Sale 454 | American and European Art

LH

AMERICAN AND EUROPEAN ART

SEPTEMBER 29, 2016

American and European Art

LH

Thursday 29 September 2016

P R EVIEW

WEDNESDAY 21 SEPTEMBER | 10AM – 5PM THURSDAY 22 SEPTEMBER | 10AM – 5PM FRIDAY 23 SEPTEMBER | 10AM – 7PM SATURDAY 24 SEPTEMBER | 10AM – 3PM SUNDAY 25 SEPTEMBER | 12PM – 4PM MONDAY 26 SEPTEMBER | 10AM – 5PM TUESDAY 27 SEPTEMBER | 10AM – 5PM WEDNESDAY 28 SEPTEMBER | 10AM – 5PM AUCTION

THURSDAY 29 SEPTEMBER | 12PM EUROPEAN ART | LOTS 1 – 152 AMERICAN ART | LOTS 154 – 260 P R OPERTY PICK UP HOUR S

LHLIVE

MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.

Lots marked with an asterisk (*) are tax exempt as permitted by law.

lesliehindman.com Cover Lot 165 | Louis Ritman, Lady by a Window, 1918

©Leslie Hindman Auctioneers, Inc. 2016 CHICAGO, ILLINOIS ILLINOIS AUCTION FIRM LICENSE NUMBER 444000295

P RO P ERT Y F RO M T H E ES TAT ES O F Alling C. Brown, Lake Forest, Illinois Lois J. and Donald R. Brown, Massillon, Ohio Sara and Sherman Feinstein, Wilmette, Illinois Jean L. Fisher Trust, Wilmette, Illinois Marjorie J. Hagstrom, Kansas City, Missouri Rita Dee Hassenfeld, Palm Beach, Florida Marvin E. Jaffe, Naples, Florida Pieter Christiaan Jongeneel, Clarens/Montreaux, Switzerland Donald E. Lasater, St. Louis, Missouri Robert and Lois Orchard, St. Louis, Missouri

P RO P ERT Y F RO M T H E C O LLEC T IO N S O F David Allard, Firchburg, Massachusetts Harry Conkey, Wilmette, Illinois Stephanie Dooley, Medinah, Illinois Dr. Walter Garst, Miami, Florida Ned Hammel, Highland Park, Illinois Ed Hudson, McHenry, Illinois Figge Art Museum, Davenport, Iowa George Kelley, Philadelphia, Pennsylvaniaa Susan E. Knight, Harbert Community Church, Sawyer, Michigan Kenneth Lamm, Urbana, Illinois Sally Levin, Chicago, Illinois Dominic Marzovillo, Chicago, Illinois Anne and Arthur McGivern, Wilmette, Illinois John W. Mills, Kenilworth, Illinois Allen Nahman, Nahman Gallery, Edgewater, Illinois Byron and Judy Pollock, Chicago, Illinois Marcello Rujas, Cicero, Illinois Opposite Lot 157 | Mary Nicholena MacCord, Looking Toward the Sea

Robert Tracy-Andrus, Chicago, Illinois Halyna Traversa, Bonita Springs, Florida Union League Club of Chicago

Contents

Opposite Lot 151 | Aristide Maillol, La Pudique, 1900

EUROPEAN ART

LOTS 1 – 152

AMERICAN ART

LOTS 154 – 260

6 54

ARTIST INDEX

86

GLOSSARY OF TERMS

87

AUCTION INQUIRIES

92

CONDITIONS OF SALE

94

TELEPHONE / ABSENTEE BID FORM

96

European Art LOTS 1 – 152

Opposite Lot 6 | Peeter Neeffs the Younger, Church of St. Walburga in Antwerp, 1656

1*

Johann (Jan) Christian Vollerdt

(German, 1708–1769) Figures and Animals Before Ruins (a pair of works) oil on panel Each: signed Vollerdt pinx (lower recto) Each: 16 1/2 x 22 inches.

Property from the Estate of Rita Dee Hassenfeld, Palm Beach, Florida $2,000-4,000 2

No Lot 3*

Follower of Nicholas Berchem

(Dutch, 1620-1683) Seaside Scene with Cattle oil on canvas signed Berchem (lower right) 21 x 15 1/2 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $600-800 4

Johan Hendrick Von Mastenbroek

(Dutch, 1875-1945) River Scene, 1903 watercolor on paper signed J.H von Mastenbroek and dated (lower left) 8 3/4 x 13 3/4 inches. $500-700 5

Louis Apol

(Dutch, 1850–1936) River Landscape watercolor on paper signed Louis Apol (lower left) 20 1/2 x 29 1/2 inches. $400-600 1

3

8

AMERICAN AND EUROPEAN ART

6

6

Peeter Neeffs the Younger

(Flemish, 1620–1675) Church of St. Walburga in Antwerp, 1656 oil on canvas signed Peeter Neeffs and dated (center right) 15 1/4 x 20 3/4 inches.

Provenance: Sotheby’s, London, England, February 22, 1967, Lot 6, offered as by Pieter Neefs I. Estate of Stanley Gillen Thence by descent to present owner Literature: B.G. Maillet, Interieurs d’eglises 1580-1722: la peinture dans les ecoles du Nord, 2012, no. M-0964, as by Pieter Neefs I. Note: The painting is included in the RKD database under no.

106475. We are grateful to Ellis Dullaart, of the RKD, The Hague, for proposing the attribution on the basis of photographs. $15,000-25,000

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7

7

Attributed to Hendrick van Steenwyck the Younger

(Flemish, 1580–1649) Church Interior oil on canvas illegibly inscribed (center right) 24 x 30 inches.

Provenance: Valls Gallery, London, sold as by van Steenwyck the Younger Roy Miles, Fine Paintings, London, sold as by van Steenwyck the Younger Acquired from the above by present owner at the Burlington International Art Fair, London, December, 1977 $5,000-7,000

10

AMERICAN AND EUROPEAN ART

8

9

8*

9

(Italian, 1483-1520) Madonna del Granduca, ca. 1900 oil on canvas 33 3/4 x 22 3/4 inches.

Property from the Figge Art Museum, Davenport, Iowa

(Dutch, 1639 - 1684) Portrait of a Gentleman oil on canvas signed Caspar Netscher (lower left) 19 1/4 x 15 1/2 inches. $3,000-5,000

After Raphael

Caspar Netscher

Provenance: L. Dumini & Sons, Florence (label on verso) Gifted to the museum by Hunter Ficke, great grandson of Charles August Ficke Note: Charles Ficke’s collection of art laid the foundation for the Davenport Municipal Art Gallery, the Figge’s predecessor. $1,500-2,500

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10

Barnet Gael

(Dutch, 1630-1698) Raid on a Village oil on canvas signed B. Gael (lower right) 27 x 34 1/4 inches.

Provenance: McClees Galleries, Philadelphia, Pennsylvanvia (label on verso) $4,000-6,000

10

11

Francesco (Imperiali) Ferdinandi

(Italian, 1679-1740) Double sided Study depicting a Landscpape and Cow sanguine on paper signed Fran Imperiali (verso) sight: 6 1/2 x 9 inches. $2,000-4,000 12

Edgar Samuel Paxson

(American, 1852–1919) After the Hunt, 1891 watercolor on paper signed Paxon and dated (lower left) sight: 27 3/4 x 18 3/4 inches. $2,000-4,000 13*

Oreste Costa

(Italian, 1851-1901) Still Life with Game, Tankard and Fruit oil on canvas laid to panel signed O. Costa Firenze (upper right) 44 x 32 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $3,000-5,000 14

Josef Mansfeld

(Austrian, 1819–1894) The Lesson, 1854 oil on canvas signed Jos. Mansfeld and dated (lower left) 15 x 18 3/4 inches.

Property from the Collection of Suzanne Reese, Ingleside, Illinois Provenance: Adeline Terra, Chicago, Illinois Private Collection, Chicago, Illinois Thence by descent to present owner $800-1,200 13

12

AMERICAN AND EUROPEAN ART

15

16

17

15*

Eduard Hildebrandt

(German, 1818–1869) Untitled (Mountain Scene with Lake) oil on canvas signed E H (lower right) 19 1/2 x 27 inches.

Property from the Figge Art Museum, Davenport, Iowa Provenance: Gifted to the museum by Hunter Ficke, great grandson of Charles August Ficke

18

16

17*

18

(Italian, 1859-1944) Knitting Lesson oil on canvas signed E. Zampighi (lower right) 27 x 34 1/2 inches.

(German, 1829–1910) Portrait of a Lady, 1885 oil on panel signed L. Knaus and dated (lower left) 13 x 11 1/2 inches.

Property from the Collection of Marcello Rujas, Cicero, Illinois. $3,000-5,000

(Dutch, 1882–1966) Mother and Children Sewing oil on canvas signed B. Pothast (lower right) 28 x 36 inches. $3,000-5,000

Eugenio Zampighi

Provenance: Findlay Galleries, Chicago (label on verso) $8,000-12,000

Ludwig Knaus

Bernard Pothast

Note: Charles Ficke’s collection of art laid the foundation for the Davenport Municipal Art Gallery, the Figge’s predecessor. $2,000-4,000

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19

Attributed to Georgios Jakobides (Greek, 1853-1932) Maternal Affection oil on canvas signed G. Jakobides (upper right) 20 3/4 x 16 inches.

Note: This work is a third version of two known examples of this subject. A smaller example of Maternal Affection sold at Sotheby’s, London, April 4, 2008, Lot 7, and a larger example sold at Christie’s, New York, May 6, 1998, Lot 159. $60,000-80,000

The quintessential painter of kindermaleri, Georgios Jakobides celebrated in his paintings the special bond between children and their caregivers. The artist was a representative of the Munich School, the most important movement of Greek Art in the 19th century. In 1870, he began his studies at the Athens School of Fine Arts, but in 1877, left for the Akademie der Bildenden Kunste in Munich. It was here that he learned the Munich School’s characteristic use of expressive and sumptuous color, precise rendering of materials, and intense chiaroscuro. Jakobides manipulated these elements to create tender, narrative scenes that transcend maudlin sentimentality.

Attributed to the artist, Maternal Affection emphasizes Jakobides’ skill in depicting the subtle, deep connection between mother and child. Posed against a humble, neutral background, the mother glows with a simple grandeur, reminiscent of Byzantine icon paintings. The masterful and minute handling of the paint highlights her quiet gaze and the gentle, playful pull of her fingers on her child’s cheeks. The otherwise peaceful scene is visually enlivened by the play of pattern and color in the mother’s shawl and apron, and the infant’s wrap. Through subtle gestures and expressions, the artist encapsulates the essence of motherhood.

Not uncommonly, Jakobides produced several versions of paintings that proved to be popular. This work is a third version of two known examples of this subject. A smaller example of Maternal Affection sold at Sotheby’s, London, April 4, 2008 sale, Lot 7, and a larger example sold at Christie’s, New York, May 6, 1998, Lot 159.

Carl Teufel, Gerorgios Jakobides in his studio in Munich,1883

14

AMERICAN AND EUROPEAN ART

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20

William Kay Blacklock

(British, 1872-1922) Maternal Affection, 1915 oil on canvas signed W. Kay Blacklock and dated (lower left) 20 1/2 x 21 3/4 inches. $2,000-4,000 21*

Erskine Nicol

(Scottish, 1825-1904) An Irish Kitchen oil on panel signed Nichol (lower right) 12 1/4 x 15 1/4 inches.

Property from the Estate of Donald E. Lasater, St. Louis, Missouri Provenance: Selkirk Galleries, St. Louis, Missouri Acquired from the above by present owner c. 1960’s $1,500-2,500 21A*

20

Paul Fischer

(Danish, 1860–1934) Portrait of a Lady, 1927 oil on canvas signed Paul Fischer and dated (lower right) 29 1/4 x 22 1/2 inches.

Property from the Collection of Byron and Judy Pollock, Chicago, Illinois $2,000-4,000 22

Albert H. Schmidt

(Swiss, 1883–1970) The Village Blacksmith oil on canvas signed A.H. Schmidt (lower right) 30 x 38 inches. $1,000-2,000 23*

Pietro Barucci

(Italian, 1845–1917) Fisherman oil on board signed P. Barucci (lower right) 11 x 19 1/2 inches.

Property from the Collection of Kenneth Lamm, Urbana, Illinois $800-1,200 24*

Samuel John Hodson

21A

16

AMERICAN AND EUROPEAN ART

(British, 1836–1908) Street Market, 1881 oil on canvas laid to cardboard signed Samuel J Hodson (lower right) 23 1/4 x 31 1/4 inches.

Property from the Collection of Dominic Marzovillo, Chicago, Illinois $400-600

26

33

34

25

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31

(British, 1813-1876) The Fisherman oil on canvas signed Niemann (lower right) 24 x 36 inches. $2,000-4,000

(British, 1872-1927) Cows Drinking from Stream, 1900 oil on canvas signed Ernest Walbourn and dated (lower right) 16 x 24 inches. $800-1,200

(Austrian, 1895-1960) The Masquerade Ball, 1927 oil on canvas laid to board signed Eric Huber and dated (lower center) 12 x 16 inches. $3,000-5,000

Edmund Johann Niemann

26

James Peel

(British, 1811-1906) Landscapes (a pair of works) oil on canvas each signed J. Peel (lower left) Each: 12 x 18 inches.

Provenance: The Cooling Galleries, London $2,000-4,000 27

William Frederick Hulk

(British, 1852-1906) Landscape with Cow oil on panel signed W. F. Hulk (lower right) 10 x 7 3/4 inches. $400-600

Ernest Walbourn

29

Claude L. Clark

(British, 19th century) Landscapes (a pair of works), 1888 oil on canvas each signed Claude Clark and dated (lower recto) Each: 15 x 11 inches. $1,500-2,500 30

William Darling Mackay

(British, 1944-1942) Boats at the Marsh oil on board initialed W.D.M (lower left) 11 1/2 x 8 1/2 inches visible. $600-800

Ernst Huber

32

Cornelis Christiaan Dommelshuizen

(Dutch, 1842–1928) Street Scene oil on canvas signed Chr. Dommelshuizen (lower left) 29 x 23 1/2 inches. $2,000-4,000

33

Cornelis Christiaan Dommelshuizen

(Dutch, 1842-1928) Ingang der haven te den helder, Holland, 1907 oil on canvas signed Chr. Dommelshuizen and dated (lower right); titled (verso) 14 x 21 1/2 inches. $2,000-4,000 34*

Cornelis Christiaan Dommelshuizen

(Dutch, 1842-1928) Coastal Street Scene, 1876 oil on canvas signed Chr. Dommersen and dated (lower left) 20 3/8 x 34 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $2,000-4,000

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36

37

35*

David Wilkie

(British, 1785-1841) Man and Woman with Donkey, 1827 watercolor and graphite on paper signed D. Wilkie and dated (lower right) 9 x 8 1/4 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $1,500-2,500

18

AMERICAN AND EUROPEAN ART

36*

After David Wilkie

(British, 1785-1841) Peddler, 1808 oil on panel signed D W and dated (lower right) 7 7/8 x 6 3/8 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $600-800

37*

Attributed to David Wilkie

(British, 1785-1841) Grave Digger in Hamlet, ca. 1840 oil on panel titled, inscribed Painted by David Wilkie and dated (verso) 2 7/8 x 5 7/8 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $3,000-5,000

38*

Follower of David Wilkie

(British, 1785-1841) Man in a Top Hat oil on panel 13 3/4 x 11 1/4 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $500-700 39

Gilbert Scott Wright

(British, 1880-1958) The Rescue at the Hunt oil on canvas signed Gilbert S. Wright (lower right) 16 1/4 x 20 inches.

Provenance: Arnold Wiggins and Sons, Limited, London Sold: Sotheby’s London, September 9, 1998, Lot 406 $800-1,200 40*

Frederick George Cotman

(British, 1850-1920) Greeting St. Muray Looking towards Ipswich, 1914 oil on board signed F. G. Cotman and dated (lower left) 9 3/4 x 16 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $600-800

39

41*

Attributed to William Hunt

(British, 1790-1864) Pig Chase oil on canvas 17 x 21 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $800-1,200 42*

Thomas Sidney Cooper

(British, 1803-1902) On a Kentish Hillside oil on canvas signed T. Sidney Cooper (lower right) 18 x 24 inches.

Property from the Estate of Pieter Christiaan Jongeneel, Clarens/ Montreux, Switzerland $5,000-7,000

42

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43

Eloise Harriet Stannerd

(British, 1828-1915) Still Life with Fruit, Bird’s Nest and Butterflies oil on canvas 20 x 24 inches. $1,000-2,000

43

44

Gwen John

(British, 1876-1939) Profile of Lady in Yellow Hat watercolor and pencil on paper signed Gwen John (lower left) 3 5/8 x 3 1/8 inches. $4,000-6,000

44

20

AMERICAN AND EUROPEAN ART

45

Edward Burne-Jones

(British, 1833-1898) Portrait of Lucy Merrill, 1880 pencil on paper signed EBJ and dated (lower left); inscribed (verso) 10 1/2 x 8 inches.

Provenance: The artist Gifted to Lucy Merrill Her Nephew Peter Nahum at the Leicester Galleries, London Acquired from the above by the present owner in 1999 Note: Inscription written in pencil on verso reads “This is a drawing of my GreatAunt Lucy Merrill, presented to her

by Edward Burne-Jones 1886 in gratitude for her nursing him through his illness. J. Stephenson.� $30,000-40,000

45

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48

49

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47

(French, 1823-1889) Head of Saint Louis for the Pantheon, c. 1873 black charcoal on paper signed Alex Cabanel (lower right) 16 1/4 x 12 7/8 inches.

(British, b. 1936) Landscape and Venetian Scene (a pair of works) oil on canvas each signed Robert King (lower recto) Each: 12 x 16 inches. $800-1,200

Alexandre Cabanel

Provenance: Shepherd Gallery, New York Exhibited: New York, Shepherd Gallery, French and Other European Drawings, Paintings and Sculpture of the Nineteenth Century, Winter Exhibition, 1981, no. 3 (illus) $1,000-2,000

22

Robert King

48

William Stubbs

(American, 1842-1909) A Three Masted Schooner, Frank Harrington oil on canvas laid to panel signed Stubbs (lower left) Sight: 23 1/2 x 35 1/2 inches.

Provenance: Marine Arts Gallery, Salem, Massachusetts $4,000-6,000

AMERICAN AND EUROPEAN ART

49*

50*

(Danish/American, 1850-1921) The Alamo, 1889 oil on canvas signed A. Jacobsen, dated and marked 705 Palisade Av. West Hoboken, NJ (lower right) 22 x 36 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida

(Danish/American, 1850-1921) La Bourgogne, 1888 oil on canvas signed A. Jacobsen, dated and marked 705 Palisade Av. West Hoboken, NJ (lower left) 21 1/2 x 35 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $8,000-12,000

Antonio Jacobsen

Provenance: Robert Rice Gallery, Houston, Texas (label on verso) $8,000-12,000

Antonio Jacobsen

51

Albertus Verhoesen

(Dutch, 1806-1881) Chickens, 1853 oil on panel signed A. Verhoesen and dated (lower left) 10 1/2 x 14 inches. $800-1,200 52

Desire Thomassin

(Austrian, 1858–1933) Haymakers oil on panel signed D. Thomassin (lower left) 7 x 10 1/2 inches. $600-800

53*

55*

56*

(Italian, 1832-1891) Tiziano’s Studio, 1873 oil on canvas signed Amos Cassioli and dated (lower right); titled (verso) 30 x 39 3/4 inches.

Property from the Collection of Dominic Marzovillo, Chicago, Illinois $2,000-4,000

(Belgian, 1895-1968) Mother with Children by Fireplace pastel and watercolor on paper signed Albert Neuhuys (lower right) 30 3/4 x 25 1/2 inches.

Property from the Collection of Mr. Harry Conkey, Wilmette, Illinois $600-800

(Belgian, 1819–1888) Woman Reading Book in Wooden Landscape oil on canvas signed E. J. Hamman (lower right) 21 1/4 x 25 3/4 inches. $800-1,200

Amos Cassioli

54*

Josef Gisela

(Austrian, 1851–1899) Couple with a Guitar oil on board signed J. Gisela (lower right) 4 x 5 1/4 inches.

Property from the Estate of Rita Dee Hassenfeld, Palm Beach, Florida $3,000-5,000

Albert Neuhuys

55A

Maria-Mela Muter

(French/Polish, 1876–1967) Mère et San, 1936 gouache on panel signed Muter (lower right); titled and dated (verso) 15 1/2 x 11 1/2 inches. $2,000-4,000

Edouard Jean Conrad Hamman

57*

Louis Charles Verboeckhoven

(Belgian, 1802-1889) Harbor Scene oil on canvas signed Louis Verboeckhoven and Eugene Verboeckhoven (lower right) 38 1/2 x 48 inches.

Property from the Estate of Pieter Christiaan Jongeneel, Montreux, Switzerland $2,000-4,000

50

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58*

59

(Swiss, 1843-1919) Fleeing from the Storm oil on canvas signed Arthur Calame (lower right) 42 x 59 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $800-1,200

(French, 1870-1956) Venetian Canal oil on canvas signed Bouvard (lower right) 20 1/4 x 31 inches. $6,000-8,000

Arthur Calame

Antoine Bouvard

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59

24

AMERICAN AND EUROPEAN ART

60

60*

FĂŠlix Ziem

(French, 1821–1911) Venetian Scene oil on panel signed Ziem (lower right) 13 1/4 x 19 1/2 inches.

Property from the Jean L. Fisher Trust, Wilmette, Illinois $8,000-12,000 61

Narcisse Berchere

(French, 1819-1891) Merchants and Camels in a Marketplace oil on canvas signed Berchere (lower right) 24 x 19 3/4 inches. $7,000-9,000

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Hector Leroux

(French, 1829-1900) Temple Priestesses oil on canvas signed Hector Leroux(lower right) 36 x 20 inches. $2,000-4,000

26

AMERICAN AND EUROPEAN ART

63

64*

(French, 1797-1856) Deux ĂŠtudes de tĂŞtes de moines camaldules oil on panel signed P. Delaroche (lower center) 7 3/4 x 13 inches. $1,000-2,000

(French, 1821-1905) Discovered, 1854 oil on canvas signed J. Caraud and dated (lower right) 31 1/2 x 25 inches.

Property of the Union League Club of Chicago, Sold to Benefit its Acquisition Fund $3,000-5,000

Paul Delaroche

Joseph Caraud

65

66

65*

Louis Simon Cabaillot Lassalle

(French, 1810-1870) Stepping Stones oil on canvas signed Cll. Cabaillot Lassalle (lower left) 28 1/2 x 21 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $2,000-4,000

66

Adolphe Joseph Thomas Monticelli

(French, 1824–1886) Garden Party oil on panel signed Monticelli (lower right) 15 1/4 x 19 1/2 inches. $5,000-7,000

67

Adolphe Joseph Thomas Monticelli (French, 1824–1886) Courtship oil on panel signed Monticelli (lower left) 9 x 7 inches. $3,000-5,000

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68

Marie François Firmin-Girard

(French, 1838–1921) Street Scene, ca. 1870 oil on canvas signed Firmin-Girard (lower left) 15 1/4 x 22 1/4 inches.

Note: We would like to thank Patrick Faucheur for confirming the authenticity of this work. It will be included in the forthcoming catalogue raisonné to be published in 2017. $20,000-30,000

28

AMERICAN AND EUROPEAN ART

69*

Leon Victor Dupré

(French, 1816-1879) Coastal Scene oil on panel signed Victor Dupré (lower right) 5 1/2 x 8 3/4 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $800-1,200

70*

71

(French, 1808-1876) Figure in a Pasture oil on canvas signed N. Diaz (lower left) 13 x 18 1/4 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $8,000-12,000

(French, 1866–1943) Moonlit Barnyard oil on canvas signed F. Cachoud (lower right) 32 x 39 inches. $3,000-5,000

Narcisse Virgil Diaz de la Peña

Francois Charles Cachoud

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72

Attributed to Charles François Daubigny

(French, 1817–1878) Herblay charcoal on paper titled in pencil (lower right) 8 x 14 inches.

Provenance: The Collection of Marion McMahon, Wilmette, IL Aquired from above by present owner Note: Handwritten label on verso reads: CharlesFrancois Daubigny, French 1817-1878...

Purchased September, 1950, Galerie Barbizon - Paris. Inscribed at lower right, “Herblay” the name of a town visited by Daubigny in October, 1857, described in his collected letters: “Daubigny-Raconte par Lui-Meme” Moreau-Atelaton - Paris, 1925, see page 77 and 76 $1,500-2,500 30

AMERICAN AND EUROPEAN ART

73

Charles François Daubigny

(French, 1817–1878) On the Oise oil on canvas signed Daubigny (lower left) 20 x 36 1/4 inches.

Provenance: Mrs. William Peter, Lake Forest, Illinois Gifted from above to Marion McMahon, Willmette, Illinois, 1973 Aquired from the above by present owner Note: Label on verso reads: “On The Oise” by C.F. Daubigny. From the collection of L. Crist Delmonico, New York $15,000-25,000

73

74*

75

(French, 1810-1865) Cattle in a Pasture oil on canvas signed C. Troyon (lower left) 11 3/4 x 20 1/4 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $2,000-4,000

(French, 1811-1889) Limousin, 1879 oil on paper laid to panel inscribed J Dupre (lower left); titled and dated on paper label (verso) 8 x 16 1/4 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida

Constant Troyon

Jules DuprĂŠ

76

Charles Emile Auguste Carolus-Duran

(French, 1838-1917) Portrait of Claude Monet watercolor and pencil on paper signed Carolus Duran (lower left); titled (lower right) Sight: 8 x 5 1/2 inches. $600-800

77

Jules Pascin

(Bulgarian, 1885-1930) Meditation watercolor, pen and black ink on paper signed Pascin (lower left) 13 1/2 x 12 inches. $800-1,200

Provenance: The Pulitzer Gallery, London $1,000-2,000

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78

Jean Dufy

(French, 1888-1964) Chrysanthemes watercolor and gouache on paper signed Jean Dufy (lower right) 22 x 17 inches.

Property from a Midwest Collector

78

Provenance: Wally Findlay Galleries, Chicago, Illinois, circa 1960s $6,000-8,000 79

Maximilien Luce

(French, 1858-1941) Paysage d’Île-de-France, 1925 oil on canvas signed Luce (lower right) 13 x 16 1/4 inches.

Provenance: Studio of the Artist Collection of Frederic Luce (artist’s son) Acquired from the above by present owner Literature: Maximillien Luce, Catalogue de l’oeuvre peint - tome III, par Denise Bazetoux, no. 291.

Note: This work is accompanied by a photo certificate of authenticity from the Wildenstein Institute. $6,000-8,000 79

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AMERICAN AND EUROPEAN ART

80

Maximilien Luce

(French, 1858-1941) Rolleboise, le vallon, ca. 1920 oil on canvas signed Luce (lower right) 15 x 21 5/8 inches.

Provenance: Studio of the Artist Collection of Frederic Luce (artist’s son) Acquired from the above by present owner Literature: Maximillien Luce, Catalogue de l’oeuvre peint - tome III, par Denise Bazetoux, no. 1545 Note: This work is accompanied by a photo certificate of authenticity from the Wildenstein Institute. $8,000-12,000 81

80

Maximilien Luce

(French, 1858-1941) Conversations au bord du bras de Seine, 1930-1933 oil on board signed Luce (lower right) 18 1/2 x 24 3/4 inches.

Provenance: Studio of the Artist Collection of Frederic Luce (artist’s son) Acquired from the above by present owner Literature: Maximillien Luce, Catalogue de l’oeuvre peint - tome III, par Denise Bazetoux, no. 1704.

Note: This work is accompanied by a photo certificate of authenticity from the Wildenstein Institute. $8,000-12,000 82

81

Maximilien Luce

(French, 1858-1941) La charité, 1930-1935 oil on board signed Luce (lower left) 19 5/8 x 25 5/8 inches.

Provenance: Studio of the Artist Collection of Frederic Luce (artist’s son) Acquired from the above by present owner Literature: Maximillien Luce, Catalogue de l’oeuvre peint - tome III, par Denise Bazetoux, no. 1596.

Note: This work is accompanied by a photo certificate of authenticity from the Wildenstein Institute. $6,000-8,000 82

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88

83

Yvonne Canu

(French, 1921-2007) Untitled (Le seine) oil on canvas signed YV Canu (lower left) 10 1/2 x 13 3/4 inches. $3,000-5,000 84

Jacques Villon

(French, 1875-1963) Portrait de Faulkner, c. 1940 graphite on paper signed Jacques Villon (lower right) 16 1/2 x 12 inches.

Provenance: Galerie Louis Carre & Cie. Paris $2,000-4,000

84A

87*

(French, 1875-1963) Portrait, 1920 pencil on paper signed Jacques Villon and dated (lower right) 11 x 8 inches. $600-800

(French, 1884–1972) Lakeside pastel on paper signed Paul Emile Pissarro (lower right) 9 x 11 1/2 inches.

Property from the Collection of John W. Mills, Kenilworth, Illinois $2,000-3,000

Jacques Villon

85

Jules Pascin

(French, 1885-1930) Sleepy Figures ink on paper signed Pascin (lower left) 20 x 24 inches. $500-700 86

Jules Pascin

(French, 1885-1930) Bather’s Scene pencil and watercolor on paper signed indistinctly (lower right) 19 x 25 1/2 inches. $500-700

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AMERICAN AND EUROPEAN ART

Paul Emile Pissarro

88*

Camille Pissarro

(French, 1830-1903) Untitled (Farmer on Steed) graphite and wash on paper initialed C.P. (lower right) 3 1/2 x 5 5/8 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $3,000-5,000

89

89

Henri Lebasque

(French, 1865-1937) Les enfants dans la salle à manger, 1905 oil on canvas signed Lebasque (lower right) 18 1/4 x 21 3/4 inches.

Provenance: Kaplan Gallery, London Sotheby’s, Los Angeles, May 23, 1971, lot 31 Hammer Galleries, New York Acquired from the above by present owner Exhibited: Kaplan Gallery, London A Selection of Impressionist and Post-Impressionist Paintings, Watercoulours, Pastels and Drawing from the Collection of Kaplan Gallery, no. 57, 1966.

Literature: Bazetoux, Denise, Henri Lebasque, Catalogue Raisonné - Tome I, pg. 199 (illustrated, 699). $80,000-100,000

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90

Gaston Sébire

(French, 1920–2001) Dans Mon Jardin oil on canvas signed G Sebire (lower right) 29 x 36 inches. $1,000-2,000 91

Gaston Sébire

(French, 1920–2001) Still Life With Fruit oil on canvas signed G Sebire (lower left) 29 x 36 inches. $1,000-2,000 92

Gaston Sébire

(French, 1920-2001) Maison dans les arbres oil on canvas signed Sebire (lower right) 20 x 26 inches. $1,000-2,000 93

Gaston Sébire 90

(French, 1920–2001) Landscape Scene oil on canvas signed G Sebire (lower right) 31 x 41 1/2 inches. $2,000-4,000 94

Jean Pierre DuBord

(French, b. 1949) L’arrivée a Jeuise oil on canvas signed JP Dubord (lower right) 13 x 16 1/4 inches. $600-800 95

Jean Pierre DuBord

(French, b. 1949) Les fleurs du jardin oil on canvas signed JP Dubord (lower left) 10 5/8 x 13 3/4 inches. $400-600 96*

Jean Pierre DuBord

(French, b. 1949) Vieux Quartiers de Banlieve oil on canvas signed JP Dubord (lower right) 24 1/2 x 19 1/2 inches.

Property from the Estate of Donald E. Lasater, St. Louis, Missouri

91

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AMERICAN AND EUROPEAN ART

Provenance: Wally Findlay Galleries, Palm Beach Acquired from the above by present owner $1,500-2,500

97*

Jean Pierre DuBord

(French, b. 1949) Promenade a Honfleur oil on canvas signed JP DuBord (lower right), titled (verso) 20 x 24 inches.

Property from the Estate of Donald E. Lasater, St. Louis, Missouri Provenance: Ambassador Galleries, Palm Beach Acquired from the above by present owner $1,500-2,500 98*

Jean Pierre DuBord

(French, b. 1949) Promenade oil on canvas signed JP DuBord (lower right) 19 1/2 x 28 1/2 inches.

Property from the Estate of Donald E. Lasater, St. Louis, Missouri Provenance: Ambassador Galleries, Palm Beach Acquired from the above by present owner $1,500-2,500 99

François Gall

100

(French, 1912–1987) Along the Seine, Paris oil on canvasboard signed F. Gall, Paris (lower right) 18 x 24 inches. $2,000-4,000 100

Nicola Simbari

(Italian, 1927-2012) Seated Nude oil on canvas signed Simbari (lower right) 42 1/2 x 46 1/4 inches (visible). $3,000-5,000 101

Nicola Simbari

(Italian, 1927-2012) Cafe Scene,1965 oil on canvas signed Simbari and dated (lower right) 29 1/2 x 39 1/4 inches. $2,000-4,000 102

Yolande Ardissone

(French, b. 1927) Landscape Harbor Scene oil on canvas signed Ardissone (lower left) 16 x 19 1/2 inches. $1,500-2,500

101

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103*

104

(French, b. 1927) Le Phare de DoĂŤlan oil on canvas signed Ardissone (lower left) 20 x 23 1/2 inches.

Property from the Collection of Mr. Ned Hammel, Highland Park, Illinois

(French, b. 1927) La mer a brehat oil on canvas signed Ardissone (lower right) 23 1/2 x 23 1/2 inches. $2,000-4,000

Yolande Ardissone

Provenance: Wally Findlay Galleries, Chicago, Illinois Aquired from the above by the present owner, 1979 $2,000-4,000

Yolande Ardissone

106*

107

(French, b. 1927) Le Lapin Agile oil on canvas signed Ardissone (lower right) 24 x 28 inches.

Property from the Estate of Donald E. Lasater, St. Louis, Missouri

(French, b. 1928) Winter Landscape, 1975 oil on canvas signed Ganter and dated (lower right); signed, titled illegibly, and dated (verso) 29 x 45 1/2 inches.

Yolande Ardissone

105

Yolande Ardissone

(French, b. 1927) Les deux paysannes oil on canvas signed Ardissone (lower right) and titled (stretcher) 15 x 18 1/2 inches. $1,500-2,500

Provenance: Wally Findlay Galleries, Palm Beach Acquired from the above by present owner $2,000-4,000

103

105

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AMERICAN AND EUROPEAN ART

Bernard Ganter

Provenance: Wally Findlay Gallery, Chicago, Illinois Acquired from above by present owner $2,000-4,000

104

106

108

109

110

108

109*

(French, 1910–1988) Théâtre du Châtelet oil on canvas signed Antoine Blanchard (lower right) 18 x 21 3/4 inches.

(French, 1910–1988) Place de la Concorde oil on canvas signed Antoine Blanchard (lower left); signed (verso) 13 x 18 inches.

Property from the Collection of Allen Nahman, Nahman Gallery, Edgewater, New Jersey

Antoine Blanchard

Note: This work is accompanied by a letter of authenticity issued by Rehs Galleries, Inc., New York. $7,000-9,000

Antoine Blanchard

Note: This work is accompanied by a letter of authenticity issued by Rehs Galleries, Inc., New York. $4,000-6,000

111

110*

111

Antoine Blanchard

Antoine Blanchard

Note: This work is accompanied by a letter of authenticity issued by Rehs Galleries, Inc., New York. $4,000-6,000

Provenance: Wally Findlay Galleries Private Collection, Chicago, Illinois Acquired from above by present owner $6,000-8,000

(French, 1910–1988) Paris l’Opéra oil on canvas signed Antoine Blanchard (lower left); titled and signed (verso) 13 x 18 inches.

Property from the Collection of Allen Nahman, Nahman Gallery, Edgewater, New Jersey

(French, 1910-1988) Bouquinistes de Notre-Dame, ca. 1955 oil on canvas signed Antoine Blanchard (lower right) 13 x 18 inches.

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112

Rene Rambert

(French, 1901-1991) Street Scene oil on canvas laid to panel signed R. Rambert (lower right) 19 x 23 inches. $600-800 113

André Gisson

(American, 1921–2003) Two Nudes oil on canvas signed Gisson (upper left) 12 x 16 inches. $600-800 114

115

André Gisson

(American, 1921–2003) Summer Field oil on canvas signed Gisson (lower left) 24 1/4 x 12 inches. $800-1,200 116

Patricia Rose

(1934 - 2008) Trees, 2006 oil on canvas signed Pat Rose and dated (lower right) 23 1/4 x 29 1/4 inches. $600-800

André Gisson

(American, 1921-2003) Street Scene, Paris oil on canvas signed Gisson (lower left) 16 x 20 inches. $1,000-2,000

117

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AMERICAN AND EUROPEAN ART

117*

Constantine Kluge

(French, 1912-2003) Noel St. Martin oil on canvas signed C. Kluge (lower right) 25 1/2 x 21 3/4 inches.

Property from the Estate of Donald E. Lasater, St. Louis, Missouri Note: Purchased Wally Findlay Galleries, Palm Beach $4,000-6,000 118*

Vu Cao Dam

(French, 1908–2000) Untitled, 1965 oil on canvas signed, inscribed and dated Pour Miss Helen Findlay/Respectueux hommage (lower right) 16 1/2 x 13 1/4 inches.

Property from the Collection of Stephanie Dooley, Medinah, Illinois $7,000-9,000

118

119

119

Bernard Buffet

(French, 1928–1999) Route et Êglise, 1966 oil on canvasboard signed Bernard Buffet and dated (upper right); stamped David et Garnier and Douane Centrale, exportation Paris (verso) 7 1/2 x 9 1/2 inches.

Provenance: E. David et M. Garnier, Paris (label on verso) Findlay Galleries, Chicago, Illinois Acquired from above by present owner Note: This work is accompanied by a copy of the original invoice #5644-(5643) from Findlay Galleries from December 29, 1966. $8,000-12,000

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120

122

124

126

(Belgian, 1888-1948) Lady with Red Parasol oil on canvas laid to board signed M. P. Rousseau (lower right) 19 3/4 x 15 3/4 inches. $600-800

(Dutch, b. 1954) Beach Scene oil on canvas signed Van der Plas (lower right) 23 1/2 x 31 1/2 inches. $2,000-4,000

121

123

(Dutch, b. 1954) Skinny Bridge, Amsterdam oil on canvas signed Van der Plas (lower right); titled (verso) 13 x 18 inches. $1,500-2,500

(American, 1878-1965) Landscape with Road and Cow oil on canvas signed A. Walkowitz (lower right) 23 3/4 x 39 inches. $4,000-6,000

(Dutch, b. 1954) Beach Scene oil on panel signed Van der Plas (lower right) 8 x 9 3/4 inches. $800-1,200

(Dutch, b. 1954) Picnic in a Wooded Landscape oil on panel signed Van der Plas (lower right) 10 1/2 x 14 inches. $1,500-2,500

Margarite Rousseau

Niek van der Plas

Niek van der Plas

Niek van der Plas

Niek van der Plas

Abraham Walkowitz

125

Abraham Walkowitz

(American, 1878-1965) Shiva oil on canvasboard signed A. Walkowitz (lower left) 18 x 24 inches. $4,000-6,000

124

125

126

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AMERICAN AND EUROPEAN ART

127

127

128*

129

(Russian, 1861–1939) Paris at Night oil on board signed C. Korovin Paris (lower left) 16 x 12 3/4 inches. $8,000-12,000

(American/Russian, 1867-1960) Skating on Lake Carasaljo Lakewood N.J., 1945 oil on canvas signed Israel Litwak and dated (lower right) 20 x 31 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $800-1,200

(Polish, 1911–1979) Winter Street Scene oil on canvas signed W T Chmielinski (lower right) 16 x 20 inches. $600-800

Konstantin Alexeievitch Korovin

Israel Litwak

Wladyslaw T. Chmielinski

130

Attributed to Robert Rafailovich Falk

(Russian, 1886–1958) Scene with Sailboats, 1928 oil on canvas signed R. Falk and dated (lower right) 20 x 16 inches.

Property from a Private Collection, Chicago, Illinois Provenance: Wallner Antiques, Chicago, Illinois Acquired from the above by present owner $2,000-4,000

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131

131

132*

(Russian, 1887-1938) Étude, fruits tempera on paper 21 x 24 inches.

(Russian, 1879–1973) Circus gouache on board 21 x 26 inches.

Property from a Private Collection, Chicago, IL $800-1,200

Alexandre Jacovleff

Provenance: Maxwell Galleries, San Francisco Acquired from the above by Private Collection Thence by descent to present owner, circa 1945.

Exhibition: San Francisco, Maxwell Galleries, Iacovleff, 1-31 October circa 1945, no. 30.

Literature: Exhibition catalogue, Iacovleff, San Francisco, circa 1945, p. 3, no 30.

Christie’s Russian Art catalogue, Sale 10307, p. 64, no. 46. $8,000-12,000

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AMERICAN AND EUROPEAN ART

Boris Izrailovich Anisfeld

133

Boris Izrailovich Anisfeld

(Russian, 1879–1973) Garden Home, 1921 watercolor and pencil on paper signed Boris Anisfeld and dated (lower right) Sight: 21 x 27 inches.

Property from a Private Collection, Chicago, Illinois $800-1,200

134*

Alexandre Roubtzoff

(Russian, 1884–1949) Portrait of a Tunisian Woman oil on canvas signed A. Roubtzoff Tunis and dated illegibly (upper right) 63 1/4 x 41 inches.

Property from the Collection of Byron and Judy Pollock, Chicago, Illinois $15,000-25,000 135*

Alessio Issupoff

(Russian, 1889-1957) Untitled (Landscape) oil on canvas signed Alessio Issupoff (lower left) 18 x 26 1/2 inches.

Property from the Collection of Ed Hudson, McHenry, Illinois $1,500-2,500 136*

Israel Litwak

(American/Russian, 1867-1960) Kekonson, 1946 oil on canvas signed Israel Litwak and dated (lower right) 23 x 34 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $800-1,200 137*

Andrei Afanasievich Jegorov

(Russian, 1878-1954) Winter Landscape watercolor on paper signed A. Jegorov (lower left) 14 x 19 1/2 inches.

Property from the Collection of Susan E. Knight, Harbert Community Church, Sawyer, Michigan $600-800 138

Jose Mauel Capuletti

(Spanish, 1925-1978) Surreal Landscape, 1953 mixed media on paper signed Capuletti, Paris and dated (lower left) 18 x 23 1/2 inches. $400-600

134

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139

Conrad Wise Chapman

(American, 1842–1910) Cityscape of Rome from the Spanish Steps oil on panel signed C W Chapman (lower left) 5 1/2 x 8 1/2 inches.

Note: We would like to thank Dr. Ben Bassham, author of Conrad Wise Chapman: Artist & Soldier of the Confederacy (Kent, Ohio, 1998) for his help cataloging this work.

This work is accompanied by a letter of authenticity from Dr. Bassham. $10,000-15,000

Based on the analysis of Professor Ben Bassham of Kent State University, the painting “Cityscape of Rome from the Spanish Steps” has been determined as an authentic work of the artist Conrad Wise Chapman (American, 1842-1910).

Although born in 1842 in Washington D.C. and best known for his scenes of the American Civil War, Conrad Wise Chapman spent the majority of his youth in Rome. His father, the artist John Gadsby Chapman, and other American expatriate artists such as George Loring Brown and Cepahas Giovanni Thompson, provided the young Conrad with his education in art. Chapman left Italy to join the Confederate Army in 1861, but returned to Rome at various times from 1866 to 1870.

In Rome, the Chapman family lived a few hundred yards down the street from the Spanish Steps on the Via del Babuino, which is the probable location for Cityscape of Rome from the Spanish Steps.

According to Professor Ben Bassham, this painting may have been executed by the young artist Chapman in the 1850s when he and his brother, John Linton Chapman, were encouraged by their father to paint views of street life, city monuments, and landscapes in order to tap into the lucrative tourist economy. However, given this painting’s similarities to Chapman’s beach scenes of the late 1860s and early 1870s, it was more likely executed when the artist returned to Rome after the Civil War, thus giving this work a later dating of circa 1872-73.

Cityscape of Rome from the Spanish Steps exhibits several visual indicators that closely resemble the compositions, brushwork, and subject matter found in other works by Chapman. For instance, the peculiarly doll-like character of the figures that occupy the plaza is virtually identical to those found in his depictions of beach scenes along the Normandy coast. Chapman preferred to feature these tiny figures within broad, stage-like settings, as seen in this depiction of Rome’s Spanish Steps. The brushwork, particularly that observed in the rendering of the dog to the left of the foreground, likewise exemplifies the loose handling of paint typical of the artist. Lastly, the present work was executed on mahogany panel, the artist’s preferred medium of support.

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AMERICAN AND EUROPEAN ART

139

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47

140

140

Simon Combes

(English/Kenyan, 1940-2004) Cheetah oil on canvas signed Simon Combes (lower right) 18 x 24 inches. $6,000-8,000

48

AMERICAN AND EUROPEAN ART

141*

Jacob Epstein

(Israeli, 1921-2003) Pink Peonies watercolor on paper signed Epstein (lower left) 17 1/2 x 22 1/2 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $1,500-2,500 142*

Jacob Epstein

(Israeli, 1921-2003) Pink Rhodes watercolor on paper signed Epstein (lower right) Sight: 17 x 22 inches.

Property from the Collection of Robert Dew, Fort Myers, Florida $2,000-4,000 143

Jose Antonio Velasquez

(Honduran, 1906–1985) Hillside Village, 1950 oil on canvas signed J.A. Velasquez H.C.A. and dated (lower right) 21 1/4 x 28 1/4 inches. $600-800

141

144

Hachiro Nakagawa

(Japanese, 1877-1922) Village with Horses watercolor on paper signed Nakagawa (lower right) 14 1/4 x 20 inches. $3,000-5,000

142

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145

146

145*

146*

(French, 1882-1935) Draped Woman bronze; later estate authorized cast edition of 12 Height: 10 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $5,000-7,000

(French, 1840-1917) Psyche, Pomone, 1886 bronze, later cast inscribed A. Rodin and Georges Rudier, Fondeur, Paris (base) Height: 13 1/4 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri

Gaston Lachaise

50

AMERICAN AND EUROPEAN ART

Auguste Rodin

Provenance: Galerie Brockstedt, Hamburg, Germany Acquired from the above by Robert Orchard in 1961 $10,000-15,000

147

148

147*

148*

(French, 1840-1917) Study for the Gates of Hell bronze, later cast inscribed Rodin (base) Height: 7 1/4 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri

(French, 1861-1929) Goats, 1919 bronze inscribed Bourdelle and dated Height: 10 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $4,000-6,000

Auguste Rodin

Provenance: Galerie Brockstedt, Hamburg, Germany Acquired from the above by Robert Orchard in 1961 $8,000-12,000

Émile-Antoine Bourdelle

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149

149*

Pierre-Auguste Renoir and Louis Morel (French, 19th/20th century) Danseuse au tambourin II bronze edition 8/20, inscribed Renoir Height 23 3/4 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $8,000-12,000

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AMERICAN AND EUROPEAN ART

150

150*

Pierre-Auguste Renoir and Louis Morel (French, 19th/20th century) Le Joueur de Flute bronze edition 10/20, inscribed Renoir Height 23 3/4 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $8,000-12,000

151

152*

(French, 1861-1944) La Pudique, 1900 bronze edition 3/6, inscribed with the artist’s monogram and stamped Alexis Rudier Fondeur Paris 6 3/4 x 9 1/8 x 2 inches.

(British, 1880-1959) Hands of Old Pinager bronze edition 6/6 Width 13 1/4 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $1,000-2,000

Aristide Maillol

Provenance: Fine Arts Associates, Inc., New York Acquired from the above by Mr. Thomas S. Hall, 1959 Thence by descent to present owner

Sir Jacob Epstein

Literature: Rosenberg, Paul and Co., New York “An Exhibition of Original Pieces of Sculpture by Aristide Maillol, 18611944” New York P. Rosenberg, 1958 (Plate #8). $50,000-70,000

151

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American Art LOTS 154 – 260

Opposite Lot 201 | William Wendt California Brown Hill Scene, 1922

155

153

No Lot 154

Jean Lefort

(French, born 1948) Boat Race oil on canvas laid to panel signed J. Lefort (lower right) 14 x 18 1/2 inches. $600-800

56

AMERICAN AND EUROPEAN ART

155*

156

(American, b. 1942) Jetties Beach, Nantucket oil on canvas signed R Loud (lower right) 26 x 44 inches.

Property from the Collection of George Kelley, Philadelphia, Pennsylvania $8,000-12,000

(American, 1904–1988) Winnetka Lighthouse Scenes (a group of three works) oil on canvas Largest: 13 1/2 x 9 3/4 inches. $800-1,200

Richard Loud

Herman Menzel

157

Mary Nicholena MacCord

(American, 1864-1955) Looking Toward the Sea oil canvas signed Mary Nicholena MacCord (lower left); titled (verso) 25 x 30 inches.

Property from a Private Collection, Chicago, Illinois Provenance: Bonham’s, San Francisco, December 10, 1997, lot 3068 R. H. Love Galleries, Inc., Chicago, Illinois $10,000-15,000

157

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57

159

160

158

159*

160*

(Irish, b. 1956) Racing the Wind oil on canvas signed Livingston (lower right) 23 1/2 x 29 1/4 inches. $1,500-2,500

(American, 1873–1939) New England Landscape oil on board signed E. Lawson (lower right); signed E. Lawson and titled (verso) 15 x 21 1/2 inches.

Property from the Collection of Sally Levin, Chicago, IL $6,000-8,000

(American, 1888-1969) Creeds Cove, Mass. oil on masonite signed W. Lester Stevens (lower right) 24 x 29 3/4 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $2,000-4,000

Patrick David Livingstone

58

AMERICAN AND EUROPEAN ART

Ernest Lawson

William Lester Stevens

161*

Dewitt Parshall

(American, 1864–1956) Maine Shoreline oil on canvas signed Dewitt Parshall (lower left) 24 x 18 inches.

Property from the Collection of Robert Tracy-Andrus, Chicago, IL $1,000-2,000

162

Harry Aiken Vincent

(American, 1864-1931) Boats, Gloucester Harbor oil on canvas signed H. A. Vincent (lower left) 30 x 36 inches.

Property from a Private Collection, Chicago, Illinois Provenance: R.H. Love Galleries, Inc., Chicago, Illinois. $8,000-12,000

163

164

Edwin Walter Dickinson

Edwin Walter Dickinson

Provenance: Graham Gallery, New York (label on verso)

Provenance: James Graham & Sons, New York (label on verso)

Exhibited: Graham Gallery, New York, November, 1972, no. 258 $800-1,200

Exhibited: Edwin Dickinson Retrospective, 1961 $8,000-12,000

(American, 1891-1978) Nude, Provincetown, c. 1920s charcoal on paper signed E.W. Dickinson and titled (lower left) 17 3/4 x 18 3/4 inches.

(American, 1891-1978) Cayuga Lake, 1939 oil on canvas signed indistinctly Dickinson (lower left) and dated (lower right) 10 x 19 inches.

162

164

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59

165

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AMERICAN AND EUROPEAN ART

165

Louis Ritman

(American, 1889-1965) Lady by a Window, 1918 oil on canvas signed L. Ritman and dated (lower right) 47 x 39 1/2 inches.

Property from a Private Collection, Chicago, Illinois Provenance: The artist Estate of the above, Maurice Ritman, brother of the artist Gordon Collection R.H. Love Galleries, Inc., Chicago, Illinois Geist Collection R.H. Love Galleries, Inc., Chicago, Illinois Acquired by the present owner from the above, 2001 Exhibitions: Chicago, Illinois, R.H. Love Galleries, Inc., Louis Ritman: The Giverny Years, September 18-October 18, 1987.

Daytona Beach, Florida, Museum of Arts & Sciences, Owensboro, Kentucky, Owensboro Museum of Fine Art and Huntsville, Alabama, Hunstville Museum of Art, The Genteel Tradition in American Painting, October 26, 1997-May 26, 1999.

Literature: R.H. Love, Louis Ritman: From Chicago to Giverny, Chicago, Illinois, 1989, p. 230, pl. 19-9, illustrated.

Note: This work will be included in the forthcoming catalogue raisonne by Richard H. Love and Michael Preston Worley. $150,000-250,000

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166

Elias Goldberg

(American, 1886-1978) New York, c. 1953 oil on canvas signed Elias Goldberg (lower left) 21 7/8 x 17 7/8 inches. $1,500-2,500 167*

Johann Berthelsen

167

(American, 1883-1972) Plaza Hotel oil on board signed Johann Berthelsen (lower right) 10 1/2 x 18 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $4,000-6,000 168

Sanford Darling

(American, 1894- 1973) Country Landscape oil on masonite 16 x 21 inches. $800-1,200 169

Jan Matulka

(American/Czech, 1890-1972) Inwood Heights, New York City oil on canvas signed Matulka (lower right) 22 x 30 inches.

Property from a Private Collection, Chicago, Illinois Provenance: R. H. Love Galleries, Inc., Chicago, Illinois $8,000-12,000 169

170

62

AMERICAN AND EUROPEAN ART

170

Aaron Bohrod

(American, 1907-1992) Untitled, 1938 oil on board signed Aaron Bohrod and dated (lower center) 25 1/2 x 35 1/2 inches. $5,000-7,000

171

Aaron Bohrod

(American, 1907–1992) Bathers by the Sea 1937 gouache on paper signed Bohrod and dated (lower right) 14 x 19 inches. $1,000-2,000 172

Emil Armin

(American, 1883-1971) Untitled watercolor on paper signed Emil Armin and dated (lower left) 11 1/4 x 15 1/4 inches. $800-1,200 173

Emil Armin

(American, 1883-1971) Untitled, 1928 watercolor on woven paper signed Emil Armin and dated (lower left) 11 1/2 x 15 inches. $800-1,200

175

174

Noel Rockmore

(American, 1928-1995) Interior with Two Figures, 1948 oil on canvas signed Noel Davis and dated (upper center) 40 x 50 inches.

Property from a Private Collection, Chicago, Illinois Provenance: Sotheby’s New York, Arcade, September 27, 1989, Lot 395 Neal Auction Company, New Orleans, December 7, 2002, Lot 497 $3,000-5,000 175*

Clyde Singer

(American, 1908-1998) Cafeteria Reader, 1963 oil on board signed C. Singer (upper left); signed, titled and dated (verso) 9 x 12 inches.

Property from the Estate of Lois J. and Donald R. Brown, Massillon, Ohio $1,000-2,000 176

Moses Soyer

(American, 1899–1974) The Dancers (The Ballet Studio) oil on canvas signed M. Soyer (lower right) 20 1/2 x 24 inches. $3,000-5,000

176

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177

180

177

Raphael Soyer

(American, 1899-1984) Study for East Village graphite and watercolor on paper signed Raphael Soyer and titled (lower left) 8 x 10 inches. $500-700 178

Raphael Soyer

(American, 1899-1987) Pregnant Woman in a Green Dress oil on panel signed Raphael Soyer (lower right) 13 x 10 inches. $1,500-2,500 179

Raphael Soyer

(American, 1899-1984) Drawing #3 graphite and watercolor on paper signed Raphael Soyer and titled (lower left) 8 x 11 inches. $500-700

178

64

AMERICAN AND EUROPEAN ART

180

Attributed to Yasuo Kuniyoshi

(American, 1889-1953) The Opium Den oil on canvas signed Kuniyoshi (lower right) 24 x 36 inches.

Provenance: Signature Galleries, Chicago, Illinois, 1974 Acquired from the above by the present owner $2,000-4,000 181

Michael Hurd

(American, b. 1946) Children of San Patricio oil on panel signed Michael Hurd (lower left) 23 5/8 x 29 1/4 inches.

Provenance: Hurd La Rinconada Gallery, San Patricio (label on verso) Nedra Matteucci Galleries, Santa Fe (label on verso) $1,500-2,500

187

182

184*

186*

(American, b. 1908) Autumn Farm Landscape oil on board signed Raymond Pease (lower left) 13 1/2 x 19 1/2 inches. $600-800

(American, 1883-1962) Untitled (View of a House), 1931 oil on masonite signed Guy Wiggins and dated (lower right and verso) 8 1/2 x 6 3/4 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $2,000-4,000

(American, 1829-1905) Late Afternoon oil on canvas signed Marion Sloane (lower left) 24 x 30 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $800-1,200

Raymond Pease

183

L J Hanks

(American, 20th Century) Thached Barn oil on canvas signed L J Hanks (lower right) 14 x 16 inches. $600-800

Guy Wiggins

185

Kathryn E. Bard Cherry

(American, 1880-1931) Tree Lined Stream oil on board signed Kathryn Cherry (lower right) 14 x 10 inches. $2,000-4,000

Marion P. Sloane

187

Dale Nichols

(American, 1904-1995) Red Barn gouache on board signed Dale Nichols (lower left) 5 x 7 1/4 inches. $5,000-7,000

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188

189

(American, 1891–1942) In Iowa, 1924 oil on board signed Grant Wood (lower right) titled and dated (verso) 12 1/2 x 14 inches. $8,000-12,000

(American, 1888–1972) Going Home oil on panel signed Costigan (lower left) 26 x 36 inches. $2,000-4,000

Grant Wood

John Costigan

190

Warren Newcombe

(American, b. 1894) Hillside River, 1932 oil on canvas signed W Newcombe and dated (lower left) 26 1/2 x 29 1/2 inches. $1,000-2,000

188

66

AMERICAN AND EUROPEAN ART

191

193

191

193

195

(American, b. 1932) Dusk, 1983 oil on panel signed Duncan and dated (lower left) 24 x 40 inches.

(American, 1934–1999) Finally Caught oil on canvas signed Ross Stefan (lower left) 24 x 36 inches.

(American, b. 1944) Cuzco Vista oil on canvasboard signed Daily (lower left) 9 x 12 inches.

Provenance: Alterman & Morris Galleries, Dallas, Texas (label on verso) Jackson Hole Art Auction, Jackson, Wyoming, 2007, lot 136 $6,000-8,000

Provenance: Scottsdale Art Auction, Scottsdale, Arizona, March 31, 2007, lot 207 $4,000-6,000

192

(American, 1915–1966) Western Scene (Chasing Bulls) watercolor on paper signed Geo Phippen (lower right) 14 1/2 x 19 3/4 inches.

Property from the Collection of Anne and Arthur McGivern, Wilmette, Illinois $1,500-2,500

Robert Duncan

George Dee Smith

(American, b. 1944) Cowboy with Two Horses, 1973 oil on canvas signed George D. Smith and dated (lower right) 9 x 12 inches. $500-700

Ross Stefan

194*

George Phippen

Mark Daily

Provenance: Nedra Matteucci Galleries, Santa Fe (label on verso) $600-800 196*

John Terelak

(American, b. 1942) A Sunset Harbor Scene, 1975 oil on canvasboard signed J. C. Terelak and dated (lower right) 18 x 13 1/2 inches.

Property from the Collection of Wesley Fultz, Seymour, Indiana $800-1,200

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197

199

197

Gary Lawrence Niblett

(American, b. 1943) Sleigh Ride to Cimarron, 1983 oil on canvas signed Gary Niblett and dated (lower right) 18 x 28 inches.

Provenance: Sold: Scottsdale Art Auction, Arizona, lot 72, March 31, 2007 Acquired from the above by the present owner $2,000-4,000

68

AMERICAN AND EUROPEAN ART

198*

199*

(American, 1888–1966) Still Life, ca. 1930 oil on canvas signed Frank Gavencky (lower right); signed and titled (verso) 22 x 25 inches.

Property from the Collection of Nadine Kramer, Chicago, Illinois

(American, 1887-1948) Still Life oil on board signed Laura Waring (lower right) 16 x 20 inches.

Property from the Collection of David Allard, Fitchburg, Massachusetts $3,000-5,000

Frank J. Gavencky

Provenance: Illinois State Fair, State Museum Division, 1930, no. 37 (label on verso) $800-1,200

Laura Wheeling Waring

200

200*

William Wendt

(American, 1865-1946) Tahoma, the Silent, 1934 oil on canvas signed William Wendt (lower left); titled (verso) 16 x 20 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida Provenance: The artist Gifted to Mrs. Fisk, February 22, 1934 Glenn A. Long, Coral Gables, Florida George Campbell Gifted to Dr. Garst, December, 25, 1974 Note: The work is accompanied by a hand-written letter from the artist to Mrs. Fisk and titled on a hand-written label affixed to frame. $20,000-30,000

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201

201*

William Wendt

(American, 1865-1946) California Brown Hill Scene, 1922 oil on canvas signed William Wendt and dated (lower left) 24 3/4 x 25 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida Provenance: Glenn A. Long Fine Arts, Coral Gables, Florida (label on verso) $20,000-40,000

70

AMERICAN AND EUROPEAN ART

202

202

William Wendt

(American, 1865-1946) California Landscape, 1926 oil on canvas signed William Wendt and dated (lower right) 20 x 28 inches. $20,000-30,000

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203

205

203

204

(American, 1883-1947) Study for a Sierra Landscape oil on canvas laid board signed Edgar Payne (lower right) 7 x 9 inches. $2,000-4,000

(American/Irish, 1850–1928) Tree Lined Shore oil on panel signed A. O’Kelly (lower right) 9 x 13 inches. $2,000-4,000

Edgar Alwin Payne

Aloysius C. O’Kelly

205

Harriet Randall Lumis

(American, 1870-1953) House on a Lake oil on canvas signed Harritet R. Lumis (lower left) 26 x 40 inches.

Property from a Private Collection, Chicago, Illinois Provenance: R. H. Love Galleries, Chicago, Illinois $6,000-8,000

72

AMERICAN AND EUROPEAN ART

206*

John Joseph Enneking

(American, 1841-1916) Stream, 1908 oil on canvas signed Ennecking and dated (lower right) 20 x 24 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $2,000-4,000

208

209

(American, 1868-1957) Beach Front oil on canvas signed Frank V. Dudley (lower left) 14 x 16 inches. $3,000-5,000

(American, 1902–2003) Landscape with Figure, 1983 acrylic on canvas board signed Sally Michel and dated (lower right) 20 x 16 1/8 inches. $2,000-4,000

207

Mathias Joseph Alten

(American, 1871-1938) Dunes oil on canvas signed M Alten(lower left) 12 x 14 inches. $3,000-5,000

Frank Dudley

Sally Michel Avery

210

Sally Michel Avery

(American, 1902–2003) Beach Scene acrylic on canvas 21 1/2 x 28 inches. signed Sally Michel (lower right) $2,000-4,000

207

208

207

208

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211

211*

Birger Sandzen

(American, 1871-1954) Pacific Coastline, 1950 oil on panel signed Birger Sandzen (lower right) 22 1/2 x 28 inches.

Property from the Estate of Marjorie J. Hagstrom, Kansas City, Missouri Provenance: Konstverk Gallery, Lindsborg, Kansas Note: We would like to thank Ron Michael, Director of the Birger Sandzen Memorial Gallery, for confirming the authenticity of this work. $15,000-25,000

74

AMERICAN AND EUROPEAN ART

212

Sally Michel Avery

(American, 1902–2003) Landscape acrylic on canvas board signed Sally Michel (lower right) 19 1/2 x 16 inches. $2,000-4,000

213

Sally Michel Avery

214

(American, 1902–2003) Landscape, 1983 acrylic on canvas signed Sally Michel and dated (lower right) 47 1/2 x 36 inches. $6,000-8,000

Sally Michel Avery

(American, 1902–2003) Hills and Fields, 1988 acrylic on canvas signed Sally Michel and dated (lower right) 39 1/4 x 49 1/4 inches. $6,000-8,000

212

213

214

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215

Robert Kipniss

(American, b. 1931) Hillside Landscape oil on canvas signed Kipniss (lower right) 16 x 20 inches. $2,000-4,000 216

216

Robert Kipniss

(American, b. 1931) Near Westerlo oil on canvas 32 x 30 inches.

Note: The authenticity of this work has been confirmed by the artist. $4,000-6,000 217

George Wesley Bellows

(American, 1882-1925) Study of Emma Story Bellows (the artist’s wife), c. 1914 charcoal on paper 7 1/4 x 5 3/4 inches.

Provenance: H.V. Allsion Galleries Inc., New York (label on verso) $2,000-4,000 218

Walt Kuhn

218

76

AMERICAN AND EUROPEAN ART

(American, 1877-1949) Landscape watercolor on paper signed Walt Kuhn (lower left) Sight: 16 3/4 x 21 inches. $3,000-5,000

226

219

Walt Kuhn

(American, 1877-1949) Nude with Mirror, 1937 ink on paper signed Walt Kuhn and dated (center left) 12 x 9 inches. $1,000-2,000 220

Arthur Bowen Davies

(American, 1862-1928) Reclining Nude black and white chalk on paper initialed ABD (lower left) Sight: 10 x 17 1/4 inches. $500-700

221*

223

225*

(American, 1870-1938) M. Durand...Arrived in the Scene pencil on paper signed W. Glackens (lower right) 5 3/4 x 4 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $800-1,200

(American, 1871-1951) Reclining Nude with Necklace graphite on paper signed John Sloan (lower right) 9 x 11 inches. $800-1,200

(American, 1876-1953) Variety Show, 1950 watercolor on paper signed Everett Shinn and dated (lower right) 4 3/4 x 4 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $1,000-2,000

William Glackens

222*

William Glackens

(American, 1870-1938) And Here is the Man with Two Heads pencil on paper signed W. Glackens (lower right) 5 3/4 x 4 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $800-1,200

John Sloan

224*

Everett Shinn

(American, 1876-1953) Main in the Rain, 1934 watercolor and charcoal on paper signed Everett Shinn and dated (lower right) 8 3/4 x 4 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $2,000-4,000

Everett Shinn

226

Edward Hopper

(American, 1882-1967) The Artist’s Sister, 1899 ink and graphite on paper signed E Hopper and dated (lower right) 16 3/4 x 12 1/2 inches.

Provenance: OK Harris Works of Art, New York, New York (label on verso) $10,000-15,000

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231

227

Susan Hertel

(American, 1930–1992) Horses, Dog and Nude with Moon gouache and graphite on board signed S. Hertel (lower left) Sight: 3 3/4 x 5 inches.

Provenance: Horwitch Lew Allen Gallery, Santa Fe, New Mexico (label on verso) $500-700

78

228

230

(American, 1860–1935) Vernal Falls, Yosemite watercolor on paper laid to board signed C Jorgensen (lower right) 14 1/2 x 9 inches. $1,500-2,500

(American, 1869-1898) Street Market watercolor on paper signed W.L. Sonntag (lower left) 9 3/4 x 13 1/2 inches. $500-700

Christian Jorgensen

229

Paul Sawyier

(American, 1865–1917) Monument in Kentucky watercolor on paper signed Paul Sawyier (lower right) 9 x 7 inches. $1,000-2,000

AMERICAN AND EUROPEAN ART

William Louis Sonntag, Jr.

231*

William Charles Anthony Frerichs (American, 1829-1905) Seneca Lake oil on canvas signed 29 3/4 x 47 3/4 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida Provenance: Glenn A. Long, Coral Gables, Florida Exhibited: The North Carolina Museum of Art, Raleigh The W. C. A. Frerichs Retrospective, September 15 October 20, 1974 $4,000-6,000

232

Pinckney Marcius-Simons

(American, 1867–1909) Landscape with Poppies oil on panel signed P Marcius Simons (lower left) 13 1/2 x 17 inches. $800-1,200 233*

Howard Logan Hildebrandt

(American, 1872-1958) Two Women Reading oil on canvas signed Howard Logan Hildebrandt (lower right) 26 x 32 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida Provenance: Glenn A. Long Fine Arts, Coral Gables, Florida $2,000-4,000 234

Pauline Palmer

(American, 1867–1938) Portrait of a Woman oil on canvas signed Pauline Palmer (lower right) 20 x 24 inches. $2,000-4,000

233

235

Attributed to John Lafarge

(American, 1835-1910) Allegory of Christ, Time and the Mourner oil on canvas 20 x 16 inches.

Provenance: Tom Carson, Bloomsbury, New York Sally Turner, Plainfield, Wisconsin Signature Galleries, Chicago, Illinois Acquired from the above by the present owner Literature: Patricia J. Pierce, The Ten, Hindham, Massachussets, 1976, illustrated American Paintings, RH Love Galleries, Chicago, 1977, illustrated $2,000-4,000

235

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240

236

238

240

(American, 1837–1889) Still Life With Apples and Garlic oil on canvas signed Batcheller (lower left) 8 1/4 x 10 inches. $1,000-2,000

(American, 1859–1927) Still Life with Fruit 1897 oil on canvas signed Bryant Chapin and dated (lower right) 9 1/2 x 12 1/2 inches. $800-1,200

(American, 1875-1943) Portrait of a Woman Seated in a Landscape oil on canvas signed Miller (lower left) 46 x 35 inches.

Property from a Private Collection $10,000-15,000

Frederick S. Batcheller

237

Adam Lehr

(American, 1853 - 1924) Still Life with Plums oil on canvas signed Adam Lehr 12 x 18 inches.

Provenance: Kennedy Galleries, New York (label on verso) $600-800

80

AMERICAN AND EUROPEAN ART

Bryant Chapin

239

Walter Gay

(American, 1856–1937) Kitchen Interior graphite and watercolor on paper 13 1/2 x 13 1/2 inches.

Provenance: Christie’s New York, “East”, September 25, 1990 Acquired from the above by the present owner. $2,000-4,000

Richard Edward Miller

241

Christian Von Schneidau

(Swedish/American, 1893-1976) Portrait of Genevre Chandler Boyd oil on canvas signed C. von Schneidau (lower right) 16 x 12 inches. $600-800

242*

Elizabeth Krysher Peyraud

(American, 20th century) Portrait of Bertha Alling oil on canvas signed Elizabeth Krysher Peyraud (lower left) 39 x 32 inches.

Property from the Estate of Alling C. Brown, Lake Forest, Illinois $1,500-2,500 243

Karl Schmalhaus

(American, 20th century) A Misty Morning oil on canvas signed Karl Schmalhaus and dated (lower left) 25 x 38 inches.

Property from a Private Collection, Chicago, Illinois $1,500-2,500 244

George Smillie

(American, 1840-1921) The Homestead oil on canvas signed Geo. H. Smillie A. A. (lower right) 14 x 20 inches.

243

Provenance: R. H. Love Galleries, Chicago, IL (label on verso) $800-1,200 245*

John Orth

(American, 1889-1976) Untitled (Landscape) oil on canvas signed J.W. Orth (lower left) 29 1/4 x 35 1/4 inches.

Property from the Jean L. Fisher Trust, Wilmette, Illinois $800-1,200 246*

Walter Biggs

(American, 1886–1968) A Group of Five Exterior Sketches pencil on paper Largest: 5 3/4 x 8 1/4 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $600-800 247*

Walter Biggs

245

(American, 1886–1968) A Group of Four Assorted Works on Paper mixed media street scene initialed WB (lower left) Largest: 9 x 12 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $800-1,200

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248

248*

Walter Biggs

(American, 1886-1968) Annie Southall Biggs and Her Butler oil on canvas 32 x 42 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $5,000-7,000

82

AMERICAN AND EUROPEAN ART

249

252 (two of four)

249*

Walter Biggs

(American, 1886-1968) Portrait of John Peter Saul oil on canvas signed Walter Biggs (upper right) 31 x 35 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $1,500-2,500

250*

Walter Biggs

(American, 1886–1968) Group of Five Exterior Sketches pencil on paper Largest: 5 3/4 x 8 1/4 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $600-800

251*

Walter Biggs

(American, 1886–1968) A Group of Six Assorted Sketches pencil on paper Largest: 5 3/4 x 8 1/4 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $700-900

252*

Walter Biggs

(American, 1886–1968) A Group of Four Assorted Works on Paper mixed media, one reproduction Largest: 8 x 11 inches.

Property from the Collection of Dr. Walter Garst, Miami, Florida $800-1,200

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253

254

255

(American, 1904-1968) This is the Part of the Afternoon I Like- Too Late to Go Back to the Office, Too Early to Go Home. ink and wash on paper signed Peter Arno (lower right) 16 1/4 x 12 inches. $1,000-2,000

(American, b. 1926) This is a Night for White Wine. and Untitled (Interior) (a pair of works) ink, wash and collage Each: signed Booth (lower recto) Larger: 9 1/2 x 8 1/2 inches. $700-900

(American, b. 1926) Moose Hotel and Restaurant, Laughing Gull Cottage and Crippling local, state, and federal rules and regulations have made criminals out of many a small bussinessman, Ma’am. (a group of three works) pen and ink on paper Each: signed Booth (lower recto) Largest: 9 1/2 x 8 1/2 inches. $1,500-2,500

Peter Arno

George Booth

253

84

AMERICAN AND EUROPEAN ART

George Booth

255

259

256

George Price

(American, 1901-1995) His Peak Earning Years Came and Went Without a Ripple. pen and ink on paper signed Geo Price (lower left) 19 x 19 inches. $800-1,200 257

George Price

(American, 1901-1995) Ah! The People Versus Herman Pretzfelder. pen and ink on paper signed Geo Price (lower left) 22 3/4 x 19 1/2 inches. $800-1,200

260

258

260

George Price

(American, 1901-1995) What’s Your Pleasure- Earl Grey or Prince of Wales? pen, ink and wash on paper signed Geo Price (lower right) 19 1/2 x 17 1/2 inches. $800-1,200 259

George Price

(American, 1901-1995) Aloha! Aloha from the Bottom of My Heart pen and ink on paper signed Geo Price (lower right) 18 x 15 inches. $800-1,200

Peter Arno

(American, 1904–1968) Man in the Shower watercolor on paper 18 7/8 x 13 5/8 inches.

Note: Peter Arno created this illustration for his personal friend, Ernest L. King, for his blue bathroom at his Rockledge residence in Winona, Minnesota. This work is accompanied by the book Peter Arno’s Man in the Shower, Simon and Schuster, New York, 1944. $2,000-4,000

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ARTIST INDEX ARTIST NAME

LOT

Alten, Mathias Joseph

207

Anisfeld, Boris Izrailovich

132, 133

Apol, Louis

5

Gavencky, Frank J.

198

Gay, Walter

239

Gisela, Josef

54

Ardissone, Yolande

102–106

Gisson, Andre

113–115

Armin, Emil

172, 173

Glackens, William

221, 222

Arno, Peter

253, 260

Goldberg, Elias

Avery, Sally Michel

209, 210, 212–214

Barucci, Pietro

23

Hamman, Eduard Jean Conrad

166 56

Hanks, L J

183

Batcheller, Frederick S.

236

Hertel, Susan

227

Bellows, George Wesley

217

Hildebrandt, Eduard

Berchem, Nicholas (follower of)

3

Berchere, Narcisse

61

Berthelsen, Johann Biggs, Walter

167 246–252

Blacklock, William Kay

20

Hildebrandt, Howard Logan Hodson, Samuel John Hopper, Edward

15 233 24 226

Huber, Ernst

31

Hulk, William Frederick

27

Blanchard, Antoine

108–111

Hunt, William (attributed to)

Bohrod, Aaron

170, 171

Hurd, Michael

181

Booth, George

254, 255

Issupoff, Alessio

135

Bourdelle, Emile–Antoine Bouvard, Antoine Buffet, Bernard

148

Jacobsen, Antonio

59

Jacovleff, Alexandre

119

Jakobides, Georgios (attributed to)

Burne–Jones, Edward

45

Jeforov, Andrei Afanasievich

Cabanel, Alexandre

46

John, Gwen

Cachoud, Francois Charles

71

Jorgensen, Christian

Calame, Arthur

58

King, Robert

Canu, Yvonne

83

Kipniss, Robert

Capuletti, Jose Mauel

138

Kluge, Constantine

41

49, 50 131 19 137 44 228 47 215, 216 117

Caraud, Joseph

64

Knaus, Ludwig

Carolus–Duran, Charles Emile

76

Korovin, Konstantin Alexeievitch

Cassioli, Amos

53

Kuhn, Walt

Chapin, Bryant

238

Kuniyoshi, Yasuo (attributed to)

180

Chapman, Conrad Wise

139

Lachaise, Gaston

145

Cherry, Kathryn E. Bard

185

Lafarge, John (attributed to)

235

Chmielinski, Wladyslaw T.

129

Lassalle, Louis Simon Cabaillot

17 127 218, 219

65

Clark, Claude L.

29

Lawson, Ernest

159

Combs, Simon

140

Lebasque, Henri

89

Cooper, Thomas Sidney

42

Lefort, Jean

154

Costa, Oreste

13

Lehr, Adam

237

Costigan, John

189

Cotman, Frederick George

40

Leroux, Hector Litwak, Israel

62 128, 136

Daily, Mark

195

Livingstone, Patrick David

158

Dam, Vu Cao

118

Loud, Richard

155

Darling, Sanford

168

Luce, Maximilien

79–82

Daubigny, Charles Francois

73

Lumis, Harriet Randall

205

Daubigny, Charles Francois (attributed to)

72

MacCord, Mary Nicholena

157

Davies, Arthur Bowen

220

Mackay, William Darling

30

Delaroche, Paul

63

Maillol, Aristide

151

Diaz de la Pena, Narcisse Virgil

70

Mansfeld, Josef

14

Dickinson, Edwin Walter

163, 164

Marcius–Simons, Pinckney

232

Dommelshuizen, Cornelis Christia

32–34

Matulka, Jan

169

DuBord, Jean Pierre

94–98

Menzel, Herman

156

Miller, Richard Edward

240

Dudley, Frank Dufy, Jean Duncan, Robert Dupre, Jules Dupre, Leon Victor Enneking, John Joseph Epstein, Jacob

208 78 191

Monticelli, Adolphe Joseph Thomas Morel, Louis

66, 67 149, 150

75

Muter, Maria–Mela

55A

69

Nakagawa, Hachiro

144

206 141, 142

Neefs the Younger, Peeter Netscher, Caspar

6 9

Epstein, Sir Jacob

152

Neuhuys, Albert

Falk, Robert Rafailovich

130

Newcombe, Warren

190

55

Ferdinandi, Francesco (Imperiali)

11

Niblett, Gary Lawrence

197

Firmin–Girard, Marie Francois

68

Nichols, Dale

187

Fisher, Paul

21A

Nicol, Erskine

21

Frerich, William

231

Niemann, Edmund Johann

Gael, Barnet Gall, Francois Ganter, Bernard 86

25

10

O’Kelly, Aloysius C.

204

99

Orth, John

245

Palmer, Pauline

234

107

Parshal, Dewitt Pascin, Jules Paxson, Edgar Samuel

161 77, 85, 86 12

Payne, Edgar Alwin

203

Pease, Raymond

182

Peel, James

26

Peyraud, Elizabeth Krysher

242

Phippen, George

194

Pissarro, Camille

88

Pissarro, Paul Emile

87

Pothast, Bernard Price, George Rambert, Rene Raphael (after) Renoir, Pierre–Auguste Ritman, Louis Rockmore, Noel Rodin, Auguste

18 256–259 112 8 149, 150 165 174 146, 147

Rose, Patricia

116

Roubtzoff, Alexandre

134

Rousseau, Margarite

120

Sandzen, Birger

211

Sawyier, Paul

229

Schmalhaus, Karl

243

Schmidt, Albert H. Sebire, Gaston

22 90–93

Shinn, Everett

224, 225

Simbari, Nicola

100, 101

Singer, Clyde

175

Sloan, John

223

Sloane, Marion P.

186

Smillie, George

244

Smith, George Dee

192

Sonntag, Jr., William Louis

230

Soyer, Moses Soyer, Raphael Stannerd, Eloise Harriet Steenwyck the Younger, Hendrick

176 177–179 43 7

Stefan, Ross

193

Stevens, William Lester

160

Stubbs, William Terelak, John Thomassin, Desire Troyon, Constant van der Plas, Niek Velasquez, Jose Antonio Verboeckhoven, Louis Charles Verhoesen, Albertus Villon, Jacques Vincent, Harry Aiken Vollerdt, Johann (Jan) Christian Von Mastenbroek, Johan Hendrick Von Schneidau, Christian Walbourn, Ernest Walkowitz, Abraham Waring, Laura Wheeling Wendt, William

48 196 52 74 121–124 143 57 51 84, 84A 162 1 4 241 28 125, 126 199 200–202

Wiggins, Guy

184

Wilkie, David

35

Wilkie, David (after)

36

Wilkie, David (attributed to)

37

Wilkie, David (follower of) Wood, Grant

38 188

Wright, Gilbert Scott Zampighi, Eugenio

39 16

Ziem, Felix

60

GLOSSARY OF TERMS ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist.

ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category.

STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist.

CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil.

STYLE OF . . .

FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist.

MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artist and of a later period.

AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

87

American and European Art

D E C E M BE R 1 5 | C H I C A GO

C H I C A GO DENVER M I LWA U K E E NAPLES PA L M B E A C H SCOTTSDALE ST. L O U I S

LESLIE HINDMAN AUCTIONEERS

Currently accepting consignments for upcoming auctions IN Q U IR IE S

lesliehindman.com info@lesliehindman.com 1338 West Lake Street Chicago, Illinois 60607 312.280.1212

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LESLIE HINDMAN

AUCTIONEERS

An online bidding site with real goods you won’t find anywhere else.

Where what you see is what you get, from leading auctioneers you know and trust.

Live and timed auctions. New property added daily. Easy to navigate. Reliable. Private. Secure.

Bid online for all Leslie Hindman Auctioneers auctions. Register today.

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Arts of the American West

N O V E M BE R 1 0 | D E N V E R

Currently accepting consignments for upcoming auctions

Denver Seeking Consignments C H I C A GO

DENVER

M I LWA U K E E NAPLES

PA L M B E A C H

SCOTTSDALE ST. L O U I S

LESLIE HINDMAN AUCTIONEERS

INQUIRIES

lesliehindman.com/denver denver@lesliehindman.com 960 Cherokee St‎reet Denver, Colorado 80204 303.825.1855

J O H N F O R D C LY M E R , B U F FA LO H U N T, 15 . 5 X 2 0 ”, O I L O N PA N E L

LESLIE HINDMAN AUCTIONEERS UPCOMING AUCTION SCHEDULE 454 | AMERICAN AND EUROPEAN ART SEPTEMBER 29 | CHICAGO

482 | THE O’MEARA BENEDICT COLLECTION OF DOLLHOUSE MINIATURES NOVEMBER 14 | CHICAGO

455 | MODERN AND CONTEMPORARY ART SEPTEMBER 30 | CHICAGO

467 | MODERN DESIGN NOVEMBER 15 | CHICAGO

456 | FINE PRINTS SEPTEMBER 30 | CHICAGO

471 | INTERIORS NOVEMBER 17 – 18 | ONLINE ONLY

465 | ST. LOUIS FALL AUCTION OCTOBER 8 | ST. LOUIS

484 | PALM BEACH FALL AUCTION DECEMBER 1 | PALM BEACH CONSIGNMENT DEADLINE OCTOBER 3

469 | FINE FURNITURE, DECORATIVE ARTS AND SILVER OCTOBER 18 – 19 | CHICAGO

472 | IMPORTANT JEWELRY DECEMBER 4 – 5 | CHICAGO CONSIGNMENT DEADLINE SEPTEMBER 21

478 | INTERIORS OCTOBER 20 – 21 | ONLINE ONLY

472 | FINE TIMEPIECES DECEMBER 5 | CHICAGO CONSIGNMENT DEADLINE SEPTEMBER 21

483 | PALM BEACH MARKETPLACE OCTOBER 25 | ONLINE ONLY

474 | LUXE HOLIDAY DECEMBER 7 | CHICAGO CONSIGNMENT DEADLINE OCTOBER 7

458 | MILWAUKEE FALL AUCTION NOVEMBER 4 | MILWAUKEE

475 | POST WAR AND CONTEMPORARY ART DECEMBER 14 | CHICAGO CONSIGNMENT DEADLINE OCTOBER 14

470 | FINE BOOKS AND MANUSCRIPTS NOVEMBER 2 | CHICAGO CONSIGNMENT DEADLINE SEPTEMBER 9

476 | FINE PRINTS DECEMBER 14 | CHICAGO CONSIGNMENT DEADLINE OCTOBER 14

445 | ARTS OF THE AMERICAN WEST NOVEMBER 10 | DENVER

477 | AMERICAN AND EUROPEAN ART DECEMBER 15 | CHICAGO CONSIGNMENT DEADLINE OCTOBER 14

Leslie Hindman Auctioneers offers a complete range of appraisal and auction services designed to assist you.

If you have property to sell, be it a single item, a large collection or an entire estate, please contact us for a complimentary evaluation at 312.280.1212 or consign@lesliehindman.com.

This schedule is subject to change. Changes can be found at lesliehindman.com

LESLIEHINDMAN.COM

AUCTION INQUIRIES AMERICAN AND EUROPEAN ART DEPARTMENT

Sarah Wilson Head of Sale sarahwilson@lesliehindman.com

Lauren Carpinelli Account Executive laurencarpinelli@lesliehindman.com 312.334.4228

OFFICE OF THE PRESIDENT

Fine Art

Asian Works of Art

Zack Wirsum Senior Specialist zachary@lesliehindman.com

Benjamin Fisher Director benjaminfisher@lesliehindman.com

Reed Landin Associate Specialist reedlandin@lesliehindman.com

Annie Wu Specialist anniewu@lesliehindman.com

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT

Sarah Wilson Associate Specialist/Cataloguer sarahwilson@lesliehindman.com

Colleen Thielen Director of Estates and Appraisals colleenthielen@lesliehindman.com 312.447.3283

Lail Marmor Account Executive lailmarmor@lesliehindman.com 312.334.4264

Clare Brody Account Executive clarebrody@lesliehindman.com 312.447.3290

Leslie S. Hindman President and CEO 312.280.1212 Adam Spender Executive Assistant 312.334.4201

Molly Gron Director of Business Development mollygron@lesliehindman.com 312.334.4235

Lauren Carpinelli Account Executive laurencarpinelli@lesliehindman.com 312.334.4228

Katelyn Finn Account Executive katelynfinn@lesliehindman.com 312.447.3297

Fine Furniture and Decorative Arts

Katie Matusik Account Executive katelynmatusik@lesliehindman.com 312.334.4224

Corbin Horn Specialist corbinhorn@lesliehindman.com

ADMINISTRATION Accounting Christopher Reimann Director of Finance christopherreimann@lesliehindman.com 312.447.3284 Lauren Peartree Manager of Business Operations laurenpeartree@lesliehindman.com 312.447.3289 Tara Schlitz Settlement Manager taraschlitz@lesliehindman.com 312.334.4225 Client Services Heather Daum Manager, Human Resources heatherdaum@lesliehindman.com 312.334.4208 Savitri Beaver Auction Coordinator savitribeaver@lesliehindman.com 312.600.6068

CONSIGNMENT DEPARTMENT Katherine Russian Consignment Manager katherinerussian@lesliehindman.com 312.447.3263

Mike Intihar Senior Specialist mike@lesliehindman.com

Benjamin Fisher Specialist benjaminfisher@lesliehindman.com Nick Coombs Account Executive nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282 Genevieve King Cataloguer genevieveking@lesliehindman.com Modern Design Luke Palmer Specialist lukepalmer@lesliehindman.com Mike Intihar Senior Specialist mike@lesliehindman.com Benjamin Fisher Specialist benjaminfisher@lesliehindman.com Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282 Fine Books and Manuscripts Jason Rovito Specialist jasonrovito@lesliehindman.com Sophie Hammond Hagman Account Executive sophiehammond@lesliehindman.com 312.334.4231

Fine Jewelry and Timepieces Alexander Eblen, G.G. Director alexandereblen@lesliehindman.com James Wallace Gemologist jameswallace@lesliehindman.com Meredith Derman Gemologist meredithderman@lesliehindman.com Jamie Henderson Associate Specialist/Cataloguer jamiehenderson@lesliehindman.com 312.334.4226 Katie Meyer Account Executive katiemeyer@lesliehindman.com 312.334.4213 Madeline Schroeder Account Executive madelineschroeder@lesliehindman.com 312.334.4223 Luxury Accessories and Couture Anne Forman, Director anneforman@lesliehindman.com 312.334.4222 Mary Shearson, Cataloguer maryshearson@lesliehindman.com 312.447.3288 Arts of the American West Maron Hindman, Specialist maron@lesliehindman.com 303.825.1855 ext 352 Annie McLagan, Specialist anniemclagan@lesliehindman.com 303.825.1855 ext 351 Rachel Enright, Specialist rachelenright@lesliehindman.com 303.825.1855 ext 360 Marketplace Gia Spezia, Director gia@lesliehindman.com 312.334.4219 LH Exchange Elise Moyer, Director elisemoyer@lesliehindman.com 312.447.3261

REGIONAL AUCTION HOUSES Jim Sharp Director jim@lesliehindman.com 312.334.4203 Vaughn Smith Account Executive vaughnsmith@lesliehindman.com 312.334.4238 Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204

Denver

960 Cherokee Street Denver, Colorado 80204 303.825.1855

Milwaukee

525 East Chicago Street Milwaukee, Wisconsin 53202 414.220.9200

Naples

850 6th Avenue South Naples, Florida 34102 239.643.4448

Palm Beach Island

125 Worth Ave Palm Beach, Florida 33480 561.833.8053

West Palm Beach

1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053

Scottsdale

Logan Browning loganbrowning@lesliehindman.com 520.465.4067

St. Louis

32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833

Regional Representatives Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811

International Representative Tina Fisher Grow 561.315.9100

GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping Arrangements Leslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Leslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions Leslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates Leslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser.

In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are: $0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >

$200 ............................................ $10 $500 ............................................ $25 $1,000 ......................................... $50 $2,000 ....................................... $100 $5,000 ....................................... $200 $10,000 ..................................... $500 $20,000 .................................. $1,000 $50,000 .................................. $2,000 $100,000 ................................ $5,000 $200,000 .............................. $10,000 $200,000 ........ Auctioneer’s Discretion

In-House Bidding Live bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS/PARKING From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street.

Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking: Leslie Hindman Auctioneers, Inc. has a private parking lot located on Ada Street, diagonally across the street from our entrance.

93

CONDITIONS OF SALE LESLIE HINDMAN AUCTIONEERS, INC. AS AGENT

The lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above.

All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment.

Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Leslie Hindman Auctioneers.

94

AMERICAN AND EUROPEAN ART

Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser.

In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $100,000; twenty percent (20%) of any amount in excess of $100,000 up to and including $1,000,000; and twelve percent (12%) of any amount in excess of $1,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $100,000; twenty-one percent (21%) of any amount in excess of $100,000 up to and including $1,000,000; and thirteen percent (13%) of any amount in excess of $1,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

LIABILITY

Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.

Condition Reports Leslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:

Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.

a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price

Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

Discretion Any and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc. 0615

e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

LH

g.) to take other action as we find necessary or appropriate

95

LESLIE HINDMAN AUCTIONEERS CHICAGO | DENVER

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

F X 312. 280. 1211 | BI D @ L E S L I E HI ND MA N.CO M Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

454

NAME

SALE NUMBER/NAME

BUSINESS NAME BILLING ADDRESS CITY

STATE

COUNTRY/ZIP

CONTACT NAME PRIMARY PHONE

SECONDARY PHONE

EMAIL

FAX

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 $200 $500 $1,000 $2,000 $5,000 $10,000 $20,000 $50,000 $100,000 Over >

$200 ....................................... $10 $500 ....................................... $25 $1,000 .................................... $50 $2,000 .................................. $100 $5,000 .................................. $200 $10,000 ................................ $500 $20,000 ............................. $1,000 $50,000 ............................. $2,000 $100,000 ........................... $5,000 $200,000 ......................... $10,000 $200,000 ... Auctioneer’s Discretion

For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

A per lot buyer’s premium is added to the final hammer price as per the following:

SIGNATURE

DATE

FOR LESLIE HINDMAN AUCTIONEERS, INC.

DATE

Leslie Hindman Auctioneers, Inc. is not responsible for failure or other inadvertent errors relating to the execution of your bids.

$0 - $100,000 ......................................... 25% $100,001 - $1,000,000 ........................... 20% $1,000,001 + ........................................... 12%

FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD LOT NUMBER

PHONE BID

ABSENTEE BID

LOT DESCRIPTION

US DOLLAR LIMIT

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

BACK-UP BID

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

LHLIVE 1338 WEST LAKE STREET PH 312.280.1212

|

FX 312.280.1211

|

CHICAGO, ILLINOIS

60607

BID@LESLIEHINDMAN.COM

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LESLIEHINDMAN.COM

leslie hindman auctioneers

13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e h i n d m a n.c o m