Sale 658 | Prints and Multiples by Hindman

PR I NTS AND MU LTI PLES 5 | 22 | 2019

1338 West L ake Street Chicago, Illinois 60607 l ph 312.280.1212 l hindmanauctions.com

PR IN TS AN D MULTIPLES Wednesday May 22 | Chicago 2PM CT | Live + Online

LOTS 1 – 45

PROPERTY FROM THE COLLECTION OF ANN AND PAUL ARENBERG

LOTS 46 – 64

MODERN PRINTS

LOTS 65 – 107

OLD MASTER PRINTS

LOTS 108 – 116

PHOTOGRAPHY

LOTS 117 – 136

P RO P E R T Y P I C K U P H O U R S MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale. Cover Lot 49 | Wayne Thiebaud, (American, b. 1920) Bow Ties, 1990, lithograph in colors on wove paper Inside Front Cover Lot 46 | Roy Lichtenstein, (American, 1923-1997) Painting on Canvas from Paintings Series, 1984 10-color woodcut, lithograph, screenprint and metallic foil on Arches 88 paper Inside Back Cover Lot 3 | Andy Warhol, (American, 1928-1987 Speed Skater, 1983, screenprint Back Cover Lot 2 | Frank Stella, (American, b.1936) Agua Caliente from the Race Track, 1972 screenprint

Lots marked with an asterisk (*) are tax exempt as permitted by law. VIEW THE COMPLETE CATALOGUE AT HINDMANAUCTIONS.COM

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CO N T E N T S AUCTION 658 | LIVE + ONLINE WEDNESDAY MAY 22 | 2PM CT POST WAR AND CONTEMPORARY PRINTS

LOTS 1 – 45

PROPERTY FROM THE COLLECTION OF ANN AND PAUL ARENBERG

LOTS 46 – 64

MODERN PRINTS

LOTS 65 – 107

OLD MASTER PRINTS

LOTS 108 – 116

PHOTOGRAPHY

LOTS 117 – 136

ARTIST INDEX

AUCTION INQUIRIES

CONDITIONS OF SALE

TELEPHONE / ABSENTEE BID FORM

101

Lot 65 | Pablo Picasso, (Spanish, 1881-1973) Nature morte à la bouteille, 1962, linocut

P RO P E R T Y F RO M T H E C O L L E C T I O N S O F ANN AND PAUL ARENBERG, ST. LOUIS, MISSOURI THE EVELYN GOLDSTEIN SURVIVOR TRUST, FOX POINT, WISCONSIN DR. DEBORAH HARDY, LARAMIE, WYOMING VIRGINIA JOHN, ELM GROVE, WISCONSIN DR. AND MRS. DALE KOSTIWA, ST. CHARLES, ILLINOIS MS. YOLANDA SAUL, CHICAGO, ILLINOIS HARRIET AND LAWRENCE SINGER, MIAMI, FLORIDA RICHARDSON AND JANICE SPOFFORD, CHICAGO P RO P E R T Y F RO M T H E E S TAT E S A N D T R U S T S O F BILLIE ROSS, CHICAGO, ILLINOIS MRS. LOIS SMOLER, CHICAGO, ILLINOIS

Opposite Lot 26 | Christo and Jeanne-Claude, (American/Bulgarian, b. 1935) Wrapped Champagne Bottle, Project for Happy Anniversary, 2000 lithograph with pencil, cloth, plastic, masking tape and string

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS LOTS 1 â&#x20AC;&#x201C; 45

Ed Ruscha

Frank Stella

Miracle, 1999

Agua Caliente from the Race Track, 1972

1-color lithograph on John Koller HMP cream paper signed and numbered 10/60 in pencil 15 1/2 x 24 3/4 inches.

screenprint signed, dated and numbered 75/75 in pencil 16 1/2 x 76 1/2 inches.

(AMERICAN, B. 1937)

(AMERICAN, B.1936)

$7,000-9,000 $6,000-8,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

3 Andy Warhol

(AMERICAN, 1928-1987

Speed Skater, 1983 screenprint signed and numbered CXII/CL in pencil 33 1/4 x 24 1/4 inches. Literature: Feldman & Schellman II.303 $8,000-12,000

P R I N T S A N D M U LT I P L E S

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

4 Roy Lichtenstein

(AMERICAN, 1923-1997)

Modern Art Poster, 1967 screenprint from the edition of 300 8 x 11 inches. $4,000-6,000

P R I N T S A N D M U LT I P L E S

5* Roy Lichtenstein

(AMERICAN, 1923â&#x20AC;&#x201C;1997)

Aspen Winter Jazz, 1967 screenprint signed and numbered 237/300 in pencil 26 x 40 inches. Ref: C. 44 Property from the Collection of Harriet and Lawrence Singer, Miami, Florida $2,000-4,000

6 Roy Lichtenstein

(AMERICAN, 1923-1997)

Merton of the Movies, 1968 color screenprint on silver foil signed and numbered 205/450 in pencil 29 1/2 x 19 3/4 inches. $800-1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

7 James Rosenquist

(AMERICAN, 1933-2017)

Where the Water Goes, from Welcome to the Water Planet, 1989 pressed paper pulp with lithographic collage signed, dated and numbered 17/32 in pencil 102 3/4 x 58 inches. $8,000-12,000

8 James Rosenquist

(AMERICAN, 1933-2017)

Dog Descending a Staircase, 1980-82 lithograph and intaglio signed, titled, dated and numbered 15/33 in pencil 42 x 70 inches. $6,000-8,000

9 James Rosenquist

(AMERICAN, 1933-2017)

Sun Sets on the Time Zone, 1989 pressed paper pulp, lithograph, collage signed, titled, dated and numbered 17/47 in pencil 79 1/2 x 58 inches. Provenance: Feigen Contemporary, New York $4,000-6,000 9

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

10 Helen Frankenthaler (AMERICAN, 1928-2011)

Grove, 1991 color woodcut signed, dated and numbered 10/32 in pencil 17 x 21 inches. Provenance: Pamela Auchincloss Gallery, New York $4,000-6,000

11 Agnes Martin

(CANADIAN/AMERICAN, 1912-2004)

Paintings and Drawings: Stedelijk Museum Portfolio, 1990-91 lithograph on vellum 12 x 12 inches. $1,500-2,500

P R I N T S A N D M U LT I P L E S

12 Sam Francis

(AMERICAN, 1923-1994)

Untitled, 1978 lithograph signed and inscribed in pencil 38 x 28 inches. $1,500-2,500

13 Sam Francis

(AMERICAN, 1923-1994)

Untitled, 1994 color lithograph signed and numbered 23/50 in pencil 23 x 23 inches. $800-1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

14* Joan Mitchell

(AMERICAN, 1926-1992)

Flower III, 1981 lithograph signed and numbered 16/70 in pencil 39 1/2 x 29 1/4 inches. Property from the Estate of Billie Ross, Chicago, Illinois Provenance: Richard Gray Gallery, Chicago $2,000-4,000

15* Jean Dubuffet

(FRENCH, 1901-1985)

Scenario Bref, 1979 silkscreen signed, dated and numbered 50/50 in pencil 20 x 13 5/8 inches. Property from the Estate of Billie Ross, Chicago, Illinois Provenance: Richard Gray Gallery, Chicago $1,000-2,000

P R I N T S A N D M U LT I P L E S

16 Alexander Calder

(AMERICAN, 1898-1976)

Homage to Ben Shahn, c. 1970 lithograph signed and numbered 83/100 in pencil 38 1/2 x 23 1/2 inches. $1,000-2,000

17* Alexander Calder

(AMERICAN, 1898-1976)

Three Legged Man color lithograph signed and numbered 61/75 in pencil 21 3/4 x 15 1/4 inches. Property from The Estate of Mrs. Lois Smoler, Chicago, Illinois Exhibited: Museum of Contemporary Art, Chicago, Illinois, 8th Benefit Art Auction, 1987 $400-600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Robert Motherwell

Howard Hodgkin

To the Paintbrush, from A la Pintura, c. 1968-72

Early Evening in the Museum of Modern Art, 1979

aquatint signed, inscribed trial proof and V.69 (bottom margin), titled (verso) 10 x 16 inches.

hand colored etching signed, dated and numbered 6/100 in red crayon 29 x 38 inches.

(AMERICAN, 1915-1991)

$2,000-4,000

(BRITISH, 1932-2017)

Provenance: Signet Arts, St. Louis, Missouri Acquired from the above by the present owner. $800-1,200

P R I N T S A N D M U LT I P L E S

20 Robert Cottingham (AMERICAN, B. 1935)

Roxy, 2000 lithograph signed, titled, dated and numbered 15/30 in pencil 42 x 42 inches. $3,000-5,000

21 Robert Cottingham (AMERICAN, B. 1935)

Barrera-Rosaâ&#x20AC;&#x2122;s, 1986 (a suite of three works) lithograph, woodcut and aquatint each signed, titled, dated and numbered 4/29 in pencil each 13 x 37 inches. Provenance: Signet Arts, St. Louis, Missouri Acquired from the above by the present owner in 1992. $4,000-6,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

22 Willem de Kooning

(DUTCH/AMERICAN, 1904-1997)

Poems by Frank Oâ&#x20AC;&#x2122;Hara, 1988 bound lithographs from the edition of 550 21 1/2 x 17 inches. $2,000-4,000

23* David Hockney

(BRITISH, B. 1937)

The Acrobat, 1964 etching signed, inscribed Artists proof and dated in pencil 15 x 21 inches. Property from the Collection of the Evelyn Goldstein Survivor Trust, Fox Point, Wisconsin Provenance: Posner Gallery, Milwaukee, Wisconsin $8,000-12,000 22

P R I N T S A N D M U LT I P L E S

24 Sol LeWitt

(AMERICAN, 1928â&#x20AC;&#x201C;2007)

Parallel Curves, 2000 lithograph and aquatint signed and numbered 15/30 in pencil 30 1/2 x 30 1/2 inches. $2,000-4,000

25 Claes Oldenburg

(AMERICAN, B. 1929)

Balloons, 2000 lithograph signed and numbered 15/30 in pencil 25 1/2 x 28 inches. $1,000-2,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

26 Christo and Jeanne-Claude (AMERICAN/BULGARIAN, B. 1935)

Wrapped Champagne Bottle, Project for Happy Anniversary, 2000 lithograph with pencil, cloth, plastic, masking tape and string signed, dated and numbered 15/30 in pencil 21 1/2 x 16 1/2 inches. $3,000-5,000

27 Christo and Jeanne-Claude (AMERICAN/BULGARIAN, B. 1935)

Wrapped Reichstag, Berlin offset lithograph signed in blue crayon 25 x 39 inches. $500-700

P R I N T S A N D M U LT I P L E S

28* Jim Dine

(AMERICAN, 1935-2018)

The Swimmer, 1976 soft ground etching with watercolor signed, dated and numbered 4/30 in pencil 23 3/4 x 19 1/2 inches. Property from the Estate of Billie Ross, Chicago, Illinois Provenance: Richard Gray Gallery, Chicago $2,000-4,000

29 Jim Dine

(AMERICAN, 1935-2018)

Sunâ&#x20AC;&#x2122;s Night Glow, 2000 lithograph signed, dated and numbered 15/30 in pencil 35 1/2 x 51 1/2 inches. $1,500-2,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

30*

31*

32*

Victor Vasarely

Tuz, 1970

ME-TA from Bach, 1965

Tigres, c. 1970

acrylic on plexiglass and perspex 22 x 22 inches. Property from the Collection of Ms. Yolanda Saul, Chicago, Illinois

silkscreen signed and numbered 76/200 in ink 20 3/4 x 19 inches. Property from the Collection of Ms. Yolanda Saul, Chicago, Illinois

lithograph signed and numbered 81/120 in pencil 17 1/2 x 26 inches. Property from the Collection of Ms. Yolanda Saul, Chicago, Illinois

Provenance: Yolanda Fine Arts, Winnetka, Illinois

$400-600

(FRENCH/HUNGARIAN, 1906-1997)

$400-600

33 Rufino Tamayo

(MEXICAN, 1899-1991)

Mรกscara from Rufino Tamayo 18 aguafuertes, 1984 etching signed and numbered 98/99 in crayon 29 3/4 x 21 3/4 inches. Provenance: Wolf Schulz Gallery, San Francisco Literature: Pereda 318 $1,500-2,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

34 Jesús Rafael Soto

(VENEZUELAN, 1923-2005)

Sotomagie II from SotoMagie, 1967 silkscreen on plexiglass signed and numbered 28/100 (on label verso) Height: 13 1/4 x width 13 1/4 x depth 7 1/2 inches. Provenance: Éditions Denise René, Paris $4,000-6,000 34

35 Jesús Rafael Soto

(VENEZUELAN, 1923-2005)

Vibrations Metalliques, 1969 silkscreen on aluminum with metal elements and nylon string signed and numbered 46/250 (on label verso) Height 10 3/4 x width 11 3/4 x depth 5 inches. Provenance: Éditions Denise René, Paris $6,000-8,000

P R I N T S A N D M U LT I P L E S

36 Vitaly Komar & Alexander Melamid (RUSSIAN, B. 1943 AND B. 1945)

DEATH (11 works) screenprints 10 of 11 prints numbered 30/250 in pencil Each: 12 x 10 inches. $2,000-4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

37 McArthur Binion

(AMERICAN, B. 1946)

Untitled, 1980 lithograph signed, dated, and numbered 19/50 in pencil 16 1/4 x 24 1/4 inches. $300-500

38 Elaine Sturtevant

(AMERICAN, 1924-2014)

Duchamp Triptych, 1998 (a suite of three works) lithographs each signed and numbered 29/60 in pencil 20 x 16 inches. $2,000-4,000

39 Cecily Brown

(BRITISH, B. 1969)

Study after An Election by William Hogarth, 2004 color lithograph signed, dated and numbered 119/120 in pencil 15 1/2 x 13 1/2 inches. $1,000-2,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Alfred Leslie

Robert Mangold

Near Davidâ&#x20AC;&#x2122;s Fields, 1991 (portfolio of 2)

Untitled (Greeting Card 6), 2001

(AMERICAN, B. 1927)

aquatint softground and abrasion signed, dated and numbered 41/50 in pencil 8 x 10 inches. Provenance: Lemberg Gallery, Birmingham, Michigan

(AMERICAN, B. 1937)

woodcut initialed and dated in pencil 2 1/2 x 6 1/4 inches.

accompanied by a handwritten letter from the artist $1,000-1,500

$1,000-2,000

Robert Mangold

(AMERICAN, B. 1937)

Untitled (Greeting Card 2), 2000 woodcut initialed and dated in pencil 3 x 6 3/4 inches. accompanied by a handwritten letter from the artist

(AMERICAN, B. 1937)

Untitled (Greeting Card 3), 2003 woodcut initialed and dated in pencil 6 x 1 1/2 inches.

accompanied by a handwritten letter from the artist $1,000-1,500

$1,000-1,500

P R I N T S A N D M U LT I P L E S

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Mel Bochner

Blah Blah Blah, 2010

Thanks, 2015

monoprint with engraving and embossment on hand-dyed Twinrocker handmade paper signed and dated in pencil 12 1/2 x 15 inches.

etching signed, dated and numbered 3/20 in pencil 20 x 16 inches.

(AMERICAN, B. 1940)

$3,000-5,000 Provenance: Two Palms, New York $8,000-12,000

P R I N T S A N D M U LT I P L E S

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

FINE PRINTS AND CONTEMPORARY ART FROM THE COLLECTION OF

ANN AND PAUL ARENBERG LOTS 46 – 64 Hindman is proud to offer Fine Prints and Contemporary Art from the Collection of Ann and Paul Arenberg for sale at auction. The collection has been curated over time and across generations. Paul’s parents, Frances and Milton Arenberg, were collectors and passed on their love for modern art to Ann and Paul. The collection includes significant sculptural examples from artists Harry Bertoia and Barbara Hepworth, and highlights important prints from Richard Diebenkorn, Wayne Thiebaud, Roy Lichtenstein, Alex Katz, and Helen Frankenthaler. The Bertoia and Hepworth sculptures, among others, were part of Frances and Milton’s collection, and have been in the family for more than half a century. Ann and Paul Arenberg were born and raised in Highland Park, Illinois. They attended the same high school, but it wasn’t until Ann was at Wellesley College, and Paul at Dartmouth College, that they began to date. They returned home to the northern suburb of Chicago to get married, and lived there until they moved with their four children to St. Louis, Missouri in 1965. Ann and Paul were deeply involved in the arts and philanthropic communities in St. Louis. Their enthusiastic support benefited the St. Louis Art Museum, the St. Louis Symphony Orchestra, the Cancer Support Community of Greater St. Louis, the Scholarship Foundation of St. Louis, the Central Institute for the Deaf, and many other organizations. Ann and Paul are remembered for their generosity to the community, and for their devotion to their family. Contemporary Art from the Collection of Ann and Paul Arenberg will be offered for sale in the Post War and Contemporary Art auction at 10:00 a.m. and the Prints and Multiples auction at 2:00 p.m. on May 22, 2019.

P R I N T S A N D M U LT I P L E S

46*

47*

Roy Lichtenstein

Painting on Canvas from Paintings Series, 1984

Bicentennial Print, 1975

10-color woodcut, lithograph, screenprint and metallic foil on Arches 88 paper signed, dated and numbered 38/60 in pencil 30 3/4 x 25 3/4 inches.

lithograph and screenprint signed, dated and numbered 176/200 in pencil 24 3/4 x 18 inches.

(AMERICAN, 1923-1997)

Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri Provenance, Nancy Singer, St. Louis, Missouri Acquired from the above in 1985

(AMERICAN, 1923-1997)

Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri Provenance: William Shearburn Fine Art, St. Louis, Missouri Acquired from the above in 2000 $5,000-7,000

$12,000-18,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

48*

49*

Jim Dine

Wayne Thiebaud

Behind the Thicket, 1993

Bow Ties, 1990

woodcut, etching and aquatint with handcoloring signed, dated and numbered 64/75 in pencil 12 1/2 x 21 inches.

lithograph in colors on wove paper signed, inscribed and dated in pencil 9 x 13 3/4 inches.

Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri

Provenance: Gottheiner Fine Art, St. Louis, Missouri Acquired from the above in 1993

Published by Campbell-Thiebaud Gallery, San Francisco Acquired from the above in 2009

(AMERICAN, B. 1935)

(AMERICAN, B. 1920)

$20,000-30,000 $3,000-5,000

P R I N T S A N D M U LT I P L E S

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

50* Alex Katz

(AMERICAN, B. 1927)

January 7, 1993 color aquatint signed and numbered 6/50 in pencil 29 3/4 x 39 1/2 inches. Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri Provenance: Elliot Smith Contemporary Art, St. Louis, Missouri Acquired from the above in 1994 $8,000-12,000

P R I N T S A N D M U LT I P L E S

51* David Hockney

(BRITISH, B. 1937)

Henry Reading the Newspaper from Friends, 1976 lithograph signed and numbered 27/71 in pencil 24 x 17 3/4 inches. Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri Provenance: Gottheiner Fine Arts, St. Louis, Missouri Acquired from the above in 1991 $1,500-2,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

52*

53*

Richard Diebenkorn

Helen Frankenthaler

Twelve, 1984

Cedar Hill, 1983

lithograph in colors on Arches 88 paper initialed, dated and numbered 46/50 in pencil 34 3/4 x 26 3/4 inches.

color woodcut signed, dated and numbered 56/75 in pencil 20 x 24 1/2 inches.

Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri

Provenance: Nancy Singer, St. Louis, Missouri Acquired from the above in 1985

Provenance: Andre Emmerich Gallery, New York

(AMERICAN, 1922-1993)

(AMERICAN, 1928-2011)

$6,000-8,000 $40,000-60,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

54* Al Held

(AMERICAN, 1928-2005)

Russelâ&#x20AC;&#x2122;s Way, 1989 etching and aquatint 35 x 44 1/4 inches. Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri Provenance: Nancy Singer, St. Louis, Missouri Acquired from the above in 1991 $3,000-5,000

55* Sam Francis

(AMERICAN, 1923-1994)

Untitled (Plate 7 from Pasadena Box), 1964 lithograph signed and numbered 48/100 in pencil 15 x 22 inches. 56

Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri Provenance: William Shearburn Fine Art, St. Louis, Missouri Acquired from the above in 1996 $2,000-4,000

56* Howard Hodgkin

(BRITISH, 1932-2017)

Bamboo, 2000 screenprint in colors on wove paper initialed, dated and numbered P.P. 2/9 in pencil 26 x 30 inches. Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri Provenance: William Shearburn Fine Art, St. Louis, Missouri Acquired from the above in 2000 $3,000-5,000

57* Robert Motherwell

(AMERICAN, 1915-1991)

In White with Green Stripe, 1987 lithograph, relief print, embossing and collage signed and numbered 71/75 in pencil 19 3/4 x 10 1/2 inches. Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri Provenance: Gottheiner Fine Art, St. Louis, Missouri $3,000-5,000 57

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

58* Jean (Hans) Arp

(FRENCH/GERMAN, 1886-1966)

Configuration, 1951 lithograph signed and numbered 58/200 in pencil 20 x 12 inches. Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri $600-800

59* Sonia Delaunay

(UKRAINIAN/FRENCH, 1885-1979)

Composition orphique, 1972 lithograph signed and numbered E.A. xx/xxv in pencil 20 3/4 x 17 1/4 inches. Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri Provenance: Nancy Singer, St. Louis, Missouri Acquired from the above in 1990 $800-1,200

60* Alexander Calder

(AMERICAN, 1898-1976)

Composition (for St. Gallen), 1967 lithograph signed and numbered 84/150 in pencil 26 1/4 x 19 inches. Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri $800-1,200

P R I N T S A N D M U LT I P L E S

61*

62*

Piero Dorazio

Michael Eastman

Symphony in Blue, 1967

City Lights, 1984

lithograph signed, dated and numbered 8/75 in pencil 22 1/2 x 30 1/4 inches.

c-print signed, numbered 8/25, titled and dated in pencil 19 x 40 inches.

Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri

$500-700

$600-800

(ITALIAN, 1927-2005)

(AMERICAN, B. 1947)

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

63*

64*

Thomas Moran

The Mountain of the Holy Cross, Colorado, c. 1876

The Mosquito Trail, Rocky Mountains of Colorado, 1875

chromolithograph 13 3/4 x 9 1/2 inches.

chromolithograph 10 x 14 1/2 inches.

Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri

Provenance: Richard Lampert Fine American Art, Sante Fe, New Mexico Acquired from the above in 1986

Provenance: Zaplin-Lampert Gallery, Santa Fe, New Mexico Acquired from the above in 1988

(AMERICAN, 1837-1926)

$6,000-8,000 $6,000-8,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

65 Pablo Picasso

(SPANISH, 1881-1973)

Nature morte Ă la bouteille, 1962 linocut signed and numbered 5/50 in pencil 25 1/4 x 20 3/4 inches. Literature: Bloch 1100 $25,000-35,000

P R I N T S A N D M U LT I P L E S

MODERN PRINTS LOTS 65 – 107

Pablo Picasso

Peintre entre deux modèles from Le Chef-d’œuvre inconnu, 1927

La Celestine from Series 347, 1968

(SPANISH, 1881-1973)

etching signed and numbered 9/99 in pencil 7 1/2 x 10 3/4 inches. Literature: Bloch 83 $3,000-5,000

(SPANISH, 1881-1973)

a pair of etchings signed and numbered 23/50 in pencil 3 1/2 x 4 3/4 inches. Provenance: Gump’s Gallery, San Francisco, California Literature: Bloch 1563 Bloch 1564 $2,000-4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

68* Pablo Picasso

(SPANISH, 1881â&#x20AC;&#x201C;1973)

Dove of Peace lithograph signed and numbered 62/200 in pencil 19 3/4 x 25 1/4 inches. Property from the Collection of Virginia John, Elm Grove, Wisconsin $1,500-2,500

P R I N T S A N D M U LT I P L E S

69* Pablo Picasso

(SPANISH, 1881-1973)

Trois femmes au rĂŠveil, 1959 linocut signed and numbered 43/50 in pencil 20 1/4 x 25 1/4 inches. Property from the Collection of Virginia John, Elm Grove, Wisconsin Literature: Bloch 926 $15,000-20,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

70 Pablo Picasso

(SPANISH, 1881-1973)

Cruchon Hibou, 1955 white earthenware ceramic pitcher stamped and marked Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura height 10 x width 5 1/2 inches. Literature: Ramié 293 $7,000-9,000

71 Pablo Picasso

(SPANISH, 1881-1973)

Yan Barbu, 1963 red earthenware clay painted in black incised Edition Picasso 114/300 Madoura, stamped Madoura Plein Feu and Edition Picasso Height: 10 1/4 inches. Literature: Ramié 513 $4,000-6,000 71

72 Pablo Picasso

(SPANISH, 1881-1973)

Yan Sun, 1963 red earthenware clay painted in black incised Edition Picasso 152/300 Madoura, stamped Madoura Plein Feu and Edition Picasso Height: 10 1/4 inches. Literature: Ramié 516 $4,000-6,000 72

P R I N T S A N D M U LT I P L E S

73 Pablo Picasso

(SPANISH, 1881-1973)

Corrida verte, 1949 partially glazed and engraved earthenware ceramic plate stamped Empreinte Originale de Picasso / Madoura Plein Feu 11 3/4 x 14 1/4 inches. Provenance: Gallery Richelle, Saint Louis, Missouri Ms. Jill Lee, Denver, Colorado Literature: Ramié 81 $3,000-5,000

74 Pablo Picasso

(SPANISH, 1881-1973)

Visage, 1955 white earthenware ceramic pitcher stamped and marked Edition Picasso / Madoura Plein Feu / Edition Picasso Height: 12 inches. Provenance: Ms. Jill Lee, Denver, Colorado Literature: Ramié 288 $4,000-6,000

75 Pablo Picasso

(SPANISH, 1881-1973)

Visage no. 111, 1963 white earthenware ceramic plate marked No. 111 Edition Picasso Madoura, numbered 111/500 Diameter: 10 inches. Literature: Ramié 476 $6,000-8,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

76 Pablo Picasso

(SPANISH, 1881-1973)

Quatre Visages, 1959 ceramic pitcher stamped Edition Picasso and Madoura Plein Feu, marked Edition Picasso Madoura, numbered 222/300 Height: 9 1/2 inches. Literature: Ramié 436 76

$5,000-7,000

77* Pablo Picasso

(SPANISH, 1881-1973)

Pichet têtes, 1953 white earthenware ceramic pitcher with black oxide and white glaze stamped Edition Picasso/Madoura Plein Feu, inscribed Edition Picasso/Madoura Height: 5 1/4 inches. Property from the Collection of Dr. Deborah Hardy of Laramie, Wyoming 77

Literature: Ramié 221 $2,000-4,000

78* Pablo Picasso

(SPANISH, 1881-1973)

Poisson fond roux, 1952 partially glazed ceramic plate stamped Madoura Plein Feu and Empreinte Originale de Picassco from the edition of 100 13 1/2 x 16 1/4 inches. Property from the Collection of Dr. Deborah Hardy of Laramie, Wyoming Literature: Ramié 169 $8,000-12,000 78

P R I N T S A N D M U LT I P L E S

79 Pablo Picasso

(SPANISH, 1881-1973)

Tormented Face, 1956 unglazed ceramic incised C 117, stamped Madoura Plein Feu, Empreinte Originale de Picasso and numbered 13/100 Diameter: 16 3/4 inches. Literature: RamiĂŠ 358 $4,000-6,000

80 Pablo Picasso

(SPANISH, 1881-1973)

Homme Barbu, 1949 gold medallion stamped Madoura Empreinte Originale de Picasso Diameter: 1 1/2 inches.

Literature: RamiĂŠ, pg. 56, pl. 90 illustrates ceramic version $8,000-12,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

82*

Henri Matisse

Henry Moore

Nu, Ă&#x2030;tude de torsion du corps, 1926

Sculpture Ideas, 1982

Mother and Child VII, 1983

lithograph signed and numbered 27/50 in pencil 17 x 31 inches.

etching and aquatint signed and numbered 34/50 in pencil 14 x 11 1/2 inches. Property from The Estate of Mrs. Lois Smoler, Chicago, Illinois

etching, aquatint and roulette signed, titled and numbered HC 7/15 in pencil 9 3/4 x 11 1/2 inches.

(FRENCH, 1869-1954)

Provenance: David Barnett Gallery, Milwaukee, Wisconsin Literature: Duthuit 472

(BRITISH, 1898-1986)

Provenance: Richard Gray Gallery, Chicago

P R I N T S A N D M U LT I P L E S

Provenance: J.C. Editions, London Merrill Chase Galleries, Chicago $1,000-2,000

$1,000-1,500 $15,000-25,000

(BRITISH, 1898-1986)

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Georges Rouault

Pierrot Noir from Cirque de l’Étoile Filante,

Christ et Sainte Femme from Passion, 1936

1935

color aquatint edition of 245 12 1/2 x 8 1/2 inches.

Provenance: Irving Galleries, Milwaukee, Wisconsin

$800-1,200

(FRENCH, 1871-1958)

aquatint 12 x 8 inches.

Literature: Chapon & Rouault 241 $2,000-4,000

P R I N T S A N D M U LT I P L E S

(FRENCH, 1871-1958)

86* Marc Chagall

(FRENCH/RUSSIAN, 1887â&#x20AC;&#x201C;1985)

Paysage bleu, 1958 lithograph signed and editioned Epreuve dâ&#x20AC;&#x2122;artiste in pencil 18 3/4 x 26 1/4 inches. Property from the Collection of Virginia John, Elm Grove, Wisconsin Literature: Mourlot 221 $12,000-18,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

87 Marc Chagall

(RUSSIAN/FRENCH, 1887-1985)

Amour est un dieu mes enfants from Sur la terre des dieux, 1967 lithograph signed and numbered 15/75 in pencil 16 1/2 x 13 inches. Provenance: Irving Galleries, Milwaukee, Wisconsin Literature: Mourlot 532 $8,000-12,000

P R I N T S A N D M U LT I P L E S

88* Marc Chagall

(RUSSIAN/FRENCH, 1887-1985)

When Abdullah got the Net Ashore... from Four Tales From the Arabian Nights, 1948 lithograph signed, numbered 1/90 and inscribed in pencil 14 1/2 x 11 inches. Property from the Collection of Dr. and Mrs. Dale Kostiwa, St. Charles, Illinois Provenance: Merrill Chase Galleries, Chicago Literature: Mourlot 40 $6,000-8,000

89 Marc Chagall

(FRENCH/RUSSIAN, 1887–1985)

La Tour Eiffel Verte, 1957 lithograph signed and inscribed Epreuve d’artiste in pencil 11 1/4 x 8 1/2 inches. $2,000-4,000

90* Marc Chagall

(FRENCH/RUSSIAN, 1887-1985)

Maternité au centaure from Chagall by Jacques Lassaigne, 1957 lithograph signed and numbered 81/90 in pencil 9 1/2 x 9 1/2 inches. Property from the Collection of Virginia John, Elm Grove, Wisconsin $3,000-5,000 90

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

91 64

P R I N T S A N D M U LT I P L E S

91 Joan Miró

(SPANISH, 1893-1983)

Le Grand Ordinateur, 1969 etching, aquatint and carborundum signed and numbered 45/75 in pencil 40 x 25 1/4 inches. Literature: Dupin 503 $10,000-15,000

92 Joan Miró

(SPANISH, 1893-1983)

Terre Atteinte et Soleil Intact aquatint signed and inscribed HC in pencil 26 3/4 x 21 inches. $4,000-6,000

93 Joan Miró

(SPANISH, 1893-1983)

L’Amazone, 1964 lithograph signed and numbered 72/75 in pencil 24 x 35 inches. Provenance: Irving Galleries, Milwaukee, Wisconsin

$3,000-5,000

93 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

94 Mary Cassatt

(AMERICAN, 1844-1926)

The Manicure (printed after 1926) drypoint 8 x 5 3/4 inches. Provenance: Merrill Chase Galleries, Chicago $700-900

95 Mary Cassatt

(AMERICAN, 1844â&#x20AC;&#x201C;1926)

Looking into the Hand Mirror #3 (printed after 1926) drypoint 8 1/8 x 5 3/4 inches. Provenance: Merrill Chase Galleries, Chicago $700-900

P R I N T S A N D M U LT I P L E S

96* Georges Braque

(FRENCH, 1882â&#x20AC;&#x201C;1963)

Bouquet des fleurs blanches from Si je mourais lĂ -bas, 1962 color woodcut signed and numbered 53/70 in pencil 15 3/4 x 12 1/2 inches. Property from the Collection of Virginia John, Elm Grove, Wisconsin $1,000-2,000

97 Paul Delvaux

(BELGIAN, 1897-1994)

Le Discours, 1975 lithograph signed and numbered 66/100 in pencil 12 3/4 x 10 inches. Provenance: Associated American Artists, New York Literature: Jacob 93 $800-1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

98 Pierre-Auguste Renoir (FRENCH, 1841-1919)

Étude pour une baigneuse, c. 1906 drypoint bearing a fascimile signature in plate 8 3/4 x 6 1/2 inches. Literature: Delteil 16 $1,000-2,000

99* Pierre-Auguste Renoir (FRENCH, 1841-1919)

Pierre Renoir, de face from L’Estampe Originale, c. 1893 lithograph signed and numbered 86 in pencil; from the edition of 100 11 1/2 x 9 inches. Property from the Collection of Dr. and Mrs. Dale Kostiwa, St. Charles, Illinois Provenance: Merrill Chase Galleries, Chicago Literature: Delteil 27 $4,000-6,000 98

100 Paul César Helleu (FRENCH, 1859-1927)

Étude, c. 1900 drypoint signed and titled in pencil 11 3/4 x 15 1/2 inches. $1,000-1,500

100

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

102

P R I N T S A N D M U LT I P L E S

101 Don Miguel Utrillo (SPANISH, 1862-1934)

Teatro Lirico Jacinto Benavente La Comida de la Fieras, 1898 color lithograph 50 x 30 inches. $3,000-5,000

101

102* Henri de Toulouse-Lautrec (FRENCH, 1864-1901)

La ChĂ˘telaine, 1895 lithograph; first state without lettering signed in pencil 22 1/2 x 17 inches. Property from the Collection of Dr. and Mrs. Dale Kostiwa, St. Charles, Illinois Provenance: Merrill Chase Galleries, Chicago Literature: Delteil 357 AdhĂŠmar 147 $4,000-6,000

103 Ferdinand Bac

(FRENCH, 1859-1952)

Yvette Guilbert, Ambassadeurs color lithograph 79 x 29 1/2 inches. $300-500 103

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

104 72

P R I N T S A N D M U LT I P L E S

105

104 Alphonse Mucha

(FRENCH, 1860-1939)

The Seasons, 1896 (a suite of four works) color posters (linen backed) Sheet: 40 3/4 x 21 1/2 inches. $12,000-15,000

105 James Abbott McNeill Whistler (AMERICAN, 1834-1903)

Little Venice from Venice: Twelve Etchings (First Venice Set), 1880 etching 7 1/4 x 10 1/4 inches. $4,000-6,000

106 James Abbott McNeill Whistler (AMERICAN, 1834-1903)

Rotherhithe, 1860 etching iv/iv 10 1/2 x 7 3/4 inches. $1,200-1,800 106 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

107 Thomas Hart Benton (AMERICAN, 1889-1975)

The Race, 1942 lithograph signed in pencil; from the edition of 250 9 x 13 1/4 inches. Sold: Sothebyâ&#x20AC;&#x2122;s New York, November 8, 1984, lot 65 $10,000-15,000

P R I N T S A N D M U LT I P L E S

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

108

P R I N T S A N D M U LT I P L E S

OLD MASTER PRINTS LOTS 108 – 116

109

110

108

109

110

Albrecht Dürer

Saint Jerome in His Study, c. 1514

The Adoration of the Shepherds from The Life of the Virgin

The Small Courier

(GERMAN, 1471-1528)

engraving 9 1/2 x 7 1/4 inches. Literature: Bartsch 60 $2,000-4,000

(GERMAN, 1471-1528)

woodcut 11 3/4 x 8 1/4 inches. Literature: Bartsch 85 $2,000-4,000

(GERMAN, 1471-1528)

engraving on laid paper 4 3/16 x 3 inches. Provenance: Parke-Bernet Galleries, New York Literature: Bartsch 80 $800-1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

111

111* Rembrandt Harmenszoon van Rijn (DUTCH, 1606-1669)

Christ Driving the Money Changers from the Temple, 1635 etching 5 1/4 x 6 1/2 inches. Property from the Estate of Richardson and Janice Spofford, Chicago, Illinois Literature: Bartsch 69 Hind 126ii $7,000-9,000

P R I N T S A N D M U LT I P L E S

112* Rembrandt Harmenszoon van Rijn (DUTCH, 1606-1669)

The Stoning of St. Stephen, 1635 etching; 17th century 3 3/4 x 3 1/4 inches. Property from the Collection of Dr. and Mrs. Dale Kostiwa, St. Charles, Illinois Provenance: Merrill Chase Galleries, Chicago Literature: Bartsch 97 Hind 125 $2,000-4,000

112

113 Rembrandt Harmenszoon van Rijn (DUTCH, 1606-1669)

Joseph Telling His Dreams, 1638 etching 4 1/4 x 3 1/4 inches. $4,000-6,000

113

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

114

116

P R I N T S A N D M U LT I P L E S

115

114

115

116

Claude Lorrain

Jean-Franรงois Millet

Adriaen van Ostade

Le Bouvier

Le Paysan rentrant du fumier

The Anglers

etching on laid paper state iii/vi 5 1/4 x 7 1/2 inches.

etching printed in dark brown on thin Japan paper 6 1/2 x 5 1/4 inches.

etching on laid paper 4 1/4 x 6 1/4 inches.

Provenance: Parke-Bernet Galleries, New York Acquired from the above by present owner Literature: Delteil 11

Provenance: Collection of Rev. John Burleigh James Collection of Dr. Gustave Seligmann Sold: Parke-Bernet Galleries, New York, April 17, 1956, lot 71 Acquired from the above by the present owner

$800-1,200

(FRENCH, 1600-1682)

Provenance: Collection of Joseph Brooks Fair Art Institute of Chicago, Chicago Parke-Bernet Galleries, New York Acquired from the above by present owner $800-1,200

(FRENCH, 1814-1875)

(DUTCH, 1610-1685)

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

117

P R I N T S A N D M U LT I P L E S

PHOTOGRAPHY LOTS 117 â&#x20AC;&#x201C; 136

117

118

Vik Muniz

La Japonaise, after Claude Monet (Pictures of Pigment), 2006

The Cottingley Fairies from Rebus series, 2004

chromogenic print signed and dated in ink (on label verso); edition 6/6 64 x 40 inches.

cibachrome signed and dated in ink (on label verso); edition 1/6 72 x 92 inches.

Provenance: Sikkema Jenkins & Co., New York

Provenance: Brent Sikkema, New York

$30,000-50,000

$10,000-15,000

(BRAZILIAN, B. 1961)

118

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

119

119 Vik Muniz

(BRAZILIAN, B. 1961)

Male (Itabira, iron mine), 2005 gelatin silver print signed and dated in ink (on label verso); edition 3/10 18 1/4 x 22 3/4 inches. Provenance: Sikkema Jenkins & Co., New York $4,000-6,000

P R I N T S A N D M U LT I P L E S

120

120 Vik Muniz

(BRAZILIAN, B. 1961)

Female (Joao Pereira, iron mine), 2005 gelatin silver print signed and dated in ink (on label verso); edition 2/10 18 1/4 x 22 3/4 inches. Provenance: Sikkema Jenkins & Co., New York $4,000-6,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

121 Sze Tsung Leong

(AMERICAN/BRITISH, B. 1970)

Stowe, Vermont II, 2005 chromogenic color print signed, titled, dated and numbered 3/10 in ink (verso) 14 x 24 inches. Property being sold to benefit Dancers’ Workshop Jackson, Wyoming Provenance: Yossi Milo Gallery, New York $500-700

121

122 Sze Tsung Leong

(AMERICAN/BRITISH, B. 1970)

Stonehenge, c. 2002 chromogenic color print signed, titled, dated and numbered 7/10 in ink (verso) 14 x 24 inches. Property being sold to benefit Dancers’ Workshop Jackson, Wyoming Provenance: Yossi Milo Gallery, New York $500-700

122

123 Sze Tsung Leong

(AMERICAN/BRITISH, B. 1970)

Avebury I, 2002 chromogenic color print signed, titled, dated and numbered 7/10 in ink (verso) 14 x 24 inches. Property being sold to benefit Dancers’ Workshop Jackson, Wyoming Provenance: Yossi Milo Gallery, New York $500-700

123

P R I N T S A N D M U LT I P L E S

124 Ron van Dongen

(VENEZUELAN/DUTCH, B. 1961)

Rosa Black Beauty, 1998 gelatin silver print signed and numbered 10/20 in pencil 24 x 20 inches. Property being sold to benefit Dancers’ Workshop Jackson, Wyoming Provenance: Peter Fetterman, Santa Monica, California $500-700

124

125 Ron van Dongen

(VENEZUELAN/DUTCH, B. 1961)

Zanedeschia ‘Neroli’, 1997 gelatin silver print signed and numbered 46/50 in pencil 20 x 16 inches. Property being sold to benefit Dancers’ Workshop Jackson, Wyoming Provenance: Peter Fetterman, Santa Monica, California $500-700

125

126 Ron van Dongen

(VENEZUELAN/DUTCH, B. 1961)

Dahlia ‘Jessie G.’, 1999 gelatin silver print signed and numbered 28/50 in pencil 20 x 16 inches. Property being sold to benefit Dancers’ Workshop Jackson, Wyoming Provenance: Peter Fetterman, Santa Monica, California $500-700 126

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

127 John Dominis

(AMERICAN, 1921-2013)

Steve McQueen Aims a Pistol in His Living Room, CA, 1963 (printed 2014) gelatin silver print photographer’s blind stamp in the lower margin; copyright notice by ‘Time Inc.’ and annotated in an unknown hand in pencil (verso) 12 x 18 inches. Provenance: Monroe Gallery of Photography, Santa Fe, New Mexico $2,000-4,000

127

128 Paul Strand

(AMERICAN, 1890-1976)

Landscape Near Sea in Montélimar gelatin silver print titled in pencil (verso) 4 1/2 x 5 3/4 inches. $800-1,200

128

129 Rocky Schenck

(AMERICAN, B. 1960)

27 Points gelatin silver print numbered 6/10 and titled in pencil (on frame verso) 15 1/2 x 23 inches. Property being sold to benefit Dancers’ Workshop Jackson, Wyoming $500-700 129

P R I N T S A N D M U LT I P L E S

130

130 Ansel Adams

(AMERICAN, 1902-1984)

Half Dome, Orchard, Winter, Yosemite National Park, c. 1930 gelatin silver print signed and dated Ansel Adams, c. 1930 in pencil on the mount 7 x 9 inches. Property being sold to benefit Dancersâ&#x20AC;&#x2122; Workshop Jackson, Wyoming Provenance: Jan Kesner Gallery, Los Angeles, California $8,000-12,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

131 Brett Weston

(AMERICAN, 1911-1993)

Canal, Netherlands, c. 1971 gelatin silver print signed and numbered 282/300 in ink 19 3/8 x 15 1/8 inches. Provenance: Photography West Gallery, Carmel, California $5,000-7,000

132 Irving Penn

(AMERICAN, 1917â&#x20AC;&#x201C;2009)

Collapse, 1980 platinum palladium photograph signed, numbered 5/23, inscribed and stamped in ink (verso) 11 x 19 inches. $8,000-12,000

131

132

P R I N T S A N D M U LT I P L E S

133

133 Henri Cartier-Bresson (FRENCH, 1908-2004)

Rue Mouffetard, Paris, 1954 silver gelatin print (printed later) signed in ink and embossed with photographerâ&#x20AC;&#x2122;s copyright credit 17 1/2 x 11 3/4 inches. Provenance: Peter Fetterman, Santa Monica, California $15,000-25,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

134

134 Harry Callahan

(AMERICAN, 1912-1999)

Grasses, Wisconsin, 1959 gelatin silver print signed in pencil 7 x 11 inches. $1,500-2,000

135 Rondal Partridge

(AMERICAN, 1917-2015)

Pave It and Paint It Green, Yosemite, c. 1965 gelatin silver print signed in pencil (verso) 10 1/2 x 10 3/4 inches. Property being sold to benefit Dancersâ&#x20AC;&#x2122; Workshop Jackson, Wyoming Provenance: Jan Kesner Gallery, Los Angeles $500-700 135

P R I N T S A N D M U LT I P L E S

136 Imogen Cunningham (AMERICAN, 1883-1976)

Three Wire Sculptures, c. 1950â&#x20AC;&#x2122;s gelatin silver print Imogen Cunningham Trust label on verso, signed and dated 1987 by Rondal Partridge 7 x 8 1/2 inches. Property being sold to benefit Dancersâ&#x20AC;&#x2122; Workshop Jackson, Wyoming $5,000-7,000

136

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ARTIST INDEX ARTIST NAME

GLOSSARY OF TERMS LOT

Adams, Ansel. . . . . . . . . . . . . . . . . . . . . . . . 130 Arp, Jean (Hans). . . . . . . . . . . . . . . . . . . . . . . 58 Bac, Ferdinand. . . . . . . . . . . . . . . . . . . . . . . 103 Benton, Thomas Hart. . . . . . . . . . . . . . . . . . 107 Binion, McArthur . . . . . . . . . . . . . . . . . . . . . . 37 Bochner, Mel. . . . . . . . . . . . . . . . . . . . . . 44, 45 Braque, Georges . . . . . . . . . . . . . . . . . . . . . . 96 Brown, Cecily. . . . . . . . . . . . . . . . . . . . . . . . . 39 Calder, Alexander. . . . . . . . . . . . . . . . 16, 17, 60 Callahan, Harry . . . . . . . . . . . . . . . . . . . . . . 134 Cartier-Bresson, Henri . . . . . . . . . . . . . . . . . 133 Cassatt, Mary . . . . . . . . . . . . . . . . . . . . . 94, 95 Chagall, Marc. . . . . . . . . . . . . . . . . . . . . . 86-90 Christo and Jean-Claude. . . . . . . . . . . . . . 26, 27 Cottingham, Robert . . . . . . . . . . . . . . . . . 20, 21 Cunningham, Imogen . . . . . . . . . . . . . . . . . . 136 de Kooning, Willem. . . . . . . . . . . . . . . . . . . . . 22 de Toulouse-Lautrec, Henri . . . . . . . . . . . . . . 102 Delaunay, Sonia. . . . . . . . . . . . . . . . . . . . . . . 59 Delvaux, Paul. . . . . . . . . . . . . . . . . . . . . . . . . 97 Diebenkorn, Richard. . . . . . . . . . . . . . . . . . . . 52 Dine, Jim. . . . . . . . . . . . . . . . . . . 28, 29, 48, 49 Dominis, John . . . . . . . . . . . . . . . . . . . . . . . 127 Dorazio, Piero. . . . . . . . . . . . . . . . . . . . . . . . 61 Dubuffet, Jean. . . . . . . . . . . . . . . . . . . . . . . . 15 Dürer, Albrecht. . . . . . . . . . . . . . . . . . . 108-110 Eastman, Michael. . . . . . . . . . . . . . . . . . . . . . 62 Francis, Sam. . . . . . . . . . . . . . . . . . . 12, 13, 55 Frankenthaler, Helen. . . . . . . . . . . . . . . . . 10, 53 Harmenszoon van Rijn, Rembrandt . . . . 111-113 Held, Al. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 Helleu, Paul César. . . . . . . . . . . . . . . . . . . . 100 Hockney, David. . . . . . . . . . . . . . . . . . . . . 23, 51 Hodgkin, Howard . . . . . . . . . . . . . . . . . . . 19, 56 Katz, Alex . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Komar and Melamid. . . . . . . . . . . . . . . . . . . . 36 Leong, Sze Tsung. . . . . . . . . . . . . . . . . 121-123 Leslie, Alfred. . . . . . . . . . . . . . . . . . . . . . . . . 40 LeWitt, Sol. . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Lichtenstein, Roy. . . . . . . . . . . . . . . 4-6, 46, 47 Lorrain, Claude. . . . . . . . . . . . . . . . . . . . . . . 114 Mangold, Robert. . . . . . . . . . . . . . . . . . . .41-43 Martin, Agnes . . . . . . . . . . . . . . . . . . . . . . . . 11 Matisse, Henri. . . . . . . . . . . . . . . . . . . . . . . . 81 Millet, Jean-François. . . . . . . . . . . . . . . . . . . 115 Miró, Joan. . . . . . . . . . . . . . . . . . . . . . . . 91-93 Mitchell, Joan. . . . . . . . . . . . . . . . . . . . . . . . . 14 Moore, Henry. . . . . . . . . . . . . . . . . . . . . . 82, 83 Moran, Thomas . . . . . . . . . . . . . . . . . . . . 63, 64 Motherwell, Robert. . . . . . . . . . . . . . . . . . 18, 57 Mucha, Alphonse. . . . . . . . . . . . . . . . . . . . . 104 Muniz, Vik. . . . . . . . . . . . . . . . . . . . . . 117-120 Oldenburg, Claes. . . . . . . . . . . . . . . . . . . . . . 25 Partridge, Rondal. . . . . . . . . . . . . . . . . . . . . 135 Penn, Irving. . . . . . . . . . . . . . . . . . . . . . . . . 132 Picasso, Pablo. . . . . . . . . . . . . . . . . . . . . 65-80 Renoir, Pierre-Auguste. . . . . . . . . . . . . . . . 98, 99 Rosenquist, James. . . . . . . . . . . . . . . . . . . . 7-9 Rouault, Georges. . . . . . . . . . . . . . . . . . . 84, 85

P R I N T S A N D M U LT I P L E S

Ruscha, Ed . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Schenck, Rocky . . . . . . . . . . . . . . . . . . . . . . 129 Soto, Jesús Rafael. . . . . . . . . . . . . . . . . . 34, 35 Stella, Frank. . . . . . . . . . . . . . . . . . . . . . . . . . 2 Strand, Paul. . . . . . . . . . . . . . . . . . . . . . . . . 128 Sturtevant, Elaine. . . . . . . . . . . . . . . . . . . . . . 38 Tamayo, Rufino. . . . . . . . . . . . . . . . . . . . . . . . 33 Utrillo, Don Miguel. . . . . . . . . . . . . . . . . . . . 101 van Dongen, Ron . . . . . . . . . . . . . . . . . 124-126 van Ostade, Adriaen. . . . . . . . . . . . . . . . . . . 116 Vasarely, Victor. . . . . . . . . . . . . . . . . . . . . 30-32 Warhol, Andy . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Weston, Brett. . . . . . . . . . . . . . . . . . . . . . . . 131 Whistler, James Abbott McNeill. . . . . . . 105, 106

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist. ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category. STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist. CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil. STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist. MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period. AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width.

SAM FRANCIS, (AMERICAN, 1923-1994), UNTITLED (SF84-223), 1984 TO BE OFFERED IN OUR UPCOMING POST WAR AND CONTEMPORARY ART AUCTION ON MAY 22.

U P C O M I N G AUC T I ON S C H E D U L E 657 | POST WAR AND CONTEMPORARY ART MAY 22 | CHICAGO

685 | FINE FURNITURE, DECORATIVE ARTS AND SILVER JULY 18 | ONLINE ONLY

658 | PRINTS AND MULTIPLES MAY 22 | CHICAGO

696 | ENTERTAINMENT AND TELEVISION MEMORABILIA JULY 31 | CHICAGO

656 | AMERICAN AND EUROPEAN ART MAY 23 | CHICAGO

687 | INTERIORS AUGUST 15 | ONLINE ONLY

679 | ESSENTIAL JEWELRY AND ARTISAN SILVER JEWELRY JUNE 4 | ONLINE ONLY

689 | ESSENTIAL JEWELRY AUGUST 20 | ONLINE ONLY

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

AUCTION INQUIRIES FINE ART DEPARTMENT

Joseph Stanfield Director, Senior Specialist josephstanfield @hindmanauctions.com

Tess Hall Senior Specialist American and European Art anastasiahall @hindmanauctions.com

Thomas Galbraith CEO thomasgalbraith@hindmanauctions.com 312.334.4205 Aimee Schneider Executive Assistant aimeeschneider@hindmanauctions.com 312.447.3264

FINANCE Christopher Reimann CFO christopherreimann@hindmanauctions. com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Joan Wagner VP Midwest joanwagner@hindmanauctions.com 312.447.3289 Molly E. Gron, J.D. Senior Director, Business Development mollygron@hindmanauctions.com 312.334.4235 Katelyn Finn Business Development Director katelynfinn@hindmanauctions.com 312.447.3297 Katie Matusik Estates and Appraisals Manager katelynmatusik@hindmanauctions.com 312.334.4224 Vaughn Smith Senior Associate, Business Development vaughnsmith@hindmanauctions.com 312.334.4238 Miranda Luce Business Development Associate mirandaluce@hindmanauctions.com 312.334.4208

MUSEUM SERVICES Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@hindmanauctions.com 312.334.4210

CONSIGNMENT DEPARTMENT Jim Sharp VP Expertise jimsharp@hindmanauctions.com Maggie Porter VP Sales Strategy maggieporteri@hindmanauctions.com Raluca Mondi Consignment Coordinator ralucamondi@hindmanauctions.com 312.447.3263 96

P R I N T S A N D M U LT I P L E S

Zack Wirsum Senior Specialist Post War and Contemporary Art zacharywirsum @hindmanauctions.com

Nate Brady Cataloguer nathanbrady @hindmanauctions.com 312.600.6064

Emily Catrice Cataloguer emilycatrice @hindmanauctions.com 312.334.4228

Fine Art

Asian Works of Art

Joseph Stanfield Director, Senior Specialist josephstanfield@hindmanauctions.com

Annie Wu Specialist anniewu@hindmanauctions.com

Zack Wirsum Senior Specialist zacharywirsum@hindmanauctions.com

Flora Zhang Cataloguer florazhang@hindmanauctions.com

Tess Hall Senior Specialist anastasiahall@hindmanauctions.com

Megan Sadler Account Executive megansadler@hindmanauctions.com 312.600.6066

Nate Brady Cataloguer nathanbrady@hindmanauctions.com Emily Catrice Cataloguer emilycatrice@hindmanauctions.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@hindmanauctions.com 312.334.4216 Fine Furniture, Decorative Arts and Silver Corbin Horn Director, Senior Specialist corbinhorn@hindmanauctions.com Mike Intihar Senior Specialist mikeintihar@hindmanauctions.com Nick Coombs Specialist nickcoombs@hindmanauctions.com Genevieve King Cataloguer genevieveking@hindmanauctions.com Modern Design Hudson Berry Specialist hudsonberry@hindmanauctions.com Mike Intihar Senior Specialist mike@hindmanauctions.com Cassia Baker Manager, Client Accounts cassiabaker@hindmanauctions.com 312.447.3282 Fine Books and Manuscripts Gretchen Hause Director, Senior Specialist gretchenhause@hindmanauctions.com Maria Fernandez Account Executive mariafernandez@hindmanauctions.com 312.334.4236

Fine Jewelry and Timepieces Katie Guilbault, G.G. Director, Senior Specialist katieguilbault@hindmanauctions.com Jamie Henderson Specialist jamiehenderson@hindmanauctions.com Nicole Gunn, G.G. Specialist, Florida Region nicolegunn@hindmanauctions.com Marisa Ackerman, G.G. Specialist marisaackerman@hindmanauctions.com Sally Klarr, G.G. Specialist sallyklarr@hindmanauctions.com Hana Thomson Cataloguer hanathomson@hindmanauctions.com Madeline Schroeder Account Executive/Cataloguer madelineschroeder@hindmanauctions. com 312.334.4223 Briar Koehl Account Executive briarkoehl@hindmanauctions.com 312.600.6075 Luxury Accessories and Couture Timothy Long Director, Senior Specialist timothylong@hindmanauctions.com Dawn Butler Account Executive dawnbutler@hindmanauctions.com 312.447.3288 Arts of the American West Alexandria Dreas Consignment Manager alexandriadreas@hindmanauctions.com 303.825.1855 Interiors Gia Spezia, Director giaspezia@hindmanauctions.com 312.334.4219

Mary Grace Bilby Account Executive marygracebilby @hindmanauctions.com 312.334.4216

REGIONAL OFFICES Kathleen Brennan Account Executive kathleenbrennan@hindmanauctions.com 312.334.4234 Sabrina Granados Account Executive sabrinagranados@hindmanauctions.com 312.280.1212 Atlanta 668 Miami Circle NE Atlanta, Georgia 30324 404.800.0192 Denver 1024 Cherokee Street, Suite 200 Denver, Colorado 80204 303.825.1855 Milwaukee 414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200 Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448 West Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053 Scottsdale 15475 North Greenway Hayden Loop Suite B17 Scottsdale, Arizona 85260 480.490.3175 St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833 Kansas City Pam Kirkland pamkirkland@hindmanauctions.com 314.833.0833 Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811 International Tina Fisher Grow 561.315.9100

GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty percent (20%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Hindman LLC encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Hindman LLC recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.

order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

$0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 ...... Auctioneer’s Discretion

In-House Bidding Live bidding at Hindman LLC is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Hindman LLC allows absentee and live bidding through our website at www. lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Hindman LLC will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS/PARKING From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Bidding generally opens at half the low estimate and advances in the following

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

CONDITIONS OF SALE HINDMAN LLC AS AGENT The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid. Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references. Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment. Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid. Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC. Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

P R I N T S A N D M U LT I P L E S

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive. Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Hindman LLC a handling charge of $50 for any check dishonored by the drawee. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale. Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items. Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

LIABILITY Condition Reports Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request. Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser. Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law. Discretion Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC. 04/19

e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

UPCOMING AUCTIONS

SALE 657

POST WAR AND CONTEMPORARY ART Wednesday May 22 | 10AM CT Chicago | Live + Online SALE 656

AMERICAN AND EUROPEAN ART Thursday May 23 | 10AM CT Chicago | Live + Online INQUIRIES

hindmanauctions.com 1338 West Lake Street Chicago, Illinois 60607 312.280.1212

IMAGES TOP TO BOTTOM Sale 657 | Lot 82 Anish Kapoor, (British/Indian, b. 1954) Untitled from 1,000 Names, 1984 polystyrene, plaster, cloth, gesso and raw pigment Sale 657 | Lot 8 Franz Kline, (American, 1910-1962) Untitled, 1957, oil on paper laid to board Sale 656 | Lot 58 Pablo Picasso, (Spanish, 1881-1974) Abstract Composition, 1920, gouache on paper Sale 656 | Lot 59 George Copeland Ault, (American, 1891-1948) Morning in Brooklyn, 1929, oil on canvas

BID FORM

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Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registeration through our website at www.hindmanauctions.com

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

NAME

The normal bidding increments are:

S ALE No . / NAM E

BUSINE S S N A ME

$0 – 200

$10

$200 – 500

$25

$500 – 1,000

BILLING A D D R E S S

$100

$2,000 – 5,000

$200

$5,000 – 10,000 CITY

STAT E

COUNT RY / ZI P

$1,000

$20,000 – 50,000

$2,000

$100,000 – 200,000 $200,000 +

P RIMARY P H O N E

S ECONDARY PHONE

FAX

DATE

(FOR HIN D MA N LC C )

$5,000 $10,000 AUCTIONEER’S DISCRETION

For absentee bids, indicate your limit for each lot. Your bids will be excecuted at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

SIGNATU R E

$500

$10,000 – 20,000 $50,000 – 100,000

CONTAC T N A ME

$50

$1,000 – 2,000

A per lot buyer’s premium is added to the final hammer price as per the following: $0 – 250,000

25%

$250,001 – 3,000,000

20%

$3,000,001 +

12%

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

DATE

First time bidders please provide a valid credit card and one of the following: Passport/Driver’s License/National Identity Card LOT NO .

LO T D E S C R IPT I O N

AB SE N T E E BI D

PHONE BI D

BACK- UP BI D

USD ($) L I M I T EXC L. BUYER’S PREMIUM

PLEAS E C HEC K

FOR TELEPHONE B IDDER S ONLY

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PR I NTS AND MU LTI PLES 5 | 22 | 2019

1338 West L ake Street Chicago, Illinois 60607 l ph 312.280.1212 l hindmanauctions.com