lh
American and european art
May 24, 2018
American and European Art
lh
Thursday 24 May 2018
PREVIEW
saturday 19 May | 10AM – 3PM SUNDAY 20 May | 12PM – 4PM MONDAY 21 May | 10AM – 5PM TUESDAY 22 May | 10AM – 5PM WEDNESDAY 23 May | 10AM – 5PM auction
THURSDAY 24 MAY | 12:00PM CT Lots 1 – 122 PROPERTY PICK UP HOURS
MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.
LHLIVE
Cover
Lot 30 | John Henry Twachtman (American, 1853-1902) The Back Road, circa 1890-1899
Lots marked with an asterisk (*) are tax exempt as permitted by law.
lesliehindman.com ©Hindman LLC 2018 CHI CA GO , I L L I N O I S ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521
PROPERTY FROM THE ESTATES AND TRUSTS OF Sarah Barcroft, Chicago, Illinois June Kaiser, Chicago, Illinois George and Harriet Kelly, Denver, Colorado Elvire and Lucien Levy, Sarasota, Florida Anita Oleck, Park Ridge, Illinois PROPERTY FROM THE collections OF Andrew Campbell, Park Ridge, Illinois J. James Cooper, Houston, Texas A Distinguished Gentleman, Grafton, Wisconsin An Important Corporate Collection Ana M. Landry, Tucson, Arizona John Lee, Chicago, Illinois Mr. Allen Nahman, Edgewater, New Jersey Shelia O’Brien, Potomac, Maryland Dr. Roger Scanlan, Rockford, MI Dimitrios & Christine Sereleas, Chicago, Illinois Ms. Adrienne Smith, Oswego, Illinois William Spatz, Chicago, Illinois Dana Tillou Fine Arts, Buffalo, New York PROPERTY sold to benefit The Acquisition Fund of the Detroit Institute of Arts The Acquisition Fund of The San Diego Museum of Art
Opposite Lot 19 | Jasper Francis Cropsey (American, 1823–1900) Ruins at Sunset, 1872 oil on canvas
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Contents American and european art | lots 1 –122 ......................................... 6 artists index ............................................................................................78 AUCTION INQUIRIES ....................................................................................79 CONDITIONS OF SALE .................................................................................81 TELEPHONE / ABSENTEE BID FORM ............................................................84
Opposite Lot 116 | James Ensor
(Belgian, 1860-1949) Chinoiseries – Chinese Vases and fans, c. 1908-10 oil on canvas signed Ensor (lower right) view th e c atalog ue on l i n e at l e s l i e h i n dm a n .c om
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ame r i can and e uropean ar t
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(American, 1859-1935) Landscape watercolor on paper signed Childe Hassam (lower right) 4 1/4 x 6 inches. $2,000-4,000
(American, 1859-1935) Riverbank Cityscape watercolor on paper signed Childe Hassam (lower right) 7 1/4 x 12 1/2 inches. $7,000-9,000
(Belgian, 1848-1933) Winter Landscape with Ice Skaters oil on board signed A. Boch (lower right) 6 3/4 x 10 3/4 inches. $1,000-2,000
Childe Hassam
Childe Hassam
Anna Boch
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4
4*
Harriet Randall Lumis
(American, 1870–1953) Along the Agawam oil on canvas signed Harriet R. Lumis (lower right) 26 x 40 inches. Property from the Collection of Mr. Allen Nahman, Edgewater, New Jersey $4,000-6,000 5*
AndrĂŠ Gisson
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8
ame r i can and e uropean ar t
(American, 1928-2004) On the Lake oil on canvas signed Gisson (lower right) 15 1/4 x 19 1/4 inches. Property from the Estate of Sarah Barcroft, Chicago, Illinois $800-1,200
6
George Loftus Noyes (American, 1864-1954) Untitled watercolor on paper signed G.L. Noyes 6 1/2 x 4 1/2 inches. $600-800
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7*
John Modesitt
(American, born 1955) California Eucalyptus oil on canvas signed Modesitt (lower right) 24 x 18 inches. Property from the Collection of Dr. Roger Scanlan, Rockford, MI $2,000-4,000
7
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8*
William Clusmann
(American, 1859–1927) Sunny Forest oil on canvas signed W. Clusmann (lower right) 24 1/2 x 18 1/2 inches. Property from the Collection of Dr. Roger Scanlan, Rockford, MI $600-800 9
Edward Willis Redfield
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(American, 1869–1965) Fontainebleau oil on canvas signed EW Redfield and titled (lower right) 18 x 25 3/4 inches. $8,000-12,000
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ame r i can and e uropean ar t
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Gerrit Sinclair
(American, 1890-1955) Landscape oil on canvas signed G Sinclair (lower right) 12 x 17 7/8 inches. $800-1,200
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11*
Royal Hill Milleson
(American, 1849–1935) The Racing Brook oil on canvas signed Royal H. Milleson (lower left) 26 x 30 inches. Property from the Collection of Dr. Roger Scanlan, Rockford, MI $500-700 11
12*
James Topping
(American, 1879–1949) Autumn Sunlight oil on canvas signed James Topping (lower right) 27 x 30 inches. Property from the Collection of Dr. Roger Scanlan, Rockford, MI $1,000-2,000
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Theodore Robinson
(American, 1852-1896) Landscape watercolor signed Th Robinson (lower right) 10 x 12 1/2 inches. $3,000-5,000
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Hermann Herzog
(American/German, 1832-1932) Deer Family oil on canvas signed H. Herzog (lower right) 24 1/4 x 30 1/4 inches. Property from a Midwestern Collection Provenance: Sold: Coeur d’Alene, Hayden, Idaho, July 30, 2005, Lot 174 Garzoli Gallery, San Rafael, California (sticker verso) $4,000-6,000
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12
ame r i can and e uropean ar t
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15*
André Derain
(French, 1880-1954) Forêt de Saint-Germain-en-Laye, 1936-38 oil on canvas signed Derain (lower right) 18 1/4 x 21 1/2 inches. Property from The Estate of Elvire and Lucien Levy, Sarasota, Florida Provenance: Michel Kellermann, Paris Sold: Vente Palais Galliera, Paris, November 27, 1968, Lot 110 Galerie Paul Vallotton, Lausanne, France Private Collection, Switzerland Exhibited: Lausanne, France, 1975, No. 9 Literature: Michel Kellermann, André Derain (1880-1954) : catalogue raisonné de l’oeuvre peint, Tome 3 : 1935 - 1954, Paris, 1996-99, No. 1367, p. 17, illus. $20,000-40,000
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16* Édouard Vuillard (French, 1868-1940) Untitled pastel on paper initialled EV (lower right) 9 3/4 x 12 1/2 inches. Property from The Estate of Elvire and Lucien Levy, Sarasota, Florida $6,000-8,000
14
ame r i can and e uropean ar t
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18
(American/German, 1832-1932) Voeringfoss, Hardanger oil on canvas signed (lower left) 42 x 30 1/2 inches. Property from a Midwestern Collection
(American, 1874–1960) Rio Grande, near Taos, 1953 oil on canvas laid to cardboard signed Ernest L. Blumenschein and dated (verso) 3 1/2 x 6 1/4 inches. $4,000-6,000
Hermann Herzog
Provenance: Sold: Sotheby’s, New York, March 15, 1995, Lot 52 Sold: Sotheby’s, New York, October 10, 2007, Lot 94 $15,000-20,000
Ernest Leonard Blumenschein
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18
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Jasper Francis Cropsey
(American, 1823–1900) Ruins at Sunset, 1872 oil on canvas signed J.F. Cropsey and dated, lower right 12 x 20 inches. Provenance: Private Collection, Albany, New York, by 1960 Vose Galleries, Boston, Massachusetts, 1960 Art Market, Beverly Hills, California, 1960 Exhibited: Ithaca, New York, White Museum, Cornell University, 1960 Literature: Newington-Cropsey Foundation and Kenneth Maddox, Anthony Speiser, ed., Jasper Francis Cropsey: Catalogue RaisonnÊ Volume 2, 1864-1884, New York, 2017, no. 1123 (NCF 669) $80,000-120,000
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20
Félix Ziem
(French, 1821–1911) Landscape oil on board signed Ziem (lower right) 15 1/2 x 7 1/4 inches. $4,000-6,000 21*
Henry Ward Ranger
(American, 1858–1916) Pastoral Landscape oil on canvas signed H W Ranger (lower left) 16 x 20 inches. Property from the Collection of Ms. Adrienne Smith, Oswego, Illinois $2,000-4,000 22*
Guy Carleton Wiggins
(American, 1883–1962) Connecticut Valley, 1927 oil on board signed Carleton Wiggins and dated (lower left) 10 1/2 x 12 1/2 inches. Property from the Collection of Ms. Adrienne Smith, Oswego, Illinois $4,000-6,000
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Soren Emil Carlsen
(Danish, 1848-1932) Landscape oil on board signed Emil Carlsen (lower left) 13 1/2 x 17 3/4 inches. $2,000-4,000 24*
Eanger Irving Couse
(American, 1866-1936) Landscape with Haystacks oil on canvas signed E I Couse (lower left) 13 x 16 inches.
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ame r i can and e uropean ar t
Property from the Private Collection of Ana M. Landry, Tucson, Arizona $2,000-3,000
25*
Adolf Heinze
(American, 1887–1958) Majestic Sentinels oil on canvas signed Adolph Heinze (lower right) 28 x 33 inches. Property from the Collection of Dr. Roger Scanlan, Rockford, MI $600-800
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26*
Carl Rudolph Krafft
(American, 1884–1938) Towards Home oil on board signed Carl R. Krafft (lower right) 23 7/8 x 27 inches. Property from the Collection of Dana Tillou Fine Arts, Buffalo, New York $2,000-4,000
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27*
Benjamin Herring
(British, 1830-1871) Death of a Fox oil on panel signed Ben Herring (lower right) 11 1/4 x 15 1/4 inches. Property from the Estate of George and Harriet Kelly, Denver, Colorado $1,500-2,500
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James McIntosh Patrick
(Scottish, 1907–1998) A Country Road oil on canvas signed McIntosh Patrick (lower right) 24 1/2 x 29 1/2 inches. $4,000-6,000
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ame r i can and e uropean ar t
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Theodore Robinson
(American, 1852-1896) Village Scene oil on board signed Th Robinson (lower right) 20 x 26 inches. $5,000-7,000
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John Henry Twachtman
(American, 1853-1902) The Back Road, c. 1890-99 oil on canvas signed J H Twachtman (lower right) 30 x 22 inches. Provenance: Childe Hassam, 1915 Candace Stimson, New York Milch Galleries, New York Knoedler, New York, 1950 ACA American Heritage Gallery Inc., New York Richard Glins, Hamilton, Ohio Estate of the above Private collection, Ohio Exhibited: Cincinnati, Ohio, Cincinnati Art Museum, Exhibition of Sixty Paintings by Mr. John H. Twachtman Formerly Resident in Cincinnati, April 12-May 16, 1901, no. 7 San Francisco, California, Department of Fine Arts , Panama-Pacific International Exposition, February 20-December 4, 1915, no. 4075 This painting will be included in the forthcoming catalogue raisonné of the work of John Henry Twachtman by Lisa N. Peters, Ph.D. and Ira Spanierman. $80,000-120,000 Lisa N. Peters, Ph.D. writes: John Henry Twachtman (1853–1902) created The Back Road during his Impressionist phase, a time when he was living in Greenwich, Connecticut (1889–99) and deriving inspiration from his immediate surroundings. Conveying the Arcadian spirit of his art in these years, the painting features a landscape harmoniously balanced between the human and the natural. It demonstrates the avid interest in Japanese woodblock prints that Twachtman shared with his close friends J. Alden Weir and Theodore Robinson. Eliminating the foreground and employing a high horizon line, Twachtman emphasized the totality of the design over a recession into space. He cropped the leaves of trees in both the foreground and background to form a protective canopy over the scene. In the left distance, the red-orange gable and chimney of a farmhouse come forward counterbalancing the movement of the road toward the distance. The work’s location could be the countryside of Branchville, Connecticut, where Twachtman often visited Weir, and depicted similar views in pastel and oil of curving roads and small farmhouses. In his Greenwich period, Twachtman developed a distinctive method of paint application, rendering surfaces with densely woven color applied with rhythmic brush movements. Here he used a more typical Impressionist method of short dabs and broken strokes, perhaps to capture the transitory effects of the sunlit day. The painting evokes the style of Twachtman’s friend Childe Hassam, who also visited Weir and created Branchville views. The Back Road was presumably the painting of this title included in Twachtman’s solo show held in April of 1901 at the Cincinnati Art Museum. By 1915, Childe Hassam had acquired the work; he lent it to Panama-Pacific International Exposition, San Francisco (Hassam and Twachtman were among the eight American artists featured in their own galleries at the exposition.) The painting’s next owner was Candace Catherine Stimson (1869–1944), a granddaughter of the artist and design innovator Candace Wheeler (1827–1933) and the surgeon Lewis Atterbury Stimson (1844–1917); her brother was the statesman and politician Henry Stimson (1867–1950). Candace Catherine Stimson, an 1892 graduate of Wellesley College, lived in New York City and never married. She sold the painting to Milch Galleries, which handled most of the work from Twachtman’s estate from the 1920s through the 1940s.
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John Henry Twachtman
(American, 1853-1902) A Quiet Cottage oil on board signed J. H. Twachtman (lower center) 7 x 9 1/2 inches. $6,000-8,000
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Ivan Albright
(American, 1897-1983) Untitled (Glencoe Home) oil on canvas signed Ivan Lorraine Albright (lower right) 18 x 24 inches. $1,000-2,000
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33*
George Ames Alrich
(American, 1872-1941) House in Landscape oil on canvas signed G. Ames Alrich (lower right) 24 1/4 x 29 1/2 inches. Property from the Estate of June Kaiser, Chicago, Illinois $1,500-2,500
33
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George William Sotter
(American, 1879-1953) The First Snow, 1933 oil on canvas signed Sotter (lower right) 22 x 26 inches. Property from a Midwestern Collection Provenance: Sold: Coeur d’Alene, Hayden, July 22, 2006, Lot 96 $80,000-120,000
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Johann Berthelsen
(American, 1883-1972) The Grand Army Plaza in Winter oil on board signed Johann Berthelsen (lower right) 11 1/2 x 8 1/2 inches. Property from an Important Collection, Denver, Colorado $3,000-5,000
35
36*
Johann Berthelsen
(American, 1883-1972) New York Winter oil on canvas signed Johann Berthelsen (lower right) 11 3/4 x 15 1/2 inches. Property from the Estate of George and Harriet Kelly, Denver, Colorado $3,000-5,000
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30
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Johann Berthelsen
(American, 1883-1972) Washington Square Park in Winter oil on board signed Johann Berthelsen (lower right) 11 1/2 x 8 1/2 inches. Property from an Important Collection, Denver, Colorado Provenance: Acquired directly from the artist 1950 Sold: Christie’s New York, Rockefeller Center, June 19, 2012, Lot 150 $3,000-5,000
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Johann Berthelsen
(American, 1883-1972) New York in Winter oil on board signed Johann Berthelsen (lower right) 11 x 8 inches. Property from an Important Collection, Denver, Colorado $2,000-4,000
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Johann Berthelsen
(American, 1883-1972) Washington Square Arch oil on canvas signed Johann Berthelsen (lower right) 19 1/2 x 15 1/2 inches. Property from an Important Collection, Denver, Colorado $5,000-7,000
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Paul Cornoyer
(American, 1864-1923) Rainy Street Scene oil on canvas signed Paul Cornoyer (lower right) 8 x 10 inches. Property from an Important Collection, Denver, Colorado Provenance: Sold: Christie’s New York East, October 4, 2000, lot 77 $3,000-5,000
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Edouard Léon Cortès (French, 1882-1969) Le Boulevard de la Madeleine oil on canvas signed Edouard Cortès (lower right) 13 x 18 inches. Property from an Important Collection, Denver, Colorado Provenance: Altermann & Morris Galleries, Texas, May 20, 1995, Lot 114 $15,000-20,000
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Antoine Blanchard
(French, 1910-1988) Paris, Rue de la Paix oil on canvas signed Antoine. Blanchard. (lower left); signed (verso) 13 x 18 inches. $2,000-4,000
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44* Édouard Vuillard (French, 1868-1940) La fenetre, Place Vintimille, 1935 pastel on paper signed E. Vuillard (lower right) 25 1/2 x 19 inches. Property from The Estate of Elvire and Lucien Levy, Sarasota, Florida Provenance: Galerie Paul Vallotton, Lausanne, France $20,000-40,000
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Philip Evergood
(American, 1901–1973) Siegfried and the Rhine Maidens, 1930 oil on canvas signed Philip Evergood (lower right) 14 x 20 inches. Provenance: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Sold: Sotheby’s, New York Arcade, December 12, 1990, Lot 205 Terry Dintenfass Inc., New York $1,000-2,000
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46*
Gaston Sébire
(French, 1920–2001) Les Jardin Sur la Plage oil on canvas signed G Sebire (lower left) 21 1/4 x 25 5/8 inches. Property from the Collection of Mr. Allen Nahman, Edgewater, New Jersey $1,000-2,000
46
47*
Charles Vickery
(American, 1913–1998) Sunrise on the Atlantic oil on canvas signed Charles Vickery. (lower right) 21 3/4 x 28 inches. Property from the Collection of Mr. John Lee, Chicago, Illinois $1,000-2,000
47
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48*
Gustave Cimiotti
(American, 1875–1969) Seascape oil on board signed Cimiotti (lower right) 16 x 20 inches. Property from the Collection of Dr. Roger Scanlan, Rockford, MI $600-800
48
49*
John Adams Spelman
(American, 1880–1941) Shore Boulders, 1927 oil on board signed J. A. Spelman and dated (lower left) 22 x 26 inches. Property from the Collection of Dr. Roger Scanlan, Rockford, MI
49
Provenance: Michael Fitzsimmons Decorative Arts, Oak Park, IL $600-800
50
William Stanley Haseltine
(American, 1835-1900) Untitled (Coast) watercolor signed W.S. Haseltine (lower right) 6 1/2 x 4 1/2 inches. $800-1,200
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36
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51*
Alexis Matthew Podchernikoff
(American/Russian, 1886–1933) Monterey Bay, California oil on canvas signed A. M. Podchernikoff. (lower left) 20 x 30 inches. Property from the Collection of Dr. Roger Scanlan, Rockford, MI $1,500-2,500 51
52
52
Richard Hayley Lever
(American, 1876–1958) Harbor Scene oil on board signed H. Lever (lower left) 13 x 16 inches. $2,000-4,000
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Emile Albert Gruppe
(American, 1896-1978) Untitled (New England Ship in Harbor) oil on canvas signed Emile A. Gruppe (lower right) 36 x 30 inches. Property from the Museum of Science and Industry, Chicago, Illinois Provenance: Richard Norton Gallery, Chicago $6,000-8,000 54
Frank H Myers
(American, 1899-1956) The Return, 1927 oil on canvas signed Frank H. Myers and dated (lower right) 8 3/4 x 11 3/4 inches. $1,000-2,000 55*
Paul Signac
53
(French, 1863-1935) San Malo, 1930 watercolor and graphite signed P. Signac (lower left); titled and dated (lower right) 11 3/4 x 17 1/2 inches. Property from The Estate of Elvire and Lucien Levy, Sarasota, Florida $15,000-25,000 56*
Albert Marquet
(French, 1875-1947) Drague sur la Seine, 1928 watercolor signed Marquet and dated (lower right) 6 1/2 x 9 3/4 inches. Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida
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Provenance: Paul Vallotton Gallery, Lausanne, France $8,000-12,000
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56
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57*
Johan Jongkind
(Dutch, 1819-1891) La Belle Poul a Brett, 1851 watercolor signed Jongkind, titled, and dated (lower left) 9 1/4 x 12 1/2 inches. Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida Provenance: Paul Valloton, Lausanne, Switzerland $1,000-2,000 57
58*
Leon Joubert
(French, 1871–1920) Harbor Village oil on canvas signed L. Joubert (lower right) 13 1/8 x 18 1/4 inches. Property the Estate of Anita Oleck, Park Ridge, Illinois $800-1,200
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40
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59*
Aert van der Neer
(Dutch, 1603-1677) A River Scene, c. 1652-55 oil on oak panel 12 3/8 x 19 1/2 inches. The Property of the Detroit Institute of Arts, Sold to Benefit the Acquisition Fund Provenance: Collection of Corbett-Winder, Vaynor Park, Berriew, Wales Sold: Christie’s, London, Auction Major Corbett-Winder, April 6, 1889, Lot 75 Collection of James E. Scripps Given to the Detroit Museum of Art in 1889 by the above Literature: Royal Academy, Exhibition of the Works of Old Masters, London, 1888, cat. 96. Detroit Museum of Art, Catalogue of the Scripps Collection, Detroit, 1889, no. 57, (as Arnold or Aart van der Neer). Detroit Museum of Art, Handbook of Paintings by the Old Masters, Detroit, 1910, p. 39, no. 52. Detroit Institute of Arts Museum, compiled by C. Burroughs, Catalogue of paintings, sculpture and contemporary arts and crafts, Detroit, 1920, p. 55, no. 47. C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der holländischen Maler des 17 Jahrhunderts, vol. 7, Esslingen/Paris, 1918, A. van der Neer, pp. 370-371, no. 30. W. Heil, Catalogue of Paintings in the Permanent Collection of The Detroit Institute of Arts, Detroit, 1930, cat. 156, repr. E. P.Richardson (ed.), Detroit Institute of Arts Museum, Catalogue of Paintings, Detroit, 1944, p. 96, no. 156. W. Schulz. Aert van der Neer, Ghent, 2002, p. 212, no. 322. [as “River Landscape at Sunset”] Detroit Institute of Arts, Masters of Dutch Painting: The Detroit Institute of Arts, London, 2004, pp. 142-143 $20,000-30,000
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60*
Auguste Henri Musin
(Belgian, 1852-1923) Moerdyck, Hollande oil on canvas signed Auguste Musin and titled (lower right) 20 1/4 x 38 1/4 inches. Property from the Estate of Sarah Barcroft, Chicago, Illinois $800-1,200 61*
Style of Abraham Storck
61
(Dutch, 1644-1708) Seascape oil on canvas 23 1/2 x 32 1/2 inches. Property from the Estate of George and Harriet Kelly, Denver, Colorado $4,000-6,000 62*
George Loring Brown
(American, 1814-1889) Castello Dell’Ovo, Bay of Naples, 1847 oil on canvas signed G. L. Brown and dated (lower center) 46 x 63 inches. Property of a Distinguished Gentleman, Grafton, Wisconsin $6,000-8,000
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63*
Manner of Giovanni Paolo Panini
(Italian, 1691-1765) Classical Ruins with Statue of Marcus Aurelius oil on canvas 42 x 32 1/4 inches. Property from the Estate of George and Harriet Kelly, Denver, Colorado $5,000-7,000
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64*
After Giovanni Bilivert
(Italian, Mid-19th Century) Archangel Raphael Refusing Tobias’s Gifts oil on canvas 29 1/8 x 22 7/8 inches. The Property of the Detroit Institute of Arts, Sold to Benefit the Acquisition Fund $4,000-6,000
64
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65*
After Giorgione
(Italian, Mid-19th Century) The Three Ages of Man oil on canvas laid to board 24 3/8 x 30 1/4 inches. The Property of the Detroit Institute of Arts, Sold to Benefit the Acquisition Fund $4,000-6,000
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66
66*
Manner of David Teniers
(Flemish) Portrait of a Man oil on panel 3 1/2 x 3 inches. Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida $500-700
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67*
Attributed to Antonio Cifrondi
67
(Italian, 1657-1730) Woman Grinding Grain, c. 1700 oil on canvas 14 1/4 x 9 1/2 inches. The Property of the Detroit Institute of Arts, Sold to Benefit the Acquisition Fund $1,000-2,000
68*
After Antonio da Correggio
(Italian, Circa 1600) Virgin and Child paint on wood panel 12 7/8 x 9 1/2 inches. The Property of the Detroit Institute of Arts, Sold to Benefit the Acquisition Fund Handwritten note to verso reads: “This picture was in the possession of Dr. Hinde (lecturer at University College Hospital, London for more than 50 years). It was given as a wedding present to Mr. Hinde by one of the Colnaghi family. It was bought by Mr. Colnaghi in Florence. Sir Chas. Eastlake, Presid. Roy. Acad., who visited at Dr. Hinde’s, believed it to be either a Correggio, or it was painted [. . .] Correggio’s studio.” $1,000-2,000 68
69
Charles Sprague Pearce
(American, 1851-1914) Mother and Child oil on canvas signed Charles Spargue Pearce (lower right) 36 x 28 1/2 inches. Property from the Collection of Henry Fay Mixter and Clara Fowler Mixter, Boston, Massachusetts, Exeter, New Hampshire and Milwaukee, Wisconsin $4,000-6,000
69
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70*
71*
(Dutch, 1856–1909) Young Mother oil on canvas signed Weiland (lower left) 26 x 21 inches. Property from the Collection of Ms. Adrienne Smith, Oswego, Illinois $1,000-2,000
(Dutch, 1894-1976) Interior Scene, Mother and Child oil on canvas signed Weiland (lower right) 23 1/4 x 15 1/4 inches. Property from the Estate of June Kaiser, Chicago, Illinois $600-800
Johannes Weiland
Johannes Weiland
72*
After John Hoppner
(English, 19th Century) Mrs. Richard Brinsley Sheridan and her Son Charles oil on canvas 26 x 20 3/8 inches. The Property of the Detroit Institute of Arts, Sold to Benefit the Acquisition Fund $500-700
72
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73*
William Merritt Chase
(American, 1849-1916) Woman with a Basket, 1875 oil on canvas signed Chase and dated (upper left) 44 x 34 inches. Property from the Collection of Shelia O’Brien, Potomac, Maryland Provenance: Frank Duvenek, 1875 Given to the Cincinnati Museum of Art, Gift by the above in 1908 Aquired from above by Julius Weitzner in 1945 Acquired from the above by the Art Institute of Chicago in 1946 Sold: Sotheby’s, New York, April 23, 1998, Lot 78 Literature: R. Pisano, The Complete Catalogue of Known and Documented Work by William Merritt Chase, Yale University Press, 2010, Vol. 4, p. 128, no. F.2, illus. $30,000-50,000
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47
74
74
Daniel Ridgway Knight
(American, 1839-1924) Maiden - Meditation oil on canvas signed Ridgway Knight and inscribed Paris (lower right) 22 x 18 1/4 inches. Provenance: The Lenz Gallery, Milwaukee, Wisconsin Lot Note: We would like to thank Howard L. Rehs for confirming the authenticity of this work, which will be included in his forthcoming Daniel Ridgway Knight catalogue raisonne. A certificate of authenticity will accompany this lot. $20,000-40,000
48
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75* Théophile Alexandre Steinlen (French/Swiss, 1859-1923) Les blanchisseuses crayon and charcoal on paper signed ST. (lower right) 18 x 14 inches. Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida Provenace: Paul Vallotton Gallery, Lausanne, France $2,000-4,000 75
76
76
Constantin Terechkovitch
(Russian, 1902–1978) Monte Carlo, 1954 watercolor and graphite signed C. Terechkovitch, titled and dated (lower right) 26 x 20 inches. $2,000-4,000
77
77
François Gall (French/Hungarian, 1912-1987) Paris aux deux magots oil on canvas signed F. Gall (lower left); signed and titled (verso) 17 1/2 x 10 inches. $3,000-5,000
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49
78
50
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78*
Louis Marie De Schryver
(French, 1862-1942) Les Fleurs de Paris oil on canvas signed DE Schryver (lower right) 40 1/2 x 62 3/4 inches. Property from the Collection of Dimitrios & Christine Sereleas, Chicago, Illinois Literature: Dumas, F., Exposition des Beaux-Arts, Salon de 1887: Catalogue Illustre. Paris: Lodovie Bachet Editeur, 1887, p. 296, titled Les premières fleurs. $150,000-250,000
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51
79
Adam Emory Albright
(American, 1862–1957) Children Playing in the Creek oil on canvas signed Adam Emory Albright (lower right) 24 x 30 inches. $3,000-5,000
79
80
80
Andrew Loomis
(American, 1892-1959) Unknown (Soda Fountain) oil on canvas signed Andrew Loomis (lower left) 34 x 20 inches. Property from an Important Corporate Collection $2,000-4,000
52
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81
81
François Boucher
(French, 1703-1770) Study of a Putti red chalk drawing signed Boucher (lower right) 9 1/4 x 7 1/4 inches visible. $4,000-6,000
82
82
Eastman Johnson
(American, 1824–1906) Young Girl Reading at the Table oil on canvas signed E. J. (lower right) 15 x 12 inches. $10,000-15,000
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53
83
Narcisse Virgile Diaz de la PeĂąa
(French, 1807-1876) In the Garden, 1866 oil on wood panel signed N. Diaz and dated (lower left) 15 7/8 x 12 1/2 inches. Provenance: Private Collection, 1916 Vose Galleries, Boston, Massachusetts Private Collection, 1917 Private Collection, pre-1954 By descent to present owner, Columbia, South Carolina, Grandson of above in 2009 $3,000-5,000 83
84
Constantine Makowsky
(Russian Federation, 1939-1915) Portrait of Young Girl with Blossoms oil on canvas signed C. Makowsky (upper right) 20 x 15 1/2 inches. $10,000-20,000
84
54
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85
85
William Clarke Wontner (British, 1857–1930) Portrait of Amy Robsart oil on canvas 30 3/4 x 25 1/2 inches. $8,000-12,000
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55
86
86
Eastman Johnson
(American, 1824–1906) Portrait of a Woman, 1877 oil on canvas signed E Johnson and dated (lower center) 23 1/4 x 19 inches. $20,000-30,000
56
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87*
AndrĂŠ Derain
(French, 1880-1954) Tete de jeune fille oil on canvas signed A. Derain (lower right) 14 1/2 x 9 inches. Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida Provenance: Scott & Fowles, New York Paul Vallotton, Lausanne, Switzerland $8,000-12,000
87
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88*
After Giorgione
(Italian, 17th Century) Reclining Venus oil on canvas 46 1/4 x 65 3/4 inches. The Property of the Detroit Institute of Arts, Sold to Benefit the Acquisition Fund $3,000-5,000
88
89
90
89*
Glenn C. Sheffer
(American, 1881–1948) Nude, 1930 oil on board signed Glen C. Sheffer (lower right) 20 7/8 x 16 3/4 inches. Property from the Collection of Dr. Roger Scanlan, Rockford, MI $800-1,200
58
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90
Moses Soyer
(Russian-American, 1899-1974) Seated Female Nude oil on canvas signed M. Soyer (lower right) 23 3/4 x 19 1/2 inches. $3,000-4,000
91
92
93
91
92*
93
(American, 1899–1974) Study of a Blond Woman oil on canvas signed M Soyer (upper right) 20 x 16 inches.
(French, 1874-1949) Nu assis, 1944 ink and graphite on paper signed Manguin (lower right) 9 1/4 x 6 3/4 inches. Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida
(British, 1809-1896) Three Studies of Seated Nudes ink on paper 3 1/4 x 8 inches. $1,500-2,500
Moses Soyer
Provenance: Sold: Phillips de Pury & Co., New York, January 28, 1997, Lot 163 $1,000-2,000
Henri Charles Manguin
George Richmond
Provenance: Paul Valloton, Lausanne, Switzerland $1,000-2,000
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94* Édouard Vuillard (French, 1868-1940) Mme. Hessel la main au front, c. 1910 graphite on paper signed EV (lower right) 4 x 6 inches. Property from The Estate of Elvire and Lucien Levy, Sarasota, Florida Provenance: Galerie Paul Vallotton, Lausanne, France $1,000-2,000
94
60
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95
95* Édouard Vuillard (French, 1868–1940) Madame Rosengart Avec Sa Fille, 1928 charcoal and pastel on paper laid on canvas signed E Vuillard (lower right) 30 1/4 x 35 1/4 inches. Property from the Collection of Mr. William Spatz, Chicago, Illinois Provenance: Sold: Sotheby’s, New York, November 6, 2002, Lot 128 $40,000-60,000
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61
96
Itzchak Tarkay
(Israeli, 1935–2012) Daydreaming on a Chaise oil on canvas signed Tarkay (lower left) 39 1/2 x 39 1/2 inches. $2,000-4,000
96
97*
Jean Metzinger
(French, 1883-1956) Baigneurs a colombe gouache on paper signed Metzinger (lower right) 11 x 14 inches. Property from The Estate of Elvire and Lucien Levy, Sarasota, Florida Provenance: Edgardo Acosta Gallery, Beverly Hills, California $5,000-7,000 97
98
Miguel Covarrubias
(Mexican, 1904 -1957) Untitled colored pencil signed Covarrubias (lower right) 5 1/2 x 4 1/2 inches. $800-1,200
98
62
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99
99*
Paul Klee
(German, 1879-1940) Composition, 1920 ink on paper laid to paper signed Klee (lower right) and dated (lower left) 10 1/4 x 8 inches. Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida Provenance: Piccadilly Gallery, London $15,000-25,000
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63
100
Alvar Sunol Munoz-Ramos
(Spanish, 1935) Interior y Pajaro oil on canvas signed Alvar (lower right) 25 1/4 x 31 1/2 inches. $1,000-2,000
100
101
ThĂŠo Tobiasse
(French, 1927–2012) Qui a peur du cheval, 1964 gouache and ink on paper signed Theo Tobiasse (left center) and dated (lower center) 20 x 26 inches. $3,000-5,000
101
64
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102
102
Jean Dufy
(French, 1888–1964) Scene du Cirque gouache on paper laid to canvas signed Jean Dufy (lower right) 17 11/16 x 23 1/2 inches. Provenance: Sold: Sotheby’s, Chicago, June 11, 2001, Lot 967 We would like to thank Jacques Bailly for confirming the authenticity of this work, which will be included in the forthcoming catalogue raisonné. This work is accompanied by a certificate of authenticity, no. 4673. $15,000-25,000
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103
103*
Achille-Émile Othon Friesz
(French, 1879–1949) Circus oil on panel laid to canvas signed Othon Friesz (lower left) 25 1/2 x 32 inches. Property from the Collection of Mr. J. James Cooper, Houston, Texas $3,000-5,000
66
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104
104
Moses Soyer
(American, 1899–1974) Two Ballerinas oil on canvas signed M Soyer (lower right) 20 x 24 inches. Provenance: Vixseboxse Art Galleries, Cleveland Heights, Ohio Sold: Aspire Auctions, Cleveland Heights, September 11, 2008, Lot 64 There acquired by the present collector $2,000-4,000
105
105*
Grigory Gluckmann
(American, 1878-1973) Model Dreaming oil on paper 15 x 14 inches. Property Sold to Benefit the Acquisition Fund of The San Diego Museum of Art, San Diego, California Provenance: Bequest of Mrs. Inez Grant Parker $2,000-4,000
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67
106
Egon Schiele
(Austrian, 1890–1918) Selbstbildnis, 1917 bronze; cast 1980 edition 298/300, inscribed Egon Schiele Height: 11 1/4 inches. $1,500-2,500
106
107*
André Derain
(French, 1880-1954) Le grand visage bronze edition 11/11 Height: 10 inches. Property from The Estate of Elvire and Lucien Levy, Sarasota, Florida Provenance: Sold: Sotheby’s, New York, November 7, 2012, Lot 355
107
Literature: Pierre Cailler, Catalogue raisonné de l’oeuvre sculpté de André Derain, Geneva, 1965, no. 15 (terracotta version illustrated). P. Coray, André Derain, Sculpteur, exh. cat., Milan, 1994, no. 79 (another cast illustrated p. 94). $10,000-15,000
108*
André Derain
(French, 1880-1954) Le gladiateur, c. 1952 bronze edition 10/11, inscribed Andre Derain Height: 12 inches. Property from The Estate of Elvire and Lucien Levy, Sarasota, Florida Literature: Pierre Cailler, Catalogue raisonné de l’oeuvre sculpté de André Derain, Geneva, 1965, no. 51. $8,000-12,000
108 68
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109*
AndrĂŠ Derain
(French, 1880-1954) Male Portrait bronze 10/11, signed Andre Derain Height 10 inches. Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida $5,000-7,000 109
110
No Lot 111
No Lot 112
No Lot 113
Marshall Maynard Fredericks (American, 1908-1998) Mouse bronze signed Marshall Fredericks Height 5 inches. $3,500-4,500
113
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69
114
70
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114
Hovsep Pushman
(American, 1877-1966) Confession of a Rose oil on canvas signed Pushman (lower right) 25 x 21 1/2 inches. Provenance: Findlay Galleries, Chicago Acquired from the above in 1947 Accompanied by a copy of a letter, signed by the artist and dated November 19, 1947, which reads: This painting is composed of objects which came from the Far East - a wooden statue of a Chinese divinity, an old Tibetan banner as a background and an iridescent vase containing a fading rose. My theme revolves around this rose, with bending head before the divinity, confessing, pleading. I am not sure if I know what sorror or pain caused the tears of this rose, but I know this, that there is an eternal promise from the Price of Peace that we will come out from life’s tragedies, into light and immortality. Color being the keynote of my work, I try to combine them, such as you will find in this composition to awaken my emotion in the observer, as a musician will do with sound. Also accompanied by a copy of a letter of reference from the Frick Art Reference Library, dated November 19, 1947. $15,000-25,000
115
115
George Lance
(British, 1802-1864) Still Life with Gilt Bronze Ewer oil on canvas 18 x 14 1/2 inches. $4,000-6,000
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116*
James Ensor
(Belgian, 1860-1949) Chinoiseries – Chinese Vases and fans, c. 1908-10 oil on canvas signed EnsoR (lower right) 19 x 11 7/8 inches. Property from The Estate of Elvire and Lucien Levy, Sarasota, Florida Literature: Xavier Tricot, James Ensor, sa vie son oeuvre. Catalogue raisonné des peintures, Brussels, 2009, catalogue no. 153 This work is accompanied by a certificate of authenticity issued by the Ensor Advisory Committee. $80,000-120,000 Mrs. Sabine Taevernier, President and Secretary of the Ensor Advisory Committee, along with Permanent Advising Members Mr. Herwig Todts, Mr. Michel Draguet, and Mr. Xavier Tricot, explain: “This oil painting is an authentic copy of an earlier painting, Chinoiseries, 1880, catalogue raisonné nr. 153 and belonging to the Franck collection. After 1900 the artist [was] getting more and more famous even outside Belgium. Many of his early works found a new owner. For that reason, and maybe because some collectors were asking for [replicate versions], the artist made a series of copies of his early paintings, mainly between 1908 and 1910. Chinoiseries – Chinese Vase and Fans, belongs to this series and is a copy of a painting realized in 1880. In some cases, and probably to make it slightly different, the artist is changing the size of his copy. Where in the initial composition the top of the vase and the fan were cut off, he added those elements with some background in the copy.”
72
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117
Achille-Émile Othon Friesz (French, 1879-1949) Nature morte aux poires oil on canvas signed E. Othon Friesz (lower right) 13 x 18 inches. $1,500-2,500
117
74
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118
118
William Glackens
(American, 1870–1938) Flowers in a White Vase oil on board signed W. Glackens (lower left) 15 3/4 x 11 3/4 inches. $15,000-25,000
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75
119*
Eugene Edward Speicher
(American, 1883–1962) Tulips in Brown Jug oil on canvas signed Eugene Speicher (lower right) and titled (verso) 17 1/2 x 13 1/4 inches. Property from the Collection of Mr. Andrew Campbell, Park Ridge, Illinois $1,000-2,000
119
120*
AndrĂŠ Gisson (American, 1921-2003) Floral Still Life oil on canvas signed Gisson (upper left) 11 1/2 x 15 1/4 inches. Property from the Estate of June Kaiser, Chicago, Illinois $600-800
120
76
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121
121
Arthur Garfield Dove
(American, 1880-1946) Gasoline Shovel, 1940 watercolor signed Dove (lower center) 5 x 7 inches. Provenance: Andrew Crispo Gallery, New York Forum Gallery, New York Richard Norton Gallery, Chicago $10,000-15,000 122
Edward Borein
(American, 1872-1945) Man on Horse pen and ink on paper image: 9 x 6 inches. Property from an Important Corporate Collection
122
Provenance: Gallery 85, Billings, Montana Acquired from the above by the present owner in 1973 $1,000-2,000
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artist’s index
lot
Albright, Adam Emory................... 79
Lever, Richard Hayley................... 52
Alrich, George Ames..................... 33
Lumis, Harriet Randall..................... 4
Albright, Ivan............................... 32 Berthelsen, Johann................ 35-39 Bilivert, Giovanni (After)................. 64
Blanchard, Antoine....................... 43 Blumenschein, Ernest Leonard...... 18 Boch, Anna................................... 3 Borein, Edward.......................... 122 Boucher, François........................ 81 Brown, George Loring.................. 62
Carlsen, Soren Emil...................... 23 Chase, William Merritt................... 73
Cifrondi, Antonio (Attributed).......... 67 Cimiotti, Gustave......................... 48 Clusmann, William.......................... 8 Cornoyer, Paul............................. 40 Correggio, Antonio Da (After)........ 68 Cortès, Edouard Léon.................. 42 Couse, Eanger Irving.................... 24 Covarrubias, Miguel...................... 98 Cropsey, Jasper Francis................ 19 De Schryver, Louis Marie............... 78
Derain, André ......... 15, 87, 107-109 Diaz, Narcisse-Virgile.................... 83
Dove, Arthur Garfield.................. 121 Dufy, Jean................................. 102 Ensor, James............................. 116 Evergood, Philip........................... 45
Fredericks, Marshall Maynard...... 113
Friesz, Achille-Émile Othon... 103, 117
Gall, François.............................. 77
Giorgione (After).................... 65, 88 Gisson, André....................... 5, 120 Glackens, William....................... 118
Loomis, Andrew........................... 80 Makowsky, Constantine................ 84 Manguin, Henri............................ 92 Marquet, Albert............................ 56 Metzinger, Jean........................... 97 Milleson, Royal Hill....................... 11
Modesitt, John............................... 7 Modigliani, Amadeo.................... 110 Munoz-Ramos, Alvar Sunol......... 100
Musin, Auguste............................ 60 Myers, Frank H............................ 54
Noyes, George Loftus..................... 6 Panini, Giovanni Paolo (Manner)..... 63 Patrick, James McIntosh............... 28 Pearce, Charles Sprague.............. 69 Podchernikoff, Alexis Matthew....... 51 Pushman, Hovsep...................... 114 Ranger, Henry Ward..................... 21
Redfield, Edward Wills.................... 9 Richmond, George....................... 93 Robinson, Theodore............... 13, 29 Rodin, Auguste.......................... 112 Schiele, Egon............................ 106 Sheffer, Glenn C........................... 89 Signac, Paul................................ 55 Sinclair, Gerrit.............................. 10 Sotter, George William.................. 34 Soyer, Moses.................. 90, 91, 104
Speicher, Eugene Edward........... 119 Spelman, John Adams.................. 49 Steinlen, Theophile Alexandre........ 75 Storck, Abraham (Style)................ 61
Gluckmann, Grigory.................. 105
Sébire, Gaston............................. 46
Haseltine, William Stanley.............. 50
Teniers, David (Manner)................. 66
Heinze, Adolf............................... 25
Tobiasse, Théo.......................... 101
Herzog, Hermann .................. 14, 17
Twachtman, John Henry......... 30, 31
Johnson, Eastman................. 82, 86
Vickery, Charles........................... 47
Joubert, Leon.............................. 58
Weiland, Johannes................. 70, 71
Krafft, Carl Rudolph...................... 26
Wontner, William Clarke................ 85
Gruppe, Emile Albert.................... 53
Tarkay, Itzchak............................. 96
Hassam, Childe......................... 1, 2
Terechkovitch, Constantin............. 76
Herring, Benjamin........................ 27
Topping, James........................... 12
Hoppner, John (After).................... 72
Van der Neer, Aert........................ 59
Jongkind, Johan......................... 57
Vuillard, Édouard......... 16, 44, 94, 95
Knight, Daniel Ridgway................. 74
Wiggins, Guy Carleton.................. 22
Lance, George........................... 115
Ziem, Félix.................................. 20
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Auction Inquiries fine art DEPARTMENT
Zack Wirsum Senior Specialist Post War and Contemporary Art zachary@lesliehindman.com
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79
Guide for Prospective Sellers Evaluation of Property
If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.
Standard Commission Rates
Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and eslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.
Shipping Arrangements
Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.
Appraisals
Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.
Guide for Prospective Buyers Conditions of Sale
Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.
Exhibitions
Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.
Estimates
Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.
Condition Reports
We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.
Bidding at Auction
The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 .......................................... $10 $200 - $500 .......................................... $25 $500 - $1,000 ....................................... $50 $1,000 - $2,000 ..................................... $100 $2,000 - $5,000 ..................................... $200 $5,000 - $10,000 ................................... $500 $10,000 - $20,000 ................................ $1,000 $20,000 - $50,000 ................................ $2,000 $50,000 - $100,000 .............................. $5,000 $100,000 - $200,000 ............................ $10,000 Over > $200,000 ..... Auctioneer’s Discretion
In-House Bidding
Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.
Online Bidding
Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.
Absentee Bidding
If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.
Tax Exempt Notice
Lots marked with an asterisk (*) are tax exempt as permitted by law.
Driving Directions/Parking From the WEST:
Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.
From the NORTH/NORTHWEST:
Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
From the SOUTHWEST:
Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
From the SOUTH/SOUTHEAST:
Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
Parking:
Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the street from our entrance.
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Conditions of Sale HINDMAN LLC AS AGENT
The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.
BEFORE THE SALE
Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.
Telephone Bids
On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC.
Online Bids
We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.
Reserves
Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.
Auctioneer’s Discretion
Refusal of Admission
Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.
The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.
Registration Before Bidding
Successful Bid
AT THE SALE
A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.
Bidding as Principal
When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment.
Absentee Bids
We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.
The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.
AFTER THE SALE Buyer’s Premium
In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.
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Payment
The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.
Tax Exempt Notice
Lots marked with an asterisk (*) are tax exempt as permitted by law.
Collecting Purchases
Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.
Packing and Shipping
If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items.
Non Payment
If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate
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Failure to Collect Purchases
If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.
LIABILITY Condition Reports
Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.
Purchased Lots
If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser.
Legal Ramifications
The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.
Discretion
Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC.
2018
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LESLIE HINDMAN AUCTIONEERS upcoming auction sch e dul e
570 | post war and contemporary art May 23 | chicago
613 | interiors june 13 – 14 | online only
611 | asian works of art june 25 | online only
571 | fine prints May 23 | chicago
574 | fine furniture, decorative arts and silver july 17 – 18 | chicago consignments due may 18
610 | photography May 24 | online only
572 | american and european art May 24 | chicago
599 | Palm Beach collections june 7 | online only
575 | interiors august 1 – 2 | online only
578 | important jewelry august 27 – 28 | chicago consignments due june 28
603 | designer silver jewelry june 8 | timed online only
562 | fine timepieces august 28 | chicago consignments due june 28
605 | hermÈs accessories june 12 | online only
562 | luxury accessories and couture august 29 | chicago consignments due june 29
Leslie Hindman Auctioneers offers a complete range of appraisal and auction services designed to assist you. If you have property to sell, be it a single item, a large collection or an entire estate, please contact us for a complimentary evaluation at 312.280.1212 or consign@lesliehindman.com.
This schedule is subject to change. Changes can be found at lesliehindman.com
le sliehi ndma n. com
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leslie hindman auctioneers CHICAGO | atlanta | DENVER
MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS
fx 312. 280 . 1 2 1 1 | bi d @ le s liehin d m a n . com Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.
572
Name
Sale Number
Business Name Billing Address City
State
Country/Zip Contact Name
bid form Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 .... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence. A per lot buyer’s premium is added to the final hammer price as per the following:
Primary Phone
I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.
$0 - $250,000 .......................................... 25% $250,001 - $3,000,000 ............................ 20% $3,000,001 + ............................................ 12% Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.
Signature Date For Hindman LLC Date
First time bidders please provide a valid credit card and one of the following: Passport / Driver’s License / National Identity Card Lot Number
PHONE BID
Absentee Bid
LOT DescriPtion
US Dollar Limit
EXCLUDES BUYER’S PREMIUM
PLEASE CHECK
Back-up Bid
FOR TELEPHONE BIDDERS ONLY
How did you hear about Leslie Hindman Auctioneers?
LHLIVE 1 3 3 8 weST L A K E STR E E T ph 3 1 2 . 2 8 0 . 1 2 1 2
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fx 312.280.1211
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CHICAGO, ILLINOIS
60607
bi d @ le s liehin d m a n . com
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le s liehin d m a n . com
leslie hindman auctioneers
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