Sale 598 | American and European Art by Hindman

AMERICAN AND EUROPEAN ART DECEMBER 13, 2018

American and European Art

Thursday 13 December | 10 AM CT

P R EVIEW

THURSDAY 13 DECEMBER | 10AM CT LOTS 1-73 P R OPERTY PICK UP HOUR S

MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.

LHLIVE

Lots marked with an asterisk (*) are tax exempt as permitted by law.

Lot 50 | Emil Bisttram (AMERICAN, 1895-1976) Taos, N.M. oil on canvas signed Bisttram (lower right); signed and titled (verso) 30 x 36 inches.

lesliehindman.com ©Hindman LLC 2018 CHICAGO, ILLINOIS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

P RO P ERT Y F RO M T H E ES TAT ES O F Gloria Harris Burch, St. Joseph, Michigan Elvire and Lucien Levy, Longboat Key, Florida William Lipton, New York, New York Charles and Catherine Most, Itasca, Illinois

P RO P ERT Y F RO M T H E C O LLEC T IO N S OF The Columbus Museum of Art, Columbus, Ohio Ms. Marilyn Drake, Fond du Lac, Wisconsin Ms. Jeanine K. Kincheloe, Vandalia, Ohio Mrs. Anita Livaditis, Winnetka, Illinois A Midwestern Collection Mr. Philip Mijal, Woodridge, Illinois Mr. James P. Reardon, Downington, Pennsylvania A San Antonio, Texas Collection Mr. William Zwecker, Chicago, Illinois

P RO P ERT Y S O LD T O BEN EF IT Good Shepherd Lutheran Church, Fond du Lac, Wisconsin

Lot 51 | Morton Livingston Schamberg (AMERICAN, 1881-1918) Untitled (Abstract Landscape with Structures) oil on panel signed Schamberg (lower left) 9 1/2 x 15 1/2 inches.

Contents

Lot 46 | Willard Leroy Metcalf (AMERICAN, 1858-1925) The Swimming Hole or The Bathing Hole, 1886 oil on canvas signed W.L. Metcalf (lower right) 26 x 29 inches.

EUROPEAN ART | LOTS 1 – 35

AMERICAN ART | LOTS 36 – 73

ARTIST INDEX AUCTION INQUIRIES

CONDITIONS OF SALE

TELEPHONE / ABSENTEE BID FORMS

European Art |

LOTS 1 – 35

Lot 28 | Jules Cavaillès (FRENCH, 1901-1977) La Ferme oil on canvas signed J. Cavailles (lower left) 25 1/2 x 21 1/2 inches.

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1 EUGÈNE DELACROIX (FRENCH, 1798–1863)

Studies for the Galerie d’Apollon after Dubois and Fréminet, c. 1850 pencil on paper stamped with artist’s initials (lower right); inscribed (upper right) 8 1/2 x 13 1/2 inches. Provenance: Galerie Paul Prouté, Paris Sold: Swann Galleries, New York, March 5, 2009, Lot 6 Mathis Gallery, Racine, Wisconsin $1,000-2,000

2* THÉOPHILE-ALEXANDRE STEINLEN (SWISS/FRENCH, 1859-1923)

Les Blanchisseuses 2

graphite, pastel, and colored pencil on paper signed St. (lower right) 18 x 14 inches. Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida Provenance: Paul Vallotton Gallery, Lausanne, Switzerland $1,000-2,000

AMERICAN AND EUROPEAN ART

ANTHELME-EUGÈNE GROBON

ATTRIBUTED TO CORNELIS VAN SPAENDONCK

Two Studies of a Beurré d’Angleterre Pear, 1843

Pomme Boche, 1845

(FRENCH, 1820-1878)

(DUTCH, 1756-1840)

watercolor and graphite on paper titled and dated (lower left); initialed (lower right) 12 1/2 x 9 1/2 inches.

watercolor and graphite on paper signed Eug. Groban and dated (lower left); titled and numbered (upper margin) 11 1/2 x 9 inches.

Property from the Estate of William Lipton, New York, New York

$500-700

Still Life: Bouquet of Flowers in a Vase on a Ledge watercolor on paper signed C. Van Spaendonck (lower left) 14 3/4 x 11 1/4 inches. Provenance: Sold: Sotheby’s, London, July 8, 2015, lot 194 Acquired by present owner at the above sale $2,000-4,000

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6 JOHN GIFFORD

(BRITISH, 19TH CENTURY)

Hunting Dogs at Rest with Game oil on canvas signed John Gifford (lower left) 30 x 50 inches. Property from a San Antonio, Texas Collection Provenance: Sold: Leslie Hindman Auctioneers, May 15, 2005 $5,000-7,000

AMERICAN AND EUROPEAN ART

7 JOHN GIFFORD

(BRITISH, 19TH CENTURY)

Hunting Dogs in a Highland Landscape oil on canvas signed John Gifford (lower left) 30 x 50 inches. Property from a San Antonio, Texas Collection Provenance: Sold: Leslie Hindman Auctioneers, May 15, 2005 $5,000-7,000

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8 HENRY JOHN YEEND KING (BRITISH, 1855-1924)

At the Sundial oil on canvas signed Yeend King (lower right) 36 1/2 x 28 1/4 inches. $2,000-4,000

9 ANTONI KOZAKIEWICZ (POLISH, 1841-1929)

Untitled, Orientalist Scene (a pair of works) oil on canvas each signed A. Kozakiewicz (lower right) 26 x 12 inches. $2,000-4,000

AMERICAN AND EUROPEAN ART

10 NO LOT 11 CAMILLE BOMBOIS (FRENCH, 1883-1970)

Sailboats oil on panel signed Bombois C (lower left) 12 x 15 3/4 inches. $1,000-2,000 11

12* ALBERT MARQUET (FRENCH, 1875-1947)

Drague sur la Seine, 1928 watercolor on paper signed Marquet and dated (lower right) 6 1/2 x 9 3/4 inches. Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida Provenance: Paul Vallotton Gallery, Lausanne, Switzerland $4,000-6,000 12

13* JOHANN CARL NEUMANN (DANISH, 1833-1891)

Blue Grotto, Capri, 1865 oil on canvas signed C. Neumann and dated (lower left); inscribed on stretcher 14 1/4 x 19 3/4 inches. Property from the Estate of William Lipton, New York, New York Provenance: Acquired from W. M. Brady & Co., New York Juan Portela, New York Private Collection, New York $1,000-2,000 13

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14 PETRUS VAN SCHENDEL (DUTCH/BELGIAN, 1806-1870)

Skaters in a Moonlit Landscape oil on canvas signed with artistâ&#x20AC;&#x2122;s monogram (lower right) 22 x 28 3/4 inches. $20,000-40,000

AMERICAN AND EUROPEAN ART

15 FREDERIK MARINUS KRUSEMAN (DUTCH, 1816-1882)

Figures on a Frozen River, 1870 oil on panel signed F. Kruseman and dated (lower left) 13 1/2 x 18 1/2 inches. Provenance: Alfred Bader Fine Arts, Milwaukee, Wisconsin The Cooling Galleries, Ltd., London $8,000-12,000

16 JULES-RENÉ HERVÉ (FRENCH, 1887-1981)

Paris, Notre-Dame oil on canvas signed Jules R. Herve (lower right) 18 x 22 inches. Provenance: Dominion Gallery, Montreal, Quebec $2,000-4,000

17 JULES-RENÉ HERVÉ (FRENCH, 1887-1981)

Untitled (Arc de Triomphe)

oil on canvas signed Jules R. Herve (lower right) 9 x 11 inches. Provenance: Merrill Chase Gallery, Chicago $800-1,200

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18* ÉDOUARD LÉON CORTÈS (FRENCH, 1882-1969)

Boulevard Voltaire oil on canvas signed Edouard Cortes (lower right); titled (verso) 13 x 18 1/4 inches. Property from the Estate of Charles and Catherine Most, Itasca, Illinois Provenance: Wally Findlay Galleries, Chicago $15,000-25,000

AMERICAN AND EUROPEAN ART

19* ÉDOUARD LÉON CORTÈS (FRENCH, 1882-1969)

Boulevard Montmartre oil on canvas signed Edouard Cortes (lower left) 13 x 18 1/4 inches. Property from the Estate of Charles and Catherine Most, Itasca, Illinois Provenance: Wally Findlay Galleries, Chicago $15,000-25,000

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20 ANTOINE BLANCHARD (FRENCH, 1910-1988)

Arc de Triomphe, Paris oil on canvas signed Antoine Blanchard (lower right) 13 1/4 x 18 1/4 inches. This work was examined, via photograph, by Rehs Galleries Inc., and has been included in their online catalogue of Antoine Blanchard’s work. $4,000-6,000

21* 20

ANTOINE BLANCHARD (FRENCH, 1910-1988)

Quai des Tuileries et le Musée du Louvre, Paris oil on canvas signed Antoine Blanchard (lower right) 14 5/8 x 19 1/8 inches. Property from the Estate of Gloria Harris Burch, St. Joseph, Michigan This work was examined, via photograph, by Rehs Galleries Inc., and has been included in their online catalogue of Antoine Blanchard’s work. $4,000-6,000

22 EUGÈNE GALIEN-LALOUE (FRENCH, 1854-1941)

Untitled (Grassy Riverbank) 21

oil on canvas signed with pseudonym E. Galiany (lower left) 13 x 16 inches. $600-800

AMERICAN AND EUROPEAN ART

23 ÉLIE-ANATOLE PAVIL

(RUSSIAN/FRENCH, 1873-1948)

Garden Scene, 1938 oil on canvas signed E.A. Pavil and dated (lower left) 18 x 22 inches. $2,000-4,000

24 GEORGES CHARLES ROBIN (FRENCH, 1903-2003)

Près de Vaison-la-Romaine oil on canvas signed Georges Robin (lower right) 25 1/2 x 36 inches. Provenance: W. Russell Button, Inc., Chicago $1,000-2,000

25 GASTON SÉBIRE (FRENCH, 1920-2001)

Campagne dans le Calvados oil on canvas signed G. Sebire. (lower right) 32 1/2 x 39 3/4 inches. This work is accompanied with a certificate from the Findlay Institute. Provenance: Studio of the Artist Wally Findlay Galleries, Chicago Private Collection, Chicago $1,500-2,000 25

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26 HENRI HECHT MAIK (FRENCH, 1922-1993)

Un Tigre avec maman, 1976 oil on canvas signed Maik and dated (lower right); signed and titled (verso) 37 1/2 x 50 1/4 inches. Provenance: Wally Findlay Galleries, Palm Beach $5,000-7,000 26

27 GUSTAVO NOVOA (CHILEAN, B. 1941)

Melancholy oil on masonite signed G. Novoa (lower right) 25 1/4 x 30 1/2 inches. Provenance: Wally Findlay Galleries $2,000-4,000

AMERICAN AND EUROPEAN ART

27A MARC CHAGALL

(RUSSIAN/FRENCH, 1887-1985)

Rooster, 1947 ink and crayon on paper 7 x 4 1/2 inches. Provenance: Mr. and Mrs. M.A. Lipschultz, Chicago Exhibition History: Spertus Museum of Judaica, Chicago, The French Connection, October 24-December 31, 1982, no. 10 $6,000-8,000

27A

28 JULES CAVAILLÈS (FRENCH, 1901-1977)

La Ferme oil on canvas signed J. Cavailles (lower left) 25 1/2 x 21 1/2 inches. This work is recorded in the archives of the Jules Cavaillès Research Center. Provenance: Sold: Sotheby’s, New York, May 30, 2014, Lot 166 $3,000-5,000

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29* LUO ZHONGLI (CHINESE, B. 1948)

Untitled (Woman with a Basket) oil on canvas signed Luo Zhongli (upper right) 17 1/4 x 14 1/2 inches. Property from the Estate of Gloria Harris Burch, St. Joseph, Michigan $10,000-20,000

AMERICAN AND EUROPEAN ART

30* VU CAO DÃ&#x20AC;M

(VIETNAMESE, 1908-2000)

Jeune Filles oil on canvas signed Vu Cao Dam (lower right) 15 x 11 1/4 inches. Property from the Estate of Gloria Harris Burch, St. Joseph, Michigan Provenance: Wally Findlay Galleries $10,000-15,000

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31* VU CAO DÀM

(VIETNAMESE, 1908-2000)

Maternité oil on canvas signed Vu Cao Dam (lower right) 15 x 11 1/4 inches. Property from the Estate of Gloria Harris Burch, St. Joseph, Michigan Provenance: Wally Findlay Galleries $10,000-15,000

AMERICAN AND EUROPEAN ART

32 TAKANORI OGUISS (JAPANESE, 1901-1986)

La Ferme oil on panel signed Oguiss (lower right) 10 1/2 x 14 inches. $5,000-7,000

32A ANDRÉ DUNOYER DE SEGONZAC (FRENCH, 1884-1974)

Seine sur la Triel, 1960 watercolor, ink and gouache on paper signed A Dunoyer de Segonzac (lower right) 23 x 31 1/4 inches. Provenance: Sold: Christie’s New York, June 18, 2013, Lot 13 $2,000-4,000

32A

33 JOHN TRICKETT (BRITISH, B. 1953)

A Moonlit Walk oil on canvas signed John Trickett (lower right) 30 x 40 inches. Provenance: Sold: Christie’s, South Kensington, November 7, 2007, lot 14 $1,000-2,000 33

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33A DANIEL GERHARTZ (AMERICAN, B. 1965)

Autumn Introspection, 1993 oil on canvas signed Gerhartz (lower right) 48 x 48 inches. Provenance: O’Brien’s Emporium, Scottsdale, Arizona $6,000-8,000

33A

34 PINO DAENI

(ITALIAN/AMERICAN, 1939-2010)

Untitled (Woman with a Fan) oil on canvas signed Pino (lower right) 38 x 30 inches. $10,000-20,000

AMERICAN AND EUROPEAN ART

35 THÉO TOBIASSE (FRENCH, 1927–2012)

Qui a peur du cheval rouge, 1964 gouache and ink on paper signed Theo Tobiasse (left center) and dated (lower center) 20 x 26 inches. $1,500-2,500

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AMERICAN AND EUROPEAN ART

American Art |

LOTS 36 â&#x20AC;&#x201C; 73

Lot 52 | George Copeland Ault (AMERICAN, 1891-1948) Stacks up 1st Avenue at 34th Street, 1928 oil on canvas signed G.C. Ault and dated (lower left) 30 x 20 inches.

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RICHARD LORENZ

WILLIAM AIKEN WALKER

Coming Off the Desert

Woman with Bale on Head

(AMERICAN, 1858-1915)

oil on canvas laid to board 9 3/4 x 12 3/4 inches. $700-900

37 CHARLES HARRY (HENRY) EATON (AMERICAN, 1850-1901)

Untitled (Verdant Landscape) oil on canvas signed C. Harry Eaton (lower right) 24 1/4 x 16 inches. $800-1,200

(AMERICAN, 1838-1921)

oil on panel signed WA Walker (lower left) 8 x 4 inches. Based off examination from photographs, John Fowler has confirmed the present work will be included in the forthcoming catalogue raisonné of the artist’s work. $4,000-6,000

39 WILLIAM AIKEN WALKER (AMERICAN, 1838-1921)

Mother and Child oil on panel signed WA Walker (lower left) 11 x 6 inches. Based off examination from photographs, John Fowler has confirmed the present work will be included in the forthcoming catalogue raisonné of the artist’s work. $4,000-6,000

AMERICAN AND EUROPEAN ART

40 WILLIAM AIKEN WALKER (AMERICAN, 1838-1921)

Southern Homestead oil on panel signed WA Walker (lower left) 9 x 12 inches. Based off examination from photographs, John Fowler has confirmed the present work will be included in the forthcoming catalogue raisonné of the artist’s work. $8,000-12,000

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41 CHARLES WARREN EATON (AMERICAN, 1857-1937)

Dutch Poplars at Sunset oil on canvas signed Chas Warren Eaton (lower right) 24 x 20 inches. $1,000-2,000

42 FRANK TENNEY JOHNSON (AMERICAN, 1874-1939)

Colorful Underbrush oil on board signed F Tenney Johnson (lower right) 14 x 20 inches. A label of authentication is affixed to the reverse, signed by William P. Krehm. $3,000-5,000

AMERICAN AND EUROPEAN ART

43* ERNEST LAWSON

(CANADIAN/AMERICAN, 1873-1939)

Gateway to the Plains oil on canvas signed E. Lawson (lower left) 25 x 30 inches. Property from the Columbus Museum of Art, Columbus, Ohio Provenance: Robert Schoelkopf Gallery, New York Collection of Molly Caren Fisher, Columbus, Ohio Columbus Museum of Art, Columbus, Ohio $15,000-20,000

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44* LAWTON SILAS PARKER (AMERICAN, 1868-1954)

The Fisherman, 1920 oil on canvas signed L. S. Parker and dated (lower left) 13 x 20 inches. Property from the Collection of Marilyn Drake, Fond du Lac, Wisconsin Sold to benefit the Good Shepherd Lutheran Church, Fond du Lac, Wisconsin $2,000-4,000

AMERICAN AND EUROPEAN ART

45 ARNOLD BORISOVICH LAKHOVSKY (RUSSIAN/AMERICAN, 1880-1937)

River Scene oil on canvas signed Arnold Lakhovsky (lower left); signed and inscribed (verso) 19 1/2 x 24 inches. $2,000-4,000

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AMERICAN AND EUROPEAN ART

46 WILLARD LEROY METCALF (AMERICAN, 1858-1925)

The Swimming Hole or The Bathing Hole, 1886 oil on canvas signed W.L. Metcalf (lower right) 26 x 29 inches. This work will be included in the forthcoming catalogue raisonnĂŠ being coordinated by Betty Krulik and the Willard Leroy Metcalf Catalogue RaisonnĂŠ Project, Inc. Provenance: Chapellier Gallery, New York Mann Gallery, Miami The Collection of Samuel and Grace Mann, Cleveland, Ohio Exhibited: Cincinnati Art Museum, American Impressionist Painting, December 19, 1973 - January 31, 1974 (traveled to Raleigh, NC, NC Museum of Art, March 10 - April 29, 1974), number 42 Literature: DeVeer and Boyle, Sunlight and Shadow, p. 194-195, pl 228. $150,000-250,000

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47 JANE PETERSON

(AMERICAN, 1876-1965)

Landscape with Maple Trees gouache on board signed Jane Peterson (lower right) 24 x 18 inches. Provenance: Santa Fe East, Austin and Santa Fe Sold: Christieâ&#x20AC;&#x2122;s New York, February 26, 2014, Lot 34 $5,000-7,000

48 JANE PETERSON

(AMERICAN, 1876-1965)

Zinnias oil on canvas mounted to board signed Jane Peterson (lower right) 11 x 14 inches. $2,000-4,000

49 WILLIAM SAMUEL SCHWARTZ (AMERICAN, 1896-1977)

Untitled (The Hill) gouache on paper signed William S. Schwartz (upper left) 16 x 23 inches. 48

AMERICAN AND EUROPEAN ART

$800-1,200

50* EMIL BISTTRAM

(AMERICAN, 1895-1976)

Taos, N.M. oil on canvas signed Bisttram (lower right); signed and titled (verso) 30 x 36 inches. Property from the Estate of William Lipton, New York, New York $6,000-8,000

51 MORTON LIVINGSTON SCHAMBERG (AMERICAN, 1881-1918)

Untitled (Abstract Landscape with Structures) oil on panel signed Schamberg (lower left) 9 1/2 x 15 1/2 inches. $8,000-12,000

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AMERICAN AND EUROPEAN ART

52 GEORGE COPELAND AULT (AMERICAN, 1891-1948)

Stacks up 1st Avenue at 34th Street, 1928 oil on canvas signed G.C. Ault and dated (lower left); signed, titled and dated (verso) 30 x 20 inches. Provenance: Frederick Loeser & Company, Brooklyn, New York $40,000-60,000

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53 REGINALD MARSH (AMERICAN, 1898-1954)

Tunnel of Love, 1942 oil on masonite signed Marsh and dated (lower right) 20 x 16 inches. Property from a Midwestern Collection $15,000-25,000

AMERICAN AND EUROPEAN ART

54 RAPHAEL SOYER

(RUSSIAN/AMERICAN, 1899-1987)

My Friend, Geraldine oil on canvas signed Raphael Soyer (lower left) 30 x 20 inches. $4,000-6,000

55 GEORGE RAAB

(AMERICAN, 1866-1943)

Untitled (Portrait of a Lady) oil on canvas signed G. Raab (lower right) 62 1/2 x 40 inches. $1,000-2,000

56 FREDERICK FRARY FURSMAN (AMERICAN, 1874-1943)

Lady with Parasol, c. 1908 oil on canvas estate stamped and numbered (verso) 24 x 19 inches. Provenance: Richard Norton Gallery, Chicago $600-800 55

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57* LOUIS RITMAN

(AMERICAN, 1889-1963)

The Art Student oil on canvas signed L. Ritman (lower right) 18 x 15 inches. Property from the Collection of Mr. Philip Mijal, Woodridge, Illinois Provenance: Estate of the artist R.H. Love Galleries, Chicago $1,000-1,500

58* HARRY MCCORMICK (AMERICAN, B. 1942)

Untitled (The Blue Rug)

oil on canvas signed McCormick (lower right) 36 1/4 x 36 inches. Property from the Collection of Mr. Philip Mijal, Woodridge, Illinois Provenance: Arthur Jones Galleries, Delray Beach, Florida $800-1,200

59* PAULINE PALMER (AMERICAN, 1867-1938)

Still Life oil on board signed Pauline Palmer (lower left) 20 x 24 inches. Property from the Collection of Mrs. Anita Livaditis, Winnetka, Illinois Provenance: Sold: Leslie Hindman Auctioneers, Chicago, September 18, 2005, Lot 124 59

AMERICAN AND EUROPEAN ART

$1,000-2,000

60* ROBERT MOORE KULICKE (AMERICAN, 1924-2007)

Peach and Leaf on Dark Background, 1984 oil on silk laid to masonite signed Kulicke (lower center) 5 1/4 x 5 3/4 inches. Property from the Estate of William Lipton, New York, New York Provenance: Stairs Galleries, Hudson, New York. $1,500-2,500 60

61* ROBERT MOORE KULICKE (AMERICAN, 1924-2007)

Pear oil on panel initialed (upper center) 9 1/4 x 3 1/2 inches. Property from the Estate of William Lipton, New York, New York $2,000-4,000

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62*

CHRISTOPHER WILLETT

CHARLES E. BUCKLER (UNCLE CHARLIE)

Storytelling

Untitled (The Winter Cottage)

oil on canvas signed Christopher Willett (lower right) 16 x 20 inches.

oil on board signed C.E. Buckler (lower right) 8 x 10 inches.

Property from the Collection of Mr. James P. Reardon, Downington, Pennsylvania

$200-400

(AMERICAN, B. 1959)

$600-800

63*

CHARLES PAUL GRUPPÃ&#x2030;

CHRISTOPHER WILLETT (AMERICAN, B. 1959)

Van Sant Covered Bridge, Bucks County, PA oil on board signed Christopher Willett (lower right); signed and titled (verso) 12 x 14 inches. Property from the Collection of Mr. James P. Reardon, Downington, Pennsylvania $600-800

(AMERICAN, 1869-1953)

AMERICAN AND EUROPEAN ART

(AMERICAN, 1860-1940)

Nets Drying, Menemsha oil on canvas signed C Gruppe (lower left) 24 x 36 inches. $2,000-4,000

66* LOUIS HOVEY SHARP (AMERICAN, 1874-1946)

The Sunlit Cove oil on board signed Louis H. Sharp (lower right); signed, titled and inscribed (verso) 15 x 20 inches. Property from the Collection of Mr. William Zwecker, Chicago, Illinois Provenance: The Estate of Margaret “Peg” Zwecker, Chicago, Illinois By descent to present owner $3,000-5,000 66

67 FRANCESCO SPICUZZA (AMERICAN, 1883-1962)

Sunset Over the Lake pastel on paperboard signed Spicuzza (lower left) 16 x 20 inches. $1,000-2,000

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68 FRANCESCO SPICUZZA (AMERICAN, 1883-1962)

Three Ships: Faith, Hope and Charity pastel on paperboard signed Spicuzza (lower left) 10 x 13 inches. $1,500-2,500

69 FRANCESCO SPICUZZA (AMERICAN, 1883-1962)

Clearing Storm pastel on paperboard signed Spicuzza (lower left) 10 3/4 x 14 inches. $1,500-2,500

AMERICAN AND EUROPEAN ART

70 FREDERICK JUDD WAUGH (AMERICAN, 1861-1940)

The Sea oil on canvas signed Waugh (lower right); titled (verso) 38 x 48 inches. Provenance: Grand Central Galleries, New York $4,000-6,000

71* ROBERT KIPNISS (AMERICAN, B. 1931)

Landscape, c. 1970 oil on canvas signed Kipniss (lower left) 25 x 30 inches. Property from the Collection of Mr. Philip Mijal, Woodridge, Illinois Provenance: Sold: Treadway/Toomey Auctions, June 8, 2013, Lot 686 $2,000-4,000 71

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72* ROBERT KIPNISS (AMERICAN, B. 1931)

Autumn Color oil on canvas signed Kipniss (lower right) 24 x 36 inches. Property from the Collection of Ms. Jeanine K. Kincheloe, Vandalia, Ohio Provenance: Merrill Chase Gallery, Chicago $3,000-5,000

AMERICAN AND EUROPEAN ART

73* ROBERT KIPNISS (AMERICAN, B. 1931)

Wooded Shed oil on canvas signed Kipniss (lower left) 20 x 16 inches. Property from the Collection of Ms. Jeanine K. Kincheloe, Vandalia, Ohio Provenance: Merrill Chase Gallery, Chicago $2,000-4,000

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ARTIST INDEX ARTIST NAME

GLOSSARY OF TERMS LOT

Attributed to Van Spaendonck, Cornelis. . . . . . . 5 Ault, George Copeland. . . . . . . . . . . . . . . . . . . 52 Bisttram, Emil. . . . . . . . . . . . . . . . . . . . . . . . . . 50 Blanchard, Antoine. . . . . . . . . . . . . . . . . . . 20, 21 Bombois, Camille. . . . . . . . . . . . . . . . . . . . . . . 11 Buckler, Charles E.. . . . . . . . . . . . . . . . . . . . . . 64 Cavaillès, Jules. . . . . . . . . . . . . . . . . . . . . . . . . 28 Chagall, Marc. . . . . . . . . . . . . . . . . . . . . . . . . 27A Cortès, Édouard Léon . . . . . . . . . . . . . . . . 18, 19 Daeni, Pino. . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Delacroix, Eugène. . . . . . . . . . . . . . . . . . . . . . . . 1 Dunoyer de Segonzac, André. . . . . . . . . . . . . 32A Dàm, Vu Cao. . . . . . . . . . . . . . . . . . . . . . . 30, 31 Eaton, Charles Harry (Henry). . . . . . . . . . . . . . . 37 Eaton, Charles Warren. . . . . . . . . . . . . . . . . . . 41 Fursman, Frederick Frary . . . . . . . . . . . . . . . . . 56 Galien-Laloue, Eugène. . . . . . . . . . . . . . . . . . . 22 Gerhartz, Daniel. . . . . . . . . . . . . . . . . . . . . . . 33A Gifford, John. . . . . . . . . . . . . . . . . . . . . . . . . . 6, 7 Grobon, Anthelme-Eugène. . . . . . . . . . . . . . . 3, 4 Gruppé, Charles Paul. . . . . . . . . . . . . . . . . . . . 65 Hervé, Jules-René . . . . . . . . . . . . . . . . . . . 16, 17 Johnson, Frank Tenney. . . . . . . . . . . . . . . . . . . 42 Kipniss, Robert. . . . . . . . . . . . . . . . . . . . . . . 71-73 Kozakiewicz, Antoni. . . . . . . . . . . . . . . . . . . . . . 9 Kruseman, Frederick Marinus. . . . . . . . . . . . . . 15 Kulicke, Robert Moore . . . . . . . . . . . . . . . . 60, 61 Lakhovsky, Arnold Borisovich. . . . . . . . . . . . . . 45 Lawson, Ernest . . . . . . . . . . . . . . . . . . . . . . . . 43 Lorenz, Richard . . . . . . . . . . . . . . . . . . . . . . . . 36 Maik, Henri Hecht. . . . . . . . . . . . . . . . . . . . . . . 26 Marquet, Albert. . . . . . . . . . . . . . . . . . . . . . . . . 12 Marsh, Reginald. . . . . . . . . . . . . . . . . . . . . . . . 53 McCormick, Harry . . . . . . . . . . . . . . . . . . . . . . 58 Metcalf, Willard Leroy. . . . . . . . . . . . . . . . . . . . 46 Neumann, Johann Carl. . . . . . . . . . . . . . . . . . . 13 Novoa, Gustavo. . . . . . . . . . . . . . . . . . . . . . . . 27 Oguiss, Takanori. . . . . . . . . . . . . . . . . . . . . . . . 32 Palmer, Pauline. . . . . . . . . . . . . . . . . . . . . . . . . 59 Parker, Lawton Silas. . . . . . . . . . . . . . . . . . . . . 44 Pavil, Élie-Anatole. . . . . . . . . . . . . . . . . . . . . . . 23 Peterson, Jane. . . . . . . . . . . . . . . . . . . . . . 47, 48 Raab, George. . . . . . . . . . . . . . . . . . . . . . . . . . 55 Ritman, Louis. . . . . . . . . . . . . . . . . . . . . . . . . . 57 Robin, George Charles. . . . . . . . . . . . . . . . . . . 24 Schamberg, Morton Livingston. . . . . . . . . . . . . 51 Schwartz, William Samuel. . . . . . . . . . . . . . . . . 49 Sharp, Louis Hovey . . . . . . . . . . . . . . . . . . . . . 66 Soyer, Raphael. . . . . . . . . . . . . . . . . . . . . . . . . 54 Spicuzza, Francesco . . . . . . . . . . . . . . . . . . 67-69 Steinlen, Théophile-Alexandre. . . . . . . . . . . . . . . 2 Sébire, Gaston. . . . . . . . . . . . . . . . . . . . . . . . . 25 Tobiasse, Théo. . . . . . . . . . . . . . . . . . . . . . . . . 35 Trickett, John. . . . . . . . . . . . . . . . . . . . . . . . . . 33 van Schendel, Petrus. . . . . . . . . . . . . . . . . . . . 14 Walker, William Aiken . . . . . . . . . . . . . . . . . . 38-40 Waugh, Frederick Judd. . . . . . . . . . . . . . . . . . . 70 Wertheimer, Esther. . . . . . . . . . . . . . . . . . . . . 35A Willett, Christopher. . . . . . . . . . . . . . . . . . . 62, 63 Yeend King, Henry John. . . . . . . . . . . . . . . . . . . 8 Zhongli, Luo. . . . . . . . . . . . . . . . . . . . . . . . . . . 29 52

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist. ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category. STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist. CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil. STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist. MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period. AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width.

LESLIE HINDMAN AL LOVING (AMERICAN, 1935-2005) Cube 28, 1970 TO BE OFFERED IN OUR POST WAR AND CONTEMPORARY ART AUCTION ON DECEMBER 13.

AUCTIONEERS

642 | INTERIORS JANUARY 24 – 30 | TIMED ONLINE ONLY

646 | THE ADVENTURE & EXPLORATION LIBRARY OF STEVE FOSSETT, PART III MARCH 15 – 22 | TIMED ONLINE ONLY

634 | FINE JEWELRY AND TIMEPIECES JANUARY 29 – FEBRUARY 7 | TIMED ONLINE ONLY

649 | INTERIORS MARCH 21 – 28 | TIMED ONLINE ONLY

647 | ASIAN WORKS OF ART MARCH 26 | CHICAGO CONSIGNMENT DEADLINE JANUARY 25 648 | ASIAN WORKS OF ART MARCH 22 – 29 | TIMED ONLINE ONLY CONSIGNMENT DEADLINE JANUARY 25

AUCTION INQUIRIES FINE ART DEPARTMENT

Tess Hall Senior Specialist American and European Art anastasiahall@lesliehindman.com

Zack Wirsum Senior Specialist Post War and Contemporary Art zachary@lesliehindman.com

Thomas Galbraith CEO thomasgalbraith@lesliehindman.com 312.334.4205 Adam Spender Executive Assistant 312.334.4201

FINANCE Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Molly Gron Director mollygron@lesliehindman.com 312.334.4235 Katelyn Finn Director, Midwest katelynfinn@lesliehindman.com 312.447.3297 Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224 Vaughn Smith Senior Account Executive vaughnsmith@lesliehindman.com 312.334.4238 Miranda Luce Account Executive mirandaluce@lesliehindman.com 312.334.4208

MUSEUM SERVICES Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210

CONSIGNMENT DEPARTMENT Jim Sharp VP, Expertise jim@lesliehindman.com Maggie Porter VP, Sales Strategy maggieporteri@lesliehindman.com Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263

Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064

Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228

Fine Art

Asian Works of Art

Zack Wirsum Senior Specialist zachary@lesliehindman.com

Annie Wu Specialist anniewu@lesliehindman.com

Tess Hall Senior Specialist anastasiahall@lesliehindman.com

Flora Zhang Cataloguer florazhang@lesliehindman.com 312.447.3290

Nate Brady Cataloguer nathanbrady@lesliehindman.com 312.600.6064 Emily Catrice Cataloguer emilycatrice@lesliehindman.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com Corbin Horn Specialist corbinhorn@lesliehindman.com Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282 Genevieve King Cataloguer genevieveking@lesliehindman.com

Megan Sadler Account Executive megansadler@lesliehindman.com 312.600.6066 Fine Jewelry and Timepieces Katie Guilbault, G.G. Senior Specialist katieguilbault@lesliehindman.com Jamie Henderson Specialist jamiehenderson@lesliehindman.com Nicole Gunn, G.G. Gemologist, Florida Region nicolegunn@lesliehindman.com Sally Klarr, G.G. Associate Specialist / Cataloguer sallyklarr@lesliehindman.com Hana Thomson Cataloguer hanathomson@lesliehindman.com Madeline Schroeder Account Executive / Cataloguer madelineschroeder@lesliehindman.com 312.334.4223 Briar Koehl Account Executive briarkoehl@lesliehindman.com 312.600.6075

Modern Design

Luxury Accessories and Couture

Hudson Berry Specialist hudsonberry@lesliehindman.com

Timothy Long Director, Senior Specialist timothylong@lesliehindman.com

Mike Intihar Senior Specialist mike@lesliehindman.com

Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288

Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282 Fine Books and Manuscripts Gretchen Hause Director gretchenhause@lesliehindman.com

Arts of the American West Rachel Enright Specialist rachelenright@lesliehindman.com 303.825.1855 Interiors Gia Spezia, Director gia@lesliehindman.com 312.334.4219

Mary Grace Bilby Account Executive marygracebilby@lesliehindman.com 312.334.4216

REGIONAL OFFICES Kathleen Brennan Account Executive kathleenbrennan@lesliehindman.com 312.334.4234 Atlanta Mary Calhoun marycalhoun@lesliehindman.com 404.800.0192 Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855 Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200 Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448 West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053 Scottsdale Logan Browning loganbrowning@lesliehindman.com 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811 International Tina Fisher Grow 561.315.9100

GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Leslie Hindman Auctioneers can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers a buyer’s premium as well as any applicable taxes.

$0 - $200 ............................................. $10 $200 - $500 ............................................. $25 $500 - $1,000 .......................................... $50 $1,000 - $2,000 ........................................ $100 $2,000 - $5,000 ........................................ $200 $5,000 - $10,000 ...................................... $500 $10,000 - $20,000 ................................... $1,000 $20,000 - $50,000 ................................... $2,000 $50,000 - $100,000 ................................. $5,000 $100,000 - $200,000 ............................... $10,000 Over > $200,000 ......... Auctioneer’s Discretion

In-House Bidding Live bidding at Leslie Hindman Auctioneers is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Leslie Hindman Auctioneers allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

CONDITIONS OF SALE HINDMAN LLC AS AGENT

The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid. Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references. Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment. Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid. Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC. Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive. Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Hindman LLC a handling charge of $50 for any check dishonored by the drawee. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale. Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items. Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

LIABILITY

Condition Reports Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request. Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser. Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law. Discretion Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC. 03/18

e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

g.) to take other action as we find necessary or appropriate

V I E W T H E C O M P L E T E C ATA L O G U E AT L E S L I E H I N D M A N . C O M

LESLIE HINDMAN AUCTIONEERS CHICAGO | ATLANTA | DENVER

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

F X 312. 280. 1211 | BI D @ L E S L I E HI ND MA N.CO M Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

598

American and European Art NAME

SALE NUMBER/NAME

BUSINESS NAME BILLING ADDRESS CITY STATE COUNTRY/ZIP CONTACT NAME PRIMARY PHONE SECONDARY PHONE EMAIL FAX

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 .... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

A per lot buyer’s premium is added to the final hammer price as per the following:

SIGNATURE DATE

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

FOR HINDMAN LLC DATE

$0 - $250,000 .......................................... 25% $250,001 - $3,000,000 ............................ 20% $3,000,001 + ............................................ 12%

FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD LOT NUMBER

PHONE BID

ABSENTEE BID

LOT DESCRIPTION

US DOLLAR LIMIT

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

BACK-UP BID

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

LHLIVE 1338 WEST LAKE STREET PH 312.280.1212

FX 312.280.1211

CHICAGO, ILLINOIS

60607

BID@LESLIEHINDMAN.COM

LESLIEHINDMAN.COM

LESLIE HINDMAN AUCTIONEERS

13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e hi n d m a n.c o m