LESL IE H I NDM A N AUCT ION EERS
lh
leslie hindman auctioneers sep t em ber 30, 2016 NO .455
13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e h i n d m a n.c o m
modern and contemporary art
september 30, 2016
Modern and Contemporary Art
lh
Friday 30 September 2016
P R EVIEW
wednesday 21 september | 10am – 5pm thursday 22 september | 10am – 5pm friday 23 september | 10am – 7pm saturday 24 september | 10am – 3pm Sunday 25 september | 12pm – 4pm monday 26 september | 10am – 5pm tuesday 27 september | 10am – 5pm wednesday 28 september | 10am – 5pm thursday 29 september | 10am – 5pm auct ion
friday 30 September | 10am paintings | lots 1 – 88 photography | lots 89 – 106 sculpture | lots 107 – 160 works on paper | lots 161 – 234
LHLIVE
P R OP ERTY PI CK UP HOUR S
MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale. Lots marked with an asterisk (*) are tax exempt as permitted by law.
lesliehindman.com Cover Lot 68 | Peter Saul (American, b. 1934) Saul’s Guernica, 1974
©Leslie Hindman Auctioneers, Inc. 2016 C HI C AG O , I L L I N O I S ILLINOIS AUCTION FIRM LICENSE NUMBER 444000295
PRO PERTY FR O M TH E ES TATES O F Dr. Richard E. Anderson, Redding, Connecticut Ms. Sara and Sherman Feinstein, Wilmette, Illinois Jean L. Fisher Trust, Wilmette, Illinois Kenneth W. Grams Trust, San Antonio, Texas Mr. Martin Gordon, New York, New York and Naples, Florida Ms. Marjorie J. Hagstrom, Kansas City, Missouri Ms. Rita Dee Hassenfeld, Palm Beach, Florida Mr. Carl and Janet Moebius, Milwaukee, Wisconsin Mr. Marvin E. Jaffe, Naples, Florida Mr. Robert and Lois Orchard, St. Louis, Missouri Mr. Alex and Martha Stone, New York, New York Dr. Bernard and Jorie Wetchler, Chicago, Illinois
PRO PERTY FR O M TH E C O LLEC TIO N S O F Ms. Carolyn M. Baxley, Urbana, Illinois Mr. Shane Campbell, Chicago, Illinois Mr. Wesley Fultz, Seymour, Indiana Dr. Natan HarPaz, Detroit, Michigan Mr. Derek Magnette, Cambridge, Massachusetts Ms. Phoebe B. McMillan, Lake Forest, Illinois Lot 79 | Alejandro Obregon (Spanish, 1920-1992) Jardines Tropicales, 1962 (detail)
Paul A. Prosperi, West Palm Beach, Florida Dr. Seymour and Marcia Sabesin, Chicago, Illinois Mr. William Scheele, Cleveland, Ohio
Contents
Lot 162 | Laszlo Moholy-Nagy (American, 1895-1946) Madame Butterfly (Stage setting for Berlin State Opera), 1929 (detail)
paintings
lots 1 – 88
8
photography
lots 89 – 106
70
sculpture
lots 107 – 160
78
works on paper lots 161 – 234 artist index
100
glossary of terms AUCTION INQUIRIES
145
CONDITIONS OF SALE
150
TELEPHONE / ABSENTEE BID FORM
152
144
148
Lot 68 | Peter Saul (American, b. 1934) Saul’s Guernica, 1974 (detail) From the Estate of Robert and Lois Orchard, St. Louis, Missouri
Robert and Lois Orchard Leslie Hindman Auctioneers is proud to offer a
music, serving on many institutional boards after
selection of exemplary works of art from the Estate
retirement from the Behavioral Research Laboratory
of Robert and Lois Orchard in the September 30
of Washington University in St. Louis.
Modern and Contemporary Art auction. Robert and Lois Orchard are well remembered for supporting and enriching the creative community in their hometown of St. Louis and beyond. The Orchards were well known for their habitual attendance at opera performances and their collection of fine art,
Over a number of decades, the Orchards built their personal collection of modern and contemporary art. They actively pursued works they encountered everywhere, from prestigious exhibitions to print advertisements. Mr. Orchard often corresponded
which spanned both period and genre.
with artists, expressing admiration and extolling
Robert Orchard began his career in his family’s paper
Kolar, Robert wrote, “Not a day goes by that my
business, ultimately overseeing the company’s growth and forming the Orchard Corporation of America. In addition, Mr. Orchard hosted KFUO radio’s “Opera Theater,” introducing and airing an
praise for the works he acquired. In a letter to Jiri wife and I don’t see your marvelous works hanging in our home… we are deeply indebted to you for all of the beauty you have brought to our lives.”
opera performance every Saturday morning for
Leslie Hindman Auctioneers is delighted at the
27 years. He amassed an impressive collection of
opportunity to work with the Orchard family to
opera recordings, which he ultimately donated to
present this collection of fine art along with other
the Library of Congress. This love of opera and their
fine property from the Estate that will be offered
philanthropic spirit led to the couple’s assistance in
for sale in the following auctions this fall: Important
founding Opera Theatre of St. Louis in 1976 and
Jewelry, St. Louis Fall Auction, Modern Design and
the Center of Creative Arts in 1986. Mrs. Orchard
Fine Furniture and Decorative Arts.
demonstrated an altruistic passion for art and
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
7
Paintings Lots 1 – 88
Opposite Lot 65 | Amy Sillman (American, b. 1955) The Travelling Salesman, 2001 (detail)
1*
Sante Graziano
(American, b. 1920) Garden of Earthly Delights, After Hieronymus Bosch, 1964 oil on canvas with magnifying lenses signed Sante Graziano (lower right) 44 x 46 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri Provenance: Babcock Galleries, New York Exhibited: Worcester, Massachusetts, Worcester Art Museum, Painting and Drawings by Sante Graziano, November 11, 1965-January 2, 1966, No. 9 Allentown, Pennsylvania, Allentown Art Museum, Paintings, Drawings and Graphics by Sante Graziano, March 20-May 10, 1970, No. 7 $1,000-2,000
1
4
10
modern and contemporary art
5
2*
3
4*
(American, b 1920) Crossing of the Delaware, 1972 oil on canvas 46 x 58 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri
(American, b. 1949) Studio Wall #4, 1984 acrylic on canvas signed Yasami and dated (lower right); signed, titled and dated (verso) 48 x 71 inches. $800-1,200
(American/Canadian, 1944-2002) In the Absence of Paradise 3 to Gauguin and Fantin Latour, 1990 oil on canvas and oil on plywood with glass 49 x 80 1/2 inches. Property from the Collection of Paul A. Prosperi, West Palm Beach, Florida
Sante Graziano
Provenance: Kanegis Gallery, Boston, Massachusetts Babcock Galleries, New York Exhibited: Cleveland, Ohio, Cleveland Institute of Art, Sante Graziano, Paintings, Drawings & Prints, September 12-October 8, 1976 $1,000-2,000
Masoud Yasami
5*
David Bierk
Richard Joseph
Provenance: Bess Cutler Gallery, New York $8,000-12,000
Provenance: Warren Benedek Gallery, New York $3,000-5,000
(American, b. 1939) The Struggle, 1972-73 oil on canvas signed R. Joseph and dated (verso) 84 x 68 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
11
6
Ralph Goings
(American, b. 1928) Double Ketchup, 1996-97 oil on canvas signed Ralph Goings and dated (lower right); signed, titled and dated (verso) 40 x 60 inches. Provenance: OK Harris, New York $400,000-600,000
12
modern and contemporary art
6
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
13
7
7
Don Eddy
(American, b. 1944) Spirit of the Space, 1981 acrylic on canvas signed Don Eddy, titled and dated (verso) 36 x 36 inches. Provenance: Nancy Hoffman Gallery, New York $15,000-25,000
14
modern and contemporary art
8*
Ratislav Rakov
(French/Russian, 1904-1982) Tabac, 1972 oil on board signed Racoff and dated (lower left) 13 1/2 x 10 1/4 inches. Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $500-700
9
John Wilde
(American, 1919-2006) Still Life with Wild Gooseberries oil on panel initialled J (upper right) 8 x 10 inches. $7,000-9,000
9
10
John Wilde
(American, 1919-2006) Still Life with Strawberries, 1950 oil on panel signed Jonathan MW Je and dated (lower center); titled (verso) 8 x 10 inches. $7,000-9,000
10
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
15
11
Philip Howard Evergood
(American, 1901-1973) Happy Birds Nesting, 1953 oil on board signed Philip Evergood (lower left) and dated (lower right); signed, titled and dated (verso) 9 x 11 inches. Provenance: Salander O’Reilly Galleries Inc., New York $2,000-4,000 12
Karl Priebe
(American, 1914–1976) Miss Dinah W., 1951 gouache on cardboard signed Karl Priebe and dated (upper right); signed, titled and dated (verso) 10 x 8 inches. $500-700 11
13
16
modern and contemporary art
15
13
14
15
(Australian, 1946-2012) Seated Woman, 1995 oil on canvas signed Jane Evans and dated (lower right) 27 1/2 x 32 1/2 inches. $2,000-4,000
(Polish, b. 1935) Woman with Mirror, 1974-75 oil on canvas signed K. Bereznicki and dated (lower right) 30 x 22 inches. $2,000-4,000
(Australian, b. 1924) Man in Tapas Bar No. 3 oil on canvas signed Dickerson (lower right) 45 1/2 x 33 inches.
Jane Evans
Kiejstut Bereznicki
Robert Henry Dickerson
Provenance: Holdsworth Galleries, Woollahra, New South Wales, Australia $15,000-25,000
16
Richard Pantell
(American, b. 1951) Fallout Shelter, 1977 oil on canvas signed Pantell and dated (lower left) 29 1/2 x 39 1/2 inches. $2,000-4,000
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
17
17
17
Lester F. Johnson
(American, 1937-2001) Untitled (Street Scene), c. 1973 oil on canvas signed Lester Johnson (lower right) 40 x 30 inches. Provenance: Albert Merola Gallery, Provincetown, Massachusetts $8,000-12,000
18
modern and contemporary art
18
Lester F. Johnson
(American, 1919-2010) Walking, 1988 watercolor and wash on paper signed Lester Johnson and dated (lower right) 60 x 40 inches. Provenance: David Barnett Gallery, Milwaukee, Wisconsin $3,000-5,000
18
19
Lester F. Johnson
(American, 1919-2010) Tribute to Delacroix, 1994 oil on board signed Lester Johnson and dated (lower right) 12 x 15 3/4 inches. $3,000-5,000
19
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
19
20
LeRoy Neiman
(American, 1921-2012) Muhammad Ali, c. 1960 oil on board signed LeRoy Neiman (lower left) 24 1/4 x 12 1/4 inches. $50,000-70,000
20
20
modern and contemporary art
21
LeRoy Neiman
(American, 1921-2012) Jazz Sax, 1960 oil on board signed LeRoy Neiman and dated (lower left) 30 x 11 1/2 inches. Provenance: Everett Oehlschlaeger Galleries, Chicago $20,000-30,000 22
LeRoy Neiman
(American, 1921-2012) The Caddy, 1990 oil on board signed LeRoy Neiman and dated (lower left) 10 x 12 inches. $6,000-8,000
21
22
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
21
24
26
23
Ford Beckman
(American, b. 1952) Pop Painting, Clown with Hat on Pink Floral Wallpaper, 1992 mixed media on paperboard signed Ford Beckman, titled and dated (verso) 96 1/2 x 78 3/4 inches. Provenance: Sold: Sotheby’s New York, June 13, 2007, Lot 662 $2,000-4,000 24
Aaron Fink
(American, b. 1955) Red Face, Blue Background, 1988 oil on canvas signed Aaron Fink and dated (verso) 40 x 30 inches. Provenance: The Alpha Gallery, Boston, Massachusetts $1,000-2,000 25
22
modern and contemporary art
25
27
(American, 1911-2004) Ideographic Elements, 1952 oil on masonite signed McVicker (lower right) 15 3/4 x 15 3/4 inches. $1,000-2,000
(French, 1885–1962) Bouquet de fleurs, 1911 oil on canvas signed Lhote and dated (lower right) 18 1/8 x 21 3/4 inches.
J. Jay McVicker
26
Charles Quest
(American, 1904-1993) Untitled oil on canvas board signed Quest (lower right) 24 x 18 inches. $3,000-5,000
Andre Lhote
Provenance: Sold: Sotheby’s, New York, February, 23, 2006, lot 65 Opera Gallery Sold: Trinity International Auctions & Appraisals, October 13, 2012, lot 38 Acquired from the above by present owner $40,000-60,000
27
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
23
28
24
modern and contemporary art
28*
Gabriele Munter
(German, 1877-1962) Blumen mit weisser rose II, 1950 oil on cardboard signed Munter and dated (lower left); signed, titled, dated and estate stamped on (verso) 19 1/2 x 13 1/4 inches. Property from the Estate of Marjorie J. Hagstrom, Kansas City, Missouri
We would like to thank Dr. Isabelle Jansen for verifying the authenticity of this work, which will be included in the forthcoming Gabriele Munter Catalogue raisonnĂŠ being prepared by the Gabriele Munter and Johannes Eichner-Stiftung. $60,000-80,000
29
Georges D’Espagnat
(French, 1870-1950) Vase de fleurs oil on board initialled GdE (lower right) 21 x 18 inches. $4,000-6,000
Provenance: The artist Acquired directly from the above by Dalzell Hatfield Galleries, Los Angeles Acquired from the above by Mr. and Mrs. Hagstrom in 1969
29
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
25
© 2016 Artists Rights Society (ARS), New York / ADAGP, Paris
30
Fernand Léger
(French, 1881-1955) Deux femmes tenant des fleurs, 1954 oil on canvas signed F. Léger and dated (lower right); signed, titled and dated (verso) 21 1/2 x 25 1/2 inches. Provenance: Mr. Jacques Arnold Croquez, Paris Private Collection R.S. Johnson International Galleries, Chicago Acquired from the above by the present owner in 1968 Exhibited: Chicago, R.S. Johnson International Galleries, Fernand Léger, Retrospective Exhibition, 1881-1955, November-December, 1966, No. 58, illustrated p. 57 Literature: Hansma, Irus and Claude Lefebvre du Preÿ, FERNAND LÉGER Catalogue Raisonné de l’Oeuvre Peint et Supplément, Tome X: 954-1955, No. 1627, illustrated p. 65 This painting is a complete first study for the larger and final version at the Tate Modern in London. $800,000-1,200,000
Deux femmes tenant des fleurs, 1954, Tate Modern, London
Fernand Léger declared in 1945, “the object in modern painting must become the main character and overthrow the subject. If, in turn, the human form becomes an object, it can considerably liberate possibilities for the modern artist.”1 Léger’s depiction of everyday, simplified figures defined his personal style of abstraction. Visits to America in the 1930s and 1940s gradually caused the artist’s more complex Cubist work to give way to organically rendered figures and body parts that hover in an indeterminate space and are imbued with formal clarity through the use of bold contours and planar color. Painted in 1954, Deux femmes tenant des fleurs is a completed study to the larger final work that hangs in the Tate Modern and painted in the same year. The smaller oil varies only slightly from the Tate Modern version shown above, with such details as the placement of a necklace on one of the figures and the shape of the natural branches at the center of the painting. The colors are less saturated while the placement of the color blocks is near identical. The present work reveals Léger’s preoccupation with the traditional theme of the nude, which was a regular feature of his art and had played an important role in the Cubist revival of Neoclassicism spearheaded by Pablo Picasso after the First World War. The two stylized nude female forms fit neatly along the length and breadth of the canvas, their forms intermingling and contorting. They are executed with thick black lines and with touches of gray paint to impart a sense of depth. Léger often painted two female nudes together, in order to explore the rhythmic patterns of the body. His use of broad brushstrokes of color is also a recognized characteristic of the artist’s late career work, with his rigorously clear vision of forms and colors. The strongly delineated areas of red, blue, orange and yellow enhance the lines of the figures but also exist in their own right as separate forms. Together, these shapes and lines intensify the dynamic rhythm of the composition. Two years prior to its sale, Deux femmes tenant des fleurs was featured in R.S. Johnson International Galleries’ Fernand Léger Retrospective Exhibition, held November and December of 1966 in Chicago. The show was the most comprehensive Léger exhibition presented by an American art gallery at the time. An important inclusion as a late career work, this painting, with its boldly contorted figures and bright blocks of color, can be regarded an equally modern exploration and celebration of shape and form. 1 The artist in “The Human Body Considered as an Object” (Edward Fry, ed., Functions of Painting by Fernand Léger, New York, 1973)
26
modern and contemporary art
30
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
27
31
Jean Metzinger
(French, 1883-1956) La jeune femme pensive aux roses rouges (Dame assie aux roses rouges), 1923 oil on canvas signed Metzinger and dated (lower right) 32 x 23 5/8 inches.
Provenance: Sold: Maitre Blache, Versailles, June 6, 1973, no. 129 Yvan Lubetski Sold: Sotheby’s, London, December 4, 1980, lot 576 Claudia von Schilling Private Collection, Berlin Sold: Sotheby’s, New York, November 5, 2004, lot 384 Sold: Trinity International Auctions & Appraisals, October 13, 2012, lot 44 Exhibited: Iowa City, Iowa, The University of Iowa Museum of Art, Austin, Texas, Archer M. Huntington Art Gallery, University of Texas at Austin, Chicago, Illinois, The David and Alfred Smart Gallery and The University of Chicago, Pittsburgh, Pennsylvania, Museum of Art Carnegie Institute, Jean Metzinger in Retrospect, 1985-86, no. 185, illustrated p. 106 This work will be included in the forthcoming catalogue raisonné by Bozena Nikiel and is accompanied by a photo certificate of authenticity. $100,000-150,000
28
modern and contemporary art
31
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
29
32*
Jean Metzinger
(French, 1883-1956) Nature morte au vin de madère, 1915 oil on canvas laid to board signed J. Metzinger and dated (lower left) 28 1/2 x 20 3/4 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri Provenance: Niveau Gallery, New York Hirschl & Adler Galleries, New York Acquired from the above by the present owner in 1960 $400,000-600,000
A key leader in the development of Cubism, Jean Metzinger was an influential artist and principal theorist of the movement. His 1910 publication, Note sur la Peinture, was the first to explore the idea of the fragmenting of form. Rather than limiting the depiction of an object from one viewpoint, Metzinger advocated painting from different angles at once, in order to articulate successive and subjective experiences within the context of both space and time. During the First World War, the artist furthered his role as a leading Cubist with his cofounding of Crystal Cubism. This phase of Cubism emphasized mathematics, flat surface activity and large, overlapping geometric planes. Painted in 1915, Nature morte au vin de madère reflects Metzinger’s quest for harmony in the particular language of Crystal Cubism. As opposed to the linear patterns used by Braque and Picasso, Metzinger depicts the interlocking surfaces of the objects in the still life with muted colors that follow a pure geometry. The globular shape of the wine bottle melds into the rim of the cup that stands before it, which in turn is echoed by the bowl of the pipe in the left foreground. In one form, the artist reduces and combines intelligibly a series of objects that elegantly fit together. This purifying of Cubism is linked to a direct reaction of those, like Metzinger, who served in the Great War, and used its rational methods and call to order to escape the horrors of the armed conflict. Writing in July 1916 to the artist and fellow Cubist Albert Gleizes, Metzinger stated: “You can’t begin to imagine what I’ve found out since the beginning of the war, working outside painting but for painting. The geometry of the fourth space has no more secrets for me. Previously I had only intuitions, now I have certainty…. The actual result? A new harmony. Don’t take this word harmony in its ordinary, everyday sense, take it in its original sense. Everything is number.”1 Nature morte au vin de madère stands as an important example of Metzinger’s urgent search for deeper harmonies in a dramatically changed world. 1 D. Robbins, “Jean Metzinger, At the Center of Cubism,” Jean Metzinger in Retrospect, exh. cat., University of Iowa Museum of Art, Iowa City, p. 21.
30
modern and contemporary art
32
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
31
33*
Anselmo Anselmi
(Italian, b. 1941) Interspazio 9, 1973 acrylic on canvas 45 x 39 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri Provenance: Galleria D’Arte Del Cavallino, Venice, Italy $800-1,200
33
32
modern and contemporary art
34
Theodoros Stamos
(American/Greek, 1922-1997) Homage to William Blake, Sun Box, 1968 oil on canvas signed Stamos, titled and dated (verso) 16 x 68 inches. Provenance: Turske & Turske Gallery, Zurich, Switzerland Metcalfe Klopfer Gallery, Naples, Florida $50,000-70,000
34
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
33
35
Conrad Marca-Relli
(American, 1913-2000) FL-2-67, 1967 oil and canvas collage on canvas signed Marca-Relli (lower right); signed (verso) 69 1/2 x 57 1/2 inches. Provenance: Marlbrough Gallery, New York Hokin Kaufman Gallery, Chicago Sold: Sotheby’s New York, November 18, 1999, Lot 374
Exhibited: New York, Whitney Museum of American Art, Marca-Relli, October 4-November 12, 1967; Waltham, Massachusetts, Rose Art Museum, Brandeis University, December 3, 1967-January 28, 1968, No. 64 $40,000-60,000
35
34
modern and contemporary art
36*
Jack Youngerman
(American, b. 1926) Glide, 1972 acrylic on wood edition 35/50, initialled JY (verso) Height 63 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri Provenance: Pace Editions, New York $3,000-5,000 37*
Lee Krasner
(American, 1908-1984) Past Present Subjunctive, 1976 charcoal on paper collage on canvas signed Lee Krasner and dated (lower left); titled (verso) 50 x 100 inches. Property from the Estate of Rita Dee Hassenfeld, Palm Beach, Florida Provenance: The Pace Gallery, New York $80,000-120,000
36
37
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
35
38
Luc Peire
(Beligian, 1916-1994) La Maison Claire, 1969 oil on canvas signed Peire (verso) 32 x 40 inches. Provenance: Henri Gallery, Alexandria, Virginia Exhibited: Allentown Art Museum $7,000-9,000
38
39
Margo Hoff
(American, 1912) Halloween oil and canvas collage on canvas signed Hoff (lower right) 14 x 14 inches. $1,000-2,000
39
36
modern and contemporary art
40
Michelle Grabner
(American, b. 1962) Untitled, 2006 Flashe on canvas initialled MG and dated (verso) Diameter: 12 inches. $2,000-4,000
40
41
Michelle Grabner
(American, b. 1962) Untitled, 2013 Flashe on panel initialled MG and dated (verso) 12 x 12 inches. $2,000-4,000
41
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
37
42
42*
Karel Appel
(Dutch, 1921-2006) Devil Cat, 1978 (study for Cats portfolio) acrylic on paper paper laid to canvas signed Appel and dated (lower left) 22 1/2 x 30 inches. Property from the Collection of Dr. Natan Har Paz Provenance: The London Arts Group, Detroit, Michigan $20,000-40,000 43*
Raymond Siemanowski
(American, 1938-2006) Red Ghost in a Cloud Burst, 1996 acrylic on canvas signed R. D. Siemanowski and dated (lower left) 48 x 36 1/2 inches. Property from the Collection of Dr. Seymour and Marcia Sabesin, Chicago Illinois $1,000-2,000 43
38
modern and contemporary art
44*
Ralston Crawford
(American, 1906-1978) Untitled oil on canvas board signed Ralston Crawford (lower right) 19 1/2 x 15 1/2 inches. From the Collection of Ms. Carolyn M. Baxley, Urbana, Illinois $30,000-50,000
44
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
39
45
46
(American, b. 1951) Untitled (Tube) acrylic on canvas on cardboard tube 79 x 6 1/2 inches. $800-1,200
(American, b. 1951) Flight of Furry, 1980 acrylic on canvas on PVC tubing 72 x 158 inches. $6,000-8,000
George Snyder
George Snyder
47
George Snyder
(American, b. 1951) Flight of Fancy, 1980 acrylic on canvas on PVC tubing 72 x 158 inches. $6,000-8,000
46
47
40
modern and contemporary art
48
51
53
48
50*
(American, 1940-2007) Coralin Bleu, 1979 acrylic on linen signed Taggart, titled and dated (verso) 38 1/2 x 45 inches.
(German, 1942-2008) Untitled acrylic on canvas 69 3/4 x 57 1/2 inches. Property from the Collection of Wesley Fultz, Seymour, Indiana $2,000-4,000
William Taggart
Provenance: Hokin Gallery, Chicago $1,000-2,000 49*
Jurgen Anhalt
(German, 1942-2008) Untitled, 1988 acrylic on canvas signed J. Anhalt and dated (verso) 77 1/2 x 41 1/2 inches. Property from the Collection of Wesley Fultz, Seymour, Indiana $2,000-4,000
52*
Jurgen Anhalt
51*
Jurgen Anhalt
Jurgen Anhalt
(German, 1942-2008) Untitled acrylic on canvas 52 1/4 x 61 1/2 inches. Property from the Collection of Wesley Fultz, Seymour, Indiana $2,000-4,000 53
(German, 1942-2008) Untitled acrylic on canvas 64 1/4 x 62 3/4 inches. Property from the Collection of Wesley Fultz, Seymour, Indiana $2,000-4,000
Kazuya Sakai
(Argentine, 1927-2001) Untitled, 1963 oil on canvas signed Kazuya Sakai and dated (verso) 11 1/4 x 12 1/4 inches. $2,000-4,000
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
41
54
54*
Zhou Brothers
(American/Chinese) Tao, 1990 oil and mixed media on canvas signed Zhou Brothers and dated (verso) 48 x 72 inches. Property from the collection of Mr. William Scheele, Cleveland, Ohio Provenance: Lloyd Shin Gallery, Chicago $8,000-12,000
42
modern and contemporary art
55
Arthur Osver
(American, 1912-2006) Blue Haven, 1959 oil on canvas signed A. Osver (lower right); signed, titled and dated (verso) 56 x 44 inches. $4,000-6,000
55
56
Emily Mason
(American, b. 1932) Blue Angel, 1995 oil on canvas 42 x 32 inches. Provenance: MD Modern, New York $3,000-5,000
56
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
43
57
Alice Baber
(American, 1928-1982) The Light from the Palace of the Tree, 1978 acrylic on canvas signed Baber and dated (lower right); signed, titled and dated (verso) 38 x 64 inches. Provenance: AM Sachs Gallery, New York $2,000-4,000
57
44
modern and contemporary art
58
58
Futura 2000 (Lenny McGurr)
(American, b. 1955) European Phone Call, 1982 acrylic and spray paint on canvas signed Futura (lower right); signed, titled and dated (verso) 52 1/2 x 96 inches. $10,000-15,000
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
45
59
59*
Jon Schueler
(American, 1916-1992) Snow Clouds, 1957 oil on canvas signed Schueler and dated (lower right) 22 1/4 x 39 1/2 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $8,000-12,000
46
modern and contemporary art
60*
Michael Rubin
(American, b. 1946) Sun #2 acrylic on canvas signed Rubin and dated (lower right) 48 x 36 inches. Property from the Estate of Marvin E. Jaffe, Naples, Florida $1,000-2,000
61
Robert Natkin
(American, 1930-2010) Thanksgiving, 1971 oil on canvas signed Natkin (lower right); titled and dated (verso) 88 x 66 inches. $7,000-9,000
61
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
47
62
48
modern and contemporary art
62*
63
(German, 1902-1990) Composition, 1959 oil on canvas initialled AF and dated (lower right) 38 x 30 1/2 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $30,000-50,000
(American, b. 1941) Still Life, 1969 mixed media, cotton and acrylic on canvas 64 x 284 inches. $20,000-30,000
Adolf Richard Fleischmann
Joe Zucker
63
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
49
64
Max Beckmann
(German, 1884-1950) Bathers, 1938 oil on canvas signed Beckmann and dated (lower right) 13 x 8 1/2 inches. Provenance: Richard L. Feigen & Co., Chicago Mr. Harold Weinstein, Chicago B.C. Holland Gallery, Chicago Vincent Price Gallery, Chicago Acquired from the above by the present owner in 1968 $300,000-500,000
50
modern and contemporary art
64
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
51
65
Amy Sillman
(American, b. 1955) The Travelling Salesman, 2001 (diptych) oil on board and oil on canvas signed Amy Sillman, titled and dated (verso) 16 x 20 and 48 x 62 1/4 inches. $40,000-60,000
65
65
52
modern and contemporary art
66
66
Tom Uttech
(American, b. 1942) Algoma Eagle, 1983 oil on board signed Tom Uttech (verso) 10 x 12 inches. $3,000-5,000
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
53
67
Bob Thompson
(American, 1937-1966) Landscape with Blue Nude, 1965 oil on canvas signed B. Thompson, titled and dated (verso) 24 x 48 inches. Provenance: Richard Gray Gallery, Chicago $80,000-120,000
54
modern and contemporary art
67
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
55
56
modern and contemporary art
68
68*
Peter Saul
(American, b. 1934) Saul’s Guernica, 1974 acrylic on canvas signed Saul and dated (lower right) 71 x 159 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri
Exhibited: Champaign. Illinois, Krannert Art Museum, Contemporary American Painting and Sculpture, March 10-April 21, 1974 $250,000-350,000
Provenance: Allan Frumkin Gallery, New York
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
57
69
69
Karl Wirsum
(American, b. 1939) Untitled (Dancer), c.1983-85 acrylic on canvas 19 x 16 inches. $7,000-9,000
58
modern and contemporary art
70
Burhan Dogancay
(Turkish, 1929-2013) Untitled, 1976 acrylic on canvas signed B. Dogancay and dated (lower right) 36 x 24 inches. $30,000-50,000
70
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
59
72
71
Ted Harrison
(Canadian, 1926-2015) Untitled (Rainbow Sky) acrylic on canvas signed Harrison (lower right) 30 1/4 x 36 1/4 inches. $1,000-2,000 72
Remo Farruggio
(American, 1904-1981) Kitty Hawk oil on canvas signed R. Farruggio (lower left) 20 x 38 inches. $1,000-2,000 73
Arthur Osver
(American, 1912-2006) Winter Landscape, 1947 oil on canvas signed A. Osver (lower left); signed, title and dated (verso) 52 x 26 inches. Provenance: Fairweather Hardin Gallery, Chicago $2,000-4,000 74
Elena Borstein
(American, b. 1946) Artemon III, 1981 oil on canvas signed Elena Borstein, titled and dated (verso) 40 x 60 inches.
73
60
modern and contemporary art
Provenance: Andre Zarre Gallery, New York $1,000-2,000
75
Lee Godie
(American, 1908-1994) Untitled (Vase), 1970 oil on canvas board signed Godie (lower right) 12 x 9 inches. $2,000-4,000 76
Lee Godie
(American, 1908-1994) Girl in a Forest mixed media on window shade signed Artist Godie (lower center) 50 x 18 15/16 inches. $2,000-4,000 77
Lee Godie
(American, 1908-1994) Figures mixed media on window shade signed Lee Godie (lower left) 55 x 26 1/2 inches. $2,000-4,000
74
75
77
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
61
79
78
79*
(Spanish, 1933-1968) Untitled oil on canvas signed Martin Caro (lower left) 28 3/4 x 23 1/2 inches. $1,000-2,000
(Colombian, 1920-1992) Jardines Tropicales, 1962 oil on canvas signed Obregon (lower left) and dated (verso) 40 x 51 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas
Julio Martin-Caro Soto
62
modern and contemporary art
Alejandro Obregon
Provenance: Ms. Montserrat Izquierdo and Mr. Teodoro Quirino Miranda, Dallas, Texas Exhibited: Barranquilla, Colombia, Museo de Arte Moderno de Barrabquilla $60,000-80,000
80
80*
Carlos Merida
(Guatemalan, 1891-1984) El Cielo de los Negros, Projecto Masaico, 1948 oil on masonite signed Carlos Merida (lower right) 16 x 23 1/2 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas
Provenance: Mr. Dennis Badalow Exhibited: McAllen, Texas, International Museum of Art & Science $15,000-25,000
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
63
81
82
81*
82*
(Mexican, 1959-1996) Hombre, 1993 acrylic and sand on board 17 x 27 1/2 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas
(Mexican, 1959-1996) Adan y Eva, c. 1992 acrylic on canvas signed Urbieta (lower right) 23 1/2 x 31 1/2 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas
Jesus Urbieta
Provenance: Luis Sanchez, Tlalpan, Mexico Exhibited: McAllen, Texas, International Museum of Art & Science $5,000-7,000
64
modern and contemporary art
Jesus Urbieta
Provenance: Ms. Marina Alejandra de Paris Vargas, Mexico City, Mexico Exhibited: McAllen, Texas, International Museum of Art & Science $5,000-7,000
83
Angel Botello
(Puerto Rican, 1913-1986) Still Life, 1965 oil on canvas signed Botello (lower right) 17 x 13 1/2 inches. Provenance: Galleria Antillas, Old San Juan, Puerto Rico $6,000-8,000
83
84
Angel Botello
(Puerto Rican, 1913-1986) Still Life, 1965 oil on masonite signed Botello (lower right) 23 1/4 x 17 1/4 inches. Provenance: Galleria Antillas, Old San Juan, Puerto Rico $8,000-12,000
84
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
65
85*
Raul Anguiano
(Mexican, 1915-2006) Alfarera con Anfora, 2003 oil on canvas signed R. Anguiano (upper left) 19 3/4 x 15 3/4 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Mr. Julio Manriquez Exhibited: McAllen, Texas, International Museum of Art & Science $2,000-4,000
85
86*
Raul Anguiano
(Mexican, 1915-2006) Los Huicholes, 2003 acrylic on canvas signed R. Anguiano (upper left) 12 x 15 3/4 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Mr. Roberto Tzrinzky Exhibited: McAllen, Texas, International Museum of Art & Science $2,000-4,000
86
66
modern and contemporary art
87
87*
Leonardo Nierman
(Mexican, b. 1932) Sin Titulo, 1967 oil on board signed Nierman and dated (lower right) 23 1/2 x 31 1/2 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Concept Art Gallery, Pittsburgh, Pennsylvania Exhibited: McAllen, Texas, International Museum of Art & Science $1,000-2,000 88
Leonardo Nierman
(Mexican, b. 1932) Prismatic City oil on board signed Nierman and dated (lower right) 23 1/2 x 15 3/4 inches. $800-1,200
88
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
67
Photography Lots 89 – 106
Opposite Lot 106 | Sally Mann (American, b. 1951) At Warm Springs, 1991
89*
Robert Silvers
(American, b. 1968) Spanish Civil War-Guernica photomosaic on aluminum edition AP 1/2 55 x 24 inches. Property from the Estate of Marvin E. Jaffe, Naples, Florida $3,000-5,000
89
70
modern and contemporary art
90
91
90
Henri Cartier-Bresson
(French, 1908-2004) Sur les quais de la Marne, 1938 gelatin silver print signed Henri Cartier-Bresson (lower right) 11 1/2 x 17 1/2 inches. $8,000-12,000
91
Henri Cartier-Bresson
(French, 1908-2004) Henri Matisse, Vence, France, 1944 gelatin silver print signed Henri Cartier-Bresson (lower right) 9 1/4 x 13 15/16 inches. $7,000-9,000
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
71
92
92
Arnold Newman
(American, 1918-2006) Igor Stravinsky gelatin silver print signed Arnold Newman (lower right) 11 x 14 inches. $3,000-5,000
72
modern and contemporary art
93
O. Winston Link
(American, 1914-2001) NW1255 gelatin silver print; printed 1997 signed Winston Link and dated (verso) 16 x 20 inches. $2,000-4,000
94
O. Winston Link
95
(American, 1914-2001) NW166 gelatin silver print; printed 1997 signed Winston Link and dated (verso) 20 x 16 inches. $2,000-4,000
O. Winston Link
(American, 1914-2001) Montgomery Tunnel Near Christiansburg, Virginia, 1957 gelatin silver print; printed 1997 signed Winston Link and dated (verso) 20 x 16 inches. $2,000-4,000
93
94
95
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
73
96
97
98
(American, b. 1943) Untitled (Wedding), 1992 unique Polaroid signed William Wegman and dated (lower right) 24 x 20 inches.
(American, 1946-2009) Mom on Chaise Lounge (from Pictures from Home), 1987 c-print signed Larry Sultan (verso) 30 x 39 3/4 inches. $800-1,200
(American, b. 1946) At The Shore, 1994 c-print edition of 30, initialled SAS (verso) 11 x 14 inches. $1,000-2,000
William Wegman
Provenance: Lisa Sette Gallery, Scottsdale, Arizona $2,000-4,000
Larry Sultan
Sandy Skoglund
96
98
74
modern and contemporary art
99
100
101 three of four
99
100
101
(American, b. 1953) At Nan’s April 2006, 2006, Untitled (Joey in Bed) and Untitled (Joey in Mirror) c-prints first photo titled and dated (verso); second photo signed Nan Goldin (verso) Largest: 10 x 15 inches. $1,500-2,500
(American, b. 1953) Joey at Nan’s Apartment, Sag Harbor, Untitled (Joey in Doorway), Untitled (Joey in Doorway with Lamp) and Untitled (Joey in Sheer Dress) c-prints first photo signed Nan Goldin and titled (verso), third and fourth photos signed Nan Goldin (verso) Largest: 8 1/2 x 14 inches. $2,000-4,000
(American, b. 1953) David’s House Brooklyn, December 2000, 2000, Untitled (Joey in Bed in Black), David’s House Apartment, 7/2000, 2000 and Untitled (Three Blurry Friends) c-prints first photo signed Nan Goldin (verso); titled and dated (right margin), third photo signed Nan Goldin, titled and dated (verso), fourth photo signed Nan Goldin (verso) Largest: 10 x 15 inches. $2,000-4,000
Nan Goldin
Nan Goldin
Nan Goldin
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
75
102
Sally Mann
(American, b. 1951) Virginia at 3, 1998 gelatin silver print edition 4/25, signed Sally Mann, titled and dated (verso) 7 3/4 x 9 5/8 inches. $6,000-8,000
102
103
Sally Mann
(American, b. 1951) The Three Graces, 1994 gelatin silver print edition 3/25, signed Sally Mann, titled and dated (verso) 7 5/8 x 9 5/8 inches. $8,000-12,000
103
104
Sally Mann
(American, b. 1951) Jessie at 6, 1988 gelatin silver print edition 12/25, signed Sally Mann, titled and dated (verso) 7 5/8 x 9 3/4 inches. $10,000-15,000
104
76
modern and contemporary art
105
106
(American, b. 1993) Jessie at 11, 1993 gelatin silver print edition 3/25, signed Sally Mann, titled and dated (verso) 9 5/8 x 7 5/8 inches. $5,000-7,000
(American, b. 1951) At Warm Springs, 1991 gelatin silver print edition 8/25, signed Sally Mann, titled and dated (verso) 9 3/4 x 7 3/4 inches. $8,000-12,000
Sally Mann
Sally Mann
105
106
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
77
Sculpture Lots 107 – 160
Opposite Lot 160 | Ernst Barlach (German, 1870-1938) Der Racher, 1914
107*
Richard Artschwager
107
(American, 1923-2013) Untitled (Box of Drawers), 1971 wood, brass, glass and horse hair edition 3/50, signed Richard Artschwager and dated 11 1/2 x 14 3/4 x 12 3/4 inches. Property from the Estate of Dr. Richard E. Anderson, Redding, Connecticut $3,000-5,000
108
Larry Rivers
(American, 1923-2002) Dutch Masters Cigar Box, 1964-66 acrylic and collage on wood edition 14/20, signed Rivers and dated 16 x 13 x 13 1/2 inches. $2,000-4,000 108
80
modern and contemporary art
109*
David Gilhooly
(American, b. 1943) Gihooly’s Sampler glazed ceramic and cardboard box signed David Gihooly 3 x 13 x 11 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $1,000-2,000
109
110
110
Pedro Friedberg
(Mexican, b. 1937) Hand and Feet Chair wood signed Pedro Friedberg 18 x 34 x 20 inches. $5,000-7,000
111
John Buck
111
(American, b. 1946) Standing Figure, 1987 wood signed John Buck and dated Height: 61 inches. $3,000-5,000
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
81
112*
Ernest Trova
(American, 1927-2009) Figure with Shadow #2, 1987 bronze edition 15/99 7 x 24 1/2 x 10 inches. Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $3,000-5,000
112
113*
Ernest Trova
(American, 1927-2009) Study/Falling Man Walking Jackman, 1986 stainless steel edition 70/99 Height: 9 inches. Property from the Estate of Marvin E. Jaffe, Naples, Florida $3,000-5,000
82
modern and contemporary art
113
114
Jeff Koons
(American, b. 1955) Balloon Dog (Red), 1995 metalized porcelain; Museum of Contemporary Art Los Angeles, pub. edition 1091/2300 Diameter: 10 1/8 inches. Provenance: Museum of Contemporary Art Los Angeles $5,000-7,000
114
115
Jeff Koons
(American, b. 1955) Puppy Vase, 1998 porcelain edition 1185/3000, inscribed Koons and dated Height: 17 1/2 inches. Provenance: Elaine Baker Gallery, Boca Raton, Florida $7,000-9,000 115
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
83
116
119
118
116
117*
(American, 1931-2002) Dot Illusion, 1968 mixed media 36 x 36 inches. $1,000-2,000
(Czech, 1914-2002) Apple papier mache Height: 4 1/2 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $600-800
Tom Strobel
84
Jiri Kolar
modern and contemporary art
118*
Philip Baldwin and Monica Guggisberg
(20th century) Circo di lune rosa, 2005 mixed media edition 62/99 18 x 22 1/2 x 6 inches. Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $3,000-5,000
119
Louise Nevelson
(American, 1899-1988) Night Leaf, 1969-1974 Plexiglas edition 116/150, signed Louise Nevelson 12 3/4 x 12 3/4 x 2 1/4 inches. Provenance: The Pace Gallery, New York $3,000-5,000
120
Nassos Daphnis
(American, 1914-2010) S-29-69, 1969 epoxy paint and wood on masonite 12 x 12 inches. $2,000-4,000
120
121
Victor Vasarely
(French/Hungarian, 1906-1997) Kettes, 1987 acrylic on wood edition 6/125, signed Vasarely (lower right) 21 1/2 x 12 x 2 inches. $5,000-7,000
121
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
85
123
123
Jean-Claude Farhi
122*
Vasa Velizar Mihich
(Yugoslavian, b. 1933) Untitled acrylic Height: 79 1/2 inches. Property from the Jean L. Fisher Trust, Wilmette, Illinois $5,000-7,000
(French, 1940-2012) Untitled Plexiglas 40 x 38 x 21 inches. $10,000-15,000
124
Jerry Peart
(American, b. 1948) Untitled painted aluminum Height: 50 inches. $2,000-4,000
122
124
86
modern and contemporary art
125
127
125
Lillian Florsheim
(American, 1896-1988) Untitled, 1983 Plexiglas Height: 60 inches. $1,000-2,000
126
Wendy Ross
127
(American, 20th century) Arma, 1998 woven steel 26 x 16 x 16 inches. $800-1,200
Harry Bertoia
(American, 1915-1978) Bush bronze Diameter: 11 1/2 inches. $10,000-15,000
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
87
128*
Alain Kirili
(American, b. 1946) Untitled iron 104 x 15 x 13 inches Property from the Estate of Dr. Richard E. Anderson, Redding, Connecticut $3,000-5,000
130
130
Mark di Suvero
(American, b. 1933) Untitled, 1972 steel 80/250, inscribed MdS and dated Height: 9 3/4 inches. Property from a Chicago Collector $3,000-5,000
128
129
Artist Unknown
(20th century) Untitled steel Height: 84 inches. $800-1,200
129
88
modern and contemporary art
131
Barry Tinsley
(American, b. 1943) Toe the Line, 1998 bronze inscribed B. Tinsley and dated Height: 42 inches. $2,000-4,000
131
132
Sir Anthony Caro
(British, 1924-2013) Table Piece CLXXXIX, 1974 steel 12 x 23 x 18 inches. Provenance: Richard Gray Gallery, Chicago $30,000-50,000
132
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
89
133
134
136
133
135*
(Turkish, b. 1938) Untitled (Blue Vessel) glazed stoneware inscribed Alev 3 1/2 x 4 1/2 inches. $2,000-4,000
(Spanish, 1881-1973) Oiseau sur la branche, 1952 partially glazed ceramic edition of 500, inscribed Edition Picasso; stamped Madoura Plein Feu and Edition Picasso Diameter: 6 1/4 inches.
Alev Ebuzziya Siesbye
134
Bernard Leach
(British, 1887-1979) Untitled (Brown Vessel), 1971-72 glazed stoneware 11 x 12 inches. $1,000-2,000
90
modern and contemporary art
Pablo Picasso
Property from the Estate of Carl and Janet Moebius, Milwaukee, Wisconsin Ref: Raime, 175 $800-1,200
136A
136
Pablo Picasso
(Spanish, 1881-1973) Still Life, 1953 glazed ceramic stamped Madoura Plein Feu and Edition Picasso 12 1/2 x 15 inches. Ref: Ramie, 219 $8,000-12,000
136A
Tom Wesselmann
(American, 1931-2004) Bedroom Blonde, 1987 color transfer-printed glazed porcelain plaque edition 51/100, inscribed Tom Wesselmann 13 5/8 x 17 1/2 inches. Provenance: H. W. Fichter Gallery, Frankfurt am Main, Germany, 2006 $4,000-6,000
137
137
Elaine Reichek
(American, b. 1943) Arapaho, 1984 knitted yarn, and oil on gelatin silver print 62 x 51 inches. Provenance: Carlos Lamanta Gallery, New York $3,000-5,000 138*
Evelyn Anselevicius
137
(American, b. 1951) Linear Face III tapestry 80 x 77 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $500-700 139
Abraham Rattner
(American, 1893-1978) Moses and the Burning Bush polychrome woven tapestry signed in weave Rattner (lower right) 77 x 60 inches. $800-1,200 140
Corneille
(Dutch, 1922-2010) Composition, 1955 wool Aubusson tapestry; manufactured by Pinton Freres, France signed in weave Corneille (lower right) 77 x 50 inches. $800-1,200
138
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
91
143
Abigail Varela
(Venezuelan, b. 1948) Mujer Con Bola, 1990 bronze edition 1/6, inscribed A.V. Height: 28 inches. Provenance: Elaine Baker Gallery, Boca Raton, Florida $10,000-15,000
143
141
Max Papart
141
(French, 1911-1994) Untitled bronze with gilt patina edition 5/8, inscribed Max Papart; stamped with foundry mark Guyot Height: 15 inches. $2,000-4,000
142
Alfonso Iannelli
(American, 1888-1965) Female Form bronze with green patina inscribed Alfonso Iannelli Height: 29 inches. $5,000-7,000
92
modern and contemporary art
142
144*
Miguel Berrocal
(Spanish, 1933-2006) Mini Portrait de Michelle, 1969 nickel plated Zamak edition 4636/9500, inscribed Berrocal Height: 4 inches. Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $800-1,200
144
145*
Miguel Berrocal
(Spanish, 1933-2006) Salvador y Dalia, 1974-78 polished bronze edition 282/2000, inscribed Berrocal 11 x 7 x 4 inches. Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $2,000-4,000 145
146
Itzik Benshalom
(Israeli, b. 1945) Interlinked Forms bronze edition 1/5, inscribed Itzik Benshalom 23 1/4 inches. $700-900
146
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
93
147*
Paul Mount
(British, 1922-2009) Untitled bronze edition 2/7, inscribed Paul Mount Height: 16 inches. Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $8,000-12,000
147
148*
Henry Moore
(British, 1894-1986) Mother and Child, 1975 bronze edition 4/7, inscribed Moore Height: 5 7/8 inches. Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $6,000-8,000 148
94
modern and contemporary art
150*
Leonard Baskin
(American, 1922-2000) Standing Boy, 1964 bronze edition 2/15 Height: 15 inches. Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $3,000-5,000
150
149*
Saul Baizerman
(American, 1889-1957) Cement Man, Dancer in the Field, Knife Grinder and Lady of Leisure (a group of four works) bronzes Height of tallest: 6 5/8 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri Provenance: Zabriskie Gallery, New York $3,000-5,000
149
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
95
151
152
153
154
151*
152*
(French, 1920-2013) Femme assise bronze edition 1/6, inscribed Jansem Height: 4 1/2 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $800-1,200
(French, 1920-2013) Untitled (Seated Child) bronze edition 1/6; inscribed Jansem Height: 5 1/2 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $800-1,200
Jean Jansem
96
Jean Jansem
modern and contemporary art
153*
154*
(French, 1920-2013) TĂŞte de femme bronze edition 1/6, inscribed Jansem Height: 8 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $600-800
(French, 1920-2013) Untitled (Head of a Woman) bronze edition 2/6; inscribed Jansem Height: 2 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $600-800
Jean Jansem
Jean Jansem
155*
Julius Bartfay
(Czech, 1888-1979) Old Joe bronze inscribed JB Height: 5 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $600-800
155
156
Robert Graham
(American, 1938-2008) Gabrielle bronze Height: 63 1/4 inches. Provenance: Jaffe Baker Gallery, Boca Raton , Florida $15,000-25,000
detail
156
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
97
157
Francisco Zuniga
(Mexican, 1912-1998) Elsa Sentada, 1978 bronze edition I/VI Height: 13 7/8 inches. $3,000-5,000
157
158*
Francisco Zuniga
(Mexican, 1912-1998) Dos Mujers 1965 bronze with green patina edition I/III, inscribed Zuniga and dated Height 16 inches. Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $15,000-25,000
158
98
modern and contemporary art
159
Ernst Barlach
159
(German, 1870-1938) Schlafende Vagabunden glazed terracotta inscribed E. Barlach Height: 12 inches. $3,000-5,000
160
Ernst Barlach
(German, 1870-1938) Der Racher, 1914 bronze with brown patina; cast after 1945 inscribed E. Barlach; stamped H. Noack, Berlin 17 x 23 1/2 x 8 inches. Provenance: Worthington Gallery, Chicago Acquired from the above by the present owner in 1987 Literature: Schult, Friedrich, Ernst Barlach, Das plastische Werk, no. 167 $80,000-120,000
160
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
99
Works on Paper Lots 161 – 234
Opposite Lot 195 | Domenico Gnoli (Italian, 1933-1970) Romeo and Juliet, 1963
161
161
Duncan Grant
(Scottish, 1885-1978) Design for Plate, 1968 mixed media initialled DG and dated (lower right) 9 x 9 inches. Provenance: The Bloomsbury Workshop, London $800-1,200
102
modern and contemporary art
162
Laszlo Moholy-Nagy
(American, 1895-1946) Madame Butterfly (Stage setting for Berlin State Opera), 1929 ink and gouache on craft paper initialled MN and dated (lower right) 18 x 25 2/4 inches. Provenance: Mrs. Sybil Moholy-Nagy, New York Exhibited: Chicago, the Museum of Contemporary Art, Laszlo Moholy-Nagy Retrospective, May 31-July 13, 1969, no. 131 $40,000-60,000
Historic photos of the constructed stage set
162
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
103
163
Fernand Léger
(French, 1881-1955) Paysage village, 1914 gouache on paper board initialled FL and dated (lower right) 12 1/2 x 16 inches. Provenance: Daniel-Henry Kahnweiler, Paris Sold: Hotel Drouot, Paris, 4th Kahnweiler Sequestration Sale, May 7-8, 1923 R.S. Johnson International Galleries, Chicago Acquired from the above by the present owner in 1968 Exhibited: Chicago, R.S. Johnson International Galleries, Fernand Léger, Retrospective Exhibition, 1881-1955, November-December, 1966, No. 7, illustrated p. 10 $600,000-800,000
Though Fernand Léger embraced Cubism and the movement’s notion of fracturing objects into geometric shapes, he retained an interest in depicting the illusion of three-dimensionality. Particularly in his early career, the young artist produced a body of work that effortlessly transitioned between traditional genres, representational motifs and pure abstraction. This interrelated series of paintings blends recognizable forms and abstract elements of line, form and pure swaths of color. The pictorial vocabulary that Léger created at this time refined his aesthetic philosophy and established his reputation as a painter of physical and dynamic works. Between 1912 and the outbreak of World War I in August 1914, Léger executed a number of abstracted paintings that depict city and country and the nebulous spaces in between. Paysage village, 1914, is one of these works that demonstrates his exploration of not only formal invention and subject matter choices, but also of his concern with current political and social issues. During a time of profound technological change, the relationship between people and their environment, whether city or country, drastically changed. Particularly in France, industrialization created a nationalistic reaction that embraced the rural countryside as the true expression of the nation. In the present work, spherical and cylindrical shapes of trees intermingle and seem to subsume the simple geometric blocks of the village buildings. Broad white swaths of gouache contrast with strokes of red and blue and evoke the national colors of France. The artist has also used the surface of the paper to his advantage to provide a textural and tonal background for his colorful composition. Paysage village was most likely created shortly before World War I was declared. With this artwork, Léger has merged the past with the present through his use of the most contemporary means of expression, in order to depict an idyllic view of a quickly vanishing way of life. Paysage Village was once in the collection of Daniel-Henry Kahnweiler, an important early Cubist dealer. Later in its history, it was included in R.S. Johnson International Galleries’ Fernand Léger Retrospective Exhibition, held November and December of 1966 in Chicago. The show was the most comprehensive Léger exhibition presented by an American art gallery at the time.
104
modern and contemporary art
163
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
105
164
165
164
165
(American, b. 1927) Marine Landscape, 1967 pastel on paper signed W Kahn (lower right) 10 1/2 x 13 1/2 inches. Property from a Private Collection $1,500-2,500
(American, 1922-2007) Mountain Beauty, 1999 watercolor, gouache and pastel signed Olitski and dated (lower right) 28 1/2 x 20 1/2 inches.
Wolf Kahn
106
modern and contemporary art
Jules Olitski
Provenance: Marianne Friedland Gallery, Naples, Florida $2,000-4,000
166
167
166
167
(American, 1886-1973) The First Zepolin compleet the first non stop flight Between new york City + Paris, France, 1969 mixed media on paper signed Joseph E. Yoakum, titled and dated (upper left) 12 x 19 inches. $10,000-15,000
(American, 1889-1972) mt Look Out in Toppenish Range near Vancouver Washington., 1968 mixed media on paper signed Joseph E. Yoakum, titled and dated (upper right) 11 7/8 x 19 inches. $10,000-15,000
Joseph E. Yoakum
Joseph Yoakum
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
107
169
168
170
168
169
170
171
(American, 20th century) The Hairy Who Sideshow, 1967 and Smoke Hairy Who, 1968 staple bound offset lithographs each 11 x 7 inches. Property from the Collection of a Chicago Artist $1,500-2,500
(American, b. 1974) Untitled, c. 1998 ink, root beer, and watercolor on paper signed Marcel Dzama (lower right) 14 1/8 x 11 3/16 inches. $1,000-2,000
(American, b. 1974) Untitled, c. 1999 ink, root beer, and watercolor on paper signed Marcel Dzama (lower right) 14 3/4 x 12 inches. $1,000-2,000
(American, b.1939) Spoon Rivit colored pencil signed Warl Kirsum (lower left) 11 x 9 inches. $1,000-2,000
The Hairy Who
108
171
Marcel Dzama
modern and contemporary art
Marcel Dzama
Karl Wirsum
172
Keith Haring
(American, 1958-1990) Untitled, 1983 marker on paper signed Keith Haring (upper right) 9 x 6 1/2 inches. This work is accompanied by a copy of the certificate of authenticity from the Estate of Keith Haring, issued January 20, 2006, identification no. 01167A16 $30,000-50,000
172
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
109
173
173
Ed Paschke
(American, 1939-2004) Bossa Nova, 2001 ink and colored pencil on paper signed E. Paschke and dated (lower right); titled (lower center) 11 x 15 3/4 inches. $3,000-5,000 174
Vera Klement
(American, b. 1929) Self Portrait, 2000 mixed media signed Klement and dated (lower right) 12 x 10 inches. $500-700 175
Douglas Portway
(South African, 1922-1993) Saskia, 1990 oil on paper signed Portway and dated (lower right) 29 1/2 x 21 inches. $800-1,200
174
110
modern and contemporary art
176
Douglas Portway
(South African, 1922-1993) Couple of Roses oil on paper 21 3/4 x 29 3/4 inches. $800-1,200 177
LeRoy Neiman
(American, 1921-2012) Untitled (Ski Slopes), 1962 oil, watercolor and ink on paper signed LeRoy Neiman and dated (lower right) 19 1/2 x 25 1/2 inches. $8,000-12,000
176
177
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
111
177A
Joseph Raffael
(American, b. 1933) Listening to Evening, 1984 watercolor signed Joseph Raffael (lower right) 50 5/8 x 42 5/8 inches. $8,000-12,000
178
Grace Hartigan
(American, 1922-2008) Hands at Work, 1977 oil and collage on paper signed Hartigan and dated (lower right) 36 1/2 x 28 1/2 inches.
Exhibited: Elkhart, Indiana, Midwest Museum of American Art, Works on Paper..., December 3, 1993-Februaury 27, 1994 $3,000-5,000
Provenance: Genesis Galleries Ltd., New York C. Grimaldis Gallery, Baltimore, Maryland
177A
112
modern and contemporary art
178
179
179
Lee Godie
(American, 1908-1994) Untitled ink on paper signed Lee Godie (lower right) 27 x 21 1/2 inches. $800-1,200 180
Lee Godie
(American, 1908-1994) Chicago City of Plenty ink on paper signed Lee Godie (lower right) 27 x 21 1/2 inches. $800-1,200 181*
Jean Cocteau
(French,1889-1963) Tete de homme pastel on paper signed Cocteau (lower right) 26 1/4 x 19 1/4 inches. Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $2,000-4,000
181
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
113
182
182*
Alexander Calder
(American, 1898-1976) Mirobolant, 1974 gouache and ink on paper signed Calder and dated (lower right) 29 12/ x 43 1/2 inches. Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois Provenance: Galerie Maeght, Paris Acquired from the above by a Private Collector, New York in 1974 Herbert B. Palmer & Co., Los Angeles Acquired from the above by the present owner in 1981 This work is registered in the archives of the Calder Foundation, New York, under application no. A12730 $60,000-80,000
114
modern and contemporary art
183* Alexander Calder (American, 1898-1976) Little Lioness with Hair Ribbon, 1944 ink on paper signed Calder and dated (lower right) 11 1/4 x 10 3/8 inches. Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois Provenance: Perls Gallery, New York Herbert B. Palmer & Co., Los Angeles Acquired from the above by the present owner circa 1980 This work is registered in the archives of the Calder Foundation, New York, under application no. A15774 $15,000-25,000
183
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
115
184
Saul Steinberg
(American, 1914-1999) Susan, 1960 ink on paper signed Saul St. and dated (lower right) 13 x 9 inches. $2,000-4,000
184
185
Douglas Bond
(American, b. 1937) Details of a Careless Irony, 1985 graphite and acrylic on paper signed Douglas Bond (lower right) 7 1/8 x 9 inches. Provenance: OK Harris, New York $600-800
185
116
modern and contemporary art
186 one of two
187 three of thirteen
186
187*
(American, b. 1943) Untitled Studies, 1977 (a pair of works) charcoal and graphite on paper Each: signed Joseph Piccillo, titled and dated (lower right) Largest: 19 x 30 inches. $2,000-4,000
(American, b. 1939) Thirteen Portraits, 1975-76 watercolor signed R. Joseph and dated (upper right) Each: 9 x 6 1/2 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $3,000-5,000
Joseph Piccillo
Richard Joseph
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
117
188
188
Leon Golub
(American, 1922-2004) Merc, 1982 crayon and acrylic on paper signed Golub (lower right) 29 1/2 x 22 inches. Provenance: Young Hoffman Gallery, Chicago $3,000-5,000
118
modern and contemporary art
189
James Ensor
(Belgian, 1860-1949) Untitled (Sketchbook Page) charcoal on paper signed Ensor (lower left) 8 1/2 x 6 1/2 inches. $5,000-7,000 190
Hugo Scheiber
(Austrian, 1873-1950) Artist Reading mixed media signed Scheiber Hugo (lower center) 24 x 18 inches. $2,000-4,000
189
191
Avraham Ofek
(Israeli, 1935-2009) Night Watchman, 1970 gouache on paper signed A. Ofek and dated (lower left) 19 x 26 1/4 inches. $800-1,200
190
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
119
192
192
Richard Lindner
(German/American, 1901-1978) Untiled, 1960 watercolor 7 1/4 x 10 1/4 inches. Provenance: Cordier & Ekstrom, Inc., New York Exhibited: Austin, Texas, University Art Museum, The University of Texas $5,000-7,000
120
modern and contemporary art
193
Seymour Rosofsky
(American, 1924-1981) Untitled pastel on paper signed Rosofsky (lower left) 18 1/2 x 24 inches. $600-800
194
Hollis Sigler
(American, 1948-2001) Within Our Fingers the Fates Are Spinning mixed media on paper titled (upper center) 20 x 26 inches. $3,000-5,000
193
194
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
121
195
Domenico Gnoli
(Italian, 1933-1970) Romeo and Juliet, 1963 pen, ink and watercolor on paper signed D. Gnoli and dated (lower right) 30 x 20 inches. $15,000-25,000
195
122
modern and contemporary art
197 two of seven
198
196*
Jiri Kolar
(Czech, 1914-2002) P.F., 1986 (two sided work) collage initialled J.K. (lower right) 10 1/2 x 14 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $800-1,200
197*
Jiri Kolar
198*
(Czech, 1914-2002) Dialog O Kubismu, 1984, Zrozeni Zrcadla, 1984, Ubyvai Ubyvai Muj Prokrehli Podzime, 1984, Nez Ho Pribicem Z Roucha Ho Svleknem, 1982, P.F., 1987, P.F., 1978 and Untitled (a group of seven works) mix media and collage signed Jiri Kolar, titled and dated (verso) Largest: 21 1/2 x 15 1/2 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $1,500-2,500
Jiri Kolar
(Czech, 1914-2002) Bosch, 1969 silkscreen in colors on canvas initialled JK (lower left) 35 1/2 x 56 3/4 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $600-800
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
123
199
John Wilde
(American, 1919-2006) Combat, 1966 silverpoint on paper signed John Wilde (lower right); initialled and dated (lower left) 7 x 10 inches. $3,000-5,000 200
Marcel Duchamp
(French, 1887-1968) The Rites of Spring, 1911 mixed media on paper signed M. Duchamp and dated (lower left) 12 x 15 inches. $15,000-25,000
199
200
124
modern and contemporary art
201*
Gerhard Marcks
(German, 1889-1981) Standing Girl graphite on paper signed G. Marcks (lower right) 18 x 10 1/4 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $500-700 202*
Francisco Zuniga
(Mexican, 1912-1998) Mujer, 1966 pastel on paper signed Zuniga and dated (lower right) 26 x 19 1/2 inches. Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $3,000-5,000 203*
202
Francisco Zuniga
(Mexican, 1912-1998) Two Seated Figures, 1960-63 graphite on paper signed Zuniga and dated (lower left); signed and dated (lower right) 11 x 16 1/2 inches. Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $1,000-2,000
203
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
125
204
204*
Diego Rivera
(Mexican, 1886-1957) Naturaleza Muerta, 1950 pencil on paper signed Diego Rivera and dated (lower right) 16 1/2 x 12 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas
126
205*
Raul Anguiano
(Mexican, 1915-2006) Maternidad, 1992 charcoal on paper signed R. Anguiano (upper right) 27 x 19 1/2 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas
Provenance: Le Grand Palais, Katy, Texas
Provenance: Mr. Felipe Orlando Calderon Mr. Guillermo Martinez
Exhibited: McAllen, Texas, International Museum of Art & Science $5,000-7,000
Exhibited: McAllen, Texas, International Museum of Art & Science $600-800
modern and contemporary art
205
206
206*
Raul Anguiano
(Mexican, 1915-2006) El Trabajador, c. 1973 charcoal on paper signed R. Anguiano (lower right) 27 1/2 x 29 1/2 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Ms. Claudette Casel Exhibited: McAllen, Texas, International Museum of Art & Science $800-1,200 207*
Raul Anguiano
(Mexican, 1915-2006) Vendedora con Canas, 1970 acrylic on paper signed R. Anguiano and dated (lower left) 23 1/2 x 35 1/2 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Mr. Jose Alcala Vortex Antiques, Katy, Texas Exhibited: McAllen, Texas, International Museum of Art & Science $800-1,200 207
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
127
208*
209*
210*
(Mexican, 1959-1996) Iguana, 1988 oil on paper signed Urbieta and dated (lower right) 21 3/4 x 12 1/2 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas
(Guatemalan, 1891-1984) Sin Titulo, 1975 acrylic, resin and pen on amate paper signed Carlos Merida and dated (lower center) 15 1/2 x 11 1/2 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas
(Guatemalan, 1891-1984) Sin Titulo, 1965 pen, ink and gouache on paper signed Carlos Merida and dated (lower right) 10 1/2 x 7 1/2 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas
Jesus Urbieta
Provenance: Zion Antiques 20 Art, New York Exhibited: McAllen, Texas, International Museum of Art & Science $3,000-5,000
Carlos Merida
Exhibited: McAllen, Texas, International Museum of Art & Science $4,000-6,000
Carlos Merida
Exhibited: McAllen, Texas, International Museum of Art & Science $5,000-7,000
209
128
modern and contemporary art
210
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
129
211
211
Roberto Matta
(Chilean, 1911-2002) Untitled, c. 1959-60 pencil and colored crayon on paper signed Matta (lower right) 19 1/2 x 25 inches. $15,000-25,000
130
modern and contemporary art
212
212
Roberto Matta
(Chilean, 1911-2002) Composition graphite and crayon on paper signed R. Matta (lower right) 19 1/2 x 24 inches. $15,000-25,000
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
131
213*
Jose Luis Cuevas
(Mexican, b. 1934) Los Papeles de Salazar #10, 1983 mixed media on paper signed Cuevas (lower right) 29 x 22 1/2 inches. Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Zion Antiques 20 Art, New York Exhibited: McAllen, Texas, International Museum of Art & Science $2,000-4,000 214
Marc Quinn
(British, b. 1964) Installation with the Great Escape and Glass Sculpture, 1996 pencil and collage on paper 51 x 22 inches. $1,500-2,500
213
215
Charles Hinman
(American, b. 1932) Untitled, 1981 cast paper relief signed Charles Hinman and dated (lower right) 22 x 26 1/2 inches. $800-1,200
215
132
modern and contemporary art
216*
Carol Hepper
(American, 20th century) Untitled, 1994 watercolor and graphite on paper signed Hepper and dated (lower right) 9 1/2 x 6 inches. Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $800-1,200
216
217
Sonia Delaunay
(Ukrainian, 1885-1979) Untitled (Joker) watercolor signed Sonia Delaunay (lower right) 11 x 11 inches. $1,000-2,000
217
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
133
218*
Julius Bissier
(German, 1893-1965) Untitled, 1963 watercolor and ink on paper signed Julius Bissier and dated (lower center) 8 x 10 inches. Property from the collection of Ms. Phoebe B. McMillan, Lake Forest, Illinois Provenance: Leferbre Gallery, New York $6,000-8,000
218
219*
Julius Bissier
(German, 1893-1965) Ascona 17-III, 1961 watercolor and ink on paper signed Julius Bissier and dated (lower right) 7 x 81/2 inches. Property from the collection of Ms. Phoebe B. McMillan, Lake Forest, Illinois Provenance: Leferbre Gallery, New York $6,000-8,000
219
134
modern and contemporary art
221
220
222
223
220
221
222
(Japanese, 1936-2010) Untitled oil and colored pencil on paper signed S. Arakawa (lower right) 29 1/2 x 22 inches. Property from a Midwestern Collection
(American, 1926-1987) Untitled (C83217), 1983 mixed media collage 12 1/4 x 9 1/4 inches.
(American, 1919-1980) #2, 1962 collage signed R. Nickle (lower left); signed and dated (verso) 12 3/4 x 11 3/4 inches. $1,500-2,500
Shusaku Arakawa
Provenance: Dwan Gallery, New York $1,000-2,000
Hannelore Baron
Provenance: Barbara Mathes Gallery, New York $800-1,200
Robert Nickle
223
Robert Nickle
(American, 1919-1980) Collage with Numeral 24 (81L53), 1979 collage signed R. Nickle (upper right); signed and dated (verso) 9 x 8 3/4 inches. Provenance: ACA Galleries, New York Richard Gray Gallery, Chicago Thomas McCormick Gallery, Chicago $1,500-2,500
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
135
224
224
William T. Wiley
(American, b. 1937) Claims Staked and Unstaked, 1971 watercolor and ink on paper signed Wm. T. Wiley and dated (lower right) 29 1/2 x 41 1/4 inches. Provenance: Allan Frumkin Gallery, Chicago $4,000-6,000
136
modern and contemporary art
225
Eleanor Mikus
(American, 1927) Red Ink Fold, 1996 ink on paper 6 1/4 x 5 1/4 inches. $2,000-4,000
225
226
Eleanor Mikus
(American, b. 1927) White Paperfold hand folded inomachi nacre paper initialled E. M. (lower right) 26 1/2 x 18 inches. $5,000-7,000
226
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
137
227
Frederick Sandback
(American, 1943-2003) Untitled, 1993 colored pencil on paper signed Sandback and dated (lower right) 21 1/2 x 26 1/2 inches. $6,000-8,000
227
228
Giorgio Cavallon
(American, 1904-1989) Untitled, 1952 watercolor signed Giorgio Cavallon and dated (lower right) 15 1/2 x 22 1/2 inches. $5,000-7,000
228
138
modern and contemporary art
229
Jack Tworkov
(American, 1900-1982) Untitled, 1961 charcoal on paper initialled JT and dated (lower right) 19 x 25 1/2 inches. $2,000-4,000
229
229A
Gary Simmons
(American, b. 1964) Untitled, 2003 charcoal on vellum initialled G.S. and dated (lower right) 6 1/4 x 9 inches. $1,000-2,000
229A
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
139
230
230
Georges Mathieu
(French, 1921-2012) Untitled, 1969 watercolor and ink paper signed Mathieu and dated (lower right) 22 3/8 x 30 1/2 inches. $8,000-12,000
140
modern and contemporary art
231
James Brooks
(American, 1902-1992) Untitled, 1968 acrylic on paper signed J. Brooks and dated (lower right) 24 x 32 inches. $6,000-8,000
231
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
141
232
232
Ibrahim Hussein
(Malaysian, 1936-2009) Untitled, 1981 gouache on paper signed Ibrahim Hussein and dated (lower right) 20 1/2 x 27 inches. $4,000-6,000
142
modern and contemporary art
233
Beatrice Mandelman
(American, 1912-1998) Elfins Dance oil on paper 31 x 4 inches.
Provenance: The Stables Art Gallery, Taos, New Mexico $1,000-2,000 234
Richard Fillipowski
(American, 1923-2008) 6D, 1948 ink, gouache and pencil on paper signed Fillipowski and dated (lower right) 8 1/2 x 11 inches. Provenance: Acme Fine Art, Boston, Massachusetts $2,000-4,000
233
234
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m
143
Artist Index ARTIST NAME
LOT
Anguiano, Raul 85, 86, 205-207 Anhalt, Jurgen 49-52 Anselevicius, Evelyn 138 Anselmi, Anselmo 33 Appel, Karel 42 Arakawa, Shusaku 220 Artist Unknown 129 Artschwager, Richard 107 Baber, Alice 57 Baizerman, Saul 149 Baldwin & Guggisberg 118 Barlach, Ernst 159, 160 Baron, Hannelore 221 Bartfay, Julius 155 Baskin, Leonard 150 Beckman, Ford 23 Beckmann, Max 64 Benshalom, Itzik 146 Bereznicki, Kiejstut 14 Berrocal, Miguel 144, 145 Bertoia, Harry 127 Bierk, David 4 Bissier, Julius 218, 219 Bond, Douglas 185 Borstein, Elena 74 Botello, Angel 83, 84 Brooks, James 231 Buck, John 111 Calder, Alexander 182, 183 Caro, Sir Anthony 132 Cartier-Bresson, Henri 90, 91 Cavallon, Giorgio 228 Cocteau, Jean 181 Corneille 140 Crawford, Ralston 44 Cuevas, Jose Luis 213 D’Espagnat, Georges 29 Delaunay, Sonia 217 di Suvero, Mark 130 Dickerson, Robert Henry 15 Dogancay, Burhan 70 Duchamp, Marcel 200 Dzama, Marcel 169, 170 Eddy, Don 7 Ensor, James 189 Evans, Jane 13 Evergood, Phillip Howard 11 Farhi, Jean-Claude 123 Farruggio, Remo 7 2 Fillipowski, Richard 234 Fink, Aaron 24 Fleischmann, Adolf Richard 62 Florsheim, Lillian 125 Friedberg, Pedro 110 Futura 2000 (Lenny McGurr) 58 Gilhooly, David 109 Gnoli, Domenico 1 95 Godie, Lee 75-77, 179, 180
144 m o d e r n a n d c o n t e m p o r a r y a r t
Goings, Ralph Goldin, Nan Golub, Leon Grabner, Michelle Graham, Robert Grant, Duncan Graziano, Sante Haring, Keith Harrison, Ted Hartigan, Grace Hepper, Carol Hinman, Charles Hoff, Margo Hussein, Ibrahim Iannelli, Alfonso Jansem, Jean Johnson, Lester F. Joseph, Richard Kahn, Wolf Kirili, Alain Klement, Vera Kolar, Jiri Koons, Jeff Krasner, Lee Leach, Bernard LĂŠger, Fernand Lhote, Andre Lindner, Richard Link, Winston Mandelman, Beatrice Mann, Sally Marca-Relli, Conrad Marcks, Gerhard Mason, Emily Mathieu, Georges Matta, Roberto McVicker, J. Jay Merida, Carlos Metzinger, Jean Mihich, Vasa Velizar Mikus, Eleanor Moholy-Nagy, Laszlo Moore, Henry Mount, Paul Munter, Gabriele Nassos, Daphnis Natkin, Robert Neiman, LeRoy Nevelson, Louise Newman, Arnold Nickle, Robert Nierman, Leonardo Obregon, Alejandro Ofek, Avraham Olitski, Jules Osver, Arthur Pantell, Richard Papart, Max
6 99-101 188 40, 41 156 161 1, 2 172 71 178 216 215 39 232 142 151-154 17-19 5, 187 164 128 174 117, 196-198 114, 115 37 134 30, 163 27 192 93-95 233 102-106 35 201 56 230 211, 212 25 80, 209, 210 31, 32 122 225, 226 162 148 147 28 120 61 20-22, 177 119 92 222, 223 87, 88 79 191 165 55, 73 16 141
Paschke, Ed 173 Peart, Jerry 124 Peire, Luc 38 Picasso, Pablo 135, 136 Piccillo, Joseph 186 Portway, Douglas 175, 176 Priebe, Karl 12 Quest, Charles 26 Quinn, Marc 214 Rakov, Ratislav 8 Rattner, Abraham 139 Reichek, Elaine 137 Rivera, Diego 204 Rivers, Larry 108 Rosofsky, Seymour 193 Ross, Wendy 126 Rubin, Michael 60 Sakai, Kazuya 53 Sandback, Frederick 227 Saul, Peter 68 Scheiber, Hugo 190 Schueler, Jon 59 Siemanowski, Raymond 43 Siesbye, Alev Ebuzziya 33 Sigler, Hollis 194 Sillman, Amy 65 Silvers, Robert 89 Simmons, Gary 229A Skoglund, Sandy 98 Snyder, George 45-47 Soto, Julio Martin-Caro 78 Stamos, Theodoros 34 Steinberg, Saul 184 Strobel, Tom 116 Sultan, Larry 97 Taggart, William 48 The Hairy Who 168 Thompson, Bob 67 Tinsley, Barry 131 Trova, Ernest 112, 113 Tworkov, Jack 229 Urbieta, Jesus 81, 82, 208 Uttech, Tom 66 Uttech, Tom 66 Varela, Abigail 143 Vasarely, Victor 121 Wegman, William 96 Wilde, John 9, 10, 199 Wiley, William T. 224 Wirsum, Karl 69, 171 Yasami, Masoud 3 Yoakum, Joseph E. 166, 167 Youngerman, Jack 36 Zhou Brothers 54 Zucker, Joe 63 Zuniga, Francisco 157, 158, 202, 203
Glossary of Terms ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist. ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category. STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist. CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil. STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist. MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artist and of a later period. AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width.
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m 145
Post War and Contemporary Art de c ember 1 4 | c hi c a g o
c hi c a g o DENVER M I LWAUK E E NAP L E S PA L M B E ACH SCOTTSD A L E S T. L OU I S
LESLIE hindman auctioneers
Currently accepting consignments for upcoming auctions I n q u iries
lesliehindman.com consign@lesliehindman.com 1338 West Lake Street Chicago, Illinois 60607 312.280.1212
j ac k gol d s t e i n , un t i t led ( lightning ), sold for $161, 0 0 0
LESLIE HINDMAN AUCTIONEERS u p co m i ng a u c t i on sch e d u l e 454 | American and European Art September 29 | chicago
482 | the o’meara benedict collection of dollhouse miniatures november 14 | chicago
455 | modern and Contemporary Art September 30 | chicago
467 | modern design november 15 | chicago
456 | Fine Prints September 30 | chicago
471 | interiors november 17 – 18 | online only
465 | St. Louis Fall auction october 8 | st. louis
484 | palm beach fall auction december 1 | palm beach consignment deadline october 3
469 | Fine Furniture, Decorative Arts and silver october 18 – 19 | chicago
472 | important jewelry december 4 – 5 | chicago consignment deadline september 21
478 | interiors october 20 – 21 | online only
472 | fine timepieces december 5 | chicago consignment deadline september 21
483 | palm beach marketplace october 25 | online only
474 | Luxe holiday december 7 | chicago consignment deadline october 7
458 | Milwaukee fall Auction november 4 | milwaukee
475 | post war and Contemporary Art december 14 | chicago consignment deadline october 14
470 | fine books and manuscripts november 2 | chicago consignment deadline september 9
476 | Fine Prints december 14 | chicago consignment deadline october 14
445 | arts of the american west november 10 | denver
477 | American and European Art december 15 | chicago consignment deadline october 14
Leslie Hindman Auctioneers offers a complete range of appraisal and auction services designed to assist you. If you have property to sell, be it a single item, a large collection or an entire estate, please contact us for a complimentary evaluation at 312.280.1212 or consign@lesliehindman.com. This schedule is subject to change. Changes can be found at lesliehindman.com
lesliehindman.com
Auction Inquiries modern and contemporary art DEPARTMENT
Zack Wirsum Head of Sale zachary@lesliehindman.com
Lail Marmor Account Executive lailmarmor@lesliehindman.com 312.334.4264
OFFICE OF THE PRESIDENT
Fine Art
Asian Works of Art
Zack Wirsum Senior Specialist zachary@lesliehindman.com
Benjamin Fisher Director benjaminfisher@lesliehindman.com
Reed Landin Associate Specialist reedlandin@lesliehindman.com
Annie Wu Specialist anniewu@lesliehindman.com
ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT
Sarah Wilson Associate Specialist/Cataloguer sarahwilson@lesliehindman.com
Colleen Thielen Director of Estates and Appraisals colleenthielen@lesliehindman.com 312.447.3283
Lail Marmor Account Executive lailmarmor@lesliehindman.com 312.334.4264
Clare Brody Account Executive clarebrody@lesliehindman.com 312.447.3290
Leslie S. Hindman President and CEO 312.280.1212 Adam Spender Executive Assistant 312.334.4201
Molly Gron Director of Business Development mollygron@lesliehindman.com 312.334.4235
Lauren Carpinelli Account Executive laurencarpinelli@lesliehindman.com 312.334.4228
Katelyn Finn Account Executive katelynfinn@lesliehindman.com 312.447.3297
Fine Furniture and Decorative Arts
Katie Matusik Account Executive katelynmatusik@lesliehindman.com 312.334.4224
Corbin Horn Specialist corbinhorn@lesliehindman.com
ADMINISTRATION Accounting Christopher Reimann Director of Finance christopherreimann@lesliehindman.com 312.447.3284 Lauren Peartree Manager of Business Operations laurenpeartree@lesliehindman.com 312.447.3289 Tara Schlitz Settlement Manager taraschlitz@lesliehindman.com 312.334.4225 Client Services Heather Daum Manager, Human Resources heatherdaum@lesliehindman.com 312.334.4208 Savitri Beaver Auction Coordinator savitribeaver@lesliehindman.com 312.600.6068
consignment department Katherine Russian Consignment Manager katherinerussian@lesliehindman.com 312.447.3263
Mike Intihar Senior Specialist mike@lesliehindman.com
Benjamin Fisher Specialist benjaminfisher@lesliehindman.com Nick Coombs Account Executive nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282 Genevieve King Cataloguer genevieveking@lesliehindman.com Modern Design Luke Palmer Specialist lukepalmer@lesliehindman.com Mike Intihar Senior Specialist mike@lesliehindman.com Benjamin Fisher Specialist benjaminfisher@lesliehindman.com Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282 Fine Books and Manuscripts Jason Rovito Specialist jasonrovito@lesliehindman.com Sophie Hammond Hagman Account Executive sophiehammond@lesliehindman.com 312.334.4231
Fine Jewelry and Timepieces Alexander Eblen, G.G. Director alexandereblen@lesliehindman.com James Wallace Gemologist jameswallace@lesliehindman.com Meredith Derman Gemologist meredithderman@lesliehindman.com Jamie Henderson Associate Specialist/Cataloguer jamiehenderson@lesliehindman.com 312.334.4226 Katie Meyer Account Executive katiemeyer@lesliehindman.com 312.334.4213 Madeline Schroeder Account Executive madelineschroeder@lesliehindman.com 312.334.4223 Luxury Accessories and Couture Anne Forman, Director anneforman@lesliehindman.com 312.334.4222 Mary Shearson, Cataloguer maryshearson@lesliehindman.com 312.447.3288 Arts of the American West Maron Hindman, Specialist maron@lesliehindman.com 303.825.1855 ext 352 Annie McLagan, Specialist anniemclagan@lesliehindman.com 303.825.1855 ext 351 Rachel Enright, Specialist rachelenright@lesliehindman.com 303.825.1855 ext 360 Marketplace Gia Spezia, Director gia@lesliehindman.com 312.334.4219 LH Exchange Elise Moyer, Director elisemoyer@lesliehindman.com 312.447.3261
REGIONAL AUCTION HOUSES Jim Sharp Director jim@lesliehindman.com 312.334.4203 Vaughn Smith Account Executive vaughnsmith@lesliehindman.com 312.334.4238 Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204
Denver
960 Cherokee Street Denver, Colorado 80204 303.825.1855
Milwaukee
525 East Chicago Street Milwaukee, Wisconsin 53202 414.220.9200
Naples
850 6th Avenue South Naples, Florida 34102 239.643.4448
Palm Beach Island
125 Worth Ave Palm Beach, Florida 33480 561.833.8053
West Palm Beach
1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053
Scottsdale
Logan Browning loganbrowning@lesliehindman.com 520.465.4067
St. Louis
32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833
Regional Representatives Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811
International Representative Tina Fisher Grow 561.315.9100
Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Leslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.
Guide for Prospective Buyers Conditions of Sale Leslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Leslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Leslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:
$0 - $200 ............................................. $10 $200 - $500 ............................................. $25 $500 - $1,000 .......................................... $50 $1,000 - $2,000 ........................................ $100 $2,000 - $5,000 ........................................ $200 $5,000 - $10,000 ...................................... $500 $10,000 - $20,000 ................................... $1,000 $20,000 - $50,000 ................................... $2,000 $50,000 - $100,000 ................................. $5,000 $100,000 - $200,000 ............................... $10,000 Over > $200,000 ......... Auctioneer’s Discretion
In-House Bidding Live bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.
Driving Directions/Parking From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. Parking: Leslie Hindman Auctioneers, Inc. has a private parking lot located on Ada Street, diagonally across the street from our entrance.
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m 149
Conditions of Sale LESLIE HINDMAN AUCTIONEERS, INC. AS AGENT
The lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.
BEFORE THE SALE
Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.
AT THE SALE Refusal of Admission Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid. Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references. Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment. Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid. Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Leslie Hindman Auctioneers.
150 m o d e r n a n d c o n t e m p o r a r y a r t
Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids. Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive. Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.
AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $100,000; twenty percent (20%) of any amount in excess of $100,000 up to and including $1,000,000; and twelve percent (12%) of any amount in excess of $1,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $100,000; twenty-one percent (21%) of any amount in excess of $100,000 up to and including $1,000,000; and thirteen percent (13%) of any amount in excess of $1,000,000.
Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.
Collecting Purchases Once Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.
LIABILITY
Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.
Condition Reports Leslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.
Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:
Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.
a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price
Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.
b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.
Discretion Any and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc. 0615
e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer
Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.
lh
g.) to take other action as we find necessary or appropriate
v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m 151
leslie hindman auctioneers CHICAGO | DENVER
BID FORM
MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS
f x 312. 280. 1211 | bi d @ l e s l i e hi nd ma n.co m Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.
455
Name
Sale Number/Name
Business Name Billing Address City State Country/Zip Contact Name Primary Phone Secondary Phone Email Fax
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 .... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.
I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.
A per lot buyer’s premium is added to the final hammer price as per the following:
Signature Date
Leslie Hindman Auctioneers, Inc. is not responsible for failure or other inadvertent errors relating to the execution of your bids.
For Leslie Hindman AUCTIONEERS, INC.
Date
$0 - $100,000 .......................................... 25% $100,001 - $1,000,000 ............................ 20% $1,000,001 + ............................................ 12%
First time bidders please provide a valid credit card and one of the following: Passport / Driver’s License / National Identity Card Lot Number
PHONE BID
Absentee Bid
LOT DescriPtion
US Dollar Limit
EXCLUDES BUYER’S PREMIUM
PLEASE CHECK
Back-up Bid
FOR TELEPHONE BIDDERS ONLY
How did you hear about Leslie Hindman Auctioneers?
LHLIVE 1 3 3 8 w e ST LAKE STREET ph 312.280.1212
|
fx 312.280.1211
|
CHICAGO , ILLINOIS
60607
bid@lesliehindman.com
|
lesliehindman.com
LESL IE H I NDM A N AUCT ION EERS
lh
leslie hindman auctioneers sep t em ber 30, 2016 NO .455
13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e h i n d m a n.c o m
modern and contemporary art
september 30, 2016