Sale 456 | Fine Prints

L ESL IE HI NDM A N AUCT ION EERS

LH

LESLIE HINDMAN AUCTIONEERS S EP T EM BER 30, 2016 NO .456

13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e h i n d m a n.c o m

FINE PRINTS

SEPTEMBER 30, 2016

Fine Prints

lh

Friday 30 September 2016

P R EVIEW

wednesday 21 september | 10am – 5pm thursday 22 september | 10am – 5pm friday 23 september | 10am – 7pm saturday 24 september | 10am – 3pm Sunday 25 september | 12pm – 4pm monday 26 september | 10am – 5pm tuesday 27 september | 10am – 5pm wednesday 28 september | 10am – 5pm thursday 29 september | 10am – 5pm auction

friday 30 September | 3pm old master | lots 1 – 11 19th and early 20th century | lots 12 – 82 modern and contemporary | lots 83 – 282

LHLIVE

P R OPERTY PICK UP HOU R S

MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.

Lots marked with an asterisk (*) are tax exempt as permitted by law.

lesliehindman.com Cover Lot 122 | Pablo Picasso Francoise sur fond gris, 1950

©Leslie Hindman Auctioneers, Inc. 2016 CHICAGO, ILLINOIS ILLINOIS AUCTION FIRM LICENSE NUMBER 444000295

PRO PERTY FR O M TH E ES TATES O F Ms. Sara and Mr. Sherman Feinstein, Wilmette, Illinois Mr. Martin Gordon, New York, New York and Naples, Florida Mr. Marvin E. Jaffe, Naples, Florida Mr. Robert and Ms. Lois Orchard, St. Louis, Missouri Mr. Richard S. Rosenkranz, Orlando, Florida Dr. Bernard and Jorie Wetchler, Chicago, Illinois

PRO PERTY FR O M TH E C O LLEC TIO N S O F Ms. Dana Black, Chicago, Illinois Ms. Sallie Werner Brackman, Kansas City, Missouri Mr. and Mrs. Richard Goldstein, Highland Park, Illinois Dr. Natan HarPaz, Southfield, Michigan Dr. James Labes, Bloomfield Hills, Michigan Mr. Louis Meiners, Naples, Florida Opposite Lot 157 | Francis Bacon (Irish, 1909-1992) Study of the Human Body (from the Metropolitan Triptych), 1975

Dr. Patrick and Mrs. Diane O’Connell, Hobart, Indiana Mr. Dale Oehring, Tampa, Florida Mrs. Frances Schmidt, Santa Barbara, California

Contents old master

lots 1 – 11

10

19th and early 20th century

lots 12 – 82

14

modern and contemporary lots 83 – 282

artist index

Lot 100 | Thomas Hart Benton (American, 1889-1975) The Race, 1942

36 130

glossary of terms

AUCTION INQUIRIES

131

CONDITIONS OF SALE

136

TELEPHONE / ABSENTEE BID FORM

138

134

Lot 226 | Andy Warhol (American, 1928-1987) Muhammad Ali, 1978 From the Estate of Sara and Sherman Feinstein, Wilmette, Illinois

Sara and Sherman Feinstein Leslie Hindman Auctioneers is pleased to offer a series of

pioneer in the field of adolescent psychiatry. In addition

works from the Estate of Sara and Sherman Feinstein for

to having an extensive personal practice, Dr. Feinstein

sale at auction. Over the years, the Feinsteins acquired

served as editor of the annual publication Adolescent

works by renowned 20th century artists including

Psychiatry and taught at Michael Reese Hospital and

Alexander Calder, Andy Warhol, Roy Lichtenstein,

Medical Center, the University of Illinois Medical School

Francis Bacon, Francisco Zuniga and Alberto Giacometti

and the Pritzker School of Medicine at the University of

among many others. Sara and Sherman filled their home

Chicago. Dr. Feinstein is well published and considered

with their collection and took pleasure in sharing it with

a luminary in his field.

their family and friends.

Beyond their success in psychiatry and strong bond over Sara and Sherman loved to travel, and would frequently

their patronage of the arts, Sara and Sherman Feinstein

purchase works of art abroad. They truly enjoyed the

shared a wonderful family. They were tremendous

process of collecting and becoming familiar with new

parents, grandparents and great-grandparents. They were

artists: studying and researching their works, and

involved in the Highland Park community, specifically

often meeting and corresponding with them. Sara and

with the Highland Park Jewish Federation and the Mary

Sherman instilled the importance of art education in their

Lawrence Chapter of the Jewish Children’s Bureau.

children through wonderful trips and countless museum visits.

Additional works from the Estate of Sara and Sherman Feinstein will be offered for sale in Leslie Hindman

They were dedicated humanitarians. Mrs. Feinstein

Auctioneer’s September 29 American and European

was a psychiatric social worker with a strong sense of

Art auction, September 30 Modern and Contemporary

philanthropy and community involvement that focused

Art auction and October 18-19 Fine Furniture and

on the benefit of children. Dr. Sherman Feinstein was a

Decorative Arts Auction.

Lot 246 | Alex Katz (American, b. 1927) Ada with Flowers, 1980 From the Estate of Sara and Sherman Feinstein, Wilmette, Illinois

Dr. Bernard and Jorie Wetchler Leslie Hindman Auctioneers is pleased to offer a

for his leadership in the shift from inpatient hospital

selection of fine prints from the Estate of Dr. Bernard

to the outpatient and physicians office settings. His

and Jorie Wetchler. Along with Dr. Wetchler’s work in

book, Anesthesia for Ambulatory Surgery, was regarded

the fields of anesthesiology and outpatient surgery,

as the seminal text on the subject and Dr. Wetchler was

the couple is celebrated for their collection of works

recognized with copious honors and appointed positions

representing noteworthy artists including Pablo Picasso,

throughout the remainder of his lifetime.

Henri Matisse, Tom Wesselmann and Alex Katz.

Dr. and Mrs. Wetchler are fondly remembered for their

Dr. Wetchler was born in 1929 in New York City and Jorie

generosity and friendship. A friend summarized their

Spector was born in East Chicago, Indiana in 1928. He

legacy well with the statement “your mother taught me

received his medical degree from New York Medical

that I had an opinion and your father taught me that I had

College, where he also completed his residency. After

a voice.” Another female friend credits Jorie Wetchler

serving as a Captain in the U.S. Army Medical Corps, he

with giving her the much-needed support to earn her

joined an anesthesiologist practice in Peoria, Illinois that

GED and attend college and graduate school. She was

provided care for a number of regional hospitals as well

also a key member of the Peoria Hadassah. The couple

as Children’s Memorial Hospital in Chicago. During this

was closely involved with the Ray Graham Association

time, Jorie Wetchler owned and operated a successful

and the Peoria Swim Association. Dr. Wetchler served on

medical billing company in Peoria. Dr. Wetchler became

the Board of Trustees for the Methodist Medical Center,

Director of the Departments of Anesthesiology and

the Board of Directors for the Congregation Agudas

Ambulatory Surgery at Methodist Medical Center of

Achim, the State of Illinois Guardianship and Advocacy

Illinois and held the position until his retirement at the

Commission, the Illinois Cancer Council and the Chicago

end of 1995.

Region Human Rights Authority.

Dr. and Mrs. Wetchler moved to Chicago in 1996, where

Additional works from the Estate will be offered in

he worked as the Medical Director for an anesthesia

our September 29 American and European Art and

products company and an independent consultant. In

September 30 Modern and Contemporary Art auctions.

2001, he received the Alumni Certificate of Achievement v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

9

Old Master Lots 1 – 11

Opposite Lot 2 | Albrecht Durer (German, 1474-1528) Christ Carrying the Cross (from The Large Passion), c.1500

1

1

Albrecht Durer

fine prints

3

Lucas van Leyden

(German, 1471–1528) The Four Angels Holding the Winds (from Apocalypse), 1511 woodcut from the Latin text edition 15 1/2 x 11 1/8 inches.

Ref: Bartsch, 66 $2,000-4,000

(Dutch, 1494-1533) St. Mark, 1518 engraving 4 3/8 x 3 inches.

Ref: Bartsch, 100; Hollstein, 100; Volbehr, 98 $500-700

2

4

(German, 1474-1528) Christ Carrying the Cross (from The Large Passion), c. 1500 woodcut from the Latin text edition flower with a shovel watermark (Meder 127) 15 1/4 x 11 inches.

Ref: Bartsch, 10; Meder, 119 $2,000-4,000

(Italian, 1557-1602) Portrait of Giovanni Gabrielli, Called “Il Sivello,” c. 1599 engraving Second state (of 2) 7 1/4 x 4 3/4 inches.

Ref: Bartsch, 153 $500-700

Albrecht Durer

12

2

Annibale Carracci

5

8

(Spanish, 1591 - 1652) Small Grotesque Head, 1622 etching Second state (of 2); Ex-collection of Emile Lachenaud (Lugt 3437, verso) 5 5/8 x 4 3/8 inches.

Ref: Bartsch, 8 $2,000-4,000

(Dutch, 1606–1669) A Peasant in a High Cap, Standing Leaning on a Stick, 1639 etching 3 1/4 x 1 3/4 inches.

Ref: Bartsch, 133 $300-500

Jusepe de Ribera

6

No Lot 7

Rembrandt van Rijn

(Dutch 1606-1669) A Young Man in a Velvet Cap (Portrait of Ferdinand Bol), 1637 etching a later impression of New Hollstein’s second, final state 4 x 3 1/4 inches.

Ref: Bartsch & Hollstein, 268 $800-1,200

Rembrandt van Rijn

9

Rembrandt van Rijn

(Dutch, 1606–1669) Christ at Emmaus: The Larger Plate, 1654 etching 8 1/2 x 6 1/2 inches.

Ref: Barsch, Hollstein, 87; Hind, 282; New Hollstein, 283 Provenance: Sold: Leslie Hindman Auctioneers, 1989, lot 1257 Acquired by the present owner from the above sale $1,000-2,000

5

10

William Hogarth

(British, 1697-1764) The Four Times of Day: Morning, Noon, Evening, Night (a group of four works) engravings Each Approx.: 18 3/4 x 14 1/2 inches.

Ref: Burke and Caldwell, 177-180 $800-1,200 11

Giovanni Battista Piranesi

(Italian, 1720-1778) Veduta del Tempio della Fortuna Virile (from Vedute di Roma ), c. 1758 engraving 15 x 23 inches.

Ref: Focillon, 817; Hind, 52.46 i/vii; Wilton-Ely, 205.162 $600-800

9

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

13

18th and Early 19th Century Lots 12 – 82

Opposite Lot 61 | Henri Matisse (French, 1869-1954) Nu Assis, bras etendus, 1925

12*

14*

(Spanish, 1746-1828) La lealtad (pl. 17 from Los Proverbios), c. 1816–1824 etching and aquatint 8 1/2 x 12 3/4 inches.

Ref: Delteil, 218 Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $500-700

(Spanish, 1746-1828) Brabisimo! (pl. 38 from Los caprichos), c. 1799 etching and aquatint 8 x 5 1/8 inches.

Ref: Delteil, 75 Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $800-1,200

13

Charles François Daubigny

Francisco de Goya

Francisco de Goya

15*

Francisco de Goya

(French, 1817-1878) Vaches à l’Abreuvoir, 1921 cliche verre; Sagot-Le Garrec, pub.

7 7/8 x 6 1/2 inches.

Property from the Collection of Frances Schmidt, Santa Barbara, California $400-600

(Spanish, 1746-1828) La seguridad de un reo no exige tormento, c. 1810–14 etching 4 1/2 x 3 1/4 inches.

Ref: Harris, 27, III, 1; Delteil, 32 $2,000-4,000

13

16

fine prints

14

16

16

Johan Barthold Jongkind

(Dutch, 1819-1891) Vue du Port au Chemin de fers Ă Honfleurs, 1866 etching 10 1/4 x 12 15/16 inches.

Ref: Delteil, 13, I $600-800 17

Camille Pissarro

(French, 1830-1903) Vachere au bord de l’eau, 1890 etching and aquatint 8 x 5 1/2 inches.

Ref: Delteil, 93 VIII/VIII $600-800 18*

Camille Pissarro

(French, 1831-1903) La Charrue (from Les Temps Nouveaux), 1901 color lithograph 9 1/8 x 6 inches.

Ref: Delteil, 194 Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $3,000-5,000 18

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

17

22

23

24

19

21

(American, 1834-1903) Les gants de suède, 1890 lithograph; The Studio, London, pub. with The Studio London blindstamp (lower left) 8 3/4 x 4 1/4 inches.

Ref: Way, 26; Chicago, 35 $300-500

(American, 1834-1903) Savoy Pigeons, 1896 lithograph; The Studio, London, pub. with The Studio London blindstamp (lower left) 7 3/4 x 5 1/2 inches.

Ref: Way, 118; Levy, 164; Chicago, 154 i/ii $300-500

James Abbott McNeill Whistler

20

James Abbott McNeill Whistler

(American, 1834-1903) La Robe Rouge, 1894 lithograph; The Studio, London, pub with The Studio London blindstamp (lower left) 7 1/2 x 6 1/4 inches.

Ref: Chicago 107 II/II; Levy 96; Way 68 $300-500

18

fine prints

James Abbott McNeill Whistler

22

James Abbott McNeill Whistler (American, 1834-1903) Annie Seated etching 5 x 3 3/4 inches.

Ref: Kennedy, 30 $600-800

23

James Abbott McNeill Whistler (American, 1834–1903) Fulham, 1879 etching and drypoint 5 1/8 x 8 inches.

Ref: Kennedy, 182 $500-700 24

James Abbott McNeill Whistler (American, 1834-1903) Billingsgate, 1859 (accompanied by a later edition of Rotherhite) etching 6 x 9 inches.

Ref: Kennedy, 47 Provenance: Frederick Keppel & Co., Inc., New York $500-700

25

James Abbott McNeill Whistler

(American, 1834-1903) Nursemaids: Les Bonnes du Luxembourg, c. 1894 lithograph 10 3/4 x 7 3/4 inches.

Ref: Way, 48; Chicago, 81 II/II; Levy, 79 $400-600 26

James Abbott McNeill Whistler

(American, 1834-1903) Firelight: Joseph Pennell, 1896 lithograph 8 1/4 x 7 1/4 inches.

Ref: Way, 104; Levy, 162; Spink, 144 $300-500

27

30

(American, 1834-1903) Little Dorothy lithograph 7 3/4 x 5 inches.

Ref: Way, 115; Levy, 163 $500-700

(American, 1834-1903) Drouet Sculpteur, 1859 etching 9 x 5 7/8 inches.

Ref: Kennedy, 55; Glasglow, 35

James Abbott McNeill Whistler

28

James Abbott McNeill Whistler (1834-1903) Sketching (from Passages from Modern English Poets), 1861 etching with drypoint; Day & Son, Litho to the Queen, London, pub.

4 1/2 x 6 1/2 inches.

Ref: Kennedy, 86 $300-500 29

No Lot

James Abbott McNeill Whistler

Provenance: The Rosenbach Galleries, New York $500-700 31

James Abbott McNeill Whistler (American, 1834–1903) Swan and Iris, 1883 etching and drypoint 5 1/4 × 3 3/16 inches.

Ref: Kennedy, 241 ii/ii; Glasgow, 247 v/vi; Mansfield, 238 $1,500-2,500

27

32*

James Abbott McNeill Whistler (American, 1834–1903) Mother and Child, No. 1, c. 1891-1895 transfer lithograph with scraping and stumping edition of 26 11 7/8 x 7 3/4 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $2,000-4,000 33

James Abbott McNeill Whistler

(American, 1834-1903) The Doctor (from The Pageant), 1895 lithograph 9 x 6 1/4 inches.

Ref: Way, 78; Levy, 117; Tedeschi, Stratis and Slink, 110 $300-500

30

34

James Abbott McNeill Whistler (American, 1834-1903) Old Westminster Bridge (from the Thames set) etching 3 x 7 7/8 inches.

Ref: Kennedy, 39 ii/ii; Glasgow, 47 iii/iv; Mansfield, 38 $500-700 35

James Abbott McNeill Whistler (American, 1834-1903) Black Lion Wharf (from the Thames set), 1859 etching 6 x 9 inches.

Ref: Kennedy, 42 iii/iii; Glasgow, 54 iv/iv; Mansfield, 41; Lochnan, 45 $500-700

32

34 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

19

37

40

36

37*

38

(British, 1837-1926) Morning on the Saint Johns, 1881 etching 5 1/2 x 8 1/2 inches.

Ref: Klackner, 56 $800-1,200

(French, 1839-1899) Bords des Rivière - Les Oies (from L’Album d’estampes originales de la Galerie Vollard), 1897 color lithograph; A. Vollard, Paris, pub. edition of 100, signed in pencil 9 7/8 x 11 1/2 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $5,000-7,000

(Norwegian, 1847–1906) Femmes se rendant à l’Église color aquatint and etching; Georges Petit, Paris, pub. signed in black crayon with publisher’s blind stamp 18 1/2 x 23 1/4 inches. $600-800

Thomas Moran

20

fine prints

Alfred Sisley

Frits Thaulow

40

After Paul Signac

(French, 1863–1935) Le port de la rochelle

by Jacques Villon, 1925 color aquatint; Galerie Bernheim-Jeune, Paris, pub. signed in pencil by Signac and Villon 17 1/2 x 23 inches.

Ref: Ginestet & Pouillon, E644 $1,500-2,500 41

Raoul Dufy

(French, 1877-1953) La Chasse (from from Quatre Bois), c. 1910-1911 woodcut edition 187/200, stamped Atelier Raoul Dufy 8 1/16 x 25 inches. $500-700 42

Maurice Utrillo

(French, 1883-1955) Soeurs du Sacre, Coeur de Jesus, c.1935 lithograph edition E.A., signed in pencil 12 5/8 x 17 7/8 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $800-1,200

43

43

Jean-François Millet

(French, 1814-1875) Femme Vidant un Seau cliche-verre 11 x 8 1/2 inches.

Ref: Delteil, 28 $800-1,200 44

Edouard Manet

(French, 1832-1883) Portrait Charles Baudelaire, de face etching 3 3/4 X 3 1/8 inches. $600-800 45

Eugène Carrière

(French, 1840-1906) Madame Eugene Carriere, 1893 lithograph; L`Estampe Originale, pub. edition 99/100, signed in pencil 15 x 13 1/2 inches.

Ref: Delteil, 15 $800-1,200

44

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

21

46

46

Pierre-Auguste Renoir

(French, 1814-1919) Jeune fille en buste et etudes de tetes (ou Gabrielle), c. 1903 lithograph 13 x 10 1/4 inches.

Ref: Delteil; Stella, 58 $800-1,200

22

fine prints

47

47

Pierre-Auguste Renoir

(French, 1841–1919) Pierre Renoir, de face, c. 1893 lithograph printed in brown ink; L’Estampe Originale, pub.

11 x 8 3/4 inches.

Ref: Delteil; Stella, 27 $4,000-6,000

48

50

(French, 1841–1919) Claude Renoir, tourne à gauche, c. 1904 lithograph; A. Vollard, Paris, pub.

7 x 4 3/4 inches.

Ref: Delteil; Stella, 40 $500-700

(French, 1841–1919) Le chapeau épinglé, c. 1894 etching 4 5/8 x 3 3/8 inches.

Ref: Delteil; Stella, 8 $800-1,200

Pierre-Auguste Renoir

Pierre-Auguste Renoir

49

No Lot

48

50

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

23

51

51

53

55

(American, 1844–1926) Margot Wearing a Bonnet I, c. 1902 drypoint etching initialed in pencil 9 x 6 inches.

Ref: Breeskin, 179 $400-600

(German, 1858-1926) Portrait of W. Wagner, 1922 lithograph signed in pencil 13 1/2 x 9 1/2 inches. $500-700

(French, 1865-1938) Catherine et jeune garçon nu etching and dry point from the edition of 75, signed in pencil 12 x 8 3/4 inches. $600-800

Mary Cassatt

52

Mary Cassatt

(American, 1844–1926) Looking into the hand-mirror II, c. 1905 and Sara Smiling, c. 1904 (a pair of works) drypoints, one with hand-coloring Each: 10 x 7 inches.

Ref: B. 202 and B. 195 $500-700

24

54

fine prints

Lovis Corinth

54

Anders Zorn

(Swedish, 1860-1920) Self Portrait, 1916 etching signed in pencil 7 x 2 3/4 inches.

Ref: Asplund, 270 $400-600

Suzanne Valadon

56

Henri Matisse

(French, 1869-1954) Les yeux noirs, 1913 lithograph edition 9/50, initialed in pencil 19 3/4 x 13 inches. $2,000-4,000 57

Henri Matisse

(French, 1869-1954) Étude pour la Visage-La Vierge, Chappelle de Vence, 1950-51 etching edition 92/100, signed in pencil 7 3/3 x 8 1/2 inches.

Property from The Estate of Richard S. Rosenkranz, Orlando, Florida $8,000-12,000 58*

Henri Matisse

(French, 1869-1954) HaĂŻtienne, 1945 lithograph A.P. 5/10, aside from the edition of 200, signed in pencil 15 3/4 x 11 13/16 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $6,000-8,000 56

57

58

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

25

59

Henri Matisse

(French, 1869-1954) Algue blanche sur fond rouge, 1947 color pochoir edition 154/200, signed in pen 18 7/8 x 14 1/4 inches. $2,000-4,000

59

60*

Henri Matisse

(French, 1869-1954) Oriental accroupie, voile sur la tĂŞte, 1929 etching with drypoint edition 12/25, signed in pencil 6 1/8 x 4 13/16 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $8,000-12,000

60

26

fine prints

61

61*

Henri Matisse

(French, 1869-1954) Nu Assis, bras ĂŠtendus, 1925 lithograph edition 37/50, signed in pencil 19 5/16 x 16 5/16 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $20,000-30,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

27

62

Jacques Villon

(French, 1875-1963) Nu debout bras en l’air, 1909-10 drypoint edition 23/23, signed in pencil 22 x 16 1/2 inches.

Ref: (G. & P. E245) $800-1,200 63*

James Jacques Joseph Tissot

(French, 1836–1902) Renee Mauperin, Fainting After Hearing of Her Brother’s Death, 1882 etching signed in pencil 3 7/8 x 5 1/2 inches.

Property from the collection of Dr. Patrick and Mrs. Diane O’Connell, Hobart, Indiana Ref: Wentworth, 68 $600-800

62

63

28

fine prints

64

65

64

Arthur Bowen Davies

(American, 1862-1928) By the Sea, c. 1919 color etching and aquatint estate stamped and signed VMD in pencil 8 7/8 x 5 7/8 inches.

Ref: Czestochowski, 72 ii/V; Price, 46 $500-700 65

Manuel Robbe

(French, 1872–1936) La Toilette, 1906 etching initialed in pencil 4 5/8 x 3 1/4 inches. $400-600 66*

Édouard Vuillard

66

(French, 1868-1940) L’atre (plate 8 from Paysages et interieurs), 1899 color lithograph 11 1/2 x 9 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $2,000-4,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

29

67

67

Eugene Grasset

(French, 1841-1917) L’Andalousie au temps des Maures Exposition de 1900 lithograph 55 x 73 inches. $400-600 68

Pal (Jean de Paleologue)

(American, 1855-1942) Rayon D’or, 1895 color lithograph; Paul Dupont, Paris, prntr.

51 1/4 x 35 1/4 inches (in frame). $1,000-2,000 69

Paul Cesar Helleu

(French, 1859-1927) Ed. Sagot, estampes & affiches illustrees color lithograph 42 x 29 inches. $300-500

68

30

fine prints

70

Henri de Toulouse-Lautrec

(French, 1864–1901) Carnot malade!, 1893 lithograph printed in olive green numbered 40/200 in pencil 9 1/2 x 7 1/2 inches. $500-700 71

Henri de Toulouse-Lautrec

(French, 1864-1901) Charles Maurin etching and drypoint, H. Floury, pub. edition of 200 6 1/2 x 3 1/2 inches. $600-800 72

Henri de Toulouse-Lautrec

(French, 1864-1901)Â Ta bouche, 1893 red ink lithograph 12 1/2 x 9 1/2 inches.

Ref: Delteil 21, Wittrock 7, Adriani 30 $600-800

70

71

72

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

31

73

73*

74

(French, 1864-1901) Femme Couchee Reveil lithograph edition of 100 15 7/8 x 20 5/8 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $10,000-15,000

(French, 1864-1901) Ballad de Noel and Berceuse, c. 1895 (a pair of sheet music folios) lithographs Each: 14 x 10 3/4 inches. $300-500

Henri de Toulouse-Lautrec

32

fine prints

Henri de Toulouse-Lautrec

74A Henri de Toulouse-Lautrec (French, 1864-1901) Revue Blanche, 1895 color lithograph; G. Charpentier and E. Fasqualle, Paris, pub.

51 x 38 inches.

Ref: Delteil, 355; Wittrock, P16; Adriani, 130 Provenance: Lerum Arts, Puyallup, Washington $10,000-15,000

74A

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

33

75*

Alphonse Mucha

(Czech, 1860-1939) La danse (from Les arts), 1898 color lithograph; F. Champenois, Paris, prntr.

22 x 13 3/4 inches.

Property from the Collection of Frances Schmidt, Santa Barbara, California $4,000-6,000 76*

Pierre Bonnard

76

(French, 1867-1947) Au Theatre (from Quelques Aspects de la Vie de Paris), 1899 lithograph edition of 100, signed in pencil 8 x 15 3/4 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $1,500-2,500 77

Pierre Bonnard

(French, 1867-1947) Covers from the series Le repertoire des patins (a pair of works) lithographs Each: 12 x 9 1/4 inches. $800-1,200

77

75

34

fine prints

78

79

80

78

Paul Berthon

82

80

Charles Kiffer

(French, 1872-1909) Les Eglantines color lithograph edition 48/ 100; signed in pencil 15 x 20 3/4 inches. $1,000-2,000

(French, 1902-1992) Maurice Chevalier, 1946 color lithograph 60 1/2 x 44 1/4 inches. $500-700

79

(French, 20th Century) L’ordonnance, 1933 color lithograph 62 1/2 x 42 1/2 inches. $300-500

Paul Berthon

(French, 1872-1909) Wilhelmine color lithograph 15 x 14 inches. $300-500

82

Louis Oury

(French, 20th Century) Humber color lithograph 42 3/4 x 62 inches. $600-800

81

Artist Unknown

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

35

Modern and Contemporary Lots 83 – 282

Opposite Lot 124 | Jacques Villon (French, 1875-1963) After Marcel Duchamp (French, 1887-1968) La Mariee, 1934

83

Abraham Walkowitz

(American, 1878-1965) New York lithograph signed in pencil 15 3/4 x 10 inches. $2,000-4,000 84*

Fernand LĂŠger (French, 1881-1955) Le cafe (from La ville), 1955 lithograph edition 47/180, signed in pen 22 x 17 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $600-800 85

Fernand LĂŠger (French, 1881-1955) Composition, 1954-55 screenprint edition 33/200, signed in pen 10 1/2 x 13 inches. $800-1,200

83

84

38

fine prints

85

86

86

Edvard Munch

(Norwegian, 1863-1944) Paul Cassirers Tochter, 1906 etching and drypoint; Otto Felsing, Berlin, prntr. signed in pencil by the artist and printer 15 x 11 1/8 inches. $3,000-5,000 87

No Lot

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

39

88

Kathe Kollwitz

(German, 1867-1945) Gesenkter Frauenkopf etching signed in pencil 14 1/4 x 12 inches.

Ref: Kliptin, 77 IIIa $600-800

88

89

Kathe Kollwitz

(German, 1867-1945) Brustbild einer Arbeiterfrau mit blaumen Tuch color lithograph edition for the print club of Vienna 14 x 9 1/4 inches.

Ref: Kliptin, 68 III $800-1,200

89

40

fine prints

90*

Georges Rouault

(French, 1871-1958) Nous Sommes Fous, 1922 lithograph edition of 425 26 x 16 1/4 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $600-800 91

Georges Rouault

(French, 1871-1958) Les Visages lithograph; Ambroise Vollard, pub.

6 x 7 3/4 inches. $500-700 92

John French Sloan

(American, 1871-1951) Nude on Hearth, 1933 etching signed in pencil 5 1/2 x 7 inches.

Ref: Morse, 271 $500-1,000 90

92

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

41

94

95

93

94

95*

(German, 1886-1980) Portrait of a Woman, 1966 lithograph edition 69/70, signed in pencil 22 x 19 inches. $400-600

(German, 1893-1957) Ecce Homo, 1921 offset lithographs; Malik-Verlag, Berlin, pub.

14 x 10 1/4 inches. $1,000-2,000

(German, 1893-1959) Schwimme, wer schwimmen kann, und wer zu plump ist, geh’ unter, pl. 8 (from Die Rauber) 1921 lithograph; Malik-Verlag, Berlin, pub. signed in pencil 18 x 15 1/2 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $2,000-4,000

Oskar Kokoschka

42

fine prints

George Grosz

George Grosz

96

96

Reginald Marsh

(American, 1898-1954) Irving Place Burlesque, 1930 etching and engraving edition 16/25, signed in pencil 9 3/4 x 11 3/2 inches. $1,500-2,500 97

Rockwell Kent

(American, 1882-1971) Self Portrait, 1934 lithograph edition of 150, signed in pencil 13 3/8 x 9 3/4 inches. $1,500-2,500 98

William Gropper

(American, 1987-1977) From the Senate Series (a group of six works), c. 1945 color lithographs signed in pencil Each: 18 1/2 x 23 inches. $600-800

97

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

43

99

Thomas Hart Benton

(American, 1889-1975) The Boy, 1948 lithograph; Associated American Artists, New York, pub. edition of 250, signed in pencil 19 1/2 x 13 3/4 inches.

Ref: Fath, 72 $2,000-4,000

99

44

fine prints

100

100

Thomas Hart Benton

(American, 1889-1975) The Race, 1942 lithograph; Associated American Artists, New York, pub. from the edition of 250, signed in pencil 8 7/8 x 13 1/8 inches.

Ref: Fath, 56 Property from the Estate of William and Barbara Fernholz, Milwaukee, Wisconsin $15,000-25,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

45

101

Grant Wood

(American, 1891-1942) Midnight Alarm lithograph signed in pencil 12 x 7 inches. $800-1,200 102

Grant Wood

(American, 1891-1942) July Fifteenth, 1939 lithograph signed in pencil 9 x 11 3/4 inches.

Provenance: CornerHouse Gallery, Cedar Rapids, Iowa Acquired from the above by the present owner in 1999 $2,000-4,000

101

102

46

fine prints

103

Grant Wood

(American, 1891-1942) December Afternoon, 1941 lithograph signed in pencil 9 x 11 3/4 inches.

Provenance: CornerHouse Gallery, Cedar Rapids, Iowa Acquired from the above by the present owner in 2002 $1,000-2,000

103

104

Grant Wood

(American, 1891-1942) Fertility, 1939 lithograph signed in pencil 8 3/4 x 11 3/4 inches.

Provenance: CornerHouse Gallery, Cedar Rapids, Iowa Acquired from the above by the present owner in 2004 $2,000-4,000

104

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

47

105*

Pablo Picasso

(Spanish, 1881-1973) Farol, 1959-60 color linocut edition 19/50, signed in pencil 6 3/4 x 9 inches.

Ref: Bloch, 945 Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $2,000-4,000

105

106

After Pablo Picasso

(Spanish, 1881-1973) Tete de faune, c. 1958 etching with aquatint edition 85/300; signed in pencil; stamped Atelier Crommelynck, Paris (lower left) 12 x 10 inches. $4,000-6,000

106

48

fine prints

107*

Pablo Picasso

(Spainish, 1881-1973) Faune et chevre, 1959 color linocut; Berggruen, Paris pub. edition 24/50, signed in pencil 8 1/4 x 4 1/4 inches.

Ref: Bloch, 949; Baer, 1267 Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $5,000-7,000

107

108

Pablo Picasso

(Spanish, 1881-1973) Femme Verte au Chat, 1955-1958 color lithograph with pochoir coloring edition 41/100; signed in blue ink and numbered in pencil 13 1/4 x 10 3/4 inches.

Note: This work is accompanied by a certificate of authenticity from Masterworks Fine Art, Inc. $5,000-7,000

108

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

49

109

Paul P. Lemagny

(French, 1905–1977) Portrait de Picasso with temoignage, 1956 etching and drypoint edition 29/32; signed in crayon by Picasso and in pencil by the artist 23 x 17 1/4 inches.

Ref: Bloch, 823 $800-1,200 110

Pablo Picasso

(Spanish, 1881-1973) Untitled (2-3 December 1970), 1970 etching stamped/hand numbered in pencil 12 1/2 x 16 1/2 inches.

Ref: Bloch, Vol IV, 1861 Note: This work is accompanied by a certificate of authenticity from Magidson Fine Art $5,000-7,000

109

110

50

fine prints

111*

After Pablo Picasso

(Spanish, 1881-1973) L’Attente (Margot), from the Barcelona Suite color offset lithograph edition 48/60, signed in pencil 22 x 18 inches.

Property from the Collections of Roger McCracken, St. Louis, Missouri $4,000-6,000

111

112

Pablo Picasso

(Spanish, 1881-1973) Le Chandail Brode lithograph edition 13/50, signed in pencil 18 1/2 x 15 1/2 inches.

Ref: B., 729; M., 231 $4,000-6,000

112

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

51

114

113

113

Pablo Picasso

(Spanish, 1881-1973) Sculpteur et modele admirant une tete sculptee, from La Suite Vollard, 1933 etching; A. Vollard, Paris, 1939, pub. signed in pencil 10 1/2 x 7 1/2 inches.

Ref: B, 154; Ba, 307 Provenance: Hilligoss Galleries, Chicago, Illinois Aquired from the above by the present owner in 2003 $7,000-9,000

52

fine prints

114

Pablo Picasso

(Spanish, 1881-1973) Personnages, from the Galerie Cramer Portfolio, 1966 etching edition 55/125, signed in pencil 12 3/4 x 8 3/4 inches.

Ref: Barsch, 1241 $4,000-6,000

115

116

Pablo Picasso

After Pablo Picasso

(Spanish, 1881-1973) Les Saltimbanques, 1958 lithograph edition 19/25, signed in red crayon 8 1/2 x 6 1/2 inches. $2,000-4,000

(Spanish, 1881-1973) Jacqueline, La Femme aux Des, 1958 color lithograph edition 38/100, signed in white pencil 19 x 11 1/2 inches.

Provenance: Magidson Fine Art, Aspen Colorado Acquired from the above by the present owner in 2002 $5,000-7,000

115

116

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

53

117

118

117

After Pablo Picasso

(Spanish, 1881-1973) Portraits imaginaires, 1969 color lithograph; Editions Cercle d’Art, Paris, pub.

F Hors d’Commerce edition 21 x 13 inches. $2,000-4,000 118

After Pablo Picasso

(Spanish, 1881-1973) Portraits imaginaires, 1969 color lithograph; Editions Cercle d’Art, Paris, pub.

F Hors d’Commerce edition 21 1/2 x 16 inches. $2,000-4,000 119

After Pablo Picasso

(Spanish, 1881-1973) Portraits imaginaires, 1969 color lithograph; Editions Cercle d’Art, Paris, pub.

F Hors d’Commerce edition 21 x 17 inches. $2,000-4,000

119

54

fine prints

120

Pablo Picasso

(Spanish, 1881–1973) Les coulisses du tableau, Odalisque et peintre from La Serie 156, 1970 etching and drypoint; Galerie Louise Leiris, Paris, pub. edition 34/50, signed in pencil 12 1/2 x 16 1/2 inches.

Note: The work is accompanied by Picasso: Volume IV: Catalogue of the printed graphic work 1970-1972, Bloch, pl. 1858, pg. 36 Picasso: A Centennial Collection Featuring the Complete 156 Gravures, Bowles, no. 45, pg. 34 $4,000-6,000

121*

Pablo Picasso

(Spanish, 1881-1974) Tete de Femme de Profil, 1905 etching with drypoint edition of 250 22 x 18 inches (trimmed).

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $6,000-8,000

121

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

55

122*

Pablo Picasso

(Spanish, 1881-1973) Francoise sur fond gris, 1950 lithograph edition 19/50, signed in pencil 24 7/8 x 18 1/2 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois Ref: Bloch, 681 Provenance: Pace Editions Inc., New York $80,000-120,000

56

fine prints

122

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

57

123*

Georges Braque

(French, 1882-1963) Deux oiseaux sur fond blue, 1955 lithograph edition 20/75, signed in pencil 14 1/2 x 10 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $2,000-4,000

123

124

Jacques Villon (French, 1875-1963)

After Marcel Duchamp (French, 1887-1968) La Mariee, 1934 color aquatint; Galerie-Bernheim Jeune, Paris, pub. edition 8/200, signed in pencil by Duchamp and Villon 19 1/2 x 12 inches.

Ref: Ginestet & Pouillon, E672 $8,000-12,000

124

58

fine prints

125

Francoise Gilot

(French, b. 1921) Untitled (Nude) color lithograph edition 50/50; signed in pencil 17 x 9 1/4 inches. $200-400 126*

Marie Laurencin

(French, 1885-1956) Elvire, 1930 lithograph edition 30/125, signed in pencil 14 7/8 x 11 1/4 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $800-1,200

126

127

Jean Cocteau

(French, 1889-1963) Profils aux poissons lithograph edition of 225, signed in colored pencil 21 1/2 x 25 inches. $600-800

127

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

59

128

Henry Moore

(British, 1898-1986) Reclining Figure III C194, 1970-72 etching and aquatint signed in pencil 4 1/2 x 9 3/4 inches. $800-1,200 129

Henry Moore

(British, 1898-1986) Figures in Settings, 1949 lithograph edition 71/75, signed in pencil 23 x 16 inches. $3,000-5,000

129

130*

Henry Moore

(British, 1898-1986) Two Seated Figures II, 1966 etching with drypoint edition 15/30, signed in pencil 6 5/8 x 8 3/4 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $1,000-2,000 131*

After Henry Moore

(American, 1893-1998) Moore, Art Gallery of Ontario Toronto offset lithograph signed in pen 35 1/2 x 16 1/2 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $500-700

130

60

fine prints

132

Alberto Giacometti

(Swiss, 1901–1966) Annette facing front (Lust 62) etching; Maeght, Paris, pub. edition of 50, signed in pencil 8 x 2 inches. $2,000-4,000

132

133*

Alberto Giacometti

(Swiss, 1901-1966) Objet Inquietant I, 1965 lithograph edition 66/75, signed in pencil 26 x 19 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $5,000-7,000

133

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

61

134*

Jean Dubuffet

(French, 1901-1985) Course La Galope (from Fables), 1976 screenprint edition 42/50, initialed in pen 21 x 29 7/8 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $6,000-8,000

134

62

fine prints

135

135

Marc Chagall

(French/Russian, 1887-1985) Le Coq Rouge, 1957 color lithograph; Maeght, Paris, pub. edition 48/90, signed in pencil 10 x 14 3/4 inches.

Ref: Mourlot, 203 $1,500-2,500 136

Marc Chagall

(French/Russian, 1887-1985) Les Fables de la Fontaine, 1952 etching with hand-coloring 11 1/4 x 9 1/2 inches.

Property from The Estate of Richard S. Rosenkranz, Orlando, Florida $600-800 137*

Marc Chagall

(French/Russian, 1887-1985) One of the Seraphim Purifies Isaiah’s Lips with a Live Coal hand colored etching edition 97/100, signed in pencil 11 x 14 inches.

Property from the Collection of Sallie Werner Brackman, Kansas City, Missouri $1,500-2,500

137

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

63

138*

Marc Chagall

(French/Russian, 1887-1985) Solomon Praying in the Temple in the Presence of the Congregation Israel hancolord etching edition 94/100, signed in pencil 11 x 15 inches.

Property from the Collection of Sallie Werner Brackman, Kansas City, Missouri $1,500-2,500

138

139

Marc Chagall

(French/Russian, 1887-1985) Composition a l’horloge (from the Galerie Cramer Portfolio) etching and aquatint edition 55/125, signed in pencil 12 x 9 1/4 inches. $1,000-2,000

139

64

fine prints

140

140

Charles Sorlier after Marc Chagall (French/Russian, 1893-1983) Drawn to Know 12 People, 1967 lithograph edition 3/150, signed in pencil 26 x 18 3/4 inches. $8,000-12,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

65

142

141

141

142

(French/Russian, 1887-1985) David and Bathsheba (from The Bible), 1956 lithograph edition HC, signed in pencil 14 x 10 3/8 inches. $4,000-6,000

(French-Russian, 1887-1985) The Tribe of Levi (from theTwelve Maquettes of Stained Glass Windows for Jerusalem), 1964 colol lithograph edition 14/200, signed in pencil 24 x 18 inches.

Marc Chagall

Marc Chagall

Provenance: Merrill Chase Galleries, Chicago, Illinois Acquired from the above by the present owner, 2000 Note: This work is accompanied by a certificate of authenticity from Merrill Chase Galleries. $5,000-7,000

66

fine prints

143

144

(French/Russian, 1887-1985) The Four Seasons, 1974 lithograph; Mourlot, Paris, prntr.; The First National Bank of Chicago, Chicago, pub. edition 48/100, signed in pencil 36 1/2 x 25 inches.

Ref: Mourlot, 727 $2,000-4,000

(French/Russian, 1887-1985) The Tribe of Zebulan (from the Twelve Maquettes of Stained Glass Windows for Jerusalem), 1964 color lithograph edition 91/150, signed in pencil 24 x 18 inches.

Ref: Sorlier, CS16

Marc Chagall

Marc Chagall

Note: This work is accompanied by a certificate of authenticity from Eleonore Austerer Gallery $5,000-7,000

143

144

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

67

145*

Marc Chagall

(French/Russian, 1887-1985) Blue Paradise lithograph edition 46/50, signed in pencil 29 1/2 x 22 inches.

Ref: Mourlot, 612 Property from the Estate of Marvin E. Jaffe, Naples, Florida $3,000-4,000

145

146*

Marc Chagall

(French/Russian, 1887-1985) La lecon de Phileta (from Daphnis et Chloe), 1961 lithograph edition of 250 16 3/4 x 12 3/4 inches.

Property from the Estate of Marvin E. Jaffe, Naples, Florida $1,500-2,500

146

68

fine prints

147

David Alfaro Siqueiros

(Mexican, 1896-1974) Guardian de las paz, 1945 lithograph edition E.C., signed in pencil 12 x 9 inches. $600-800 148

David Alfaro Siqueiros

(Mexican, 1896-1974) America Latina, 1945 lithograph edition E.C., signed in pencil 12 x 9 inches. $600-800 149

David Alfaro Siqueiros

(Mexican, 1896-1974) Hommage a Gerald Kramer Femme qui Marche, 1971 (from the Galerie Cramer Portfolio) lithograph edition 55/125, signed in pencil 14 1/4 x 11 1/2 inches. $500-700

147

148

149

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

69

150

151

150

151*

(Mexican, 1883-1949) La masa, 1935 lithograph edition of 120, signed in pen 13 x 17 inches. $600-800

(Mexican, 1883-1949) Zapatistas, 1936 lithograph edition 99/130, signed in pencil 13 x 16 1/4 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $2,000-4,000

JosĂŠ Clemente Orozco

70

fine prints

JosĂŠ Clemente Orozco

153

152

152

153

(American, 1890-1976) Untitled (from L’Origine de l’Espace), 1971 (3 plates from a portfolio of 10) lithographs edition E.A., signed in pencil Each: 17 x 12 1/2 inches. $2,000-3,000

(Belgian, 1898-1967) La corde sensible, 1960 lithograph edition 128/200, signed in pencil 21 x 16 1/2 inches. $600-800

Man Ray

René Magritte

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

71

155

154

155

(Spanish, 1904 - 1989) Gala’s Bouquet (Flowers for Gala) and Vanishing Face (Printemps de Gala) (two works from Fleurs Surrealistes), 1980 color lithographs; Levine and Levine for DALART, pub. both edition 181/350, signed in pencil Both: 22 1/2 x 18 inches.

Ref: Field, 80-10 A & B $1,000-2,000

(Spanish, 1904-1989) Imaginations and Objects of the Future, 1975 (portfolio of 11) Merrill Chase Publishing Association/Ateliers Rigal, Désjobert and Chicago Serigraphy Workshop, printr./pub. edition X/LXXV, signed in pencil Sheet: 30 1/2 x 22 1/2 inches. $15,000-25,000

Salvador Dalí

72

fine prints

Salvador Dalí

156*

Salvador Dalí

(Spanish, 1904 - 1989) Frontispiece from Homage to Israel hand-colored drypoint etching 31 x 25 inches (in frame).

Property from the Collection of Dana Black, Chicago, Illinois $300-500 Provenance: Accompanied by a certificate of authenticity from Merrill Chase.

157*

Francis Bacon

(Irish, 1909-1992) Study of the Human Body (from the Metropolitan Triptych), 1975 lithograph edition 31/200, signed in pen 45 1/2 x 33 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $8,000-12,000

157

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

73

158

Joan Miró

(Spainish, 1893-1983) Affiche pour L’exposition Miro sculptures color lithograph 23 x 21 inches. $1,500-2,500 159

Joan Miró

(Spanish, 1893-1983) Strip-Tease, 1959 etching and aquatint; Maeght, Paris, pub/prntr. editon 15/75, signed in pencil 7 3/4 x 11 1/2 inches.

Ref: Dupin, 272 Provenance: Galerie Maximillian, Aspen, Colorado Acquired from the above by the present owner, 2004 $2,000-4,000

158

159

74

fine prints

160

160*

Joan Miró

(Spanish, 1893-1983) La Danse de Feu, 1963 lithograph edition 34/90, signed in pencil 18 1/2 x 24 3/4 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $2,000-4,000 161

After Joan Miró

(Spanish, 1893-1983) Femmes encerclees par le vol d’un oiseau (plate 16 from the Constellations Suite), 1959 pochoir 17 x 14 inches.

Provenance: Weinstein Gallery, San Francisco, California Aquired from the above by the present owner, 2006 $2,000-4,000

161

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

75

162

Joan Mirรณ

(Spanish, 1893-1983) Le Rebelle, 1967 etching with aquatint and carborundum edition HC, signed in pencil 36 x 25 inches.

Ref: Dupin, 439 $20,000-30,000

162

76

fine prints

163

After Joan Miró

(Spanish, 1893-1983) Femmes au bord du lac a la surface irisee par le passage d’un cygnet (plate 17 from the Constellations Suite), 1959 pochoir 17 x 14 inches.

Ref: Cramer, 58 Provenance: Weinstein Gallery, San Francisco, California Aquired from the above by the present owner, 2006 $2,000-4,000

163

164

Joan Miró

(Spanish, 1893-1983) One plate, from: La Bague d’Aurore aquatint with hand-coloring; L. Broder, Paris, pub. edition 5/12, signed in pencil 11 x 9 1/4 inches.

Ref: D., 143; cf. C. books 45 Note: This work is accompanied by a Certificate of Authenticity from Merrill Chase. $8,000-12,000

164

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

77

165

Joan Miró

(Spanish, 1893-1983) Souris Noire a la Mantille, 1975 color aquatint; Maeght, Paris, pub. edition 21/50, signed in pencil 45 x 29 3/4 inches.

Ref: Dupin, 750 Provenance: Kass Meridian Gallery, Chicago, Illinois Aquired from the above by the present owner, 2002 $5,000-7,000

165

166

Joan Miró

(Spanish, 1893-1983) Chevauchee – Orange, 1969 color lithograph; Arte Adrien Maeght, prntr.; Maeght, pub. edition 40/75, signed in pencil 33 1/3 x 23 2/3 inches.

Provenance: Masterworks Fine Art, Inc., Oakland, California Aquired from the above by the present owner, 2009 Note: This work is accompanied by a certificate of authenticity from Masterworks Fine Art, Inc. $1,000-2,000

166

78

fine prints

167

167

Joan Mirรณ

(Spanish, 1893-1983) Tete au soleil couchant, 1967 etching with aquatint and carborundum edition 17/75, signed in pencil 10 3/4 x 14 3/4 inches.

Ref: Dupin, 437 $8,000-12,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

79

168

168

Joan Mirรณ

(Spanish, 1893-1983) Le Grande Ordinateur, 1969 etching with aquatint and carborundum edition 6/75, signed in pencil 39 x 23 inches.

Ref: Dupin, 503 $15,000-25,000

80

fine prints

169

Joan Miró

(Spanish, 1893-1983) Sumo, 1968 etching with aquatint and carborundum edition 32/75, signed in pencil 18 1/2 x 14 1/2 inches.

Ref: Dupin, 459 $5,000-7,000

170

171

Joan Miró

(Spanish, 1893-1983) Ma De Proverbis (plate 7), 1970 lithograph in colors edition 9/25; signed in pencil 22 x 30 inches.

Provenance: Rock J. Walker Galleries, Chicago, Illinois $1,500-2,500

169

Joan Miró

(Spanish, 1893–1983) Lithographe II: Untitled, 1975 color lithograph edition 26/80, signed in pencil 12 x 10 inches.

Ref: M., 1038 $1,500-2,500

170

171 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

81

172

Joan Miró

(Spanish, 1893-1983) Après L’Orage, 1957 lithograph in colors edition 137/300, signed in pen 24 x 17 inches.

Property from The Estate of Richard S. Rosenkranz, Orlando, Florida $1,000-2,000 173

Joan Miró

(Spanish, 1893-1983) Red and Blue and Exhibition Poster at Galerie Matarasso lithographs signed in pencil Largest: 22 1/4 x 17 1/4 inches.

Property from The Estate of Richard S. Rosenkranz, Orlando, Florida $2,500-3,500

172

173

82

fine prints

174

174*

After Joan Miró

(Spanish, 1893-1983) L’etoil matinale, 1940 pochoir 14 x 17 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $2,000-4,000 175

Joan Miró

(Spanish, 1893-1983) Lithographie originale II, from Litografo Vol. I, 1972 color lithograph 13 x 10 inches.

Ref: Mourlot, 858 $1,000-2,000

175

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

83

176

176*

Joan Mirรณ

(Spanish, 1893-1983) Le Cracheur de Flammes, 1976 etching and aquatint in colors with carborundum, Maeght Editeur Paris Pub. edition 57/ 75, signed in pencil 44 1/2 x 29 inches.

Ref: Dupin, 650

84

fine prints

Property from the Collection of Mr. and Mrs. Richard Goldstein, Highland Park, Illinois Provenance: Samuel Stein Fine Arts Ltd., Boca Raton, Florida $25,000-35,000

177

Joan Mirรณ

(Spanish, 1893-1983) Untiled (1 plate from Constellations), 1959 etching edition 82/100, signed in pencil 10 7/8 x 8 inches. $2,000-4,000

178

Joan Mirรณ

(Spanish, 1893-1983) Exposicion Homenaje a Josep-Lluis Sert, 1972 color lithograph; La Poligrafa, prntr.; Colegio de Arquitectos de Canaria, pub. edition 12/150, signed in pencil 29 1/2 x 22 3/4 inches.

Ref: Ml IV, 853; Benhoura, 575; Madrid, 227

177

Note: This work is accompanied by a certificate of authenticity from Magidson Fine Art. The poster of this lithograph was done in homage to the architect Josep-Lluis Sert in 1972. $1,000-2,000

178

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

85

179

Joan Mirรณ

(Spanish, 1893-1983) Sans le Soleil IX (from Heraclitus of Ephesus), 1965 etching and aquatint 11 1/4 x 8 5/8 inches. $400-600

179

180

Joan Mirรณ

(Spanish, 1893-1983) Sans le Soleil IX (from Heraclitus of Ephesus), 1965 etching and aquatint edition 8/25, signed in pencil Sheet: 11 1/4 x 8 5/8 inches. $1,000-2,000

180

86

fine prints

181

181

Joan Miró

(Spanish, 1893-1983) Le Enfance D’Ubu (plate 2), 1975 color lithograph; Mourlot, prntr.; Teriade Editeur, pub. from the edition of twenty hors commerce; signed in pencil 12 3/4 x 19 3/4 inches.

Ref: Cramer, 204.

Provenance: Merrill Chase Galleries, Chicago, Illinois Aquired from the above by the present owner, 1997 Note: This work is accompanied by a certificate of authenticity from Merrill Chase Galleries. $1,000-2,000 182

Joan Miró

(Spanish, 1893-1983) Une Femme, 1958 color lithograph edition 32/300, signed in pencil 18 x 14 3/4 inches.

Ref: M.A. 1712 Note: This work is accompanied by a certificate of authenticity by Eleonore Austerer Gallery, San Francisco, California $2,000-4,000

182

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

87

184

182A

AndrĂŠ Masson

(French, 1896-1987) Jeune fille presentant une gravure surrealiste (from the Galerie Cramer Portfolio) etching and acquatint edition 55/125, signed in pencil 11 1/2 x 9 inches. $600-800 183*

Alexander Calder

(American, 1898-1976) Flamme interieure, 1973 lithograph edition 54/75, signed in pencil 20 3/4 x 15 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $800-1,200 184*

Alexander Calder

183

88

fine prints

(American, 1898-1976) Le Chasse Neige, Derriere le Miroir #141, 1963 lithograph edition 5/125, signed in pencil 18 x 22 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $800-1,200

185

Alexander Calder

(American, 1898-1976) Ballons et cerfs-volants color lithograph signed in pencil 42 x 31 inches. $1,500-2,500 186

Alexander Calder

(American, 1898-1976) Untitled (2 plates from Santa Claus

by E.E. Cummings), 1974 etching; Arte, Paris, prntr.; Editions de l’Herne, Paris, pub. edition 4/175, signed in pencil Each: 13 1/2 x 18 1/2 inches. $1,500-2,500 187

Alexander Calder

(American, 1898-1976) Boomerang color lithograph 44 x 30 inches. $1,000-2,000

187

185

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

89

188

189

190

188*

189*

190

(American, 1915-1991) Africa 3 (from the Africa Suite), 1970 screenprint edition 44/150, signed in pencil 31 x 23 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $3,000-5,000

(American, 1915-1991) Africa 7 (from the Africa Suite), 1970 screenprint edition 112/150, initialed in pencil 31 7/8 x 23 3/4 inches.

Property from the Collection of Jan Davis, Cedarburg, Wisconsin $1,500-2,500

(American, 1915-1991) Three Poems by Octavio Paz lithographs; Limited Editions Club, pub. edition 47/750; signed in pencil by the artist and poet 23 1/4 x 19 1/2 inches. $3,000-5,000

Robert Motherwell

90

fine prints

Robert Motherwell

Robert Motherwell

191

Robert Motherwell

(American, 1915-1991) The Red Queen, 1989 etching, aquatint and collage edition 33/40, signed in pencil 23 1/2 x 17 3/4 inches.

Ref: Belknap, 414 Provenance: Kass Meridian Gallery, Chicago, Illinois Acquired from the above by the present owner in 2004 Note: This work is accompanied by a letter of authenticity from Kass Meridian Gallery $5,000-7,000 192

Robert Motherwell

(American, 1915-1991) Untitled (plate 2 from London Series II) color screenprint edition 45/150, initialed in pencil Sheet: 28 1/4 x 41 inches. $1,000-2,000 191

192

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

91

193

193

Robert Motherwell

(American, 1915-1991) La Casa de la Mancha, 1984 color etching edition 45/70, signed in pencil 17 3/4 x 23 1/2 inches. $3,000-5,000 194

Robert Motherwell

(American, 1915-1991) Black Sounds, 1984 lithograph, letterpress and collage edition AP 11/12, signed in pencil 39 x 25 inches.

Ref: Belknap, 306 Provenance: Kass Meridian Gallery, Chicago, Illinois Acquired from the above by the present owner in 2005 Note: This work is accompanied by a certificate of authenticity by Kass Meridian Gallery, Chicago, Illinois $4,000-6,000 194

92

fine prints

195

196

195*

Pierre Soulages

(French, b. 1919 ) Lithographie, #24 b, 1969 color lithograph edition 1/85, signed in pencil 31 1/2 x 22 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $6,000-8,000 196*

Sam Francis

(American, 1923-1994) Untitled, 1982 color lithograph edition 126/250 48 x 34 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $3,000-5,000 197

Sam Francis

(American, 1923-1994) Untitled (from the Pasadena Box Suite) color lithograph 15 1/16 x 22 1/4 inches. $1,000-2,000

197

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

93

198*

Helen Frankenthaler

(American, 1928-2011) Ganymede, 1978 etching with aquatint edition 7/49, signed in pencil 10 x 6 1/2 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $3,000-5,000 199

Helen Frankenthaler

(American, 1928-2011) Untitled, 1987 color lithograph edition 29/56; signed in pencil 18 3/4 x 22 inches. $4,000-6,000

198

199

94

fine prints

200

204

202

200

202

203*

204*

(British, 1903-1975) Delos color lithograoh signed in pen 30 x 21 inches. $1,000-2,000

(American, 1913-2000) Untitled, 1970 (a pair of works from the Autumn Suite) lithographs with collage of cardboard and burlap editions 12/50 and 15/50, signed in pencil 26 x 19 1/2 and 19 1/2 x 26 inches. $2,000-4,000

(American, b. 1926) Untitled, 1972 (a pair of works) embossed prints edition 42/150, initialled in pencil Each: 36 x 26 1/2 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $600-800

(American, b. 1936) Ikur, 1968 woodcut edition 5/50, signed in pen 25 1/2 x 20 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $2,000-4,000

Barbara Hepworth

Conrad Marca-Relli

Jack Youngerman

Eduardo Chillida

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

95

205

Victor Vasarely

(French/ Hungarian, 1906-1997) Olympische, Spiele, Munchen, 1972 color screenprint 34 x 25 inches.

Provenance: Kennedy Galleries, Inc., New York, New York $800-1,200 206

Victor Vasarely

(French/Hungarian, 1906-1997) Untitled color lithograph edition 45/249, signed in pencil 21 1/8 x 21 inches. $400-600

205

207*

Gene Davis

(American, 1920-1985) Untitled, 1974 color screenprint edition 47/150 71 x 44 1/2 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $1,500-2,500

207 96

fine prints

208

Ellsworth Kelly

(American, b. 1923) Blue and Yellow and Red-Orange (Bleu et jaune et rouge-orange) color lithograph edition 55/75, signed in pencil 25 1/4 x 13 1/4 inches. $8,000-12,000 209

Donald Judd

(American, 1928-1994) Untitled, 1978-79 etching edition 20/75, signed in pencil 30 x 35 inches.

Ref: Schellmann, 102-117 $800-1,200 210

Donald Judd

(American, 1928-1994) Untitled, 1977-78 etching edition 20/75, signed in pencil 30 x 35 inches.

Ref: Schellmann, 102-117 $800-1,200

208

209

210

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

97

98

fine prints

211

Sol LeWitt

(American, 1928-2007) Twelve Forms Derived From a Cube, 1984 (portfolio of 48) color screenprints edition PP 2/2 aside from the edition of 40, signed in pencil Each: 4 x 4 inches. $25,000-35,000

211

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

99

212

212*

Richard Anuszkiewicz

(American, b. 1930) Untitled (Portfolio of Ten) lithographs signed in pen Each: 19 x 15 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $4,000-6,000

100

fine prints

213*

Frank Stella

(American, b. 1936) Sinjerli Variation III, 1977 color offset lithograph and screenprint edition 52/100, signed in pencil 31 1/2 x 42 inches.

Property from the Collection of Louis Meiners, Naples, Florida $3,000-4,000

213

214

Pedro Friedeberg

(Mexican, b. 1937) Zodiaco color silkscreen A.P. 8/10, signed in pencil 26 x 26 inches. $500-700 214A

Willem de Kooning

(American, 1904-1997) Untitled (from Seventeen Lithographs for Frank O’Hara), 1988 lithograph edition 7/60, signed in pencil 14 x 11 inches. $1,000-2,000

214A

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

101

215

Karel Appel

(Dutch, 1921-2006) Circus Volumes I, II and III, 1978 (3 portfolios of 10) woodcut and carborundum edition 93/130, signed in white crayon Each: 30 x 20 inches. $15,000-25,000

215

102

fine prints

216 six of seventeen

216*

Karel Appel

(Dutch, 1921-2006) Cats, 1978 (portfolio of 17) lithographs; London Arts Inc., Detroit, Michigan, pub. edition of 125, signed in pencil 24 1/2 x 32 inches.

Property from the Collection of Dr. Natan HarPaz, Southfield, Michigan $5,000-7,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

103

217*

Kiyoshi Saito

(Japanese, 1907-1997) Recollection, 1960 color woodcut edition 91/100, signed in pencil 23 x 16 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $500-700 218

Roy Lichtenstein

(American, 1923–1997) As I Opened Fire (triptych), 1966 color lithographs; Drukkerij Luii & Co. and the Stedelijk Museum, Amsterdam, pub. one signed in pencil Each: 24 x 19 1/2 inches.

Literature: The Prints of Roy Lichtenstein: A Catalogue RaisonnĂŠ 1948-1997, Corlett, pg. 324, App. 5 $3,000-5,000 218

104

fine prints

219*

220*

221*

(American, 1923-1997) Assiette Pop, 1969 screenprint on paper plate signed in pen Diameter: 10 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $800-1,200

(American, 1923-1997) Sunrise, 1965 offset lithograph signed in pencil 17 1/4 x 23 1/4 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $8,000-12,000

(American, 1923-1997) Surrealist Paintings, 1978 offset lithograph signed in pen 58 x 42 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $800-1,200

Roy Lichtenstein

Roy Lichtenstein

After Roy Lichtenstein

220

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

105

106

fine prints

222 one of two

223

224

225

222

Robert Rauschenberg

(American, 1925-2008) Edison Community College and Port Arthur, Texas Library (a pair of works) offset lithographs signed in pencil Each: 20 x 25 inches. $600-800 223

Robert Rauschenberg

(American, 1925-2008) Catfish Tales lithograph edition 51/100, signed in pencil 29 1/2 x 24 inches. $800-1,200 224*

After Robert Rauschenberg

(American, 1925-2008) Cloisters, 1980 offset lithograph signed in pen 55 x 30 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $600-800 225

Robert Rauschenberg

(American, 1925-2008) Two Reasons Birds Sing (from Suite of Nine Prints), 1979 lithograph edition 18/100, signed in pencil 30 1/8 x 21 inches. $800-1,200

226

226*

Andy Warhol

(American, 1928-1987) Muhammad Ali, 1978 offset lithograph signed in pen 30 x 24 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $3,000-5,000 227*

Andy Warhol

(American, 1928-1987) Marilyn (Castelli Graphics invitation), 1981 offset lithograph signed in pen 12 x 12 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $5,000-7,000

227

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

107

228*

Andy Warhol

(American, 1928-1987) Cow, 1971 color screenprint on wallpaper signed in pen 45 x 27 1/2 inches.

Property from the Collection of Dale Oehring, Tampa, Florida $3,000-5,000

228

229

After Andy Warhol

(American, 1927-1987) The Souper Dress, c. 1965 color screenprint on cotton paper A-line dress 36 1/2 x 21 1/2 inches. $2,000-4,000

229

108

fine prints

230

James Rosenquist

(American, b. 1933) Rails, 1975 lithograph edition of 40 34 1/2 x 70 1/2 inches. $2,000-4,000 231*

After James Rosenquist

(American, b. 1933) Castelli Gallery, 1981 offset lithograph signed in pen Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $500-700

230

231

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

109

233

232

233*

(American, 1919-2010) Couples, 1986 aquatint edition A.P., signed in pencil 8 x 6 inches. $600-800

(American, 1931-2004) Still Life with Petunias, Lilies and Fruit, 1988 screenprint edition 28/100, signed in pencil 39 x 73 inches Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $10,000-15,000

Lester F. Johnson

Tom Wesselmann

234

Various Artists (Alex Katz, Ed Paschke, Claes Oldenburg, Larry Rivers, Frank Stella, Tom Wesselmann)

(American, 20th century) Master American Contemporaries, 1993-94 (portfolio of six) color lithographs edition 15/30, signed in pencil 40 1/2 x 30 1/2 inches.

Provenance: Jaffe Baker Gallery, Boca Raton, Florida Acquired by present owner from the above $6,000-8,000

110

fine prints

234

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

111

235

235*

David Hockney

(British, b. 1937) Picture of a Still Life That Has an Elaborate Silver Frame, 1965 lithograph; Gemini, Los Angeles, pub.; Editions Alecto, prntr. edition trial proof 5, signed in pencil 30 1/4 x 22 1/4 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $6,000-8,000

112

fine prints

236

David Hockney

(English, b. 1937) Two Pembroke Studio Chairs, 1984 color lithograph edition 57/ 98, signed in pencil 18 7/8 x 21 7/8 inches. $5,000-7,000

236

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

113

237

238

237

Paul Cadmus

(American, 1904-1999) Waiting for Rehearsal etching edition 80/175, signed in pencil 11 x 8 inches. $600-800 238

Paul Cadmus

(American, 1904-1999) Teddo, 1985 lithograph; Imago Imprint, Inc. New York, pub.; George C. Miller & Son, New York, prntr. edition 5/200, signed in pencil 6 x 7 1/2 inches.

239

Provenance: Imago Imprint, Inc., New York $800-1,200 239

George Tooker

(American, 1920-2011) Woman with Sprig of Laurel, 1992 lithograph edition 49/125, signed in pencil 28 3/4 x 22 1/2 inches. $700-900 240

George Tooker

(American, 1920-2011) Embrace II,1984 lithograph edition 45/175, signed in pencil 20 x 16 1/2 inches. $800-1,200

240 114

fine prints

241

George Tooker

(American, 1920-2011) Self Portrait I, 1984 lithograph edition 71/75, signed in pencil 13 3/4 x 18 inches. $700-900 242

Will Barnett

(American, 1911-2012) Soliloquy, 1972 color screenprint edition H.C., signed in pencil 13 3/4 x 25 3/4 inches. $300-500 243*

Larry Rivers

(American, 1923-2002) Fred and Ginger lithograph edition 16/53, signed in pen 34 1/4 x 29 1/2 inches.

Property from the Estate of Marvin E. Jaffe, Naples, Florida $2,000-3,000

241

243 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

115

244

245

244

245

246*

(American, b. 1927) Boy with Branch I, 1975 aquatint in colors; Bo Alveryd, Kavlinge, Sweden, and Marlborough Graphics, Inc., New York, pub. edition 6/90; signed in pencil 24 x 40 1/4 inches.

Ref: Maravell, 77 $2,000-4,000

(American, b. 1927) Unfamiliar Image, 2001 color screenprint edition 59/100, signed in pencil 30 x 44 inches. $800-1,200

(American, b. 1927) Ada with Flowers, 1980 screenprint edition 12/65, signed in pencil 48 x 36 inches.

Property from the Estate of Dr. Bernard and Jorie Wetchler, Chicago, Illinois $8,000-12,000

Alex Katz

116

fine prints

Alex Katz

Alex Katz

246

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

117

247

248

(American, 1930–2006) Phylis and the Church and Dreamers, 1976 (a pair of works) etchings edition 35/47 and 37/50, signed in pencil Each: 20 3/4 x 13 3/4 inches. $500-700

(American, b. 1930) Groovin High, 1996 color silkscreen edition 54/425, signed in pencil 24 x 39 1/4 inches. $1,000-2,000

Benny Andrews

Faith Ringgold

249

Ed Paschke

(American, 1939-2004) George Mills, 1989 color lithograph edition 76/190, signed in pencil 18 3/4 x 32 inches. $600-800

250

Ed Paschke

(American, 1939-2004) Bad, 1991 (together with text and cover page) color lithograph and screenprint edition 47/60, signed in pencil 15 x 12 1/8 inches. $300-500

248

249 118

fine prints

252 two of three

251

Peter Saul

(American, b. 1934) Golden Gate Bridge, 1968 and World of America Number One, 1967 (a pair of works) color lithographs editions 47/50 and 6/30, signed in pencil Largest: 22 1/4 x 29 inches. $400-600 252

Peter Saul

(American, b. 1934) Adam and Eve, Alien in the Electric Chair, and Ideas (a group of three works) lithograph editions 2/12, 3/12 and 2/10, signed in pencil Each: 21 1/2 x 14 inches. $500-700 253*

Roger Brown

(American, 1943-1997) Cathedrals in Space, 1983 color lithograph edition 15/65, signed in pencil 40 x 30 1/6 inches.

Property from the Collection of Dr. James Labes, Bloomfield Hills, Michigan $800-1,200

253 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

119

256

255

257

253A

254

(Italian, b. 1935) Reclining in the Sun color silkscreen edition 66/100, signed in pencil 36 x 48 inches. $300-500

(American, 1890-1976) Untitled Abstract, 1967 color lithograph edition 148/150, signed in pencil 6 1/2 x 9 1/8 inches. $600-800

Valerio Adami

120

fine prints

Mark Tobey

255

256

(American, 1890-1976) Self Portrait, 1967 color lithograph edition 137/150, signed in pencil 7 7/8 x 6 inches. $500-700

(British, 1917-2009) The Elastic Membrane, 1979 mixed media prints edition 273/300, signed in pencil 17 1/4 X 13 1/2 inches. $1,000-2,000

Mark Tobey

Michael Kidner

258

257*

258

(American, b. 1927) Ribbon and Hook, 1972 (a pair of works) color screenprints edition 42/150 and 43/150, signed in pencil Each: 32 x 21 3/4 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $600-800

(American, b. 1935) Nine Studies for Winter Dream, 1995 (a portfolio of 9 framed prints) intaglio edition 24/40, each signed in pencil Each: 7 1/4 x 5 3/4 inches. $4,000-6,000

Lucas Samaras

Jim Dine

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

121

259

260

261

259*

Robert Kipniss

(American, b. 1931) Rooftop Fragments color lithograph edition 119/175, signed in pencil 15 1/4 x 13 1/4 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

122

fine prints

260*

Robert Kipniss

(American, b. 1931) Refelctions of a Pole Tree color lithograph edition 109/120, signed in pencil 15 1/2 x 17 1/2 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

262

261*

Robert Kipniss

(American, b. 1931) Shadows color lithograph edition 84/120, signed in pencil 15 7/8 x 16 1/2 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

262*

Robert Kipniss

(American, b. 1931) Star White color lithograph edition 80/120, signed in pencil 13 1/2 x 15 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

263*

Robert Kipniss

(American, b. 1931) Leaves Aloft color lithograph edition 111/120, signed in pencil 14 x 17 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500 264*

Robert Kipniss

(American, b. 1931) Ohio Night color lithograph edition 113/120, signed in pencil 16 x 17 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

264

265*

Robert Kipniss

(American, b. 1931) Essence color lithograph edition AP 7/15, signed in pencil 15 3/8 x 20 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500 266*

Robert Kipniss

(American, b. 1931) Hidden Pathways color lithograph edition AP 5/15, signed in pencil 18 x 22 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

265

267*

Robert Kipniss

(American, b. 1931) Suspension color lithograph edition 115/120, signed in pencil 22 x 18 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

266 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

123

268

Mauricio Lasansky

268

(Argentinean-American, 1914-2012) Time in Space, 1946 intaglio edition AP, signed in pencil 16 x 23 3/4 inches.

Provenance: Percival Galleries, Des Moines, Iowa Acquired from the above by the present owner, 2000 $400-600 269

Mauricio Lasansky

(Argentinean-American, 1914-2012) El Pajaro, 1948 intaglio edition AP, signed in pencil 28 3/4 x 22 1/3 inches.

Provenance: Percival Galleries, Des Moines, Iowa Acquired from the above by the present owner, 2000 $500-700 270

Mauricio Lasansky 270

(Argentinean-American, 1914-2012) Cosmos Scapes #1, 1979 intaglio edition 27/70, signed in pencil 24 1/4 x 25 1/4 inches. $500-700 271

Mauricio Lasansky

(Argentinean-American, 1914-2012) Cosmos Scapes #3, 1979 intaglio edition 27/70, signed in pencil 23 3/4 x 27 3/4 inches. $500-700

271

124

fine prints

272

272*

Jiri Anderle

(Czech, b. 1936) Eleven Figure Studies lithographs and etchings on letters Largest: 35 x 24 inches.

Property from the Estate of Robert and Lois Orchard, St. Louis, Missouri $3,000-5,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

125

273

273

Bruce Nauman

(American, b. 1941) Untitled (from Fingers and Holes), 1994 lithograph and screenprint edition 30/50, signed in pencil 30 x 40 inches. $3,000-5,000 274

Vito Acconci

(American, b, 1940) Wav(er)ing Flag, 1990 (six panels) lithograph edition of 35, signed in pencil 18 x 24 inches. $1,500-2,500 275

Jerry Garcia

(American, 1942-1995) Facets II, 1990 color lithograph signed in pencil 23 x 18 3/4 inches. $1,000-2,000

274

126

fine prints

276

Donald Sultan

(American, 1951) Green Flowers, 1994 color woodblock edition 74/125, signed in pencil 11 x 9 inches. $1,000-2,000 277*

Saul Steinberg

(American, 1914-1999) Les Mois de Coeur, 1974 lithograph edition 47/75, signed in pencil 23 x 29 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois $600-800 278

Donald Baechler

(American, b. 1956) Untitled, 1995 color silkscreen edition 104/111, signed in pencil 47 1/4 x 30 inches. $800-1,200

275

276

278

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

127

279

279

280

(American, b. 1953) Jules from Men in the Cities, 1983 lithograph edition 30/45, signed in pencil 35 x 15 inches. $5,000-7,000

(American, b. 1958) Hard Luck Number, 1993 etching edition B.C.P.I, signed in pencil 10 x 14 inches. $500-700

Robert Longo

128

fine prints

Tony Fitzpatrick

281

281

Keith Haring

(American, 1958-1990) Untitled (plate 3 from Pop Shop III), 1989 color screenprint edition 97/200, signed in pencil 14 1/2 x 11 1/2 inches. $8,000-12,000

282

Glenn Ligon

(American, b. 1960) Boy on Tire, 2004 color screenprint edition 19/108, signed in pencil 34 x 25 1/2 inches. $1,000-2,000

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129

Artist Index ARTIST NAME Anguiano, Raul

LOT 85, 86, 205-207

Acconci, Vito

274

Jongkind, Johan Barthold Judd, Donald 209,

16 210

Tissot, James Jacques Joseph

63

Tobey, Mark

254, 255

244-246, 262

Tooker, George

239-241

Anderle, Jiri

272

Kelly, Ellsworth

208

Utrillo, Maurice

42

Andrews, Benny

247

Kent, Rockwell

97

Valadon, Suzanne

55

Anuszkiewicz, Richard

212

Kidner, Michael

256

van Leyden, Lucas

Adami, Valerio

253A

Appel, Karel

215, 216

Katz, Alex

Kiffer, Charles Kipniss, Robert

Artist Unknown

81

Bacon, Francis

157

Kokoschka, Oskar

Baechler, Donald

278

Kollwitz, Kathe

Barnett, Will

242

Lasansky, Mauricio

Benton, Thomas Hart

99, 100

80 259-261, 263-267

Berthon, Paul

78, 79

Leger, Fernand

Bonnard, Pierre

76, 77

Various Artists

205, 206

88, 89

Villon, Jacques

62, 124

126 84, 85

Vuillard, Edouard Walkowitz, Abraham Warhol, Andy

Lemagny, Paul P.

109

Warhol, Andy (after)

LeWitt, Sol

211

Wesselmann, Tom

Brown, Roger

253

Lichtenstein, Roy

Cadmus, Paul

237, 238

Lichtenstein, Roy (after)

221

Wood, Grant

Calder, Alexander

183-187

Ligon, Glenn

282

Youngerman, Jack

Carracci, Annibale

4

Longo, Robert

279

Zorn, Anders

45

Magritte, Rene

153

Carriere, Eugene Cassatt, Mary

51, 52

Chagall, Marc

135-139, 141-146

218-220

Manet, Edouard Marca-Relli, Conrad

234

Vasarely, Victor

123

Braque, Georges

3 7-9

93 268-271

Laurencin, Marie

van Rijn, Rembrandt

Whistler, James Abbott McNeill

66 83 226-228 229 232, 233 19-35 101-104 203 54

44

202

96

Chillida, Eduardo

204

Marsh, Reginald

Cocteau, Jean

127

Masson, Andre

182A

Corinth, Lovis

53

Matisse, Henri

56-61

Dali, Salvador

154-156

43

158-160, 162, 164-173, 175-182

161, 163, 174

Daubigny, Charles Francois

15

Davies, Arthur Bowen

64

Davis, Gene

207

de Goya, Francisco

12-14

de Kooning, William

214A

de Ribera, Jusepe de Toulouse-Lautrec, Henri

5 70-74A

Dine, Jim

258

Dubuffet, Jean

134

Dufy, Raoul

41

Durer, Albrecht

1, 2

Fitzpatrick, Tony

280

Francis, Sam

196, 197

Frankenthaler, Helen

198, 199

Friedeberg, Pedro

214

Garcia, Jerry

275

Giacometti, Alberto

132, 133

Gilot, Francoise

125

Grasset, Eugene

67

Gropper, William

98

Grosz, George Haring, Keith

94, 95 281

Helleu, Paul Cesar

69

Hepworth, Barbara

200

Hockney, David Hogarth, William Johnson, Lester F.

130 f i n e p r i n t s

235, 236 10 171A

Millet, Jean-Francois Miro, Joan

Miro, Joan (after) Moore, Henry

128-130

Moore, Henry (after)

131

Moran, Thomas

36

Motherwell, Robert

188-194

Mucha, Alphonse

75

Munch, Edvard

86

Nauman, Bruce

273

Orozco, Jose Clemente

150, 151

Oury, Louis

82

Pal (Jean de Paleologue)

68

Paschke, Ed Picasso, Pablo

Saul, Peter Signac, Paul (after) Siqueiros, David Alfaro

249, 250 105, 107, 108, 110, 112-115, 120-122 251, 252 40 147-149

Sisley, Alfred

37

Sloan, John French

92

Sorlier, Charles

140

Soulages, Pierre

195

Steinberg, Saul

277

Stella, Frank

213

Sultan, Donald

276

Thaulow, Frits

38

Glossary of Terms

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist.

ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category.

STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist.

CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil.

STYLE OF . . .

FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist.

MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artist and of a later period.

AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m 131

Fine Prints

de c ember 1 4 | c hi c a g o

c hi c a g o DENVER M I LWAUK E E NAP L E S PA L M B E ACH SCOTTSD A L E S T. L OU I S

LESLIE hindman auctioneers

Currently accepting consignments for upcoming auctions I n q u iries

lesliehindman.com consign@lesliehindman.com 1338 West Lake Street Chicago, Illinois 60607 312.280.1212

R i ch a r d Es t e s , ( A merican , b . 19 3 2), D T rain , sold for $ 31, 25 0

LESLIE HINDMAN AUCTIONEERS u p co m i ng a u c t i on sch e d u l e 454 | American and European Art September 29 | chicago

482 | the o’meara benedict collection of dollhouse miniatures november 14 | chicago

455 | modern and Contemporary Art September 30 | chicago

467 | modern design november 15 | chicago

456 | Fine Prints September 30 | chicago

471 | interiors november 17 – 18 | online only

465 | St. Louis Fall auction october 8 | st. louis

484 | palm beach fall auction december 1 | palm beach consignment deadline october 3

469 | Fine Furniture, Decorative Arts and silver october 18 – 19 | chicago

472 | important jewelry december 4 – 5 | chicago consignment deadline september 21

478 | interiors october 20 – 21 | online only

472 | fine timepieces december 5 | chicago consignment deadline september 21

483 | palm beach marketplace october 25 | online only

474 | Luxe holiday december 7 | chicago consignment deadline october 7

458 | Milwaukee fall Auction november 4 | milwaukee

475 | post war and Contemporary Art december 14 | chicago consignment deadline october 14

470 | fine books and manuscripts november 2 | chicago consignment deadline september 9

476 | Fine Prints december 14 | chicago consignment deadline october 14

445 | arts of the american west november 10 | denver

477 | American and European Art december 15 | chicago consignment deadline october 14

Leslie Hindman Auctioneers offers a complete range of appraisal and auction services designed to assist you.

If you have property to sell, be it a single item, a large collection or an entire estate, please contact us for a complimentary evaluation at 312.280.1212 or consign@lesliehindman.com.

This schedule is subject to change. Changes can be found at lesliehindman.com

lesliehindman.com

Auction Inquiries fine prints DEPARTMENT

Reed Landin Head of Sale reedlandin@lesliehindman.com 312.334.4216

Lail Marmor Account Executive lailmarmor@lesliehindman.com 312.334.4264

OFFICE OF THE PRESIDENT

Fine Art

Asian Works of Art

Zack Wirsum Senior Specialist zachary@lesliehindman.com

Benjamin Fisher Director benjaminfisher@lesliehindman.com

Reed Landin Associate Specialist reedlandin@lesliehindman.com

Annie Wu Specialist anniewu@lesliehindman.com

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT

Sarah Wilson Associate Specialist/Cataloguer sarahwilson@lesliehindman.com

Colleen Thielen Director of Estates and Appraisals colleenthielen@lesliehindman.com 312.447.3283

Lail Marmor Account Executive lailmarmor@lesliehindman.com 312.334.4264

Clare Brody Account Executive clarebrody@lesliehindman.com 312.447.3290

Leslie S. Hindman President and CEO 312.280.1212 Adam Spender Executive Assistant 312.334.4201

Molly Gron Director of Business Development mollygron@lesliehindman.com 312.334.4235

Lauren Carpinelli Account Executive laurencarpinelli@lesliehindman.com 312.334.4228

Katelyn Finn Account Executive katelynfinn@lesliehindman.com 312.447.3297

Fine Furniture and Decorative Arts

Katie Matusik Account Executive katelynmatusik@lesliehindman.com 312.334.4224

Corbin Horn Specialist corbinhorn@lesliehindman.com

ADMINISTRATION Accounting Christopher Reimann Director of Finance christopherreimann@lesliehindman.com 312.447.3284 Lauren Peartree Manager of Business Operations laurenpeartree@lesliehindman.com 312.447.3289 Tara Schlitz Settlement Manager taraschlitz@lesliehindman.com 312.334.4225 Client Services Heather Daum Manager, Human Resources heatherdaum@lesliehindman.com 312.334.4208 Savitri Beaver Auction Coordinator savitribeaver@lesliehindman.com 312.600.6068

consignment department Katherine Russian Consignment Manager katherinerussian@lesliehindman.com 312.447.3263

Mike Intihar Senior Specialist mike@lesliehindman.com

Benjamin Fisher Specialist benjaminfisher@lesliehindman.com Nick Coombs Account Executive nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282 Genevieve King Cataloguer genevieveking@lesliehindman.com Modern Design Luke Palmer Specialist lukepalmer@lesliehindman.com Mike Intihar Senior Specialist mike@lesliehindman.com Benjamin Fisher Specialist benjaminfisher@lesliehindman.com Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282 Fine Books and Manuscripts Jason Rovito Specialist jasonrovito@lesliehindman.com Sophie Hammond Hagman Account Executive sophiehammond@lesliehindman.com 312.334.4231

Fine Jewelry and Timepieces Alexander Eblen, G.G. Director alexandereblen@lesliehindman.com James Wallace Gemologist jameswallace@lesliehindman.com Meredith Derman Gemologist meredithderman@lesliehindman.com Jamie Henderson Associate Specialist/Cataloguer jamiehenderson@lesliehindman.com 312.334.4226 Katie Meyer Account Executive katiemeyer@lesliehindman.com 312.334.4213 Madeline Schroeder Account Executive madelineschroeder@lesliehindman.com 312.334.4223 Luxury Accessories and Couture Anne Forman, Director anneforman@lesliehindman.com 312.334.4222 Mary Shearson, Cataloguer maryshearson@lesliehindman.com 312.447.3288 Arts of the American West Maron Hindman, Specialist maron@lesliehindman.com 303.825.1855 ext 352 Annie McLagan, Specialist anniemclagan@lesliehindman.com 303.825.1855 ext 351 Rachel Enright, Specialist rachelenright@lesliehindman.com 303.825.1855 ext 360 Marketplace Gia Spezia, Director gia@lesliehindman.com 312.334.4219 LH Exchange Elise Moyer, Director elisemoyer@lesliehindman.com 312.447.3261

REGIONAL AUCTION HOUSES Jim Sharp Director jim@lesliehindman.com 312.334.4203 Vaughn Smith Account Executive vaughnsmith@lesliehindman.com 312.334.4238 Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204

Denver

960 Cherokee Street Denver, Colorado 80204 303.825.1855

Milwaukee

525 East Chicago Street Milwaukee, Wisconsin 53202 414.220.9200

Naples

850 6th Avenue South Naples, Florida 34102 239.643.4448

Palm Beach Island

125 Worth Ave Palm Beach, Florida 33480 561.833.8053

West Palm Beach

1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053

Scottsdale

Logan Browning loganbrowning@lesliehindman.com 520.465.4067

St. Louis

32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833

Regional Representatives Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811

International Representative Tina Fisher Grow 561.315.9100

Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping Arrangements Leslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

Guide for Prospective Buyers Conditions of Sale Leslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions Leslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates Leslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser.

In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are:

$0 - $200 ............................................. $10

$200 - $500 ............................................. $25

$500 - $1,000 .......................................... $50 $1,000 - $2,000 ........................................ $100 $2,000 - $5,000 ........................................ $200 $5,000 - $10,000 ...................................... $500 $10,000 - $20,000 ................................... $1,000 $20,000 - $50,000 ................................... $2,000 $50,000 - $100,000 ................................. $5,000 $100,000 - $200,000 ............................... $10,000

Over > $200,000 ......... Auctioneer’s Discretion

In-House Bidding Live bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Driving Directions/Parking From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street.

Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking: Leslie Hindman Auctioneers, Inc. has a private parking lot located on Ada Street, diagonally across the street from our entrance.

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m 135

Conditions of Sale LESLIE HINDMAN AUCTIONEERS, INC. AS AGENT

The lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above.

All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment.

Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Leslie Hindman Auctioneers.

136 f i n e p r i n t s

Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser.

In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $100,000; twenty percent (20%) of any amount in excess of $100,000 up to and including $1,000,000; and twelve percent (12%) of any amount in excess of $1,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $100,000; twenty-one percent (21%) of any amount in excess of $100,000 up to and including $1,000,000; and thirteen percent (13%) of any amount in excess of $1,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

LIABILITY

Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.

Condition Reports Leslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:

Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.

a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price

Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

Discretion Any and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc.

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e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

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g.) to take other action as we find necessary or appropriate

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m 137

leslie hindman auctioneers CHICAGO | DENVER

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

f x 312. 280. 1211 | bi d @ l e s l i e hi nd ma n.co m Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

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Name

Sale Number/Name

Business Name Billing Address City

State

Country/Zip

Contact Name Primary Phone

Secondary Phone

Email Fax

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

$0 - $200 ........................................ $10

$200 - $500 ........................................ $25

$500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000

Over > $200,000 .... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

A per lot buyer’s premium is added to the final hammer price as per the following:

Signature Date

Leslie Hindman Auctioneers, Inc. is not responsible for failure or other inadvertent errors relating to the execution of your bids.

For Leslie Hindman AUCTIONEERS, INC.

Date

$0 - $100,000 .......................................... 25% $100,001 - $1,000,000 ............................ 20% $1,000,001 + ............................................ 12%

First time bidders please provide a valid credit card and one of the following: Passport / Driver’s License / National Identity Card Lot Number

PHONE BID

Absentee Bid

LOT DescriPtion

US Dollar Limit

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

Back-up Bid

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

LHLIVE 1 3 3 8 w e ST LA K E STREET ph 312.280.1212

|

fx 312.280.1211

|

CHICA G O , ILLINOIS

60607

bid@lesliehindman.com

|

lesliehindman.com

L ESL IE HI NDM A N AUCT ION EERS

LH

LESLIE HINDMAN AUCTIONEERS S EP T EM BER 30, 2016 NO .456

13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e h i n d m a n.c o m

FINE PRINTS

SEPTEMBER 30, 2016