980.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $2,000-4,000

181* Robert Lostutter (American, b. 1939) Untitled, 1989 etching signed, dated and numbered 8/10 in pencil 2 3/4 x 2 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500

184A Gladys Nilsson (American, b. 1940) The Music Book: Turning the Page watercolor on paper titled (verso) 12 x 22 1/4 inches.

182 Karl Wirsum (American, b. 1939) Jello Joel, 1989 lithograph signed, titled, dated and numbered 18/50 in pencil Sheet: 30 x 22 1/4 inches. $300-500

Provenance: Berta Walker Galleries, Provincetown, Massachusetts $4,000-6,000

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183 Karl Wirsum (American, b. 1939) Single Signal, 1993 color lithograph signed, titled and inscribed 5 P.P. in pencil 20 1/2 x 15 inches. $600-800 184* VARIOUS AUTHORS. Who Chicago? An Exhibition of Contemporary Imagists. England: Ceolfrith Gallery and Sunderland Arts Centre, 1980.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $2,000-4,000 184A Gladys Nilsson (American, b. 1940) The Music Book: Turning the Page watercolor on paper titled (verso) 12 x 22 1/4 inches.

Provenance: Berta Walker Galleries, Provincetown, Massachusetts $4,000-6,000

184A

185* Various Artists (American, 20th/21st century) Chicago Imagist Poster offset lithograph signed by each artist in pencil 22 x 18 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200 186 Ed Paschke (American, 1939-2004) Pump, 1989 etching signed, titled, dated, and numbered 17/50 in pencil 22 3/4 x 17 1/2 inches. $500-700

184A

187* Ed Paschke (American, 1939-2004) Ponderosa, 1991 lithograph signed, titled, dated and numbered 1/60 in pencil 26 x 36 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800

185* Various Artists (American, 20th/21st century) Chicago Imagist Poster offset lithograph signed by each artist in pencil 22 x 18 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200 186 Ed Paschke (American, 1939-2004) Pump, 1989 etching signed, titled, dated, and numbered 17/50 in pencil 22 3/4 x 17 1/2 inches. $500-700

188* Ed Paschke (American, 1939-2004) Indigo Deux, 1988 lithograph signed, titled, dated and numbered 46/60 19 x 33 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800

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186 Ed Paschke (American, 1939-2004) Pump, 1989 etching signed, titled, dated, and numbered 17/50 in pencil 22 3/4 x 17 1/2 inches. $500-700

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184A

187* Ed Paschke (American, 1939-2004) Ponderosa, 1991 lithograph signed, titled, dated and numbered 1/60 in pencil 26 x 36 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800

185* Various Artists (American, 20th/21st century) Chicago Imagist Poster offset lithograph signed by each artist in pencil 22 x 18 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200 186 Ed Paschke (American, 1939-2004) Pump, 1989 etching signed, titled, dated, and numbered 17/50 in pencil 22 3/4 x 17 1/2 inches. $500-700

188* Ed Paschke (American, 1939-2004) Indigo Deux, 1988 lithograph signed, titled, dated and numbered 46/60 19 x 33 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800

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188* Ed Paschke (American, 1939-2004) Indigo Deux, 1988 lithograph signed, titled, dated and numbered 46/60 19 x 33 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800

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185* Various Artists (American, 20th/21st century) Chicago Imagist Poster offset lithograph signed by each artist in pencil 22 x 18 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200

187* Ed Paschke (American, 1939-2004) Ponderosa, 1991 lithograph signed, titled, dated and numbered 1/60 in pencil 26 x 36 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800

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187* Ed Paschke (American, 1939-2004) Ponderosa, 1991 lithograph signed, titled, dated and numbered 1/60 in pencil 26 x 36 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800 188* Ed Paschke (American, 1939-2004) Indigo Deux, 1988 lithograph signed, titled, dated and numbered 46/60 19 x 33 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800

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189 Ed Paschke (American, 1939-2004) Cineface, 1993 oil on canvas signed E. Paschke and dated (lower left); signed, titled and dated (verso) 36 x 48 inches.

189 Ed Paschke (American, 1939-2004) Cineface, 1993 oil on canvas signed E. Paschke and dated (lower left); signed, titled and dated (verso) 36 x 48 inches.

Provenance: Phyllis Kind Gallery, Chicago Maya Polsky Gallery, Chicago $30,000-50,000

Provenance: Phyllis Kind Gallery, Chicago Maya Polsky Gallery, Chicago $30,000-50,000

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189 Ed Paschke (American, 1939-2004) Cineface, 1993 oil on canvas signed E. Paschke and dated (lower left); signed, titled and dated (verso) 36 x 48 inches.

189 Ed Paschke (American, 1939-2004) Cineface, 1993 oil on canvas signed E. Paschke and dated (lower left); signed, titled and dated (verso) 36 x 48 inches.

Provenance: Phyllis Kind Gallery, Chicago Maya Polsky Gallery, Chicago $30,000-50,000

Provenance: Phyllis Kind Gallery, Chicago Maya Polsky Gallery, Chicago $30,000-50,000

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190* Michael Hernandez de Luna (American, 20th/21st century) Kill All USA Artists, 1996 offset lithograph initialed, dated and numbered 3/5 in pencil 11 x 8 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 191* Tony Fitzpatrick (American, b. 1958) Pitbulls Fightin mixed media on slate 9 1/2 x 12 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 192 Tony Fitzpatrick (American, b. 1958) The Healer, 1993 lithograph initialed T.F., inscribed, titled, and dated in pencil 10 x 8 inches. $200-400

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193* Tony Fitzpatrick (American, b. 1958) Frank, 1992 and Smoke Dog, 1992 lithographs each signed, titled, inscribed and dated in pencil Largest: 8 x 6 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200

190* Michael Hernandez de Luna (American, 20th/21st century) Kill All USA Artists, 1996 offset lithograph initialed, dated and numbered 3/5 in pencil 11 x 8 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 191* Tony Fitzpatrick (American, b. 1958) Pitbulls Fightin mixed media on slate 9 1/2 x 12 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

194 Tony Fitzpatrick (American, b. 1958) The Sad Diva’s Fire Bird, The Rose Petrel, and The Last Vegas Bird, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $800-1,200

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192 Tony Fitzpatrick (American, b. 1958) The Healer, 1993 lithograph initialed T.F., inscribed, titled, and dated in pencil 10 x 8 inches. $200-400

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191* Tony Fitzpatrick (American, b. 1958) Pitbulls Fightin mixed media on slate 9 1/2 x 12 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 192 Tony Fitzpatrick (American, b. 1958) The Healer, 1993 lithograph initialed T.F., inscribed, titled, and dated in pencil 10 x 8 inches. $200-400

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194 Tony Fitzpatrick (American, b. 1958) The Sad Diva’s Fire Bird, The Rose Petrel, and The Last Vegas Bird, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $800-1,200

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190* Michael Hernandez de Luna (American, 20th/21st century) Kill All USA Artists, 1996 offset lithograph initialed, dated and numbered 3/5 in pencil 11 x 8 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

193* Tony Fitzpatrick (American, b. 1958) Frank, 1992 and Smoke Dog, 1992 lithographs each signed, titled, inscribed and dated in pencil Largest: 8 x 6 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200

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193* Tony Fitzpatrick (American, b. 1958) Frank, 1992 and Smoke Dog, 1992 lithographs each signed, titled, inscribed and dated in pencil Largest: 8 x 6 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200

190* Michael Hernandez de Luna (American, 20th/21st century) Kill All USA Artists, 1996 offset lithograph initialed, dated and numbered 3/5 in pencil 11 x 8 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700 191* Tony Fitzpatrick (American, b. 1958) Pitbulls Fightin mixed media on slate 9 1/2 x 12 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

194 Tony Fitzpatrick (American, b. 1958) The Sad Diva’s Fire Bird, The Rose Petrel, and The Last Vegas Bird, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $800-1,200

192 Tony Fitzpatrick (American, b. 1958) The Healer, 1993 lithograph initialed T.F., inscribed, titled, and dated in pencil 10 x 8 inches. $200-400

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193* Tony Fitzpatrick (American, b. 1958) Frank, 1992 and Smoke Dog, 1992 lithographs each signed, titled, inscribed and dated in pencil Largest: 8 x 6 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $100-200 194 Tony Fitzpatrick (American, b. 1958) The Sad Diva’s Fire Bird, The Rose Petrel, and The Last Vegas Bird, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $800-1,200

195 Tony Fitzpatrick (American, b. 1958) Birds, 1993-94 (a group of 13) color etchings with aquatint each numbered, titled and dated in pencil Largest: 5 x 4 inches.

A group of 13 etchings consisting of the following: Havana’s Bird, The ShipWrecked Sailors’ Bird, Small Bird of the Eternal Child, The Little Man’s Bird, The Fisherman’s Crow, The Watch-Man’s Bird, Iago’s Bird, The Atlantic Bird, The Conjured Bird, Diamond Bird, Houdini’s Bird, The Griot’s Bird, and St. Anthony’s Lost Bird $2,000-4,000 196 Tony Fitzpatrick (American, b. 1958) Cetus, Job’s Dream, and The Birth of an Old Whale, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil 3 x 5 inches. $800-1,200 197 Tony Fitzpatrick (American, b. 1958) Little Jumbo, Vegas Ant, and The Healer (1993) 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 10 x 8 inches. $800-1,200 198 Tony Fitzpatrick (American, b. 1958) 2nd China Sea Horse, 1994 color etching with aquatint initialed, titled and dated in pencil 5 x 7 inches. $500-700

200 Tony Fitzpatrick (American, b. 1958) Transformation of the Junk Whore, The Cicada Making Rain, The Bee Queen, and The Atomic Ant, 1995 (a group of 4) color etchings with aquatint each numbered, titled and dated in pencil Largest: 4 x 5 inches. $800-1,200

196 Tony Fitzpatrick (American, b. 1958) Cetus, Job’s Dream, and The Birth of an Old Whale, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil 3 x 5 inches. $800-1,200 197 Tony Fitzpatrick (American, b. 1958) Little Jumbo, Vegas Ant, and The Healer (1993) 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 10 x 8 inches. $800-1,200 198 Tony Fitzpatrick (American, b. 1958) 2nd China Sea Horse, 1994 color etching with aquatint initialed, titled and dated in pencil 5 x 7 inches. $500-700

196 Tony Fitzpatrick (American, b. 1958) Cetus, Job’s Dream, and The Birth of an Old Whale, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil 3 x 5 inches. $800-1,200

201 Tony Fitzpatrick (American, b. 1958) The Songbird, 1995 together with Leaving Sorano, 1998 color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $500-700 202 Tony Fitzpatrick (American, b. 1958) The Magic Hand and Garden of Tears, 1997 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil Largest: 12 x 9 inches. $600-800

197 Tony Fitzpatrick (American, b. 1958) Little Jumbo, Vegas Ant, and The Healer (1993) 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 10 x 8 inches. $800-1,200

203 Zani Jacobsen (American, 20th century) Riverview Park, 1986 hydrocal relief signed Zani (lower right) 49 x 26 inches. $300-500

198 Tony Fitzpatrick (American, b. 1958) 2nd China Sea Horse, 1994 color etching with aquatint initialed, titled and dated in pencil 5 x 7 inches. $500-700

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195 Tony Fitzpatrick (American, b. 1958) Birds, 1993-94 (a group of 13) color etchings with aquatint each numbered, titled and dated in pencil Largest: 5 x 4 inches.

A group of 13 etchings consisting of the following: Havana’s Bird, The ShipWrecked Sailors’ Bird, Small Bird of the Eternal Child, The Little Man’s Bird, The Fisherman’s Crow, The Watch-Man’s Bird, Iago’s Bird, The Atlantic Bird, The Conjured Bird, Diamond Bird, Houdini’s Bird, The Griot’s Bird, and St. Anthony’s Lost Bird $2,000-4,000

195 Tony Fitzpatrick (American, b. 1958) Birds, 1993-94 (a group of 13) color etchings with aquatint each numbered, titled and dated in pencil Largest: 5 x 4 inches.

A group of 13 etchings consisting of the following: Havana’s Bird, The ShipWrecked Sailors’ Bird, Small Bird of the Eternal Child, The Little Man’s Bird, The Fisherman’s Crow, The Watch-Man’s Bird, Iago’s Bird, The Atlantic Bird, The Conjured Bird, Diamond Bird, Houdini’s Bird, The Griot’s Bird, and St. Anthony’s Lost Bird $2,000-4,000

199 Tony Fitzpatrick (American, b. 1958) Nomubalis and The First Radiant Mermaid, 1994 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil 5 x 4 inches. $600-800

202 Tony Fitzpatrick (American, b. 1958) The Magic Hand and Garden of Tears, 1997 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil Largest: 12 x 9 inches. $600-800

197 Tony Fitzpatrick (American, b. 1958) Little Jumbo, Vegas Ant, and The Healer (1993) 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil Largest: 10 x 8 inches. $800-1,200

203 Zani Jacobsen (American, 20th century) Riverview Park, 1986 hydrocal relief signed Zani (lower right) 49 x 26 inches. $300-500

198 Tony Fitzpatrick (American, b. 1958) 2nd China Sea Horse, 1994 color etching with aquatint initialed, titled and dated in pencil 5 x 7 inches. $500-700

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203 Zani Jacobsen (American, 20th century) Riverview Park, 1986 hydrocal relief signed Zani (lower right) 49 x 26 inches. $300-500

196 Tony Fitzpatrick (American, b. 1958) Cetus, Job’s Dream, and The Birth of an Old Whale, 1994 (a group of 3) color etchings with aquatint each numbered, titled and dated in pencil 3 x 5 inches. $800-1,200

201 Tony Fitzpatrick (American, b. 1958) The Songbird, 1995 together with Leaving Sorano, 1998 color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $500-700

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201 Tony Fitzpatrick (American, b. 1958) The Songbird, 1995 together with Leaving Sorano, 1998 color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $500-700 202 Tony Fitzpatrick (American, b. 1958) The Magic Hand and Garden of Tears, 1997 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil Largest: 12 x 9 inches. $600-800

195 Tony Fitzpatrick (American, b. 1958) Birds, 1993-94 (a group of 13) color etchings with aquatint each numbered, titled and dated in pencil Largest: 5 x 4 inches.

A group of 13 etchings consisting of the following: Havana’s Bird, The ShipWrecked Sailors’ Bird, Small Bird of the Eternal Child, The Little Man’s Bird, The Fisherman’s Crow, The Watch-Man’s Bird, Iago’s Bird, The Atlantic Bird, The Conjured Bird, Diamond Bird, Houdini’s Bird, The Griot’s Bird, and St. Anthony’s Lost Bird $2,000-4,000

200 Tony Fitzpatrick (American, b. 1958) Transformation of the Junk Whore, The Cicada Making Rain, The Bee Queen, and The Atomic Ant, 1995 (a group of 4) color etchings with aquatint each numbered, titled and dated in pencil Largest: 4 x 5 inches. $800-1,200

200 Tony Fitzpatrick (American, b. 1958) Transformation of the Junk Whore, The Cicada Making Rain, The Bee Queen, and The Atomic Ant, 1995 (a group of 4) color etchings with aquatint each numbered, titled and dated in pencil Largest: 4 x 5 inches. $800-1,200

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199 Tony Fitzpatrick (American, b. 1958) Nomubalis and The First Radiant Mermaid, 1994 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil 5 x 4 inches. $600-800

199 Tony Fitzpatrick (American, b. 1958) Nomubalis and The First Radiant Mermaid, 1994 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil 5 x 4 inches. $600-800

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199 Tony Fitzpatrick (American, b. 1958) Nomubalis and The First Radiant Mermaid, 1994 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil 5 x 4 inches. $600-800 200 Tony Fitzpatrick (American, b. 1958) Transformation of the Junk Whore, The Cicada Making Rain, The Bee Queen, and The Atomic Ant, 1995 (a group of 4) color etchings with aquatint each numbered, titled and dated in pencil Largest: 4 x 5 inches. $800-1,200 201 Tony Fitzpatrick (American, b. 1958) The Songbird, 1995 together with Leaving Sorano, 1998 color etchings with aquatint each numbered, titled and dated in pencil Largest: 6 x 8 inches. $500-700 202 Tony Fitzpatrick (American, b. 1958) The Magic Hand and Garden of Tears, 1997 (a group of 2) color etchings with aquatint each numbered, titled and dated in pencil Largest: 12 x 9 inches. $600-800 203 Zani Jacobsen (American, 20th century) Riverview Park, 1986 hydrocal relief signed Zani (lower right) 49 x 26 inches. $300-500

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204 Gregory Warmack (Mr. Imagination) (American, 1948-2012) Paint Brush Head, 2000 mixed media signed Mr. Imagination and dated (verso) Height: 14 inches. $200-400 205* William Dawson (American, 1901-1990) Untitled (Pair), 1990 mixed media on paper each signed W-M-Dawson and dated (lower right) Largest: 15 x 15 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 206 Lee Godie (American, 1908-1994) Where the Boys Are mixed media on window shade signed Lee Godie (lower right) 52 1/2 x 36 inches. $1,000-2,000 207* Diane Simpson (American, b. 1955) Pattern for Sleeve-Cradle, 1997 and Study for Apron III, 2001 graphite on vellum graph paper each signed Diane Simpson, titled and dated 28 x 10 1/4 and 22 x 13 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

208* Phyllis Bramson (American, b. 1941) Winter, 2003 mixed media collage on canvas signed P. Bramson, titled and dated on verso 36 x 36 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois

205* William Dawson (American, 1901-1990) Untitled (Pair), 1990 mixed media on paper each signed W-M-Dawson and dated (lower right) Largest: 15 x 15 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 206 Lee Godie (American, 1908-1994) Where the Boys Are mixed media on window shade signed Lee Godie (lower right) 52 1/2 x 36 inches. $1,000-2,000 207* Diane Simpson (American, b. 1955) Pattern for Sleeve-Cradle, 1997 and Study for Apron III, 2001 graphite on vellum graph paper each signed Diane Simpson, titled and dated 28 x 10 1/4 and 22 x 13 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

205* William Dawson (American, 1901-1990) Untitled (Pair), 1990 mixed media on paper each signed W-M-Dawson and dated (lower right) Largest: 15 x 15 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

Provenance: Carl Hammer Gallery, Chicago $500-700 209* Linda Kramer (American, b. 1937) Box, 2007, together with Self Portrait Clock mixed media box signed and dated (underside) Height: 3 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500

206 Lee Godie (American, 1908-1994) Where the Boys Are mixed media on window shade signed Lee Godie (lower right) 52 1/2 x 36 inches. $1,000-2,000

210* Gladys Nilsson (American, b. 1940) Portrait of Cats watercolor on silk 30 x 29 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

207* Diane Simpson (American, b. 1955) Pattern for Sleeve-Cradle, 1997 and Study for Apron III, 2001 graphite on vellum graph paper each signed Diane Simpson, titled and dated 28 x 10 1/4 and 22 x 13 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

211* Ray Yoshida (American, 1930-2009) Untitled, 2000 mixed media collage signed Ray Yoshida and dated (lower right) 12 x 9 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

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204 Gregory Warmack (Mr. Imagination) (American, 1948-2012) Paint Brush Head, 2000 mixed media signed Mr. Imagination and dated (verso) Height: 14 inches. $200-400

204 Gregory Warmack (Mr. Imagination) (American, 1948-2012) Paint Brush Head, 2000 mixed media signed Mr. Imagination and dated (verso) Height: 14 inches. $200-400

204 Gregory Warmack (Mr. Imagination) (American, 1948-2012) Paint Brush Head, 2000 mixed media signed Mr. Imagination and dated (verso) Height: 14 inches. $200-400 205* William Dawson (American, 1901-1990) Untitled (Pair), 1990 mixed media on paper each signed W-M-Dawson and dated (lower right) Largest: 15 x 15 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

Provenance: Carl Hammer Gallery, Chicago $500-700 209* Linda Kramer (American, b. 1937) Box, 2007, together with Self Portrait Clock mixed media box signed and dated (underside) Height: 3 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500

206 Lee Godie (American, 1908-1994) Where the Boys Are mixed media on window shade signed Lee Godie (lower right) 52 1/2 x 36 inches. $1,000-2,000

210* Gladys Nilsson (American, b. 1940) Portrait of Cats watercolor on silk 30 x 29 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

207* Diane Simpson (American, b. 1955) Pattern for Sleeve-Cradle, 1997 and Study for Apron III, 2001 graphite on vellum graph paper each signed Diane Simpson, titled and dated 28 x 10 1/4 and 22 x 13 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $500-700

211* Ray Yoshida (American, 1930-2009) Untitled, 2000 mixed media collage signed Ray Yoshida and dated (lower right) 12 x 9 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

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Provenance: Carl Hammer Gallery, Chicago $500-700 209* Linda Kramer (American, b. 1937) Box, 2007, together with Self Portrait Clock mixed media box signed and dated (underside) Height: 3 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500 210* Gladys Nilsson (American, b. 1940) Portrait of Cats watercolor on silk 30 x 29 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 211* Ray Yoshida (American, 1930-2009) Untitled, 2000 mixed media collage signed Ray Yoshida and dated (lower right) 12 x 9 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

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208* Phyllis Bramson (American, b. 1941) Winter, 2003 mixed media collage on canvas signed P. Bramson, titled and dated on verso 36 x 36 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois

208* Phyllis Bramson (American, b. 1941) Winter, 2003 mixed media collage on canvas signed P. Bramson, titled and dated on verso 36 x 36 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois

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208* Phyllis Bramson (American, b. 1941) Winter, 2003 mixed media collage on canvas signed P. Bramson, titled and dated on verso 36 x 36 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois Provenance: Carl Hammer Gallery, Chicago $500-700 209* Linda Kramer (American, b. 1937) Box, 2007, together with Self Portrait Clock mixed media box signed and dated (underside) Height: 3 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $300-500 210* Gladys Nilsson (American, b. 1940) Portrait of Cats watercolor on silk 30 x 29 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 211* Ray Yoshida (American, 1930-2009) Untitled, 2000 mixed media collage signed Ray Yoshida and dated (lower right) 12 x 9 3/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

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212 Ed Paschke (American, 1939-2004) Pharaoh Grande, 2000 oil on linen signed E. Paschke and dated (lower left); signed, titled, and dated (verso) 60 x 78 inches.

212 Ed Paschke (American, 1939-2004) Pharaoh Grande, 2000 oil on linen signed E. Paschke and dated (lower left); signed, titled, and dated (verso) 60 x 78 inches.

Provenance: Maya Polsky Gallery, Chicago, Illinois $40,000-60,000

Provenance: Maya Polsky Gallery, Chicago, Illinois $40,000-60,000

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212 Ed Paschke (American, 1939-2004) Pharaoh Grande, 2000 oil on linen signed E. Paschke and dated (lower left); signed, titled, and dated (verso) 60 x 78 inches.

212 Ed Paschke (American, 1939-2004) Pharaoh Grande, 2000 oil on linen signed E. Paschke and dated (lower left); signed, titled, and dated (verso) 60 x 78 inches.

Provenance: Maya Polsky Gallery, Chicago, Illinois $40,000-60,000

Provenance: Maya Polsky Gallery, Chicago, Illinois $40,000-60,000

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213 Karl Wirsum (American, b. 1939) One Up Man (From the Slated Portfolio), 2005 lithograph signed, titled, and inscribed AG in pencil 9 1/4 x 7 1/4 inches. $300-500

213 Karl Wirsum (American, b. 1939) One Up Man (From the Slated Portfolio), 2005 lithograph signed, titled, and inscribed AG in pencil 9 1/4 x 7 1/4 inches. $300-500

214* Karl Wirsum (American, b. 1939) Untitled, 2000 acrylic on ceramic signed Karl Wirsum, and dated (verso) Diameter: 8 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

214* Karl Wirsum (American, b. 1939) Untitled, 2000 acrylic on ceramic signed Karl Wirsum, and dated (verso) Diameter: 8 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

215 Karl Wirsum (American, 1939) Untitled (Glow Worm) acrylic on canvas signed Karl Wirsum (lower left) 50 x 31 inches.

215 Karl Wirsum (American, 1939) Untitled (Glow Worm) acrylic on canvas signed Karl Wirsum (lower left) 50 x 31 inches.

Provenance: Sold: The School of the Art Institute Chicago,BareWalls Benefit Auction $5,000-7,000 216 Richard Hull (American, b. 1955) Reminds are Promise, 2002 oil on canvas signed Richard Hull and dated (verso) 36 x 30 inches. $800-1,200 217 William Conger (American, b. 1937) Moments #215, 2000 acrylic on paper on wood signed W. Conger (lower center); signed and dated (verso) 24 x 24 inches.

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218* William Conger (American, b. 1937) Untitled (Pair), 2008 mixed media on paper each signed W. Conger (lower right) Largest: 5 x 8 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 219 John Massey (American, b. 1931) Closed Space, Open Space, and Red Space, 1972 serigraphs each signed, titled, dated and numbered in pencil Each: 26 x 20 1/2 inches. $400-600 220 John Massey (American, b. 1931) Untitled serigraph 36 x 24 inches. $200-300

Provenance: Sold: The School of the Art Institute Chicago,BareWalls Benefit Auction $5,000-7,000 216 Richard Hull (American, b. 1955) Reminds are Promise, 2002 oil on canvas signed Richard Hull and dated (verso) 36 x 30 inches. $800-1,200 217 William Conger (American, b. 1937) Moments #215, 2000 acrylic on paper on wood signed W. Conger (lower center); signed and dated (verso) 24 x 24 inches.

Provenance: Roy Boyd Gallery, Chicago $400-600

MADE I N CHI CA GO

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213 Karl Wirsum (American, b. 1939) One Up Man (From the Slated Portfolio), 2005 lithograph signed, titled, and inscribed AG in pencil 9 1/4 x 7 1/4 inches. $300-500

214* Karl Wirsum (American, b. 1939) Untitled, 2000 acrylic on ceramic signed Karl Wirsum, and dated (verso) Diameter: 8 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

214* Karl Wirsum (American, b. 1939) Untitled, 2000 acrylic on ceramic signed Karl Wirsum, and dated (verso) Diameter: 8 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000

215 Karl Wirsum (American, 1939) Untitled (Glow Worm) acrylic on canvas signed Karl Wirsum (lower left) 50 x 31 inches.

215 Karl Wirsum (American, 1939) Untitled (Glow Worm) acrylic on canvas signed Karl Wirsum (lower left) 50 x 31 inches.

Provenance: Sold: The School of the Art Institute Chicago,BareWalls Benefit Auction $5,000-7,000 216 Richard Hull (American, b. 1955) Reminds are Promise, 2002 oil on canvas signed Richard Hull and dated (verso) 36 x 30 inches. $800-1,200 217 William Conger (American, b. 1937) Moments #215, 2000 acrylic on paper on wood signed W. Conger (lower center); signed and dated (verso) 24 x 24 inches.

Provenance: Roy Boyd Gallery, Chicago $400-600 84

MADE I N CHI CA GO

218* William Conger (American, b. 1937) Untitled (Pair), 2008 mixed media on paper each signed W. Conger (lower right) Largest: 5 x 8 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 219 John Massey (American, b. 1931) Closed Space, Open Space, and Red Space, 1972 serigraphs each signed, titled, dated and numbered in pencil Each: 26 x 20 1/2 inches. $400-600 220 John Massey (American, b. 1931) Untitled serigraph 36 x 24 inches. $200-300

Provenance: Sold: The School of the Art Institute Chicago,BareWalls Benefit Auction $5,000-7,000 216 Richard Hull (American, b. 1955) Reminds are Promise, 2002 oil on canvas signed Richard Hull and dated (verso) 36 x 30 inches. $800-1,200 217 William Conger (American, b. 1937) Moments #215, 2000 acrylic on paper on wood signed W. Conger (lower center); signed and dated (verso) 24 x 24 inches.

Provenance: Roy Boyd Gallery, Chicago $400-600 84

218* William Conger (American, b. 1937) Untitled (Pair), 2008 mixed media on paper each signed W. Conger (lower right) Largest: 5 x 8 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 219 John Massey (American, b. 1931) Closed Space, Open Space, and Red Space, 1972 serigraphs each signed, titled, dated and numbered in pencil Each: 26 x 20 1/2 inches. $400-600 220 John Massey (American, b. 1931) Untitled serigraph 36 x 24 inches. $200-300

MA D E I N CHI CA G O

213 Karl Wirsum (American, b. 1939) One Up Man (From the Slated Portfolio), 2005 lithograph signed, titled, and inscribed AG in pencil 9 1/4 x 7 1/4 inches. $300-500

215

215

MA D E I N CHI CA G O

215

218* William Conger (American, b. 1937) Untitled (Pair), 2008 mixed media on paper each signed W. Conger (lower right) Largest: 5 x 8 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 219 John Massey (American, b. 1931) Closed Space, Open Space, and Red Space, 1972 serigraphs each signed, titled, dated and numbered in pencil Each: 26 x 20 1/2 inches. $400-600 220 John Massey (American, b. 1931) Untitled serigraph 36 x 24 inches. $200-300

221

221 Laura Letinsky (Canadian, b. 1962) Untitled no. 34 from Morning and Melancholia series, 2001 chromogenic print signed, titled, dated and numbered 1/15 24 x 18 3/4 inches.

Provenance: Edwynn Houk Gallery, New York, NY $2,000-4,000 222 Laura Letinsky (Canadian, b. 1962) Untitled, from Morning and Melancholia series, 2001 chromogenic print signed, titled and dated in pencil 7 1/4 x 9 1/4 inches. $800-1,200

221

222A* Jose Bernal (American/Cuban, 1925-2010) Cinderella at Midnight, 2006 mixed media on photographic paper 3 1/2 x 4 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $400-600

221 Laura Letinsky (Canadian, b. 1962) Untitled no. 34 from Morning and Melancholia series, 2001 chromogenic print signed, titled, dated and numbered 1/15 24 x 18 3/4 inches.

Provenance: Edwynn Houk Gallery, New York, NY $2,000-4,000

223 Paul D’Amato (American, b. 1956) First Lady, Garfield Park, M.B. Church Chicago, 2009 c-print signed, titled, dated and numbered 7/20 14 x 11 inches.

222 Laura Letinsky (Canadian, b. 1962) Untitled, from Morning and Melancholia series, 2001 chromogenic print signed, titled and dated in pencil 7 1/4 x 9 1/4 inches. $800-1,200

Provenance: Stephen Daiter Gallery, Chicago $300-500

VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM

222A* Jose Bernal (American/Cuban, 1925-2010) Cinderella at Midnight, 2006 mixed media on photographic paper 3 1/2 x 4 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $400-600 223 Paul D’Amato (American, b. 1956) First Lady, Garfield Park, M.B. Church Chicago, 2009 c-print signed, titled, dated and numbered 7/20 14 x 11 inches.

Provenance: Stephen Daiter Gallery, Chicago $300-500

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221

221 Laura Letinsky (Canadian, b. 1962) Untitled no. 34 from Morning and Melancholia series, 2001 chromogenic print signed, titled, dated and numbered 1/15 24 x 18 3/4 inches.

Provenance: Edwynn Houk Gallery, New York, NY $2,000-4,000 222 Laura Letinsky (Canadian, b. 1962) Untitled, from Morning and Melancholia series, 2001 chromogenic print signed, titled and dated in pencil 7 1/4 x 9 1/4 inches. $800-1,200

221

222A* Jose Bernal (American/Cuban, 1925-2010) Cinderella at Midnight, 2006 mixed media on photographic paper 3 1/2 x 4 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $400-600

221 Laura Letinsky (Canadian, b. 1962) Untitled no. 34 from Morning and Melancholia series, 2001 chromogenic print signed, titled, dated and numbered 1/15 24 x 18 3/4 inches.

Provenance: Edwynn Houk Gallery, New York, NY $2,000-4,000

223 Paul D’Amato (American, b. 1956) First Lady, Garfield Park, M.B. Church Chicago, 2009 c-print signed, titled, dated and numbered 7/20 14 x 11 inches.

222 Laura Letinsky (Canadian, b. 1962) Untitled, from Morning and Melancholia series, 2001 chromogenic print signed, titled and dated in pencil 7 1/4 x 9 1/4 inches. $800-1,200

Provenance: Stephen Daiter Gallery, Chicago $300-500

VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM

85

85

222A* Jose Bernal (American/Cuban, 1925-2010) Cinderella at Midnight, 2006 mixed media on photographic paper 3 1/2 x 4 inches.

Property from the Collection of Estela Bernal, Skokie, Illinois Sold to Benefit Action International Ministries (Acción Cuba: Hurricane Relief Fund) $400-600 223 Paul D’Amato (American, b. 1956) First Lady, Garfield Park, M.B. Church Chicago, 2009 c-print signed, titled, dated and numbered 7/20 14 x 11 inches.

Provenance: Stephen Daiter Gallery, Chicago $300-500

V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M

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224

224

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MADE I N CHI CA GO

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MA D E I N CHI CA G O

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86

MADE I N CHI CA GO

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86

MA D E I N CHI CA G O

224 [CHICAGO CUBS].

224 [CHICAGO CUBS].

2016 World Champion Chicago Cubs: a day-to-day recap of that amazing week of October and November baseball, as recounted on the pages of the Chicago Tribune from the pens of Paul Sullivan, David Haugh, Steve Rosenbloom, Mark Gonzales and other Trib scribes and with photographs

by Brian Cassella, Nuccio DiNuzzo, Armando L. Sanchez, Phil Velasquez and others. Containing the original pages of the Trib, on the original, mildly acidic, wood-pulp paper, and provided with consecutive page numbers for easy reference from the exhaustive index to the entire Cubs content. Oak Park, IL: The Boreas Press [Bob Karrow, prop.], 2017.

2016 World Champion Chicago Cubs: a day-to-day recap of that amazing week of October and November baseball, as recounted on the pages of the Chicago Tribune from the pens of Paul Sullivan, David Haugh, Steve Rosenbloom, Mark Gonzales and other Trib scribes and with photographs

by Brian Cassella, Nuccio DiNuzzo, Armando L. Sanchez, Phil Velasquez and others. Containing the original pages of the Trib, on the original, mildly acidic, wood-pulp paper, and provided with consecutive page numbers for easy reference from the exhaustive index to the entire Cubs content. Oak Park, IL: The Boreas Press [Bob Karrow, prop.], 2017.

Tall folio (58 x 29 cm). Some 676 newsprint leaves, hundreds of photographs and illustrations, many in color; manuscript page numbers upper right corners, errata tipped in. Blue cloth-covered boards, decorative decal to upper cover, red goatskin spine.

Tall folio (58 x 29 cm). Some 676 newsprint leaves, hundreds of photographs and illustrations, many in color; manuscript page numbers upper right corners, errata tipped in. Blue cloth-covered boards, decorative decal to upper cover, red goatskin spine.

STRICTLY LIMITED EDITION, number 1 of 1 copy, carefully compiled and indexed, and bound in goat (a nod to the Curse of the Billy Goat). Includes Chicago Tribune coverage of the Cubs from Sunday, October 23rd through Wednesday, November 9th. The Cubs defeated the Los Angeles Dodgers in the National League Championship on Saturday, October 22nd, to advance to their first World Series since 1945. The Cubs’ were crowned World Series Champions after winning game 7 against the Cleveland Indians on Wednesday, November 2nd in extra innings.

STRICTLY LIMITED EDITION, number 1 of 1 copy, carefully compiled and indexed, and bound in goat (a nod to the Curse of the Billy Goat). Includes Chicago Tribune coverage of the Cubs from Sunday, October 23rd through Wednesday, November 9th. The Cubs defeated the Los Angeles Dodgers in the National League Championship on Saturday, October 22nd, to advance to their first World Series since 1945. The Cubs’ were crowned World Series Champions after winning game 7 against the Cleveland Indians on Wednesday, November 2nd in extra innings.

Sold to benefit the Caxton Club. $500-700

Sold to benefit the Caxton Club. $500-700

VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM

87

V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M

87

224 [CHICAGO CUBS].

224 [CHICAGO CUBS].

2016 World Champion Chicago Cubs: a day-to-day recap of that amazing week of October and November baseball, as recounted on the pages of the Chicago Tribune from the pens of Paul Sullivan, David Haugh, Steve Rosenbloom, Mark Gonzales and other Trib scribes and with photographs

by Brian Cassella, Nuccio DiNuzzo, Armando L. Sanchez, Phil Velasquez and others. Containing the original pages of the Trib, on the original, mildly acidic, wood-pulp paper, and provided with consecutive page numbers for easy reference from the exhaustive index to the entire Cubs content. Oak Park, IL: The Boreas Press [Bob Karrow, prop.], 2017.

2016 World Champion Chicago Cubs: a day-to-day recap of that amazing week of October and November baseball, as recounted on the pages of the Chicago Tribune from the pens of Paul Sullivan, David Haugh, Steve Rosenbloom, Mark Gonzales and other Trib scribes and with photographs

by Brian Cassella, Nuccio DiNuzzo, Armando L. Sanchez, Phil Velasquez and others. Containing the original pages of the Trib, on the original, mildly acidic, wood-pulp paper, and provided with consecutive page numbers for easy reference from the exhaustive index to the entire Cubs content. Oak Park, IL: The Boreas Press [Bob Karrow, prop.], 2017.

Tall folio (58 x 29 cm). Some 676 newsprint leaves, hundreds of photographs and illustrations, many in color; manuscript page numbers upper right corners, errata tipped in. Blue cloth-covered boards, decorative decal to upper cover, red goatskin spine.

Tall folio (58 x 29 cm). Some 676 newsprint leaves, hundreds of photographs and illustrations, many in color; manuscript page numbers upper right corners, errata tipped in. Blue cloth-covered boards, decorative decal to upper cover, red goatskin spine.

STRICTLY LIMITED EDITION, number 1 of 1 copy, carefully compiled and indexed, and bound in goat (a nod to the Curse of the Billy Goat). Includes Chicago Tribune coverage of the Cubs from Sunday, October 23rd through Wednesday, November 9th. The Cubs defeated the Los Angeles Dodgers in the National League Championship on Saturday, October 22nd, to advance to their first World Series since 1945. The Cubs’ were crowned World Series Champions after winning game 7 against the Cleveland Indians on Wednesday, November 2nd in extra innings.

STRICTLY LIMITED EDITION, number 1 of 1 copy, carefully compiled and indexed, and bound in goat (a nod to the Curse of the Billy Goat). Includes Chicago Tribune coverage of the Cubs from Sunday, October 23rd through Wednesday, November 9th. The Cubs defeated the Los Angeles Dodgers in the National League Championship on Saturday, October 22nd, to advance to their first World Series since 1945. The Cubs’ were crowned World Series Champions after winning game 7 against the Cleveland Indians on Wednesday, November 2nd in extra innings.

Sold to benefit the Caxton Club. $500-700

Sold to benefit the Caxton Club. $500-700

VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM

87

V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M

87

AUCTION INQUIRIES

Zack Wirsum Senior Specialist, Fine Art zachary@lesliehindman.com

AUCTION INQUIRIES

Gretchen Hause Director, Books and Manuscripts gretchenhause@lesliehindman.com

OFFICE OF THE PRESIDENT Leslie S. Hindman Founder and Co-Chair 312.280.1212 Thomas Galbraith CEO thomasgalbraith@lesliehindman.com 312.334.4205 Adam Spender Executive Assistant 312.334.4201

FINANCE Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT

Mike Intihar Senior Specialist, Fine Furniture and Decorative Arts mike@lesliehindman.com

Fine Art

Asian Works of Art

Zack Wirsum Senior Specialist zachary@lesliehindman.com

Annie Wu Specialist anniewu@lesliehindman.com

Tess Hall Senior Specialist anastasiahall@lesliehindman.com

Flora Zhang Cataloguer florazhang@lesliehindman.com 312.447.3290

Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064 Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com

Molly Gron Director mollygron@lesliehindman.com 312.334.4235

Corbin Horn Senior Specialist corbinhorn@lesliehindman.com

Katelyn Finn Important Collections Manager katelynfinn@lesliehindman.com 312.447.3297

Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292

Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224

Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282

MUSEUM SERVICES

Genevieve King Cataloguer genevieveking@lesliehindman.com

Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210

CONSIGNMENT DEPARTMENT Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263

Fine Jewelry and Timepieces Katie Guilbault, G.G. Senior Specialist katieguilbault@lesliehindman.com Nicole Gunn, G.G. Gemologist, Florida Region nicolegunn@lesliehindman.com Jamie Henderson Specialist jamiehenderson@lesliehindman.com Sally Klaar, G.G. Associate Specialist / Cataloguer sallyklaar@lesliehindman.com Hana Thomson Cataloguer hanathomson@lesliehindman.com Madeline Schroeder Account Executive / Cataloguer madelineschroeder@lesliehindman.com 312.334.4223 Briar Koehl Account Executive briarkoehl@lesliehindman.com 312.600.6075 Katie Meyer Administrator katiemeyer@lesliehindman.com 312.334.4213

Modern Design

Luxury Accessories and Couture

Mike Intihar Senior Specialist mike@lesliehindman.com

Mary Shearson Director maryshearson@lesliehindman.com

Hudson Berry Specialist hudsonberry@lesliehindman.com 312.334.4217

Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288

Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282

Arts of the American West

Fine Books and Manuscripts Gretchen Hause Director gretchenhause@lesliehindman.com Elizabeth Keithley Account Executive elizabethkeithley@lesliehindman.com 312.334.4231

88

Nathan Brady Cataloguer, Fine Art nathanbrady@lesliehindman.com

Rachel Enright Consignment Manager rachelenright@lesliehindman.com 303.825.1855 Interiors Gia Spezia, Director gia@lesliehindman.com 312.334.4219

REGIONAL OFFICES

OFFICE OF THE PRESIDENT

Vaughn Smith Regional Development Manager vaughnsmith@lesliehindman.com 312.334.4238

Leslie S. Hindman Founder and Co-Chair 312.280.1212

Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204 Kathleen Brennan Account Executive kathleenbrennan@lesliehindman.com 312.334.4234 Atlanta Mary Calhoun marycalhoun@lesliehindman.com 404.800.0192 Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855 Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200 Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448 West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053 Scottsdale Logan Browning loganbrowning@lesliehindman.com 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983

Thomas Galbraith CEO thomasgalbraith@lesliehindman.com 312.334.4205 Adam Spender Executive Assistant 312.334.4201

FINANCE Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Molly Gron Director mollygron@lesliehindman.com 312.334.4235 Katelyn Finn Important Collections Manager katelynfinn@lesliehindman.com 312.447.3297 Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224

MUSEUM SERVICES Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210

CONSIGNMENT DEPARTMENT Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263

Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT

Annie Wu Specialist anniewu@lesliehindman.com

Tess Hall Senior Specialist anastasiahall@lesliehindman.com

Flora Zhang Cataloguer florazhang@lesliehindman.com 312.447.3290

Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064 Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216

Corbin Horn Senior Specialist corbinhorn@lesliehindman.com Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292

Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224

Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282

MUSEUM SERVICES

Genevieve King Cataloguer genevieveking@lesliehindman.com

Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210

CONSIGNMENT DEPARTMENT Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263

Fine Jewelry and Timepieces Katie Guilbault, G.G. Senior Specialist katieguilbault@lesliehindman.com Nicole Gunn, G.G. Gemologist, Florida Region nicolegunn@lesliehindman.com Jamie Henderson Specialist jamiehenderson@lesliehindman.com Sally Klaar, G.G. Associate Specialist / Cataloguer sallyklaar@lesliehindman.com Hana Thomson Cataloguer hanathomson@lesliehindman.com Madeline Schroeder Account Executive / Cataloguer madelineschroeder@lesliehindman.com 312.334.4223 Briar Koehl Account Executive briarkoehl@lesliehindman.com 312.600.6075 Katie Meyer Administrator katiemeyer@lesliehindman.com 312.334.4213

Modern Design

Luxury Accessories and Couture

Mike Intihar Senior Specialist mike@lesliehindman.com

Mary Shearson Director maryshearson@lesliehindman.com

Hudson Berry Specialist hudsonberry@lesliehindman.com 312.334.4217

Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288

Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282

Arts of the American West

Fine Books and Manuscripts Gretchen Hause Director gretchenhause@lesliehindman.com

Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811

REGIONAL OFFICES

Asian Works of Art

Zack Wirsum Senior Specialist zachary@lesliehindman.com

Mike Intihar Senior Specialist mike@lesliehindman.com

Katelyn Finn Important Collections Manager katelynfinn@lesliehindman.com 312.447.3297

Nathan Brady Cataloguer, Fine Art nathanbrady@lesliehindman.com

Fine Art

Fine Furniture and Decorative Arts

Molly Gron Director mollygron@lesliehindman.com 312.334.4235

Elizabeth Keithley Account Executive elizabethkeithley@lesliehindman.com 312.334.4231

International Tina Fisher Grow 561.315.9100

Mike Intihar Senior Specialist, Fine Furniture and Decorative Arts mike@lesliehindman.com

Nathan Brady Cataloguer, Fine Art nathanbrady@lesliehindman.com

Fine Art

Asian Works of Art

Zack Wirsum Senior Specialist zachary@lesliehindman.com

Annie Wu Specialist anniewu@lesliehindman.com

Tess Hall Senior Specialist anastasiahall@lesliehindman.com

Flora Zhang Cataloguer florazhang@lesliehindman.com 312.447.3290

Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064 Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com Corbin Horn Senior Specialist corbinhorn@lesliehindman.com Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282 Genevieve King Cataloguer genevieveking@lesliehindman.com

Fine Jewelry and Timepieces Katie Guilbault, G.G. Senior Specialist katieguilbault@lesliehindman.com Nicole Gunn, G.G. Gemologist, Florida Region nicolegunn@lesliehindman.com Jamie Henderson Specialist jamiehenderson@lesliehindman.com Sally Klaar, G.G. Associate Specialist / Cataloguer sallyklaar@lesliehindman.com Hana Thomson Cataloguer hanathomson@lesliehindman.com Madeline Schroeder Account Executive / Cataloguer madelineschroeder@lesliehindman.com 312.334.4223 Briar Koehl Account Executive briarkoehl@lesliehindman.com 312.600.6075 Katie Meyer Administrator katiemeyer@lesliehindman.com 312.334.4213

Modern Design

Luxury Accessories and Couture

Mike Intihar Senior Specialist mike@lesliehindman.com

Mary Shearson Director maryshearson@lesliehindman.com

Hudson Berry Specialist hudsonberry@lesliehindman.com 312.334.4217

Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288

Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282

Arts of the American West

Gretchen Hause Director gretchenhause@lesliehindman.com Elizabeth Keithley Account Executive elizabethkeithley@lesliehindman.com 312.334.4231

MADE I N CHI CA GO

FINANCE

Mike Intihar Senior Specialist, Fine Furniture and Decorative Arts mike@lesliehindman.com

Rachel Enright Consignment Manager rachelenright@lesliehindman.com 303.825.1855 Interiors Gia Spezia, Director gia@lesliehindman.com 312.334.4219

Vaughn Smith Regional Development Manager vaughnsmith@lesliehindman.com 312.334.4238 Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204 Kathleen Brennan Account Executive kathleenbrennan@lesliehindman.com 312.334.4234 Atlanta Mary Calhoun marycalhoun@lesliehindman.com 404.800.0192 Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855 Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200 Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448 West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053 Scottsdale Logan Browning loganbrowning@lesliehindman.com 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811 International Tina Fisher Grow 561.315.9100

MA D E I N CHI CA G O

AUCTION INQUIRIES

Fine Books and Manuscripts

88

Adam Spender Executive Assistant 312.334.4201

88

Gretchen Hause Director, Books and Manuscripts gretchenhause@lesliehindman.com

Leslie S. Hindman Founder and Co-Chair 312.280.1212

Thomas Galbraith CEO thomasgalbraith@lesliehindman.com 312.334.4205

Washington, D.C. Maura Ross 561.676.3199

AUCTION INQUIRIES

OFFICE OF THE PRESIDENT

Gretchen Hause Director, Books and Manuscripts gretchenhause@lesliehindman.com

Ohio Macy Nyhart Hansen 513.560.3200

MADE I N CHI CA GO

Zack Wirsum Senior Specialist, Fine Art zachary@lesliehindman.com

Zack Wirsum Senior Specialist, Fine Art zachary@lesliehindman.com

Rachel Enright Consignment Manager rachelenright@lesliehindman.com 303.825.1855 Interiors Gia Spezia, Director gia@lesliehindman.com 312.334.4219

Zack Wirsum Senior Specialist, Fine Art zachary@lesliehindman.com

REGIONAL OFFICES

OFFICE OF THE PRESIDENT

Vaughn Smith Regional Development Manager vaughnsmith@lesliehindman.com 312.334.4238

Leslie S. Hindman Founder and Co-Chair 312.280.1212

Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204 Kathleen Brennan Account Executive kathleenbrennan@lesliehindman.com 312.334.4234 Atlanta Mary Calhoun marycalhoun@lesliehindman.com 404.800.0192 Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855 Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200 Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448 West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053 Scottsdale Logan Browning loganbrowning@lesliehindman.com 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983

Gretchen Hause Director, Books and Manuscripts gretchenhause@lesliehindman.com

Thomas Galbraith CEO thomasgalbraith@lesliehindman.com 312.334.4205 Adam Spender Executive Assistant 312.334.4201

FINANCE Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Molly Gron Director mollygron@lesliehindman.com 312.334.4235 Katelyn Finn Important Collections Manager katelynfinn@lesliehindman.com 312.447.3297 Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224

MUSEUM SERVICES Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210

CONSIGNMENT DEPARTMENT Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263

Ohio Macy Nyhart Hansen 513.560.3200

Mike Intihar Senior Specialist, Fine Furniture and Decorative Arts mike@lesliehindman.com

Fine Art

Asian Works of Art

Zack Wirsum Senior Specialist zachary@lesliehindman.com

Annie Wu Specialist anniewu@lesliehindman.com

Tess Hall Senior Specialist anastasiahall@lesliehindman.com

Flora Zhang Cataloguer florazhang@lesliehindman.com 312.447.3290

Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064 Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com Corbin Horn Senior Specialist corbinhorn@lesliehindman.com Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282 Genevieve King Cataloguer genevieveking@lesliehindman.com

88

MA D E I N CHI CA G O

Nicole Gunn, G.G. Gemologist, Florida Region nicolegunn@lesliehindman.com Jamie Henderson Specialist jamiehenderson@lesliehindman.com Sally Klaar, G.G. Associate Specialist / Cataloguer sallyklaar@lesliehindman.com Hana Thomson Cataloguer hanathomson@lesliehindman.com Madeline Schroeder Account Executive / Cataloguer madelineschroeder@lesliehindman.com 312.334.4223 Briar Koehl Account Executive briarkoehl@lesliehindman.com 312.600.6075 Katie Meyer Administrator katiemeyer@lesliehindman.com 312.334.4213

Mike Intihar Senior Specialist mike@lesliehindman.com

Mary Shearson Director maryshearson@lesliehindman.com

Hudson Berry Specialist hudsonberry@lesliehindman.com 312.334.4217

Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288

Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282

Arts of the American West

Elizabeth Keithley Account Executive elizabethkeithley@lesliehindman.com 312.334.4231

International Tina Fisher Grow 561.315.9100

Katie Guilbault, G.G. Senior Specialist katieguilbault@lesliehindman.com

Luxury Accessories and Couture

Gretchen Hause Director gretchenhause@lesliehindman.com

Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811

Fine Jewelry and Timepieces

Modern Design

Fine Books and Manuscripts

Washington, D.C. Maura Ross 561.676.3199

Nathan Brady Cataloguer, Fine Art nathanbrady@lesliehindman.com

Rachel Enright Consignment Manager rachelenright@lesliehindman.com 303.825.1855 Interiors Gia Spezia, Director gia@lesliehindman.com 312.334.4219

REGIONAL OFFICES Vaughn Smith Regional Development Manager vaughnsmith@lesliehindman.com 312.334.4238 Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204 Kathleen Brennan Account Executive kathleenbrennan@lesliehindman.com 312.334.4234 Atlanta Mary Calhoun marycalhoun@lesliehindman.com 404.800.0192 Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855 Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200 Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448 West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053 Scottsdale Logan Browning loganbrowning@lesliehindman.com 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811 International Tina Fisher Grow 561.315.9100

GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property

If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates

Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold.

If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping Arrangements

Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals

Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale

Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions

Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates

Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports

We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction

The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.

GUIDE FOR PROSPECTIVE SELLERS Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are: $0 - $200 ......................................... $10 $200 - $500 ......................................... $25 $500 - $1,000 ...................................... $50 $1,000 - $2,000 .................................... $100 $2,000 - $5,000 .................................... $200 $5,000 - $10,000 .................................. $500 $10,000 - $20,000 ............................... $1,000 $20,000 - $50,000 ............................... $2,000 $50,000 - $100,000 ............................. $5,000 $100,000 - $200,000 ........................... $10,000 Over > $200,000 .... Auctioneer’s Discretion

Evaluation of Property

If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates

Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold.

If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

In-House Bidding

Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Shipping Arrangements

Online Bidding

Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale.

For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding

If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice

Lots marked with an asterisk (*) are tax exempt as permitted by law.

Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals

Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale

Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions

DRIVING DIRECTIONS/PARKING From the WEST:

Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST:

Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST:

Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST:

Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates

Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports

We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction

The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.

Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking:

If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates

Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold.

If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping Arrangements

Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals

Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale

Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions

Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates

Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports

We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction

The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.

$0 - $200 ......................................... $10 $200 - $500 ......................................... $25 $500 - $1,000 ...................................... $50 $1,000 - $2,000 .................................... $100 $2,000 - $5,000 .................................... $200 $5,000 - $10,000 .................................. $500 $10,000 - $20,000 ............................... $1,000 $20,000 - $50,000 ............................... $2,000 $50,000 - $100,000 ............................. $5,000 $100,000 - $200,000 ........................... $10,000 Over > $200,000 .... Auctioneer’s Discretion

In-House Bidding

Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding

Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale.

For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding

If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice

Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS/PARKING From the WEST:

Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST:

Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST:

Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST:

Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the street from our entrance.

V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M

89

GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property

The normal bidding increments are:

Parking:

Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the street from our entrance.

VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

89

GUIDE FOR PROSPECTIVE SELLERS Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are: $0 - $200 ......................................... $10 $200 - $500 ......................................... $25 $500 - $1,000 ...................................... $50 $1,000 - $2,000 .................................... $100 $2,000 - $5,000 .................................... $200 $5,000 - $10,000 .................................. $500 $10,000 - $20,000 ............................... $1,000 $20,000 - $50,000 ............................... $2,000 $50,000 - $100,000 ............................. $5,000 $100,000 - $200,000 ........................... $10,000 Over > $200,000 .... Auctioneer’s Discretion

Standard Commission Rates

Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold.

If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

In-House Bidding

Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Shipping Arrangements

Online Bidding

Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale.

For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding

If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice

Lots marked with an asterisk (*) are tax exempt as permitted by law.

Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals

Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale

Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions

DRIVING DIRECTIONS/PARKING From the WEST:

Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST:

Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST:

Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST:

Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates

Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports

We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction

The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.

Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking:

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are: $0 - $200 ......................................... $10 $200 - $500 ......................................... $25 $500 - $1,000 ...................................... $50 $1,000 - $2,000 .................................... $100 $2,000 - $5,000 .................................... $200 $5,000 - $10,000 .................................. $500 $10,000 - $20,000 ............................... $1,000 $20,000 - $50,000 ............................... $2,000 $50,000 - $100,000 ............................. $5,000 $100,000 - $200,000 ........................... $10,000 Over > $200,000 .... Auctioneer’s Discretion

In-House Bidding

Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding

Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale.

For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding

If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice

Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS/PARKING From the WEST:

Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST:

Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST:

Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST:

Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking:

Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the street from our entrance.

VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM

Evaluation of Property

If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the street from our entrance.

89

V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M

89

CONDITIONS OF SALE HINDMAN LLC AS AGENT

The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place.

Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

CONDITIONS OF SALE Telephone Bids

On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC.

Online Bids

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves

Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion

Refusal of Admission

Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Registration Before Bidding

Successful Bid

AT THE SALE

A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal

When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment.

Absentee Bids

We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

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The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive.

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium

In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.

MADE I N CHI CA GO

The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place.

Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

Telephone Bids

On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC.

Online Bids

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves

Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion

Refusal of Admission

Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration Before Bidding

Successful Bid

A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal

When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment.

Absentee Bids

We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

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MADE I N CHI CA GO

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place.

Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

Telephone Bids

On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC.

Online Bids

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves

Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion

Refusal of Admission

Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Registration Before Bidding

Successful Bid

AT THE SALE

A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal

When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment.

Absentee Bids

We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive.

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium

In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.

MA D E I N CHI CA G O

CONDITIONS OF SALE

The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

AT THE SALE

The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

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CONDITIONS OF SALE HINDMAN LLC AS AGENT

HINDMAN LLC AS AGENT

The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive.

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium

In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.

HINDMAN LLC AS AGENT

The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place.

Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

Telephone Bids

On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC.

Online Bids

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves

Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion

Refusal of Admission

Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Registration Before Bidding

Successful Bid

AT THE SALE

A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal

When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment.

Absentee Bids

We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

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MA D E I N CHI CA G O

The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive.

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium

In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.

Payment

The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice

Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases

Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

Packing and Shipping

If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items.

Non Payment

If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate

Failure to Collect Purchases

If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

LIABILITY Condition Reports

Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot.

Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Purchased Lots

If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser.

Legal Ramifications

The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

Discretion

Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC.

LH

VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM

Payment

The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice

Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases

Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

Packing and Shipping

If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items.

Non Payment

If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate

2018

If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

LIABILITY Condition Reports

Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot.

Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Purchased Lots

If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser.

Legal Ramifications

The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

Discretion

2018

LH

VIEW TH E C ATA L OGUE ON L I N E AT L E S L I E H I N DM A N .C OM

The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice

Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases

Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

Packing and Shipping

If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items.

Non Payment

If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate

91

Failure to Collect Purchases

If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

LIABILITY Condition Reports

Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot.

Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Purchased Lots

If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser.

Legal Ramifications

The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

Discretion

Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC.

Payment

The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice

Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases

Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

Packing and Shipping

If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items.

Non Payment

If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate

2018

LH

V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M

91

Failure to Collect Purchases

Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC.

Payment

91

Failure to Collect Purchases

If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

LIABILITY Condition Reports

Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot.

Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Purchased Lots

If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser.

Legal Ramifications

The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

Discretion

Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC.

2018

LH

V I E W T HE CATA L O G U E O NL I NE AT L E S L I E HI ND MA N. CO M

91

LESLIE HINDMAN AUCTIONEERS CHICAGO | ATLANTA | DENVER

F X 312 . 2 8 0 . 1 2 1 1 | B ID@ L E S L I E H I N D M A N . C O M Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

586

NAME

SALE NUMBER

BUSINESS NAME BILLING ADDRESS CITY

STATE

COUNTRY/ZIP CONTACT NAME

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

CHICAGO | ATLANTA | DENVER

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >

$200 ....................................... $10 $500 ....................................... $25 $1,000 .................................... $50 $2,000 .................................. $100 $5,000 .................................. $200 $10,000 ................................ $500 $20,000 ............................. $1,000 $50,000 ............................. $2,000 $100,000 ........................... $5,000 $200,000 ......................... $10,000 $200,000 ... Auctioneer’s Discretion

For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

A per lot buyer’s premium is added to the final hammer price as per the following:

PRIMARY PHONE

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

LESLIE HINDMAN AUCTIONEERS

$0 - $250,000 ......................................... 25% $250,001 - $3,000,000 ........................... 20% $3,000,001 + ........................................... 12% Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

F X 3 12. 280. 1211 | B ID@LES LIEH IN DMAN .C O M Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

586

NAME

SALE NUMBER

BUSINESS NAME BILLING ADDRESS CITY

STATE

COUNTRY/ZIP CONTACT NAME

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

DATE

SIGNATURE

DATE

FOR HINDMAN LLC

DATE

FOR HINDMAN LLC

DATE

LOT NUMBER

PHONE BID

US DOLLAR LIMIT

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

BACK-UP BID

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

LOT NUMBER

FX 312.280.1211

|

CHICAGO, ILLINOIS

Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

586

NAME

SALE NUMBER

BUSINESS NAME BILLING ADDRESS CITY

STATE

COUNTRY/ZIP

|

BID FORM

PH 312.280.1212

|

$0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >

$200 ....................................... $10 $500 ....................................... $25 $1,000 .................................... $50 $2,000 .................................. $100 $5,000 .................................. $200 $10,000 ................................ $500 $20,000 ............................. $1,000 $50,000 ............................. $2,000 $100,000 ........................... $5,000 $200,000 ......................... $10,000 $200,000 ... Auctioneer’s Discretion

For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

$0 - $250,000 ......................................... 25% $250,001 - $3,000,000 ........................... 20% $3,000,001 + ........................................... 12% Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

|

F X 3 12. 280. 1211 | B ID@LES LIEH IN DMAN .C O M Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

586

NAME

SALE NUMBER

BUSINESS NAME BILLING ADDRESS CITY

STATE

COUNTRY/ZIP CONTACT NAME

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

DATE

FOR HINDMAN LLC

DATE

FOR HINDMAN LLC

DATE

60607 |

LESLIEHINDMAN.COM

BID FORM Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >

$200 ....................................... $10 $500 ....................................... $25 $1,000 .................................... $50 $2,000 .................................. $100 $5,000 .................................. $200 $10,000 ................................ $500 $20,000 ............................. $1,000 $50,000 ............................. $2,000 $100,000 ........................... $5,000 $200,000 ......................... $10,000 $200,000 ... Auctioneer’s Discretion

For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

$0 - $250,000 ......................................... 25% $250,001 - $3,000,000 ........................... 20% $3,000,001 + ........................................... 12% Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD PHONE BID

ABSENTEE BID

LOT DESCRIPTION

US DOLLAR LIMIT

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

BACK-UP BID

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

LOT NUMBER

PHONE BID

ABSENTEE BID

LOT DESCRIPTION

US DOLLAR LIMIT

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

BACK-UP BID

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

LHLIVE 1338 WEST LAKE STREET FX 312.280.1211

BACK-UP BID

FOR TELEPHONE BIDDERS ONLY

A per lot buyer’s premium is added to the final hammer price as per the following:

PRIMARY PHONE

SIGNATURE

|

PLEASE CHECK

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

DATE

FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD

CHICAGO, ILLINOIS

BID@LESLIEHINDMAN.COM

LESLIE HINDMAN AUCTIONEERS CHICAGO | ATLANTA | DENVER

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

FX 312.280.1211

SIGNATURE

PH 312.280.1212

PHONE BID

US DOLLAR LIMIT

1338 WEST LAKE STREET

LESLIEHINDMAN.COM

A per lot buyer’s premium is added to the final hammer price as per the following:

PRIMARY PHONE

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

LOT NUMBER

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

LHLIVE

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

F X 312 . 2 8 0 . 1 2 1 1 | B ID@ L E S L I E H I N D M A N . C O M

CONTACT NAME

$0 - $250,000 ......................................... 25% $250,001 - $3,000,000 ........................... 20% $3,000,001 + ........................................... 12%

EXCLUDES BUYER’S PREMIUM

60607

BID@LESLIEHINDMAN.COM

LESLIE HINDMAN AUCTIONEERS CHICAGO | ATLANTA | DENVER

For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

How did you hear about Leslie Hindman Auctioneers?

1338 WEST LAKE STREET |

$200 ....................................... $10 $500 ....................................... $25 $1,000 .................................... $50 $2,000 .................................. $100 $5,000 .................................. $200 $10,000 ................................ $500 $20,000 ............................. $1,000 $50,000 ............................. $2,000 $100,000 ........................... $5,000 $200,000 ......................... $10,000 $200,000 ... Auctioneer’s Discretion

ABSENTEE BID

LOT DESCRIPTION

LHLIVE PH 312.280.1212

$0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >

FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD ABSENTEE BID

LOT DESCRIPTION

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

A per lot buyer’s premium is added to the final hammer price as per the following:

PRIMARY PHONE

SIGNATURE

FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

|

CHICAGO, ILLINOIS

LHLIVE

60607

BID@LESLIEHINDMAN.COM

|

LESLIEHINDMAN.COM

1338 WEST LAKE STREET PH 312.280.1212

|

FX 312.280.1211

|

CHICAGO, ILLINOIS

60607

BID@LESLIEHINDMAN.COM

|

LESLIEHINDMAN.COM

VIEW TH E C ATALOG UE ON L I N E AT L E S L I E H I N DM A N .C OM

1

LESLIE HINDMAN AUCTIONEERS

13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e hi n d m a n.c o m VIEW TH E C ATALOG UE ON L I N E AT L E S L I E H I N DM A N .C OM

1