PO S T WAR AN D CO N TEMPO R ARY AR T Thursday September 26 | Chicago 10AM CT | Live + Online
PREVIEW THURSDAY SEPTEMBER 19 | 10AM – 5PM FRIDAY SEPTEMBER 20 | 10AM – 5PM SATURDAY SEPTEMBER 21 | 10AM – 3PM SUNDAY SEPTEMBER 22 | 12PM – 4PM MONDAY SEPTEMBER 23 | 10AM – 5PM TUESDAY SEPTEMBER 24 | 10AM – 5PM WEDNESDAY SEPTEMBER 25 | 10AM – 5PM
Photography Jason Mitchell Zoë Bare Carmen Colome
AUCTION THURSDAY SEPTEMBER 26 | 10AM CT POST WAR AND CONTEMPORARY ART
LOTS 1 – 121
P RO P E R T Y P I C K U P H O U R S MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale. Lots marked with an asterisk (*) are tax exempt as permitted by law. Cover Lot 114 | Karl Wirsum, (American, b. 1939) Doggerel, 1966, oil on canvas
VIEW THE COMPLETE CATALOGUE AT HINDMANAUCTIONS.COM
Inside Front Cover Lot 88 | Ju Ming, (Taiwanese, b. 1938) Single Whip, 1986, bronze Inside Back Cover Lot 89 | Li Chen, (Taiwanese, b. 1963) Siddhartha, 2000, bronze
hindmanauctions.com
Back Cover Lot 115 | Karl Wirsum, (American, b. 1939) Doggerel III, 1967, acrylic on canvas
C H IC AGO, IL L IN O IS
© Hindman LLC 2019 ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521
CO N T E N T S AUCTION 694 | LIVE + ONLINE THURSDAY SEPTEMBER 26 | 10AM CT POST WAR AND CONTEMPORARY ART
LOTS 1 – 121
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ARTIST INDEX
106
AUCTION INQUIRIES
108
CONDITIONS OF SALE
110
TELEPHONE / ABSENTEE BID FORM
113
Lot 14 | Larry Poons, (American, b. 1937) Untitled, 1977, mixed media on canvas (detail)
P RO P E R T Y F RO M T H E C O L L E C T I O N S O F DEWAR FAMILY, LEAWOOD, KANSAS JULIAN HESS, ST. LOUIS, MISSOURI GEORGE M. IRWIN, QUINCY, ILLINOIS VIRGINIA JOHN, ELM GROVE, WISCONSIN BETSY AND BUD KNAPP, EDWARDS, COLORADO BILL AND KAREN LUTZ, CHICAGO, ILLINOIS MR. SCOTT MILLER, LONG GROVE, ILLINOIS THE SHIRLEY RYAN ABILITYLAB, CHICAGO, ILLINOIS PHILIP SAMUELS FINE ART, ST. LOUIS, MISSOURI THE WESTERN UNION COMPANY P RO P E R T Y F RO M T H E E S TAT E S A N D T R U S T S O F CHARLES S. ACKERMAN, ATLANTA, GEORGIA THOMAS L. HARRIS, HIGHLAND PARK, ILLINOIS MORTON AND VIVIAN MEYER, ST. LOUIS, MISSOURI STANLEY MICHAEL MEYLER, EVANSTON, ILLINOIS BILLIE ROSS, CHICAGO, ILLINOIS DAN AND MARY ANN SWITZER, MEQUON, WISCONSIN P RO P E R T Y S O L D T O B E N E F I T DEACCESSIONED FROM THE BOCA RATON MUSEUM OF ART TO BENEFIT THE ACQUISITIONS FUND
Opposite Lot 116 | Jim Nutt, (American, b. 1938) Plume, 1989, acrylic on canvas in acrylic on wood frame
POST WAR AND CONTEMPORARY ART LOTS 1 – 121
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*1 Sam Francis, (AMERICAN, 1923-1994), Untitled (SF73-157), 1973 gouache on paper signed Sam Francis and dated (verso) 30 x 22 inches. Property from the Estate of Billie Ross, Chicago, Illinois Provenance: Richard Gray Gallery, Chicago Exhibited: Paris, France, Galerie Jean Fournier, Sam Francis de 1947 à 1988, sur papier, October 21 - November 26, 1988
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This work is identified with the interim identification number of SF73-157 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation. $40,000-$60,000
2
*2 Sam Francis, (AMERICAN, 1923-1994), Untitled (SF74-208), 1974 acrylic on paper signed Sam Francis and estate stamped (verso) 19 1/4 x 14 1/2 inches. Property from the Estate of Stanley Michael Meyler, Evanston, Illinois Provenance: The Estate of the Artist 1994 Gallery Delaive, Amsterdam Sold: Sotheby’s New York, September 24, 2009, lot 205 Masterworks Fine Art, Inc., Oakland, California
Literature: Francis, Sam, Saturated Blue: Writings from the Notebooks, Venice, California, 1995 (illustrated) This work is identified with the interim identification number of SF74-208 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation. $20,000-$30,000
Exhibited: Los Angeles, California, Frank Perls Gallery, Sam Francis, March 1965, no. 16 Bern, Switzerland, Sam Francis: Self Portraits, October - November, 1977, no. 14
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*3 Sam Francis, (AMERICAN, 1923-1994), Untitled (SF88-449), 1988 acrylic on paper signed Sam Francis and dated (verso) 25 3/4 x 40 1/2 inches. Property from the Estate of Billie Ross, Chicago, Illinois Provenance: Foster Goldstrom, New York Private Collection Richard Gray Gallery, Chicago
Exhibited: New York, NY, Foster Goldstrom Gallery, Sam Francis: Paintings and Drawings 1953-1990, November 10 - December 21, 1990 (illustrated) This work is identified with the interim identification number of SF88-449 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper.This information is subject to change as scholarship continues by the Sam Francis Foundation. $60,000-$80,000
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*4 Sam Francis, (AMERICAN, 1923-1994), Untitled (SF82-254), 1982 acrylic on paper signed Sam Francis and dated (verso) 19 1/2 x 13 3/8 inches. Property from the Estate of Billie Ross, Chicago, Illinois Provenance: Richard Gray Gallery, Chicago Exhibited: Toyama, Japan, Museum of Modern Art, Sam Francis, April 23 - June 19, 1988, p. 78, no. 44 (illustrated)
Literature: Mozur, Nancy & Robles, Jaime, Cobalt Blue, Sam Francis Foundation, 2019, p. 41 (illustrated) This work is identified with the interim identification number of SF82-254 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation. $15,000-$25,000
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5 Paul Jenkins
(AMERICAN, 1923-2012)
Nile Bloom oil on canvas signed Paul Jenkins (lower left) 50 x 72 inches. $30,000-$50,000
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*6 Paul Jenkins
(AMERICAN, 1923-2012)
Untitled, 1968 acrylic resin on plexiglas 50 1/2 x 75 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund $8,000-$12,000
6
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*7 Paul Jenkins
(AMERICAN, 1923-2012)
Untitled, 1966 acrylic resin on plexiglas 75 x 50 1/2 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund $8,000-$12,000
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*8 Paul Jenkins
(AMERICAN, 1923-2012)
Phenomena Seminole Totem, 1975 acrylic on canvas signed Paul Jenkins (upper right): signed, titled and dated (verso) 47 x 22 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund $15,000-$25,000
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*9 Larry Zox
(AMERICAN, 1937-2006)
Mashomack, 1974 acrylic on canvas 45 x 95 1/2 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund Provenance: Medici-Berenson Gallery, Bay Harbor Islands, Florida $8,000-$12,000
9
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*10 Paul Reed
(AMERICAN, 1921-2006)
Interchange X, 1966 oil on canvas signed Paul Reed, titled and dated (verso) 106 1/2 x 62 1/2 inches. Property from the Shirley Ryan AbilityLab, Chicago, Illinois $4,000-$6,000
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11
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11
*12
Sam Gilliam
Walter Darby Bannard
Butterfly Days 21, c. 1980-89
Lagoda, 1977
acrylic, monoprint, color relief and collage on assemblage of various collaged handmade papers with a hand-painted wooden block signed Sam Gilliam and titled (verso) 70 x 29 inches.
alkyd resin on canvas signed WD Bannard, titled and dated (verso) 55 1/2 x 27 1/4 inches. Property of Julian Hess, St. Louis, Missouri
(AMERICAN, B. 1933)
(AMERICAN, 1934-2016)
$2,000-$4,000 $8,000-$12,000
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13
13
*14
Jackie Saccoccio
Larry Poons
Portrait (Invisible Light), 2017
Untitled, 1977
oil and mica on linen signed Saccoccio and dated (verso) 57 x 45 inches
mixed media on canvas signed L. Poons and dated (verso) 78 3/4 x 45 inches Property from the Estate of Stanley Michael Meyler, Evanston, Illinois
(AMERICAN, B. 1963)
Provenance: 11R, New York $15,000-$25,000
(AMERICAN, B. 1937)
Provenance: Elaine Baker Gallery, Boca Raton, Florida This work will be included in the forthcoming Catalogue RaisonnĂŠ of Paintings currently being prepared by the Larry Poons Studio. $30,000-$50,000
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15 David Budd
(AMERICAN, 1927-1991)
Untitled, 1959 oil on canvas signed Budd and dated (verso) 36 x 33 inches. Provenance: Alfonso Ossorio, East Hampton, New York Vincent Vallarino Fine Art, New York $2,000-$4,000
16 No Lot
15
*17 Stanley Boxer
(AMERICAN, 1926-2000)
Plumagesoftempts, 1988 oil and mixed media on canvas signed S. Boxer, titled and dated (verso) 60 x 44 inches. Property from the Estate of Stanley Michael Meyler, Evanston, Illinois Provenance: AndrĂŠ Emmerich Gallery, New York Elaine Baker Gallery, Boca Raton, Florida Exhibited: Richmond, Virginia, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Remembering Stanley Boxer: A Retrospective, 1946-2000, August 20 - October 4, 2009; Bridgeport, Connecticut, Housatonic Museum of Art, February 11 - March 28, 2010; Boca Raton, Florida, Boca Raton Museum of Art, April 20 - June 13, 2010 17
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$3,000-$5,000
*18 Gerome Kamrowski (AMERICAN, 1914-2004)
Untitled acrylic on linen 39 x 106 inches. Property from the Collection of Bill and Karen Lutz, Chicago, Illinois Provenance: Sold: DuMouchelles Auction House, November 16-18, 2012, Lot 2006 $8,000-$12,000
18
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19 Mary Abbott
(AMERICAN, 1921-2019)
Darker than Amber oil on canvas signed M. Abbott (lower right); signed and titled (verso) 67 3/16 x 50 inches. $3,000-$5,000
19
20 Mary Abbott
(AMERICAN, 1921-2019)
Mahogany Road, 1955 oil and collage on canvas signed Abbott (lower right); signed, titled and dated (verso) 93 x 40 3/8 inches. Literature: Herskovic, Maria, American Abstract Expressionism of the 1950s, An Illustrated Survey, New York School Press, New York, 2003, p. 24 (illustrated) $6,000-$8,000
20
24
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21 Alan Davie
(SCOTTISH, 1920-2014)
Fly Away Little Happy One, 1963 oil on canvas signed Alan Davie, titled and dated (verso) 40 x 48 inches. Provenance: Martha Jackson Gallery, New York Gimpel Fils Gallery, London Literature: Bowness, Alan, Alan Davie, Lund Humphries, London, 1967, p. 89 (illustrated) $15,000-$25,000
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*22 Hans Hofmann
(AMERICAN, 1880-1966)
Untitled, 1941 crayon on paper signed Hans Hofmann (lower left) 11 x 13 3/4 inches. Property from the Estate of Stanley Michael Meyler, Evanston, Illinois Provenance: The estate of the artist Ameringer Yohe Fine Art, New York Berta Walker Gallery, Provincetown, Massachusetts KN Gallery, Chicago Gallery KH, Chicago $15,000-$25,000
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23 Hans Hofmann
(AMERICAN/GERMAN, 1880-1966)
The Catch, 1949 crayon, gouache and ink on paper initialed HH and dated (lower right) 18 x 11 1/2 inches. Provenance: Ameringer McEnery Yohe, New York $15,000-$25,000
23
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24
24
25
Milton Resnick
Milton Resnick
Untitled, 1955
Untitled, 1959
oil on paper laid to canvas signed Resnick and dated (upper right) 18 x 15 inches.
oil on linen laid to board signed Resnick and dated (lower center) 35 x 22 3/4 inches.
Provenance: Robert Miller Gallery, New York
Provenance: B.C. Holland Gallery, Chicago
$10,000-$15,000
$15,000-$25,000
(AMERICAN, 1917-2004)
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(AMERICAN, 1917-2004)
25
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26 José Guerrero
(AMERICAN/SPANISH, 1914-1991)
Untitled watercolor on paper signed Jose Guerrero (lower left) 18 x 23 inches. $2,000-$4,000
26
27 John Little
(AMERICAN, 1907-1984)
Where Rip Van Winkle Slept, 1943 watercolor on paper signed John Little and dated (lower left) 19 x 24 3/4 inches. Provenance: The Watercolor Society of Alabama $2,000-$4,000
27
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28 John Little
(AMERICAN, 1907-1984)
Y, 1980 oil on canvas signed John Little, titled and dated (verso) 60 x 52 inches. $6,000-$8,000
28
29 John Little
(AMERICAN, 1907-1984)
Personage, 1954 wood and mixed media signed John Little and dated (lower left); signed and titled (verso) 29 1/4 x 18 3/4 inches. $2,000-$4,000
29
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30 Louise Nevelson
(AMERICAN, 1899-1988)
Untitled unpainted wood signed Louise Nevelson (lower center) 20 x 24 inches. $8,000-$12,000
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31 Angelo Ippolito
(AMERICAN, 1922-2002)
Western Series, 1961 mixed media collage signed Ippolito and dated (upper left); titled and dated (verso) 30 x 30 inches. Provenance: Acquired directly from the artist by Richard Sisson, New York Sold: Stair Galleries, December 6, 2014, Lot 57 $1,000-$2,000
31
32 Jack Roth
(AMERICAN, 1927-2004)
Untitled, 1982 acrylic on paper signed Roth and dated (lower center) 30 x 23 inches. $2,000-$4,000
32
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33 Jack Roth
(AMERICAN, 1927-2004)
Untitled, 1982 acrylic on paper signed Roth and dated (lower center) 30 x 23 inches. $2,000-$4,000
34 Jack Roth
(AMERICAN, 1927-2004)
Untitled (diptych), 1978 acrylic on paper signed Roth and dated (lower center) 30 x 44 inches. $3,000-$5,000
33
34
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35 Nancy Rubins
(AMERICAN, B. 1952)
Untitled, 1997 graphite and pushpins on paper signed Nancy Rubins and dated (verso) 24 x 32 inches. $2,000-$4,000
35
36 Theodoros Stamos
(AMERICAN/GREEK, 1922–1997)
Infinity Field Lefkada Series for C.D. Friedrich # 6, 1981 acrylic on paper signed Stamos (verso) 22 x 30 inches. Provenance: Camillos Kouros Gallery, New York $6,000-$8,000
36
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37
37 Alex Katz
(AMERICAN, B. 1927)
Study for Snow, 1993 oil on board signed Alex Katz and dated (center) 12 x 9 inches. Provenance: Marlborough Fine Art, New York Acquired from the above by the present owner in 1993 $15,000-$20,000
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*38 Portia Hein
(AMERICAN, B. 1971)
Untitled (PHO7-10), 2007 oil on canvas 48 x 36 inches. Property from the Collection of Betsy and Bud Knapp, Edwards, Colorado Provenance: LA Louver Gallery, Venice, California Acquired from the above by the present owner in 2007 $1,000-$2,000
38
*39 Portia Hein
(AMERICAN, B. 1971)
The First of Many, 2003 oil and watercolor on canvas signed Portia Hein, titled and dated (verso) 80 x 56 inches. Property from the Collection of Betsy and Bud Knapp, Edwards, Colorado Provenance: Anna Helwig Gallery, Los Angeles Acquired from the above by the present owner in 2004 $2,000-$4,000
39
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40
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41
*40
41
Alexander Calder
Alexander Calder
Untitled, 1968
On the Red Sky, 1965
gouache and ink on paper signed Calder and dated (lower right) 43 1/4 x 29 1/2 inches. Property from the Collection of Virginia John, Elm Grove, Wisconsin
gouache and ink on paper signed Calder and dated (lower right) 21 x 29 1/2 inches.
(AMERICAN, 1898-1976)
Provenance:Â Galerie Maeght, Paris Irving Galleries, Milwaukee, Wisconsin Private Collection Thence by descent to the present owner This work is registered in the archives of the Calder Foundation, New York, under application number A12436.
(AMERICAN, 1898-1976)
Provenance: Perls Galleries, New York Private Collection, Kansas City 1966 Acquired from the above by the present owner in 1982 This work is registered in the archives of the Calder Foundation, New York, under application number A05852 $50,000-$70,000
$30,000-$50,000
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42
*42 Nassos Daphnis
(AMERICAN, 1914-2010)
9-59, 1959 magna on canvas signed Nassos Daphnis and titled (verso) 62 x 52 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund Exhibited: Youngstown, Ohio, The Butler Institute of American Art, Nassos Daphnis, Color and Form: A Retrospective, September 5 - November 21, 1993 $10,000-$15,000
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43 Robert Kelly
(AMERICAN, B. 1956)
There & While XXXIÂ , 2003 oil and mixed media on canvas signed Robert Kelly, titled and dated (verso) 35 x 28 inches. $3,000-$5,000
43
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44
*44 Dan Christensen
(AMERICAN, 1942-2007)
Holiday in Blue, 1993 acrylic on canvas signed D. Christensen (verso) 96 x 90 1/2 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund Provenance: Elaine Baker Gallery, Boca Raton, Florida $6,000-$8,000
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45 Glen Rubsamen
(AMERICAN, B. 1959)
Explicit Permission to Relax, 2007 acrylic on linen signed Glen Rubsamen, titled and dated (verso) 43 1/4 x 43 1/4 inches Provenance: Mai 36 Galerie, Zurich, Switzerland $2,000-$4,000
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46
*46
47
Yunhee Min
Ilya Bolotowsky
Events in Dense Fog #3, 2001
Untitled (Column), 1964
acrylic on canvas signed Yunhee Min, titled and dated (verso) 46 x 55 inches. Property from the Collection of Betsy and Bud Knapp, Edwards, Colorado
painted wood signed Ilya Bolotowsky and dated 29 1/2 x 6 3/4 x 6 3/4 inches.
(KOREAN, B. 1964)
Provenance: Susanne Vielmetter Projects, Los Angeles Acquired from the above by the present owner in 2004 $3,000-$5,000
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(AMERICAN/RUSSIAN, 1907–1981)
$10,000-$15,000
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48
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49
*48
49
Richard Anuszkiewicz
Richard Anuszkiewicz
Icy, 1971
Viridian Light #863, 1979
acrylic on canvas signed RICHARD ANUSZKIEWICZ and dated (verso) 72 x 36 inches. Property from the Estate of Charles S. Ackerman, Atlanta, Georgia
acrylic on canvas signed RICHARD ANUSZKIEWICZ and dated (verso) 48 x 48 inches.
(AMERICAN, B. 1930)
(AMERICAN, B. 1930)
$30,000-$50,000
Provenance: Sidney Janis Gallery, New York Aronson Gallery, Atlanta, Georgia $40,000-$60,000
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50
50 Richard Anuszkiewicz (AMERICAN, B. 1930)
Temple of Deep Blue & Cadmium #767, 1985 acrylic on board signed RICHARD ANUSZKIEWICZ and dated (verso) 17 x 12 inches. Provenance: Harmon-Meek Gallery, Naples, Florida Corbino Galleries, Sarasota, Florida $15,000-$25,000
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51 Victor Vasarely
(FRENCH/HUNGARIAN, 1906-1997)
Malna, 1970-72 tempera on panel signed Vasarely, titled and dated 23 1/2 x 23 1/2 inches. Provenance: Martin Lawrence Galleries, Beverly Hills, California $30,000-$50,000
51
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52
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52 Art Green
(AMERICAN, B. 1941)
Medium Tedium, 1972 acrylic on canvas 96 x 48 inches. Property from a Corporate Art Collection $15,000-$25,000
53 Art Green
(AMERICAN, B. 1941)
Desparate Straits, 1975 oil on canvas signed Art Green, titled and dated (verso) 54 x 54 inches. Property from a Corporate Art Collection Provenance: Phyllis Kind Gallery, Chicago
53
$7,000-$9,000
*54 Jack Beal
(AMERICAN, 1931-2013)
Table #8, 1969 oil on canvas initialed JB (lower right); titled (verso) 21 x 32 inches. Property from the Collection of George M. Irwin, Quincy, Illinois Provenance: Allan Frumkin Gallery, Chicago Exhibited: Champaign, Illinois, Krannert Art Museum, Selections from the Collection of George M. Irwin, March 2-April 13, 1980, pg. 19 $5,000-$7,000
54
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55
55 Burhan Dogancay
(AMERICAN/TURKISH, 1929-2013)
S. Walls 70, 1970 acrylic on canvas signed B Dogancay, titled and dated (verso) 60 x 60 inches. $40,000-$60,000
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56 Torben Giehler
(GERMAN, B. 1973)
Cocaine Blues, 2004 acrylic on canvas signed T. Giehler, titled and dated (verso) 32 1/4 x 26 1/4 inches. Provenance: Arndt & Partner, Berlin $6,000-$8,000
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57
57 Robert Vickrey
(AMERICAN, 1926-2011)
Study of Nun with Posters egg tempera on gesso panel signed Robert Vickrey (lower right) 41 x 65 1/2 inches. Exhibited: Boca Raton, Florida, Boca Raton Museum of Art, Robert Vickrey: The Magic of Realism, April 26 - June 19, 2011 $8,000-$12,000
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58 Robert Vickrey
(AMERICAN, 1926-2011)
Nun in Morning Lines/Slanting Lines egg tempera on gesso panel signed Robert Vickrey (lower right) 15 x 23 inches. Provenance: Harmon-Meek Gallery, Naples, Florida $4,000-$6,000
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59
59 Boyle Family
(BRITISH, 20TH CENTURY)
Kerby Study Filled in Basement Lights and Cobbles, 1987 painted fibreglass, resin and mixed media signed Boyle Family and dated (verso) 66 x 66 inches. $10,000-$15,000
*60 Boyle Family
(BRITISH, 20TH CENTURY)
Cobbles Piece with Yellow Parking Line mixed media 35 x 35 inches. Estate of Morton and Vivian Meyer, St. Louis, Missouri $7,000-$9,000 60
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61
61 Christo and Jeanne-Claude (AMERICAN, B. 1935)
 Abu Dhabi Mastaba (Project for United Arab Emirates), 1978 pencil, wax crayon, pastel, charcoal and collage signed Christo and dated (lower left) 31 x 24 inches. $20,000-$30,000
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62 Peter Lodato
(AMERICAN, B. 1946)
Prajna, 1984 oil and wax on canvas signed P. Lodato, titled and dated verso 60 x 61 inches. $4,000-$6,000
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63 Lothar Charoux
(AUSTRIAN, 1912-1987)
Composica, 1957 China ink on paper 14 x 19 inches. $2,000-$4,000
63
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*64 Beverly Pepper
(AMERICAN, B. 1922)
Untitled bronze Height: 18 inches. Estate of Morton and Vivian Meyer, St. Louis, Missouri $3,000-$5,000
64
65 Ibram Lassaw
(AMERICAN, 1913-2003)
Caryatids VIII, 1983 bronze and alloys inscribed Lassaw, titled and dated 31 x 12 x 9 1/2 inches. $10,000-$15,000
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66
*66 Lawrence Carroll
(AUSTRALIAN/AMERICAN, B. 1954)
Untitled XIII #LC-0047, Untitled VI #LC00-0040, Untitled #0155-0155 and Untitled #0156-0158, 1979-85 paint, ink and mixed media on paper Each: 24 x 18 inches. Property from the Collection of Betsy and Bud Knapp, Edwards, Colorado $5,000-$7,000
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*67 John Millei
(AMERICAN, B. 1958)
Untitled, 1990 oil on canvas initialed JT and dated (verso) 25 x 22 1/2 inches. Property from the Collection of Betsy and Bud Knapp, Edwards, Colorado Provenance: Ace Gallery, Los Angeles Acquired from the above by the present owner in 1992 $1,000-$2,000
67
*68 John Millei
(AMERICAN, B. 1958)
Concerning a Drowning Girl, 1992 oil on canvas 132 x 100 inches. Property from the Collection of Betsy and Bud Knapp, Edwards, Colorado Provenance: Ace Gallery, Los Angeles Acquired from the above by the present owner in 1992 $4,000-$6,000
68 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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69
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70
*69
70
Andy Collins
Robert Kushner
Untitled , 2003
White Flower Byobu, 2002-03
oil and alkyd on canvas signed Andy Collins and dated (verso) 80 1/4 x 76 inches. Property from the Collection of Betsy and Bud Knapp, Edwards, Colorado
oil, acrylic, glitter and copper leaf on Japanese screen signed Robert Kushner, titled and dated (lower left) 17 x 43 1/2 inches.
Provenance: Marc Foxx Gallery, Los Angeles Acquired from the above by the present owner in 2004
Provenance: DC Moore Gallery, New York
(AMERICAN, B. 1971)
(AMERICAN, B. 1949)
$3,000-$5,000
$3,000-$5,000
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*71 Peter Chinni
(AMERICAN, B. 1928)
Genesis, 1962 bronze 25 x 18 x 14 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund Provenance: Royal Marks Gallery, New York $3,000-$5,000
71
*72 Michael Steiner
(AMERICAN, B. 1934)
Leila, 1979 bronze inscribed M.S., dated and numbered 2/4 21 1/4 x 29 1/4 x 15 3/4 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund $2,000-$3,000
72
73 Ernest Trova
(AMERICAN, 1927-2009)
Profile Canto Pattern, c. 1974 enameled steel inscribed E. Trova (base) Height: 10 inches. Provenance: Acquired from Timo Trova in 2010 73
64
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$3,000-$5,000
74
*74 Norman Bluhm
(AMERICAN, 1921- 1999)
Byzantine Windows, 1992 oil on canvas signed Bluhm and dated (verso) 141 x 196 inches. Property from the Collection of Betsy and Bud Knapp, Edwards, Colorado $15,000-$25,000
75 Andrew Masullo
(AMERICAN, B. 1957)
2835, 1992-94 oil on canvas signed Masullo, titled and dated (verso) 16 x 12 inches. Provenace: Andre Emmerich, New York Sold: Leslie Hindman Auctioneers, September 29, 2014, Lot 21 $3,000-$5,000 75 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M
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76
77
Ingrid Calame
Joseph La Piana
Working Drawing No. 82, 2001
Hurricane Haze, 2007
colored pencil on mylar signed Ingrid Calame, titled and dated (lower edge) 78 x 78 inches. Property from The Western Union Company
enamel, ink and shellac on canvas signed La Piana and dated (verso) 103 1/2 x 67 inches.
(AMERICAN, B. 1965)
Provenance: James Cohan Gallery, New York
(AMERICAN, B. 1966)
Provenance: Robert Miller Gallery, New York $5,000-$7,000
$7,000-$9,000
76
66
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78
78 Esteban Vincente
(AMERICAN 1903-2001)
Rhythms, 1952 collage signed Esteban Vincente (lower right) 29 x 22 inches. Provenance: BC Holland Gallery, Chicago $6,000-$8,000
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79 Tony Berlant
(AMERICAN, B. 1941)
Friday Harbor #13, 2003 tin and nails on board signed Berlant, titled and dated (verso) 108 x 96 inches. Provenance: Acquired directly from the artist $10,000-$15,000
79
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80
*80
81
Tom Friedman
Tom Friedman
Hi, 2007
Untitled (Foil Guitarist), 2004
collage on paper 108 x 78 inches. Property from the Collection of Betsy and Bud Knapp, Edwards, Colorado
aluminum and wood with colored pencil on paper Tootsie Pop wrapper 70 x 48 x 30 inches.
(AMERICAN, B. 1965)
Provenance: Gagosian Gallery, Beverly Hills, California Acquired from the above by the present owner in 2007 $40,000-$60,000
(AMERICAN, B. 1965)
Provenance: Acquired directly from the artist, 2005 Exhibited: St. Louis, Missouri, Mildred Lane Kemper Art Museum, College of Art Gallery, Pure Imagination, October 25-December 31, 2006 $40,000-$60,000
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detail
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82
82
*82 David Gilhooly
(AMERICAN, 1943-2013)
Eclair with 3 Frogs and Chocolate Frog Cupcake, 1978 glazed ceramic each inscribed Gilhooly and dated 3 1/2 x 5 and 3 1/2 x 3 1/2 inches. Property of the Dewar Family, Leawood, Kansas $3,000-$5,000
83 Jimmie Durham
(AMERICAN, B. 1940)
Redskin, 1992 plastic pipe, leather, paint Height: 37 inches. Provenance: Nicole Klagsbrun, New York Acquired from the above by the present owner in 1993 Exhibited: New York, Nicole Klagsbrun, Jimmie Durham, December 1992
83
Literature: Lippard, Lucy R., Jimmie Durham: Postmodernist “Savage,” Art in America, February 1993, pp. 62-70 (illustrated) $4,000-$6,000
72
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84
85
84
85
David Hare
Stephen DeStaebler
Cronus Walking, 1976
Standing Woman with Shoulder Stone, 1995
stainless steel, acrylic, polyurethane, epoxy and sand inscribed Hare and dated Height: 91 1/2 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund
bronze inscribed DE STAE BLER, AP/UC and dated 87 1/2 x 22 3/4 x 29 3/4 inches.
(AMERICAN, 1917-1992)
(AMERICAN, 1933-2011)
$20,000-$30,000
$5,000-$7,000
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86
86 Henry Moore
(BRITISH, 1898-1986)
Study for Hands of the Queen, 1952 bronze inscribed Moore Height: 5 1/4 inches. Literature: Bowness, Alan, Henry Moore Sculpture and Drawings, Lund Humpshires, London, 1965, vol. 2 no. 349 (illustrated) $15,000-$25,000
74
POST WAR AND CONTEMPORARY ART
*87 Yoko Ono
(JAPANESE, B. 1933)
A Painting to be Stepped On, 1961/66-88 bronze inscribed Y.O., titled, dated and numbered 3/9 18 x 14 x 1 1/2 inches. Property of Philip Samuels Fine Art, St. Louis, Missouri $3,000-$5,000
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88 Ju Ming
(TAIWANESE, B. 1938)
Single Whip, 1986 bronze inscribed Ming and numbered B 4/10 18 x 30 x 16 inches.
朱铭 （台湾，1938- ） 太极系列 - 单鞭下势 青铜 版次B 4/10 $150,000-$250,000
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88
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89
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*89
90
Li Chen
Dongmin Lai
Siddhartha, 2000
Untitled (Cityscape), 2009
bronze inscribed Li Chen, dated and numbered 1/8 35 x 20 x 18 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund
oil on canvas 47 1/4 x 131 1/2 inches. Property from The Western Union Company
(TAIWANESE, B. 1963)
李真 （台湾，1963- ） 法界遊子（2000年作） 青铜 版次1/8 来源：Boca Raton美术馆旧藏
(CHINESE, B. 1957)
赖东民 （中国，1957- ） 无题（2009年作） 来源：西联汇款公司旧藏 $10,000-$15,000
$70,000-$90,000
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91
*91
92
93
Jenness Cortez
John Wilde
Gertrude Abercrombie
A London Salon, 2008
Interior with Lemons, 1956
oil on mahogany signed Cortez and dated (lower right) 30 x 36 inches. Property from the Estate of Dan and Mary Ann Switzer, Mequon, Wisconsin
oil on canvas initialed J and dated (lower center), signed and dated (verso) 12 x 15 inches.
Untitled (Countess Narone on Chaise with White Cat and Lonely Tree Painting), 1951
(AMERICAN, B. 1944)
Provenance: DeBruyne Fine Art, Naples, Florida
(AMERICAN, 1919-2006)
Provenance: Bresler Galleries, Milwaukee, Wisconsin $3,000-$5,000
Literature: Pope, Karen Rechnitzer, Homage to the Creative Spirit: The Paintings of Jenness Cortez, AMI Publishing, New York, 2011 pp. 78-79 (illustrated) $15,000-$25,000
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(AMERICAN, 1909-1977)
oil on masonite signed Abercrombie and dated (lower left) 5 x 7 inches. Provenance: Sold: Leslie Hindman Auctioneers, December 10, 2006, Lot 1 $8,000-$12,000
92
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94
95
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96
94
*96
Nancy Lamb
Wifredo Lam
The Importance of Being Socially Earnest
Personajes con Pajaro Negro, 1972
oil on canvas signed Nancy Lamb (lower right) 23 3/4 x 47 3/4 inches.
oil on canvas signed Wi Lam and dated (lower right); signed and dated (verso) 19 5/8 x 27 1/2 inches. Property from the Estate of Charles S. Ackerman, Atlanta, Georgia
(AMERICAN, B. 1956)
$3,000-$5,000
95 Laurie Hogin
(AMERICAN, B. 1963)
Looking at Nature Conventions of Signage oil on canvas signed Laurie Hogin and titled (verso) 48 x 72 inches. $3,000-$5,000
(CUBAN, 1902-1982)
Provenance: Gallerie Thessa Herold, Paris Private Collection, Paris Exhibited: Cahors, France, Musee des Beaux-Arts, Changer la vue, 1986 Literature: Laurin-Lam, Lou & Lam, Eskil, Wifredo Lam: Catalogue Raisonne of the Painted Work v. 2, Lausanne, Switzerland, 1996, no. 72.93 (illustrated) $40,000-$60,000
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97 Richard Hunt
(AMERICAN, B. 1935)
Untitled, 1988 bronze inscribed R Hunt, inscribed A.P. II and dated Height: 14 inches. $7,000-$9,000
97
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*98 Sorel Etrog
(ROMANIAN/CANADIAN, 1933-2014)
Bull with Two Faces bronze inscribed ETROG and numbered 2/9 Height: 8 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $4,000-$6,000
98
*99 Sorel Etrog
(ROMANIAN/CANADIAN, 1933-2014)
La Dance Study bronze inscribed ETROG and numbered 3/10 Height: 11 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $4,000-$6,000
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100
101 | front
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101 | back
100
101
102
Pierre Alechinsky
William Copley
Paul Resika
Trois Episodes, 1967
Untitled (Seated Nude and Vignettes from Above)
The Plant, 2002
(BELGIAN, B. 1927)
ink on paper signed Alechinsky, titled and dated (lower right) 8 x 23 1/4 inches. Provenance: Lefebre Gallery, New York $4,000-$6,000
(AMERICAN, 1919-1996)
ink and charcoal on paper signed CPLY (verso) 22 3/4 x 15 1/2 inches.
(AMERICAN, B. 1928)
oil on linen signed Resika (lower right); signed and dated (verso) 40 x 48 inches.
Provenance: David Nolan Gallery, New York
Provenance: Salander-O’Reilly Galleries, New York Hackett-Freedman Gallery, San Francisco, California
$5,000-$7,000
$8,000-$12,000
102
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103
*103 Francisco Toledo (MEXICAN, B. 1940)
Portrait of a Woman oil on canvas signed Toledo and dated (lower right) 19 3/4 x 15 3/4 inches. Property from the Estate of Thomas L. Harris, Highland Park, Illinois $15,000-$20,000
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POST WAR AND CONTEMPORARY ART
*104 Lester Johnson
(AMERICAN, 1919-2010)
Crowd Scene on 10th Street, 1962 oil on canvas signed Lester Johnson and dated (verso) 68 x 90 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund Provenance: Martha Jackson Gallery, New York Zabriskie Gallery, New York $10,000-$15,000
104
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105
*105
106
Aleksei Sundukov
George Cohen
Cliche
The Avenger, 1950
oil on canvas 75 x 86 1/2 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund
wax, casein and ink on masonite signed G. Cohen, titled and dated (verso) 48 x 27 1/2 inches.
(RUSSIAN, B. 1952)
$15,000-$25,000
(AMERICAN, 1919-1999)
Provenance: Richard Feigen Gallery, Chicago Mr. and Mrs. Edwin Eisendrath, Chicago Exhibited: Chicago, Illinois, The Art Institute of Chicago, Artists of Chicago and Vicinity Fifty-fifth Annual Exhibition, 1951 $3,000-$5,000
90
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107
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108
107
108
109
Leon Golub
Leon Golub
Leon Golub
Head IV, 1965
Head, c. 1965
The Mystic
oil on canvas signed Golub (lower right); signed, titled and dated (verso) 36 x 33 inches.
oil on canvas signed Golub (lower right) 32 x 34 inches.
conte crayon on paper signed Golub (lower right) 42 x 30 inches.
Provenance: Acquired directly from the artist Sold: Treadway/Toomey Auctions, December 6, 2014, Lot 681
$3,000-$5,000
(AMERICAN, 1922-2004)
$20,000-$30,000
(AMERICAN, 1922-2004)
(AMERICAN, 1922-2004)
$20,000-$30,000
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110 Andy Denzler
(SWISS, B. 1965)
Boy on a River, 2012 oil on canvas signed Denzler, titled and dated (verso) 55 1/4 x 47 1/4 inches. $20,000-$30,000
110
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*111 John De Andrea
(AMERICAN, B. 1941)
Released, 1989 polyvinyl polychromed in oil Overall Height: 62 1/2 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund $40,000-$60,000
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112
112 Omar Galliani
(ITALIAN, B. 1954)
Untitled (Faces) mixed media on board 73 x 99 inches. $3,000-$5,000
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*113 Ed Paschke
(AMERICAN, 1939-2004)
American Circus, 1967 oil on canvas signed E. Paschke, titled and dated (verso) 28 x 38 inches. Property from the Collection of Mr. Scott Miller, Long Grove, Illinois Provenance: Mr. Arv Miller, Chicago Thence by descent to the present owner $40,000-$60,000
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114
*114 Karl Wirsum, (AMERICAN, B. 1939), Doggerel, 1966 oil on canvas 29 x 24 inches. Property from the Collection of George M. Irwin, Quincy, Illinois Provenance: The Dell Gallery Ltd., Chicago Acquired from the above by the present owner in 1966
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Exhibited: Chicago, Illinois, The Dell Gallery Ltd., Group Show-Gallery Artists, September 15-October 6, 1966 Champaign, Illinois, Krannert Art Museum, Selections from the Collection of George M. Irwin, March 2-April 13, 1980, p. 61 (illustrated) $40,000-$60,000
115
115 Karl Wirsum, (AMERICAN, B. 1939), Doggerel III, 1967 acrylic on canvas 38 x 36 inches. Property from a Corporate Art Collection Provenance: The Hyde Park Art Center, Chicago Acquired from the above by Robert Glauber, Chicago in 1967
Exhibited: Chicago, Illinois, the Hyde Park Art Center, Hairy Who II, February 24-March 24, 1967 Washington D.C., Corcoran Gallery of Art at Dupont Center, Hairy Who, April 15-May 17, 1969 $50,000-$70,000
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116 Jim Nutt
(AMERICAN, B. 1938)
Plume, 1989 acrylic on canvas in acrylic on wood frame signed Jim Nutt, titled, dated and annotated (verso) 25 1/2 x 21 1/2 inches. Property from a Corporate Art Collection Exhibited: Milwaukee, Wisconsin, Milwaukee Art Museum, Jim Nutt, June 17-August 28, 1994; Seattle, Washington, Henry Art Gallery, University of Washington, September 14-November 20, 1994; Washington, D.C., National Museum of American Art, Smithsonian Institution, February, 10-May 21, 1995; Cincinnati, Ohio, Contemporary Arts Center, July 8-September 6, 1995, Literature: Andrea, Margaret & Bowman, Russell, Jim Nutt, Milwaukee Art Museum, Milwaukee, 1994, no. 93, p. 136 (illustrated) $200,000-$400,000
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118
117
118
119
Gladys Nilsson
Gladys Nilsson
Gladys Nilsson
Straplesses, 1970
Dipdick...Adam and Eve after Cranach, 1971
Taster’s Choice, 1994
(AMERICAN, B. 1940)
watercolor on paper 22 x 30 inches. Property from a Corporate Art Collection Provenance: Dr. and Mrs. Peter Broido, Chicago Exhibited: Evanston, Illinois, Terra Museum of American Art, Two Hundred Years of American Painting from Private Chicago Collections, June 25-September 2, 1983 $6,000-$8,000
(AMERICAN, B. 1940)
acrylic on canvas Each: 84 x 48 inches. Property from a Corporate Art Collection Provenance: Candy Store Gallery, Folsom, California Exhibited: Sacramento, California, E.B. Crocker Gallery, Sacramento Sampler I, April 1-May 7, 1972; Oakland, California, the Oakland Museum, May 23-July 2, 1972, pg. 9 (illustrated) $20,000-$30,000
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(AMERICAN, B. 1940)
watercolor on paper signed Gladys Nilsson, titled, dated and inscribed (verso) 7 1/2 x 5 1/2 inches. $2,000-$4,000
117
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120
120
121
Karl Wirsum
Karl Wirsum
Untitled
Untitled, 1978
colored pencil on paper 24 x 18 inches.
acrylic on canvas 36 x 24 inches.
$4,000-$6,000
Provenance: Phyllis Kind Gallery, Chicago
(AMERICAN, B. 1939)
(AMERICAN, B. 1939)
$20,000-$30,000
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ARTIST INDEX ARTIST NAME
GLOSSARY OF TERMS LOT
Abbott, Mary . . . . . . . . . . . . . . . . . . . . . . 19-20 Abercrombie, Gertrude. . . . . . . . . . . . . . . . . . 93 Alechinsky, Pierre. . . . . . . . . . . . . . . . . . . . . 100 Anuszkiewicz, Richard. . . . . . . . . . . . . . . . 48-50 Bannard, Walter Darby . . . . . . . . . . . . . . . . . . 12 Beal, Jack. . . . . . . . . . . . . . . . . . . . . . . . . . . 54 Berlant, Tony . . . . . . . . . . . . . . . . . . . . . . . . . 79 Bluhm, Norman . . . . . . . . . . . . . . . . . . . . . . . 74 Bolotowsky, Ilya . . . . . . . . . . . . . . . . . . . . . . . 47 Boxer, Stanley . . . . . . . . . . . . . . . . . . . . . . . . 17 Boyle Family. . . . . . . . . . . . . . . . . . . . . . . 59, 60 Budd, David. . . . . . . . . . . . . . . . . . . . . . . . . . 15 Calame, Ingrid. . . . . . . . . . . . . . . . . . . . . . . . 76 Calder, Alexander. . . . . . . . . . . . . . . . . . . 40, 41 Carroll, Lawrence. . . . . . . . . . . . . . . . . . . . . . 66 Charoux, Lothar. . . . . . . . . . . . . . . . . . . . . . . 63 Chen, Li. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Chinni, Peter . . . . . . . . . . . . . . . . . . . . . . . . . 71 Christensen, Dan. . . . . . . . . . . . . . . . . . . . . . 44 Christo and Jeanne-Claude. . . . . . . . . . . . . . . 61 Cohen, George. . . . . . . . . . . . . . . . . . . . . . . 106 Collins, Andy . . . . . . . . . . . . . . . . . . . . . . . . . 69 Copley, William. . . . . . . . . . . . . . . . . . . . . . . 101 Cortez, Jenness. . . . . . . . . . . . . . . . . . . . . . . 91 Daphnis, Nassos. . . . . . . . . . . . . . . . . . . . . . 42 Davie, Alan . . . . . . . . . . . . . . . . . . . . . . . . . . 21 De Andrea, John. . . . . . . . . . . . . . . . . . . . . . 111 Denzler, Andy. . . . . . . . . . . . . . . . . . . . . . . . 110 DeStaebler, Stephen. . . . . . . . . . . . . . . . . . . . 85 Dogancay, Burhan. . . . . . . . . . . . . . . . . . . . . . 55 Durham, Jimmie. . . . . . . . . . . . . . . . . . . . . . . 83 Etrog, Sorel. . . . . . . . . . . . . . . . . . . . . . . 98, 99 Francis, Sam. . . . . . . . . . . . . . . . . . . . . . . . 1-4 Friedman, Tom. . . . . . . . . . . . . . . . . . . . . 80, 81 Galliani, Omar . . . . . . . . . . . . . . . . . . . . . . . 112 Giehler, Torben. . . . . . . . . . . . . . . . . . . . . . . . 56 Gilhooly, David. . . . . . . . . . . . . . . . . . . . . . . . 82 Gilliam, Sam . . . . . . . . . . . . . . . . . . . . . . . . . 11 Golub, Leon. . . . . . . . . . . . . . . . . . . . . 107-109 Green, Art . . . . . . . . . . . . . . . . . . . . . . . . 52, 53 Guerrero, Jose. . . . . . . . . . . . . . . . . . . . . . . . 26 Hare, David. . . . . . . . . . . . . . . . . . . . . . . . . . 84 Hein, Portian. . . . . . . . . . . . . . . . . . . . . . 38, 39 Hofmann, Hans . . . . . . . . . . . . . . . . . . . . 22, 23 Hogin, Laurie. . . . . . . . . . . . . . . . . . . . . . . . . 95 Hunt, Richard. . . . . . . . . . . . . . . . . . . . . . . . . 97 Ippolito, Angelo . . . . . . . . . . . . . . . . . . . . . . . 31 Jenkins, Paul. . . . . . . . . . . . . . . . . . . . . . . . 5-8 Johnson, Lester. . . . . . . . . . . . . . . . . . . . . . 104 Kamrowski, Gerome. . . . . . . . . . . . . . . . . . . . 18 Katz, Alex . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Kelly, Robert . . . . . . . . . . . . . . . . . . . . . . . . . 43 Kushner, Robert. . . . . . . . . . . . . . . . . . . . . . . 70 Lai, Dongmin. . . . . . . . . . . . . . . . . . . . . . . . . 90 Lam, Wifredo. . . . . . . . . . . . . . . . . . . . . . . . . 96 Lamb, Nancy . . . . . . . . . . . . . . . . . . . . . . . . . 94 La Piana, Joseph . . . . . . . . . . . . . . . . . . . . . . 77 Lassaw, Ibram. . . . . . . . . . . . . . . . . . . . . . . . 65 Little, John. . . . . . . . . . . . . . . . . . . . . . . . 27-29
106 P O S T WA R A N D C O N T E M P O R A R Y A R T
Lodato, Peter. . . . . . . . . . . . . . . . . . . . . . . . . 62 Masullo, Andrew. . . . . . . . . . . . . . . . . . . . . . . 75 Millei, John . . . . . . . . . . . . . . . . . . . . . . . 67, 68 Min, Yunhee. . . . . . . . . . . . . . . . . . . . . . . . . . 46 Ming, Ju . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Moore, Henry. . . . . . . . . . . . . . . . . . . . . . . . . 86 Nevelson, Louise. . . . . . . . . . . . . . . . . . . . . . 30 Nilsson, Gladys . . . . . . . . . . . . . . . . . . 117-119 Nutt, Jim. . . . . . . . . . . . . . . . . . . . . . . . . . . 116 Ono, Yoko . . . . . . . . . . . . . . . . . . . . . . . . . . . 87 Paschke, Ed. . . . . . . . . . . . . . . . . . . . . . . . . 113 Pepper, Beverly. . . . . . . . . . . . . . . . . . . . . . . . 64 Poons, Larry. . . . . . . . . . . . . . . . . . . . . . . . . . 14 Reed, Paul. . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Resika, Paul. . . . . . . . . . . . . . . . . . . . . . . . . 102 Resnick, Milton . . . . . . . . . . . . . . . . . . . . 24, 25 Roth, Jack. . . . . . . . . . . . . . . . . . . . . . . . 32-34 Rubins, Nancy . . . . . . . . . . . . . . . . . . . . . . . . 35 Rubsamen, Glen. . . . . . . . . . . . . . . . . . . . . . . 45 Saccoccio, Jackie. . . . . . . . . . . . . . . . . . . . . . 13 Stamos, Theodoros . . . . . . . . . . . . . . . . . . . . 36 Steiner, Michael. . . . . . . . . . . . . . . . . . . . . . . 72 Sundukov, Aleksei . . . . . . . . . . . . . . . . . . . . 105 Toledo, Francisco. . . . . . . . . . . . . . . . . . . . . 103 Trova, Ernest . . . . . . . . . . . . . . . . . . . . . . . . . 73 Wilde, John . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Wirsum, Karl . . . . . . . . . . . . 114, 115, 120, 121 Vasarely, Victor. . . . . . . . . . . . . . . . . . . . . . . . 51 Vickrey, Robert. . . . . . . . . . . . . . . . . . . . . 57, 58 Vincente, Esteban . . . . . . . . . . . . . . . . . . . . . 78 Zox, Larry . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist. ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category. STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist. CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil. STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist. MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period. AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width.
THOMAS HART BENTON (AMERICAN, 1889-1975) WHISKEY GOING INTO THE RACKHOUSE TO AGE OR WHISKEY BARRELS, 1945 TO BE OFFERED IN OUR AMERICAN AND EUROPEAN ART AUCTION ON OCTOBER 17.
U P C O M I N G AUC T I ON S C H E D U L E 694 | POST WAR AND CONTEMPORARY ART SEPTEMBER 26 | CHICAGO
693 | AMERICAN AND EUROPEAN ART OCTOBER 17 | CHICAGO
695 | PRINTS AND MULTIPLES SEPTEMBER 26 | CHICAGO
714 | LIBRARY OF A MIDWESTERN COLLECTOR NOVEMBER 5 | CHICAGO
692 | ASIAN WORKS OF ART SEPTEMBER 30 | ONLINE ONLY 722 | THE VIRTUOSO COLLECTION: OPERA MEMORABILIA FROM A PRIVATE COLLECTION SOLD TO BENEFIT THE LYRIC OPERA OF CHICAGO OCTOBER 1 | ONLINE ONLY 722 | MODEL RAILROADS AND RAILROADIANA FROM A PRIVATE COLLECTION OCTOBER 3 | CHICAGO 678 | FINE TIMEPIECES OCTOBER 4 | CHICAGO 704 | PALM BEACH COLLECTIONS OCTOBER 8 | ONLINE ONLY
697 | FINE BOOKS AND MANUSCRIPTS, INCLUDING AMERICANA NOVEMBER 6 | CHICAGO 715 | ARTS OF THE AMERICAN WEST NOVEMBER 7 | DENVER 716 | ARTS OF THE AMERICAN WEST NOVEMBER 8 | ONLINE ONLY 713 | MODERN DESIGN NOVEMBER 12 | CHICAGO 717 | INTERIORS NOVEMBER 13 | ONLINE ONLY
719 | ST. LOUIS COLLECTIONS OCTOBER 10 | ST. LOUIS
721 | ESSENTIAL JEWELRY NOVEMBER 15| ONLINE ONLY
700 | FINE FURNITURE, DECORATIVE ARTS AND SILVER OCTOBER 15 | CHICAGO
726 | FINE ART WINTER SELECTIONS NOVEMBER 19 | ONLINE ONLY
701 | FINE FURNITURE, DECORATIVE ARTS AND SILVER OCTOBER 16 | ONLINE ONLY
702 | GOEFFREY BEENE COUTURE NOVEMBER 20 | CHICAGO
AUCTION INQUIRIES | FINE ART DEPARTMENT
Joseph Stanfield Director, Senior Specialist
Tess Hall Senior Specialist American and European Art
Zack Wirsum Senior Specialist Post War and Contemporary Art
Thomas Galbraith CEO thomasgalbraith@hindmanauctions.com 312.334.4205 Aimee Schneider Executive Assistant aimeeschneider@hindmanauctions.com 312.447.3264
FINANCE Marco Gusella Controller marcogusella@hindmanauctions.com 312.280.1212
ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Joan Wagner VP Midwest joanwagner@hindmanauctions.com 312.447.3289 Alyssa Quinlan Senior Vice President, Business Development alyssaquinlan@hindmanauctions.com 312.447.3272 Molly E. Gron, J.D. Senior Director, Business Development mollygron@hindmanauctions.com 312.334.4235 Katie Matusik Director of Appraisals katelynmatusik@hindmanauctions.com 312.334.4224 Vaughn Smith Business Development Manager, Midwest vaughnsmith@hindmanauctions.com 312.334.4238 Miranda Luce Business Development Associate mirandaluce@hindmanauctions.com 312.334.4208
MUSEUM SERVICES Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@hindmanauctions.com 312.334.4210
CONSIGNMENT DEPARTMENT Jim Sharp VP Expertise jimsharp@hindmanauctions.com Maggie Porter VP Sales Strategy maggieporteri@hindmanauctions.com Raluca Mondi Consignment Coordinator ralucamondi@hindmanauctions.com 312.447.3263
Monica Brown Senior Specialist, Fine Prints
Nate Brady Cataloguer
Emily Catrice Cataloguer
Mary Grace Bilby Account Executive
Fine Art
Asian Works of Art
REGIONAL OFFICES
Joseph Stanfield Director, Senior Specialist josephstanfield@hindmanauctions.com
Annie Wu Director, Senior Specialist anniewu@hindmanauctions.com
Zack Wirsum Senior Specialist zacharywirsum@hindmanauctions.com
Flora Zhang Cataloguer florazhang@hindmanauctions.com
Sabrina Granados Account Executive sabrinagranados@hindmanauctions.com 312.280.1212
Tess Hall Senior Specialist anastasiahall@hindmanauctions.com
Megan Sadler Account Executive megansadler@hindmanauctions.com 312.600.6066
Monica Brown Senior Specialist monicabrown@hindmanauctions.com Nate Brady Cataloguer nathanbrady@hindmanauctions.com Emily Catrice Cataloguer emilycatrice@hindmanauctions.com 312.334.4228 Mary Grace Bilby Account Executive marygracebilby@hindmanauctions.com 312.334.4216
Fine Furniture, Decorative Arts and Silver Corbin Horn Director, Senior Specialist corbinhorn@hindmanauctions.com Mike Intihar Senior Specialist mikeintihar@hindmanauctions.com Benjamin Fisher Senior Specialist benjaminfisher@hindmanauctions.com Nick Coombs Specialist nickcoombs@hindmanauctions.com Genevieve King Cataloguer genevieveking@hindmanauctions.com
Modern Design Hudson Berry Specialist hudsonberry@hindmanauctions.com Mike Intihar Senior Specialist mike@hindmanauctions.com
Fine Jewelry and Timepieces Kimberly Burt Director kimberlyburt@hindmanauctions.com Katie Guilbault, G.G. Director, Business Development, Senior Specialist katieguilbault@hindmanauctions.com Jamie Henderson Specialist jamiehenderson@hindmanauctions.com
Abby Chambers Account Executive abbychambers@hindmanauctions.com 312.334.4234
Atlanta
668 Miami Circle NE Atlanta, Georgia 30324 404.800.0192
Denver
1024 Cherokee Street, Suite 200 Denver, Colorado 80204 303.825.1855
Milwaukee
414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200
Naples
Nicole Gunn, G.G. Specialist, Florida Region nicolegunn@hindmanauctions.com
850 6th Avenue South Naples, Florida 34102 239.643.4448
Marisa Ackerman, G.G. Specialist marisaackerman@hindmanauctions.com
West Palm Beach
Sally Klarr, G.G. Specialist sallyklarr@hindmanauctions.com Hana Thomson Cataloguer hanathomson@hindmanauctions.com
1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053
Scottsdale
15475 North Greenway Hayden Loop Suite B17 Scottsdale, Arizona 85260 480.490.3175
Madeline Schroeder Account Executive/Cataloguer madelineschroeder@hindmanauctions. com 312.334.4223
St. Louis
Briar Koehl Account Executive briarkoehl@hindmanauctions.com 312.600.6075
Pam Kirkland pamkirkland@hindmanauctions.com 314.833.0833
Couture and Luxury Accessories Timothy Long Director, Senior Specialist timothylong@hindmanauctions.com
Arts of the American West
32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833
Kansas City
Rockford, Illinois Janet Moore 815.399.3983
Ohio
Macy Nyhart Hansen 513.560.3200
Cassia Baker Manager, Client Accounts cassiabaker@hindmanauctions.com 312.447.3282
Alexandria Dreas Consignment Manager alexandriadreas@hindmanauctions.com 303.825.1855
Washington, D.C.
Fine Books and Manuscripts
Interiors
Gretchen Hause Director, Senior Specialist gretchenhause@hindmanauctions.com
Gia Spezia, Director giaspezia@hindmanauctions.com 312.334.4219
Roger Schrenk and Chris Fultz 703.217.3811
Maria Fernandez Account Executive mariafernandez@hindmanauctions.com 312.334.4236
108 P O S T WA R A N D C O N T E M P O R A R Y A R T
Maura Ross 561.676.3199
Mid Atlantic
International
Tina Fisher Grow 561.315.9100
GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty percent (20%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.
GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Hindman LLC encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Hindman LLC recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:
$0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 ...... Auctioneer’s Discretion
In-House Bidding Live bidding at Hindman LLC is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Hindman LLC allows absentee and live bidding through our website at www. lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Hindman LLC will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.
DRIVING DIRECTIONS/PARKING From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 109
CONDITIONS OF SALE HINDMAN LLC AS AGENT The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.
BEFORE THE SALE Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.
AT THE SALE Refusal of Admission Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid. Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references. Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment. Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid. Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC. Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.
110 P O S T WA R A N D C O N T E M P O R A R Y A R T
Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive. Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.
AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. Third-Party Platform Fee If the buyer bids through a third-party platform the buyer agrees to pay a surcharge to Hindman LLC equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Hindman LLC a handling charge of $50 for any check dishonored by the drawee. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.
Collecting Purchases Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale. Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items. Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.
LIABILITY Condition Reports Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request. Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser. Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law. Discretion Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC. 07/19
e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate
Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.
V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 111
UPCOMING AUCTIONS
SALE 695
PRINTS AND MULTIPLES Thursday September 26 | 2PM CT Chicago | Live + Online SALE 693
AMERICAN AND EUROPEAN ART Thursday October 17 | 10AM CT Chicago | Live + Online INQUIRIES
hindmanauctions.com 1338 West Lake Street Chicago, Illinois 60607 312.280.1212
IMAGES TOP TO BOTTOM Sale 695 | Lot 56 Willem de Kooning, (Dutch/American, 1904-1997) Quatre Lithographies, 1986 (detail) Estimate: $50,000 – $70,000 Sale 695 | Lot 26 Helen Frankenthaler, (American, 1928-2011) Tales of Genji I, 1998 Estimate: $50,000 – $70,000 Sale 693 | American and European Art Daniel Ridgway Knight, (American, 1839-1924) Untitled (Knitting in the Garden), oil on canvas Estimate: $30,000 – $50,000 Sale 693 | American and European Art Henry Moret, (French, 1856-1913) Rivière de Belon, Finistère, 1908, oil on canvas Estimate: 80,000 – $120,000
BID FORM
FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM
Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registeration through our website at www.hindmanauctions.com
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:
NAME
SALE No./NAME
694 - Post War Art BUSINESS NAME
BILLING ADDRESS
CITY
STATE
COUNTRY/ZIP
CONTACT NAME
PRIMARY PHONE
$0 – 200 $200 – 500 $500 – 1,000 $1,000 – 2,000 $2,000 – 5,000 $5,000 – 10,000 $10,000 – 20,000 $20,000 – 50,000 $50,000 – 100,000 $100,000 – 200,000 $200,000 +
$10 $25 $50 $100 $200 $500 $1,000 $2,000 $5,000 $10,000 AUCTIONEER’S DISCRETION
SECONDARY PHONE
For absentee bids, indicate your limit for each lot. Your bids will be excecuted at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.
FAX
I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website. SIG N ATURE
DAT E
( FO R H INDM AN L CC)
DAT E
A per lot buyer’s premium is added to the final hammer price as per the following: $0 – 250,000 $250,001 – 3,000,000 $3,000,001 +
25% 20% 12%
Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.
First time bidders please provide a valid credit card and one of the following: Passport/Driver’s License/National Identity Card LOT No.
LOT DESCRIPTION
ABSENTEE BID
PHONE BID
BACK-UP BID
USD ($) L IMIT EX C L . BUY E R’S P REM I U M
PL EAS E C H EC K
F O R T EL EPH O N E B I D D ER S O N LY
1338 WEST LAKE STREET CHICAGO, ILLINOIS 60607 PH 312.280.1212 FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM HINDMANAUCTIONS.COM
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