Sale 583 | Post War and Contemporary Art by Hindman

L ESL IE HI NDM A N AUCT ION EERS OCT OBER 2 , 2 018 N O.583

13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e hi n d m a n.c o m

POST WAR AND CONTEMPORARY ART OCTOBER 2, 2018

Post War and Contemporary Art

Tuesday 2 October | 10 AM CT

LHLIVE

P R EVIEW

TUESDAY 2 OCTOBER | 10AM CT PAINTINGS | LOTS 1 – 73 SCULPTURE | LOTS 74 – 103 WORKS ON PAPER | LOTS 104 – 153 P R OPERTY PICK UP HOUR S

MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale. Lots marked with an asterisk (*) are tax exempt as permitted by law.

Cover Lot 126 | Joan Mitchell, (American, 1925-1992) Untitled (PASTEL), 1991 (diptych) (detail) Above Lot 90 | Clement Meadmore, (Australian, 1929-2005) Clench, 1972

lesliehindman.com ©Hindman LLC 2018 CHICAGO, ILLINOIS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

P RO P ERT Y F RO M T H E ES TAT ES OF Marge Ewers, Nashville, Tennessee Helen and Jack Halpern, Chicago, Illinois Laurence Nieman, Harvard, Illinois

P RO P ERT Y F RO M T H E C O LLEC T IONS OF The Fox Collection, Elm Grove, Wisconsin Ms. Maryna Hrushetska, Los Angeles, California David Seligman, Madison, Wisconsin Harriet and Lawrence Singer, Miami, Florida Mr. Howard Weinstein, Atlanta, Georgia WestRock Shared Services LLC, Norcross, Georgia Dr. Ronald and Carole Wolfson, Campton Hills, Illinois Bruce and Ellen Wynn, Fox Point, Wisconsin

P RO P ERT Y S O LD T O BEN EF IT The Acquisition Fund of a Southeastern Institution

Lot 25 | Gene Davis, (American, 1920-1985), Black Jack, 1980

Contents PAINTINGS

LOTS 1 – 73

SCULPTURE

LOTS 74 – 103

WORKS ON PAPER

LOTS 104 – 153

ARTIST INDEX

GLOSSARY OF TERMS AUCTION INQUIRIES

CONDITIONS OF SALE

TELEPHONE / ABSENTEE BID FORMS

Lot 68 | Ed Paschke, (American, 1939-2004), Anaconda, 1984

Paintings |

Lot 23 | Kenneth Noland, (American, 1924-2010), Brazilian Light, 1964

LOTS 1 â&#x20AC;&#x201C; 73

POST WAR AND CONTEMPORARY ART

FRIEDEL DZUBAS

LARRY ZOX

To Feely Xmass (Sketch), 1972

Pursuit II (Sketch), 1972

Otley, 1975

acrylic on canvas 6 1/8 x 7 1/4 inches.

magna acrylic on canvas 11 x 10 inches.

Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia

acrylic on canvas signed Zox (verso) 55 x 55 inches.

Provenance: The Estate of the Artist Ameringer and Howard, New York Acquired from the above by the present owner in 2001

Provenance: The Estate of the Artist Ameringer and Howard, New York

(AMERICAN/GERMAN, 1915-1994)

$5,000-7,000

(AMERICAN/GERMAN, 1915-1994)

(AMERICAN, 1937-2006)

Provenance: Andre Emmerich Gallery, New York Hokin Gallery, Palm Beach, Florida $10,000-15,000

Exhibited: Roslyn, New York, Nassau County Museum of Fine Art, Works by Friedel Dzubas, June 7 - August 16, 1987 Waltham, Massachussets, Rose Art Museum, Brandeis University, Friedel Dzubas: Selected Paintings from Four Decades 1988 $6,000-8,000

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4 RAY PARKER

(AMERICAN, 1922-1990)

For Denise #394; Like you “like” it Denise, 1960 oil on canvas signed R Parker, titled and dated (verso) 85 x 77 inches. Provenance: Washburn Gallery, New York $30,000-50,000 10

POST WAR AND CONTEMPORARY ART

5* HANS HOFMANN

(AMERICAN/GERMAN, 1880-1966)

Light Yellow Landscape, 1937 oil on panel estate stamped M-913 (verso) 17 1/2 x 23 1/2 inches. Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia Provenance: The Estate of the Artist The Renate, Hans and Maria Hofmann Trust Andre Emmerich Gallery, New York Acquired from the above by the present owner in 1996 Literature: S. Villiger, ed., Hans Hofmann: Catalogue RaisonnĂŠ of Paintings, Volume II (1901-1951), London, 2014, p. 112, no. P183 (illustrated) $60,000-80,000

V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

POST WAR AND CONTEMPORARY ART

6* BYRON BROWNE

(AMERICAN, 1907-1961)

Garden of Desires, 1953 oil on canvas signed Browne and dated (lower center); signed, titled and dated (verso) 48 x 36 inches. Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia Provenance: Rivas Yares Gallery. Santa Fe, New Mexico $10,000-15,000

7* PAUL BURLIN

(AMERICAN, 1886-1969)

Untitled oil on canvas board signed P. Burlin (verso) 30 x 22 inches.

Property from the Estate of Laurence Nieman, Harvard, Illinois $1,000-2,000

8* PAUL BURLIN

(AMERICAN, 1886-1969)

Untitled oil on canvas board signed P. Burlin (verso) 24 x 18 inches. Property from the Estate of Laurence Nieman, Harvard, Illinois $1,000-2,000

9* PAUL BURLIN

(AMERICAN, 1886-1969)

Untitled oil on panel 48 x 34 inches. Property from the Estate of Laurence Nieman, Harvard, Illinois $1,000-2,000 9

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10 RICHMOND BURTON (AMERICAN, B. 1960)

Lucky Charms, 1995 oil on canvas signed Richmond Burton, titled and dated (verso) 74 x 61 inches. Provenance: Matthew Marks Gallery, New York $4,000-6,000

11 RICHMOND BURTON (AMERICAN, B. 1960)

Boiled Like a Lobster in Her Own Bathtub, 1995 oil on linen signed Richmond Burton, titled and dated (verso) 60 x 48 inches. Provenance: Matthew Marks Gallery, New York $3,000-5,000

POST WAR AND CONTEMPORARY ART

12 ROBERT NATKIN

(AMERICAN, 1930-2010)

Apollo oil on canvas signed Natkin (lower center); signed, titled, dated (verso) 72 x 60 inches. $6,000-8,000

13 ROBERT NATKIN

(AMERICAN, 1930-2010)

Evening Tryst, 1973 oil on canvas signed Natkin (lower left); titled (verso) 42 x 34 inches. $3,000-5,000

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14 FRANK STELLA

(AMERICAN, B. 1936)

Green Solitaire, 1979 acrylic, glitter, and silkscreen ink on tycore numbered 5/10, signed F. Stella (upper left) 60 x 84 inches. Provenance: Tyler Graphics Ltd., Bedford Village, New York Andre Emmerich Gallery, New York Hokin Gallery, Palm Beach, Florida Acquired from the above by the present owner $80,000-120,000

POST WAR AND CONTEMPORARY ART

15 SAM GILLIAM

(AMERICAN, B. 1933)

Untitled, 1989 mixed media signed Sam Gilliam and dated (verso) 29 1/2 x 40 inches. $8,000-12,000

16 SAM GILLIAM

(AMERICAN, B. 1933)

Flowers, (from Tulip Series), 1989 mixed media, collage and marble construction numbered 11/20, signed Sam Gilliam and titled (verso) 36 x 36 x 6 inches. $2,000-4,000

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POST WAR AND CONTEMPORARY ART

WALTER DARBY BANNARD

KENNETH CALLAHAN

ARTHUR OSVER

Zephyr, 1988

Untitled

Witness, 1981

oil on canvas signed WD Bannard, titled and dated (verso) 47 x 90 inches.

oil on board signed Kenneth Callahan (lower right) 17 x 22 inches.

acrylic on canvas 65 x 65 inches

(AMERICAN, 1934-2016)

$3,000-5,000

(AMERICAN, 1905-1986)

$3,000-5,000

(AMERICAN, 1912-2006)

$4,000-6,000

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POST WAR AND CONTEMPORARY ART

22*

TADAAKI KUWAYAMA

AMÉDÉE OZENFANT

TREVOR BELL

Untitled (Three Bands), 1967

3 Yachts, 1959

Force Four, 1987-88

enamel on canvas and metal signed Tadaaki Kuwayama and dated (verso) 10 1/4 x 30 5/8 inches.

oil on canvas signed Ozenfant (lower right); signed, titled and dated (verso) 18 1/4 x 21 3/4 inches.

acrylic on canvas signed Trevor Bell, titled and dated (verso) 58 x 72 inches.

Provenance: Richard Gray Gallery, Chicago

$10,000-15,000

Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia

(AMERICAN/JAPANESE, B. 1932)

$8,000-12,000

(FRENCH, 1886-1966)

(BRITISH/AMERICAN, B. 1930)

$3,000-5,000

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23 KENNETH NOLAND (AMERICAN, 1924-2010)

Brazilian Light, 1964 acrylic on canvas signed Kenneth Noland, titled and dated (verso) 45 x 45 inches. Provenance: Sold: Sothebyâ&#x20AC;&#x2122;s New York, May 9, 1996, Lot 93 $80,000-120,000

POST WAR AND CONTEMPORARY ART

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POST WAR AND CONTEMPORARY ART

VICTOR VASARELY

GENE DAVIS

Reech-ond, 1973

Black Jack, 1980

acrylic on canvas 39 3/4 x 37 inches.

acrylic on canvas signed Gene Davis, titled and dated (verso) 68 x 91 1/2 inches.

(FRENCH/HUNGARIAN, 1906-1997)

Provenance: Galerie Denise Rene, Paris $50,000-70,000

(AMERICAN, 1920-1985)

Provenance: Hokin Gallery Inc., Bay Harbor Islands, Florida Dorothy Blau Gallery, Bay Harbor Islands, Florida $30,000-50,000

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26 CHARLES HINMAN (AMERICAN, B. 1932)

Ochre, Grey and White, 1974 acrylic on shaped canvas signed Hinman, titled and dated (verso) 48 x 59 1/2 x 5 inches. $8,000-12,000

27* CHARLES HINMAN (AMERICAN, B. 1932)

Climb, 1983 acrylic on shaped canvas signed Hinman, titled and dated (verso) 48 x 77 x 6 inches. Property from the Collection of Harriet and Lawrence Singer, Miami, Florida

Provenance: Galerie Ninety-Nine, Bay Harbor Islands, Florida $8,000-12,000

27 26

POST WAR AND CONTEMPORARY ART

28 DAVID ROW

(AMERICAN, B. 1949)

Untitled, 1992 oil and wax on canvas 49 x 54 inches. Provenance: John Good Gallery, New York $3,000-5,000

29* GUY YANAI

(ISRAELI, B. 1977)

Nearer to Death Today Than Yesterday or I Miss Independent Thinking, c. 2009 oil on panel titled (verso) 47 1/4 x 55 inches. $1,000-2,000

30* GUY YANAI

(ISRAELI, B. 1977)

Self Portrait as Prime Minister of a Beautiful Nation State, 2009 oil on panel signed Guy Yanai, titled and dated (verso) 47 1/4 x 55 inches. $1,000-2,000

29 V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

31 YRJO EDELMANN (SWEDISH, 1941-2016)

Cut-Out Landscape, 1979 oil on canvas signed Y. Edelmann and dated (lower left) 39 1/2 x 39 1/2 inches. Provenance: Lillian Heidenberg Gallery, New York $2,000-4,000

32* WERNER WILDNER (AMERICAN, 1925-2004)

Monarch, 1969 oil on board signed Werner W. (center) 13 1/2 x 8 3/8 inches. Property from the Estate of Marge Ewers, Nashville, Tennessee $2,000-4,000

33* SAMUEL BAK

(ISRAELI/POLISH, B. 1933)

Still Life of a Self Assertion, c. 1965-66 oil on linen signed Bak (lower left) 23 3/4 x 19 3/4 inches. Property from the Collection of David Seligman, Madison, Wisconsin Provenance: Pucker Gallery, Boston, Massachusetts $6,000-8,000 33 28

POST WAR AND CONTEMPORARY ART

34* DUILLO BARNABE (ITALIAN, 1914-1961)

Nature Morte, 1958 oil on canvas signed Barnabe (lower right) 24 x 28 1/2 inches. Property from the Estate of Helen and Jack Halpern, Chicago, Illinois Provenance: Sold: Leslie Hindman Auctioneers, May 27, 1996, Lot 325 $4,000-6,000

35* DUILLO BARNABE (ITALIAN, 1914-1961)

Still Life with Lamp, c. 1958

36*

oil on canvas signed Barnabe (lower right) 32 x 25 1/2 inches.

DUILLO BARNABE (ITALIAN, 1914-1961)

Property from the Estate of Helen and Jack Halpern, Chicago, Illinois

Flowers in a Blue Vase, c. 1959

Provenance: Galerie Visconti, Paris Estate of Nathan Cummings, New York Sold: William Doyle Galleries, New York, October 9, 1985, Lot 2

oil on canvas signed Barnabe (lower right) 31 3/4 x 21 1/2 inches. Property from the Estate of Helen and Jack Halpern, Chicago, Illinois

$5,000-7,000

Provenance: Galerie Barbizon, Paris Estate of Nathan Cummings, New York Sold: William Doyle Galleries, New York, November 14, 1985, Lot 148 $4,000-6,000

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POST WAR AND CONTEMPORARY ART

37*

RENE PORTOCARRERO

DAVID PARK

SONIA SEKULA

Figura en Azul, 1951

Untitled, c. 1949

Within, 1949

oil on canvas signed Portocarrero and dated (lower left); signed, titled and dated (verso) 31 x 24 inches.

oil on canvas signed David Park (lower right) 18 x 12 inches.

oil on canvas signed Sekula and dated (lower right); titled (verso) 48 x 16 inches.

(CUBAN, 1912-1985)

Property from the Estate of Helen and Jack Halpern, Chicago, Illinois Provenance: Mr. Joseph Cantor, Washington, D.C. Gifted by the above through the Pan-American Union to the Milwaukee Art Institute Sold: Leslie Hindman Auctioneers, October 16, 1988, Lot 313

(AMERICAN, 1911-1960)

(AMERICAN/SWISS, 1918-1963)

Provenance: Hackett Mill, San Francisco, California

$6,000-8,000

$50,000-70,000

Exhibited: Milwaukee, Wisconsin, Milwaukee Art Center, A Salute of Latin America, July 1958 $15,000-25,000

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40* LEONARDO NIERMAN (MEXICAN, B. 1932)

Cityscape, 1959 oil on canvas signed Nierman and dated (lower left) 14 1/2 x 10 1/2 inches. Property from the Estate of Helen and Jack Halpern, Chicago, Illinois Provenance: Sold: Plaza Fine Art Auctioneers, December 6, 1979, Lot 66 $1,000-2,000

41 JAN LEBENSTEIN

(POLISH/FRENCH, 1930-1999)

Figure No 163, 1962 oil, resin, mixed media and collage on board signed Lebenstein and dated (lower right); signed, titled and dated (verso) 40 x 19 3/4 inches. $20,000-40,000

POST WAR AND CONTEMPORARY ART

42 FRANCISCO CORUERA (CHILEAN, B. 1944)

Pizarra I oil on canvas 11 1/2 x 7 1/2 inches. Provenance: Newmark Gallery, New York Exhibited: Santiago, Chile, Casa de Remantes Juan E. Salinas Lyon, Sala Angelmo, June 1988 $1,000-2,000

43 FRANCISCO CORUERA (CHILEAN, B. 1944)

Pizarra II oil on canvas signed Coruera (lower right) 15 1/4 x 11 1/4 inches. Provenance: Newmark Gallery, New York Exhibited: Santiago, Chile, Casa de Remantes Juan E. Salinas Lyon, Sala Angelmo, June 1988 $1,000-2,000 44

44 JOSEPH STABILITO (AMERICAN, B. 1955)

BAHA oil on canvas titled (verso) 48 x 36 inches. $800-1,200

45* IDA KOHLMEYER

(AMERICAN, 1912-1997)

Synthesisk, 1982 mixed media on canvas signed Kohlmeyer and dated (lower right) 36 x 36 inches. Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia $10,000-15,000 45

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46 UGO RONDIONONE (SWISS, B. 1964)

10. January 2008, 2008 gesso, collage and graphite on linen signed Ugo Rondionone (verso) 10 x 7 inches. $10,000-15,000

47 MICHAEL GREGORY (AMERICAN, B. 1955)

South Heart, 2015 oil on panel signed M. Gregory and dated (verso) 41 1/2 x 35 1/2 inches. Provenance: Nancy Hoffman Gallery, New York $5,000-7,000

POST WAR AND CONTEMPORARY ART

48 MICHAEL GREGORY (AMERICAN, B. 1955)

Mint Farm, 2015 oil on canvas signed M Gregory and dated (verso) 72 x 62 inches. Provenance: Nancy Hoffman Gallery, New York $8,000-12,000

V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

50*

TOM UTTECH

ANATOLIY KRYVOLAP

TED HARRISON

Nisswih Mukwuhk Zaugeeng Manaudjwae Minowauziwin, 1992

Sunset, 2000

Dawson City, 1989

oil on canvas signed Kryvolap (lower right); signed, titled, and dated (verso) 39 1/4 x 39 1/4 inches.

acrylic on canvas signed Harrison (lower right); signed, titled and dated (verso) 30 x 42 inches.

Property from the Collection of Ms. Maryna Hrushetska, Los Angeles, California

$4,000-6,000

(AMERICAN, B. 1942)

oil on linen signed Tom Uttech and dated (lower right); titled (lower left); signed, titled, and dated (verso) 40 x 40 inches. Provenance: Tory Folliard Gallery, Milwaukee, Wisconsin $10,000-15,000

POST WAR AND CONTEMPORARY ART

(UKRAINIAN, B. 1946)

$3,000-5,000

(CANADIAN, 1926-2015)

51 V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

52 ORVILLE BULMAN (AMERICAN, 1904-1978)

Matador and Bull oil on canvas signed Bulman (lower right); signed Orville Bulman (verso) 20 x 22 inches. $6,000-8,000

53 RED GROOMS

(AMERICAN, B. 1937)

French Beach Scene, 1980 oil on canvas signed Red Grooms (lower right) 10 9/16 x 16 inches. Provenance: Marlborough Gallery, New York $3,000-5,000

POST WAR AND CONTEMPORARY ART

CARLOS NADAL

JOHN HELIKER

La Terraza, 1983

In the Kitchen, 1992

oil on board signed Nadal (lower right); signed and titled (verso) 21 1/4 x 25 1/2 inches.

oil on canvas signed Heliker (lower right) 17 x 14 inches.

(SPANISH, 1917-1998)

$15,000-25,000

(AMERICAN, 1909-2000)

Provenance: Kraushaar Galleries, Inc., New York $2,000-4,000

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MIGUEL VILLA BASSOLS

JONATHAN GREEN

Poblo de Segur

Poblo de Segur 12

Red Blanket, 2007

Young Man Sleeping, 2007

oil on canvas signed Miguel Villa, titled and dated (verso) 8 3/4 x 10 1/2 inches.

oil on canvas signed Jonathan Green and dated (upper left); titled and dated (verso) 14 x 11 inches.

oil on canvas signed Jonathan Green and dated (lower left) 9 x 12 inches.

$1,000-2,000

$4,000-6,000

$2,000-4,000

(SPANISH, 1901-1988)

POST WAR AND CONTEMPORARY ART

(AMERICAN, B. 1955)

60 JONATHAN GREEN (AMERICAN, B. 1955)

Searching the Sky, 2006 oil on canvas signed Jonathan Green and dated (lower left) 36 1/2 x 48 inches. $15,000-25,000

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61 MARK FLOOD

(AMERICAN, B. 1957)

Scarecrow, 2002 acrylic on canvas stretched over board signed Mark Flood, titled and dated (verso) 47 7/8 x 27 7/8 inches. $5,000-7,000

62* LEON GOLUB

(AMERICAN, 1922-2004)

Fallen Fighter oil on canvas signed Golub (lower right); signed and titled (verso) 101 3/4 x 68 1/4 inches. Property from the Collection of Dr. Ronald and Carole Wolfson, Campton Hills, Illinois $50,000-70,000

POST WAR AND CONTEMPORARY ART

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DOUGLAS ARGUE

PAUL KOSTABI

Untitled, 1985

High Anxiety, 2017

oil on board 56 3/4 x 48 1/2 inches.

mixed media signed Paul Kostabi (lower right) 34 1/2 x 26 1/2 inches.

(AMERICAN, B. 1962)

Property from an Important Corporate Collection Provenance: MC Gallery, Minneapolis Acquired from the above by the present owner in 1985 $1,500-2,500

(AMERICAN, B. 1962)

$800-1,200

65 LUCY JONES

(AMERICAN, B. 1955)

Portrait oil on canvas signed Lucy Jones (verso) 30 1/2 x 24 inches. $1,000-2,000

POST WAR AND CONTEMPORARY ART

66* R.B. KITAJ

(AMERICAN, 1937-2007)

Spinoza, 2006 oil on canvas signed Kitaj, titled and dated (verso) 9 x 12 inches. Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia Provenance: The Estate of the Artist Marlborough Gallery, New York Acquired from the above by the present owner in 2008 Exhibited: New York, New York, Marlborough Gallery, R.B. Kitaj: Little Pictures, April 10-May 3, 2008, no. 65 (illustrated p. 69) $8,000-12,000 66

67* R.B. KITAJ

(AMERICAN, 1937-2007)

Actress, 2007 oil on canvas signed Kitaj, titled and dated (verso) 18 x 18 inches. Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia Provenance: The Estate of the Artist Marlborough Gallery, New York Acquired from the above by the present owner in 2008 Exhibited: New York, New York, Marlborough Gallery, R.B. Kitaj: Little Pictures, April 10-May 3, 2008, no. 61 (illustrated p. 65) $10,000-15,000

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68 ED PASCHKE

(AMERICAN, 1939-2004)

Anaconda, 1984 oil on canvas signed Ed Paschke and dated (lower right); signed and dated (verso) 48 x 80 inches. $50,000-70,000

69 PETER HOWSON (SCOTTISH, B. 1958)

Me Again, 1992-93 oil on canvas signed Howson (lower left) 12 1/4 x 12 1/4 inches. Provenance: Flowers East, London Acquired from the above by the present owner in 1995 $2,000-4,000 69 46

POST WAR AND CONTEMPORARY ART

70 ROBERT A. BIRMELIN (AMERICAN, B. 1933)

The Moment I Saw the Man with a Rifle, 1986 acrylic on canvas signed R. Birmelin; signed, titled, and dated (verso) 72 x 108 inches. Provenance: Sherry French Gallery, New York Acquired from the above by the present owner in 1986 Exhibited: St. Paul, Minnesota, The West Collection, Art and the Law Cleveland, Ohio, The Cleveland Museum of Art, Cleveland Collects Contemporary Art $2,000-4,000

71 TAI SHAN SCHIERENBERG (BRITISH, B. 1962)

Sleeping Lynn, 1999 oil on canvas signed T. Schierenberg (verso) 60 x 48 inches. Provenance: Flowers East, London $3,000-5,000 71 V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

PHILIP PEARLSTEIN

JAMES VALERIO

Female Model on Stool with Indian Rug, 1972

Dancer, 1987

(AMERICAN, B. 1924)

oil on canvas signed Pearlstein and dated (lower right) 60 x 48 inches. Provenance: Allan Frumkin Gallery, Chicago/New York City Donald Morris Gallery, Detroit, Michigan $30,000-50,000

POST WAR AND CONTEMPORARY ART

(AMERICAN, B. 1938)

oil on canvas 96 x 84 inches. Provenance: Frumkin/Adams Gallery, New York Acquired from the above by the present owner in 1989 $10,000-15,000

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Sculpture |

Lot 93 | Lucio Fontana, (French/Argentine, 1899-1968), Concetto Spaziale, Natura, 1967

LOTS 74 â&#x20AC;&#x201C; 103

POST WAR AND CONTEMPORARY ART

74 JIM DINE

(AMERICAN, B. 1935)

Vermont (The Autumn), 1984 bronze edition 2/3 Height: 81 inches. Provenance: Pace Gallery, New York Acquired from the above by the present owner in 1988 Exhibited: Cleveland, Ohio, Cleveland Center for Contemporary Art, Eight from the Eighties, January 26 - March 17, 1990 $80,000-120,000

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75*

JENS-FLEMMING SÃ&#x2DC;RENSEN

DAVID HOSTETLER

American Queen, 1966

Nefertiti, 1986

Mrs. Alden, 1966

bronze Height: 34 1/2 inches.

resin signed David Hostetler (lower edge) Height: 39 3/4 inches.

wood Height: 47 3/4 inches.

(DANISH, B. 1933)

Untitled (Sphere with exposed facial fragments) marble Height: 49 inches. Property from the Collection of Bruce and Ellen Wynn, Fox Point, Wisconsin $1,000-2,000

(AMERICAN, 1926-2015)

Exhibited: Athens, Ohio, Ohio University, Hostetler Retrospective, October 13- October 20, 1986; Parkersburg, West Virginia, Parkersburg Art Center, November 1- November 30, 1986 $1,000-2,000

(AMERICAN, 1926-2015)

Provenance: Strongs Gallery, Cleveland, Ohio Acquired from the above by the present owner in 1995 Exhibited: Athens, Ohio, Ohio University, Hostetler Retrospective, October 13- October 20, 1986; Parkersburg, West Virginia, Parkersburg Art Center, November 1- November 30, 1986 Athens, Ohio, Coolville Ridge Studio The American Woman, 1987 $1,000-2,000

POST WAR AND CONTEMPORARY ART

(AMERICAN, 1926-2015)

Provenance: Acquired directly from the artist by the present owner. $1,000-2,000

79 DENNIS DOROGI

(AMERICAN, 20TH CENTURY)

Bikini, 1967 painted wood inscribed D. Dorogi and dated Height: 48 inches. Provenance: Acquired directly from the artist by the present owner Exhibited: Schenectady, New York, Schenectady Museum, Woman Images, January 8 - January 31, 1970 $500-700

80* RICHARD MACDONALD (AMERICAN, B. 1946)Â

Gymnast, 1996 bronze numbered 44/90, inscribed R. MacDonald and dated Height: 45 inches. Property from the Fox Collection, Elm Grove, Wisconsin $5,000-7,000

81* NO LOT 80

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82 VIOLA FREY

(AMERICAN, 1933-2004)

California Garden Goose Girl, 1975 ceramic Height: 34 1/2 inches. This work is registered with the Artistâ&#x20AC;&#x2122;s Legacy Foundation under VF-3075CS and will be included in the forthcoming catalogue raisonne $15,000-25,000

POST WAR AND CONTEMPORARY ART

83 PABLO PICASSO (SPANISH, 1881-1973)

Face with Points, 1969 partially glazed ceramic numbered 223/350, inscribed EDITION PICASSO and stamped EDITION PICASSO and MADOURA PLEIN FEU

Height: 11 inches. Ref: A. Ramie, 610 $8,000-12,000

84* PABLO PICASSO (SPANISH, 1881-1973)

Horloge, 1956 unglazed ceramic numbered 47/100, stamped

EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU

Diameter: 17 inches. Ref: A. Ramie, 325

Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia $8,000-12,000

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85 JEAN DUBUFFET (FRENCH, 1901-1985)

Arborescences I, c. 1972 vacuform and screen relief numbered 15/75, initialed J.D. and dated (lower right) 12 1/2 x 9 1/2 inches. Provenance: Irving Galleries, Milwaukee, Wisconsin $6,000-8,000

86 MARCEL JANCO (ISRAELI, 1895-1984)

Untitled metal collage inscribed Janco (lower right) 14 1/2 x 9 1/2 inches. $600-800

87 BEVERLY PEPPER (AMERICAN, B. 1922)

Dallas Pyramid Series, 1971 polished aluminum inscribed Beverly Pepper and dated Height: 6 3/4 inches. $2,000-4,000

88 NO LOT

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89 MARK DI SUVERO (AMERICAN, B. 1933)

Untitled, 1972 steel numbered 142/250, inscribed MdS 10 x 8 x 2 inches. $3,000-5,000

90 CLEMENT MEADMORE (AUSTRALIAN, 1929-2005)Â

Clench, 1972 bronze numbered 8/9, inscribed Meadmore and dated Height: 8 7/8 inches. Provenance: Acquired directly from the artist by the present owner $8,000-12,000 90

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LUCIANO MINGUZZI

EMILE GILIOLI

Shadows, 1957

Esprit, eau et sang, 1953

cast bronze inscribed LM Height: 15 1/2 inches.

bronze numbered 2/6, inscribed Gilioli Height: 21 1/4 inches.

$1,000-2,000

$8,000-12,000

(ITALIAN, 1911-2004)

(FRENCH, 1911-1977)

POST WAR AND CONTEMPORARY ART

93 LUCIO FONTANA

(ARGENTINE/ITALIAN, 1899-1968)

Concetto Spaziale, Natura, 1967 brass numbered 463/500, inscribed L Fontana Height: 10 1/2 inches. $30,000-50,000

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94 alternate view

94* IDA KOHLMEYER

(AMERICAN, 1912-1997)

Untitled (Circus Series), 1985 mixed media on wood signed Kohlmeyer and dated 23 x 26 x 23 inches. Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia $8,000-12,000

POST WAR AND CONTEMPORARY ART

PAUL SEIDE

DAMIEN HIRST

Raido Light, 1985

Supreme Skate Decks

blown glass 22 x 22 x 40 inches.

silkscreen on skateboard 31 1/4 x 7 3/4 inches.

$2,000-4,000

$1,500-2,500

(AMERICAN, B. 1948)

(BRITISH, B. 1965)

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97 YAYOI KUSAMA (JAPANESE, B. 1929)

Pumpkins (Yellow and Red), 2013 (a pair of works) resin Each: 3 3/4 x 3 1/4 x 3 1/4 inches. This lot is accompanied by the original yellow and red boxes. $800-1,200

98 YAYOI KUSAMA (JAPANESE, B. 1929)

Pumpkin, 2013 97

resin 3 3/4 x 3 1/4 x 3 1/4 inches. This lot is accompanied by the original blue box. $500-700

101

99*

100*

VICTOR VASARELY

YAACOV AGAM

Iboya MC I, 1970

Change

luran color on wood numbered 28/50, inscribed Vasarely Height: 33 1/2 inches.

lucite with color plates numbered AP 2/9, signed Agam 11 5/8 x 11 5/8 x 11 5/8 inches.

Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia

Property from the Collection of Bruce and Ellen Wynn, Fox Point, Wisconsin

Provenance: Editions Pyra A.G., Zumikon, Switzerland

$1,000-2,000

(FRENCH/HUNGARIAN, 1906-1997)

$3,000-5,000

POST WAR AND CONTEMPORARY ART

(ISRAELI, B. 1928)

101 JESUS RAFAEL SOTO (VENEZUELAN, 1923-2005)

Multiple I, (Jai-Alai Series), 1969 plexiglas, metal and nylon thread numbered 140/300, signed Soto 21 x 25 1/8 x 8 inches. $2,000-4,000

102 JULIO LE PARC

(ARGENTINIAN, B. 1928)

Continuel Mobile, 1966 wood, aluminum, nylon, and plastic numbered 54/100; signed Le Parc (verso) 39 x 15 1/4 inches. Provenance: Editions Denise Rene, Paris $4,000-6,000

102

103 SOL LEWITT

(AMERICAN, 1928-2007)

Cube, 1979 painted aluminum numbered 32/35, inscribed Sol Lewitt and dated 11 x 11 x 11 inches.

103

$20,000-40,000

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Works on Paper |

Lot 153 | Jonas Wood, (American, b. 1977), White Dog 2, 2010 (one of a pair)

LOTS 104 â&#x20AC;&#x201C; 153

104

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105

104

105*

SIGMAR POLKE

JULIO GONZALES

Untitled, 1983

Two Heads with the Letter “G”, 1936

(GERMAN, 1941-2010)

ink and watercolor on paper signed S. Polke and dated (lower right) 39 1/4 x 27 1/2 inches. Provenance: David Nolan Gallery, New York $60,000-80,000

(SPANISH, 1876-1942)

ink and watercolor on paper initialed J.G. (lower right) 11 x 7 3/4 inches. Property from the Estate of Helen and Jack Halpern, Chicago, Illinois Provenance: Dr. Hugh McKenna, Chicago, Illinois Sold: Chicago Art Galleries Auction, June 29, 1981, Lot 133 Mr. Alan P. Henry, Wilmette, Illinois $8,000-12,000

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106* GINO SEVERINI (ITALIAN, 1883-1966)

Pesci in fondo al Mare, 1950 ink drawing signed G. Severini (lower right) 8 3/4 x 11 inches. Property from the Estate of Helen and Jack Halpern, Chicago, Illinois Exhibited: Milan, Italy, Galleria San Carlo, Futurmostra, March 26, 1987, ilus. p. 17 This work is accompanied by a photo certificate of authenticity issued by the artist’s daughter Gina Severini Franchina dated October 21, 1985 106

$3,000-5,000

107* GINO SEVERINI (ITALIAN, 1883-1966)

Abstract Composition, circa 1950-55 pencil drawing signed 11 x 8 1/4 inches. Property from the Estate of Helen and Jack Halpern, Chicago, Illinois This work is accompanied by a photo certificate of authenticity issued by the artist’s daughter Gina Severini Franchina dated June 21, 1990 $2,000-4,000

107

108* GINO SEVERINI (ITALIAN, 1883-1966)

Natura Morta (Still Life), 1955 pen and india ink on paper signed G. Severini (lower right) 7 1/4 x 10 5/8 inches. Property from the Estate of Helen and Jack Halpern, Chicago, Illinois Provenance: Galleries Maurice Sternberg, Chicago Sold: Christie’s East, May 9, 1992, Lot 130 $3,000-5,000 108

POST WAR AND CONTEMPORARY ART

109* LYONEL FEININGER

(GERMAN/AMERICAN, 1871-1956)

Ghosties, 1950 ink and watercolor signed Feininger (lower right) 6 1/8 x 9 3/8 inches. Property from the Estate of Helen and Jack Halpern, Chicago, Illinois Provenance: The Lyonel Feininger Estate Galerie Ludorff, Duesseldorf, German Exhibited: Chicago, Illinois, The Smart Museum of Art, Lyonel Feininger Awareness, Recollection and Nostalgia, December 15, 1992-March 28,1993 $8,000-12,000 109

110 HANS HOFMANN

(AMERICAN/GERMAN, 1880-1966)

Boat Study at Provincetown, Mass, 1953 watercolor signed Hans Hofmann and dated (lower right) 10 3/4 x 13 3/4 inches. Provenance: Irving Galleries, Palm Beach, Florida $10,000-15,000 110

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111 NANCY GRAVES

(AMERICAN, 1939-1995)

Study for “Shaman”, 1971 gouache on paper signed Graves, titled and dated (lower margin) 17 x 14 inches. $1,000-2,000

112* GER VAN ELK

(DUTCH, 1941-2014)

Study for Dutch Corners, 1986 colored pencil with acrylic 30 1/2 x 51 inches. Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $2,000-4,000

111

112 72

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113

113 TERRY FROST

(ENGLISH, 1915-2003)

Untitled, 1974-75 gouache and collage on paper signed Frost (lower right); signed and dated (verso) 15 x 21 inches. Property from the Collection of a Southeastern Institution, sold to benefit the Acquisition Fund $3,000-5,000

114 HANS HINTERREITER (SWISS, 1902-1989)

Untitled, 1949

114

tempera on paper signed Hans Hinterreiter and dated (verso) 5 x 6 3/4 inches. $1,000-2,000

115 HANS HINTERREITER (SWISS, 1902-1989)

Untitled tempera on paper signed Hans Hinterreiter (lower right) 5 x 6 3/4 inches. $1,000-2,000

115 V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

116 RICHMOND BURTON (AMERICAN, B. 1960)

Monochrome Threshold, 1991 mixed media on paper signed Richmond Burton and dated (lower right); titled (lower left) 22 x 29 3/4 inches. $1,000-2,000

116

117 ROBERT NATKIN

(AMERICAN, 1930-2010)

Untitled, c. 1979 mixed media on paper signed Natkin (lower right) 30 1/2 x 22 inches. Provenance: Gertrude Kasle Gallery, Birmingham, Michigan $1,000-2,000

117

118 MARK SHEINKMAN (AMERICAN, B. 1963)

11-16-96, 1996 graphite on paper 24 x 19 inches. Provenance: Lawing Gallery, Houston, Texas $1,000-2,000

118

POST WAR AND CONTEMPORARY ART

119 MARK SHEINKMAN (AMERICAN, B. 1963)

2-1-97, 1997 graphite on paper 24 x 19 inches. Provenance: Lawing Gallery, Houston, Texas $1,000-2,000

119

120* GUSTAV SINGIER (FRENCH, 1909-1984)

Abstract Composition, 1961 ink and watercolor signed G. Singier and dated (lower right) 17 5/8 x 21 3/4 inches. Property from the Estate of Helen and Jack Halpern, Chicago, Illinois $800-1,200 120

121* ANDRE MASSON (FRENCH, 1896-1987)

Dancing Figure mixed media on paper signed Andre Masson (lower right) 11 x 13 inches. Property from the Estate of Helen and Jack Halpern, Chicago, Illinois This work is accompanied by a photo certificate of authenticity issued by Cleto Polcina of Galeria San Carlo dated July 4, 1988 $1,000-2,000 121

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122 RAY PARKER

(AMERICAN, 1922-1990)

Untitled (32), c. 1960 oil on paper 15 1/2 x 21 1/2 inches. Provenance: Washburn Gallery, New York $3,000-5,000

122

123 RAY PARKER

(AMERICAN, 1922-1990)

Untitled (25), c. 1960 oil on paper 15 1/2 x 23 1/4 inches. Provenance: Washburn Gallery, New York $3,000-5,000

123

124 STEPHEN GREENE (AMERICAN, 1917-1999)

Garden of Eden II, 1958 oil on paper 12 x 17 inches. Provenance: Grace Borgenicht Gallery, New York $800-1,200

124

POST WAR AND CONTEMPORARY ART

125

125* ESTEBAN VINCENTE

(AMERICAN/SPANISH, 1903-2001)

Untitled, 1983 pastel and charcoal on paper signed Vincente (lower right) 19 1/2 x 25 1/2 inches. Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia Provenance: Rivas Yares Gallery, Santa Fe, New Mexico $6,000-8,000

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126* JOAN MITCHELL By all accounts, Joan Mitchell was as tough as they come. Aggressive. Defiant. Unapologetic. Contemporaries remember her voice as being like a worn cello. Her vocabulary rivaled a sailor’s. She was unique company. She brooked no opposition. She also was a great artist. Born in Chicago in 1925 and educated at Smith College and the School of the Art Institute of Chicago, Mitchell moved to New York in 1949 and became a central figure in the emerging Abstract Expressionist movement, exhibiting with Jackson Pollock and Willem de Kooning in the now famous Ninth Street Show in 1951. In 1959, she emigrated to France living first in Paris and then in Vétheuil, 65 kilometers northwest of the capital where Claude Monet had worked between 1878 and 1881. Monet haunted Mitchell throughout her life despite her fervent denials to the contrary. (Fact. Reproductions of his work lined her house late in life.) To her credit, Mitchell took only what she needed from the elder Impressionist just as she selectively plundered anyone else she admired, such as Van Gogh and Matisse, staking out her own rightful claim to immortality as evident in this powerful pastel from the last twelve months of her contentious but productive career. Like Monet’s best late work, the drawing is both dense and airy, assertive and lyrical. Each color competes with the next—the green against the yellow, the two of them against the blue, the black against all three with the crimson and orange clamoring for their own place in this finely orchestrated melee. It’s not just color that activates this dynamic diptych. Line wrestles with form, form with space, space with the flatness of the surface on which Mitchell pits masterful draftsmanship against youthful daring. Monet would have been proud to have called her a protégé. – Paul Tucker, Professor Emeritus, University of Massachusetts Boston

POST WAR AND CONTEMPORARY ART

JOAN MITCHELL

(AMERICAN, 1925-1992)

Untitled (PASTEL), 1991 (diptych) pastel on paper 48 x 63 inches. Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia Provenance: The Artist The Estate of the Artist Robert Miller Gallery, New York, 1993 Acquired from the above by the present owner in 1995 Exhibited: São Paulo, Brazil, Ciccillo Matarazzo Pavilion, JOAN MITCHELL: Pastel, XXII Bienal Internacional de São Paulo, October 12 - December 11, 1994 Literature: J. Cheim & K. Kertess, Joan Mitchell Pastel, São Paulo, 1994 (illustrated) $400,000-600,000

126

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127

127* NORMAN BLUHM

(AMERICAN, 1921-1999)

Untitled I, 1985 acrylic on paper signed Bluhm and dated (lower right) 50 x 60 inches. Property from the Collection of Mr. Howard Weinstein, Atlanta, Georgia $10,000-15,000

POST WAR AND CONTEMPORARY ART

128 DENNIS OPPENHEIM (AMERICAN, 1938-2011)

Quadriptych: Study for “Slave Cactus”, 1991 graphite, colored crayon, oil wash, oil pastel on paper signed Dennis Openheim and dated (lower left) Each: 38 x 50 inches. Property from the Collection of a Southeastern Institution, sold to benefit the Acquisition Fund $8,000-12,000

128

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129 NANCY GROSSMAN (AMERICAN, B. 1940)

Untitled, 1962 watercolor and collage on paper signed Nancy Grossman and dated (lower right) 10 x 13 inches. $2,000-4,000

129

130 NANCY GROSSMAN (AMERICAN, B. 1940)

Untitled, 1962 watercolor on paper signed Nancy Grossman and dated (lower right) 10 x 13 inches. $2,000-4,000

130

131 LEONARDO CREMONINI (ITALIAN, 1926-2010)

Figure, 1951 oil on paper signed Cremonini and dated (lower right) 9 3/4 x 7 1/4 inches. Provenance: Galleria Odyssia, Rome $2,000-4,000

131

POST WAR AND CONTEMPORARY ART

132 JAN LEBENSTEIN (POLISH, 1930-1999)

Untitled, 1959 gouache on paper signed Lebenstein and dated (lower left) 23 x 13 inches. $2,000-4,000

133 JAN LEBENSTEIN

(POLISH/FRENCH, 1930-1999)

Axial Figure, 1958 gouache and ink on paper signed Lebenstein (lower right) 22 1/4 x 8 1/2 inches. Provenance: Galerie Chelette, New York $2,000-4,000

134 JAN LEBENSTEIN

132

133

(POLISH/FRENCH, 1930-1999)

Figure, 1961 ink and charcoal on paper board signed Lebenstein and dated (lower right); titled (lower left) 9 1/2 x 9 inches. $2,000-4,000

135 JAN LEBENSTEIN

(POLISH/FRENCH, 1930-1999)

Untitled, 1963 ink and watercolor on paper signed Lebenstein, dated and inscribed (lower edge) 20 1/2 x 15 1/2 inches. $2,000-4,000

136 JAN LEBENSTEIN

(POLISH/FRENCH, 1930-1999)

Untitled, 1966 charcoal and watercolor on paper signed Lebenstein and dated (lower right) 26 x 20 inches. $2,000-4,000

136 V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

137 IRENE RICE PEREIRA (AMERICAN, 1902-1971)

Light for the Eye, 1959 gouache on rice paper signed Pereira, titled and dated (lower right) 36 3/4 x 25 1/4 inches. Property from the Collection of a Southeastern Institution, sold to benefit the Acquisition Fund $3,000-5,000

137

138 IRENE RICE PEREIRA (AMERICAN, 1902-1971)

As In An Entrance the Wind Spreads It’s Hand to Entice the Water’s Flow, 1959 watercolor and gouache on paper signed Pereira, titled and dated (lower edge) 35 1/2 x 23 1/2 inches. Property from the Collection of a Southeastern Institution, sold to benefit the Acquisition Fund $3,000-5,000

138

POST WAR AND CONTEMPORARY ART

139

139* RED GROOMS

(AMERICAN, B. 1937)

Andrew Jackson, 1955 watercolor on paper signed Grooms (upper right) and dated (lower right) 12 x 6 7/8 inches. Property from the Estate of Marge Ewers, Nashville, Tennessee $1,000-2,000

140

140*

141

DUILLO BARNABE

SANDRO CHIA

Pierrot, 1955

Untitled (Seated Male)

mixed media on paper signed Barnabe (lower right) 31 x 23 1/2 inches.

mixed media on paper signed S. Chia (lower right) 17 x 14 inches.

Property from the Estate of Helen and Jack Halpern, Chicago, Illinois

$3,000-5,000

(ITALIAN, 1914-1961)

(ITALIAN, B. 1946)

Provenance: R.S. Johnson-International Gallery, Chicago, Illinois $2,000-4,000 141

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142

144

142 WOLF KAHN

(AMERICAN, B. 1927)

Girl Resting pastel on paper signed W. Kahn (lower right) 15 1/2 x 20 inches. $2,000-4,000

143 SALOMÃ&#x2030; (WOLFGANG LUDWIG CIHLARZ) (GERMAN, B. 1954)

Untitled acrylic on paper 59 1/2 x 39 1/4 inches. Provenance: Mr. and Mrs. Lewis Manilow, Chicago Acquired from the above by the present owner in 1992 $1,000-2,000

144 JONATHAN GREEN (AMERICAN, B. 1955)

Young Oscar, 2007 acrylic on paper signed Jonathan Green (lower left) 8 1/4 x 11 inches. $1,000-2,000 143

POST WAR AND CONTEMPORARY ART

145 BEN SHAHN

(AMERICAN, 1898-1969)

Untitled watercolor signed Ben Shahn (lower right) 16 x 12 inches. $800-1,200

146 WILL HENRY STEVENS (AMERICAN, 1881-1949)

Untitled, 1942 watercolor and tempera on paper signed Stevens and dated (lower right) 14 1/4 x 20 1/4 inches. Property from the Collection of a Southeastern Institution, sold to benefit the Acquisition Fund $800-1,200

147 WILL HENRY STEVENS (AMERICAN, 1881-1949)

147

Untitled pastel, acrylic and tempera on paper signed and authenticated by daughter (verso) 18 1/8 x 16 inches. Property from the Collection of a Southeastern Institution, sold to benefit the Acquisition Fund $5,000-7,000

148 WILL HENRY STEVENS (AMERICAN, 1881-1949)

Untitled (Landscape) pastel on gray paper signed Stevens (lower right) 14 1/2 x 17 1/2 inches. Property from the Collection of a Southeastern Institution, sold to benefit the Acquisition Fund $4,000-6,000 148

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149

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150

149

150

MILTON AVERY

Sentinel, 1954

Country Horses, 1962

gouache and crayon on paper signed Milton Avery and dated (lower left) 30 x 22 inches.

oil on paper signed Milton Avery and dated (lower right) 23 x 25 inches.

Provenance: Donald Morris Gallery, Detroit, Michigan

$20,000-40,000

$30,000-50,000

(AMERICAN, 1885-1965)

(AMERICAN 1885-1965)

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151

152

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151

152

153

CHEN CHI

MEL ZIEGLER

JONAS WOOD

Walking Dog in Snow, 1988

Dandelion Yard, 1999

watercolor on paper signed Chen Chi and dated (lower right) 26 x 54 inches.

cray-pas on paper 22 1/2 x 30 inches.

2 Slaves #2 and White Dog 2, 2010 (a pair of works)

(AMERICAN/CHINESE, 1912-2005)

Provenance: The Butler Institute of American Art, Youngstown, Ohio $3,000-5,000

(AMERICAN, B. 1956)

Provenance: Paula Cooper Gallery, New York Lawing Gallery, Houston, Texas $1,000-2,000

(AMERICAN, B. 1977

acrylic and colored pencil on paper Each: 11 1/2 x 9 inches. Provenance: Sold: The Society for Contemporary Art Auction, The Art Institute of Chicago, April 17, 2010 $50,000-70,000

153

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ARTIST INDEX ARTIST NAME

GLOSSARY OF TERMS LOT

Agam, Yaacov . . . . . . . . . . . . . . . . . . . . . . . . 100 Argue, Douglas. . . . . . . . . . . . . . . . . . . . . . . . . 63 Avery, Milton. . . . . . . . . . . . . . . . . . . . . . 149, 150 Bak, Samuel. . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Bannard, Walter Darby. . . . . . . . . . . . . . . . . . . 17 Barnabe, Duillo. . . . . . . . . . . . . . . . . . . . . . . 34-36 Barnabe, Dulio. . . . . . . . . . . . . . . . . . . . . . . . 140 Bassols, Miguel Villa. . . . . . . . . . . . . . . . . . 56, 57 Bell, Trevor. . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Birmelin, Robert A.. . . . . . . . . . . . . . . . . . . . . . 70 Bluhm, Norman . . . . . . . . . . . . . . . . . . . . . . . 127 Browne, Byron. . . . . . . . . . . . . . . . . . . . . . . . . . 6 Bulman, Orville. . . . . . . . . . . . . . . . . . . . . . . . . 52 Burlin, Paul. . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-9 Burton, Richmond . . . . . . . . . . . . . . . 10, 11, 116 Callahan, Kenneth . . . . . . . . . . . . . . . . . . . . . . 18 Chi, Chen. . . . . . . . . . . . . . . . . . . . . . . . . . . . 151 Chia, Sandro . . . . . . . . . . . . . . . . . . . . . . . . . 141 Coruera, Francisco. . . . . . . . . . . . . . . . . . . 42, 43 Cremonini, Leonardo . . . . . . . . . . . . . . . . . . . 131 Davis, Gene. . . . . . . . . . . . . . . . . . . . . . . . . . . 25 di Suvero, Mark . . . . . . . . . . . . . . . . . . . . . . . . 89 Dine, Jim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 Dorogi, Dennis. . . . . . . . . . . . . . . . . . . . . . . . . 79 Dubuffet, Jean . . . . . . . . . . . . . . . . . . . . . . . . . 85 Dzubas, Friedel. . . . . . . . . . . . . . . . . . . . . . . . 1, 2 Edelmann, Yrjo. . . . . . . . . . . . . . . . . . . . . . . . . 31 Feininger, Lyonel. . . . . . . . . . . . . . . . . . . . . . . 109 Flood, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 Fontana, Lucio. . . . . . . . . . . . . . . . . . . . . . . . . 93 Frey, Viola. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Frost, Terry. . . . . . . . . . . . . . . . . . . . . . . . . . . 113 Gilioli, Emile . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Gilliam, Sam. . . . . . . . . . . . . . . . . . . . . . . . 15, 16 Golub, Leon. . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Gonzales, Julio. . . . . . . . . . . . . . . . . . . . . . . . 105 Graves, Nancy. . . . . . . . . . . . . . . . . . . . . . . . 111 Green, Jonathan. . . . . . . . . . . . . . . . . 58, 59, 144 Greene, Stephen . . . . . . . . . . . . . . . . . . . . . . 124 Gregory, Michael. . . . . . . . . . . . . . . . . . . . . 47, 48 Grooms, Red. . . . . . . . . . . . . . . . . . . . . . 53, 139 Grossman, Nancy. . . . . . . . . . . . . . . . . . 129, 130 Harrison, Ted . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Heliker, John. . . . . . . . . . . . . . . . . . . . . . . . . . . 55 Hinman, Charles. . . . . . . . . . . . . . . . . . . . . 26, 27 Hinterreiter, Hans . . . . . . . . . . . . . . . . . . 114, 115 Hirst, Damien. . . . . . . . . . . . . . . . . . . . . . . . . . 96 Hofmann, Hans . . . . . . . . . . . . . . . . . . . . . 5, 110 Hostetler, David . . . . . . . . . . . . . . . . . . . . . 76, 78 Howson, Peter. . . . . . . . . . . . . . . . . . . . . . . . . 69 Janco, Marcel. . . . . . . . . . . . . . . . . . . . . . . . . . 86 Jones, Lucy. . . . . . . . . . . . . . . . . . . . . . . . . . . 65 Kahn, Wolf. . . . . . . . . . . . . . . . . . . . . . . . . . . 142 Kitaj, R.B.. . . . . . . . . . . . . . . . . . . . . . . . . . 66, 67 Kohlmeyer, Ida. . . . . . . . . . . . . . . . . . . . . . 45, 94 Kostabi, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Kryvolap, Anatoliy. . . . . . . . . . . . . . . . . . . . . . . 50 Kusama, Yayoi. . . . . . . . . . . . . . . . . . . . . . 97, 98 Kuwayama, Tadaaki. . . . . . . . . . . . . . . . . . . . . 20

POST WAR AND CONTEMPORARY ART

Le Parc, Julio. . . . . . . . . . . . . . . . . . . . . . . . . 102 Lebenstein, Jan . . . . . . . . . . . . . . . . . 41, 132-136 Lewitt, Sol . . . . . . . . . . . . . . . . . . . . . . . . . . . 103 MacDonald, Richard. . . . . . . . . . . . . . . . . . . . . 80 Masson, Andre. . . . . . . . . . . . . . . . . . . . . . . . 121 Meadmore, Clement. . . . . . . . . . . . . . . . . . . . . 90 Minguzzi, Luciano. . . . . . . . . . . . . . . . . . . . . . . 91 Mitchell, Joan. . . . . . . . . . . . . . . . . . . . . . . . . 126 Nadal, Carlos. . . . . . . . . . . . . . . . . . . . . . . . . . 54 Natkin, Robert . . . . . . . . . . . . . . . . . . 12, 13, 117 Nierman, Leonardo. . . . . . . . . . . . . . . . . . . . . . 40 Noland, Kenneth. . . . . . . . . . . . . . . . . . . . . . . . 23 Oppenheim, Dennis. . . . . . . . . . . . . . . . . . . . 128 Osver, Arthur . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Ozenfant, Amédée. . . . . . . . . . . . . . . . . . . . . . 21 Park, David. . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Parker, Ray. . . . . . . . . . . . . . . . . . . . . 4, 122, 123 Paschke, Ed. . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Pearlstein, Philip. . . . . . . . . . . . . . . . . . . . . . . . 72 Pepper, Beverly . . . . . . . . . . . . . . . . . . . . . . . . 87 Picasso, Pablo. . . . . . . . . . . . . . . . . . . . . . 83, 84 Polke, Sigmar. . . . . . . . . . . . . . . . . . . . . . . . . 104 Portocarrero, Rene. . . . . . . . . . . . . . . . . . . . . . 37 Rice Pereira, Irene . . . . . . . . . . . . . . . . . 137, 138 Rondionone, Ugo. . . . . . . . . . . . . . . . . . . . . . . 46 Row, David. . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Salomé (Wolfgang Ludwig Cihlarz). . . . . . . . . 143 Schierenberg, Tai Shan. . . . . . . . . . . . . . . . . . . 71 Seide, Paul. . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 Sekula, Sonia. . . . . . . . . . . . . . . . . . . . . . . . . . 39 Severini, Gino. . . . . . . . . . . . . . . . . . . . . . 106-108 Shahn, Ben . . . . . . . . . . . . . . . . . . . . . . . . . . 145 Sheinkman, Mark. . . . . . . . . . . . . . . . . . 118, 119 Singier, Gustav. . . . . . . . . . . . . . . . . . . . . . . . 120 Soto, Jesus Rafael. . . . . . . . . . . . . . . . . . . . . 101 Stabilito, Joseph. . . . . . . . . . . . . . . . . . . . . . . . 44 Stella, Frank. . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Stevens, Will Henry. . . . . . . . . . . . . . . . . . 146-148 Sørensen, Jens-Flemming . . . . . . . . . . . . . . . . 75 Uttech, Tom. . . . . . . . . . . . . . . . . . . . . . . . . . . 49 Valerio, James . . . . . . . . . . . . . . . . . . . . . . . . . 73 Van Elk, Ger. . . . . . . . . . . . . . . . . . . . . . . . . . 112 Vasarely, Victor. . . . . . . . . . . . . . . . . . . . . . 24, 99 Vincente, Esteban. . . . . . . . . . . . . . . . . . . . . . 125 Wildner, Werner . . . . . . . . . . . . . . . . . . . . . . . . 32 Wood, Jonas . . . . . . . . . . . . . . . . . . . . . . . . . 153 Yanai, Guy . . . . . . . . . . . . . . . . . . . . . . . . . 29, 30 Ziegler, Mel. . . . . . . . . . . . . . . . . . . . . . . . . . . 152 Zox, Larry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist. ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category. STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist. CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil. STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist. MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period. AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width.

AUCTION INQUIRIES FINE ART DEPARTMENT

Zack Wirsum Senior Specialist Post War and Contemporary Art zachary@lesliehindman.com

Tess Hall Senior Specialist American and European Art anastasiahall@lesliehindman.com

OFFICE OF THE PRESIDENT Leslie S. Hindman Founder and Co-Chair 312.280.1212 Thomas Galbraith CEO thomasgalbraith@lesliehindman.com 312.334.4205 Adam Spender Executive Assistant 312.334.4201

FINANCE Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Molly Gron Director mollygron@lesliehindman.com 312.334.4235 Katelyn Finn Important Collections Manager katelynfinn@lesliehindman.com 312.447.3297 Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224

MUSEUM SERVICES Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210

CONSIGNMENT DEPARTMENT Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263

Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064

Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228

Fine Art

Asian Works of Art

Zack Wirsum Senior Specialist zachary@lesliehindman.com

Annie Wu Specialist anniewu@lesliehindman.com

Tess Hall Senior Specialist anastasiahall@lesliehindman.com

Flora Zhang Cataloguer florazhang@lesliehindman.com 312.447.3290

Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064 Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com Corbin Horn Specialist corbinhorn@lesliehindman.com Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282 Genevieve King Cataloguer genevieveking@lesliehindman.com Modern Design Hudson Berry Specialist hudsonberry@lesliehindman.com Mike Intihar Senior Specialist mike@lesliehindman.com

Fine Jewelry and Timepieces Katie Guilbault, G.G. Senior Specialist katieguilbault@lesliehindman.com Nicole Gunn, G.G. Gemologist, Florida Region nicolegunn@lesliehindman.com Jamie Henderson Specialist jamiehenderson@lesliehindman.com

Vaughn Smith Regional Development Manager vaughnsmith@lesliehindman.com 312.334.4238 Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204 Kathleen Brennan Account Executive kathleenbrennan@lesliehindman.com 312.334.4234 Atlanta Mary Calhoun marycalhoun@lesliehindman.com 404.800.0192

Sally Klaar, G.G. Associate Specialist / Cataloguer sallyklaar@lesliehindman.com Madeline Schroeder Account Executive / Cataloguer madelineschroeder@lesliehindman.com 312.334.4223

Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200

Briar Koehl Account Executive briarkoehl@lesliehindman.com 312.600.6075

Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448

Katie Meyer Administrator katiemeyer@lesliehindman.com 312.334.4213

West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053

Luxury Accessories and Couture Mary Shearson Director maryshearson@lesliehindman.com Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288 Arts of the American West Rachel Enright Consignment Manager rachelenright@lesliehindman.com 303.825.1855

Fine Books and Manuscripts

Interiors

Elizabeth Keithley Account Executive elizabethkeithley@lesliehindman.com 312.334.4231

REGIONAL OFFICES

Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855

Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282 Gretchen Hause Director gretchenhause@lesliehindman.com

Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216

Gia Spezia, Director gia@lesliehindman.com 312.334.4219

Scottsdale Logan Browning loganbrowning@lesliehindman.com 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811 International Tina Fisher Grow 561.315.9100

GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.

POST WAR AND CONTEMPORARY ART

$0 - $200 ............................................. $10 $200 - $500 ............................................. $25 $500 - $1,000 .......................................... $50 $1,000 - $2,000 ........................................ $100 $2,000 - $5,000 ........................................ $200 $5,000 - $10,000 ...................................... $500 $10,000 - $20,000 ................................... $1,000 $20,000 - $50,000 ................................... $2,000 $50,000 - $100,000 ................................. $5,000 $100,000 - $200,000 ............................... $10,000 Over > $200,000 ......... Auctioneer’s Discretion

In-House Bidding Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

CONDITIONS OF SALE HINDMAN LLC AS AGENT

The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid. Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references. Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment. Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid. Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC.

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive. Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Hindman LLC a handling charge of $50 for any check dishonored by the drawee. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

CONDITIONS OF SALE (continued) Collecting Purchases Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale. Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items. Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

LIABILITY

Condition Reports Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request. Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser. Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law. Discretion Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC. 03/18

e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

POST WAR AND CONTEMPORARY ART

g.) to take other action as we find necessary or appropriate

LESLIE HINDMAN AUCTIONEERS CHICAGO | ATLANTA | DENVER

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

F X 312. 280. 1211 | BI D @ L E S L I E HI ND MA N.CO M Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

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Post War and Contemporary Art NAME

SALE NUMBER/NAME

BUSINESS NAME BILLING ADDRESS CITY STATE COUNTRY/ZIP CONTACT NAME PRIMARY PHONE SECONDARY PHONE EMAIL FAX

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 .... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

A per lot buyer’s premium is added to the final hammer price as per the following:

SIGNATURE DATE

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

FOR HINDMAN LLC DATE

$0 - $250,000 .......................................... 25% $250,001 - $3,000,000 ............................ 20% $3,000,001 + ............................................ 12%

FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD LOT NUMBER

PHONE BID

ABSENTEE BID

LOT DESCRIPTION

US DOLLAR LIMIT

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

BACK-UP BID

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

LHLIVE 1338 WEST LAKE STREET PH 312.280.1212

FX 312.280.1211

CHICAGO, ILLINOIS

60607

BID@LESLIEHINDMAN.COM

LESLIEHINDMAN.COM

LESLIE HINDMAN AUCTIONEERS CHICAGO | ATLANTA | DENVER

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

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