Sales 499 + 500 | Fine Art

LESLIE HINDMAN AUCTIONEERS

LH

LESLIE HINDMAN AUCTIONEERS MAY 23, 2017 499 • 500

13 3 8 We s t L a ke S t r e e t C h i c a g o, I l l i n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s l i e h i n d m a n .c o m

MAY 23, 2017 POST WAR AND CONTEMPORARY ART FINE PRINTS

Post War and Contemporary Art Tuesday 23 May 2017 | 10 AM CT

Fine Prints

lh

Tuesday 23 May 2017 | 3 PM CT

LHLIVE

P R EVIEW

friday 19 may | 10am – 5pm saturday 20 may | 10am – 3pm Sunday 21 may | 12pm – 4pm monday 22 may | 10am – 5pm tuesday 23 may | 10am – 3pm auction

tuesday 23 may | 10am CT post war and contemporary art | lots 1 – 219 tuesday 23 may | 3:00Pm CT fine prints | lots 220 – 494 P R OP ERTY PI CK UP HOUR S

MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.

Lots marked with an asterisk (*) are tax exempt as permitted by law.

lesliehindman.com Cover Lot 44 | Richard Lin (British/Chinese, 1933-2011) Composition-Three Circles I, 1960 (detail)

©Leslie Hindman Auctioneers, Inc. 2017 C H I CAG O , I L L I N O I S ILLINOIS AUCTION FIRM LICENSE NUMBER 444000295

P RO P ERTY F RO M TH E ESTATES O F Cornelia Baldwin, Chicago, Illinois Beverly Pierson Carmichael Bradley, Kansas City, Missouri Joan Peters Caro, Chicago, Illinois Alyn and Marlyn Essman, St. Louis, Missouri Sara and Sherman Feinstein, Wilmette, Illinois Martin Gordon, New York, New York and Naples, Florida Kenneth W. Grams Trust, San Antonio, Texas Margaret Knauf, Elkhart Lake, Wisconsin Betty Melaver, Savannah, Georgia Susan Sale, St. Louis, Missouri Elinor G. Slosberg, St. Louis, Missouri Phyllis Warsaw, Chicago, Illinois Daphne H. Wetmore, Hinsdale, Illinois

P RO P ERTY F RO M TH E C O LLEC TIO N S O F Mr. and Mrs. Jerry Ash, Detroit, Michigan Helen Boysen, Chicago, Illinois Dr. and Mrs. Jack Durell, McLean, Virginia Edmond K. & Helen G. Eichengreen, Chicago, Illinois Ms. Bertha Fink, West Bloomfield, Michigan Shelley Gordon, Chicago, Illinois Dr. Natan Har Paz, Detroit, Michigan Laumeier Sculpture Park, St. Louis, Missouri Ms. Ann Lowry, Champaign, Illinois Minneapolis Institute of Art, Minneapolis, Minnesota Mrs. Kelly Peck, St. Louis, Missouri Mr. and Mrs. Schrank, Bonita Springs, Florida Lot 9 | Rosemarie Trockel (German, b. 1952) o.T. (Pro), 1986, knitted wool on canvas, edition 3

Contents post war and contemporary art

lots 1 – 219

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fine prints lots 220 – 494 112

artist index 188 glossary of terms

AUCTION INQUIRIES

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CONDITIONS OF SALE

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TELEPHONE / ABSENTEE BID FORM

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Lot 47 | Julian Stanczak (American, 1928-2017) Opposed to Vertical, 1967 (detail)

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Post War and Contemporary Art tuesday 23 may 2017 | 10AM CT

sculpture | lots 1 – 40 paintings | lots 41 – 128 photography | lots 129 – 169 works on paper | lots 170 – 219

Opposite Lot 201 | Peter Saul (American, b. 1934) Guernica (Orange), 1977 (detail)

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Sculpture

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Lots 1 – 40

1

Christo and Jeanne-Claude

(Bulgarian, b. 1935) Wrapped Chicago Magazines, 1983 plastic, twine, and magazines edition 32/35, signed Christo (lower right) 12 x 8 1/2 inches.

Provenance: Sold: Museum of Contemporary Art Benefit Auction, Chicago, 1983 $2,000-4,000

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2

Alex Katz

(American, b. 1927) Standing Ada, 1987 screenprint on cut aluminum edition 41/75, inscribed A.K. 65 x 10 inches. $15,000-25,000 3

Jeff Koons

(American, b. 1955) Balloon Dog Red, 1995 metalized porcelain edition of 269/2300, inscribed Koons and dated Diameter: 10 1/4 inches. $6,000-8,000 3

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Karl Wirsum

(American, b. 1939) Dancing Hare Toddy Dancing Kong Tamari, 1980 offset lithograph on cardboard with brass grommets edition 32/50, signed Karl Wirsum (verso) 17 x 7 and 16 1/2 x 11 inches. $800-1,200 5*

Louise Nevelson

(American, 1899-1988) Full Moon, 1980 cast polyester resin edition 117/125, inscribed Louise Nevelson (verso) 18 1/2 x 18 1/2 inches.

Property from the Estate of Alyn and Marlyn Essman, St. Louis, Missouri

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Provenance: Pace Editions Inc., New York $3,000-5,000 6*

Louise Nevelson

(American, 1899-1988) Symphony Three (Baro 127), 1974 cast polyester resin edition 5/125, inscribed Nevelson (verso) 18 1/8 x 18 3/4 inches.

Property from the Estate of Alyn and Marlyn Essman, St. Louis, Missouri Provenance: Pace Editions Inc., New York $3,000-5,000 7

Artist Unknown

(20th century) Untitled (Light Box) mixed media Height: 82 inches. $500-700 8*

Ludwig Wilding

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(German, 1927-2010) Intrerferenz-Relief, 1975 Plexiglas with silkscreen edition 28/90, signed Ludwig Wilding (verso) 19 1/2 x 19 1/2 inches.

Property from the Estate of Susan Sale, St. Louis, Missouri $800-1,200

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Rosemarie Trockel, (German, b. 1952) o.T. (Pro), 1986

Rosemarie Trockel embarked on her artistic career after abandoning her studies in mathematics and religion. Coming of age artistically in the male dominated German art scene, Trockel distinguished herself from the luminary figures of Beuys, Kiefer, Polke and Richter by aligning herself with gallerist Monica Sprüth, whose eponymous gallery carried a predominately female roster. Trockel rejected the cerebral trickster conceptualism and the physical painterly painting of the established German artistic patriarchy. Instead Trockel embraced her gender artistically and tackled the topics of feminism, sexuality, and body image in her work; in addition to challenging the status quo of systematized hierarchies in the art world and beyond.

Although versatile in media, wool is the material most commonly identified with Trockel’s practice. She utilized this traditionally feminine and domestic method, oft associated with hand craft and mending, by removing the hand in the creation of machine manufactured knit “paintings” from

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computer generated images. Trockel comments on both gender and commerce in a self referential construct.

Executed in 1986, o.T. (Pro) is one of the more starkly minimal works from the Knit Painting series. Drawing from Trockel’s mathematical background, the work conjures notions of isolation and confinement, with a repetitive geometric binary bitmap order in blue and white grayscale. Not as overtly political as other examples that feature symbols of communism, capitalism, or charged commercial logos, o.T. (Pro) takes the subversive route. With the open ended and highly loaded prefix “Pro” weighted to the right corner, implying completion off composition, there are literal lines to be read in the work. Visually alluding to a piano’s keyboard, a somber droned national anthem to an ambiguous cold war country, for which this knit work would serve as flag, comes to mind. The beauty of brutally simple organization, and the power of that yet to be said, drive this impactful work that haunts and pleases all at once.

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9*

Rosemarie Trockel, (German, b. 1952), o.T. (Pro), 1986 knitted wool on canvas edition 3 57 x 65 inches.

Property from the Estate of Phyllis Warsaw, Chicago, Illinois

Provenance: Monika SprĂźth Galerie, Cologne, Germany Galerie Tanit, Munich, Germany Donald Young Gallery, Chicago Purchased from the above in 1988 $300,000-500,000

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Jane Knight

(American, 1928-2013) Targa, 1976 bound wall hanging 80 x 37 inches. $1,000-2,000

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Deborah Butterfield

(American, b. 1949) Lucas, 1979 dyed yarn, paper and wood 25 x 40 x 8 inches.

Provenance: Zolla/Lieberman Gallery, Chicago $20,000-40,000

12*

Felipe Archuleta

(American, 1910-1991) Long Horn Sheep mixed media 35 x 48 x 13 inches.

Property from the Estate of Betty Melaver, Savannah, Georgia $800-1,200 13*

John Cisney

(American, 20th century) Horse and Carriage, 1986 painted carved wood inscribed 22 1/2 x 37 x 12 1/2 inches.

Property from the Estate of Betty Melaver, Savannah, Georgia $1,000-2,000 14*

John Cisney

(American, 20th century) Horse and Driver, 1987 painted carved wood inscribed Cisney 21 1/2 x 34 1/2 x 10 1/4 inches.

Property from the Estate of Betty Melaver, Savannah, Georgia $1,000-2,000

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Salvador Dali

(Spanish, 1904-1989) Le cheval Ă la montre molle, 1981 bronze edition 141/350, inscribed Dali 17 1/2 x 22 x 6 inches. $5,000-7,000

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17*

Salvador Dali

(Spanish, 1904-1989) Mujer desnuda subiendo la escalera (Hommage to Marcel Ducham) bronze edition A.P. 2/49, inscribed Dali Height: 9 1/2 inches.

Property from the Collection of Shelley Gordon, Chicago, Illinois $1,500-2,500

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Salvador Dali

(Spanish, 1904-1989) Hommage a Newton, 1981 bronze edition 151/350, inscribed Dali and dated Height: 14 1/2 inches. $1,000-2,000

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Salvador Dali

(Spanish, 1904-1989) Venus spatiale, 1984 bronze editon 177/350, inscribed Dali and dated Height: 26 inches. $6,000-8,000

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Boban Ilic

(Serbian, b. 1964) Icarus welded stainless steel cutlery Height: 48 inches. $2,000-4,000

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Ernest Trova

(American, 1927-2009) Falling Man nickel plated bronze Height 9 3/4 inches. $5,000-7,000 20

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21*

Francisco Zuniga

(Mexican, 1912-1998) Standing Juchitecas, 1965 bronze with green patina edition I/III, inscribed Zuniga and dated Height: 16 inches.

Property from the Estate of Sara and Sherman Feinstein, Wilmette, Illinois Literature: A. Zuniga, Francisco Zuniga: Catalogue Raisonne/ Volume I: Sculpture 1923-1993, Mexico, 1999, pg. 449 $8,000-12,000

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22*

Aharone Bezalel

(Israeli, b. 1926) Three Standing Figures bronze Height: 29 3/4 inches.

Property from the Estate of Betty Melaver, Savannah, Georgia $1,000-2,000

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23*

Abbott Pattison

(American, 1916-1999) Untitled (Four Figures) bronze inscribed A Pattison Height: 8 inches.

Property from the Estate of Phyllis Warsaw, Chicago, Illinois $1,000-2,000

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Enrico Donati

(Italian, 1909-2008) Double Face bronze edition 1/6, inscribed Donati Height: 15 1/2 inches $2,000-4,000 24

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Richard Hunt

(American, b. 1935) Grow Wings, 1994 bronze inscribed R. Hunt and dated Height: 13 3/4 inches. $2,000-4,000

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Caroline Lee

(American, 20th century) Untitled (Reclining Figure) bronze figure Width: 26 inches. $1,000-2,000

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H.C. Westermann, (American, 1922-1981) Untitled (for Caroline Lee), c. 1956 H.C. Westermann created Untitled (for Caroline Lee) as a gift for fellow Chicago sculptor, and then sweetheart, Caroline Lee around 1956. Aside from her romantic role, Lee, an employee of the Allan Frumkin Gallery at the time, had the distinction of being the person who introduced Westermann to his future and long term gallerist. The box is accompanied by illustrated love postcards from Westermann to Lee that demonstrates the stalwartly alpha sculptor’s softer side and sly, self conscious sense of humor. Combined with the postcards, Westermann’s box serves as something of an art historical time capsule. It captures a moment when both artists were embarking on careers that would bring them recognition and respective acclaim. Westermann eventually took a prominent role in the Monster Roster, inspiring many a maker to come, while Lee was achieving fame in France for her monumental steel work, culminating with her being awarded the Del Duca Prize in 2006.

Frequently considered an artist’s artist due to his influence and respect amongst his fellows, this Westermann work embodies that time as both a love poem and artifact of the two artists’ time together.

Constructed with deft craftsmanship, Westermann employed pine and walnut woods dovetailed at the joints, with an inlaid ebony CL monogram, and figurative walnut marquetry all capped by a delicately hinged lid. The box is contradictorily clever in being clearly functional yet ambiguously useful as carpentry joins with creativity. Lee was a horse lover and avid rider and as such, Westermann honored her passion with stylized equine motifs in the inlays, while dually acknowledging his own personal saga in the art historical reference. The front facet depicts a rearing horse’s head sourced from Picasso’s emblematic antiwar masterpiece Guernica, a nod to Westermann’s participation

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in the Second World and Korean Wars. The impact of combat on his psyche fueled his stance against militarism, as reflected by the grimacing horse face, a social symbology he would also reprise in later sculptures. Appropriately pony tailed, the horseback rider gracing the lid, lightly dances with whimsical movement, an ethereal representation of Lee’s femininity, in contrast to the hard edged masculinity of the forward facing side, another marriage of opposition adding further layers of meaningful conflict.

One of the most interesting details of the sculptural box could nearly be missed due to the scale, placement, and subtlety of the element. As Michael Rooks describes and explains in H.C. Westermann: Exhibition Catalogue and Catalogue Raisonné of Objects, “The box contains a very small bronze figure, prone on the floor and jammed into the front right corner, where it could easily be overlooked or mistaken for a flaw in the wood. In this posture, enclosed within a relatively large empty space, the figure takes on the aspect of a confined madman. Very likely, the madness of war suggested on the outside of the box has caused the psychological collapse of the interned figure…” (M. Rooks, H.C. Westermann: Exhibition Catalogue and Catalogue Raisonné of Objects, p. 223) Made during the fledgling stage of Westermann’s career, the box was first exhibited in a group show at 414 Art Workshop Gallery in Chicago in 1957, and not shown again until it’s inclusion in his 2001 retrospective organized by the Museum of Contemporary Art Chicago. This early example by the influential wood worker is as significant art historically as it is adept in technique and subversive conceptual content, a physical prophecy on par with his masterful objects to come for the next quarter century.

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H.C. Westermann, (American, 1922-1981), Untitled (for Caroline Lee), c. 1956 walnut, ebony, pine and bronze 9 1/4 x 13 1/2 x 9 1/2 inches.

Provenance: Gift from the Artist to Caroline Lee, Chicago

Exhibited: Chicago, Illinois, 414 Art Workshop Gallery, 1957 Chicago, Illinois, Museum of Contemporary Art Chicago, H.C. Westermann, June 30-September 24, 2001; Washington D.C., the Hirshhorn Museum and Sculpture Garden, February 14-May 12, 2002; Los Angeles, California, The Museum of Contemporary Art, June 9 –September 8, 2002; Houston, Texas, The Menil Collection, October 4–January 5, 2003

Literature: M. Rooks and L. Warren, H.C. Westermann: Exhibition Catalogue and Catalogue Raisonne of Objects, New York, 2001, no. 15, pg. 223 $30,000-50,000

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Jerome Kirk

(American, b. 1923) Untitled wood and metal gears Height: 35 inches. $1,000-2,000

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Jerome Kirk

(American, b. 1923)Â Untitled (Balloons), 1978 painted aluminum inscribed Kirk and dated 47 x 17 x 8 inches. $3,000-5,000

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Jerome Kirk

(American, b. 1923)Â AC Copy painted aluminum and wire inscribed KIRK and titled 9 x 24 inches. $1,500-2,500

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Jerome Kirk

(American, b. 1923)Â Untitled (Circles), 1976 painted aluminum inscribed Kirk and dated 30 x 26 x 6 inches. $3,000-5,000

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Jerome Kirk

(American, b. 1923)Â Untitled (Stabile) foam core, paper, string and wire 12 x 6 inches. $500-700

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Jerome Kirk

(American, b. 1923)Â Untitled (Bird), 1980 painted aluminum inscribed Kirk and dated 10 x 12 inches. $1,000-2,000

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Jerome Kirk

(American, b. 1923) Untitled (Bird Mobile) painted aluminum and wire 20 x 18 inches. $1,500-2,500

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35*

Michael Steiner

(American, b.1945) Untitled, 1969 painted steel 38 x 52 x 11 inches.

Property from the Collection of Laumeier Sculpture Park, St. Louis, Missouri, Sold to benefit its Acquisitions Fund $1,000-2,000

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Dan Corbin

(American, b. 1947) Nude Figure, 1994 bauxite and welded sheet metal signed and dated Height: 54 inches.

Provenance: I. Wolk Gallery, St. Helena, California $800-1,200

37*

Therman Statom

(American, b. 1953) Savannah mixed media 86 x 29 1/2 x 7 1/4 inches.

Property from the Estate of Betty Melaver, Savannah, Georgia

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Provenance: Mary Littleton Gallery, Washington D.C. $3,000-5,000

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Toshiko Takaezu

(American, b. 1929) Moonpot with rattle glazed ceramic Height: 26 inches. $4,000-6,000

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Toshiko Takaezu

(American, b. 1929) Moonpot with rattle glazed porcelain Height: 19 inches. $4,000-6,000 40

Jun Kaneko

(American/Japanese, b. 1942) Slab 00-1-22, 2000 glazed ceramic signed Kaneko and dated (verso) 29 x 22 x 3 inches.

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Provenance: Horwich LewAllen Gallery, Santa Fe, New Mexico $2,000-4,000

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O. Louis Gugliemi

(American, 1906-1956) Interior and Facade No. 1, 1954 oil on canvas signed Gugliemi and dated (upper left) 40 x 18 inches.

Provenance: Andrew Crispo Gallery, New York Washburn Gallery, New York Sold: Sotheby’s New York, May 24, 1990, Lot 218 $15,000-25,000

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Paintings

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Lots 41 – 128

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Ralston Crawford

(American, 1906-1978) Untitled oil on board signed Ralston Crawford (lower left) 15 x 19 inches. $20,000-40,000

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Larry Zox

(American,1937-2006) Untitled, 1963 oil on board signed Zox and dated (verso) 20 x 21 1/2 inches. $3,000-5,000

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Richard Lin

(British/Chinese, 1933-2011) Composition-Three Circles I, 1960 oil on canvas signed Lin Show Yu, titled, and dated (verso) 50 x 30 inches.

Provenance: Gimpel Fils Gallery Ltd, London $50,000-70,000

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46

(German, 1909-1977) Purple Quartet, 1968 oil on canvas laid to masonite signed Hannes Beckmann, titled and dated (verso) 18 x 17 3/4 inches. $2,000-4,000

(German, 1909-1977) Spatial Spiral, 1972 oil on canvas signed Hannes Beckmann, titled and dated (verso) 20 x 20 inches. $3,000-5,000

Hannes Beckmann

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Hannes Beckmann

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Julian Stanczak

(American, 1928-2017) Opposed to Vertical, 1967 oil on canvas signed Julian Stanczak, titled and dated (verso) 52 x 44 inches. $20,000-40,000

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Sanford Wurmfeld

(American, b. 1942) Study for II-16-V-Y, 1975 oil on canvas signed Sanford Wurmfeld, titled, and dated (verso) 18 x 90 inches. $3,000-5,000 49

Robert Swain

(American, b. 1940) Untitled, 1975 acrylic on canvas signed Robert Swain and dated (verso) 108 x 108 inches. $3,000-5,000

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Robert Swain

(American, b. 1940) Untitled, 1975 acrylic on canvas signed Robert Swain and dated (verso) 108 x 108 inches. $3,000-5,000

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53*

(American, b. 1945) Cube Cluster II oil on canvas signed Marco Spalatin (verso) 60 x 48 inches. $600-800

Marco Spalatin

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Rodney Carswell

(American, b. 1946) Red to Gray, 1974 oil on canvas signed R. Carswell, titled and dated (verso) 60 x 95 inches. $1,500-2,500

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(American, b. 1936) Drew, 1972 epoxy and fiberglass 43 x 120 1/2 inches.

Sold by the order of the Board of Trustees of the Minneapolis Institute of Art $1,000-2,000

(American, b. 1938) Untitled, 1972 acrylic on canvas mounted to wood panels 84 x 105 inches $1,000-2,000

(American, 1921-1991) Veronica II, 1961 oil on masonite signed Oli Sihvonen and titled (verso) 30 x 24 inches.

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(American, 1909-1992) Support III, 1989 oil on linen signed Cherry, titled and dated (verso) 32 x 24 inches. $1,000-2,000

Tom Holland

Richard Smith

(British, 1931-2016) Untitled acrylic on canvas signed R. Smith (lower right) 40 x 50 inches. $1,000-2,000

John Tweedle

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Herman Cherry

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Oli Sihvonen

Provenance: Sold: Rago Arts and Auction Center, April 30, 2005, Lot 254 $2,000-4,000

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58*

Edward Avedisian

(American, 1936-2007) Radio Love, 1971 acrylic on canvas 85 x 96 inches.

Sold by the order of the Board of Trustees of the Minneapolis Institute of Art Provenance: Robert Elkon Gallery, New York $3,000-5,000

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59*

Edward Avedisian

(American, 1936-2007) Into the Misty, 1971 acrylic on canvas 93 x 86 inches.

Sold by the order of the Board of Trustees of the Minneapolis Institute of Art Provenance: Robert Elkon Gallery, New York $3,000-5,000

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Enrico Donati

(Italian, 1909-2008) White Line and Rectangle (Moonscape Series), 1954 mixed media on canvas signed Donati (lower right); titled, dated, and signed (verso) 24 x 20 inches. $5,000-7,000

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60A

Chuang Che

(Chinese, b. 1934) Noel, 1971 oil and rice paper on canvas signed Chuang Che, titled and dated (verso) 47 1/2 x 34 inches.

Provenance: DuBose Gallery, Houston, Texas Purchased from the above by the present owner in 1981 $10,000-15,000

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61

Gyorgy Kepes

(Hungarian/American, 1906-2001) Haze Signals, 1969 oil and sand on canvas 16 x 16 inches.

Provenance: The Alpha Gallery, Boston, Massachusetts $2,000-4,000

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Gyorgy Kepes

(Hungarian/American, 1906-2001) Bottle Balance, 1972 oil and sand on canvas signed G. Kepes, titled and dated (verso) 24 x 12 inches. $2,000-4,000

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Theodoros Stamos

(American, 1922-1997) High Snow-Low Sun A, 1961 oil on canvas signed Stamos (lower left); signed, titled and dated (verso) 68 x 48 inches.

Provenance: Louis K. Meisel Gallery, New York Sold: Christie’s New York, November 8, 1989 Lot 286 Exhibited: New York, New York, ACA Galleries, Stamos: An Overview, December 12, 1991 - January 18, 1992, pg. 33 $60,000-80,000

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Yannis Spyropoulos, (Greek, 1912-1990), The Episode 5, 1968 oil on canvas signed Spyropoulos (lower left); signed, titled and dated (verso) 63 1/2 x 51 inches.

Property from the Estate of Julie Anderson Smith, Santa Fe, New Mexico

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Provenance: Acquired directly from the Artist at his studio in Athens, Greece in 1969, by Robert O. Anderson, per the advice of Herbert Bayer of Aspen, Colorado. $15,000-25,000

65*

Joseph Drappell

(Canadian, b. 1940) Aaroncit, 1971 acrylic on canvas signed Joseph Drappell, titled and dated (verso) 67 x 57 inches.

Sold by the order of the Board of Trustees of the Minneapolis Institute of Art Provenance: Robert Elkon Gallery, New York $3,000-5,000

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66*

William Pettet

(American, b. 1942) Untitled, 1968 acrylic on canvas 56 x 106 inches.

Sold by the order of the Board of Trustees of the Minneapolis Institute of Art Provenance: Robert Elkon Gallery, New York $1,000-2,000

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William Pettet

(American, b. 1942) Ping Pong, 1968 oil on canvas signed William Pettet, titled and dated (verso) 60 x 106 inches. $1,000-2,000

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Jules Olitski, (American, 1922-2007), Pleasure Ground #1, 1975

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acrylic on canvas signed Jules Olitski, titled and dated (verso) 80 x 84 inches.

Exhibited: Chicago, Illinois, the Museum of Contemporary Art, View of a Decade, September 10-Novemebr 10, 1977, pg. 1

Provenance: Dart Gallery, Chicago Acquired from the above by the present owner in 1977

Literature: K. Moffet, Jules Olitski, New York, 1981, no. 122, pg. 113 $40,000-60,000

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69*

Jon Schueler

(American, 1916-1992) Raw Sunlight Blues, 1982 oil on canvas signed Schueler, titled and dated (verso) 60 x 50 inches.

Sold by the order of the Board of Trustees of the Minneapolis Institute of Art $5,000-7,000

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Walter Darby Bannard

(American, 1934-2016) Magnetic Lands # 3, 1970 acrylic on canvas signed W.D. Bannard, titled and dated (stretcher bar) 30 x 45 inches.

Provenance: The Greenberg Gallery, St. Louis, Missouri $2,000-4,000

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Sam Gilliam, American, b. 1933), Butterflies Are, 1976 acrylic on canvas signed Sam Gilliam, titled and dated (verso) 84 x 62 inches.

Provenance: Dart Gallery, Chicago Acquired from the above by the present owner in 1977 Exhibited: New Brunswick, New Jersey, Rutgers University Art Gallery, Sam Gilliam: An Exhibition of Paintings, November 14-December 19, 1976 Chicago, Illinois, Dart Gallery, New Paintings by Sam Gilliam, April 23-May 21, 1977 $80,000-120,000

46

post war and contemporary art

71

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47

73

72

Bruce Tippett

(British, b. 1933) Untitled, 1960 oil on canvas signed Tippett and dated (verso) 49 1/4 x 26 inches.

Provenance: Lord’s Gallery, London $1,000-2,000 73

John Von Wicht

(American/German, 1888-1970) Untitled, 1961 oil on canvas laid to board signed V. Wicht and dated (lower right) 46 x 81 1/2 inches. $2,000-4,000 74

Kimber Smith

(American, 1922-1981) Early Morning Yellow, 1959 oil on canvas signed Kimber Smith, titled and dated (verso) 39 1/4 x 39 1/4 inches.

74

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post war and contemporary art

Provenance: Peridot Gallery, New York $3,000-5,000

75

Morris Barazani

(American, b. 1924) Family, 1969 oil on canvas signed Barazani, titled and dated (verso) 52 x 43 7/8 inches. $1,000-2,000 76

Willi Ulfig

(German, 1910-1983) Landscape III, 1972 oil on canvas signed Ulfig and dated (lower right) 22 x 30 inches.

Provenance: Lee Cramp Gallery, Auckland, New Zealand Gallery 259, Auckland, New Zealand $600-800 77

James Dicke

(American, b. 1945) Untitled, 2009 oil on canvas signed J. Dicke and dated (verso) 30 x 24 inches. $3,000-5,000 78

James Dicke

(American, b. 1945) Untitled, 2009 oil on canvas signed J. Dicke and dated (verso) 30 x 24 inches. $3,000-5,000

75

77

78

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49

79

79

Franklin Owen

(American, b. 1939) Untitled, 1975 acrylic on canvas signed Frank Owen and dated (verso) 102 x 174 inches. $3,000-5,000 80

Stanley Casselman

(American, b. 1963) Beyond Rapture #11, 1994 acrylic and synthetic resin, wooden box, and light bulbs signed Casselman and dated (lower right); signed, titled, and dated (verso) 35 3/4 x 30 3/4 inches. $4,000-6,000

80

50

post war and contemporary art

81

Stanley Casselman

(American, b. 1963) Untitled (Blue Pair), 2000 oil on foamcore signed Casselman and dated (verso) 10 x 8 inches (each). $3,000-5,000

81

82

Stanley Casselman

(American, b. 1963) Untitled (Blue, Pink, Green) acrylic on ceramic inscribed Casselman and dated (lower right) 25 x 19 3/4 inches. $3,000-5,000

82

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51

83

Joseph Stabilito

(American, b. 1955) Red Vines, 1983 oil on canvas signed Stabilito and dated (lower left), titled (lower right) 44 x 54 inches. $1,000-2,000

83

84

Joseph Stabilito

(American, b. 1955) Untitled, 1983 oil on canvas signed Stabilito and dated (lower left) 54 x 68 inches. $1,000-2,000

84

85

James Havard

(American, b. 1937) High Tide VI, 1978 acrylic on canvas signed Havard and dated (verso) 60 x 66 inches.

Provenance: Hokin Gallery, Chicago Louis K. Meisel Gallery, New York $4,000-6,000

85 52

post war and contemporary art

86

86*

Alejandro Obregon, (Colombian, 1920-1992), Jardines Tropicales, 1962 oil on canvas signed Obregon (lower left) and dated (verso) 40 x 51 inches.

Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Ms. Montserrat Izquierdo and Mr. Teodoro Quirino Miranda, Dallas, Texas Exhibited: Barranquilla, Colombia, Museo de Arte Moderno de Barranquilla $30,000-50,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

53

87

87

Stephen Pace

(American, 1918-2010) Untitled, 1958 oil on canvas signed Pace and dated (lower center) 32 x 42 inches.

Provenance: Sold: Stair Galleries, December 4th, 2010, Lot 483 $10,000-15,000

54

post war and contemporary art

88

Robert Goodnough

(American, 1917-2010) R-J, 1993 oil on canvas signed Goodnough and dated (lower right); signed, dated, and titled (verso) 60 x 100 inches. $8,000-12,000

88

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55

89

89

Jean Paul Riopelle

(Canadian, 1923-2002) Envol II, 1958 oil on canvas signed Riopelle (lower right) 20 x 26 inches.

Provenance: Galerie Jacques Dubourg, Paris Arthur Tooth & Sons Ltd., London $80,000-120,000

56

post war and contemporary art

90*

Leon Golub

(American, 1922-2004) Head, c. 1959 oil and lacquer on canvas signed Golub (lower right) 42 x 32 1/2 inches Property from the Estate of Phyllis Warsaw, Chicago, Illinois $30,000-50,000

90

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57

91

Vaclav Vytacil

(American, 1892-1984) Zapotic Man, 1964 oil on board signed Vytacil and dated (lower left) 44 1/2 x 29 1/2 inches.

Provenance: Clinton Lindley Ltd., Hillsborough, North Carolina $2,000-4,000 92*

Carlos Merida

(Guatemalan, 1891-1984) El Cielo de los Negros, Projecto Masaico, 1948 oil on masonite signed Carlos Merida (lower right) 16 x 23 1/2 inches.

Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Mr. Dennis Badalow Exhibited: McAllen, Texas, International Museum of Art & Science $8,000-12,000 93*

Jesus Urbieta

(Mexican, 1959-1996) Hombre, 1993 acrylic and sand on board 17 x 27 1/2 inches.

Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Luis Sanchez, Tlalpan, Mexico

91

Exhibited: McAllen, Texas, International Museum of Art & Science $3,000-5,000

93

58

post war and contemporary art

92

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59

94*

Lester Johnson

(American, 1919-2010) City Group, 1977 oil on canvas signed Lester Johnson (lower right) 40 x 30 inches.

Property from the Collection of Ms. Bertha Fink, West Bloomfield, Michigan Provenance: Donald Morris Gallery, Birmingham, Michigan $6,000-8,000 95

Joseph Mellor Hanson

(American, 1900-1963) Crouching Figure, 1942 oil on canvas signed JM Hanson (verso) 35 x 46 inches.

Provenance: Andrew Dickson White Museum of Art, Cornell University, Ithaca, New York $2,000-4,000 96

Joseph Mellor Hanson

94

(American, 1900-1963) Les Cyclades, 1961 oil on canvas initialed JMH (lower right); initialed and dated (verso) 60 x 38 inches.

Provenance: Andrew Dickson White Museum of Art, Cornell University, Ithaca, New York $2,000-4,000

96 60

post war and contemporary art

97

98

99

97

98

(American, b. 1947) Bottle Venus and Sound (a pair of works) oil and encaustic on panel each signed S. Carnwath and titled (verso) each 6 1/2 x 6 1/2 inches.

(American, 1912-2008) Carnival Night mixed media on canvas signed Hoff (lower right); signed and titled (verso) 40 1/4 x 50 inches. $6,000-8,000

Squeak Carnwath

Provenance: Dorothy Goldeen Gallery, Santa Monica, California $2,000-4,000

Margo Hoff

99

Margo Hoff

(American, 1912-2008) Night Sculptures, 1963 mixed media on board signed Hoff (lower right); signed, titled, and dated (verso) 36 x 48 inches.

Provenance: Banfer Gallery, New York $6,000-8,000

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61

100

100

William Wiley

(American, b. 1937) Getting the Word Out, 1993 acrylic and charcoal on canvas signed William T Wiley, titled and dated (verso) 79 1/2 x 138 inches Provenance: Riva Yares Gallery, Scottsdale, Arizona Locks Gallery, Philadelphia, Pennsylvania $30,000-50,000

62

post war and contemporary art

101

Ray Yoshida

(American, 1930-2009) Simple Complexities, 1975 oil on canvas 59 x 76 inches.

Provenance: Phyllis Kind Gallery, Chicago $8,000-12,000

101

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63

102

102

Roger Brown, (American, 1941-1997), Indian Paintbrush, 1976 oil on canvas titled (verso) 72 x 48 inches.

Provenance: Phyllis Kind Gallery, Chicago

64

post war and contemporary art

Exhibited: Long Island City, New York, Institute for Art and Urban Resources at P.S. 1, Image into Pattern: Paintings by Roger Brown, Robert Gordy, and John Tweddle, curated by Alanna Heiss, April 27 - June 15 1980 $20,000-40,000

103

Robert Lostutter

(American, b. 1939) Untitled (Mini Skirt Woman), 1969 oil on canvas 78 x 60 inches. $5,000-7,000

103

104

Robert Lostutter

(American, b. 1939) Figure #2, c. 1965 oil on canvas signed Lostutter (lower right) 70 x 68 inches.

Exhibited: Chicago, Illinois, the Art Institute of Chicago, Sixty Eighth Annual Exhibition by Artist of Chicago and Vicinity, 1965 $4,000-6,000

104

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65

107

108

105

107

108

(Belgian, 1905-1984) Untitled (A Rose by Any Other Name), 1968 oil and collage on canvasboard signed Jane Graverol and dated (lower right) 38 x 30 inches. $800-1,200

(American, 1919-2006) Interior with Lemons, 1956 oil on canvas initialed J and dated (lower center), signed and dated (verso) 12 x 15 inches.

(American, 1919-2006) Still Life with Glassware, 1963 oil on board initialed J and dated (upper right) 10 x 11 inches.

Jane Graverol

106

No Lot

66

post war and contemporary art

John Wilde

Provenance: Bresler Galleries, Milwaukee, Wisconsin $5,000-7,000

John Wilde

Exhibited: Milwaukee, Wisconsin, Milwaukee Art Center, John Wilde, February 10-March 5, 1967 $4,000-6,000

109

James McGarrell

(American, b. 1930) Untitled oil on canvas 90 x 63 inches. $1,000-2,000 110

Richard Milani

(American, b. 1952) Untitled, 1988 acrylic on screen mesh signed Richard Milani and dated (verso) 69 3/4 x 47 inches. $1,000-2,000 111*

John Clem Clarke

(American, b. 1937) Judgment of Paris II, 1969 acrylic on canvas signed John Clem Clarke and dated (verso) 65 1/2 x 112 inches.

Sold by the order of the Board of Trustees of the Minneapolis Institute of Art $2,000-4,000

111

109

110

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67

112

Tom Uttech

(American, b. 1942) Nind Apitenima, 2010 oil on linen signed T. Uttech, titled and dated (verso) 45 x 67 inches.

Provenance: Alexandre Gallery, New York $30,000-50,000

68

post war and contemporary art

113

Lois Dodd

(American, b. 1927) Untitled (Can’t See the End Table for the Trees) oil on canvas 66 x 48 inches.

Provenance: Fishbach, New York $5,000-7,000

113

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69

114

Wolf Kahn

(American, b. 1927) Pines Against an Evening Sky, 1995-96 oil on canvas signed W Kahn and dated (lower center); titled and dated (verso) 26 x 32 inches.

Provenance: DC Moore Gallery, NYC Acquired from the above by the present owner in 1997 $15,000-25,000

114

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post war and contemporary art

115

115

Karl Schrag

(American, 1912-1995) Sunlit House Through Trees oil on canvas signed Karl Schrag (lower right) 41 x 50 inches. $3,000-5,000 116

March Avery

(American, b. 1932) Yellow Trees, 1968 oil on canvas signed March Avery and dated (lower right); titled (verso) 46 x 30 inches. $1,000-2,000 117

March Avery

(American, b. 1932) Untitled (Blue Beach Goers), 1962 oil on canvas signed March Avery and dated (lower right) 48 x 40 inches. $1,000-2,000

116

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71

118

Robert LaHotan

(American, 1927-2002) Garden in Fog oil on canvas signed LaHotan (lower left) 48 x 44 inches. $2,000-4,000 119

Robert LaHotan

(American, 1927-2002) Building by the Sea oil on canvas signed LaHotan (lower left) 48 x 44 inches.

Provenance: Kraushaar Galleries, New York, New York $2,000-4,000

118

120

Karl Knaths

(American, 1891-1971) Storm with the Gods oil on canvas signed Karl Knaths (lower right), signed and titled (verso) 14 x 17 3/4 inches. $2,000-4,000 121

David Bates

(American, b. 1952) Freeport I, 1993 oil on canvas signed Bates and dated (lower right); signed and titled (verso) 20 1/4 x 24 1/4 inches.

Provenance: Charles Cowles Gallery, NYC Acquired from the above by the present owner in 1997 $15,000-25,000

119

72

post war and contemporary art

120

121

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122

123

122

Jeffery Camp

(British, b. 1923) Beachy Head Pointing at Ships, 1972 oil on board signed Jeffery Camp, titled and dated (verso) 59 3/4 x 59 3/4 inches. $2,000-4,000 123

Jeffery Camp

(British, 1923) Over the Lighthouse, 1982 oil on panel 31 1/2 x 24 inches.

Provenance: Nigel Greenwood Gallery, London $1,000-2,000 124

Ted Harrison

124

(Canadian, 1926 - 2015) Untitled acrylic on canvas signed Harrison (lower right) 30 x 34 inches. $3,000-5,000 125*

Jesus Urbieta

(Mexican, 1959-1996) Adan y Eva, c. 1992 acrylic on canvas signed Urbieta (lower right) 23 1/2 x 31 1/2 inches.

Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Ms. Marina Alejandra de Paris Vargas, Mexico City, Mexico

125

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post war and contemporary art

Exhibited: McAllen, Texas, International Museum of Art & Science $3,000-5,000

126

128

127

126

Stephen Mangan (Scottish, b. 1964) Helter Skelter oil on canvas 24 x 20 inches. $2,000-4,000

127

Stephen Mangan (Scottish, b. 1964) Through the Hoop oil on canvas 20 x 36 inches. $3,000-5,000

128*

LeRoy Neiman

(American, 1921-2012) Jockey, 1968 oil on board signed LeRoy Neiman and dated (lower left) 9 5/8 x 4 3/4 inches.

Property from the Estate of Beverly Pierson Carmichael Bradley, Kansas City, Missouri $3,000-5,000

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129

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post war and contemporary art

Photography

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Lots 129 – 169

130

129

130

(British, 1815-1879) Sir John Herschel, c. 1866 albumen print 13 x 9 1/4 inches. $3,000-5,000

(French, 1857-1927) La Bièvre, Passage Moret, ruelle des Gobelins (aujourd’hui disparue) albumen print 9 x 7 inches. $800-1,200

Julia Margaret Cameron

Eugene Atget

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77

132

131

133

134

131

Lewis Wickes Hine

(American, 1874-1940) Italian Group with Baby at Ellis Island gelatin silver print 6 1/2 x 4 1/2 inches. $800-1,200 132

Lewis Wickes Hine

(American, 1874-1940) Untitled (Portrait of a Woman) gelatin silver print 6 1/2 x 4 3/4 inches. $1,000-2,000

78

post war and contemporary art

133

Lewis Wickes Hine

(American, 1874-1940) Untitled (Portrait of a Man) gelatin silver print stamped Lewis W. Hine (verso) 6 1/2 x 4 1/2 inches. $1,000-2,000

135

134

Lewis Wickes Hine

(American, 1874-1940) At O’Donnells, 1915 gelatin silver print 7 x 9 1/2 inches. $1,500-2,500 135

Lewis Wickes Hine

(American, 1874-1940) Operation for Tonsils in a Large Public Clinic. Some Years Ago, 1910 gelatin silver print stamped Lewis W. Hine (verso) 8 x 10 inches. $2,000-4,000

137

139

136

138

136

137

(American, 1874-1940) Machine Worker, c. 1910 gelatin silver print signed Hine (verso) 10 1/2 x 13 1/4 inches. $1,000-2,000

(American, 1874-1940) Skilled Machinist, c. 1920 gelatin silver print signed Hine and titled (verso) 10 x 8 inches. $2,000-4,000

Lewis Wickes Hine

139

Lewis Wickes Hine

138

Lewis Wickes Hine

Lewis Wickes Hine

(American, 1874-1940) Steam Engine State Express New York Central, 1938 gelatin silver print blind stamped Lewis W. Hine, titled and dated (verso) 13 1/2 x 10 1/2 inches. $1,000-2,000

(American, 1874-1940) Ship’s Officer Coastline Steamer gelatin silver print stamped Lewis W. Hine (verso) 8 x 10 inches. $2,000-4,000

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79

140

80

post war and contemporary art

141

140

Alfred Eisenstaedt

(American/German, 1898-1995) First Lesson at Truempy Ballet School, Berlin, 1930 gelatin silver print; printed 1994 76/250, signed Eisenstaedt (lower left) 16 1/4 x 12 inches. $5,000-7,000

141

BrassaĂŻ

(French, 1899-1984) Groupe Joyeux au bal musette des Quatre Saisons, rue de Lappe, c. 1932 gelatin silver print edition 3/30, signed Brassai (lower right) 14 3/4 x 11 3/4 inches. $4,000-6,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

81

142

143

(American, 1918-2006) Igor Stravinsky, 1946 gelatin silver print signed Arnold Newman (lower right) and titled (lower left) 6 x 11 inches. $1,500-2,500

(American, 1913-1985) Marilyn Monroe Ă la couverture, 1946 gelatin silver print edition 41/50, estate stamped (verso) 18 x 14 1/2 inches. $800-1,200

Arnold Newman

Andre de Dienes

144

William Klein

(American, b. 1928) Smoke+Veil, 1958 (Vogue) gelatin silver print signed William Klein, titled and dated (verso) 18 1/4 x 14 inches. $4,000-6,000

142

143

82

post war and contemporary art

144

145

Garry Winogrand

(American, 1928-1984) Untitled, (from theWomen are Beautiful series), c. 1970 gelatin silver print edition 9/80, signed Garry Winogrand (verso) 8 3/4 x 13 inches. $1,000-2,000

145

146

Garry Winogrand

(American, 1928-1984) Untitled, (from the Women are Beautiful series), c. 1970 gelatin silver print edition 9/80, signed Garry Winogrand (verso) 8 3/4 x 13 inches. $1,000-2,000

146

147

Garry Winogrand

(American, 1928-1984) Untitled, (from the Women are Beautiful series), c. 1970 gelatin silver print edition 9/80, signed Garry Winogrand (verso) 8 3/4 x 13 inches. $1,000-2,000

147

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83

149

148

151

150

148

Mary Ellen Mark

(American, 1941-2015) Central Park New York City, 1974 gelatin silver print signed Mary Ellen Mark (lower right); titled and dated (verso) 14 x 10 inches. $1,000-2,000 84

149

150

(American, b. 1947) Gum Tree, Kentucky, 1982 gelatin silver print signed Nicholas Nixon, titled and dated (verso) 7 1/2 x 9 1/2 inches. $2,000-4,000

(American, 1926-2009) Untitled (Barking Up the Wrong Tree) gelatin silver print; printed 2012 edition 1/15, stamped (verso) 11 3/4 x 11 3/4 inches. $1,500-2,500

Nicholas Nixon

post war and contemporary art

Vivian Maier

151

Kiki Smith

(American, b. 1954) My Secret Business, 1993 offset lithograph edition 24/225, signed Kiki Smith (lower right) 30 x 22 inches. $700-900

153

152

152

Nan Goldin

(American, b. 1953) The Hug, 1980 c-print mounted to board edition A.P. 1, signed Nan Goldin, titled and dated (verso) 23 1/2 x 15 1/2 inches. $3,000-5,000 153

Nan Goldin

(American, b. 1953) Joey in My Mirror, Hornstr, Berlin, 1992 c-print mounted to board edition A.P., signed Nan Goldin, titled and dated (verso) 27 1/2 x 40 14 inches. $3,000-5,000 154

Ben Gest

(American, b. 1975) Kate Fixing Her Earring, 2005 archival inkjet print edition 4/8, signed Ben Gest, titled and dated (verso) 57 7/8 x 39 1/2 inches. $2,000-4,000

154

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85

155

86

post war and contemporary art

155

Steve McCurry

(American, b. 1950) Afghan Girl, Sharbat Gula, Peshawar, Pakistan, 1984 c-print, printed 2006 edition 6/30, signed Steve McCurry and stamped (verso) 37 x 24 1/2 inches. $30,000-50,000 156

Manuel Ă lvarez Bravo

(Mexican, 1902-2002) La Buena Fama Durmiendo, 1938 gelatin silver print signed Manuel Bravo (verso) 7 5/16 x 9 11/16 $4,000-6,000 157

Alfred Erhardt

(German, 1901-1984) Wattenmeer Nordsee, 1935 gelatin silver print signed Alfred Erhadt, titled and dated (verso) 11 7/8 x 19 1/2 inches. $800-1,200

156

158

Josef Sudek

(Czech, 1896-1976) Untitled, 1940-54 gelatin silver print signed Sudek (lower right); signed and dated (verso) 9 x 5 inches. $2,000-4,000 159

Josef Sudek

(Czech, 1896-1976) Landscape Panorama, c. 1957 gelatin silver print 3 1/4 x 11 1/4 inches. $3,000-5,000

157

159

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87

160

162

161

160

Ansel Adams

(American, 1902-1984) Tuolumne Meadows, 1941 gelatin silver print stamped Ansel Adams and titled (verso) 7 1/2 x 9 1/2 inches. $1,500-2,500 161

Aaron Siskind

(American, 1903-1991) Martha’s Vineyard #9, 1974 gelatin silver print signed Aaron Siskind (verso) 10 1/4 x 10 1/8 inches. $1,000-2,000

88

post war and contemporary art

162

Aaron Siskind

(American, 1903-1991) New York #4, 1947 gelatin silver print signed Aaron Siskind (verso) 12 7/8 x 9 7/8 inches. $1,000-2,000 163

Aaron Siskind

(American, 1903-1991) Boston #21 (Homage to Franz Klein), 1974 gelatin silver print signed Aaron Siskind (lower right); titled and dated (lower left) 13 13/16 x 17 13/16 inches. $2,000-4,000

163

164

Aaron Siskind

(American, 1903-1991) Dead End: The Bowery, 1937 gelatin silver print signed Aaron Siskind (verso) 13 1/2 x 10 1/2 inches.

Provenance: Richard Gray Gallery, Chicago Collection of George Eastman House, Rochester, New York $800-1,200

165

166

165

Wynn Bullock

(American, 1902-1975) Pilings under Cannery Row, 1958 gelatin silver print signed Wynn Bullock (lower right) 7 1/2 x 9 1/2 inches. $1,000-2,000 166

Gyorgy Kepes

(American/Hungarian, 1906-2001) The Elevated, Chicago 1939 gelatin silver print signed G. Kepes and dated (verso) 7 3/8 x 10 inches. $700-900 167

O. Winston Link

(American, 1914-2001) Ghost Town, Stanley, Virginia, 1957 gelatin silver print; printed in 1992 signed, dated and studio stamped (verso) 15 15/16 x 19 7/8 inches. $1,000-2,000

167

168

Morris Engel

(American, 1918-2005) Shoeshine Boy, East 10th St, NYC, 1947 gelatin silver print signed Morris Engel, titled and dated on verso in pencil 13 3/8 x 16 1/2 inches. $1,000-2,000 169

Lynne Cohen

(Canadian, 1944-2014) Exhibition Hall, 1978 gelatin silver print edition AP 2, signed Cohen (lower right); signed and titled (verso) 17 1/2 x 22 inches. $800-1,200

168 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

89

170

170

Jean Arp

(French, 1886-1966) Multiples collage on black felt edition 72/100, signed Arp (verso) 16 x 16 inches. $2,000-4,000

90

post war and contemporary art

Works on Paper

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Lots 170 – 219

171*

Victor Vasarely

(French/Hungarian, 1908-1997) Sinlag Red and Green on Black together with Frank Gallo made original mold cast paper edition 40/120, signed Vasarely (lower center) 30 3/8 x 30 3/8 inches.

Property from the Collection of Ms. Ann Lowry, Champaign, Illinois $4,000-6,000 172*

Victor Vasarely

(French/Hungarian, 1908-1997) Untitled together with two color paper templates and a black and white mylar template cast paper 24 x 35 inches.

Property from the Collection of Ms. Ann Lowry, Champaign, Illinois $8,000-12,000

171

172

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173

173

Robert Natkin

(American, 1930-2010) Untitled acrylic on paper 22 1/2 x 29 1/2 inches. $2,000-4,000 174*

Carlos Merida

(Guatemalan, 1891-1984) Sin Titulo, 1975 acrylic, resin and pen on amate paper signed Carlos Merida and dated (lower center) 15 1/2 x 11 1/2 inches.

Property from the Kenneth W. Grams Trust, San Antonio, Texas Exhibited: McAllen, Texas, International Museum of Art & Science $2,000-4,000 175*

Carlos Merida

(Guatemalan, 1891-1984) Sin Titulo, 1965 pen, ink and gouache on paper signed Carlos Merida and date (lower right) 10 1/2 x 7 1/2 inches.

Property from the Kenneth W. Grams Trust, San Antonio, Texas

175

92

post war and contemporary art

Exhibited: McAllen, Texas, International Museum of Art & Science $3,000-5,000

176

177

176*

Louise Nevelson

(American, 1899-1988) Untitled, 1972 paper collage signed Nevelson (lower right) 29 1/4 x 20 inches.

Property from the Estate of Alyn and Marlyn Essman, St. Louis, Missouri Provenance: Kodner Gallery, St. Louis, Missouri $4,000-6,000 177

Judith Rothschild

(American, 1922-1993) Cave, 1956 collage signed Rothschild and dated (lower left) 17 1/4 x 11 1/4 inches. $2,000-4,000 178

Fritz Bultman

(American, 1919-1985) November 4th, 1955 gouache on paper initialed F.B. and dated (lower right) 23 x 29 inches.

Provenance: Gallery Schlesinger Limited, New York Exhibited: New York, New York, Gallery Schlesinger Limited, Abstract Expressionism: Painting of the Fifties $2,000-4,000

178

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

93

179

179*

Alfred Leslie

(American, b, 1927) Untitled, c. 1959 collage 8 3/4 x 7 1/2 inches.

Property from the Collection of Edmond K. & Helen G. Eichengreen Chicago, Illinois Provenance: Holland-Goldowsky Gallery, Chicago $6,000-8,000

94

post war and contemporary art

180

181

180

Mark Tobey

(American, 1890-1976) Bale, 1964 mixed media on paper signed Tobey, titled and dated (lower right) 4 3/4 x 6 1/2 inches. $1,500-2,500 181

Mark Tobey

(American, 1890-1976) Untitled, 1968 mixed media on paper signed Tobey and dated (lower right) 4 1/4 x 7 1/4 inches. $1,500-2,500 182

Herbert Ferber

182

(American, 1906-1991) Untitled, 1974 watercolor and ink on paper signed Ferber and dated (lower right) 19 1/2 x 24 1/2 inches. $1,000-2,000 183

Dan Christensen

(American, 1942-2007) Untitled, 1968 oil on paper signed D. Christensen and dated (lower right) 25 x 39 inches. $2,000-4,000

183

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

95

184

Joan Mitchell

(American, 1925-1992) Untitled, 1977 pastel on paper signed Joan Mitchell (lower right) 16 3/4 x 13 3/4 inches.

Provenance: Andre Emmerich Gallery, New York Purchased from the above by the present owner in 1994 $30,000-50,000

184

96

post war and contemporary art

185

Paul Jenkins

(American, 1923-2012) Phenomena Buck Island Black (Anatomy of a Cloud Series),1977 watercolor signed Paul Jenkins (lower right); signed, titled, and dated (verso) 43 x 31 inches. $5,000-7,000

185

186

Paul Jenkins

(American, 1923-2012) Phenomena Summer Threatens, 1985 watercolor signed Paul Jenkins (lower left); signed, titled and dated (verso) 42 x 30 inches. $5,000-7,000

186

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

97

187

187

James Havard

(American, b. 1937) Powder River, 1975, To E.S. Curtis, 1975 and Blue Cree Night, 1976 mixed media on paper each signed Havard and dated (lower right) each 40 x 32 inches. $3,000-5,000 188

Kim MacConnel

(American, b. 1946) Cargo, 1975 gouache signed and dated (lower right) 15 x 20 inches.

Provenance: Dart Gallery, Chicago $1,000-2,000 189

Stanley Casselman

(American, b. 1963) Untitled (Yellow and Pink), 2000 oil on paper signed Casselman and dated (lower right) 14 3/4 x 9 3/4 inches. $5,000-7,000

189

98

post war and contemporary art

190

Roberto Matta

(Chilean, 1911-2002) Composition graphite and crayon on paper signed R. Matta (lower right) 19 1/2 x 24 inches.

Property from a Midwestern Collection $8,000-12,000

190

191

Roberto Matta

(Chilean, 1911-2002) Untitled pencil and crayon on paper initialed RM (lower right) 12 1/2 x 19 1/2 inches. $8,000-12,000

191

192

Roberto Matta

(Chilean, 1911-2002) Untitled, 1959 pencil and crayon on paper 18 3/4 x 25 3/4 inches.

Exhibited: Milwaukee, Wisconsin, Haggerty Museum of Art, Matta: Surrealism and Beyond, September 19-November 30 1997 Monterrey, Mexico, MARCO, Matta: Surrealism and Beyond, February-May 1998 $8,000-12,000

192

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

99

193*

Jose Luis Cuevas

(Mexican, b. 1934) Los Papeles de Salazar #10, 1983 mixed media on paper signed Cuevas (lower right) 29 x 22 1/2 inches.

Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Zion Antiques 20 Art, New York Exhibited: McAllen, Texas, International Museum of Art & Science $1,000-2,000 194

Harland Miller

193

(British, b. 1964) The Indefeatable Secretary, 2011 watercolor, pen and ink on paper signed Miller (lower right) 23 x 17 3/4 inches.

Provenance: Sims Reed Gallery, London $4,000-6,000 195*

Jesus Urbieta

(Mexican, 1959-1996) Iguana, 1988 oil on paper signed Urbieta and dated (lower right) 21 3/4 x 12 1/2 inches.

Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Zion Antiques 20 Art, New York Exhibited: McAllen, Texas, International Museum of Art & Science $1,500-2,500

194

100

post war and contemporary art

196

Sandro Chia

(American, b. 1946) Untitled oil on paper signed Sandro Chia (lower right) 54 x 40 inches. $5,000-7,000

196

197

Elizabeth Murray

(American, 1940-2007) Whazzat #1, 1996 pastel over collaged lithograph 27 1/2 x 19 1/4 inches Provenance: Gemini G.E.L. at Joni Moisant Weyl, New York, New York $4,000-6,000

197

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

101

198

102

post war and contemporary art

199

198

199*

(Dutch, 1921-2006) Appel Circus, 1978 (study for Circus portfolio), acrylic on paper laid to canvas signed Appel (lower left) 33 1/2 x 22 1/4 inches.

(Dutch, 1921-2006) Devil Cat, 1978 (study for Cats portfolio) acrylic on paper laid to canvas signed Appel and dated (lower left) 22 1/2 x 30 inches.

Property from the Collection of Dr. Natan Har Paz

Karel Appel

Provenance: Sold: Sotheby’s New York, October 5, 1989, Lot 162 $10,000-15,000

Karel Appel

Provenance: The London Arts Group, Detroit, Michigan $10,000-15,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

103

200

200

Gladys Nilsson

(American, b. 1940) Untitled, c. 1969 watercolor 18 3/4 x 11 1/4 inches. $4,000-6,000

104

post war and contemporary art

201

Peter Saul

(American, b. 1934) Guernica (Orange), 1977 acrylic, ink, and graphite on museum board signed Saul and dated (lower right) 23 x 28 1/2 inches.

Provenance: Allan Frumkin Gallery, Chicago $50,000-70,000

201

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

105

202

Robert Lostutter

(American, b. 1939) Untitled (Head of Man and Women) and Untitled (Head of Man and Women), 1996 graphite on paper and watercolors each signed Lostutter and dated 7 x 11 inches and each 2 1/2 x 3 inches.

Provenance: Carl Hammer Gallery, Chicago $3,000-5,000 203

Irving Petlin

(American, b. 1934) The Restless (a study), 1983 pastel on paper signed Petlin and dated (lower right) 36 x 25 1/2 inches.

202

Provenance: Dart Gallery, Chicago, Illinois Marlborough Gallery, New York, New York $800-1,200 204

Tim Rollins and K.O.S.

(American, b. 1955) Portrait of Jesse Owens, 1999 acrylic and graphite on book pages laid to linen signed, titled and dated (verso) 40 x 35 inches.

Provenance: Rhona Hoffman Gallery, Chicago $5,000-7,000

202

204 106

post war and contemporary art

205

206

205

206

(British, 1953-2011) Three Heads (Chris), 1983 charcoal on paper sight: 42 x 40 1/4 inches.

(American, b. 1951) Black Lemons, 1986 charcoal on paper signed Donald Sultan, titled and dated 60 x 48 inches. $10,000-15,000

Matthew Carr

Provenance: Wildenstein & Co, London, England $1,000-2,000

Donald Sultan

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

107

207*

Diego Rivera

(Mexican, 1886-1957) Naturaleza Muerta, 1950 pencil on paper signed Diego Rivera and dated (lower right) 16 1/2 x 12 inches.

Property from the Kenneth W. Grams Trust, San Antonio, Texas Provenance: Le Grand Palais, Katy, Texas Exhibited: McAllen, Texas, International Museum of Art & Science $3,000-5,000 208

Rico Lebrun

(American, 1900-1964) Untitled, 1961 watercolor and gouache signed Lebrun and dated (lower right) 22 x 30 inches. $1,000-2,000 209

Byron Browne 207

(American, 1907-1961) Damsel, 1956 ink and wash on paper signed Byron Browne and dated (lower right) 27 x 20 inches. $800-1,200 210

Louis Shanker

(American, 1902-1981) Emerging Forms ink on paper signed Shanker (lower right) 9 x 16 inches.

Exhibited: Chicago, Illinois, The Art Institute of Chicago $800-1,200

208

108

post war and contemporary art

211

Mark di Suvero

(American, 1933) Dr. Mel’s Ride, 1967 graphite on paper 14 x 16 3/4 inches. $1,000-2,000

211

212

Mark di Suvero

(American, 1933) Untitled graphite on paper 19 x 24 inches. $1,000-2,000

212

213

Richard Artschwager (American, 1923-2013) #34, 1974 ink on paper signed Artschwager and dated (lower right) 19 1/2 x 26 inches.

Provenance: Daniel Weinberg Gallery, San Francisco $4,000-6,000

213

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109

214

Paul Sarkisian

(American, b.1938) Envelope, 1975 watercolor on paper signed P Sarkisian and dated (lower left) sheet: 22 x 30 inches. $3,000-5,000 215

Ivan Tabakovic

(Serbian, 1898-1977) Flying Saucer, 1965 collage signed Tabakovic and dated (lower left) 20 x 16 inches.

Provenance: Dorsky Gallery, New York $500-700 216

Tiande Wang

214

215

110

post war and contemporary art

(Chinese, b. 1960) Digital Series No. 4, 2004 ink and burn marks on paper 17 1/4 x 30 1/4 inches. $3,000-5,000

217

218

217

Jennifer Bartlett

(American, b. 1941) X6 Rectangles, 1992 (from the Homan-Ji series) mixed media on paper signed J Bartlett and dated (lower right); titled (lower left) 24 x 24 inches. $3,000-5,000

218

219

(American, 1886-1972) The Beauty of the Great West; Great Falls Montana in Yellow Stone National Park in Arrow River + Crater Lake mixed media on paper signed Joseph E. Yoakum and titled (upper right) 18 x 24 inches. $10,000-15,000

(American, b. 1945) An Evening View from Ray-Mar, 1984 pastel on paper 36 x 48 inches.

Joseph Yoakum

James Butler

Provenance: Frumkin and Struve Gallery, Chicago, Illinois. $1,000-2,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

111

Fine Prints tuesday 23 may 2017 | 3:00pM CT

old master | lots 220 – 237 19th and early 20th century | lots 239 – 282 modern and contemporary | lots 283 – 494

Opposite Lot 388 | Andy Warhol, (American, 1928-1987) John Wayne (from Cowboys and Indians), 1986

220

114

fine prints

Old Master

|

Lots 220 – 237

222

220

Albrecht Dürer

(German, 1471-1528) Ecce Homo (from The Small Passion), c. 1509 woodcut Image: 5 x 3 7/8 inches.

Ref: Hollstein VII 124.144; Schoch, Mende, and Scherbaum 205 $1,000-2,000 221

Albrecht Dürer

(German, 1471-1528) Virgin on a Crescent with a Starry Crown, 1508 (accompanied by an additional engraving after Dürer) engraving Sheet: 4 1/2 x 2 3/4 inches. $500-700

222

Albrecht Dürer

(German, 1471–1528) Samson Rending the Lion, c. 1497–98 woodcut with watermark Sheet: 15 1/4 x 11 inches.

Ref: Hollstein VII 107 $500-700

223

223*

Albrecht Dürer

(German, 1471-1528) The Peasant and His Wife, c. 1497 engraving Sheet: 4 1/4 x 3 1/8 inches.

Property from the Estate of Cornelia Baldwin, Chicago, Illinois

224

Albrecht Dürer

(German, 1471-1528) The Fanatical Falcon and Dog Lover (from Ship of Fools), 1511 woodcut Sheet: 7 1/2 x 5 1/4 inches. $800-1,200

Provenance: C. & J. Goodfriend Drawings and Prints, New York Ref: Koehler, 23; Schoch, Mende, and Scherbaum, 14 $500-700

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115

226

225

225*

Agostino Veneziano

(Italian, c.1490-1540) The Cumaean Sibyl, 1516 engraving 6 1/4 x 5 1/8 inches.

Property from the Estate of Cornelia Baldwin, Chicago, Illinois $500-700 226

Sebald Beham

(German, 1500-1550) The Holy Family Under the Canopy woodcut 5 x 3 3/8 inches.

Ref: Hollstein, 890 only; Bartsch, 121; Pauli, 890 $200-400 227

Heinrich Aldegrever

(German, 1502-c. 1561) Der Glaube, 1528 engraving 3 3/8 x 2 5/8 inches.

Ref: Bartsch, 131 $100-200

227

116

fine prints

228

Giorgio Mantovano Ghisi

(Italian, 1520-1582) Prohpets and Sybils, early 1570’s (a portfolio of six engravings after Michelangelo’s Sistine Chapel frescoes) engravings on laid paper Each approx. 17 1/2 x 22 1/8 inches. $1,000-2,000 229*

Diana Scultori

(Italian, c. 1536-c. 1590) Christ’s Charge to Peter (after Raphael) engraving Sheet: 9 1/4 x 14 1/2 inches.

Property from the Estate of Cornelia Baldwin, Chicago, Illinois $200-400 230

Philipp Galle

(Dutch, 1537-1612) Judith Slaying Holofernes (from The Power of Women), c. 1569 etching on laid paper with watermark Sheet: 11 1/2 x 14 inches. $200-400

228

230

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

117

232

233

231

No Lot 232

Rembrandt van Rijn

(Dutch, 1606-1669) The Angel appearing to the Shepherds, 1634 etching with drypoint and engraving Sheet: 10 3/8 x 8 3/4 inches. $500-700 233

Rembrandt van Rijn

(Dutch, 1606-1669) Descent from the Cross: Second Plate, 1633 etching and engraving fifth state 21 1/8 x 16 1/4 inches Ref: Bartsch, 81 (II) $2,000-4,000 234*

Rembrandt van Rijn

234

118

fine prints

(Dutch, 1606-1669) Lieven Willemsz. van Coppenol, Writing-Master: The Larger Plate, 1658 etching with drypoint and engraving Sheet: 6 1/8 x 5 3/4 inches.

Property from the Estate of Cornelia Baldwin, Chicago, Illinois $600-800

235

235

Wenceslaus Hollar

(Bohemian, 1607-1677) The Four Seasons, 1641 together with Of the Court Mouse, and Country Mouse (The Town Mouse and the Country Mouse), 1665 etchings Sheet of largest: 11 1/4 x 9 3/8 $100-200 236

Stefano della Bella (Italian, 1610-1664) Hand Study, 1641 etching Image: 6 x 8 inches. $100-200

237

Various Artists, (16th-17th Century)

Untitled, A group of eight 16th and 17th century etchings and engravings This lot includes the following works: La TempĂŞte, 1630 by Claude Lorrain (French, 1600-1682); Corsica quas gignit praestanti corpore Vulpes, 1578 by Hans (Jan Baptist) I Collaert (Flemish, 1566-1628); Jan de Wael, 1630-33 by Anthony van Dyck (Flemish, 1599-1641); Hospitalitas (Lot Receiving the Angels) after Frans Menton (Dutch, 1550-1615);

Ubi Rerum Testimonia Adsunt, Non Opus Est Verbis, 1582

by Peter van der Borcht (Flemish, 1545-1608); and a group of 3 etchings

by Theodor Galle (Flemish, 1571-1633) $300-500 238

No Lot

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

119

242

120

fine prints

19th and Early 20th Century

|

Lots 239 – 282

239

Pierre-Auguste Renoir

(French, 1841-1919) L’Enfant au Biscuit (Jean Renoir), c. 1898-99 color lithograph Image: 12 1/2 x 10 3/8 inches.

Ref: Delteil; Stella, 31 $2,000-4,000 240

Pierre-Auguste Renoir

(French, 1841-1919) Claude Renoir, la tête baisée (from L’Album des Douze Lithographies Originales), 1904 lithograph; Vollard, Paris, pub. edition of 950 with artist’s ink stamp signature Image: 7 1/2 x 7 5/8 inches.

Ref: Delteil, 39 $700-900 241*

Pierre-Auguste Renoir

(French, 1841-1919) Le Chapeau Épinglé (La Fille de Berthe Morisot et sa Cousine), c. 1894 etching Plate: 4 1/2 x 3 1/4 inches.

Property from the Estate of Daphne H. Wetmore, Hinsdale, Illinois Ref: Delteil, 8 $600-800

242

Pierre-Auguste Renoir

(French, 1841-1919) La Danse à la campagne (2e planche), c. 1890 softground etching on wove paper stamped with artist’s signature (lower right) Plate: 8 5/8 x 5 3/8 inches. $4,000-6,000 243

Pierre-Auguste Renoir

(French, 1841-1919) La pierre aux trois croquis (from Douze Lithographies originales de Pierre-Auguste Renoir), c. 1904 lithograph; A. Vollard, Paris, pub. from the edition of 950 with stamped signature Image: approx. 9 x 11 1/4 inches.

Ref: Delteil, 41 $500-700

240

239

241

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121

245

244

244*

Mary Cassatt

(American, 1844-1926) Knitting in the Glow of a Lamp, c. 1880 soft-ground etching Sheet: 17 3/8 x 13 1/4 inches.

Property from the collection of Mr. and Mrs. Schrank, Bonita Springs, Florida Ref: Breeskin, 31 $800-1,200

122

fine prints

246

245*

246

(French, 1836-1902) Entre les deux mon coeur balance, 1877 etching and drypoint edition of approx. 100 Plate: 9 7/8 x 14 inches.

Property from the collection of Mr. and Mrs. Schrank, Bonita Springs, Florida Ref: Wentworth, 30 $1,000-2,000

(French, 1836-1902) Le Journal, 1883 Etching and drypoint Image: 14 7/8 x 11 1/2 inches.

Ref: Wentworth, 73 $500-700

James Jacques Joseph Tissot

James Jacques Joseph Tissot

247

Paul CĂŠsar Helleu (French, 1859-1927) Portrait de Madame Cheruit accoudĂŠe au gueridon, c. 1895 drypoint etching signed in pencil Plate: 17 1/4 x 13 1/4 inches. $500-700

248*

249

(Swedish, 1860-1920) Au Piano, 1900 etching signed in pencil and inscribed Plate: 7 7/8 x 5 7/8 inches.

Property from the Estate of Daphne H. Wetmore, Hinsdale, Illinois Ref: Delteil, 159 $500-700

(French, 1875-1963) Minne ĂŠtendue dans un rocking-chair, le repos, 1907 etching and aquatint edition 21/50, signed in pencil Plate: 6 5/8 x 9 3/4 inches Ref: Ginestet & Pouillon, E186 $600-800

Anders Zorn

250

Jacques Villon

Jacques Villon

(French, 1875-1963) La MariĂŠe (after Marcel Duchamp), 1934 color aquatint; Galerie-Bernheim Jeune, Paris, pub. edition 8/200, signed in pencil by Duchamp and Villon Plate: 19 1/2 x 12 1/2 inches.

Ref: Ginestet & Pouillon, E672 $2,000-4,000

251

Jacques Villon

(French, 1875-1963) Composition, 1928 color etching and aquatint edition 79/200, signed in pencil Image: 19 1/2 x 13 1/4 inches. $500-700

248

247

249

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123

252

253

252

Henri de Toulouse-Lautrec

(French, 1864-1901) Paula Brebion (from Le Café Concert), 1893 lithograph edition of 500 Image: 10 3/8 × 7 3/4 inches.

Ref: Delteil, 30 $500-700 253

Henri de Toulouse-Lautrec

(French, 1864-1901) Revue Blanche, 1895 color lithograph; G. Charpentier and E. Fasqualle, Paris, pub.

Sight: 51 x 38 inches.

Ref: Delteil, 355; Wittrock, P16; Adriani, 130 Provenance: Lerum Arts, Puyallup, Washington $5,000-7,000 254

Henri de Toulouse-Lautrec

254

124

fine prints

(French, 1864-1901) Coquelin Ainé (from Portraits d’Acteurs et d’Actrices, Treize Lithographies), 1898 lithograph edition c. 400 Image: 11 1/2 x 9 1/2 inches.

Ref: Delteil, 153 $600-800

255

256

255

256

(Czech, 1860-1939) Lygie, 1901 color lithographic poster; F. Champenois, Paris, prntr.

Sight: 67 x 21 inches.

Ref: Rennet/Weill, 77 $7,000-9,000

(Czech, 1860-1939) Job, 1898 color lithographic poster; F. Champenois, Paris, prntr.

Sheet: 60 1/2 x 40 3/4 inches.

Ref: Rennert/Weill, 51 $3,000-5,000

Alphonse Mucha

Alphonse Mucha

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

125

258

257

260

257

Eugene Grasset

(Swiss, 1841 - 1917) À La Place Clichy, c. 1891 color lithographic poster; G. de Malherbe + H.A. Cellot., Paris, prntr./pub.

Sheet: 50 x 31 1/2 inches. $500-700

126

fine prints

262

261

258*

259

261

(French, 1857-1918) La Quadrille, 1900 color lithograph; Eugène Verneau, Paris, prntr.

Sight: 20 1/4 x 28 inches.

Property from the collection of Mr. and Mrs. Schrank, Bonita Springs, Florida Ref: Gold, 204 $2,000-4,000

(French, 1857-1918) Luxembourg Gardens, c. 1900 color lithographic poster Image: 24 x 33 1/4 inches. $500-700

(French, 1875-1942) Veuve Amiot, 1922 lithographic poster; Devambez, Paris, prntr.

Sight: 62 1/4 x 46 1/2 inches. $800-1,200

Louis Abel-Truchet

Louis Abel-Truchet

260

Benjamin Rabier

(French, 1869-1939) La vache qui rit color lithographic poster; Chavane, Parist, prntr.

Image: 61 x 44 3/4 inches. $800-1,200

Leonetto Cappiello

262

Pol Rab

(French, 1898-1933) Au Bebe Choyé, c. 1935 color lithographic poster Sight: 62 3/4 x 46 3/4 $800-1,200

263

264

265

265A

(20th Century) Buvez Belorange, c. 1939 color lithographic poster 62 1/2 x 46 3/4 inches. $800-1,200

(French, 1900-1979) Art Menagers, 1933 color lithographic poster; Paul Martial, Paris, pub.

Sight: 22 5/8 x 14 7/8 inches $600-800

(French, 1902-1992) Maurice Chevallier: Casino de Paris, 1938 color lithographic poster Sight: 61 3/4 x 44 1/2 inches. $400-600

(French, 20th Century) La cravate, c. 1950 color lithographic poster; Edition_Avenir publicite, Paris, pub.

Image: 61 1/2 x 45 inches. $400-600

Toni

Francis Bernard

263

265

Charles Kiffer

Jean Rouille

264

265A v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

127

266 | one of two

267

266

Seymour Haden

(British, 1818-1910) Kensington Gardens II, 1860 and A Water Meadow, 1859 (a pair of works) etchings one signed in pencil Image of largest: 6 x 8 7/8 inches. $500-700 267

Seymour Haden

(British, 1818-1910) A Brig at Anchor, c. 1870 etching and drypoint signed in pencil Plate: 5 1/2 x 8 1/4 inches. $300-500

266 | two of two

268

128

fine prints

269

268*

James Abbott McNeill Whistler (American, 1834-1903) Thames Warehouses (from the Thames Set), 1859 etching Plate: 3 x 8 inches.

Property from the Collection of Dr. and Mrs. Jack Durell, McLean, Virginia Ref: Kennedy, 38 $700-900 269

James Abbott McNeill Whistler (American, 1834-1903) Billingsgate, 1859 etching Plate: 6 x 9 inches.

Ref: Kennedy, 47 $600-800 270*

James Abbott McNeill Whistler (American, 1834–1903) La vielle aux loques, 1858 etching on laid paper Plate: 8 1/4 x 5 3/4 inches.

Property from the Collection of Mr. and Mrs. Jerry Ash, Detroit, Michigan $600-800

270

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129

271

Otto J. Schneider

(American, 1875-1946) St. Nicholas-des-Champs Paris (together with an additional etching by the artist) etchings each signed in pencil, one dated 1925 Sheet of larger: 13 1/4 x 8 3/8 inches. $50-70

272*

273*

274

(19th Century) A group of architectural etchings consisting of Meryon Charles, La Rue des Toiles, Bourges; Frederick Arthur Farrell, Ponte Vecchio, Florence; and artist unknown Cathedrale d’Amiens etchings Largest Image: 12 x 19 1/4 inches.

Property from the Estate of Cornelia Baldwin, Chicago, Illinois $300-500

(American, 1887-1953) Chartres, The Magnificent, 1948 and Venetian Filigree (Ca’ d’Oro Venetia), 1931 (a group of 2 prints) etching each signed in pencil Image of largest: 10 1/2 x 10 7/8 inches.

Property from the Estate of Cornelia Baldwin, Chicago, Illinois $2,000-4,000

(American, 1887-1953) Towers of San Gimignano, 1932 and Rocamadour, 1927 (a group of two etchings) etchings each signed in pencil and dated Sheet of largest: 16 1/8 x 13 1/8 inches. $300-500

Various Artists

John Taylor Arms

John Taylor Arms

273

273

275

130

fine prints

276 four of six shown

275

Rockwell Kent

(American, 1882-1971) The End, 1927 woodblock signed in pencil Image: 5 x 7 inches.

Ref: Burne Jones, 17 $300-500 276

Rockwell Kent

(American, 1882-1971) Untitled (A group of 6 posthumous wood engravings printed by Letterio Calapai) woodblock each with artist’s stamp Sheet of largest: 9 3/8 x 9 1/8 inches. $300-500

277

277

Frank Weston Benson

(American, 1862-1951) Two Gunners, 1930 etching on laid paper signed in pencil (lower left) Image: 7 x 11 3/4 inches. $500-700 278

Martin Lewis

(American, 1881-1962) Twin Silos, 1936 drypoint signed in pencil Plate: 7 3/8 x 8 3/8 inches.

Ref: McCarron $2,000-4,000

278

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

131

279

Gene Kloss

(American, 1903-1996) City, 1935 drypoint, aquatint and roulette edition of 30, signed and titled in pencil Plate: 10 7/8 x 13 7/8 inches. $2,000-4,000

279

280*

Edna Boies Hopkins

(American, 1872-1937) Blossoms color woodcut signed in pencil Image: 8 3/4 x 7 3/8 inches.

Property from the Estate of Elinor G. Slosberg, St. Louis, Missouri $2,000-4,000

280

132

fine prints

281

Gustave Baumann

(American/German, 1881-1971) Morning Sun, 1931 color woodcut numbered II-61-125, signed and titled in pencil Image: 10 3/4 x 9 3/4 inches. $8,000-12,000

281

282*

Lill Tschudi

(Swiss, 1911-1999) London Buses, 1949 linocut edition 45/50; signed in pencil and dated Sight: 14 1/4 x 7 1/4 inches.

Property from the Estate of Elinor G. Slosberg, St. Louis, Missouri $5,000-7,000

282

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

133

284

134

fine prints

Modern and Contemporary

283

|

Lots 283 – 494

285

286

287

283

285

286

287

(German, 1893-1959) Untitled photolithograph signed in pencil and inscribed Sheet: 20 x 15 inches. $500-700

(French, 1871-1958) Qui ne se grime pas? (pl. 8 from Miserere), 1923 aquatint and drypoint over heliogravure; La Societé d’Édition l’Étoile filante/Ambroise Vollard, Paris, pub. from the edition of 450 Plate: 22 x 16 1/2 inches.

Property of a Lady, Milwaukee, Wisconsin Ref: Chapon & Rouault, 61 $600-800

(French, 1871-1958) Nous croyants rois (pl. 7 from Miserere), 1923 aquatint and drypoint over heliogravure; La Societé d’Édition l’Étoile filante/Ambroise Vollard, Paris, pub. from the edition of 450 Plate: 23 1/8 x 16 1/2 inches.

Property of a Lady, Milwaukee, Wisconsin Ref: Chapon & Rouault, 60 $600-800

(French, 1871-1958) Femme affranchie, à quatorze heures, chante midi (pl. 17 from Miserere), 1923 aquatint and drypoint over heliogravure; La Societé d’Édition l’Étoile filante/Ambroise Vollard, Paris, pub. from the edition of 450 Plate: 21 7/8 x 16 7/8 inches.

Property of a Lady, Milwaukee, Wisconsin Ref: Chapon & Rouault, 70 $600-800

George Grosz

284

Paul Jacoulet

(French, 1902-1960) Les enfants aux yeux jaunes, Ohlol, Est Carolines, 1940 color woodblock signed in pencil, stamped 154/350 to verso Image: 15 1/2 x 11 3/4 inches. $500-700

Georges Rouault

Georges Rouault

Georges Rouault

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

135

288

288*

Pablo Picasso

(Spanish, 1881-1973) TĂŞte de Faune, c. 1958 etching with aquatint inscribed HC and signed in pencil Plate: 11 3/4 x 9 7/8 inches.

Property from the Estate of Margaret Knauf, Elkhart Lake, Wisconsin $4,000-6,000

136

fine prints

289

Pablo Picasso

(Spanish, 1881-1973) Faune et marin, c. 1956 color lithograph; Galerie 65, pub. signed with additional hand embellishment in crayon Sheet: 7 1/2 x 5 3/4 inches.

Ref: Bloch, 800 $10,000-15,000

289

290

291

138

fine prints

290

Pablo Picasso

(Spanish, 1881-1973) Les coulisses du tableau. Odalisque et peintre (from La Serie 156), 1970 etching and drypoint edition 40/50 with the artist’s stamped signature Plate: 12 1/4 x 16 1/8 inches. $2,000-4,000

291

292

(Spanish, 1881-1973) Colombe volant (à l›Arc-en-Ciel), 1952 color lithograph edition 137/200, signed in pencil Image: 19 3/4 x 25 5/8 inches.

Ref: Bloch, 712; Mourlot, 214 $3,000-5,000

(Spanish, 1881-1973) Le Repos du Sculpteur (plate 62 from the Suite Vollard), 1933 etching signed in pencil Plate: 7 1/2 x 10 1/2 inches.

Ref: Bloch, 171 $8,000-12,000

Pablo Picasso

Pablo Picasso

292

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

139

293

293

Pablo Picasso

(Spanish, 1881-1973) Diurnes (femme assise en pyjama de plage II), 1962 linocut inscribed H.C., aside from the edition of 100, signed in pencil Image: 15 3/8 x 11 5/8 inches.

Ref: Bloch, 1062 $8,000-12,000

140

fine prints

294

After Fernand Leger

(French, 1881-1955) Marie l’acrobate, 1955 lithograph in two colors inscribed épreuve d›artiste and signed in pencil Image: 12 5/8 x 10 1/4 inches. $600-800

294

295

After Georges Braque

(French, 1882-1963) Nature morte au Pichet, Verre, Pipe et Fruits, c. 1950 color collotype; Guy Spitzer, pub. edition 5/30, signed in pencil Image: 12 7/8 x 17 7/8 inches. $1,500-2,500

295

296

After Georges Braque

(French, 1882-1963) Quatre oiseaux, c. 1950s color lithograph edition 162/275, signed in pencil Image: 3 5/8 x 8 7/8 inches. $800-1,200

296

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

141

299

300

302

302

302

297*

298*

299

300

(French/Russian, 1887-1985) L’Offrande, 1960 lithograph edition 74/100 Sight: 13 3/4 x 11 3/8 inches.

Property from the Estate of Margaret Knauf, Elkhart Lake, Wisconsin Ref: Mourlot, 291 $400-600

(French/Russian, 1887-1985) Testament expliqué par Esope (pl.

27 from Les Fables de La Fontaine), 1927-30 etching edition 51/100, signed in pencil Plate: 11 1/2 x 9 3/4 inches.

Property from the Estate of Margaret Knauf, Elkhart Lake, Wisconsin $400-600

(French/Russian, 1887-1985) L’échelle (from Chagall), 1957 lithograph inscribed H.C. and signed in pencil Sight: 14 x 10 inches.

Ref: Mourlot, 200 $1,500-2,500

(French/Russian, 1887-1985) Moïse (from Dessins pour la Bible), 1956 lithograph edition 11/75, signed in pencil Sheet: 14 x 10 1/2 inches.

Ref: Mourlot, 124 $1,500-2,500

Marc Chagall

142

fine prints

Marc Chagall

Marc Chagall

Marc Chagall

301

Marc Chagall

(French/Russian, 1887-1985) Le chĂŞne et le roseau (pl. 12 from Les Fables de La Fontaine) etching with hand coloring edition 28/100, signed in pencil 12 x 9 inches.

Ref: Cramer, 22 $500-700 302

Marc Chagall

(French/Russian, 1887-1985) Bezaleel and His Two Golden Cherubim, Moses Sees the Suffering of his People, and Moses and the Tablets of the Law (frontispiece), from Exodus (three works), 1966 lithographs each edition 10/250, signed in pencil Largest: 18 3/4 x 13 3/4 inches. $800-1,200

303

303

Marc Chagall

(French/Russian, 1887-1985) Mere et enfant dans le ciel, berger et son mouton (pl. 19 from Celui qui dit les choses sans rien dire by Louis Aragon), 1976 color etching and aquatint; Maeght, pub.; Lacourière-Frelaut, prntr. edition 1/25, signed in pencil Sheet: 18 5/8 x 14 1/8 inches.

Ref: Cramer, 99 $2,000-4,000 304*

Marc Chagall

(Russian/French, 1887-1985) Idylle aux Champs, 1972 color lithograph edition 47/50, signed in pencil Image: 13 1/4 by 10 1/4 inches.

Property from the Collection of Mrs. Kelly Peck, St. Louis, Missouri Ref: Mourlot, 680 $5,000-7,000

304

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

143

305*

Marc Chagall

(Russian/French, 1887-1985) L’Accordeoniste, 1957 color lithograph; Maeght, Paris, pub. edition 25/90, signed in pencil Image: 10 1/4 x 16 inches.

Property from the Collection of Mrs. Kelly Peck, St. Louis, Missouri Ref: Mourlot, 204 $5,000-7,000 306

Marc Chagall

305

(French/Russian, 1887-1985) David, 1973 color lithograph; Editions des MusĂŠes Nationaux, Paris, pub. edition 51/150, signed in pencil Image: 6 x 4 1/2 inches.

Ref: Mourlot, 700 $2,000-4,000 307

Ben-Zion

(American, 1897-1987) The Life of a Prophet, 1965 (the complete portfolio of fifteen etchings (loose) with case and title page) together with The Epic of Gilgamesh and Enkidu, 1966 (the complete portfolio of 36 etchings (loose) with case and title pages) and The Epic of Gilgamesh and Enkidu, 1965 (all 36 plates loose without case or title page) Letterio Calapai, New York, prntr. each plate signed and numbered by the artist in pencil Largest: 16 x 19 inches.

Note: both portfolios are inscribed and numbered on the limitation page by the artist; The Life of a Prophet is numbered 3/33 and The Epic of Gilgamesh and Enkidu is numbered 12/65. $500-700

306

144

fine prints

308

309

308

Salvador Dalí

(Spanish, 1904–1989) Chevalier Surréaliste, 1980 lithograph edition 50/700, signed in pencil Sheet: 29 x 21 inches.

Ref: Field, 80-7 This work is accompanied by its original case and certificate of authenticity from Bowles/Hopkins. $800-1,200 309

Salvador Dalí

(Spanish, 1904-1989) Hell Canto 24 (from The Divine Comedy) lithograph inscribed EA, signed in red pencil Image: 9 7/8 x 7 1/8 inches. $300-500 310

Salvador Dalí

(Spanish, 1904-1989) Lincoln in Dalivision, 1977 photolithograph with embossing edition 212/350, signed in pencil Image: 24 3/8 x 17 3/8 inches.

Ref: Field, 77-1 $1,000-2,000

310

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

145

311

Joan Miró

(Spanish, 1893-1983) Une Femme, 1958 lithograph edition 246/300, signed in pencil Image: 14 3/4 in x 18 1/4 inches.

Ref: Mourlot, 1712 $2,000-4,000 312

Joan Miró

(Spanish, 1893-1983) Untitled (from Homenatge à Joan Prats), 1971 color llithograph; Poligrafa, Barcelona, pub. inscribed G, and signed in pencil Image: 21 1/4 x 29 1/4 inches. $3,000-5,000 313

Joan Miró

(Spanish, 1893-1983) Libre Del Sis Sentis, 1981 (A portfolio of 6 color etchings and aquatints on Guarro paper, published by Sala Gaspar, Barcelona) edition 44/50 and signed in pencil Sheet: 35 3/4 X 27 3/4 inches.

Dupin, 1165-1170 $30,000-50,000

311

312

146

fine prints

313

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

147

314

315

314

Joan Miró

(Spanish, 1893-1983) Prise à l’hamecon, 1969 etching, aquatint and carborundum edition 22/75, signed in pencil Plate: 38 1/2 x 23 inches.

Ref: Dupin, 515 $5,000-7,000 315

Joan Miró

(Spanish, 1893-1983) Demi-Mondaine à sa fenetre, 1975 etching and aquatint inscribed H.C. and signed in pencil Sheet: 36 x 25 inches.

Ref: Dupin, 742 $3,000-5,000 316

Joan Miró

(Spanish, 1893-1983) Untitled (pl. 16 from Le Marteau sans Maître), 1976 etching and aquatint edition VII/L, signed in pencil Sheet: 17 x 26 inches.

Ref: Dupin, 966 $1,000-2,000

148

fine prints

317

Roberto Matta

(Chilean, 1911-2002) Untitled (three plates from Hom’mere III, L’Ergonaute), 1977-76 etching with aquatint each numbered 75/100, igned in pencil Each: 19 1/2 x 14 2/4 inches. $600-800 318

Roberto Matta

(Chilean, 1911-2002) Porol-Vua, 1978 color lithograph edition 93/100, signed in pencil Sheet: 22 x 29 3/4 inches. $500-700 318

319

Zao Wou-Ki

(Chinese/French, 1920-2013) Embrasement, 1954 color lithograph; l’Oeuvre Gravée, Zurich, pub. edition 75/200, signed and dated in pencil Image: 15 1/4 x 19 1/4 inches.

Ref: Ågerup, 91 $3,000-5,000

319

320

Zao Wou-Ki

(Chinese/French, 1920-2013) Jardin La Nuit, 1954 color lithograph inscribed épreuve d›artiste, signed and dated in pencil Image: 17 1/4 x 22 3/4 Ref: Agerup, 57 $3,000-5,000

320

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

149

321

Gego

(Venezuelan, 1912-1994) Untitled, 1963 etching and aquatint inscribed prueba de artista, signed and dated in pencil Sheet: 18 1/4 x 13 inches. $6,000-8,000 322

Gego

(Venezuelan, 1912-1994) Untitled, 1963 etching and aquatint signed and dated in pencil Sheet: 21 x 14 3/4 inches. $5,000-7,000 323

Gego

(Venezuelan, 1912-1994) Untitled, 1963 etching and aquatint signed and dated in pencil Sheet: 21 x 14 3/4 inches. $5,000-7,000

321

322

150

fine prints

323

324

325

324

Gego

(Venezuelan, 1912-1994) Untitled, 1963 etching and aquatint inscribed prueba de artista, signed and dated in pencil Sheet: 17 7/8 x 17 7/8 inches. $6,000-8,000 325

Gego

(Venezuelan, 1912-1994) Untitled, 1963 etching and aquatint inscribed prueba de artista, signed and dated in pencil Sheet: 13 x 15 7/8 inches. $6,000-8,000 326

Gego

(Venezuelan, 1912-1994) Untitled, 1963 etching and aquatint inscribed prueba de artista, signed and dated in pencil prueba de artista in pencil Sheet: 21 x 17 inches. $6,000-8,000

326

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

151

329

327

328

Georgia O’Keefe

(American, 1887-1986) Drawings, 1968 (portfolio housed in publisher’s original white clamshell box, consisting of an eight-page booklet with an introduction by Lloyd Goodrich, acknowledgements, plate listing, and signed limitation page; followed by ten separate printed portfolios, each containing a print of one of O’Keeffe’s early drawings, in black and white and color lithographs; Atlantis Editions, New York, pub. signed on the limitation page in ink and numbered 154 Portfolio: 27 1/4 x 20 3/4 inches. $1,000-2,000 328

Adolph Gottlieb

(American, 1903-1974) Beacon, 1969 color lithograph edition 23/100, signed and dated in pencil Sheet: 29 x 20 1/2 inches. $2,000-4,000 329*

Adolph Gottlieb

(American, 1903-1974) Blue Night, 1970 color screenprint; Marlborough Graphics, Inc., London, prntr./pub. edition 26/200, signed and dated in pencil Image: 24 x 17 3/4 inches.

Property from the Collection of Helen Boysen, Chicago, Illinois Ref: Associated American Artists, 68 $2,000-4,000 330

Pierre Soulages

(French, 1919) Lithographie No 23, 1969 color lithograph edition 80/85, signed in pencil Sheet: 31 1/2 x 22 inches.

Ref: Rivière, 25; Encrevé, 70 $2,000-4,000

330 152

fine prints

331

Robert Motherwell

(American, 1915-1991) The 40s, 1977 aquatint with lift ground etching; pub. Brooke Alexander, Inc., New York edition 42/80, signed in pencil Plate: 5 7/8 x 7 3/4 inches.

Ref: Belknap, 177 $800-1,200 332

Robert Motherwell

(American, 1915-1991) Espana II, 1977 aquatint with lift ground etching; pub. Brooke Alexander, Inc., New York edition 16/40, signed in pencil Plate: 7 7/8 x 5 7/8 inches.

Ref: Belknap, 176 $800-1,200 333

Robert Motherwell

(American, 1915-1991) Phoenician Etching, 1977 aquatint with lift ground etching; pub. Brooke Alexander, Inc., New York edition 15/40, signed in pencil Plate: 5 15/16 x 7 13/16 inches.

Ref: Belknap, 178 $800-1,200

334

334

Robert Motherwell

(American, 1915-1991) Gesture III, 1976-77 aquatint with lift ground etching; pub. Brooke Alexander, Inc., New York edition 74/75, signed in pencil Plate: 19 5/8 x 15 3/4 inches.

Ref: Belknap, 171 $6,000-8,000 335

Robert Motherwell

(American, 1915-1991) Gesture IV (State I), 1976-77 aquatint with lift ground etching; pub. Brooke Alexander, Inc., New York edition 74/75, signed in pencil Plate: 19 9/16 x 15 3/4 inches.

Ref: Belknap, 172 $8,000-12,000 335A

Robert Motherwell

(American, 1915-1991) Untitled (pl. 1 from Africa Suite), 1970 screenprint edition 67/150, signed in pencil Plate: 31 1/2 x 23 1/2 inches. $1,500-2,500

335

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

153

337

338

336

Victor Pasmore

(British, 1908-1998) Two Images, 1974 etching with aquatint; pub. Brooke Alexander Inc., New York edition 26/90, signed in pencil 21 3/4 x 16 1/2 inches. $1,000-2,000 337

Victor Pasmore

(British, 1908-1998) Brown Image, 1971 etching with aquatint; pub. Brooke Alexander Inc., New York ediiton 22/90, signed in pencil 37 1/4 x 27 1/2 inches. $2,000-4,000

339

338

Jean Paul Riopelle

(Canadian, 1923-2002) Jute V, 1967 lithograph edition 70/75, signed in pencil Sight: 26 3/4 x 36 3/4 inches. $1,000-2,000 339

Eduardo Chillada

(Spanish, 1924-2002) Aikaitz, 1972 etching with aquatint and embossing edition 43/50, signed in pencil Sheet: 27 3/4 x 23 1/2 inches. $2,000-4,000 340

Joan Mitchell

340

154

fine prints

(American, 1925-1992) Sunflower VI, 1972 etching with aquatint; Maeght Éditeur, Paris, pub. edition 34/75, signed in pencil Plate: 23 1/4 x 19 1/2 inches. $2,000-4,000

341

Helen Frankenthaler

(American, 1928-2011) Corot’s Mark, 1987 aquatint, etching and lithograph; Tyler Graphics, Ltd., pub. edition 20/52, signed in pencil and dated Image: 20 1/4 x 25 inches.

Ref: Harrison, 136 $7,000-9,000

341

342

Helen Frankenthaler

(American, 1928-2011) Flotilla, 2006 color screenprint; Lincoln Center/List Poster and Print Program, New York, pub. edition 26/120, signed in pencil Sheet: 31 x 36 3/4 inches.

Property from the Private Collection of Joel Kessler, New York, New York and Naples, Florida $4,000-6,000

342

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

155

345

346

348

343

345

(American, 1922-2007) Graphic Suite no. 2, 1970 screenprint edition 13/150, signed in pencil Image: 25 3/4 x 34 1/2 inches. $800-1,200

(American, 1923-1994) Untitled (SF-260), 1981 color lithograph edition 46/150, signed in pencil Sheet: 24 x 18 1/4 $1,000-2,000

344

346

(British, 1931-2016) Untitled, 1971 color lithograph with collage signed and dated in pencil Image: 19 1/2 x 33 inches.

(American, b. 1933) As Kids Go, 1996 lithograph with collage edition 52/100, signed, titled and dated Sheet: 25 x 34 inches. $1,000-2,000

Jules Olitski

Richard Smith

Provenance: vanStraaten Gallery, Chicago $300-500 156

fine prints

Sam Francis

Sam Gilliam

347

Robert Mangold

(American, born 1937) Untitled (from Skowhegan Suite), 1991 woodcut on kozo edition 61/80, signed in pencil Sheet: 29 x 21 1/2 inches. $2,000-4,000 348

Robert Mangold

(American, b. 1937) Five Aquatints, 1975 etching with aquatint; Crown Point Press, San Francisco, pub. edition of 50, signed in pencil Each: 9 x 9 inches. $3,000-5,000

349

David Shapiro

(American, 1944-2014) Savason 17, 2007 collograph, lithograph, and etching edition of 5, unique variant Image: 17 x 93 inches.

Property from a Private Collection, Sarasota, Florida and Chicago, Illinois $500-700 350

Tony Cragg

(British, b. 1949) Container III, 1988 spit bite and aquatint edition 2/15, signed in pencil Image: 11 3/4 x 13 3/4 inches. $600-800

351

353

354

(American, b. 1954) Untitled, 2004 lithograph edition 29/35, signed and dated Sheet: 30 1/4 x 41 1/2 inches. $1,000-2,000

(American, b. 1948) A Small Tree Taller Than Most Men, 1984 monotype; woodcut, etching, linocut, collage on paper signed and titled in pencil 93 x 40 1/2 inches. $500-700

(American, b. 1948) Burden of Need, 1989 mixed media edition 19/23, signed and dated in pencil Sheet: 36 1/2 x 61 1/2 inches. $200-400

Sue Williams

Steven Sorman

352

John Walker

Steven Sorman

355

Charles Arnoldi

(British, b. 1939) Clammer’s Marks, 2003 carborundum and aquatint edition 1/15, signed in pencil and dated Plate: 42 3/4 x 35 3/4 inches. $300-500

(American, 1946) Untitled (Diptych), 1986 monotype with oil paint inscribed SB, signed and dated Overall: 44 x 60 3/4 inches. $4,000-6,000

351

353

355

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

157

356

Alexander Calder

357

(American, 1898-1976) Untitled (Balloons) (from XXe Siècle No 37) 1971 color lithograph inscribed E.A., signed in pencil Image: 12 x 9 1/2 inches. $600-800 357

Alexander Calder

(American, 1898-1976) Les vagues, 1968–1969 color lithograph inscribed EA and signed in pencil Sight: 28 1/2 x 45 1/2 inches. $2,000-4,000 358

Alexander Calder

(American, 1898-1976) Six Pyramids and Three Circles (from Xxe Siècle), 1973 color lithograph inscribed E.A. and signed in pencil Image: 12 3/8 x 11 3/4 inches. $600-800 359

Alexander Calder

359

(American, 1894-1976) Black Sun-Black Man, 1969 lithograph edition 50/75, signed in pencil Sheet: 29 1/2 x 43 inches. $1,500-2,500 360

Alexander Calder

(American, 1898 - 1976) Pyramids, 1976 color lithograph edition 72/95, signed in pencil Sheet: 29 1/8 x 42 7/8 inches. $1,000-2,000

360

158

fine prints

362

363

364

365

361

364

(American, 1917-2010) Untitled, 1974 screenprint edition 42/200, signed in pencil Sheet: 40 x 25 inches. $500-700

(American/German, 1888-1976) Untitled (one plate from Hommage au carré), 1964 color screenprint edition 18/125, signed and dated in pencil Image: 11 x 11 inches. $2,000-4,000

Robert Goodnough

362

Sonia Delaunay

(Russian, 1885 - 1979) Untitled color etching edition 26/150, signed in pencil Image: 27 x 19 1/2 inches. $1,000-2,000 363

Jean Arp

(French, 1886-1966) Untitled woodcut and collage edition 92/135 Image: 17 1/4 x 13 1/4 inches. $1,000-2,000

Josef Albers

365

Josef Albers

(American, 1888-1976) Variant II (from Ten Variants), 1966 screenprint edition 114/200, initialed in pencil Image: 11 1/4 x 11 1/4 inches. $800-1,200

366

366

368

(American/German, 1888-1976) I-S Va 6, (from Six Variants), 1969 silkscreen edition 113/150, signed in pencil, titled, and dated with the IvesSillman, Inc. blindstamp Sheet: 28 x 36 inches.

Ref: Danilowitz, 192 $1,000-2,000

(Dutch, 1872-1944) Untitled (a single plate from the portfolio of twelve color screenprints, Mondrian.), 1957 color silkscreen; Ateliers d’Arcay, Paris, prntr; Éditions Galerie Denise René, Paris, pub. edition 64/300 with the publisher’s blindstamp Sheet: 25 1/2 x 19 3/4 inches. $300-500

Josef Albers

367

Ilya Bolotowsky

(American/Russian, 1907-1981) Untitled screenprint edition 3/125, signed in pencil Sheet: 21 1/2 x 29 1/2 inches. $300-500

Piet Mondrian

369

Leon Polk Smith

(American, 1906-1996) Volair, (from Constellation Series), 1975 screenprint edition 6/80, signed in pencil Image: 31 1/2 x 27 1/2 inches. $400-600

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

159

371

372

370

370

Gene Davis

(American, 1920-1985) Black Watch III, 1974 color screenprint Sheet: 72 x 44 3/4 inches. $1,500-2,500 371

Gene Davis

(American, 1920-1985) Tarzan, 1969 (from Series I) color screenprint Sheet: 24 x 30 inches. $800-1,200

373 160

fine prints

372

Gene Davis

(American, 1920-1985) King Kong, 1969 (from Series I) color screenprint Sheet: 24 x 30 inches. $800-1,200 373

Gene Davis

(American, 1920-1985) John Barley Corn, 1969 (from Series I) color screenprint Sheet: 30 x 20 inches. $800-1,200

374*

Mark di Suvero

(American, b. 1933) Joie de Vivre, I- IV, 2004 digital fine art prints on acid free Hahnemuhle rag paper edition 4/10, each signed in pencil Sheet: 19 x 12 3/4 inches.

Property from the Collection of Laumeier Sculpture Park, St. Louis, Missouri, Sold to benefit its Acquisitions Fund $5,000-7,000 375

Julio Le Parc

(Argentinian, b. 1982) Untitled color screenprint signed in pencil Sheet: 33 1/2 x 25 inches. $600-800

378

376

Alfred Jensen

(Guatamalean, 1903-1981) Untitled, (from Portfolio), 1973 screenprint; Pace Editions Inc., pub. edition 141/150 Image: 30 x 30 inches. $400-600 377

Pedro Friedeberg

Alain le Yaouanc

(French, b. 1940) L’Accompagnateur, 1970 lithograph edition 26/75, signed in pencil Sheet: 19 x 25 3/4 inches. $300-500 379

(Mexican, b. 1937) Untitled, 1973 lithograph edition 38/60, signed and dated in pencil Image: 19 1/2 x 19 5/8 inches.

Property from a Private Collection, Sarasota, Florida and Chicago, Illinois $300-500

Anish Kapoor

(Indian, b. 1954) Untitled, 1991 aquatint edition 61/80, signed and dated in pencil Sheet: 34 1/2 x 20 1/4 inches. $600-800

374

377

376 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

161

380

382

380

James Rosenquist

(American, 1933-2017) Myth and Technology, 1981 (portfolio of seven works) lithographs; Derrière l’Étoile Studios, New York, prntr.; Rosebranches, Inc. and Aripeka Editions, New York, pub. edition 98/150, signed and dated in pencil Image: 28 x 28 inches. $2,000-4,000

162

fine prints

381

James Rosenquist

(American, b. 1933) Star Towel Weather Vane, 1977 lithograph with collage; Gemini G.E.L., pub. edition 33/42, signed, titled and dated in pencil Sheet: 22 x 44 inches.

Ref: Gemini, 778 $600-800

383

382

James Rosenquist

(American, b. 1933) Pulling Out, 1972 color serigraph edition 10/39, signed, titled, and dated in pencil Sheet: 25 1/2 x 34 1/4 inches. $600-800 383

James Rosenquist

(American, b. 1933) Toy Prison, 1972 color lithograph edition 36/150, signed, titled and dated Sheet: 22 x 29 3/4 inches. $500-700

384

James Rosenquist

(American, b. 1933) Rails, 1975-76 lithograph and screenprint; Graphicstudio / University of South Florida, pub. inscribed bon a tirer, signed, titled and dated in pencil Sheet: 34 1/2 x 70 1/2 inches.

Ref: Glenn, 89 $1,000-2,000

385

Andy Warhol

(American, 1928-1987) S&H Green Stamps, 1965 offset lithograph; the Institute of Contemporary Art, Philadelphia, pub edition of 300, estate stamped and initialed F.H. (verso) Sheet: 22 3/4 x 22 3/4 inches.

Ref: F&S, II.9 $3,000-5,000 386

After Andy Warhol

(American, 1928-1987) Untitled (3 announcement cards for the Mao, Marilyn, and Flowers portfolios) oofset lithograph printed on cardstock each signed in marker Largest: 7 x 7 inches. $6,000-8,000

385

386

387

After Andy Warhol

(American, 1928-1987) Myths, 1981 (set of ten announcement cards with cover and contents card) color offset lithographs; Ronald Feldman Fine Arts, prntr. each signed in marker Each: 7 x 7 inches. $3,000-5,000 388

After Andy Warhol

(American, 1928-1987) Endangered Species (full set of 10 announcement cards with cover), 1983 color offset lithographs printed on cardstock; Ronald Feldman, New York, pub. each signed in marker Each: 6 x 4 1/4 inches. $3,000-5,000 387 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

163

389

389

Andy Warhol

(American, 1928-1987) John Wayne (from Cowboys and Indians), 1986 color screenprint on Lenox Museum Board; Rupert Smith, New York, prtnr.; Gaultney, Klineman Art Inc., New York, pub. edition PP2/15, signed in pencil Sheet: 36 x 36 inches.

Provenance: Martin Lawrence Galleries Ref: Feldman & Schellmann, II.377 $30,000-40,000

164

fine prints

390

390

Andy Warhol

(American, 1928-1987) Annie Oakley from Cowboys and Indians, 1986 color screenprint on Lenox Museum Board; Rupert Smith, New York, prtnr.; Gaultney, Klineman Art Inc., New York, pub. edition 29/250, signed in pencil Sheet: 36 x 36 inches.

Provenance: Martin Lawrence Galleries Ref: Feldman & Schellmann, II.378 $20,000-30,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

165

391

391

392

393

(American, 1923-1997) Still Life with Portrait (from Six Still Lifes), 1974 lithograph and screenprint with debossing; Multiples, Inc., and Castelli Graphics, New York, pub. edition 67/100, signed in pencil Sheet: 47 7/8 x 37 1/4 inches.

Ref: Corlett, 131 $8,000-12,000

(American, 1923-1997) Crying Girl (mailer), 1963 offset lithograph; Colorcraft, New York, prntr.; Leo Castelli Gallery, New York, pub.

Sheet: 23 x 17 inches.

Ref: Corlett, 282 $1,000-2,000

(American, 1923 - 1997) Two Figures with Teepee, (from American Indian Theme), 1980 etching, aquatint, and engraving; Tyler Graphics, Ltd., Mount Kisco, New York, pub. edition 16/32, signed and dated in pencil Sheet: 23 3/4 x 20 5/8 inches.

Ref: Corlett, 169 $5,000-7,000

Roy Lichtenstein

166

fine prints

After Roy Lichtenstein

Roy Lichtenstein

392

393

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

167

394

396

168

fine prints

395

394

Tom Wesselmann

(American, 1931-2004) Monica Nude with Purple Robe, 1990 aquatint and embossing with the Branstead Studio blindstamp, New York Edition 74/75, signed in pencil Sheet: 38 x 59 inches $7,000-9,000

395

Tom Wesselmann

396

(American, 1931-2004) Monica Sitting with Mondrian, 1989 screenprint; International Images, Inc., Putney, Vermont, pub. edition 63/100, signed in pencil Sheet: 51 x 37 inches $10,000-15,000

Tom Wesselmann

(American, 1931-2004) Monica with Tulips, 1989 screenprint; International Images, Inc., Putney, Vermont, pub.

Edition 65/100, signed in pencil Sheet: 44 3/4 x 53 1/2 inches $6,000-8,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

169

397

Claes Oldenburg

(American, b. 1929) Baked Potato Study, 1972 color lithograph; Petersburg Press, pub./prntr. edition 54/75, signed in pencil Sheet: 14 3/8 x 17 3/4 inches.

Ref: Axsom, 80 $500-700 398

Claes Oldenburg

400

398

(American, b. 1929) New Media–New Forms, 1960 offset lithograph edition 16/40, signed in pencil Sheet: 22 1/2 x 17 3/4 inches.

Property from a Private Collection, Sarasota, Florida and Chicago, Illinois $1,000-2,000 399

Christo and Jeanne-Claude

(Bulgarian/American, b. 1935) Wrapped Tree Project, 1979 lithograph with collage edition 66/99, signed in pencil Sheet: 22 x 28 inches.

Ref: Schellmann, 101 $1,000-2,000 400*

Christo and Jeanne-Claude

401

(Bulgarian/American, b. 1935) Wrapped Trees, 1987 lithograph with collage; Torsten Lilja, Stockholm, pub. inscribed L.P. IMP, signed in pencil and dated Sheet: 28 x 22 inches Property from the Estate of Phyllis Warsaw, Chicago, Illinois Ref: Schellmann, 133 $3,000-5,000 401*

Christo and Jeanne-Claude

(Bulgarian/American, b. 1935) Wrapped Automobile, 1984 lithograph with collage edition X/XX, signed in pencil and dated Sheet: 22 1/2 x 28 inches Property from the Estate of Phyllis Warsaw, Chicago, Illinois Ref: Schellmann,113 $5,000-7,000 402*

Christo and Jeanne-Claude

(Bulgarian/American, b. 1935) Package on Carozza, 1984 lithograph with collage edition X/XX, signed in pencil Sheet: 22 x 27 3/4 inches.

Property from the Estate of Phyllis Warsaw, Chicago, Illinois Ref: Schellmann, 112 $3,000-5,000 402

170

fine prints

403*

Christo and Jeanne-Claude

(Bulgarian/American, b. 1935) Wrapped Walkways, 1983 lithograph with collage; Edition Schellmann & KlĂźser, Munich and New York, pub. edition XVII/XXV, signed in pencil and dated Sheet: 28 x 44 1/4 inches Property from the Estate of Phyllis Warsaw, Chicago, Illinois Ref: Schellmann, 111 $4,000-6,000 403

404*

Christo and Jeanne-Claude

(Bulgarian/American, b. 1935) Wrapped Telephone, 1985 lithograph with collage inscribed PPI, signed in pencil and dated Sheet: 28 x 22 inches Property from the Estate of Phyllis Warsaw, Chicago, Illinois Ref: Schellmann, 119 $3,000-5,000 405

Christo and Jeanne-Claude

(Bulgarian/American, b. 1935) Wrapped Motorcycle/Sidecar, Project for Harley-Davidson 1933 VL Model, 1997 lithograph with collage; Landfall Press, Chicago, pub. inscribed S.J-C. and numbered 5/6, signed in pencil Sheet: 18 3/4 x 21 3/4 inches.

Ref: Schellmann, 176 $3,000-5,000

405

406

Christo and Jeanne-Claude

(Bulgarian/American, b. 1935) Wrapped Champagne Bottle, Project for Happy Anniversary, 2000 lithograph with collage edition 22/30, signed in pencil Sheet: 21 1/4 x 16 1/2 inches. $3,000-5,000 407

Christo and Jeanne-Claude

(Bulgarian/American, b. 1935) Two Lower Manhattan Wrapped Buildings, Project for New York, 1980 lithograph with collage edition 57/99, signed in pencil Sheet: 27 3/4 x 21 1/2 Ref: Schellmann, 106 $3,000-5,000

406

407

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

171

408

408

Keith Haring

(American, 1958-1990) Untitled (from Pop Shop IV), 1989 color silkscreen; Martin Lawrence Limited Editions, New York, pub. edition 102/200, signed in pencil and dated with iguana blindstamp Sheet 13 1/2 x 16 1/2 inches. $10,000-15,000

172

fine prints

409

After Keith Haring

(American, 1958-1990) Untitled (set of 5 announcement cards for the Fertility portfolio with title card) offset lithograph printed on cardstock each signed in marker Each: 4 3/4 x 5 1/4 inches. $1,000-2,000 410

Jean-Michel Basquiat

(American, 1960-1988) Untitled (invitation to Eric Goode’s birthday at Area), c. 1985 color offset lithograph Sheet: 17 x 11 inches. $1,000-2,000 411

Robert Cottingham

(American, 1935) HOT, 1973 color lithograph on wove paper signed in pencil and numbered IV Image: 21 x 20 3/4 inches Ref: Landwehr, 5 $800-1,200 409

410

411

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

173

412

413

415

414

416

417

412

414

416

418

(American, b. 1928) High Ball Redball Manifest, (from The American Dream portfolio), 1997 color serigraph; Marco Fine Arts Contemporary Atelier, El Segundo, pub. edition 64/395, signed in pencil Sheet: 18 1/2 x 16 inches. $800-1,200

(American, b. 1928) Picasso, (from The American Dream portfolio), 1997 color serigraph; Marco Fine Arts Contemporary Atelier, El Segundo, pub. edition 64/395, signed in pencil Sheet: 19 x 16 inches. $800-1,200

(American, b. 1928) Colby ART, 1973 color screenprint edition 71/100, signed in pencil Image: 31 x 31 inches. $800-1,200

413

415

(American, b. 1928) Purin: Four Facets of Esther (II), 1967 color screenprint edition 38/60, signed, titled and dated in pencil Image: 26 3/8 x 21 3/8 inches.

Property from a Private Collection, Sarasota, Florida and Chicago, Illinois $2,000-4,000

(American, b. 1928) Marilyn Monroe, (from The American Dream portfolio), 1997 color serigraph; Marco Fine Arts Contemporary Atelier, El Segundo, pub. edition 64/395, signed in pencil Sheet: 16 x 16 inches. $800-1,200

(American, b. 1928) One, (from The American Dream portfolio), 1997 color serigraph; Marco Fine Arts Contemporary Atelier, El Segundo, pub. edition 64/395, signed in pencil Sheet: 16 x 16 inches. $800-1,200

Robert Indiana

Robert Indiana

174

fine prints

Robert Indiana

Robert Indiana

Robert Indiana

417

Robert Indiana

(American, b. 1928) Mecca II, 1977 color serigraph edition 50/50, signed, titled and dated in pencil Sheet: 35 3/4 x 24 3/4 inches. $800-1,200

Robert Indiana

419

Robert Indiana

(American, b. 1928) ART, 1992 aquatint and etching edition 21/100, signed, titled and dated in pencil Plate: 6 7/8 x 6 7/8 inches. $800-1,200

420

Bruce Onobrakpeya

(Nigerian, b. 1932) Aro-Osomorive, 1974 color linocut edition 12/50, signed in pencil, titled and dated Image: 33 1/2 x 23 1/4 inches. $400-600 421

Shiko Munakata

(Japanese 1903-1975) Three Buddhas, 1957 woodcut signed in pencil and dated Image: 11 1/2 x 11 1/2 inches. $2,000-4,000

422

424

(American, 1898 - 1969) The Dialogue lithograph with watercolor and goldleaf signed Sight: 39 x 25 3/8 inches. $400-600

(British, 1898 - 1986) Six Reclining Figures with Blue Background, 1980 color lithograph; Curwen Studio, prntr.; Raymond Spencer/Berggruen, Paris, pub. edition 15/50, signed in pencil Image: 9 1/2 x 10 1/4 inches. $600-800

Ben Shahn

423

Charles-Edouard Jeanneret Le Corbusier

(Swiss, 1887-1965) Untitled (pl. 14 from UnitĂŠ), 1953 etching and aquatint edition 116/130, signed in pencil Plate: 16 1/4 x 12 1/4 inches. $1,000-2,000

Henry Moore

425

Andre Masson

(French, 1896 - 1987) Don Giovanni, 1979 color lithograph edition 230/250, signed and titled in pencil Sheet: 29 3/4 x 21 3/4 inches. $300-500

421

423

424

425

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

175

426

429

428

430 seven shown

426

428

Marino Marini

Marino Marini

427

Marino Marini

(Italian, 1901 - 1980) La Traviata (from Metropolitan Opera Fine Art I), 1978 color lithograph edition 229/250, signed in pencil Sheet: 29 7/8 x 21 7/8 inches. $1,000-2,000

Marino Marini

(Italian, 1901 - 1980) Untitled (pl. 8 from Sacre du Printemps), 1974 color lithograph edition 28/70, signed in pencil Image: 20 1/2 x 15 3/8 inches. $500-700

176

fine prints

(Italian, 1901-1980) Untitled (from Goethe), 1979 etching with aquatint edition XLVI/L, signed in ink 25 1/4 x 19 1/4 inches. $800-1,200 429

(Italian, 1901-1980) Untitled (from Goethe), 1979 etching with aquatint edition XLVI/L, signed in ink 25 1/4 x 19 1/4 inches. $800-1,200

430*

430A

(Dutch, 1921-2006) Cats, 1978 (complete portfolio of 17 lithographs with case) lithographs; London Arts Inc., Detroit, Michigan, pub. edition of 125, signed in pencil Each: 24 1/2 x 32 inches.

Property from the Collection of Dr. Natan HarPaz, Southfield, Michigan $3,000-5,000

(Dutch, 1921-2006) Circus (Volume I), 1978 (a group of ten prints) wood engravings with embossing; Arts Litho, Paris, prntr.; ABCD, Paris, pub. each edition 96/130, signed in white crayon Each: 30 x 20 inches. $5,000-7,000

Karel Appel

Karel Appel

430B

431*

432

434

(Dutch, 1921-2006) Circus (Volume II), 1978 (a group of ten prints) wood engravings with embossing; Arts Litho, Paris, prntr.; ABCD, Paris, pub. each edition 96/130, signed in white crayon Each: 30 x 20 inches. $5,000-7,000

(Austrian, 1928-2000) The Woodcut Works of Hundertwasser, 1977 (complete volume with original color woodcut and wooden case) Gruener Janura AG/Glarus, Switzerland, pub.; Matashiro Uchikawa Surishi, Tokyo, prntr. woodcut numbered 567/999 and signed, book numbered 567/999 and signed Overall: 8 7/8 x 10 1/8 inches.

Property from the Estate of Joan Peters Caro, Chicago, Illinois $2,000-4,000

(American, 1922-2004) Warrior (from Agon), 1965 lithograph signed in pencil Sheet: 30 x 22 1/2 inches. $400-600

(German, 1901 - 1978) Untitled (from Afternoon), 1976 color lithograph edition 50/250, signed in pencil Image: 24 x 19 3/4 inches. $300-500

433

435

(German, 1901 - 1978) Untitled (Front and Profile), 1975 color lithograph edition 117/125, signed in pencil Sheet: 28 1/8 x 20 3/8 inches. $300-500

(German, 1901 - 1978) Der Rosenkavalier, 1977 color lithograph edition 230/250, signed in pencil Sheet: 29 3/4 x 21 3/4 inches. $300-500

Karel Appel

Friedensreich Hundertwasser

Leon Golub

Richard Lindner

Richard Lindner

Richard Lindner

430B three of ten shown

433

434

435

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

177

436

Jim Dine

(American, b. 1935) Hands, 1970-71 color lithograph edition 120/150, signed, titled and dated in pencil Sheet: 31 1/8 x 22 1/8 inches. $500-700 437

Jim Dine

(American, b. 1935) Four Pallettes, 1969 (the complete set of one wood multiple, one screenprint on Kromecote card, one etching on Fabriano and one lithograph in colors with collage of scissors on Fabriano) mixed media; Petersburg Press, New York and London, pub. edition 46/75, each signed in pencil Each: 28 x 20 inches.

Ref: G. M., 56-59 $3,000-5,000 438

Jim Dine

(American, b. 1935) Gangway Birdseed, c. 1970 lithograph edition 3/75, signed in pencil Image: 15 x 20 inches. $500-700

437

439

David Hockney

(British, b. 1937) Picture of a Portrait in a Silver Frame (from A Hollywood Collection), 1965 color lithograph edition 76/85, signed in pencil and dated Sheet: 30 1/4 x 22 1/4 inches.

Ref: S.A.C., 43; Tokyo, 43 $3,000-5,000 440

Saul Steinberg

(American, 1914-1999) Bleeker Street, 1973 color lithograph edition 55/75, signed and dated in pencil Image: 14 7/8 x 22 inches. $400-600

439 178

fine prints

441

443

444

441

Ed Paschke

(American, 1939-2004) Chuletas, 1985 lithograph edition 61/80, signed, titled and dated in pencil Sheet: 28 x 36 1/2 inches. $1,500-2,500 442

Ed Paschke

(American, 1939-2004) Fem Verde, 1987 lithograph edition XXI/XXIII, signed, titled and dated in pencil Sheet: 28 x 36 inches. $1,500-2,500

446

443

445

447

(American, 1941-1997) Mother and Child, 1986 lithograph edition 16/50, signed, titled and dated in pencil Image: 13 x 9 inches. $1,000-2,000

(American, 1923 - 2002) Last Civil War Veteran, 1979-80 color lithograph; Styria Studios, New York, pub. edition 121/125, signed in pencil Image: 32 x 24 inches. $1,000-2,000

444

446

(American, 1923 - 2002) Queen of Clubs, 1979 color lithograph edition 1/15 PP, signed and dated in pencil Sheet: 29 3/4 x 22 1/4 inches. $1,000-2,000

(American, b. 1927) Gray Interior, 1967-1968 screenprint edition 26/50, signed in pencil Image: 16 3/4 x 21 3/4 inches. $2,000-3,000

(American, 1927) Provincetown: Late Afternoon 2 (Beige), 1974 color screenprint; Brooke Alexander and Marlborough Graphics, pub. edition 16/60, signed in pencil Sheet: 18 x 24 inches.

Ref: Schrรถder, 73 $600-800

Roger Brown

Larry Rivers

Larry Rivers

Alex Katz

Alex Katz

448

Alex Katz

(American, b. 1927) Late July 2, 1971 lithograph; Brooke Alexander, Inc., New York, pub. edition 91/120, signed in pencil Sheet: 22 x 28 1/2 inches. $1,500-2,500

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

179

449

453

452

449

451

(American, b. 1937) Bonnard II, 1993 monotype signed and dated Sheet: 22 x 30 inches.

Property from a Private Collection, Sarasota, Florida and Chicago, Illinois $1,000-2,000

(American, 20th Century) A collection of 3 complete portfolios consisting of Cherryburn Prints: Volume I, 1973 by R. Hunter Middleton; Physiologus Theobaldi Episcopi De Naturis Duodecim Animalium, 1964 by Rudy Pozzatti; and Etchings by Edward Colker, 1961 $300-500

450

452

(American, b. 1937) A Light, 1992 color lithograph edition 45/75, signed and dated in pencil Sheet: 26 x 18 1/2 inches. $300-500

(American, 1894-1978) The Spelling Bee, 1970 lithograph edition 165/200, signed in pencil Sight: 10 1/4 x 28 1/2 inches. $500-700

Red Grooms

Red Grooms

180

fine prints

Various Artists

Norman Rockwell

453

Norman Rockwell

(American, 1894-1978) The Aviary, 1971 color lithograph edition 62/200, signed in pencil Sight: 18 3/4 x 18 inches. $500-700 454*

Robert Kipniss

(American, b. 1931) Rooftop Fragments color lithograph edition 119/175, signed in pencil Sheet: 17 1/2 x 19 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

455*

Robert Kipniss

(American, b. 1931) Reflection of a Pole Tree color lithograph edition 109/120, signed in pencil Sheet: 21 5/8 x 19 1/2 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500 456*

Robert Kipniss

(American, b. 1931) Shadows color lithograph edition 85/120, signed Kipniss (lower right) Sheet: 22 1/2 x 21 3/4 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

457*

Robert Kipniss

(American, b. 1931) Star White color lithograph edition 81/120, signed in pencil Sheet: 19 1/8 x 17 1/2 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500 458*

Robert Kipniss

(American, b. 1931) Leaves Aloft color lithograph inscribed artist’s proof and numbered XIV/XV, signed in pencil Sheet: 22 1/2 x 19 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

459*

461*

Robert Kipniss

(American, b. 1931) Ohio Night color lithograph inscribed artist’s proof and numbered VI/XV, signed in pencil Sheet: 20 7/8 x 20 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500 460*

463

Robert Kipniss

(American, b. 1931) Hidden Pathways color lithograph inscribed artist’s proof and numbered VI/XV, signed in pencil 26 x 21 3/8 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500 462*

Robert Kipniss

(American, b. 1931) Essence color lithograph inscribed artist’s proof and numbered IX/XV, signed in pencil Sheet: 25 1/4 x 20 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

Robert Kipniss

(American, b. 1931) Supension color lithograph edition 117/120, signed in pencil 21 3/4 x 25 7/8 inches.

Property from the Estate of Martin Gordon, New York, New York and Naples, Florida $300-500

454

461

Philip Pearlstein

(American, b. 1924) Mummy Cave Ruins at Canyon de Chelly, 1980 color etching and aquatint with sugarlift and roulette; Condeso and Brokopp Studio, New York, prntr.; Brooke Alexander, New York, pub. edition 29/41, signed in pencil 40 x 28 3/4 inches.

Ref: Springfield Art Museum, 19 $300-500 464

Joseph Raffael

(American, b. 1933) Luxembourg Gardens, Summer, 1982 color lithograph edition 33/77, signed and dated in ink Sheet: 40 x 29 3/4 inches. $400-600

462

463

464

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

181

465

466

468

467

465

466

467

468

(Mexican, 1899-1991) Bodegon, 1980 color etching edition 55/99, signed in crayon Sheet: 22 x 29 5/8 inches.

Ref: Pereda, 283 $2,000-4,000

(Mexican, 1899-1991) Mujer en Rojo (from Mujeres), 1969 color lithograph edition 89/150, signed in pencil Image: 27 1/2 x 21 inches.

(Mexican, 1899-1991) Dos Caras, 1973 lithograph edition 51/100, signed in pencil Sheet: 22 x 29 7/8 inches.

22 x 30 inches. $1,000-2,000

(Mexican, 1899-1991) NiĂąo Con Sombrero, 1980 mixograph on handmade paper edition 10/100, signed in pencil Sheet: 35 x 26 1/2 inches. $3,000-5,000

Rufino Tamayo

182

fine prints

Rufino Tamayo

Provenance: Sold: Wichita Center for the Arts, October 3, 2009 Lot 481 $1,000-2,000

Rufino Tamayo

Rufino Tamayo

469

Francis Bacon

(British, 1909 - 1992) Studies of the Human Body (central panel), 1980 color offset lithograph; Marlborough Graphics, New York, pub. edition 129/250, signed in marker Sheet: 39 1/2 x 25 7/8 inches.

Ref: Sabatier, 34 $6,000-8,000 470

Richard Bosman

(Australian, b. 1944) Full Moon, 1986 woodcut edition 20/25, signed in pencil Sheet: 34 x 36 inches. $500-700 471

Paul Cadmus

(American, 1904-1999) Teddo, 1985 lithograph edition 94/200, signed, titled, and dated in pencil Sheet: 9 3/4 x 10 5/8 inches.

Ref: Davenport, 59 $800-1,200 472

George Tooker

(American, 1920-2011) Embrace II,1984 lithograph edition 45/175, signed in pencil Sheet: 17 x 20 inches. $400-600

469

471

472

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

183

474

475

476

473

Emma Amos

(American, 1938) Rootie Tootie (together with an additional print by the artist) etching and aquatint each signed in pencil Sheet of largest: 11 5/8 x 22 1/4 inches. $500-700

184

fine prints

474

Alice Neel

(American, 1900-1984) The Youth, 1982 lithograph edition 171/175, signed and dated in pencil Sheet: 38 x 25 inches. $2,000-4,000

477

475

Alice Neel

(American, 1900-1984) The Family, 1982 lithograph edition 59/175, signed and dated in pencil Sheet: 31 1/2 x 26 3/4 inches. $2,000-4,000

476

Alfred Leslie

(American, b. 1927) Portrait of Richard Bellamy, 1974 lithograph Edition IV/V, signed, titled and dated Sheet: 40 x 30 inches. $600-800

477

Robert Arneson

(American, 1930-1992) A Hollow Gesture, 1980 lithograph edition 19/35, signed and dated in pencil Sheet: 40 x 30 inches. $800-1,200 478

Hung Liu

(American/Chinese, b. 1948) The Bride, 2001 color lithograph edition 14/30, signed Sheet: 30 x 30 inches.

Property from a Private Collection, Sarasota, Florida and Chicago, Illinois $300-500 479

Hung Liu

478

(American/Chinese, b. 1948) The Martyr, 2001 color lithograph edition 14/30, signed Sheet: 30 x 30 inches.

Property from a Private Collection, Sarasota, Florida and Chicago, Illinois $300-500 480

David Salle

(American, b. 1952) Untitled (pl. 4 from The Drunken Chauffeur, 1983 screenprint; Parasol Press, New York, pub. inscribed A.P. and numbered 6/10, signed in pencil Sheet: 29 3/4 x 41 3/4 inches. $500-700 481

David Salle

(American, b. 1952) Portrait with Scissors and Nightclub, 1987 color woodblock print edition 5/100, signed in pencil Sheet: 18 1/4 x 24 inches. $300-500

479

482

Ross Bleckner

(American, 1949) 5749 - For the Jewish New Year, 1988 color lithograph; Lincoln Center/ List Poster and Print Program, New York, pub. edition 25/72, signed in pencil Sheet: 29 1/2 x 22 1/4 inches. $600-800

480

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484

487

486

486

483

484

485

(British, 1901-1988) Poemes d’amour, 1984 (book by Paul Eluard with translations by Brian Coffey comprising 9 etchings and engravings and 3 lithographs by Stanley William Hayter complete with linen covered portfolio box) each signed and numbered 58/100 Portfolio box: 14 1/2 x 10 1/4 inches. $1,000-2,000

(American b. 1931) The Life and Opinions of Tristram Shandy, Gentleman, 1988 (the complete set with novel, accordion foldout book, and essay in publisher’s slipcase)

(British, b. 1932) The Way We Live Now, 1990 softground etchings and aquatint numbered proof 5/7 on the justification and signed Book: 12 x 8 3/4 inches.

(American, 1951) Black Tulips and Lemons, 1986 etching and aquatint edition 39/54, signed in pencil Sheet 30 x 22 1/2 inches. $800-1,200

The book, 1990, with title, justification, text by Susan Sontag and six lift ground etchings and aquatints, including front and end papers, with hand colouring by Howard Hodgkin, on watermarked laid, signed in pencil, by both artists, and numbered proof 5 from the edition of 7 printer’s proofs on the justification page, with the original hand coloured cover, hand coloured

by Jack Sherriff, printed CH Printing, Wiltshire, published by Karsten Schubert, London; without the unbound print. $1,000-2,000

487

Stanley William Hayter

186

fine prints

John Baldessari

fifty-eight photolithographs of photo-collages; Arion Press, San Francisco, prntr./pub. edition of 400, signed in pencil (last page of foldout book) Overall: 11 x 7 3/4 x 4 1/2 $1,500-2,500

Howard Hodgkin

Donald Sultan

Bruce Nauman

(American, born 1941) Verso Recto (State I), 1998 lithograph and screen print edition 28/50, signed in pencil and dated Sheet: 22 3/8 x 28 1/2 inches. $2,000-4,000

488

Nicolas Africano

(American, b. 1948) Untitled,1986 screenprint inscribed CTP and signed and dated in pencil Sheet: 16 3/4 x 10 1/2 inches. $600-800 489

Susan Rothenberg

(American, born 1945) Untitled, 1999 etching edition 10/20, signed in pencil Sheet: 12 3/4 x 16 1/2 inches. $400-600

490

Francesco Clemente

(Italian, b.1952) Faith and Hope (two works) etching and aquatint edition 25/40 Sheet: 10 1/2 x 14 inches. $1,000-2,000 491

Christopher Wool

(American, b. 1955) Untitled, 2013 lithograph edition 11/48, signed in pencil Sheet: 30 3/4 x 22 1/2 inches. $2,000-4,000

491

491A

Christopher Wool and Felix Gonzalez-Torres

(20th Century) Untitled (poster), 1993 (a collaborative work by Christopher Wool and Felix Gonzales-Torres; Wool’s print was made available in an unknown edition size and stacked by Felix Gonzales-Torres for visitors to help themselves to) offset lithograph 55 1/2 x 37 inches. $1,000-2,000 492

Leslie Dill

(American, b. 1950) Girl Articulated, 2005 lithograph with collage edition II/V, signed in pencil Image: 31 x 24 inches. $1,000-2,000

493

Walton Ford

(American, b. 1960) Nila, 2000 color lithograph inscribed Trial Proof, signed and dated in pencil Sheet: 45 1/2 x 31 1/2 $1,500-2,500 494

Walton Ford

(American, b. 1960) MCMLXII-MMXII, 2012 hardground, aquatint, spit bite aquatint, drypoint edition 14/100, signed and dated in pencil sheet: 33 1/4 x 40 inches. $1,500-2,500

491A

493

492

494

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Artist Index ARTIST NAME

LOT

Abel-Truchet, Louis 258, 259 Adams, Ansel 160 Africano, Nicolas 488 Albers, Josef 364-366 Aldegrever, Heinrich 227 Amos, Emma 473 Appel, Karel 198, 199, 430-430B Archuleta, Felipe 12 Arms, John Taylor 273, 274 Arneson, Robert 477 Arnoldi, Charles 355 Arp, Jean 170, 363 Artist Unknown 7 Artschwager, Richard 213 Atget, Eugene 130 Avedisian, Edward 58, 59 Avery, March 116, 117 Bacon, Francis 469 Baldessari, John 484 Bannard, Walter Darby 70 Barazani, Morris 75 Bartlett, Jennifer 217 Basquiat, Jean-Michel 410 Bates, David 121 Baumann, Gustave 281 Beckmann, Hannes 45, 46 Beham, Sebald 226 Bella, De La 236 Benson, Frank Weston 277 Ben-Zion 307 Bernard, Francis 264 Bezalel, Aharone 22 Bleckner, Ross 482 Bolotowsky, Ilya 367 Bosman, Richard 470 Braque, Georges 295, 296 BrassaĂŻ 141 Bravo, Manuel Ă lvarez 156 Brown, Roger 102, 443 Browne, Byron 209 Bullock, Wynn 165 Bultman, Fritz 178 Butler, James 219 Butterfield, Deborah 11 Cadmus, Paul 471 Calder, Alexander 356-360 Cameron, Julia Margaret 129 Camp, Jeffery 122, 123 Cappiello, Leonetto 261 Carnwath, Squeak 97 Carr, Matthew 205 Carswell, Rodney 52 Cassatt, Mary 244 Casselman, Stanley 80-82, 189 Chagall, Marc 297-306 Che, Chuang 60A Cherry, Herman 56 Chia, Sandro 196

188

Chillada, Eduardo 339 Christensen, Dan 183 Christo 1, 399-407 Cisney, John 13, 14 Clarke, John Clem 111 Clemente, Francesco 490 Cohen, Lynne 169 Corbin, Dan 36 Cottingham, Robert 411 Cragg, Tony 350 Crawford, Ralston 42 Cuevas, Jose Luis 193 Dali, Salvador 15-18, 308-310 Davis, Gene 370-373 de Dienes, Andre 143 Delaunay, Sonia 362 di Suvero, Mark 211, 212, 374 Dicke, James 77, 78 Dill, Leslie 492 Dine, Jim 436-438 Dodd, Lois 113 Donati, Enrico 24, 60 Drappell, Joseph 65 Durer, Albrecht 220-224 Eisenstaedt, Alfred 140 Engel, Morris 168 Erhardt, Alfred 157 Ferber, Herbert 182 Ford, Walton 493, 494 Francis, Sam 345 Frankenthaler, Helen 341, 342 Friedeberg, Pedro 377 Galle, Philipp 230 Gego 321-326 Gest, Ben 154 Ghisi, Giorgio Mantovano 228 Gilliam, Sam 71, 346 Goldin, Nan 152, 153 Golub, Leon 90, 432 Goodnough, Robert 88, 361 Gottlieb, Adolph 329 Grasset, Eugene 257 Graverol, Jane 105 Grooms, Red 449, 450 Grosz, George 283 Gugliemi, O. Louis 41 Haden, Seymour 266, 267 Hanson, Joseph Mellor 95, 96 Haring, Keith 408, 409 Harrison, Ted 124 Havard, James 85, 187 Hayter, Stanley William 483 Helleu, Paul Cesar 247 Hine, Lewis Wickes 131-139 Hockney, David 439 Hodgkin, Howard 485 Hoff, Margo 98, 99 Holland, Tom 53

Hollar, Wenceslaus 235 Hopkins, Edna Boies 280 Hundertwasser, Friedensreich 431 Hunt, Richard 25 Ilic, Boban 19 Indiana, Robert 412-418 Jacoulet, Paul 284 Jenkins, Paul 185, 186 Jensen, Alfred 376 Johnson, Lester 94 Kahn, Wolf 114 Kaneko, Jun 40 Kapoor, Anish 379 Katz, Alex 2, 446-448 Kent, Rockwell 275, 276 Kepes, Gyorgy 61, 62, 166 Kiffer, Charles 265 Kipniss, Robert 454-462 Kirk, Jerome 28-34 Klein, William 144 Kloss, Gene 279 Knaths, Karl 120 Knight, Jane 10 Koons, Jeff 3 LaHotan, Robert 118, 119 Le Corbusier 423 Lebrun, Rico 208 Lee, Caroline 26 Leger, Fernand 294 Leslie, Alfred 179, 476 Lewis, Martin 278 Lichtenstein, Roy 391-393 Lin, Richard 44 Lindner, Richard 433-435 Link, O. Winston 167 Liu, Hung 478, 479 Lostutter, Robert 103, 104, 202 MacConnel, Kim 188 Maier, Vivian 150 Mangan, Stephen 126, 127 Mangold, Robert 347, 348 Marini, Marino 426-429 Mark, Mary Ellen 148 Masson, Andre 425 Matta, Roberto 190-192, 317, 318 McCurry, Steve 155 McGarrell, James 109 Merida, Carlos 92, 174, 175 Milani, Richard 110 Miller, Harland 194 Miro, Joan 311-316 Mitchell, Joan 184, 340 Mondrian, Piet 368 Moore, Henry 424 Motherwell, Robert 331-335 Mucha, Alphonse 255, 256 Munakata, Shiko 421 Murray, Elizabeth 197

Glossary of Terms Natkin, Robert Nauman, Bruce Neel, Alice Neiman, LeRoy Nevelson, Louise Newman, Arnold Nilsson, Gladys Nixon, Nicholas Obregon, Alejandro O’Keefe, Georgia Oldenburg, Claes Olitski, Jules Olitski, Jules Onobrakpeya, Bruce Owen, Franklin Pace, Stephen Parc, Julio Le Paschke, Ed Pasmore, Victor Pattison, Abbott Pearlstein, Philip Petlin, Irving Pettet, William Picasso, Pablo Rab, Pol Rabier, Benjamin Raffael, Joseph Renoir, Pierre-Auguste Rijn, Rembrandt van Riopelle, Jean Paul Rivera, Diego Rivers, Larry Rockwell, Norman Rollins, Tim Rosenquist, James Rothenberg, Susan Rothschild, Judith Rouault, Georges Salle, David Sarkisian, Paul Saul, Peter Schneider, Otto J. Schrag, Karl Schueler, Jon Scultori, Diana Shahn, Ben Shanker, Louis Shapiro, David Sihvonen, Oli Siskind, Aaron Smith, Kiki Smith, Kimber Smith, Leon Polk Smith, Richard Smith, Richard Sorman, Steven Soulages, Pierre Spalatin, Marco

173 487 474, 475 128 5, 6, 176 142 200 149 86 327 397, 398 343 68 420 79 87 375 441, 442 336, 337 23 463 203 66, 67 288-292 262 260 464 239-243 231-234 89, 338 207 444, 445 452, 453 204 381-384 489 177 285-287 480, 481 214 201 271 115 69 229 422 210 349 57 161-164 151 74 369 344 54 353, 354 330 51

Spyropoulos, Yannis 64 Stabilito, Joseph 83, 84 Stamos, Theodoros 63 Stanczak, Julian 47 Statom, Therman 37 Steinberg, Saul 440 Steiner, Michael 35 Sudek, Josef 158, 159 Sultan, Donald 206, 486 Swain, Robert 49, 50 Tabakovic, Ivan 215 Takaezu, Toshiko 38, 39 Tamayo, Rufino 465, 466, 468 Tippett, Bruce 72 Tissot, James Jacques Joseph 245, 246 Tobey, Mark 180, 181 Toni 263 Tooker, George 472 Toulouse-Lautrec, Henri de 252-254 Trockel, Rosemarie 9 Trova, Ernest 20 Tschudi, Lill 282 Tweedle, John 55 Ulfig, Willi 76 Urbieta, Jesus 93, 125, 195 Uttech, Tom 112 Various Artists 237, 272, 451 Vasarely, Victor 171, 172 Veneziano, Agostino 225 Villon, Jacques 249-251 Von Wicht, Jon 73 Vytacil, Vaclav 91 Walker, John 352 Wang, Tiande 216 Warhol, Andy 385-390 Wesselmann, Tom 394-396 Westermann, Horace Clifford 27 Whistler, James Abbott McNeill 269, 270 Wilde, John 107, 108 Wilding, Ludwig 8 Wiley, William 100 Williams, Sue 351 Winogrand, Garry 145-147 Wirsum, Karl 4 Wool, Christopher 491 Wurmfeld, Sanford 48 Yaouanc, Alain le 378 Yoakum, Joseph 218 Yoshida, Ray 101 Zao, Wou-Ki 319, 320 Zorn, Anders 248 Zox, Larry 43 Zuniga, Francisco 21

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist.

ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category.

STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist.

CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil.

STYLE OF . . .

FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist.

MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period.

AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

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LESLIE HINDMAN AUCTIONEERS u pco m ing a u c t ion s ch e d u l e

499 | post war and contemporary art may 23 | chicago

511 | St. Louis Fall Auction September 15 | st. louis consignment deadline July 17

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Zack Wirsum Senior Specialist Post War and Contemporary Art zachary@lesliehindman.com

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OFFICE OF THE PRESIDENT Leslie S. Hindman President and CEO 312.280.1212 Adam Spender Executive Assistant 312.334.4201

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Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping Arrangements Leslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

Guide for Prospective Buyers Conditions of Sale Leslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions Leslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates Leslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser.

In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are:

$0 - $200 ............................................. $10

$200 - $500 ............................................. $25

$500 - $1,000 .......................................... $50 $1,000 - $2,000 ........................................ $100 $2,000 - $5,000 ........................................ $200 $5,000 - $10,000 ...................................... $500 $10,000 - $20,000 ................................... $1,000 $20,000 - $50,000 ................................... $2,000 $50,000 - $100,000 ................................. $5,000 $100,000 - $200,000 ............................... $10,000

Over > $200,000 ......... Auctioneer’s Discretion

In-House Bidding Live bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Driving Directions/Parking From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street.

Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking: Leslie Hindman Auctioneers, Inc. has a private parking lot located on Ada Street, diagonally across the street from our entrance.

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Conditions of Sale LESLIE HINDMAN AUCTIONEERS, INC. AS AGENT

The lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above.

All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment.

Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Leslie Hindman Auctioneers.

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Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser.

In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $100,000; twenty percent (20%) of any amount in excess of $100,000 up to and including $1,000,000; and twelve percent (12%) of any amount in excess of $1,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $100,000; twenty-one percent (21%) of any amount in excess of $100,000 up to and including $1,000,000; and thirteen percent (13%) of any amount in excess of $1,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

LIABILITY

Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.

Condition Reports Leslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:

Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.

a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price

Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

Discretion Any and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc.

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e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

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g.) to take other action as we find necessary or appropriate

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leslie hindman auctioneers CHICAGO | DENVER

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

f x 312. 280. 1211 | b i d @ l e s l i e h i nd ma n.co m Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

Name

Sale Number/Name

Business Name Billing Address City State Country/Zip Contact Name Primary Phone Secondary Phone Email Fax

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

$0 - $200 ........................................ $10

$200 - $500 ........................................ $25

$500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000

Over > $200,000 .... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

A per lot buyer’s premium is added to the final hammer price as per the following:

Signature Date

Leslie Hindman Auctioneers, Inc. is not responsible for failure or other inadvertent errors relating to the execution of your bids.

For Leslie Hindman AUCTIONEERS, INC.

Date

$0 - $100,000 .......................................... 25% $100,001 - $1,000,000 ............................ 20% $1,000,001 + ............................................ 12%

First time bidders please provide a valid credit card and one of the following: Passport / Driver’s License / National Identity Card Lot Number

PHONE BID

Absentee Bid

LOT DescriPtion

US Dollar Limit

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

Back-up Bid

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

LHLIVE 1 3 3 8 w e ST LA K E STREET ph 312.280.1212

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fx 312.280.1211

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C H ICA G O , ILLINOIS

60607

bid@lesliehindman.com

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lesliehindman.com

LESLIE HINDMAN AUCTIONEERS

LH

LESLIE HINDMAN AUCTIONEERS MAY 23, 2017 499 • 500

13 3 8 We s t L a ke S t r e e t C h i c a g o, I l l i n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s l i e h i n d m a n .c o m

MAY 23, 2017 POST WAR AND CONTEMPORARY ART FINE PRINTS