Sale 440 | Fine Prints

LES LIE HINDM A N AU C TIO NEERS

lh

L E S L I E H I N D M A N AU C T I O N E E R S M Ay 24, 2016 N O.440

1338 West Lake Street Chicago, Illinois 60607 l ph 312.280.1212 l fx 312.280.1211 l lesliehindman.com

fine prints

NO.440

fine prints

lh

Tuesday 24 May 2016

PREVIEW friday 20 may | 10am – 5pm Saturday 21 may | 10am – 3pm sunday 22 may | 12pm – 4pm monday 23 may | 10am - 5pm auction tuesday 24 may I 3pM old master | Lots 1 – 20 19th and Early 20th century | Lots 21 – 59 Modern and Contemporary | Lots 60 – 313 PROPERTY PICK UP HOURS MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.

Lots marked with an asterisk (*) are tax exempt as permitted by law.

BID LIVE ONLINE

www.lesliehindman.com Cover | Lot 298 Franz Gertsch, (Swiss, b. 1930) Natascha VI, 1987

© Leslie Hindman Auctioneers, Inc. 2016

CHICAGO, ILLINOIS ILLINOIS AUCTION FIRM LICENSE NUMBER 444-000295

P R O P E R T Y F R O M T H E E S TAT E S O F Joyce Burlingame, Buffalo Grove, Illinois Sara Jess Cloud, Williamsburg, Virginia John and Gloria Green Marjorie J. Hagstrom, Kansas City, Missouri Rita Dee Hassenfeld, Palm Beach, Florida Erika Kl端sener Kultermann, Berlin/Chicago Denise Selz, Chicago, Illinois Bernard W. Weitzman, Creve Coeur, Missouri

PROPERTY FROM THE COLLECTIONS OF Isabel Abrams, Wilmette, Illinois Mr. Stuart Barnes Jamieson, Oak Park, Illinois Siegmund Halpern, Ladue, Missouri Chuck Jung, St. Louis, Missouri Ms. Sybil K. Kahn, Kansas City, Missouri Mr. and Mrs. William Kahn, River Forest, Ilinois Mrs. Norma Kramer, Highland Park, Illinois Mr. Bill Monahan, Palm Springs, California Robert and Mary Moriarty, Oak Park, Illinois Connie Nelson, Westmont, Illinois Kelly Richter, Libertyville, Illinois Pearl Siegel, Hollywood, Florida Ann M. Rothschild, Chicago, Illinois

Opposite | Lot 265 Roy Lichtenstein, (American, 1923-1997) The Sower (from Landscape Series), 1985

Contents old master lots 1 – 20 6 19th and early 20th century lots 21 – 59

48

modern and contemporary lots 60 – 313 64

artist index 130 AUCTION INQUIRIES Opposite | Lot 301 Chuck Close, (American, b. 1940) Self Portrait, 2000

CONDITIONS OF SALE

132

134

TELEPHONE / ABSENTEE BID FORM

136

Old Master | Lots 1 – 20

Opposite | Lot 17 Francisco de Goya, (Spanish, 1746-1828) No te escaparas. pl. 72 from the first edition of Los caprichos, 1799

1

After Albrecht Durer

(German, 1471–1528) Portrait of Frederick the Wise, Elector of Saxony, 1524 engraving 7 5/8 x 5 inches.

Ref: Koehler, 99; Meder, 111.102a; Hollstein, VII.93.102; Schoch, Mende, and Scherbaum, 98i $400-600 2

Daniel Hopfer

(German, 1470-1536) Arabische etching; Funck, prntr.

8 3/4 x 6 1/4 inches.

Ref: Hollstein, 68.I; Bartsch VIII.487.60 $150-250 3

Niccolo Boldrini

(Italian, 1510-1566) Samson and Delilah (after Titian), c. 1540 woodcut 12 x 19 5/8 inches.

Ref: Passavant VI, 5; Mauroner, 18 $500-700

1

3

8

fine prints

4

6

4

5

6

Peter van der Borcht

Jacques Callot

Jacob Jordaens

(Flemish, 1545-1608) Secreta caelos penetrans precatio etching 6 7/8 x 9 1/4 inches. $400-600

(French, 1592-1635) Vol sur les grandes routes (pl. 8 from Les grandes miseres de la guerre, 1633 etching 3 1/4 x 7 1/4 inches.

Ref: Lieure, 1339-1356 $100-200

(Flemish, 1593-1678) Jupiter Nourished by the Goat Amalthea etching 8 x 11 1/4 inches.

Ref: Hollstein, 5 $200-400

9

7*

Rembrandt van Rijn

(Dutch, 1606-1669) The Rat Catcher, 1632 engraving 5 1/2 x 4 7/8 inches.

Ref: B., Holl. 121; H. 97 Property from the Estate of Bernard W. Weitzman, Creve Coeur, Missouri $2,000-4,000

7

8

Rembrandt van Rijn

(Dutch, 1606-1669) Three Oriental figures (Jacob and Laban?), 1641 etching 19th century impression 5 3/4 x 4 1/2 inches.

Ref: Bartsch 118, New Hollstein 190 $500-700

8

10

fine prints

9

Rembrandt van Rijn

(Dutch, 1606-1669) Christ at Emmaus: The Larger Plate etching; Basan, pub.

8 1/4 x 6 1/4 inches.

Ref: B., Holl. 87; H. 282 Provenance: Gerhard Wurzer Gallery, Houston, Texas $2,000-4,000 9

10

Rembrandt van Rijn

(Dutch, 1606–1669) Man in Cloak & Fur Cap, Leaning Against a Bank, c. 1630 etching 4 1/4 x 3 1/8 inches.

Ref: Bartsch, 151; Hollstein, 14 Provenance: Bellette Hofmann Fine Art Inc., New York (label to verso) $1,000-2,000

10

11

11

Stefano della Bella

(Italian, 1610-1664) Untitled etching 3 1/2 x 6 1/8 inches. $100-200 12

Carlo Maratta

(Italian, 1625-1713) The Annunciation etching 8 3/8 x 5 3/4 inches.

Ref: Bartsch, 2 II $100-200 13

Paulus Potter

(Dutch, 1625-1654) An Old Horse and a Dead Horse, 1652 etching 6 x 9 1/4 inches.

Ref: Hollstein, 13 $100-200

12

13

12

fine prints

14

Cornelis Dusart

(Dutch, 1660-1704) Violin Player Seated in the Inn, 1685 etching and roulette 11 x 9 7/8 inches.

Ref: Hollstein, VI.56.16.iii; Le Blanc, III.423.14.iii; Wurzbach, I.443.15.iii; Dutuit, IV.134.15.iii $500-700 15

No Lot 16

Giovanni Battista Piranesi

(Italian, 1720-1778) Veduta degli Avanzi del Tablino della Casa Aurea di Nerone (from Vedute di Roma), 1757 etching 16 3/8 x 21 5/8 inches.

Ref: Focillon, 813; Hind, 51.45 i/vi; Wilton-Ely, 204.161 $300-500

14

16

13

17, p72

17, p73

17

Francisco de Goya

(Spanish, 1746-1828) No te escaparas., Abejor es holgar. and No hay quien nos desate? (pls. 72, 73 and 75 from the first edition of Los caprichos, 1799 etching and aquatint Plate: 8 1/2 x 6 inches.

Ref: Harris, 107; Delteil, 110, 112 Provenance: Gerhard Wurzer Gallery, Houston, Texas $5,000-7,000 18

Francisco de Goya

(Spanish, 1746-1828) No grites, tonta (pl. 74 from Los caprichos), c. 1881 etching and aquatint fifth edition 8 x 5 1/8 inches.

Ref: Harris, 109 $400-600

17, p75

14

fine prints

19

20

Eugene Delacroix

Eugene Delacroix

(French, 1798-1863) Un Seigneur Du Temps De Francois 1er etching and drypoint 6 3/4 x 5 inches.

Ref: Delteil, 16 $300-500

(French, 1798–1863) Macbeth Consulting the Witches, 1825 lithograph 141/2 x 10 inches.

Ref: Delteil, 40 iii/v; Delteil/Strauber, 40 iii/v $300-500

19

20

15

19th and Early 20th Century | Lots 21 – 59

Opposite | Lot 46 Pierre-Auguste Renoir, (French, 1841-1919) Enfants jouant à la Balle, 1900

21

21

Jean Francois Millet

(French, 1814-1875) Les Becheurs (The Diggers), 1855-56 etching 9 x 12 3/4 inches.

Ref: Delteil, 13; Melot, 13 $1,000-2,000 22*

James Abbott McNeill Whistler

(American, 1834-1903) Rotherhithe, 1860 etching and drypoint 10 5/8 x 7 3/4 inches.

Ref: Kennedy, 66

Property from the Collection of Mr. Stuart Barnes Jamieson, Oak Park, Illinois $2,000-4,000

22

18

fine prints

23

23

Anders Zorn

(Swedish, 1860-1920) Antonin Proust, 1889 etching signed in pencil 8 1/4 x 5 3/4 inches.

Ref: Ref: Asplund, 33; Delteil, 33; Hjert & Hjert, 26; Lidbeck, ZG 33; Schubert-Soldern, 20 $500-700 24*

Eugene Grasset

(French, 1841-1917) Republique Francaise, 1885 linocut 7 x 6 3/4 inches.

Property from the Estate of Denise Selz, Chicago, Illinois $400-600

24

19

25

25

26*

Alphonse Mucha

Alphonse Mucha

(Czech, 1860–1939) Lorenzaccio, 1896 color lithograph; F. Champenois, Paris, prntr.

38 x 14 inches.

Ref: Rennert/Weill 20 var. 2, Lendl 3 (var), Mucha A10 (var), DFP-II 626 (var), Wember 604 $2,000-4,000

20

fine prints

26

27*

After Alphonse Mucha

(Czech, 1860-1939) Lefevre-utile biscuits (Biscuit tin label), c. 1896 color lithograph 10 7/8 x 8 3/8 inches.

Property from the Estate of Joyce Burlingame, Buffalo Grove, Illinois

(Czech, 1860-1939) Bieres de la Meuse (pl. 182 from Les Maitres de l’Affiche,) c. 1898 color lithograph; Chaix, Paris, prntr.

12 x 7 1/2 inches.

Property from the Estate of Joyce Burlingame, Buffalo Grove, Illinois

Provenance: Merrill Chase, Chicago, Certificate of Authenticity (verso) $800-1,200

Provenance: Merrill Chase, Chicago, Certitificate of Authenticity (verso) $800-1,200

28*

Alphonse Mucha

(Czech, 1860-1939) Lorenzaccio (pl. 114 from Les Maitres de l’Affiche,) c. 1895 color lithograph; Chaix, Paris, prntr.

Maitres de l’Affiche blind stamp (lower right) 12 7/8 x 4 3/8 inches.

Ref: Rennert/Weill, 109 Property from the Estate of Joyce Burlingame, Buffalo Grove, Illinois Provenance: Galerie Michael, Certificate of Authenticity (verso) $800-1,200 29*

Alphonse Mucha

(Czech, 1860-1939) Lance Parfum “Rodo”, 1896 (variation for advertisement card) color lithograph 3 3/4 x 2 3/4 inches.

Ref: Rennert/Weill, 14; Mucha/Henderson A5 Property from the Estate of Joyce Burlingame, Buffalo Grove, Illinois Provenance: Merrill Chase, Certificate of Authenticity (verso) $800-1,200 27

28

29 21

30

31

30

Jules Cheret

(French, 1836-1932) Pastilles Geruadel, 1895 color lithograph; Chaix, Paris, prntr.

47 3/4 x 34 1/2 inches. $800-1,200 31

Jules Cheret

(French, 1836-1932) Musee Grevin, Theatre les Fantoches, 1900 color lithograph; Chaix, Paris, prntr. proof before letters 46 3/4 x 32 1/2 inches. $800-1,200 32

Jules Cheret

(French, 1836-1932) La dentelliere, 1900 color lithograph; Chaix, Paris, prntr.

47 x 31 1/4 inches.

Ref: Broido, 65 $800-1,200

32

22

fine prints

33

Henri de Toulouse-Lautrec

(French, 1864-1901) Cycle Michael, 1896 lithograph printed in olive green; Chaix, Paris, prntr. edition of 200 34 x 48 1/4 inches.

Ref: Delteil, 359; Adriani, 188; Wittrock, P25 $4,000-6,000 34*

Toulouse Lautrec

(French, 1864-1901) Divan Japonais (pl. 2 from Maitres de l’affiche), 1896 color lithograph; Chaix, Paris, prntr.

10 1/2 x 7 3/4 inches.

Property from the Estate of Joyce Burlingame, Buffalo Grove, Illinois $1,000-2,000

34

33

23

35

Aubrey Vincent Beardsley

(British, 1872–1898) The Savoy, 1896 color lithograph; C.F. Kell, prntr.

9 1/4 x 6 3/4 inches. $1,000-2,000 36

Theophile Alexandre Steinlen

(French/Swiss, 1859-1923) Le Journal, La Traite des Blanches, 1899 color lithograph; Charle Verneau, Paris, prntr.

74 x 48 1/2 inches. $1,500-2,500

36

37

Jules-Abel Faivre

(French, 1867-1945) Automobile Club de France, 1904 color lithograph 48 x 47 inches. $800-1,200 38

Lerckel

(French, late 19th/early 20th century) Cottereau Dijon, c. 1905 color lithograph; Gallice, Paris, prntr.

45 x 61 inches. $300-500

37

24

fine prints

38

39

41

40

39

40

41

Coulange-Lautrec

Marcel Bloch

F. Capelli

(French, late 19th/early 20th century) La Grande Chateauneuf color lithograph; Moullot Fils Aine, Marseilles-Paris, prntr.

65 1/2 x 46 inches. $300-500

(French, late 19th/early 20th century) Alcyon color lithograph; Robert et Companie, Paris, prntr./pub.

46 x 62 1/2 inches. $300-500

(French, late 19th/early 20th century) Alcyon color lithograph; Charles Verneau, Paris, prntr.

56 1/4 x width 41 1/2 inches. $300-500

25

42

42*

Honore Daumier

(French, 1808-1879) Soyez Tranquille Bourgeois, Les Beaux Jours de la Vie, and Les Bas Bleus lithographs Largest: 9 1/2 x 8 inches.

Property from the Estate of Denise Selz, Chicago, Illinois $400-600 43

Edgar Degas

(French, 1834-1917) Danseuse mettant son chausson, 1880 etching 7 x 4 3/4 inches.

Ref: Deltiel, 36 $800-1,200

43

26

fine prints

44*

45*

James Jacques Joseph Tissot

James Jacques Joseph Tissot

(French, 1836-1902) Apparition mediunimique, c. 1885 mezzotint edition of 150, first state (of two) 18 1/2 x 13 1/4 inches.

Ref: Beraldi, 67 Property from the Estate of Joyce Burlingame, Buffalo Grove, Illinois

(French, 1836-1902) Printemps, 1878 etching and drypoint edition of approximately 100 15 x 5 1/4 inches.

Ref: Tissot, 30; Wentworth, 34; Beraldi, 27 Property from the Estate of Joyce Burlingame, Buffalo Grove, Illinois

Provenance: Galerie Michael, Certificate of Authenticity (verso) $800-1,200

Provenance: Merrill Chase, Chicago, Certificate of Authenticity (verso) Note: Photocopy of Wentworth Catalogue Raisonne excerpt included with this lot (verso). $800-1,200

44

45

27

46

Pierre-Auguste Renoir

(French, 1841-1919) Enfants jouant a la balle, 1900 color lithograph; A. Vollard, Paris, pub. signed in pencil 23 1/4 x 19 3/4 inches.

Ref: Delteil, 32 $25,000-35,000

46

28

fine prints

47

49

47*

Pierre Auguste Renoir

(French, 1841-1919) Le Chapeau Epingle, c. 1894 etching Height 4 1/2 x 3 1/4 inches (visible).

Ref: Delteil; Stella, 8 Property from the Collection of Kelly Richter, Libertyville, Illinois $600-800 48*

Pierre-Auguste Renoir

(French, 1841-1919) Maternite, c. 1912 lithograph edition of 200 21 1/2 x 18 3/4 inches.

Ref: Delteil, 50 Property from the Estate of Marjorie J. Hagstrom, Kansas City, Missouri $3,000-5,000 49

Pierre-Auguste Renoir

(French, 1841-1919) La pierre aux trois croquis (from Douze Lithographies originales) lithograph 9 x 11 1/4 inches.

Ref: Delteil, 41 $1,000-2,000

48

29

50

Mary Cassatt

(American, 1844-1926) Margot Wearing a Bonnet, No. 1 drypoint 9 x 6 1/8 inches.

Ref: Breeskin, 179 $800-1,200 51

Félix Hilaire Buhot

(French, 1847–1898) Les Grandes Chaumieres, 1881 etching and drypoint artists red stamp (lower center) 5 1/2 x 10 3/4 inches.

Ref: Bourcard/Goodfriend, 150 $200-400 52*

Felix Hilaire Buhot

(French, 1847-1898) Une Matinée d’Hiver au Quai de l’Hotel-Dieu, 1876 etching and drypoint signed in pencil (lower right) 8 1/2 x 12 1/4 inches.

Ref: Bourcard & Goodfriend, 123 Property from the Estate of John and Gloria Green Provenance: W. Russell Button Gallery, Chicago, Illinois (label on verso) $800-1,200 53

Louis Auguste Mathieu Legrand

(French, 1863-1951) Les bars, 1909 (Suite of 8) drypoint; Gustave Pellet, pub. signed in pencil with publisher’s stamp Largest: 9 x 6 3/8 inches. $3,000-5,000 50

54

Henri Riviere

(French, 1864-1951) Le pardon de Sainte-Anne-La-Palud, (pl. 38 from Paysage Bretons), 1892-1893 color woodcut, printed on 5 sheets stamped in red 13 1/2 x 44 1/2 inches.

Ref: Fields 57, 82 Provenance: Gerhard Wurzer Gallery, Houston, Texas $6,000-8,000 55*

Manuel Robbe

(French, 1872-1936) Untitled (a group of three prints) color aquatints one signed in pencil Largest: 18 1/4 x 13 1/2 Property from the Collection of Kelly Richter, Libertyville, Illinois $600-800 52

30

fine prints

53

54

31

57

56

Manuel Robbe

(French, 1872-1936) Le The, c. 1900 color aquatint signed in pencil 17 1/2 x 13 3/4 inches. $400-600 57

Pierre Bonnard

(French, 1867-1947) L’Enfant a la lampe, c. 1897 color lithograph edition of 100 12 3/4 x 17 3/4 inches.

Ref: Roger-Marx, 43 Provenance: Gerhard Wurzer Gallery, Houston, Texas $8,000-12,000 58

Jacques Villon

(French, 1875-1963) Portrait du peintre-graveur Emile Nicollee, 1891 etching edition 16/ 50, signed in pencil 6 3/4 x 5 inches.

Ref: Ginestet-Pouillon, E2 $300-500 58

32

fine prints

59*

Henri Matisse

(French, 1869-1954) Danseuse allongee, tete accoudee (from Dix danseuses) lithograph edition 2/5, signed in pencil 11 x 18 1/2 inches.

Ref: Dethuit 486 Property from the Collection of Pearl Siegal, Hollywood, Florida $4,000-6,000

59

33

Modern and Contemporary | Lots 60 – 313

Opposite | Lot 264 Richard Hamilton, (British, 1922–2011) My Marilyn, 1965

60

Raoul Dufy

(French 1877-1953) Untitled (a group of three prints) color lithographs each signed in pencil an numbered 19 5/8 x 25 1/2 inches. $500-700 61*

Georges Rouault

(French, 1871-1958) Christ et Sainte Femme (from Passion), 1936 etching with aquatint edition of 270 12 1/2 x 8 1/2 inches.

Property from the Estate of Marjorie J. Hagstrom, Kansas City, Missouri $2,000-4,000 62

Georges Rouault

(French, 1871-1958) Jean-Francois jamais ne chante alleluia, 1923 from Miserere etching, aquatint and roulette; Jacquemin, Paris, pub.; Vollard, Paris, prntr.

23 x 16 1/2 inches.

Ref: Wofsy, 132; Chapon/Rouault, 78 $600-800 63

Georges Rouault

61

62

36

fine prints

(French, 1871-1958) Untitled (from Miserere), 1926 woodcut 11 3/4 x 8 inches. $600-800

63

64

65

64

Georges Rouault

(French, 1871-1958) Les ruines elles-memes ont peri (from Miserere), 1926 aquatint, roulette, and drypoint over heliogravure 22 3/4 x 17 1/2 inches.

Provenance: Cromer & Quint, Chicago $600-800 65

Georges Rouault

(French, 1871-1958) Toujours flagelle (pl. 3 from Misere), 1922 aquatint 19 x 14 inches.

Ref: Chapon & Rouault, 56 $500-700 66

Karl Schmidt-Rottluff (German, 1884-1976) Liebespaar, 1920 woodcut signed in pencil 19 1/2 x 15 1/2 inches. $1,000-2,000 67

Norbertine Bresslern-Roth (Austrian, 1891-1978) Owl color linocut signed in pencil 8 x 8 1/4 inches. $600-800

66 37

68

George Wesley Bellows

(American, 1882-1925) Arrangement, Emma in a Room lithograph signed and annotated Bolton Bworn - imp $600-800 69

George Wesley Bellows

(American, 1882-1925) Hail to Peace, Christmas, 1918 lithograph signed by the artist’s daughter in pencil 4 1/2 x 3 3/8 inches.

Ref: Masson, 68 $200-400 70

John French Sloan

(American, 1871-1951) The Green Hour etching signed John Sloan $500-700 71

John French Sloan

(American, 1871-1951) Nude on Studio Couch print signed John Sloan $400-600

68

71

38

fine prints

72

John French Sloan

(American, 1871-1951) Fifth Avenue 1909 etching signed John Sloan $1,000-2,000 73

John French Sloan

(American, 1871-1951) Nude on Hearth etching 100 proofs; signed John Sloan (lower right) 5 1/2 x 7 inches. $1,000-2,000 74

Rockwell Kent

(American, 1882-1971) Beowulf and the Dragon, 1931 lithograph edition of 150, signed in pencil 13 1/2 x 10 1/8 inches. $400-600

73

72

74

39

75

Thomas Hart Benton

(American, 1889-1975) The Boy, 1948 lithograph; Associated American Artists, New York, pub. edition of 250, signed in pencil 19 1/2 x 13 3/4 inches. $2,000-4,000

75

76

Thomas Hart Benton

(American, 1889-1975) Island Hay, 1945 lithograph; Associated American Artists, New York, pub. edition of 250, signed in pencil 9 7/8 x 12 5/8 inches. $1,500-2,500

76

77

Thomas Hart Benton

(American, 1889-1975) The Meeting, 1941 lithograph; Associated American Artists, New York, pub. edition of 250, signed in pencil 8 7/8 x 11 1/2 inches. $1,000-2,000

77 40

fine prints

78*

Thomas Hart Benton

(American, 1889-1975) Cradling Wheat, 1939 lithograph; Associated American Artists, pub. edition of 250 9 3/4 x 12 inches.

Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri $2,000-4,000 78

79*

Thomas Hart Benton

(American, 1889-1975) Edge of Town, 1939 lithograph; Associated American Artists, pub. edition of 250 9 x 10 3/4 inches.

Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri $2,000-4,000 79

80

Thomas Hart Benton

(American, 1889–1975) Letter from Overseas, 1943 lithograph; Associated American Artists, New York, pub. edition 250, signed in pencil 9 3/4 x 13 inches.

Ref: Fath, 59 $2,000-4,000 80 41

81

Thomas Hart Benton

(American, 1889–1975) Goin’ Home, 1937 lithograph; Associated American Artists, New York, pub. edition 250, signed in pencil 9 1/2 x 11 3/4 inches.

Ref: Fath, 14 $2,000-4,000

81

82

Thomas Hart Benton

(American, 1889–1975) The Corral, 1948 lithograph; Associated American Artists, New York, pub. edition 250, signed in pencil 9 3/4 x 13 3/4 inches.

Ref: Fath, 71 $2,000-4,000

82

83*

Thomas Hart Benton

(American, 1889-1975) Fire in the Barnyard, 1944 lithograph; Associated American Artists, pub. edition of 250 8 3/4 x 13 3/8 inches.

Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri $1,500-2,500

83

42

fine prints

84*

Thomas Hart Benton

(American, 1889-1975) Instruction, 1940 lithograph; Associated American Artists pub. edition of 250 10 7/16 x 12 5/16 inches.

Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri $1,500-2,500 84

85*

Thomas Hart Benton

(American, 1889-1975) Investigation, 1937 lithograph; Associated American Artists, pub. edition of 250 9 3/8 x 12 5/8 inches.

Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri $1,000-2,000 85

86*

Thomas Hart Benton

(American, 1889-1975) Morning Train, 1943 lithograph; Associated American Artists, pub. edition of 250 9 3/8 x 13 1/2 inches.

Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri $2,000-4,000 86

43

87

88

87*

88*

Thomas Hart Benton

Thomas Hart Benton

(American, 1889-1975) Photographing the Bull, 1950 lithograph; Associated American Artists, pub. edition of 250 11 7/8 x 16 inches.

Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri $2,000-4,000

44

fine prints

(American, 1889-1975) Running Horses, 1955 lithograph; Associated American Artists, pub. edition of 100 12 1/2 x 16 1/2 inches.

Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri $7,000-9,000

89

90

89*

Thomas Hart Benton

(American, 1889-1975) I Got a Gall on Sourwood Mountain, 1938 lithograph; Associated American Artists, pub. edition of 250 12 1/2 x 9 1/8 inches.

Property from the Collection of Ms. Sybil K. Kahn, Kansas City, Missouri $3,000-5,000 90

Thomas Hart Benton

(American, 1889–1975) Shallow Creek, 1939 lithograph; Associated American Artists, New York, pub. edition of 250; signed in pencil 14 x 9 3/8 inches.

Ref: Fath, 32 $1,000-2,000 91

Thomas Hart Benton

(American, 1889–1975) Lonesome Road, 1938 lithograph; Associated American Artists, New York, pub. edition of 250; signed in pencil 9 1/2 x 12 1/2 inches.

Ref: Fath, 18 $1,000-2,000

91

45

92

No Lot 93

Reginald Marsh

(American, 1898-1954) The League Print engraving; edition of 200 signed Reginald Marsh in pencil $700-900 94

Howard Norton Cook

(American, 1901-1980) Paris Street, 1930 wood engraving signed in pencil 6 x 3 7/8 inches. $300-500 95

Birger Sandzen

(American, 1871-1954) Sunshine Lake and Pond with Willows (two works) woodcuts signed in pencil Largest: 6 x 9 inches. $700-900 96

Frank Weston Benson 93

(American, 1862–1951) Mallards at Evening, 1927 drypoint etching signed in pencil 13 3/4 x 11 1/2 inches.

Ref: Paff, 271 $200-300 97

Frank Weston Benson

(American, 1862-1951) The Deer Hunter, 1924 etching edition of 150, signed in pencil 7 1/2 x 10 3/4 inches.

Ref: Paff, 229 $800-1,200 98

Milton Avery

(American, 1885-1965) Helen and Lilly, 1941 drypoint edition 32/60, signed and dated in pencil 7 x 5 3/4 inches.

Ref: Lunn, 23 $800-1,200

95

46

fine prints

99

Milton Avery

(American, 1885-1965) Reclining Nude, 1941 drypoint edition 14/100, signed and dated in pencil 3 1/2 x 7 1/4 inches.

Ref: Lunn, 22 $3,000-5,000 100

John Steuart Curry

(American, 1897-1946) Our Good Earth, 1942 lithograph; Associated American Artists, New York, pub. signed in pencil 12 3/4 x 10 1/4 inches.

Ref: Cole, 36 $1,500-2,500 100A

Various Artists

(American, 20th Century) Untitled (a collection of 33 prints from the Associated American Artists; artists include Francisco Dosamantes, Howard Baer, Luigi Lucioni, Robert Philipp, Andree Ruellan, Peggy Bacon, Hans Kleiber, Alice Harold Murphy, Lawrence Beall Smith, Gordon Grant, Asa Cheffetz, Mervin Jules, Newton Mass, John Carroll, Morris Henry Hobbs, Adolf Dehn, Douglas Gorsline, Miguel Covarrubias, Carman Bonanno, J.W. Golinkin, Frederick L. Owen, Joseph Margulies, and Thomas W. Nason) various; Associated American Artists, New York, pub. each signed sizes variable $1,500-2,500 100

99

47

101

Grant Wood

(American, 1891-1942) December Afternoon, 1940 lithograph; Associated American Artists, New York, pub. edition of 250, signed in pencil 9 x 12 inches.

Ref: Cole, 16 $1,000-2,000 102

Louis Lozowick

(American, 1892 - 1973) Skaters’ Island, 1937 lithograph; Associated American Artists, New York, pub.; George C. Miller, prntr. signed in pencil 8 3/4 x 13 inches.

Ref: Flint, 150 $500-700 103

Leonard Tsuguharu Foujita

103

(French, 1886-1968) Untitled (from A Book of Cats), 1930 lithograph; Covici-Friede, New York, pub.

10 1/4 x 7 3/4 inches.

Ref: Buisson, II.30.127 $1,000-2,000

101

48

fine prints

104

Kathe Kollwitz

(German, 1867-1945) Beratung (Conspiracy) (pl. 3 from the Weavers’ Revolt), 1895 etching and drypoint A.V.D.Becke, Muenchien 22 blindstamp 11 3/4 x 7 inches.

Ref: Klipstein, 25 $400-600 105

Kathe Kollwitz

105

(German, 1867-1945) Die Gefangenen (pl. 7 from Bauernkrieg), 1908 etching and soft ground von der Becke blindstamp 12 1/2 x 16 1/2 inches.

Ref: Kl., 98 VIIIb; Knesebeck, 102 IXb/Xb $300-500 106

Raphael Soyer

(American, 1899-1987) Untitled (a collection of four works) etching with aquatint each signed and numbered Largest: 10 7/8 x 13 3/4 inches. $600-800

106

49

107*

Oskar Kokoschka

(Russian, 1886-1980) Zwei Madchen mit Taube, 1956 color lithograph; Wassermann, Basel, prntr.; Beyeler, Basel, pub. edition 26/70, signed in pencil 25 x 18 inches.

Ref: Wingler/Welz, 208 Property from the Collection of Pearl Siegel, Hollywood, Florida Provenance: Galerie Beyeler, Basel, Switzerland, 1970 $500-700 108*

Oskar Kokoschka

109

(Russian, 1886-1980) Bergegnung (from Der gefesselte Kolumbus), 1913 lithograph signed, dated, and inscribed in pencil 12 x 11 inches.

Ref: Wingler-Welz, 51; Davis-Rifkind, 1562: 9 Property from the Collection of Pearl Siegel, Hollywood, Florida Inscribed near signature Belongs to the series of lithographs, Columbus, 1913 $500-700 109

Leon Bibel

(American, 1913-1995) Subway Entrance, 1939 lithograph edition 7/12, signed in pencil 9 3/4 x 11 3/4 inches. $600-800 110

Herman Volz

(American, 1904-1990) Industrial Accident, 1942 lithograph edition 11/20, signed in pencil 17 x 12 inches. $600-800

110

50

fine prints

111

112

113

111

George Tooker

(American, 1920-2011) The Mirror, 1978 lithograph; Editions Press, San Francisco, pub.

Trial proof, signed in pencil 16 x 19 3/4 inches.

Ref: Garver, 4 $1,000-2,000

114

112

113

114

George Tooker

George Tooker

Paul Cadmus

(American, 1920-2011) Self Portrait, 1996 lithograph; Perry Tymeson, Petersburg Studios, Jersey City, NJ, prntr.

Trial proof, signed in pencil 18 x 12 inches. $700-900

(American, 1920-2011) The Embrace, 1982 lithograph artist proof, signed George Tooker 16 x 12 inches. $800-1,200

(American, 1904-1999) Teddo, 1985 lithograph; Midtown Galleries, New York, pub.; George C. Miller & Sons, New York, prntr. edition 1/200, signed and titled in pencil 6 1/2 x 7 3/4 inches.

Ref: Davenport, 59 $1,000-2,000

51

115

115*

Lucian Freud

(British, 1922-2011) Man Posing, 1985 etching; Terry Wilson at Palmtree Editions, prntr.; James Kirkman Ltd, London and Brooke Alexander Inc., New York, pub. edition 44/50, initialled in pencil 27 1/4 x 21 1/4 inches.

Ref: Hartley, 27; Figura, 44 Property from the Collection of Robert and Mary Moriarty, Oak Park, Illinois $20,000-30,000

52

fine prints

116

119

Ernst Fuchs

Ben Shahn

(Austrian, 1930-2015) Mythologische Szene, 1976 etching edition 1674/3000; signed in pencil 7 1/4 x 6 1/2 inches.

Ref: Weis, 262 $200-400 117

Ernst Fuchs

(Austrian, b. 1930) Ezechiel, 1952 etching edition 8/60, signed and dated in pencil 10 x 6 5/8 inches. $600-800 118*

Jean Cocteau

(French, 1889-1963) Untitled (Figure in Profile), 1959 lithograph edition 77/110, signed in ink 19 x 23 inches.

Property from the Collection of Pearl Siegel, Hollywood, Florida $500-700

(American, 1898–1969) Branches of Water or Desire, 1965 screenprint signed in ink 26 x 19 1/2 inches.

Ref: Prescott, 56 Provenance: The Downtown Gallery, New York (label to verso) $800-1,200 120

Francoise Gilot

(French, b. 1921) Deux Femmes, 1953 color lithograph epreuve d’artiste, signed and annotated in crayon, dated in pencil (verso) 19 1/2 x 25 3/4 inches. $1,000-2,000

119

120

53

121

121

After Georges Braque

(French, 1882-1963) Grand oiseau gris, c. 1956 lithograph; Maeght Editeur, Paris, pub. edition 87/95, signed in pencil 14 1/2 x 41 inches.

Ref: Maeght, 1008 $3,000-5,000 122

Georges Braque

(French, 1882-1963) Migration, 1962 color aquatint and etching; Galerie Maeght, Paris, pub. edition 23/90, signed in pencil 9 1/4 x 6 3/4 inches.

Ref: Vallier, 172 $1,000-2,000

122

54

fine prints

123

123

Georges Braque

(French, 1882-1963) PhaĂŠton (Chariot I), 1945 color lithograph; Daniel-Henry Kahnweiler, Paris, pub.; Mourlot, Paris, prntr. edition 55/75, signed in pencil 12 x 17 inches.

Ref: Vallier, 26 $2,000-3,000 124*

Fernand Leger

(French, 1881-1955) Le Roi de Coeur, 1949 color lithograph edition 387/500, signed 27 1/2 X 19 1/4 inches.

Ref: Saphire, 41 Property from the Collection of Mrs. Norma Kramer, Highland Park, Illinois $200-400 125

No Lot

124

55

126

After Pablo Picasso

(Spanish, 1881-1973) Young Spanish Peasant, 1970 color lithograph; Michel Casse, Paris, prntr/pub. edition 37/150, signed in pencil 23 3/4 x 18 1/2 inches. $3,000-5,000 127

After Pablo Picasso

(Spanish, 1881-1973) Colombe au Soleil, 1962 color lithograph aside from the edition of 200, annotated E.A. and signed in pencil 21 1/4 x 29 inches. $5,000-7,000

126

127

56

fine prints

128*

Pablo Picasso

(Spanish, 1881-1973) Sculpteur devant sa Sculpture (from Le Chef-d’Oeuvre Inconnu series), 1927 etching; Ambroise Vollard, Paris, pub. edition 2/99, signed in ink 7 1/2 x 11 inches.

Ref: Bloch, 82 Property from the Estate of Sara Jess Cloud, Williamsburg, Virginia $3,000-5,000 129

Pablo Picasso

(Spanish, 1881–1973) Colombe volant, 1961 color lithograph edition 56/200; signed in pencil 18 1/2 x 22 inches.

Ref: Czwiklitzer, 207 $3,000-5,000 128

129

57

130

130

Pablo Picasso

(Spanish, 1881-1973) Faune et marin, c. 1956 color lithograph; Galerie 65, pub. signed with additional hand embellishment in crayon 4 7/8 x 3 7/8 inches.

Ref: Bloch, 800 $30,000-40,000

58

fine prints

131

Pablo Picasso

(Spanish, 1881-1973) Vieux saltimbanque arrivant, avec sa roue cassee, dans une foule masculine moqueuse et meprisante (from Series 347), 1968 etching; Galerie L. Leiris, pub. edition 30/50, signed in pencil 8 x 10 inches.

Ref: Bloch, 1610 $6,000-8,000 131

132

After Pablo Picasso

(Spanish, 1881-1973) La Danseuse Naine (from the Barcelona Suite), 1966 color offset lithograph; Museo Picasso, Barcelona, pub. edition XXXVII/LX, signed in pencil 22 1/2 x 12 1/2 inches.

Ref: Czwiklitzer, 234 $4,000-6,000

132

59

133

Pablo Picasso

(Spanish, 1881-1973) Raphael et la fornarina, XXII (pl. 31 7from Series 347), 1968 etching; Galerie Louise Leiris, pub. edition 42/50, signed in pencil 5 3/4 x 7 3/4 inches.

Ref: Bloch, 1797 Provenance: Multiple Impressions, New York, New York $4,000-6,000

133

134

Pablo Picasso

(Spanish, 1881-1973) Couple avec un enfant, 1966 etching with aquatint and lithograph; Galerie Louise Leiris, Paris, pub. edition 5/50, signed in pencil 10 5/8 x 15 inches.

Ref: Bloch, 1384; Baer, 1406 $3,000-5,000

134

60

fine prints

135

Pablo Picasso

(Spansih, 1881-1973) L’ane (from Buffon’s l’Histoire Naturelle), 1942 a collection of 4 works comprising of states I, II, III, and IV on Montval paper before steelfacing) Sugarlift aquatint, grattoir and drypoint on cream laid verge de Montval Plate: 16 1/4 x 12 1/4 inches.

Ref: Bloch, 329 Provenance: Gerhard Wurzer Gallery, Houston, Texas $20,000-30,000

135

61

136

Henry Moore

(British, 1898-1986) Mother and Child III, 1983 etching and aquatint; James Collyer and John Crossley, London, prntr.; Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, pub. edition 58/65, signed in pencil 8 7/8 x 7 inches.

Ref: Cramer, 673 Provenance: Gerhard Wurzer Gallery, Houston, Texas $1,000-2,000 136

137*

Lynn Chadwick

(English, 1914-2003) Seated Figure, 1969 colored lithograph edition 102/210, signed in pencil 20 x 28 inches.

Property from the Collection of Pearl Siegel, Hollywood, Florida $400-600

137

62

fine prints

139

138

139

Marc Chagall

Marc Chagall

(French/Russian, 1887-1985) L’ours et les deux compagnons (pl. 63 from Les fables de la Fontaine), 1952 etching, Teriade Editeur, Paris, pub. numbered 63 and signed in pencil 11 3/4 x 9 1/2 inches.

Provenance: Millioud Gallery, Houston, Texas $500-700

(French, Russian, 1887 - 1985) Fiancailles au cirque, 1983 color lithograph edition 30/50, signed in pencil 18 x 13 1/2 inches.

Ref: Mourlot, 1016 $4,000-6,000

63

144

140

143

Marc Chagall

Marc Chagall

(French, 1887-1985) La chene et le roseau, pl. 12 from La Fontaine, 1952 hand colored etching edition 53/100, signed in pencil 11 1/4 x 9 inches.

Ref: Cramer, 22 $800-1,200 141

No Lot 142

No Lot

140

64

fine prints

(French, 1887-1985) Jeremiah (from Illustrations for The Bible), 1956; with Les Prophetes (on verso) color lithograph; Tériade, pub.; Mourlot Fréres, Paris, prntr.

14 x 10 1/4 inches.

Ref: Mourlot, 139, 144 $300-500 144

Marc Chagall

(French/Russian, 1887-1985) La Chasse aux Oiseaux (from Daphnis et Chloe), 1961 color lithograph; Teriade, Paris, pub. edition of 250 16 1/4 x 25 inches.

Ref: Mourlot, 329 $5,000-7,000

145

Marc Chagall

(French/Russian 1887-1985) Le Mariage, 1968 etching with aquatint; Gerald Cramer, Geneva, pub edition 31/50, signed in pencil 24 x 17 1/2 inches.

Ref: Cramer, 32 $4,000-6,000 146

Marc Chagall

(French/Russian, 1887-1985) Reverie, 1969 color lithograph Epreuve d’artiste V/VII aside from edition of 75, signed Marc Chagall in pencil 11 7/8 x 16 inches.

Ref: Cramer, 81 $3,000-5,000

145

146

65

147

148

147*

Marc Chagall

(French/Russian, 1887-1985) Le Satyre et le Passant (pl. 57 from Fables de la Fontaine) etching Epreuve d’artiste, signed in pencil 11 1/2 x 9 3/8 inches.

Ref: H. 203, S. 151 $800-1,200 148

Marc Chagall

(French/Russian, 1887-1985) Untitled (frontispiece from Les Ateliers de Chagall), 1976 lithograph edition 215/250, signed in pencil 13 x 9 1/2 inches.

Ref: Mourlot, 899 $5,000-7,000 149

Marc Chagall

(French/Russian, 1887-1985) L’Echelle (from Chagall), 1957 color lithograph edition 73/90, signed in pencil 9 1/4 x 7 inches.

Ref: Mourlot, 200 $2,000-4,000

149

66

fine prints

150

150

Marc Chagall

(French/Russian, 1887-1985) L’Ile de Poros, 1980 color lithograph; Mourlot, Paris, pub.

Epreuve d’artiste, signed in pencil 20 x 14 inches.

Ref: Mourlot 963 $20,000-30,000

67

152

153

151

Marc Chagall

(French/Russian, 1887-1985) Le village, 1957 lithograph edition 35/90, signed in pencil 7 1/2 x 8 inches.

Ref: Mourlot, 199 $1,000-2,000 152

Marc Chagall

(French/Russian, 1887-1985) David vainqueur de Goliath (pl. 63 from La Bible) etching with handcoloring; Teriade, Paris, prntr. edition 73/100, signed in pencil 11 x 9 3/8 inches.

Ref: Sorlier, 262 $2,000-4,000 153

Marc Chagall

151

68

fine prints

(French/Russian, 1887-1985) Double visage gris, 1974 lithograph in black and grey on japon nacre; Maeght, Paris, pub. edition 26/50, signed in pencil 16 1/2 inches x 12 1/2 inches.

Ref: Mourlot, 732 $4,000-6,000

154

156*

Salvador Dali

Salvador Dali

(Spanish, 1904-1989) Pecheur penitant (from FlorDali/Les Fruits), 1969 color lithograph edition 70/200, signed in pencil 27 x 18 inches.

Ref: Field, 69-11E $600-800 155

Salvador Dali

(Spanish, 1904-1989) Christ, 1964 etching edition 72/150, signed in pencil 33 1/2 x 27 1/2 inches.

Ref: Field 64-1 $800-1,200

(Spanish, 1904-1989) Amazone and Cavalier a la rose, 1973 color etching and pochoir edition XXXVIII/CL, signed in pencil Each 23 x 16 inches.

Ref: Field 73-17 Property from the Collection of Connie Nelson, Westmont, Illinois $1,000-2,000 157

Salvador Dali

(Spanish, 1904–1989) Untitled (pl. 17 from Les Chants de Maldoror), 1934 engravings; Skira Editions, Paris, pub. signed in pencil 8 1/2 x 6 3/8 inches.

Ref: Michler & LĂśpsinger, 29; Field, 34-2/29 $400-600

155

156

69

158

159

Salvador Dali

Salvador Dali

(Spanish, 1904-1989) Alice’s Adventures in Wonderland New York: Maecenas Press - Random House, 1969.

Folio, contents loose as issued in giltlettered cloth chemise and gilt-lettered quarter tan leather clamshell box, with leather ties and bone clasps (one torn), etched frontispiece and 12 colored plates with Dali remarque. color lithographs edition 1166/2500, signed in pencil on title page Album: 18 1/2 x 13 1/4 inches. $3,000-5,000

(Spanish, 1904-1989) The Little Knight (Le Petit Chevalier), 1969 color drypoint etching edition 179/200, signed in pencil 8 1/4 x 6 inches.

Ref: Field, 69-4 $800-1,200

158

70

fine prints

160*

Salvador Dali

(Spanish, 1904-1989) Imaginations and Objects of the Future (suite of 11 with box and text), 1975 etchings with lithograph, screenprint and collage; Merrill Chase & Alan Rich, New York, pubs. edition 183/250, signed Dali (lower right) Largest: 26 3/4 x 34 1/2 inches.

Ref: Field, 75-11 Property from the Collection of Isabel Abrams, Wilmette, Illinois $15,000-25,000

160

71

162

164

161

162

163

164

Salvador DalĂ­

Salvador Dali

Salvador Dali

Salvador Dali

(Spanish, 1904-1989) Self-portrait Sundial, 1966 color lithograph EA, signed in pencil 12 1/2 x 16 1/2 inches.

Ref: Field, 66-5 $1,000-2,000

72

161

fine prints

(Spanish, 1904-1989) Petites Nus, 1972 (a group of 7 color etchings from the portfolio of 8) color etchings on Japon edition 93/95, signed in pencil various sizes $3,000-5,000

(Spanish, 1904-1989) El Greco (from Five Spanish Immortals, 1965 etching in sepia; Jean Schneider, Basel, pub. edition 124/125, signed in pencil 6 3/4 x 4 3/4 inches.

Ref: Field, 65-7 $400-600

(Spanish, 1904-1989) La pagode and Le Nu a la jarretiere (from The Hippies), 1969 color etchings edition 95/145, signed in pencil 15 3/4 x 12 1/2 inches.

Ref: Field, 69-13 $1,500-2,500

165

166

Joan Miro

Joan Miro

(Spainish, 1893-1983) Le regne vegetal, 1968 aquatint; Maeght, Paris, pub. signed Miro (lower right) 18 1/2 x 13 1/2 inches.

Ref: Dupin, 462 $3,000-5,000

(Spanish, 1893-1983) Le Chien Bleu color etching with aquatint; Maeght Editeur, Paris, pub. edition 66/300, signed in pencil 24 x 18 1/2 inches.

Ref: Maeght, 1714 $6,000-8,000

165

166

73

167

Joan Miro

(Spanish, 1893-1983) Untitled (from Suite La Bague d’Aurore), 1957 color etching and aquatint; L. Broder, Paris, pub. edition 38/60, signed in pencil 5 1/2 x 4 1/2 inches.

Ref: Dupin, 136 $3,000-5,000 168

Joan Miró

(Spanish, 1893-1983) La biche chantant la tosca, 1969 aquatint, etching, and carborundum; Maeght, Paris, pub.; Arte Adrien Maeght, Paris, prntr.

H.C., signed in pencil 21 3/4 x 26 inches.

Ref: Dupin, 485 $3,000-5,000

167

168

74

fine prints

169

169*

Joan Miro

(Spanish, 1893-1983) Hommage aux Prix Nobel, 1976 color lithograph; Galerie Borjeson, pub. edition XXV/XXV, signed in pencil 30 x 22 inches.

Ref: Mourlot, 1094 $3,000-5,000

75

170

Joan Mir贸

(Spanish, 1893-1983) Woman and Bird in Torment, 1967 color lithograph; Maeght Editeur, Paris, pub. edition 47/75, signed in pencil approx. 17 x 19 inches.

Ref: Maeght, 510; Cramer, 112 $2,000-4,000 170

171*

Joan Miro

(Spanish, 1893-1983) Hommage aux Prix Nobel, 1976 color lithograph; Galerie Borjeson, pub. edition XXV/XXV, signed in pencil 30 x 22 inches.

Ref: Mourlot, 1094 $3,000-5,000

171

76

fine prints

172

172*

Joan Miró

(Spanish, 1893-1983) L’enrage color etching, aquatint, and carborundum; Maeght Editeur, Paris, pub. edition 11/75, signed in pencil 35 1/4 x 23 7/8 inches.

Ref: Dupin, 427 Property from the Collection of Mr. and Mrs. William Kahn, River Forest, IL $15,000-25,000

77

173

175

173*

174

Alexander Calder

Alexander Calder

(American, 1898-1976) Quilts screenprint signed Calder (lower right) 21 1/2 x 29 inches.

Property from the Collection of Chuck Jung, St. Louis, Missouri $2,000-4,000

78

fine prints

(American, 1898-1976) Untitled color lithograph edition 146/ 150, signed Calder 24 x 18 inches. $600-800

175

Alexander Calder

(American, 1898–1976) Oriflammes, 1969 color lithograph edition 34/75, signed in pencil 29 1/2 x 43 inches. $800-1,200

176

177

Sonia Delaunay-Terk

Sonia Delaunay-Terk

(Ukrainian, 1885-1979) Composition with Semi-Circles, 1969 color etching and aquatint edition 85/125, signed in pencil 19 1/4 x 15 1/2 inches. $1,500-2,500

178*

(Ukrainian, 1885-1979) Untitled (Circular Composition) color etching and aquatint edition 85/125, signed in pencil Diameter: 16 1/2 inches. $1,500-2,500

176

Sonia Delaunay

(Ukrainian/French, 1885-1979) Venise, 1966 color ethcing and aquatint signed in pencil 19 x 14 3/4 inches.

Property from the Collection of Pearl Siegel, Hollywood, Florida $800-1,200

177

79

179 4 of 10 shown

180

179*

180*

181*

Sophie Taeuber-Arp

Mark Tobey

Giuseppe Capogrossi

(Swiss, 1889-1943) Sophie Taeuber-Arp, 1957 (Portfolio of 10) color silkscreens with text and justification; Galerie Denise René, Paris, pub.; Hella Nebelung Gallery, Düsseldorf, Germany, prntr.

25 from the edition of 100 Each: 19 x 15 inches.

Property from the Estate of Erika Klüsener Kultermann, Berlin/Chicago Provenance: Acquired directly from the artist, c. 1957 By decent to present owner $1,000-2,000

80

181

fine prints

(American, 1890-1976) Louvre, 1961 lithograph edition 139/200, signed Tobey and dated (lower right) 22 x 17 inches.

Property from the Collection of Ann M. Rothschild, Chicago, Illinois $800-1,200

(Italian, 1900-1972) Untitled, 1953 lithograph signed and dated (lower right) 11 1/4 x 18 1/2 inches.

Property from the Collection of Ann M. Rothschild, Chicago, Illinois $500-700

183

184

182

182

183*

Serge Poliakoff

Serge Poliakoff

(Russian, 1906-1969) Composition verte, orange et lie-de-vin from 10 Lithographies, 1966 color lithograph; Erker Presse, St. Gallen, pub. edition 30/75; signed in pencil 18 3/4 x 24 3/4 inches. $2,000-4,000

(French/Russian, 1900-1969) Printemps, 1967 etching signed Serg Poliakoff (lower right) 23 1/4 x 17 inches.

Property from the Collection of Pearl Siegel, Hollywood, Florida Provenance: Redfern Gallery, London, United Kingdom, 1969 Acquired from the above by present owner $2,000-4,000

184*

Serge Poliakoff

(French/Russian, 1900-1969) Composition camin, jaune, grise et bleue, 1959 etching edition 15/75; signed Serge Poliakoff (lower right) 23 3/4 x 19 1/4 inches.

Property from the Collection of Pearl Siegel, Hollywood, Florida Printed by Mourlot, Paris.

Published by Bergruen, Paris. $2,000-4,000

81

185*

Adolph Gottlieb

(American, 1903-1974) Black Field, 1972 color screenprint; Marlborough Graphics, pub. edition 96/150, signed and dated in pencil 23 3/4 x 17 1/2 inches.

Ref: Associated American Artists, 74 Property from the Collection of Pearl Siegel, Hollywood, Florida $1,000-2,000 186*

Adolph Gottlieb

(American, 1903-1974) Levitation, 1969 color screenprint; Marlborough Graphics, pub. edition 59/90, signed in pencil 30 x 22 inches.

Property from the Collection of Pearl Siegel, Hollywood, Florida $1,000-2,000 187*

Adolph Gottlieb

(American, 1903-1974) Green Halo, 1966 color screenprint; Marlborough Graphics, pub. edition 13/50, signed Adolf Gottlieb (lower left) 24 x 18 inches.

Ref: Associated American Artists, 41 Property from the Collection of Pearl Siegel, Hollywood, Florida $1,000-2,000

185

186

82

fine prints

187

188

188*

Hans Hartung

(German/French, 1904-1989) L 114 , c. 1963–1964 lithograph; Erker Presse, Saint-Gallen, pub. edition 70/75, signed in pencil 30 x 20 inches.

Ref: Schmucking, 114 Property from the Collection of Pearl Siegel, Hollywood, Florida $800-1,200 189*

Hans Hartung

(German/French, 1904-1989) L 59, 1958 color lithograph edition 38/75; signed Hartung (lower right) 21 x 16 inches.

Ref: Schmucking, 59 Property from the Collection of Pearl Siegel, Hollywood, Florida $800-1,200 190

Victor Pasmore

(British, 1908-1998) Points of contact no. 31, 1979 color screenprint; Kelpra Studio, London, prntr.; Marlborough Graphics, London, pub. edition 41/70, signed and dated in pencil 16 x 15 3/4 inches.

Ref: Lynton, G5 Provenance: Rubiner Gallery, Royal Oak, Michigan $600-800 190

83

191

Victor Pasmore

(British, 1908-1998) Points of Contact no. 28, 1979 color screenprint; Kelpra Studio, London, prntr.; Marlborough Graphics, London, pub. edition 37/70, signed and dated in pencil 16 x 15 3/4 inches.

Ref: Lynton, G2 Provenance: Rubiner Gallery, Royal Oak, Michigan $600-800 192*

Joan Mitchell

(American, 1926-1992) Flower I (from Bedford), 1981 color lithograph; Tyler Graphics, pub. edition 65/70, signed Joan Mitchell (lower right) 42 1/2 x 32 1/2 inches.

Ref: Tyler, 369 Property from the Collection of Chuck Jung, St. Louis, Missouri $3,000-5,000 193 192

Helen Frankenthaler

(American, 1928-2011) Ramblas, 1987-1988 color etching and lithograph; PolĂ­grafa, Barcelona, pub. edition 35/75, signed in pencil 34 1/4 x 26 3/4 inches.

Ref: Harrison, 141 $1,500-2,500 194

Helen Frankenthaler

(American, 1928-2011) Beginnings, 2002 color screenprint; Lincoln Center List Poster and Print Program, New York, pub. edition 80/126, signed in pencil 36 3/4 x 35 1/2 inches. $4,000-6,000 195*

Piero Dorazio

(Italian, 1927-2005) Untitled, 1957 lithograph edition 2/75, signed and dated 20 x 14 inches.

Property from the Collection of Ann M. Rothschild, Chicago, Illinois $500-700 196*

John Hoyland

195

84

fine prints

(British, 1934-2011) Small Swiss Green, 1968 color lithograph edition 16/75, signed in pencil 18 x 27 inches.

Property from the Collection of Ann M. Rothschild, Chicago, Illinois $500-700

193

194

85

197

Robert Motherwell

(American, 1915-1991)Â Plate 6 from Madrid Suite, 1966 lithograph; Hollander Workshop, New York, pub.; Irwin Hollander, prntr. edition 38/100, signed in colored pencil 19 3/4 x 25 inches.

Ref: Belknap, 14; Engberg & Banach 26 $600-800

198

Robert Motherwell

(American, 1915-1991) Red Sea II, 1979 color aquatint; Harry N. Abrams, New York, pub.; Catherine Mousley, prntr. edition 59/100, signed in pencil with the artist’s blindstamp 23 1/2 x 19 10/ 16 inches.

Ref: Belknap, 211 $8,000-12,000

198

86

fine prints

199

199

Robert Mortherwell

(American, 1915-1991) El Negro, 1983 (Book comprising 19 lithographs illuminating the poem El Negro Motherwell by Rafael Alberti, translated by Vincente Lleo Canal, 1983, contained in the original cloth-covered portfolio box) color lithographs on white TGL handmade paper; Tyler Graphics Ltd., Bedford Village, New York, prntr./pub. edition 44/51, signed in black ink on the colophon Largest image: 15 x 37 3/4 inches. $8,000-12,000

87

200

201

200

Pierre Soulages

(French, b. 1919) Eau-Forte XVIII, 1962 color etching and aquatint; Lacouriere, Paris, prntr.; Berggruen, Paris, pub. edition 28/100, signed in pencil 25 x 19 1/4 inches.

Ref: Encreve/Miessner, 19 $4,000-6,000 201*

Pierre Soulage

(French, b.1919) Lithographie no. 25, 1969 lithograph; Mourlot, Paris, prntr. edition 78/85, signed in pencil 30 x 19 inches.

Ref: Riviere, 27 Property from the Collection of Pearl Siegel, Hollywood, Florida $1,000-2,000 202

Robert Natkin

(American, 1930-2010) Untitled (from Field Mouse Series), 1978 color lithograph edition 24/75, signed in pencil and dated 26 1/2 x 36 inches. $300-500

203 88

fine prints

204

203

Sam Francis

(American 1923-1994) Untitled (from Michel Waldberg: Poemes dans la Ciel), 1986 color lithograph edition HC aside from the edition of 176, signed Sam Francis (lower right) 29 7/8 x 22 inches. $1,500-2,500 204

Willem de Kooning

(American, 1923-1997) Revenge (from 21 Etchings and Poems), 1960 sugar-lift aquatint; Anderson-Lamb, prntr; Morris Gallery, pub. edition 28/50, signed in pencil 11 3/4 x 13 5/8 inches.

Ref: Graham, 1 $3,000-5,000 205

Williem de Kooning

(American, 1923-1997) Head of a Woman, 1964 lithograph; Total Color, New York, prntr. edition of 188, signed in pencil 21 x 18 1/4 inches. $3,000-5,000

205 89

207

206

208

206

207

208*

Louise Nevelson

Josef Albers

Conrad Marca-Relli

(American 1899-1988) Magic Garden, 1953-1955 etching with aquatint edition 10/20, signed and titled in pencil 5 3/4 x 8 3/4 inches.

Ref: Baro, 12 $1,500-2,500

90

fine prints

(American/German, 1888-1976) Interlinear K50, 1962 lithograph; Tamarind Institute, University of New Mexico, pub.; Irwin Hollander, prntr. edition 14/20, signed 18 3/4 x 23 5/8 inches.

Provenance: Benjamin Galleries, Chicago $800-1,200

(American, 1912-2000) Repeat Collage mixed media edition 13/100, signed in pencil 25 1/2 x 19 inches.

Property from the Collection of Pearl Siegel, Hollywood, Florida $600-800

210

209

211

209*

210

211

Eduardo Chillida

Sol LeWitt

Sol LeWitt

(Spanish, 1924-2002) Competition and Harmony, 1988 (from the Official Arts Portfolio of the XXIVth Olympiad, Seoul, Korea) screenprint edition CCXXVIII/CCC, signed (lower right) 30 x 24 inches.

Property from the Collection of Chuck Jung, St. Louis, Missouri $1,000-2,000

(American 1928-2007) Black and White (pl. 7 from Grids and Color), 1979 screenprint edition 2/10-11, signed 14 x 28 inches.

Ref: Krakow, 1979.01 $2,000-3,000

(American, 1928–2007) Untitled (Brown), 2004 color lithograph and aquatint edition PP 1/2, signed in pencil 30 x 30 inches. $2,000-4,000

91

212

Yaacov Agam

(Israeli, b. 1928) Ben Gurion (folio containing 10 color silkscreens; each signed and numbered 154/540 in pencil to margins and one Agamograph signed in blue ink.

Text by Shimon Peres, introduction by Abba Eban. Signed by Shimon Peres and Georges Israel (the publisher) in black ink and numbered Copy 154/540 to the title page. Contained in a blue velvet hard cover album with gilt stamped lettered cover and spine.) color silkscreens editon 154/540, each signed and numbered in pencil Overall: 23 x 18 3/4 inches. $500-700 213

Donald Judd

(American 1928-1994) Untitled, 1978-1979 etching with aquatint; Styria Studio, New York, edition 32/75, signed in pencil 35 x 24 1/2 inches.

Ref: Schellmann, 87 $3,000-5,000

213

214

92

fine prints

215

217

218

219

214

216

Donald Judd

Richard Anuszkiewicz

(American, 1928-1994) Untitled, 1977-1978 etching edition 20/75, signed in pencil 30 x 35 inches.

Ref: Schellmann, 102-117 $1,500-2,500 215

Donald Judd

(American, 1928-1994) Untitled, 1978-1979 etching edition 20/75, signed in pencil 30 x 35 inches.

Ref: Schellmann, 102-117 $1,500-2,500

(American, b. 1930) Untitled color screenprint edition 176/200, signed in pencil 25 x 19 inches. $500-700 217

Frank Stella

(American, b. 1936) Ileana Sonnabend (pl. 2 from Purple Series), 1972 lithograph edition 43/100, signed and dated 16 x 22 inches. $1,500-2,500

218

Frank Stella

(American, b. 1936) Moultonboro (plate I from Eccentric Polygons), 1974 lithograph & screenprint editioned 70/100, signed F. Stella and dated (lower right) 17 1/4 x 22 1/4 inches.

Ref: Gemini, G.E.L., 51.3; Axsom, 95. $2,000-3,000 219

Chryssa

(American/Greek, 1933-2013) Chinatown Portfolio II, 1978 (twelve works) screenprints each edition 81/150, signed Each: 40 x 30 inches. $1,000-2,000

93

220

Julio Le Parc

(Argentine, b. 1928) Volume Virtuel, 1970 color silkscreen edition 112/200, signed in pencil 40 1/4 x 30 1/3 inches. $1,500-2,500 221

Peter Gee

(American/British, 1932-2005) Untitled (a group of 4 prints) silkscreen on paper signed in pencil Each: 40 x 20 inches. $1,500-2,500 222

Peter Gee

(American/British, 1932-2005) Untitled (a group of 4 prints) silkscreen on paper each signed in pencil Each: 40 x 20 inches. $1,500-2,500 223

Peter Gee

(American/British, 1932-2005) Untitled (a group of 4 prints) silkscreen on paper each signed in pencil Each: 40 x 20 inches. $1,500-2,500 220

222

94

fine prints

224

Various Artists

(20th Century) Conspiracy: The Artist as Witness, 1971; The complete portfolio, comprising 7 lithographs and 5 screenprints in colors on Arches or handmade paper, each signed and annotated A.P. with the artist’s copyright inkstamp on verso, with colophon annotated A.P. in ink, list of titles, the full sheets, loose as issued; together with the book, Conspiracy: the Artist as Witness, signed and inscribed by Charles Garry, contained in original canvas-covered portfolio box with gilt embossed title. various signed and annotated in pencil and ink Album: 29 1/2 x 22 x 1 3/4 inches.

Artists included: Jack Beal, Romare Bearden, Alexander Calder, Leon Golub & Nancy Spero, Sol Lewitt, Robert Morris, Claes Oldenberg, Larry Poons, Bridget Riley, Peter Saul, Raphael Soyer, Frank Stella $10,000-15,000

224

95

226

227

225*

226

227

Jose Gardy Artigas

Yozo Hamaguchi

Kiyoshi Saito

(French, b. 1938) les boeufs meuarent aussi...., 1971 (portfolio consisting of 13 lithographs and pencil drawing signed by Artigas in orginal case with text by Jean Pierre Lemesle) color lithographs; Maeght Editeur, Paris, prntr./pub. edition 10/25, signed in pencil and numbered on the colophon Overall: 26 x 20 inches.

Property from the Collection of Pearl Siegel, Hollywood, Florida $200-400

96

fine prints

(Japanese, 1909–2000) Asparagus and Lemon, 1957 mezzotint edition CXI/CL, signed in pencil 11 1/2 x 17 inches.

Ref: M. Gallery, 59 $800-1,200

(Japanese, 1907-1997) Garden Syugaku-In Kyoto, 1958 color woodcut edition 42/70, signed, titled, and dated in pencil 17 1/2 x 23 3/4 inches. $800-1,200

228*

Jose Clemente Orozco

(Mexican, 1883-1949) Untitled lithograph edition 13/100, signed in pencil 10 1/2 x 7 inches.

Property from the Collection of Pearl Siegel, Hollywood, Florida $600-800 229

David Alfaro Siqueiros

(Mexican, 1896-1974) Mascara (from Mexican suite), 1968-1969 color lithograph edition 3/250, signed in pencil 22 3/8 x 18 3/4 inches. $300-500

228

230

David Alfaro Siqueiros

(Mexican, 1896-1974) America Latina (Hombre atado a un Arbol) lithograph E.X. 3/95, signed in pencil 11 3/4 x 9 inches. $300-500

229

97

231

Rufino Tamayo

(Mexican, 1899-1991) Mascara Roja (from Mujeres), 1969 color lithograph edition 69/150, signed in pencil 30 x 22 1/2 inches.

Ref: Pereda, 124 $2,000-4,000 232

Rufino Tamayo

(Mexican, 1899-1991) Torso en rosa, 1980 color etching; Ediciones Poligrafa, Barcelona, prntr./pub. edition 22/99, signed in black crayon 29 5/8 x 22 inches.

Ref: Pereda, 269 $2,000-4,000 233

Rufino Tamayo

231

232

98

fine prints

(Mexican, 1899-1991) Figura en jarras, 1980 color etching; Poligrafa, Barcelona, prntr./pub. edition 22/99, signed in crayon 29 1/2 x 21 7/8 inches. $2,000-4,000

233

234

236

234

Rufino Tamayo

(Mexican, 1899-1991) Personaje en gris, 1980 color etching; Poligrafa, Barcelona, prntr./pub. edition 22/99, signed in crayon 29 1/2 x 22 inches. $2,000-4,000 235

Rufino Tamayo

(Mexican, 1899-1991) Untitled mixograph edition XXIV/XXV, signed in crayon 22 x 29 1/8 inches. $2,000-4,000 236

Rufino Tamayo

(Mexican, 1899-1991) Untitled color lithograph edition 54/100, signed in pencil 29 1/4 x 21 1/4 inches. $1,500-2,500 235

99

238

237

238

239

240

Roberto Matta

Roberto Matta

Francisco Zuniga

Anthony Quinn

(Chilean, 1911-2002) Le Cinema (from Scenes famileres), 1962 colour etching and soft-ground etching with scraper edition 30/50, signed in pencil 13 x 17 inches.

Ref: Sabatier, 92 $600-800

100 f i n e p r i n t s

(Chilean, 1911-2002) Une saison en enfer, 1978 (portfolio consisting of 9 of the original 10 aquatints) color etching and aquatints; Atelier Georges Visat, Paris, prntr.; PolĂ­grafa, Barcelona, pub.

Edition 14/100, signed in pencil 18 3/4 x 14 inches. $5,000-7,000

(Mexican, 1912-1998) Coloquio, 1979 color lithograph; Brewster Editions, New York, pub. edition E.II XXIII/XXX, signed and dated in pencil 22 1/2 x 31 1/2 inches.

Ref: Brewster, 47 $500-700

(Mexican/American, 1915-2001) The Great Spirit, 1986 (The complete portfolio, comprising ten lithographs printed in colours, on Arches, each signed in pencil, with title-page, justification, index and text in English, signed on the justification in pencil, printed by Atelier Lithographic Aloys Arcueil, published by Ariane Zeisig Lancell, Paris, the full sheets loose as issued within the original leather covered boards and solander box, with the relief cover) color lithographs edition 92/100, each signed and numbered in pencil 27 x 20 inches. $500-700

241

245

Gunther Gerzso

Jose Luis Cuevas

(Mexican, 1915-2000) Muro Blanco, 1988 color lithograph edition 10/100, signed in pencil 27 1/2 x 19 3/4 inches. $600-800 242

Fernando de Szyszlo

(Peruvian, b. 1925) Untitled mixograph on hand made paper edition 54/100, signed in graphite 29 1/8 x 21 7/8 inches $600-800 243

Fernando de Szyszlo

(Peruvian, b. 1925) Untitled mixograph on hand made paper edition 54/100, signed in graphite 29 1/4 x 21 1/4 inches $600-800 244

Fernando Botero

(Colombian, 1932) Pedrito, 1975 offset color lithograph edition 178/250, signed in pencil 38 1/4 29 1/2 inches. $2,000-4,000

(Mexican, b. 1933) Cirqueros and Contorsionistas (two works) etchings editions 42/100 and 85/100, each signed in pencil 11 x 8 inches. $600-800 246

Pedro Friedeberg

(Mexican, b. 1937) Zodiaco color silkscreen edition 85/100, signed in pencil 26 x 26 inches. $500-700 247

Friedensreich Hundertwasser (Austrian, 1928-2000) Good Morning City, 1969 screenprint with metallic embossing; Dorothea Leonhard, pub.; Studio Quattro, prntr. editon 4598/10000, signed, dated and inscribed in ink 33 1/4 22 inches. $1,000-2,000

244

246

247

101

248

249

Robert Rauschenberg

Robert Rauschenberg

(American, 1925-2008) Mule from Hoarfrost Editions, 1974 lithograph on collage and fabric edition 13/33, signed Rauschenberg 66 1/2 x 36 1/2 inches. $3,000-5,000

(American, 1925-2008) Pull (from Hoarfrost editions series), 1974 mixed media; Gemini G.E.L., Los Angeles, pub. edition 20/29, signed and dated in pencil 83 x 48 inches.

Ref: Gemini, 574 $5,000-7,000

248

102 f i n e p r i n t s

249

250

252

250

Andy Warhol

(American, 1928-1987) Marilyn (Castelli Graphics Invitation), 1981 color offset lithograph; Colour Editions, Inc., New York, prntr.; Castelli Gallery, pub. signed in red marker 7 x 7 inches. $4,000-6,000 251

Andy Warhol

(American, 1928-1987) Myths, 1981 (set of ten announcement cards) color offset lithographs; Ronald Feldman Fine Arts, prntr. each signed in marker 7 x 7 inches. $8,000-12,000 252

Andy Warhol

(American, 1928-1987) Marilyn Monroe I Love Your Kiss Forever 1964 color lithograph on double-page spread; Maurice Beaudet, Paris, prntr.; E.W. Kornfeld, Bern, Switzerland, pub. edition of 2000, signed, dated, and inscribed in pencil 16 1/4 x 11 inches.

Ref: F&S: II.5 $1,000-2,000 251

103

253

253*

Andy Warhol

(American, 1928-1987) Birmingham Race Riot (from Ten Works by Ten Painters), 1964 screenprint; Wadsworth Atheneum, Hartford, Connecticut, pub.; Ives-Sillman, Inc. New Haven, Connecticut, prntr. edition of 500 20 x 24 inches.

Ref: Feldman & Schellmann, II.3 Property from the Estate of Erika Kl端sener Kultermann, Berlin/Chicago Provenance: By decent to present owner $5,000-7,000

104 f i n e p r i n t s

255

254

No Lot 255

Andy Warhol

(American, 1928-1987) Lincoln Center Ticket, 1967 color screenprint; Leo Castelli Gallery, New York, pub/prntr. edition of 500 44 3/4 x 24 1/8 inches.

Ref: Feldman & Schellmann, II.19 $1,000-2,000 256

Andy Warhol

(American, 1928-1987) Marilyn (Castelli Graphics Announcement), 1981 color offset lithograph; Colour Editions, Inc., New York, prntr.; Castelli Graphics, New York, pub.

12 x 12 inches. $2,000-4,000 257

Andy Warhol

257

(American, 1928-1987) S&H Green Stamps, 1965 offset lithograph; the Institute of Contemporary Art, Philadelphia, pub edition of 300, Estate stamped and initialed F.H. (verso) 22 3/4 x 22 3/4 inches.

Ref: F&S, II.9 $5,000-7,000 258

No Lot

105

259

259

Jasper Johns

(American, b. 1930) Untitled (for American Center), 1994 color lithograph; Universal Limited Art Editions, West Islip, New York, pub. edition 51/75, signed and dated in pencil 36 x 30 inches. $6,000-8,000

106 f i n e p r i n t s

260*

Tom Wesselmann

(American, 1931-2004) Scribble Version of Still Life No. 58, 1991 color screenprint; International Images, Inc., Vermont, pub. edition 57/90, signed in pencil 19 1/2 x 23 1/2 inches.

Property from the Collection of Chuck Jung, St. Louis, Missouri $6,000-8,000 260

261

Tom Wesselmann

(American, 1931-2004) Cut-Out Nude (from 11 Pop Artists I), 1965 screenprint on formed vinyl with die-cut mat; Original Editions, New York, pub. edition 116/200, signed in ink 8 x 16 inches. $6,000-8,000 261

262

Tom Wesselmann

(American, 1931–2004) Nude (For Sedfre), 1969 color screenprint; Chiron Press, New York, pub. edition 95/150, signed and dated in pencil 16 3/4 x 22 3/4 inches. $5,000-7,000 262

107

263

263*

James Rosenquist

(American, b. 1933) Highway Trust, 1978 color lithograph; Multiples, Inc., New York, pub. edition 3/78, signed and dated in pencil 20 x 42 inches.

Ref: Glenn, 157 Property from the Collection of Chuck Jung, St. Louis, Missouri $2,000-4,000

108 f i n e p r i n t s

264*

Richard Hamilton

(British, 1922–2011) My Marilyn, 1965 (pub. 1966) color screenprint; Editions Alecto, London, pub.; Kelpra Studio, London, prntr. edition 37/75, signed and dated in pencil 27 x 33 inches.

Property from the collection of Mr. Bill Monahan, Palm Springs, California $30,000-50,000

264

109

265

265

Roy Lichtenstein

(American, 1923-1997) The Sower (from Landscape Series), 1985 lithograph, woodcut and screenprint in colors; Gemini G.E.L., pub. edition 54/60, signed and dated in pencil 41 1/4 x 55 3/8 inches.

Ref: Corlett, 211 Provenance: BR Kornblatt Galery, Washington, DC $30,000-50,000

110

fine prints

266

Roy Lichtenstein

(American, 1923-1997) Stedelijk Museum Poster, 1967 (from the edition without text) color offset lithograph, signed in pencil; Stedelijk Museum and Poster Originals, Ltd./Amsterdam Stadsdrukkerij, pub./prntr. signed R. Lichtenstien 30 x 25 inches.

Ref: Corlett, III.23b $1,000-2,000 267

Roy Lichtenstein

(American, 1923-1997) Crak!, 1964 color offset lithograph; Leo Castelli Gallery, New York, signed in pencil 20 x 28 1/4 inches.

Ref: Corlett, II.2 $15,000-25,000

266

267

111

268

269

270

271

268

269

270

271

Robert Indiana

Robert Indiana

Robert Indiana

Robert Indiana

(American, b. 1928) KVF VI (from The Hartley Elegies: The Berlin Series), 1990 color screenprint; Brand X Editions Ltd., New York, prntr.; Park Granada Editios, Tarzana, pub. edition 37/50, signed, titled, and dated in pencil 59 1/2 x 59 1/2 inches.

Ref: Sheehan, 150 $2,000-4,000

112

fine prints

(American, b. 1928) KVF VII (from The Hartley Elegies: The Berlin Series), 1990 color screenprint; Brand X Editions Ltd., New York, prntr.; Park Granada Editios, Tarzana, pub. edition AP 2/12, signed, titled, and dated in pencil 59 1/2 x 59 1/2 inches.

Ref: Sheehan, 151 $2,000-4,000

(American, b. 1928) KVF VIII (from The Hartley Elegies: The Berlin Series), 1991 color screenprint; Brand X Editions Ltd., New York, prntr.; Park Granada Editios, Tarzana, pub. edition 2/50, signed, titled, and dated in pencil 59 1/2 x 59 1/2 inches.

Ref: Sheehan, 152 $2,000-4,000

(American, b. 1928) KVF IX (from The Hartley Elegies: The Berlin Series), 1991 color screenprint; Brand X Editions Ltd., New York, prntr.; Park Granada Editios, Tarzana, pub. edition 13/50, signed, titled, and dated in pencil 59 1/2 x 59 1/2 inches.

Ref: Sheehan, 153 $2,000-4,000

272*

273*

274

Robert Indiana

Patrick Caulfield

Claes Oldenburg

(American, b. 1928) Picasso (from The American Dream), 1997 color screenprint edition 238/395, signed in pencil 17 x 13 1/2 inches.

Property from the Collection of Chuck Jung, St. Louis, Missouri $1,000-2,000

(British, 1936-2005) Cafe, 1968 color screenprint; Leslie Waddington Prints, London, pub.; Kelpra Studio, London, prntr. edition 7/75, signed in pencil 27 3/4 x 36 1/2 inches.

Property from the Collection of Siegmund Halpern, Ladue, Missouri $3,000-5,000

(American, b. 1929) Proposed Colossal Monument for Battersea Park, London, Drum Set, 1966 color offset lithograph; Mutiples, Inc., New York, pub. edition 257/300, signed in pencil 24 x 35 inches.

Ref: Axsom & Platzker, 62 $400-600

273

113

275

276

275

Wayne Thiebaud

(American, b. 1920) Suckers (State II), 1968 color lithograph; Gemini G.E.L., Los Angeles, pub. edition 64/150, signed in pencil 16 x 22 inches.

Ref: Gemini, 86 $6,000-8,000 276

Wayne Thiebaud

(American, b. 1920) Suckers State (State I), 1968 lithograph; Gemini G.E.L., Los Angeles, pub. edition 140/150, signed in pencil 16 x 22 inches.

Ref: Gemini, 85 $7,000-9,000 277

Jacob Lawrence

(American, 1917-2000) Morning Still Life, 1976 color lithograph; Rainbow Art Foundation, New York, pub.; Soho Graphic Workshop, prntr. edition 46/200, signed in pencil 23 3/4 x 17 3/4 inches.

Ref: Nesbett, L76 $2,000-4,000 278

John Wilde

(American, 1919-2006) Wildeview, 1985 lithograph edition 22/90, signed in pencil 36 x 21 3/4 inches. $700-900 277

114

fine prints

279

280

281*

Philip Pearlstein

Philip Pearlstein

Enrico Baj

(American, b. 1924) Mummy Cave Ruins at Canyon de Chelly, 1980 color etching and aquatint with sugarlift and roulette; Condeso and Brokopp Studio, New York, prntr.; Brooke Alexander, New York, pub. edition 29/41, signed in pencil 40 x 28 3/4 inches.

Ref: Springfield Art Museum, 19 $600-800

(American, b. 1924) Nude on Striped Hammock, 1974 color etching and aquatint; Allan Frumkin Gallery, New York, pub.; Orlando Condeso Workshop, New York, prntr. edition 59/100, signed in pencil 23 3/8 x 25 3/4 inches. $700-900

(Italian, 1924-2003) Untitled color lithograph edition 94/100, signed in pencil 9 1/2 x 7 1/4 inches.

Property from the Collection of Ann M. Rothschild, Chicago, Illinois $500-700

278

279

281

115

282

William T. Wiley

(American, b. 1937) Mask, 1975 color lithograph; Landfall Press, Chicago, pub.; Jack Lemon, David Keister and Ron Wyffels, prntr. edition 3/10, signed in pencil Diameter: 33 inches. $600-800 283

283

Ed Paschke

(American, 1939-2004) Bad, 1991 (together with text and cover page) color lithograph and screenprint edition 48/60, signed in pencil 15 x 12 1/8 inches. $300-500 284

Ed Paschke

(American, 1939-2004) Budget Floors, 1968 color screenprint signed and dated in pencil 14 x 10 1/2 inches. $700-900

284

116

fine prints

285

286

285

286

287

Ed Paschke

Ed Paschke

Donald Roller Wilson

(American, 1939-2004) John Dillnger, 1969 screenprint signed and dated in pencil 10 x 16 inches. $700-900

(American, 1939-2004) George Mills, 1989 lithograph edition AP 18, signed and dated in pencil 26 x 36 inches. $500-700

(American, b. 1938) When Mrs. Jenkins..., 1988 color lithograph edition 68/100; signed and dated 22 1/4 x 29 3/8 inches. $500-700

117

288

David Hockney

(English, b. 1937) Celia Pondering from A Series of Hand Drawn Lithographs, 1980 sepia lithograph edition 29/30, signed and dated in pencil 33 x 26 1/4 inches.

Ref: Gemini, 1648 Provenance: Cynthia Drennon Fine Art Santa Fe, New Mexico (label to verso) $8,000-12,000

288

118

fine prints

289

289*

David Hockney

(British, b. 1937) Celia in an Armchair, 1980 lithograph; Gemini G.E.L., Los Angeles, pub. edition 52/74, signed in pencil 40 x 48 inches.

Ref: Tokyo, 239 $20,000-30,000

119

290

290

291*

292*

Jim Dine

Jim Dine

Jim Dine

(American, b. 1935) Etching Heart, 1981 etching; Pace Editions, New York, pub. edition 36/42; signed and dated in pencil 34 1/4 x 28 1/4 inches.

Ref: D’Oench/Feinberg, 87 $800-1,200

120 f i n e p r i n t s

291

(American, b. 1935) Dorian Gray in Vinyl Stripe Cape, 1968 color lithograph signed in pencil 17 1/2 x 11 inches.

Property from the collection of Mr. Bill Monahan, Palm Springs, California $600-800

(American, b. 1935) Wolfman, 1967 color lithograph edition 72/120, signed 31 x 22 inches.

Property from the Collection of Pearl Siegel, Hollywood, Florida $300-500

293

294*

295

Jim Dine

Jim Dine

Jim Dine

(American, b. 1935) Dream of Rose Tyrien, 2000 color lithograph edition 12/16, signed and dated in pencil 39 1/2 x 29 1/4 inches. $5,000-7,000

(American, b. 1935) Untitled (from Dutch Hearts), 1970 color lithograph with collage; Petersburg Press, London, pub.

AP, signed in pencil 16 3/4 x 20 inches.

Ref: Williams College, 2-9 $1,000-2,000

293

(American, b. 1935) Pink Sterlitzia color etching edition 4/12, signed Jim Dine 35 1/4 x 23 3/4 inches. $1,000-2,000

294

295 121

296

Robert Arneson

(American, 1930-1992) General Nuke, 1986 color lithograph edition T. P. II, signed and dated in pencil 31 x 22 inches. $1,500-2,500

297

Robert Arneson

(American, 1930-1992) The Colonel is at it Again, 1986 color lithograph edition L.P./4, signed and dated in pencil 38 1/2 x 28 inches. $1,500-2,500

122 f i n e p r i n t s

298*

Franz Gertsch

(Swiss, b. 1930) Natascha VI, 1987 color woodcut edition 5/5, signed in pencil 41 1/2 x 35 1/2 inches.

Property from the Collection of Robert and Mary Moriarty, Oak Park, Illinois Provenance: Perimeter Gallery, Chicago, Illinois $30,000-50,000

298

123

299

Alex Katz

(American, b. 1927) Pamela color lithograph edition 11/30, signed in pencil 28 1/2 x 21 7/8 inches. $800-1,200 300

Allen Jones

(British, b. 1937) Sugar and Spice, 1970 color lithographs; Petersburg Press, London, pub. each edition 44/ 75, signed and dated in pencil Each: 35 x 20 1/4 inches.

Ref: Lloyd, 51 & 52 $5,000-7,000

299

300

124 f i n e p r i n t s

301

301

Chuck Close

(American, b. 1940 ) Self Portrait, 2000 color silkscreen edition 68/80, pencil signed (lower center), and dated (lower right) 58 1/4 x 48 inches. $80,000-120,000

125

302

Bruce Nauman

(American, b. 1941) Suck Cuts, 1973 lithograph; Gemini G.E.L., Los Angeles, pub. edition P.P II, signed and dated in pencil 25 x 26 inches.

Ref: Cordes, 17 $4,000-6,000 303

Bruce Nauman

(American, b. 1941) Untitled, (from Fingers and Holes), 1994 lithograph and screenprint edition 30/50, signed B Nauman in pencil 30 x 40 inches. $5,000-7,000 304

Vernon Fisher

(American, b. 1943) Man Cutting Globe, 1995 color lithograph edition P.P. IV/IV, signed and dated 31 1/2 x 30 inches. $500-700

302

303

126 f i n e p r i n t s

305

Vernon Fisher

(American, b. 1943) Dark Night Full of Stars, 1985 lithograph edition V/X, signed and dated in pencil 24 1/4 x 27 1/4 inches. $500-700 306

Ross Bleckner

(American, b. 1949) Dream and Do III, 1997 screenprint edition 19/75, signed Ross Bleckner in pencil 33 x 42 inches. $1,500-2,500 307*

Julian Schnabel

(American, b. 1951) Untitled, 1992 color lithograph edition 115/250, signed Julian Schnabel (lower right) 54 x 42 1/2 inches.

Property from the Collection of Chuck Jung, St. Louis, Missouri $1,000-2,000

307

306

127

308

David Salle

(American, b. 1952) Portrait with Scissors and Nightclub, 1987 color woodblock print edition 5/100 23 3/4 x 29 1/2 inches. $600-800 309*

Francesco Clemente

(American, b. 1952) Aids Relief Series color digital inket print edition 55/250, signed Francesco Clemente (lower right) 10 1/2 x 15 inches.

Property from the Collection of Chuck Jung, St. Louis, Missouri $600-800 310

Keith Haring

308

(American, 1958-1990) Absolut Vodka, 1986 color offset lithograph 42 x 30 inches. $800-1,200 311

Glenn Ligon

(American, b. 1960) Untitled (America), 2015 screenprint edition 17/50; signed in pencil 6 x 9 inches.

Note: Published to support the Nottingham Contemporary and Tate Liverpool 2015 exhibition Glenn Ligon: Encounters and Collisions $3,000-5,000 312

Parker Ito

(American, b. 1986) Untitled color screenprint artist stamped (verso) 16 1/4 x 11 1/2 inches. $500-700 313

Parker Ito

(American, b. 1986) Untitled color screenprint signed Parker Ito (verso) 18 1/8 x 13 inches. $1,000-2,000

310

128 f i n e p r i n t s

311

312

313

129

Artist Index ARTIST NAME Agam, Yaacov Albers, Josef Anuszkiewicz, Richard Arneson, Robert Avery, Milton Baj, Enrico Beardsley, Aubrey Vincent

LOT 212

Friedeberg, Pedro

207

Freud, Lucian

216

Fuchs, Ernst

296, 297 98, 99

246 115 116, 117

Gee, Peter

221-223

Gertsch, Franz

Pearlstein, Philip Picasso, Pablo

279, 280 127-131, 133-135

Picasso, Pablo (after)

126, 132

Piranesi, Giovanni Battista

298

Poliakoff, Serge

281

Gerzso, Gunther

241

Potter, Paulus

35

Gilot, Françoise

120

Quinn, Anthony

15, 16 182-184 13 240

Bellows, George Wesley

68, 69

Gottlieb, Adolph

185-187

Rauschenberg, Robert

248, 249

Benson, Frank Weston

96, 97

Grasset, Eugène

24

Renoir, Pierre-Auguste

46-49

75-91

Hamaguchi, Yozo

226

Rivière, Henri

Bibel, Leon

109

Hamilton, Richard

264

Robbe, Manuel

Bleckner, Ross

306

Haring, Keith

310

Rosenquist, James

Benton, Thomas Hart

Boldrini, Niccolo Bonnard, Pierre Botero, Fernando Braque, Georges Bresslern-Roth, Norbertine Buhot, Félix Hilaire Cadmus, Paul Calder, Alexander Callot, Jacques Capogrossi, Guiseppe Cassatt, Mary

3

Hartung, Hans

188, 189

57

Hockney, David

288, 289

61-65

Saito, Kiyoshi

227

Salle, David

308

Hopfer, Daniel

121-123

Hoyland, John

196

Sandzen, Birger

95

Hundertwasser, Friedensreich

247

Schmidt-Rottluff, Karl

66

51, 52 114 173-175

Indiana, Robert Ito, Parker Jim Dine

268-272 312, 313 290-295

Schnabel, Julian Siqueiros, David Alfaro

Johns, Jasper

259

Sloan, John French

Jones, Allen

300

Sol LeWitt

50

Jordaens, Jacob

5

273

Judd, Donald

Chadwick, Lynn

137

Katz, Alex

Chagall, Marc

138-153

Cheret, Jules

30-32 209

6 213-215 299

Kent, Rockwell

74

307

Shahn, Ben

181

Caulfield, Patrick

Chillida, Eduardo

263

Rouault, Georges

244 67

2

54 55, 56

Soulages, Pierre

119 229, 230 70-73 210, 211 200, 201

Soyer, Raphael

106

Steinlen, Théophile Alexandre Stella, Frank

36 217, 218

Kokoschka, Oskar

107, 108

Taeuber-Arp, Sophie

Kollwitz, Käthe

104, 105

Tamayo, Rufino

231-236

179 275, 276

Chryssa 219

Lawrence, Jacob

277

Thiebaud, Wayne

Clemente, Francesco

309

Le Parc, Julio

220

Tissot, James Jacques Joseph 44, 45

Close, Chuck

301

Leger, Fernand

Cocteau, Jean Cook, Howard Norton Cuevas, José Luis Curry, John Steuart Dalí, Salvador Daumier, Honoré

124

118

Legrand, Louis Auguste Mathieu

94

Lichtenstein, Roy

245 100 154-164 42

Ligon, Glenn Lozowick, Louis Maratta, Carlo Marca-Relli, Conrad

53

265-267 311

Tobey, Mark

180

Tooker, George

111-113

van der Borcht, Peter

4

van Rijn, Rembrandt

7-10

102

Various Artists

12

Villon, Jacques

224, 225 58

208

Volz, Herman

110

de Goya, Francisco

17, 18

Marsh, Reginald

93

Warhol, Andy

250-258

de Kooning, Willem

204, 205

Matisse, Henri

59

Wesselman, Tom

260-262

de Szyszlo, Fernando

242, 243

Matta, Roberto

de Toulouse-Lautrec, Henri Degas, Edgar Delacroix, Eugène Delaunay-Terk, Sonia della Bella, Stefano

33, 34

237, 238 21

Wiley, William T.

282

Wilson, Donald Roller

287

176-178

Moore, Henry

136

Wood, Grant

197-199

Zorn, Anders

11 60 1

Miró, Joan

Motherwell, Robert Mucha, Alphonse Mucha, Alphonse (after) Natkin, Robert

165-172

25, 26, 28, 29 27 202

Dusart, Cornelis

14

Nauman, Bruce

Faivre, Jules-Abel

37

Nevelson, Louise

304, 305

Oldenburg, Claes

274

103

Orozco, José Clemente

228

203

Paschke, Ed

Francis, Sam Frankenthaler, Helen

130 f i n e p r i n t s

278

192

Dufy, Raoul

Foujita, Léonard Tsuguharu

22

Wilde, John

Mitchell, Joan

43

195

Fisher, Vernon

Whistler, James Abbott McNeill

19, 20

Dorazio, Piero Dürer, Albrecht

Millet, Jean François

193, 194

Pasmore, Victor

302, 303 206

283-286 190, 191

Zúñiga, Francisco

101 23 239

u pco m ing au c t ion sche d u le

439 | Post War and Contemporary Art May 24 | chicago

451 | important Jewelry September 11 – 12 | chicago consignment deadline July 1

440 | Fine Prints May 24 | chicago

464 | fine Timepieces September 12 | chicago consignment deadline July 1

441 | American and European Art May 25 | chicago

452 | Luxury Accessories and couture September 13 | chicago consignment deadline July 15

459 | Marketplace june 8 – 9 | online only

453 | Asian Works of Art September 25 – 26 | chicago consignment deadline July 27

468 | property from the estate of john kluge for the benefit of columbia university june 14 | palm beach

454 | American and European Art September 29 | chicago consignment deadline July 29

442 | mountain decor june 16 | denver

455 | Post War and Contemporary Art September 30 | chicago consignment deadline July 29

466 | palm beach marketplace june 28 | online only

456 | Fine Prints September 30 | chicago consignment deadline July 29

449 | Fine Furniture, Decorative Arts and silver July 18 – 19 | chicago

458 | Milwaukee fall Auction november 4 | milwaukee consignment deadline september 16

450 | Marketplace August 17 | online only

445 | arts of the american west november 10 | denver consignment deadline september 16

Leslie Hindman Auctioneers offers a complete range of appraisal and auction services designed to assist you.

If you have property to sell, be it a single item, a large collection or an entire estate, please contact us for a complimentary evaluation at 312.280.1212 or consign@lesliehindman.com.

lesliehindman.com

Auction Inquiries fine prints

Reed Landin Head of Sale reedlandin@lesliehindman.com 312.334.4216

Lail Marmor Account Executive lailmarmor@lesliehindman.com 312.334.4264

OFFICE OF THE PRESIDENT

consignment department

Leslie S. Hindman President and CEO 312.280.1212

Mary Kohnke Director of Consignments marykohnke@lesliehindman.com 312.334.4236

Adam Spender Executive Assistant 312.334.4201 Craig Dooley COO craig@lesliehindman.com 312.334.4202

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Colleen Thielen Director of Estates and Appraisals colleenthielen@lesliehindman.com 312.447.3283 Molly Gron Business Development Manager mollygron@lesliehindman.com 312.334.4235 Katelyn Finn Account Executive katelynfinn@lesliehindman.com 312.447.3297 Katie Matusik Account Executive katelynmatusik@lesliehindman.com 312.334.4224

ADMINISTRATION Accounting Christopher Reimann Director of Finance christopherreimann@lesliehindman.com 312.447.3284 Katherine Russian Manager of Business Operations katherinerussian@lesliehindman.com 312.447.3263 Tara Schlitz Settlement Manager taraschlitz@lesliehindman.com 312.334.4225

Fine Art Zack Wirsum Senior Specialist zachary@lesliehindman.com Reed Landin Associate Specialist reedlandin@lesliehindman.com Sarah Wilson Associate Specialist/Cataloguer sarahwilson@lesliehindman.com Lail Marmor Account Executive lailmarmor@lesliehindman.com 312.334.4264 Lauren Carpinelli Account Executive laurencarpinelli@lesliehindman.com 312.334.4228

Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282 Marketplace

Jim Sharp Director jim@lesliehindman.com 312.334.4203

Gia Spezia Director gia@lesliehindman.com 312.334.4219

Vaughn Smith Account Executive vaughnsmith@lesliehindman.com 312.334.4238

Asian Works of Art

Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204

Benjamin Fisher Director benjaminfisher@lesliehindman.com Annie Wu Specialist anniewu@lesliehindman.com

Fine Jewelry and Timepieces

Naples

Mike Intihar Senior Specialist mike@lesliehindman.com

James Wallace Gemologist jameswallace@lesliehindman.com

Corbin Horn Specialist corbinhorn@lesliehindman.com

Meredith Derman Gemologist meredithderman@lesliehindman.com

Benjamin Fisher Specialist benjaminfisher@lesliehindman.com

Jamie Henderson Associate Specialist/Cataloguer jamiehenderson@lesliehindman.com 312.334.4226 Hazel Kent Account Executive hazelkent@lesliehindman.com 312.334.4223 Katie Meyer Account Executive katiemeyer@lesliehindman.com 312.334.4213

Client Services

Genevieve King Cataloguer genevieveking@lesliehindman.com

Heather Daum Manager, Human Resources heatherdaum@lesliehindman.com 312.334.4208

Elise Moyer Director, LH Exchange elisemoyer@lesliehindman.com 312.447.3261

Anne Forman Director anneforman@lesliehindman.com 312.334.4222

Lauren Peartree Auction Coordinator laurenpeartree@lesliehindman.com 312.447.3289

Modern Design

Mary Shearson Cataloguer maryshearson@lesliehindman.com 312.447.3288

Mike Intihar Senior Specialist mike@lesliehindman.com Benjamin Fisher Specialist benjaminfisher@lesliehindman.com

960 Cherokee Street Denver, Colorado 80204 303.825.1855

Milwaukee

Fine Furniture and Decorative Arts

Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282

Denver

Clare Brody Account Executive clarebrody@lesliehindman.com 312.447.3290

Alexander Eblen, G.G. Director alexandereblen@lesliehindman.com

Nick Coombs Account Executive nickcoombs@lesliehindman.com 312.447.3292

REGIONAL AUCTION HOUSES

Luxury Accessories and Couture

525 East Chicago Street Milwaukee, Wisconsin 53202 414.220.9200 850 6th Avenue South Naples, Florida 34102 239.643.4448

Palm Beach Island 125 Worth Ave Palm Beach, Florida 33480 561.833.8053

West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053

St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833

Regional Representatives Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811

International Representative Tina Fisher Grow 561.315.9100

Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping Arrangements Leslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

Guide for Prospective Buyers Conditions of Sale Leslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions Leslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates Leslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser.

In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are:

$0 - $200 .............................................................. $10

$200 - $500 ............................................................. $25

$500 - $1,000 .......................................................... $50 $1,000 - $2,000 ....................................................... $100 $2,000 - $5,000 ...................................................... $200 $5,000 - $10,000 .................................................... $500 $10,000 - $20,000 ................................................ $1,000 $20,000 - $50,000 ............................................... $2,000 $50,000 - $100,000 ............................................. $5,000 $100,000 - $200,000 .......................................... $10,000

Over > $200,000 ........... Auctioneer’s Discretion

In-House Bidding Live bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Driving Directions/Parking From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street.

Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking: Leslie Hindman Auctioneers, Inc. has a private parking lot located on Ada Street, diagonally across the street from our entrance.

133

Conditions of Sale

LESLIE HINDMAN AUCTIONEERS, INC. AS AGENT The lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above.

All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment.

Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Leslie Hindman Auctioneers.

134 f i n e p r i n t s

Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot.

In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser.

In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $100,000; twenty percent (20%) of any amount in excess of $100,000 up to and including $1,000,000; and twelve percent (12%) of any amount in excess of $1,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $100,000; twenty-one percent (21%) of any amount in excess of $100,000 up to and including $1,000,000; and thirteen percent (13%) of any amount in excess of $1,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

LIABILITY

Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.

Condition Reports Leslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:

Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.

a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price

Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

Discretion Any and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc.

0615

f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

lh

e.) to offset against any amount owed

135

BID FORM

LESLIE HINDMAN AUCTIONEERS CHICAGO | DENVER | MILWAUKEE | NAPLES | PALM BEACH | ST. LOUIS

fx 312. 28 0.1 21 1 | bid @ lesliehindman .com Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

440

Name Sale Number/Name

Business Name

Billing Address

City State Country/Zip

Contact Name

Primary Phone Secondary Phone

Email Fax

I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

Signature Date

For Leslie Hindman AUCTIONEERS, INC.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

$0 - $200 ........................................................ $10

$200 - $500 ....................................................... $25

$500 - $1,000 .................................................... $50 $1,000 - $2,000 ................................................. $100 $2,000 - $5,000 ................................................ $200 $5,000 - $10,000 ............................................... $500 $10,000 - $20,000 ........................................... $1,000 $20,000 - $50,000 .......................................... $2,000 $50,000 - $100,000 ........................................ $5,000 $100,000 - $200,000 ..................................... $10,000

Over > $200,000 ...... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

A per lot buyer’s premium is added to the final hammer price as per the following: $0 - $100,000 ........................................................... 25% $100,001 - $1,000,000 ........................................... 20% $1,000,001 + ................................................................. 12% Leslie Hindman Auctioneers, Inc. is not responsible for failure or other inadvertent errors relating to the execution of your bids.

Date

First time bidders please provide a valid credit card and one of the following: Passport / Driver’s License / National Identity Card Lot Number

LOT DescriPtion

Absentee Bid

PHONE BID

Back-up Bid

US Dollar Limit

PLEASE CHECK

FOR TELEPHONE BIDDERS ONLY

EXCLUDES BUYER’S PREMIUM

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C H I C AG O, I L L I N O I S

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LES LIE HINDM A N AU C TIO NEERS

lh

L E S L I E H I N D M A N AU C T I O N E E R S M Ay 24, 2016 N O.440

1338 West Lake Street Chicago, Illinois 60607 l ph 312.280.1212 l fx 312.280.1211 l lesliehindman.com

fine prints

NO.440