Sale 725 | Prints and Multiples by Hindman

P R INTS A ND MU LTIPLE S 12 | 11 | 2019

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

P R I N T S A N D M U LT I P L E S

LOTS 1-93

OLD MASTER AND MODERN PRINTS AND MULTIPLES

LOTS 94-176

PHOTOGRAPHY

LOTS 177-194

P RO P E R T Y P I C K U P H O U R S Photography Zoë Bare Jason Mitchell Mike Reinders Bill Ross

MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale. Lots marked with an asterisk (*) are tax exempt as permitted by law. VIEW THE COMPLETE CATALOGUE AT HINDMANAUCTIONS.COM

Front, Back Cover Lot 147 | Pablo Picasso (Spanish, 1881-1973), Trois poissons sur fond gris, 1957 Inside Front Cover Lot 37 | Roy Lichtenstein (American, 1923-1997), Salute to Aviation, 1968 Inside Back Cover Lot 24 | Helen Frankenthaler (American, 1928-2011), Eve, 1995

hindmanauctions.com © Hindman LLC 2019 C H IC AGO, IL L IN O IS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

CO N T E N T S AUCTION 725 | LIVE + ONLINE WEDNESDAY DECEMBER 11 | 3PM CT POST WAR AND CONTEMPORARY PRINTS

LOTS 1-93

OLD MASTER AND MODERN PRINTS AND MULTIPLES

LOTS 94-176

PHOTOGRAPHY

LOTS 177-194

122

ARTIST INDEX

132

AUCTION INQUIRIES

134

CONDITIONS OF SALE

136

TELEPHONE / ABSENTEE BID FORM

139

Lot 32 | Ellsworth Kelly (American 1923-2015) Yellow Over Dark Blue, (from the Suite of Twenty-sevent Color Lithographs), 1964-1964

8 64

P RO P E R T Y F RO M T H E C O L L E C T I O N S O F CAROLYN AND JEROME ASH, DETROIT, MICHIGAN A CORPORATE ART COLLECTION LISA DEROULET, LYNNWOOD, WASHINGTON DR. ROBERT H. DERDEN, CHICAGO, ILLINOIS KEVIN AND ANNE FLAHERTY, WAUSAU, WISCONSIN SUSAN HIMMELFARB, WINFIELD, ILLINOIS AN IMPORTANT CHICAGO COLLECTION RICHARD LIPTON, KENILWORTH, ILLINOIS RICHARD AND LINDA MIGNANO, BARRINGTON, ILLINOIS P RO P E R T Y F RO M T H E E S TAT E S A N D T R U S T S O F JUNE N. FRIEDLICH, SUN CITY, ARIZONA DAVID C. HEATH, ATLANTA, GEORGIA DOROTHY MANEWAL STEPHENS, ST. LOUIS, MISSOURI THE MAURER FAMILY TRUST, GRAND RAPIDS, MICHIGAN JOHN REISS, MILWAUKEE, WISCONSIN SARA G. ZIMET, DENVER, COLORADO P RO P E R T Y B E I N G S O L D T O B E N E F I T THE VANCOUVER BIENNALE

Opposite Lot 58 | Andy Warhol (American, 1928-1987) Campbellâ&#x20AC;&#x2122;s Soup I: Vegetable, 1968

P R I N T S A N D M U LT I P L E S

David Heath Hindman is proud to offer Fine Prints and Contemporary Art from the Estate of David C. Heath for sale at auction. David Heath, founder of Heath Gallery, was one of the most revered, innovative and wellrespected dealers in the Southeast. Heath ran his prominent gallery in Atlanta from 1965-1998.Â The Estate, compromised of Heathâ&#x20AC;&#x2122;s personal collection, includes important examples from Carl Andre, Nancy Grossman, and John Chamberlain, as well as significant prints from Jackson Pollock, Jasper Johns, and Robert Motherwell, among others. David C. Heath began collecting as a student in Vienna, before making his way to New York in the 1960s. There Heath developed important relationships with leading dealers and gallery owners, including Leo Castelli, Klaus Perls, and Eleanor Saidenberg. He brought these connections to Atlanta, where he opened Heath Gallery in 1965. The gallery became a pioneering showcase for both national and local artists. Works by Alexander Calder, Hans Hoffman, Adolph Gottlieb, and Jasper Johns were showcased alongside regional artists such as Ida Rittenberg Kohlmeyer, Annette Cone-Skelton, and Herbert Creecy. To further encourage art criticism in the Atlanta area, Heath published the pioneering journal Contemporary Art/ Southeast from 1977-1981. In his search to bring fresh, new work to the Southeast region, Heath was an integral figure on the Atlanta art scene. He is remembered as an adventurous dealer, a mentor to artists and collectors, and an active participant in the life of the art community. Contemporary Art from the Estate of David C. Heath will be offered for sale in the Post War and Contemporary Art auction at 12:00 pm and the Prints and Multiples auction at 3:00 pm on December 11, 2019.

Opposite Lot 46 | Jackson Pollock (American, 1921-1956) Untitled, 1944-45,1967

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Josef Albers

(AMERICAN/GERMAN, 1888–1976)

Variant V (from Ten Variants), 1966 color screenprint signed, titled, dated, and numbered 146/200 in pencil 10 x 14 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $1,000-$2,000 1

Josef Albers

(AMERICAN/GERMAN, 1888–1976)

Variant VIII (from Ten Variants), 1966 color screenprint signed, titled, dated, and numbered 188/200 in pencil 10 3/4 x 11 3/4 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $1,000-$2,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS 1-93

Josef Albers

(AMERICAN/GERMAN, 1888–1976)

I-S e, 1970 color screenprint signed, titled, dated, and numbered 54/125 in pencil 13 3/4 x 13 3/4 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $4,000-$6,000 3

Josef Albers

(AMERICAN/GERMAN, 1888–1976)

Palatial (from Soft Edge-Hard Edge), 1965 color screenprint from the unsigned portfolio of 250 11 x 11 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $600-$800

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Anni Albers

(AMERICAN/GERMAN, 1899–1994)

Triadic Series F, 1969 screenprint signed, dated, titled and numbered 30/60 in pencil 17 1/2 x 16 inches. Provenance: Michael Wyman Gallery, Chicago, 1973 $1,500-$2,500 5

Mel Bochner

Ilya Bolotowsky

Vanishing Point, 1992-1993

Series 1, 1970

two-color hard and soft-ground etching with aquatint signed, dated and numbered 29/30 in pencil 27 1/2 x 27 5/8 inches. $800-$1,200

screenprint signed and numbered 39/125 in pencil 40 x 30 inches.

(AMERICAN, B. 1940)

P R I N T S A N D M U LT I P L E S

(AMERICAN/RUSSIAN, 1907-1981)

$300-$500

POST WAR AND CONTEMPORARY PRINTS

Eduardo Chillida (SPANISH, 1924-2002)

Untitled etching signed and numbered 17/100 in pencil 29 1/2 x 21 1/2 inches. Property being sold to benefit the Vancouver Biennale 8

$1,500-$2,500

Richard Diebenkorn (AMERICAN, 1922-1993)

Eiffel Spade (from Five Spades), 1982 etching initialed, dated, and numbered 42/50 in pencil 8 3/4 x 6 3/4 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin 9

$1,500-$2,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*10

Jim Dine

(AMERICAN, B. 1935)

Olympic Robe, 1988 lithograph signed and numbered 250/300 in pencil 35 x 27 inches. Property from the Estate of June N. Friedlich, Sun City, Arizona $800-$1,200 10

Jim Dine

(AMERICAN, B. 1935)

Toothbrushes #4, 1962 lithograph signed, dated and numbered 11/16 in pencil 13 x 12 1/2 inches. $1,000-$2,000 11

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

*12

Jim Dine

(AMERICAN, B. 1935)

Boots, 1972 lithograph signed, dated, and numbered 80/100 in white pencil 29 3/4 x 21 3/4 inches.Â Property from the Estate of John Reiss, Milwaukee, Wisconsin $1,000-$2,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Friedel Dzubas

(AMERICAN/GERMAN, 1915-1994)

Untitled, 1978 lithograph signed, dated and numbered 20/20 AP in pencil 37 x 30 inches.Â 13

$600-$800

*14

Sam Francis

(AMERICAN, 1923-1994)

Burnout, 1973 5-color lithograph signed and numbered 43/60 in pencil 30 x 37 1/4 inches. Property from the Estate of David C. Heath, Atlanta, Georgia 14

P R I N T S A N D M U LT I P L E S

$2,000-$4,000

POST WAR AND CONTEMPORARY PRINTS

*15

Adolph Gottlieb

(AMERICAN, 1903-1974)

Pink Ground, 1972 color screenprint signed, dated and numbered 117/150 in pencil 24 x 17 3/4 inches. Property from the Estate of David C. Heath, Atlanta, Georgia 15

$2,000-$4,000

*16

*17

Adolph Gottlieb

Black Field, 1972

Night Glow, 1971

color etching signed and numbered 5/150 in pencil 24 x 17 1/2 inches.

color etching and aquatint signed, dated and numbered 44/65 in pencil 24 x 17 3/4 inches.

Property from the Estate of David C. Heath, Atlanta, Georgia

$2,000-$4,000

(AMERICAN, 1903-1974)

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Helen Frankenthaler (AMERICAN, 1928-2011)

Ramblas,Â 1987-1988 color lithograph with etching signed, dated and numbered 48/75 in pencil 26 1/4 x 20 inches. Property being sold to benefit the Vancouver Biennale $1,500-$2,500

Helen Frankenthaler (AMERICAN, 1928-2011)

Broome Street at Night, 1987 etching, aquatint and drypoint in colors signed, dated and numbered 50/68 in pencil 27 x 28 1/4 inches. Property being sold to benefit the Vancouver Biennale $3,000-$5,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Helen Frankenthaler (AMERICAN, 1928-2011)

La Sardana, 1987 lithograph and aquatint in colors on Rives BFK paper signed, dated and numbered 16/60 in pencil 27 1/2 x 19 inches. Property being sold to benefit the Vancouver Biennale $3,000-$5,000

Helen Frankenthaler (AMERICAN, 1928-2011)

Parets, 1987 collograph drawn with Araldite glue in light burnt sienna on handmade paper signed, dated and numbered 6/20 in pencil 51 1/2 x 37 1/2 inches. Property being sold to benefit the Vancouver Biennale $3,000-$5,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Helen Frankenthaler (AMERICAN, 1928-2011)

In the Wings, 1987 color sugar-lift etching, soft-ground etching, aquatint, etching and lithograph on light blue hand made paper signed and numbered 31/50 in pencil 13 1/2 x 21 inches. Property being sold to benefit the Vancouver Biennale $4,000-$6,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Helen Frankenthaler (AMERICAN, 1928-2011)

Southern Exposure, 2005 color screenprint signed, dated and numbered 3/128 in pencil 30 1/2 x 37 inches. $6,000-$8,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*24

Helen Frankenthaler (AMERICAN, 1928-2011)

Eve, 1995 screenprint signed and numbered 41/108 in pencil 44 x 29 1/2 inches. Property from the Estate of June N. Friedlich, Sun City, Arizona $5,000-$7,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Richard Howard Hunt (AMERICAN, B. 1935)

Untitled lithograph signed and numbered 9/50 in pencil 13 x 9 inches. $300-$500 25

*27

David Hockney

(BRITISH, B. 1937)

(AMERICAN, B. 1937)

Henry Reading the Newspaper, 1976

The Restaurateur (Peter at Odins), 1972

lithograph signed and numbered A.P. VIII/XIV 24 1/2 x 18 inches.

etching and aquatint signed, inscribed, dated, and numbered 65/80 in pencil 16 3/8 x 13 1/4 inches.Â

$1,000-$2,000

Property from the Estate of John Reiss, Milwaukee, Wisconsin $3,000-$5,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*28

Jasper Johns

(AMERICAN, B. 1930)

Souvenir 1, 1972 6-color lithograph signed, dated and numbered 23/63 26 1/2 x 21 1/4 inches. Property from the Estate of David C. Heath, Atlanta, Georgia Literature: Gemini G.E.L. 26.48 $5,000-$7,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

*29

Jasper Johns

(AMERICAN, B. 1930)

Zone, 1972 9-color lithograph printed from stone and aluminium signed, dated and numbered 23/65 in pencil 35 1/4 x 21 1/2 inches. Property from the Estate of David C. Heath, Atlanta, Georgia Literature: Gemini G.E.L. 26.52 $5,000-$7,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*30

Jasper Johns (American, b. 1930)

Device, 1972 7-color lithograph signed, dated and numbered 23/62 in pencilÂ 26 1/2 x 20 inches. Property from the Estate of David C. Heath, Atlanta, Georgia Literature:Â Gemini G.E.L. 26.50 $5,000-$7,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Alex Katz

(American, b. 1927)

Good Afternoon 2 (Gray Rowboat), 1975 lithograph in twelve colors signed and numbered 39/100 in pencil 27 1/2 x 36 1/8 inches. $4,000-$6,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Ellsworth Kelly

(American, 1923-2015)

Yellow Over Dark Blue, (from the Suite of Twenty-seven Color Lithographs), 1964-1965 color lithograph on BFK Rives paper signed and numbered 31/75 in pencil 22 1/2 x 15 1/2 inches. $6,000-$8,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Ellsworth Kelly

(American, 1923-2015)

Blue and Yellow and Red Orange (from the Suite of Twenty-seven Color Lithographs), 1964-1965 color lithograph on BFK Rives signed and numbered 31/75 in pencil 25 1/4 x 13 3/4 inches. $5,000-$7,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*34

Ellsworth Kelly

(AMERICAN, 1923â&#x20AC;&#x201C;2015)

Camellia II (from Suite of Plant Lithographs), ca. 1964-1965 lithograph signed and numbered 48/75 in pencil 24 x 21 inches.Â Property from the Estate of John Reiss, Milwaukee, Wisconsin $6,000-$8,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

*35

Ellsworth Kelly

(AMERICAN, 1923–2015)

Cyclamen V (from Suite of Plant Lithographs), ca. 1964-1965 lithograph signed and numbered 73/75 in pencil 26 x 21 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $6,000-$8,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Roy Lichtenstein (AMERICAN, 1923-1997)

Two Apples (from Seven Apple Woodcut Series), 1983 color woodcut signed, dated and numbered 43/60 in pencil 21 1/2 x 32 inches. Literature: Corlett, 198 $5,000-$7,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Roy Lichtenstein (AMERICAN, 1923-1997)

Salute to Aviation, 1968 color screenprint signed, dated and numbered 43/175 in pencil 43 x 21 1/2 inches. Literature: Corlett, 63 37

$8,000-$10,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Robert Motherwell (AMERICAN, 1915-1991)

Elegy Fragment II, 1985 aquatint and lift-ground etching signed and numbered 31/52 in pencil 23 1/4 x 14 1/2 inches. Property being sold to benefit the Vancouver Biennale $2,500-$3,500

*39

Robert Motherwell (AMERICAN, 1915-1991)

Harvest, with Two White Stripes, 1973 4-color lithograph, paper collage, and pochoir signed and numbered 9/55 in pencil 30 x 12 inches. Property from the Estate of David C. Heath, Atlanta, Georgia Literature: Gemini G.E.L. 34.3 $2,000-$4,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

*40

Robert Motherwell (AMERICAN, 1915-1991)

Harvest, with Orange Stripe, 1973 8-color lithograph and paper collage signed and numbered 9/55 in pencil 30 x 12 inches. Property from the Estate of David C. Heath, Atlanta, Georgia Literature:Â Gemini G.E.L. 34.7 $3,000-$5,000 40

*41

Robert Motherwell (AMERICAN, 1915-1991)

The Aberdeen Stone, 1971 lithograph printed in colors signed and numbered 7/10 in crayon 40 x 27 3/4 inches. Property from the Estate of David C. Heath, Atlanta, Georgia $6,000-$8,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*42

Claes Oldenburg (AMERICAN, B. 1929)

Noses, 1978 etching signed, dated, and numbered 21/35 in pencil 6 x 6 3/4 inches.Â Property from the Estate of John Reiss, Milwaukee, Wisconsin $500-$700

Jules Olitski

(AMERICAN, 1922-2007)

Untitled screenprint signed and numbered 38/150 in pencil 25 3/4 x 35 inches.Â 43

P R I N T S A N D M U LT I P L E S

$800-$1,200

POST WAR AND CONTEMPORARY PRINTS

Jules Olitski

(AMERICAN, 1922-2007)

Untitled screenprint signed and numbered 60/150 in pencil 35 x 25 3/4 inches. $800-$1,200

Serge Poliakoff (RUSSIAN, 1906-1969)

Composition IX, 1962 color lithograph signed and numbered 35/65 in pencil 24 3/4 x 18 1/4 inches. $2,000-$4,000 45

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*46

Jackson Pollock

(AMERICAN, 1921-1956)

Untitled, 1944-1945, 1967 engraving and drypoint estate stamped and numbered 25/50 in pencil 11 3/4 x 9 inches. Property from the Estate of David C. Heath, Atlanta, Georgia $20,000-$30,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*47

Robert Rauschenberg (AMERICAN, 1925–2008)

Features (from Currents), 1970 lithograph signed, dated, and numbered 12/50 in pencil 35 x 35 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin 47

$700-$900

Robert Rauschenberg (AMERICAN, 1925-2008)

Lion Rhyme (from Double Feature), 1993 6-color lithograph signed, dated and numbered 19/47 in pencil 38 x 24 inches. 48

P R I N T S A N D M U LT I P L E S

$800-$1,200

POST WAR AND CONTEMPORARY PRINTS

*49

Larry Rivers

(AMERICAN, 1923-2002)

Dutch Masters, 1991 offset lithograph and screenprint signed, dated and numbered 84/95 in crayon 30 x 40 inches Property from the Estate of June N. Friedlich, Sun City, Arizona 49

$800-$1,200

James Rosenquist (AMERICAN, 1933-2017)

Derriere Lâ&#x20AC;&#x2122;Etoile, 1977 color lithograph signed, dated and numbered 74/100 in pencil 36 x 74 1/2 inches. $600-$800 50

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*51

Ed Ruscha

(AMERICAN, B. 1937)

FliesÂ (fromÂ Insects Portfolio), 1972 4-color screenprint on paper-backed wood veneer signed, dated and numbered 16/100 in pencil 20 1/8 x 27 inches. Property from the Estate of David C. Heath, Atlanta, Georgia $3,000-$5,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

*52

Ed Ruscha

(AMERICAN, B. 1937)

Red Ants (from Insects Portfolio), 1972 4-color screenprint on paper-backed wood veneer signed, dated and numbered 16/100 in pencil 20 1/8 x 27 inches. Property from the Estate of David C. Heath, Atlanta, Georgia $3,000-$5,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*53

Frank Stella

(AMERICAN, B. 1936)

Tuftonboro, 1974 color lithograph and screenprint signed, dated and numbered 55/100 in pencil 17 1/4 x 22 inches. Property from the Estate of David C. Heath, Atlanta, Georgia $1,500-$2,500

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

*54

Frank Stella

(AMERICAN, B. 1936)

Candles, 1992 collage, lithograph and screenprint signed, dated and numbered 63/65 in crayon 58 x 39 inches. Property from the Estate of June N. Friedlich, Sun City, Arizona $10,000-$15,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*55

Donald Sultan (AMERICAN, B. 1951)

Still Life with Peach, 1987 screenprint signed, titled, and numbered 45/100 in pencil 12 x 12 inches.Â Property from the Estate of John Reiss, Milwaukee, Wisconsin $700-$900 55

57 56

*56

Wayne Thiebaud

Gum Machine, 1964

Three Cows, 1991

drypoint signed, titled, dated, and inscribed AP in pencil 4 x 4 inches.

drypoint in colors signed and numbered 40/50 in pencil 9 x 12 inches.

Property from the Estate of John Reiss, Milwaukee, Wisconsin

$3,000-$5,000

(AMERICAN, B. 1920)

$4,000-$6,000

P R I N T S A N D M U LT I P L E S

(AMERICAN, B. 1920)

POST WAR AND CONTEMPORARY PRINTS

Andy Warhol

(AMERICAN, 1928-1987)

Campbell’s Soup I: Vegetable, 1968 screenprint on paper signed in ball point pen and stampnumbered 13/250 35 x 23 inches. Literature: Feldman & Schellmann II.48 Provenance: Castelli Graphics, New York The present lot was acquired by the current owner directly from Castelli Graphics in 1968 at a party for Leo Castelli. At that time, he acquired the entire portfolio and this screenprint is being sold together with the Campbell’s sticker from the original box. $8,000-$10,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Tom Wesselmann (AMERICAN, 1931-2004)

Lulu, 1982 color screenprint signed, dated and numbered 95/250 in pencil 16 5/8 x 25 inches. $4,000-$6,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

*60

Tom Wesselmann (AMERICAN, 1931-2004)

Mixed Bouquet with Leger, 1993 screenprint signed and numbered HC 3/12 in pencil 43 x 41 inches. Property from the Estate of June N. Friedlich, Sun City, Arizona $15,000-$25,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Jesús Rafael Soto (VENEZUELAN, 1923–2005)

Screenprints A, B, C, D (from Jai-Alai) (four works), 1969 screenprints on perspex signed and inscribed 55/300 24 1/4 x 19 1/2 inches (each). $4,000-$6,000

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Jesús Rafael Soto (VENEZUELAN, 1923-2005)

Escritura, (from Serie Sintesis), 1978 screenprint on perspex with metal rods signed and numbered 35/110 on label 12 x 27 1/2 x 5 1/2 inches. $6,000-$8,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Zao Wou-Ki

(CHINESE/FRENCH, 1920-2013)

Untitled, 1956 lithograph signed, dated and inscribed epreuve d’artiste in pencil 16 1/2 x 19 1/2 inches. $3,000-$5,000 63

Antoni Tapies

(SPANISH, 1923-2012)

A pair of works (Bando Rouge and AT) lithograph and etching each signed and numbered in pencil (22/50 and 27/75) largest: 15 x 22 inches. Property being sold to benefit the Vancouver Biennale $800-$1,200

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Antoni Tapies

(SPANISH, 1923-2012)

Gat, 1988 aquatint, carborundum and collage signed and numbered 39/99 in pencil 22 x 29 1/2 inches. Property being sold to benefit the Vancouver Biennale $600-$800 65

Antoni Tapies

(SPANISH, 1923-2012)

Variacio II and IIIÂ (a pair of works) carborundum etchings signed and numbered 28/75 22 x 30 inches (each). Property being sold to benefit the Vancouver Biennale $800-$1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Antoni Tapies

(SPANISH, 1923-2012)

A pair of prints (one plate fromÂ Suite BerlinÂ andÂ Arc I Creus) carborundum etchings each signed and numbered in pencil (132/150 and 59/99) largest sheet: 22 x 30 inches. Property being sold to benefit the Vancouver Biennale $600-$800

Antoni Tapies

(SPANISH, 1923-2012)

A pair of prints (Untitled and SAC) carborundum etchings each signed and numbered in pencil (35/99 and H.C. 12/15) 22 1/2 x 29 1/2 inches (each). Property being sold to benefit the Vancouver Biennale $800-$1,200

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Antoni Tapies

(SPANISH, 1923-2012)

Vernis Paysage, 1982 lithograph signed and numbered 29/75 17 x 34 inches. Property being sold to benefit the Vancouver Biennale $400-$600

Antoni Tapies

(SPANISH, 1923-2012)

A.M. (from the portfolioÂ Homage to AimĂŠ and Marguerite Maeght), 1982 lithograph signed and numbered 11/75 in pencil 15 1/2 x 22 1/2 inches. Property being sold to benefit the Vancouver Biennale $400-$600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

71 72

*72

After Marino Marini

Marino Marini

A pair of prints (CavaliereÂ andÂ Composizione Blu),

Cavalier fond vert, 1957

1991

color lithograph signed and numbered 40/50 in pencil 24 x 17 1/2 inches.

(ITALIAN, 1901-1980)

(ITALIAN, 1901â&#x20AC;&#x201C;1980)

lithographs bearing stamp of Marino Marini 26 3/4 x 18 inches.

Property from the Estate of John Reiss, Milwaukee, Wisconsin $800-$1,200

Property being sold to benefit the Vancouver Biennale $400-$600

Bernard Buffet (FRENCH, 1928-1999)

Le Phare etching signed, titled and numbered 35/75 in pencil 14 3/4 x 17 inches. Property being sold to benefit the Vancouver Biennale $300-$500

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Bernard Buffet (FRENCH, 1928-1999)

La Revolution Francaise 1789, 1977 set of 10 lithographs signed and numbered 119/150 22 x 30 inches. Property being sold to benefit the Vancouver Biennale $800-$1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Karel Appel

(DUTCH, 1921-2006)

Sad Clown (from Circus), 1978 color woodcut with carborundum signed and numbered 61/130 in white crayon 29 3/4 x 22 1/4 inches. $1,000-$2,000 75

Walasse Ting

(CHINESE/AMERICAN, 1929-2010)

A pair of prints (Two Parrots and Woman in Hat) serigraphs signed, dated and numbered in pencil (each) 24 x 30 1/2 inches (each). Property being sold to benefit the Vancouver Biennale $250-$350

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Mimmo Paladino (ITALIAN, B. 1948)

Untitled linocut with etching signed, dated, and numbered 18/100 in pencil 27 1/2 x 19 1/2 inches. Property being sold to benefit the Vancouver Biennale $700-$900 77

*78

Ida Rittenberg Kohlmeyer (AMERICAN, 1912-1997)

Synthesis Print, Markings and Tokens of Identity (a group of three prints) screenprints each signed, titled, dated and numbered in pencil largest: 25 1/2 x 35 1/2 inches. Property from the Estate of David C. Heath, Atlanta, Georgia $800-$1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*79

Red Grooms

(AMERICAN, B. 1937)

Charlie Chaplin, 1986 three dimensional color lithograph signed and numbered 32/75 19 1/2 x 18 x 11 inches. Property from the Estate of Sara G. Zimet, Denver, Colorado $1,000-$2,000

*80

Red Grooms

(AMERICAN, B. 1937)

The Boss at Times Square, 1995 three dimensional color lithograph signed, dated and numbered 45/75 24 1/2 x 17 1/2 x 6 inches. Property from the Estate of Sara G. Zimet, Denver, Colorado $2,000-$4,000

*81

Red Grooms

(AMERICAN, B. 1937)

Hot Dog Vendor, 1994 three dimensional color lithograph signed, dated and numbered T.P. 31 x 24 x 7 inches. Property from the Estate of Sara G. Zimet, Denver, Colorado $2,000-$4,000 81

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Tom Slaughter (AMERICAN, B. 1955)

A pair of prints, 1992 screenprints signed, dated and numbered 36/60 in pencil (each) 33 x 24 inches (each). $400-$600 82

Elizabeth Murray (AMERICAN, 1940-2007)

Down Dog, 1988 lithograph on 12 sheets of cut and pasted paper 41 × 50 3/4 inches. $1,500-$2,500

April Gornik

(AMERICAN, B. 1953)

Light After the Flood (State II), 1988 etching signed, titled, dated and numbered 38/40 in pencil 17 1/4 x 35 1/4 inches. $1,000-$2,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Jennifer Bartlett (AMERICAN, B. 1941)

Circle, Line, House from Rhaposdy (a group of three prints), 1993 photo-etching, etching, sugar-lift and spitbite signed, dated and numbered in pencil each sheet: 12 x 12 inches. $1,500-$2,500

Kiki Smith

(AMERICAN, B. 1954)

Silk Moth, 2018 risograph print signed, dated and inscribed from the edition of 100 in pencil 9 3/4 x 8 inches. $800-$1,200

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Ed Paschke

(AMERICAN, 1939-2004)

Tin Tan, 1994 etching and aquatint signed, dated, titled and numbered L.P. 2/2 in pencil 32 1/2 x 23 1/2 inches. $500-$700

Ed Paschke

(AMERICAN, 1939-2004)

Bondo, 2005 lithograph stamped and numbered 7/120 in pencil 18 x 26 inches. $500-$700

Ed Paschke

(AMERICAN, 1939-2004)

Violencia, 1980 lithograph signed, titled, dated and numbered 4/35 in pencil 19 x 22 7/8 inches. $800-$1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Gladys Nilsson (AMERICAN, B. 1940)

Wilco, A Ghost is Born lithograph signed and numbered 115/175 in pencil 33 1/2 x 19 1/2 inches.Â $200-$400

Roger Brown

(AMERICAN, 1941-1997)

Talk Show Addicts, 1993 etching and aquatint on white wove paper signed, titled, dated and numbered 51/80 in pencil 17 1/2 x 23 inches. $1,500-$2,500

P R I N T S A N D M U LT I P L E S

POST WAR AND CONTEMPORARY PRINTS

Toko Shinoda A group of three prints (Daydream, Prelude, and For Thee E) hand colored lithographs signed, titled, and numbered (each) sheet: 17 3/4 x 24 3/4 inches (each). Property being sold to benefit the Vancouver Biennale 92

$1,500-$2,500

Toko Shinoda A group of four prints (After the Rain Evening, Day Dream, For Thee E, and For Thee G) hand colored lithographs signed, titled and numbered in pencil (each) largest sheet: 26 x 19 3/4 inches. Property being sold to benefit the Vancouver Biennale $1,500-$2,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Albrecht Durer

(GERMAN, 1471–1528)

Christ Taking Leave of his Mother woodcut 11 3/4 x 8 1/4 inches. $1,000-$2,000

P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES 91-176

Rembrandt van Rijn (DUTCH, 1606-1669)

Cornelis Claesz Anslo, Preacher etching and drypoint 7 1/4 x 6 1/4 inches. $7,000-$9,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*96

Auguste Brouet (FRENCH, 1872-1941)

Seated Woman in Profile, 1900 color aquatint signed in pencil 5 1/2 x 3 1/2 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin Provenance: Richard Reed Armstrong Fine Art, Chicago, Illinois $300-$500

*97

Pierre-Auguste Renoir (FRENCH, 1841–1919)

Claude Renoir, La tete Baisee, 1904 lithograph stamped 8 x 7 1/2 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin Provenance: Richard Reed Armstrong Fine Art, Chicago, Illinois $400-$600

P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

*98

Pierre-Auguste Renoir (FRENCH, 1841–1919)

Claude Renoir, turned left (Claude Renoir, tourne a gauche), from the suite Douze Lithographies de Pierre-Auguste Renoir, 1904 lithograph stamped, from the edition of 50 5 x 4 5/8 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin Provenance: Richard Reed Armstrong Fine Art, Chicago, Illinois $400-$600

*99

Pierre-Auguste Renoir (FRENCH, 1841-1919)

L’enfant au biscuit, 1899 color lithograph stamped 12 1/2 in x 10 3/8 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin $2,000-$4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

100

Henri Matisse

(FRENCH, 1869-1954)Â

Odalisque (Nu pour Cleveland), 1932 etching signed and numbered 164/250 in pencil 14 x 11 inches. $3,000-$5,000

P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

*101

Pierre-Auguste Renoir (FRENCH, 1841-1919)

La Danse à la Campagne (Dance in the Country), 2e planche, 1890 soft-ground etching stamped 8 1/2 x 5 1/4 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin Provenance: Richard Reed Armstrong Fine Art, Chicago, Illinois $3,000-$5,000

101

*102

Pierre-Auguste Renoir (FRENCH, 1841-1919)

Baigneuse debout, en pied, 1869 color lithograph signed and inscribed in the stone 16 x 13 1/2 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin Provenance: Richard Reed Armstrong Fine Art, Chicago, Illinois $4,000-$6,000

102

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*103

Pierre-Auguste Renoir (FRENCH, 1841-1919)

Le chapeau épinglé, 2e planche, 1898 lithograph in 8 colors edition of 200 in colors 23 3/4 x 19 1/4 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin Provenance: Richard Reed Armstrong Fine Art, Chicago, Illinois $20,000-$40,000

P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

103

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

104

*104

Henri Matisse

(FRENCH, 1869-1954)

UntitledÂ (fromÂ Dix Danseuses), 1927 lithograph signed and numbered 94/130 in pencil 11 x 18 inches. Property from the Collection of Susan Himmelfarb, Winfield, Illinois $5,000-$7,000

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*105

Berthe Morisot (FRENCH, 1841–1895)

La Leçon de dessin (Berthe Morisot, dessinant avec sa fille) (The Drawing Lesson [Berthe Morisot Drawing with Her Daughter]), 1889 drypoint 7 x 5 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin Provenance: Richard Reed Armstrong Fine Art, Chicago, Illinois $800-$1,200

106

No Lot 105

*107

Henri-Edmond Cross (FRENCH, 1856-1910)

Le Promenade (Les Cypresses), 1897 color lithograph signed and numbered 50 in pencil 11 x 16 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin Provenance: Richard Reed Armstrong Fine Art, Chicago, Illinois $800-$1,200 107

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*108

Albert de Belleroche (BRITISH, 1864-1944)

Portrait of a Woman lithograph signed in pencil 23 x 16 7/8 inches.Â Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin $300-$500 108

109

Pierre Bonnard (FRENCH, 1867-1947)

One plate fromÂ La promenade des nourrices, fries des fiacres, 1899 color lithograph 41 x 19 inches. Literature: Bouvet, 55 Provenance: The Estate of Sidney and Marilyn Pink Acquired from the above by present owner $1,000-$2,000 109

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110

Edouard Vuillard (FRENCH, 1868-1940)

La cuisinière, 1899 color lithograph edition of 100 14 x 11 inches. Provenance: Kovler Gallery, Chicago R. S. Johnson Fine Art, Chicago $5,000-$7,000

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111

Jacques Villon (FRENCH, 1875-1973)

Le petit manège rue Caulaincourt, 1905 aquatint with hand coloring signed in pencil 15 1/2 x 19 1/2 inches. Provenance: Kovler Gallery, Chicago $1,500-$2,500 111

*112

Jean-Emile Laboureur (FRENCH, 1877-1943)

La Maison de Marie, 1925 etching and aquatint signed and numbered 31/45 in pencil 5 1/2 x 3 5/8 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin Provenance: Richard Reed Armstrong Fine Art, Chicago, Illinois $200-$400 112

*113

Bernard Gantner (FRENCH, B. 1928)

La Charrette color lithograph signed and numbered 52/185 in pencil 18 x 26 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin $100-$200 113

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OLD MASTER AND MODERN PRINTS AND MULTIPLES

114

Georges Rouault (FRENCH, 1871-1958)

A pair of prints (Christ et Mammon and Clown vert et petite acrobate) color etchings largest: 12 1/4 x 8 1/4 inches. Property being sold to benefit the Vancouver Biennale $500-$700

115

Georges Rouault (FRENCH, 1871-1958)

La Fille, 1926 lithograph signed in pencil 13 x 9 inches. Provenance: The Estate of Sidney and Marilyn Pink Acquired from the above by present owner $500-$700

115

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116

Georges Rouault (FRENCH, 1871-1958)

A group of 10 prints fromÂ Miserere, 1923 etchings largest: 16 x 23 inches. Property being sold to benefit the Vancouver Biennale $1,000-$2,000 116

P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

117

Georges Rouault (FRENCH, 1871-1958)

A pair of prints etchings largest: 10 1/2 x 14 inches. Property being sold to benefit the Vancouver Biennale $400-$600

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*118

Henri Evenepoel (BELGIAN, 1872-1899)

Au Square (Walking to the Park), 1897 color lithograph blindstamp of “L’Estampe Moderne” 13 1/8 x 9 1/4 inches. Property from the Collection of Kevin and Anne Flaherty, Wausau, Wisconsin Provenance: Richard Reed Armstrong Fine Art, Chicago, Illinois $800-$1,200

118

119

Henri de Toulouse-Lautrec (FRENCH, 1864-1901)

Les Vielles Histoires, 1893 lithograph bearing Lautrec red monogram stamp 14 x 21 inches. Provenance: R.S. Johnson-International Gallery, Chicago $3,000-$5,000

P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

120

*120

Alphonse Mucha (CZECH, 1860-1939)

La Plume and Primavere (a pair of works), 1899 lithographs 28 x 10 1/2 inches (each). Property from the Collection of Richard and Linda Mignano, Barrington, Illinois Provenance: Gusfield Glimer Galleries, Ltd. $6,000-$8,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

121

Alphonse Mucha (CZECH, 1860-1939)

Gismonda, Sara Bernhardt, 1894 color lithograph 82 x 26 1/2 inches. $6,000-$8,000 121

P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

122

Alphonse Mucha (CZECH, 1860-1939)

Job, 1898 color lithograph 56 x 36 inches. $3,000-$5,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

123

Norman Rockwell (AMERICAN, 1894-1978)

Four Freedoms (complete set of four), 1943 lithographs 28 x 20 inches (each). $800-$1,200

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OLD MASTER AND MODERN PRINTS AND MULTIPLES

123

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

Undeniably one of the most accomplished woodcut artists of the 21st Century, Gustave Baumann was meticulously precise when it came to carving. No where can this be seen as clearly as on the blocks themselves. David Acton, in his book titled Hand of a Craftsman: The Woodcut Technique of Gustave Baumann recalls “Baumann’s wood blocks were the product of such care and diligence that they incited their own interest. Occasionally they were included in his solo exhibitions and even appeared in some of the era’s landmark shows of color woodblocks.” The wood block presented here, carved ca. 1924, was used to produce the woodcut Aspen – Red River.

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OLD MASTER AND MODERN PRINTS AND MULTIPLES

124

Gustave Baumann

(AMERICAN/GERMAN, 1881â&#x20AC;&#x201C;1971)

Aspen - Red River carved wood block 9 x 10 inches. $2,000-$4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

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125

Léonard Tsuguharu Foujita (FRENCH/JAPANESE, 1886-1968)

A group of nineteen prints (from A Book of Cats) collotypes on wove paper 10 x 7 3/4 inches (each). $8,000-$12,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

126

Franz Marc

(GERMAN, 1880-1916)

Tiger, 1912 woodcut 7 3/4 x 9 1/2 inches. Provenance: R.S. Johnson Fine Art, Chicago Exhibited: R.S. Johnson Fine Art, Chicago, Illinois; Recent Acquisitions, Winter 1971 $5,000-$7,000 126

*127

Lyonel Feininger

(American/German, 1871–1956)

Zwolf Holzschnitte (Title Page), 1921 woodcut signed and dated in pencil 5 x 7 inches. Property from the Collection of Carolyn and Jerome Ash, Detroit, Michigan $800-$1,200

127

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OLD MASTER AND MODERN PRINTS AND MULTIPLES

128

George Grosz

(GERMAN, 1893-1959)

Der besessene Forstadjunkt (The Possessed Forestry Assistant) (Plate no. 24 from Ecce Homo), 1918 lithograph signed, inscribed, and dated in pencil 16 1/2 x 21 3/4 inches. $400-$600 128

129

Max Beckmann (GERMAN, 1884-1950)

Irrenhaus from Gesichter, 1918 drypoint signed in pencil 9 3/4 x 11 1/2 inches. $2,000-$4,000 129

130

Käthe Kollwitz (GERMAN, 1867-1945)

Selbstbildnis, 1919 lithograph edition 175, signed in pencil 13 1/4 x 11 1/2 inches. Provenance: Sheldon Ross Gallery, Birmingham, Michigan Acquired from the above by the present owner 1977 $1,000-$2,000

130

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131

Pablo Picasso

(SPANISH, 1881â&#x20AC;&#x201C;1973)

Lysistrata: Couple et Enfant, 1934 etching signed and numbered 150/26 in pencil 8 1/8 x 5 1/2 inches. $4,000-$6,000

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OLD MASTER AND MODERN PRINTS AND MULTIPLES

*132

Pablo Picasso

(SPANISH, 1881–1973)

Femme Assise (from Contrée), 1943 etching on Lafuma pur fil paper numbered 40 in margin 9 1/2 x 5 1/8 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin Exhibited: Milwaukee Art Center, Picasso in Milwaukee, 10/2511/28/1971 $1,000-$2,000

132

*133

Pablo Picasso

(SPANISH, 1881–1973)

Untitled (one plate from Six contes fantastiques), 1953 drypoint 12 3/4 x 9 3/4 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $800-$1,200

133

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

134

*134

Pablo Picasso

(SPANISH, 1881–1973)

Balzac en Bas Casse et Picassos sans majuscule (eight works), 1957 lithographs 8 3/4 x 6 1/2 inches (each). Property from the Estate of John Reiss, Milwaukee, Wisconsin Exhibited: Milwaukee Art Center, Picasso in Milwaukee, 10/25-11/28/1971 $4,000-$6,000

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OLD MASTER AND MODERN PRINTS AND MULTIPLES

*135

Pablo Picasso

(SPANISH, 1881-1973)

5 Mai 1971, 1971 aquatint, drypoint and scraping stamped and numbered 44/50 19 3/4 x 20 3/4 inches. Property from the Collection of Richard Lipton, Kenilworth, Illinois Literature: Bloch, 1974 Provenance: R.S. Johnson International, Chicago $3,000-$5,000

135

136

No Lot

137

Pablo Picasso

(SPANISH, 1881-1973)

Entreinte, 1963 etching and drypoint signed and numbered of 50 in pencil 14 x 17 inches. Provenance: Kovler Gallery, Chicago $5,000-$7,000

137

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138

Pablo Picasso

(SPANISH, 1881-1973)

Peintre et Modèle au Fauteuil à Bascule, 1965 linocut signed and numbered 40/50 in pencil 21 x 25 inches. $5,000-$7,000

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139

Pablo Picasso

(SPANISH, 1881-1973)

Exposition Vallauris 55, 1955 linocut bearing Arnera estate stamp on verso of sheet 26 x 20 3/4 inches. Provenance: Estate of Hidalgo Arnera Frederick Mulder, London Private Collection, Paris Acquired from the above by present owner Literature: Bloch, 1268 $2,000-$4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

140

Pablo Picasso

(SPANISH, 1881-1973)

Femme Nue Cueillant des Fleurs (first and third state), 1962 two linocuts, the first state with glassine overlay including graphite additions bearing Arnera estate stamps on verso of sheets 14 x 10 1/2 inches. Provenance: Estate of Hidalgo Arnera Frederick Mulder, London Private Collection, Paris Acquired from the above by present owner Literature: Bloch 1092 $15,000-$20,000

“Inspiration exists, but it has to find you working.” – Pablo Picasso Pablo Picasso was one of the most prolific printmakers of the 20th century. He was a master in copper plate etching and lithography, however a smaller portion of his oeuvre consists of nearly two hundred linocuts. In the late 1940s, at the height of his artistic career, living mostly in the South of France, Picasso was compelled to reinvent himself. He first turned his attention to the creation of ceramics at the Atelier Madoura in Vallauris which he promoted with linocut advertising posters. This led to another new passion: making linocuts in color. For assistance in this new process, he turned to master printer Hidalgo Arnera, a fellow Spanish expatriate living in the South of France. From 1958-1963 they collaborated together spending countless hours creating these linocuts. The process of printing a linocut, typically requires a cutting a separate block for each color printed. Picasso soon found this process too labor intensive and found a solution with Arnera in the “reduction” method. This method employed a single linoleum block, carved and printed, then recarved and printed multiple times in successive stages to add each different color of ink. Colors would be printed one on top of the other, slowly building colors onto the print starting with the lightest color and proceeding to the darkest. The advantage of the technique is that colors line up relatively easily at printing. The disadvantage is that the artist must be absolutely certain of his next move, before carving away more of the block and printing the next color, as this carving cannot be undone. The present lot consists of the first (Fig.1) and third (final) (Fig.4) states of Femme nue cueillant des Fleurs together with the tracing paper layer (Fig. 2) used to make edits to the linoleum block. As is the process with Picasso’s “reduction” method, the first state was printed with only one color. The artist then used glassine as tracing paper (Fig.2) to trace the print and make line and color decisions as the work progressed and the block was recarved. This impression, likely the only impression of this single-color state in existence, still has the tracing paper attached (Fig. 3) leaving visible evidence of Picasso’s hand at work. Many impressions from the Arnera estate have entered museum collections since they provide a tangible glimpse at Picasso’s working process. The two linocuts presented here remained in Arnera’s estate until after his death in 2007 and are still in their original condition, having never been framed, clearly exhibiting the unique qualities of working proofs.

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Figure 1 First State

Figure 3 Glassine overlay on First State

Figure 2 Glassine overlay with hand additions by Picasso

Figure 4 Third State

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

140A

Pablo Picasso

(SPANISH, 1881-1973)

Yan Barbu, 1963 red earthenware clay painted in black stamped Madoura Plein Feu and Edition Picasso, incised 29/300 height: 10 1/4 inches. Literature: Ramie, 513 $3,000-$5,000

140A

141

Pablo Picasso

(SPANISH, 1881-1973)

Hibou, 1954 white earthenware ceramic pitcher stamped and marked Madoura Plein Feu and Edition Picasso height: 9 3/4 inches. Literature: Ramie, 253 $4,000-$6,000 141

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142

Pablo Picasso

(SPANISH, 1881-1973)

Chouette, 1969 white earthenware vase, with engraving and partial brushed glaze inscribed Edition Picasso Madoura and numbered 195/250 height: 11 1/2 inches. Literature: Ramie, 603 $8,000-$12,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 101

*143

Pablo Picasso

(SPANISH, 1881-1973)

Hibou marron noir, 1951 white earthenware clay decoration in oxides, with knife engraving on white enamel stamped Madoura Plein Feu and Edition Picasso on base height: 12 inches. Property from the Collection of Susan Himmelfarb, Winfield, Illinois Literature: Ramie, 123 $7,000-$9,000 143

144

Pablo Picasso

(SPANISH, 1881-1973)

Poisson bleu, 1953 white earthenware ceramic plate, partially engraved, with colored engobe and glaze stamped Madoura Plein Feu and Empreinte Originale de Picasso, numbered 92/200 diameter: 16 inches. Literature: Ramie, 180 $6,000-$8,000

144

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145

Pablo Picasso

(SPANISH 1881-1973)

Visage Geometrique, 1956 white earthenware clay, decoration in ceramic pastels under brushed glaze and patina stamped Madoura Plein Feu and Empreinte Originale de Picasso, numbered 56/100 diameter: 15 inches. Literature:Â Ramie, 357 $8,000-$12,000

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146

Pablo Picasso

(SPANISH, 1881-1973)

Nature Morte, 1953 white earthenware ceramic plate, partially engraved, with colored engobe and glaze stamped Madoura Plein Feu and Dâ&#x20AC;&#x2122;Apres Picasso, inscribed Edition Picasso diameter: 15 1/2 inches.Â Literature: Ramie, 219 $7,000-$9,000

104 P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

147

Pablo Picasso (Spanish, 1881-1973)

Trois poissons sur fond gris, 1957 partially glazed terracotta and white earthenware stamped Madoura Plein Feu and Edition Picasso, inscribed n. 106 and numbered 49/175 diameter: 16 inches. Literature: Ramie, 396 $10,000-$15,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 105

148

Albert Léon Gleizes (FRENCH, 1881-1953)

Peinture à trois éléments pochoir signed in pencil 18 x 13 1/2 inches. Provenance: Kodner Gallery, St. Louis, Missouri $2,000-$4,000

148

149

Fernand Leger

(FRENCH, 1881-1955)

Tete de femme, 1949 lithograph signed and numbered 276/300 in pencil 23 x 14 1/4 inches. Provenance: Sotheby’s Parke Bernet Inc., New York; May 9-10, 1979 [lot 202] $1,500-$2,500

149

106 P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

150

*150

Jean Dubuffet

(FRENCH, 1901-1985)

Coquette Au Miroir, 1944 lithograph on auvergne paper signed and numbered 7/10 on pencil 11 3/4 x 8 inches. Property from an Important Chicago Collection Provenance: Milton D. Ratner Family Collection, Chicago, IL Literature: Webel, 43 $3,000-$5,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 107

151

Jean Dubuffet

(FRENCH, 1901-1985)

Personnage au chapeau, 1962 lithograph signed, dated and numbered 38/50 in pencilÂ 21 3/4 x 15 inches. $8,000-$12,000

108 P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

152

Henry Moore

(BRITISH, 1898-1986)

Eight Sculpture Ideas, 1981 etching with aquatint signed and numbered XXV/XXV in pencil 15 x 10 1/2 inches. Property being sold to benefit the Vancouver Biennale $800-$1,200

152

153

Henry Moore

(BRITISH, 1898-1986)

Seated Mother and Child, 1981 etching with aquatint signed and numbered XXV/XXV in pencil 13 1/2 x 10 1/4 inches. Property being sold to benefit the Vancouver Biennale $1,500-$2,500

153

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 109

*154

Joan Miró

(SPANISH, 1893–1983)

One Plate (from the Prints of Joan Miro), 1947 color etching signed, dated, and numbered 55/100 in pencil 4 3/4 x 5 3/4 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin Literature: Dupin, 47 $1,500-$2,500

154

155

Joan Miró

(SPANISH, 1893-1983)

Plate V (from Album 13), 1948 lithograph signed and numbered 58/75 in pencil 12 x 17 1/2 inches. Provenance: Donald Morris Gallery, Detroit, Michigan Acquired from the above by the present owner in 1974 $3,000-$5,000

155

110 P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

*156

Joan Miró

(SPANISH, 1893–1983)

Mangeur de soleil (Sun Eater), 1955 color lithograph signed, dated, and numbered 42/50 in pencil 29 x 20 1/2 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $6,000-$8,000

156

*157

Joan Miró

(SPANISH, 1893–1983)

Diane d’Epese, 1958 lithograph signed and numbered 27/100 in pencil 22 x 15 3/4 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $1,000-$2,000

157

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 111

*158

Joan Miró

(SPANISH, 1893–1983)

Les philosophes II, 1958 color aquatint signed and numbered 27/75 in pencil 12 1/2 x 19 1/4 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $2,000-$4,000

158

*159

Joan Miró

(SPANISH, 1893–1983)

Le Penseur, 1958 lithograph signed and numbered 36/100 in pencil 21 1/2 x 16 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $800-$1,200

159

112 P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

*160

Joan Miró

(SPANISH, 1893–1983)

L’oiseau dresse (Standing Bird), 1960 color lithograph signed and numbered 43/90 in pencil 6 3/4 x 8 1/4 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $1,000-$2,000

160

*161

Joan Miró

(SPANISH, 1893–1983)

L’oiseau de nuit, 1962 color lithograph on Rives BFK paper signed and numbered 36/50 in pencil 21 3/4 x 28 1/2 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $7,000-$9,000

161

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 113

*162

Joan Miró

(SPANISH, 1893–1983)

L’Oiseau du Paradis, 1963 color aquatint signed and numbered 51/75 in pencil 22 x 31 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $1,500-$2,500 162

163

Joan Miró

(SPANISH, 1893-1983)

Pierrot le Fou, 1964 color lithograph signed and numbered 74/75 in pencil 35 1/4 x 23 3/4 inches. $2,500-$3,500

163

114 P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

164

Joan Miró

(SPANISH, 1893-1983)

L’Amazone, 1964 lithograph signed and numbered 32/75 in pencil 24 x 35 inches. Provenance: The J.L. Hudson Gallery, Detroit, Michigan $3,000-$5,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 115

*165

Joan Miró

(SPANISH, 1893–1983)

La vendangeuse (The Harvester), 1964 color lithograph signed and numbered 47/75 in pencil 35 x 23 3/4 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $4,000-$6,000

165

*166

Joan Miró

(SPANISH, 1893–1983)

Greeting card from Joan Miro and Pilar Juncosa, 1966 color lithograph signed and numbered 145/150 in pencil 4 1/2 x 6 1/2 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin $700-$900 166

116 P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

167

Joan Miró

(SPANISH, 1893-1983)

Les Essencies de la Terra (one plate from the deluxe edition), 1968 lithograph signed and numbered 64 H/100 in pencil 11 5/8 x 11 1/8 inches. $1,000-$2,000

167

168

Joan Miró

(SPANISH, 1893-1983)

L’Entraineuse Rouge, 1969 color lithograph signed and numbered 24/75 in pencil 33 1/4 x 23 7/8 inches. Exhibited: Miro in Miami; Center for the Fine Arts, Miami, FL; October 12 - November 25, 1984 $2,000-$4,000

168

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 117

169

Alexander Calder (AMERICAN, 1898-1976)

Balloons lithograph signed and inscribed EA in pencil 39 1/4 x 28 1/4 inches. Property from the Collection of Lisa deRoulet Provenance:Â George J. Goodstadt, Inc., New York $800-$1,200

169

170

Alexander Calder (AMERICAN, 1898-1976)

Composition with Circles color lithograph signed and numbered 53/100 in pencil 27 x 34 inches.Â $800-$1,200

170

118 P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

171

Alexander Calder (AMERICAN, 1898-1976)

Spiral color lithograph signed and numbered 17/75 in pencil 31 x 25 inches.Â $800-$1,200

171

*172

Alexander Calder (AMERICAN, 1898-1976)

Spirals, 1969 lithograph signed and numbered 28/120 in pencil 35 x 23 1/2 inches. Property from the Estate of June N. Friedlich, Sun City, Arizona $800-$1,200

172

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 119

173

Marc Chagall

(FRENCH/RUSSIAN, 1887-1985)

Le Bouquet à la Main, 1957 lithograph signed and numbered 27/90 in pencil 9 x 7 inches. $800-$1,200

173

174

Marc Chagall

(FRENCH/RUSSIAN, 1887-1985)

Le Christ a l’horloge, 1957 color lithograph signed and numbered 62/50 in pencil 9 1/2 x 8 1/2 inches. $1,000-$2,000

174

120 P R I N T S A N D M U LT I P L E S

OLD MASTER AND MODERN PRINTS AND MULTIPLES

175

Marc Chagall

(FRENCH/RUSSIAN, 1887-1985)

Fiançailles au cirque (Engagement at the Circus), 1983 color lithograph signed and numbered 39/50 in pencil 18 x 14 inches. $5,000-$7,000 175

176

Salvador Dali

(SPANISH, 1904-1989)

Passiflora laurigera (from Flora dalinae), 1968 color photolithograph with engraved remarque signed and numbered 20/200 23 x 15 inches. $700-$900

176

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 121

177

Eugene Atget

(FRENCH, 1857-1927)

Fontainebleau aristotype stamped, titled and numbered in pencil verso, bearing inverted cropped negative number (lower right) 7 x 9 inches. $800-$1,200

122 P R I N T S A N D M U LT I P L E S

PHOTOGRAPHY 177-194

*178

Barbara Morgan (AMERICAN, 1900-1992)

Martha Graham and Erick Hawkins - Every Soul is a Circus and Ekstasis (2 works) gelatin silver prints each signed and bearing stamp of the photographer and title largest: 15 x 19 inches. Property from the Maurer Family Trust, Grand Rapids, Michigan $1,000-$2,000

178

*179

Barbara Morgan (AMERICAN, 1900-1992)

Immediate Tragedy and War Theme (2 works) a pair of silver gelatin prints each signed and bearing stamp of the photographer and title each: 10 1/ 2 x 13 1/4 inches. Property from the Maurer Family Trust, Grand Rapids, Michigan $1,000-$2,000

179

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 123

*180

Ansel Adams

(AMERICAN, 1902-1984)

Moonrise from Glacier Point, 1959 gelatin silver print signed in pencil, bearing the Special Edition of Fine Prints Photographs of Yosemite hand stamp with the title, print number, and S.E.Y. number in pencil 7 1/4 x 9 inches. Property from the Estate of Dorothy Manewal Stephens, St. Louis, Missouri 180

$2,000-$4,000

*181

Ansel Adams

(AMERICAN, 1902-1984)

Lake Tenaya, 1946 gelatin silver print bearing the Special Edition of Fine Prints Photographs of Yosemite hand stamp with the title, print number, and S.E.Y. number in pencil 7 1/4 x 9 1/2 inches. Property from the Estate of Dorothy Manewal Stephens, St. Louis, Missouri 181

124 P R I N T S A N D M U LT I P L E S

$800-$1,200

PHOTOGRAPHY

*182

Ansel Adams

(AMERICAN, 1902-1984)

Bridal Veil Falls, 1927

gelatin silver print signed in pencil, bearing the Special Edition of Fine Prints Photographs of Yosemite hand stamp with the title, print number, and S.E.Y. number in pencil 9 1/4 x 7 1/4 inches. Property from the Estate of Dorothy Manewal Stephens, St. Louis, Missouri $1,000-$2,000

182

*183

Ansel Adams

(AMERICAN, 1902-1984)

Moon and Clouds, Northern California, 1959

gelatin silver print signed, and numbered “V 4 24/110” in pencil, bearing artist’s Portfolio V hand stamp with title and date in ink 15 1/2 x 19 1/8 inches.

183

Property from the Estate of Dorothy Manewal Stephens, St. Louis, Missouri $8,000-$10,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 125

184

Ansel Adams

(AMERICAN, 1902â&#x20AC;&#x201C;1984)

Clearing Winter Storm, Yosemite National Park, 1938 gelatin silver print mounted to board; printed c. 1973-77 signed in pencil on mount; stamped (verso) 15 1/2 x 19 inches. $30,000-$50,000

126 P R I N T S A N D M U LT I P L E S

PHOTOGRAPHY

184

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 127

185

Ruth Bernhard

(AMERICAN, 1905-2006)

Shell, 1943 silver print signed, dated and titled in pencil 6 x 7 1/2 inches. $600-$800

185

186

Robert Mapplethorpe (AMERICAN, 1946-1989)

Sebastian and Nda, 1981 gelatin silver print signed, dated and numbered 2/15 in black ink. 14 x 14 inches. $1,000-$2,000

186

187

John Dominis

1963 (PRINTED 2014)

Steve Mcqueen Aims a Pistol in His Living Room, 1963 gelatin silver print; printed 2014) photographer’s blind stamp in the lower margin; copyright notice by ‘Time Inc.’ and annotated in an unknown hand in pencil (verso) 12 x 18 inches. Provenance: Monroe Gallery of Photography, Santa Fe, New Mexico 187

128 P R I N T S A N D M U LT I P L E S

$800-$1,200

PHOTOGRAPHY

188

Moyra Davey

(CANADIAN, B. 1958)

Nyro, 2003 c-print signed, numbered 1/10, titled and dated in ink (verso) 10 x 8 1/8 inches. Provenance: Hudson Franklin, New York $1,500-$2,500

188

189

Rob Fischer

(AMERICAN, B. 1968)

Rural Scenes (a suite of four works), 2001 c-prints signed and dated in ink each 9 3/4 x 14 inches. $1,000-$2,000

189

190

Becky Beasley (BRITISH, B. 1975)

News of The Wolf (1) (Berlin Zoo), 2007 gelatin silver print 16 x 12 inches. $500-$700

190

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 129

191

*191

Alfredo Jaar

(CHILEAN, B. 1956)

Geography = War, 1989 c-print 48 x 66 inches. Property from the Collection of Dr. Robert H. Derden, Chicago, Illinois Provenance: Galeria Grita Insam, Vienna, Austria $4,000-$6,000

130 P R I N T S A N D M U LT I P L E S

PHOTOGRAPHY

192

Xing Danwen (CHINESE, B. 1967)

Duplication 3, 2003 photograph signed, titled and numbered 2/15 in pen 37 x 30 inches. Property being sold to benefit the Vancouver Biennale $300-$500

192

*193

Richard Misrach (AMERICAN, B. 1949)

Clouds, Cholla Mountain 11.2.96 10:00-10:54 P.M.,Â 1996-1998 c-print signed, titled, dated and numbered 3/3 in pen 47 1/2 x 61 inches. Property from the Estate of June N. Friedlich, Sun City, Arizona $5,000-$7,000 193

194

Vanessa Beecroft (ITALIAN, B. 1969)

VB 36, Galerie fur Zeitgenossische Kunst, Leipzig, Germany, 1998 digital c-print accompanied by a signed certificate, edition 3/6 20 x 26 3/4 inches. Property being sold to benefit the Vancouver Biennale Provenance: Deitch Projects, New York $4,000-$6,000 194

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 131

ARTIST INDEX ARTIST NAME

GLOSSARY OF TERMS LOT

ARTIST NAME. . . . . . . . . . . . . . . . . . . . . . . . LOT Albers, Anni. . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Adams, Ansel. . . . . . . . . . . . . . . . . . . . 180-184 Albers, Josef . . . . . . . . . . . . . . . . . . . . . . . . 1-4 Appel, Karel. . . . . . . . . . . . . . . . . . . . . . . . . . 75 Atget, Eugene. . . . . . . . . . . . . . . . . . . . . . . 177 Bartlett, Jennifer . . . . . . . . . . . . . . . . . . . . . . 85 Baumann, Gustave. . . . . . . . . . . . . . . . . . . . 124 Beasley, Becky. . . . . . . . . . . . . . . . . . . . . . . 190 Beckmann, Max. . . . . . . . . . . . . . . . . . . . . . 129 Beecroft, Vanessa . . . . . . . . . . . . . . . . . . . . 194 Bernhard, Ruth. . . . . . . . . . . . . . . . . . . . . . . 185 Bochner, Mel. . . . . . . . . . . . . . . . . . . . . . . . . . 6 Bolotowski, Ilya . . . . . . . . . . . . . . . . . . . . . . . . 7 Bonnard, Pierre . . . . . . . . . . . . . . . . . . . . . . 109 Brouet, Auguste. . . . . . . . . . . . . . . . . . . . . . . 96 Brown, Roger. . . . . . . . . . . . . . . . . . . . . . . . . 91 Buffet, Bernard. . . . . . . . . . . . . . . . . . . . .73-74 Calder, Alexander. . . . . . . . . . . . . . . . . 169-172 Chagall, Marc. . . . . . . . . . . . . . . . . . . . 173-175 Chillida, Eduardo . . . . . . . . . . . . . . . . . . . . . . . 8 Cross, Henri-Edmond . . . . . . . . . . . . . . . . . . 107 Dali, Salvador. . . . . . . . . . . . . . . . . . . . . . . 176 Danwen, Xing. . . . . . . . . . . . . . . . . . . . . . . . 192 Davey, Moyra. . . . . . . . . . . . . . . . . . . . . . . . 188 de Belleroche, Albert . . . . . . . . . . . . . . . . . . 108 de Toulouse-Lautrec, Henri . . . . . . . . . . . . . . 119 Diebenkorn, Richard. . . . . . . . . . . . . . . . . . . . . 9 Dine, Jim. . . . . . . . . . . . . . . . . . . . . . . . . 10-12 Dominis, John . . . . . . . . . . . . . . . . . . . . . . . 187 Dubuffet, Jean. . . . . . . . . . . . . . . . . . . 150-151 Durer, Albrecht. . . . . . . . . . . . . . . . . . . . . . . . 94 Dzubas, Friedel . . . . . . . . . . . . . . . . . . . . . . . 13 Evenepoel, Henri . . . . . . . . . . . . . . . . . . . . . 118 Feininger, Lyonel. . . . . . . . . . . . . . . . . . . . . . 127 Fischer, Rob. . . . . . . . . . . . . . . . . . . . . . . . . 189 Foujita, Leonard Tsuguharu . . . . . . . . . . . . . 125 Francis, Sam. . . . . . . . . . . . . . . . . . . . . . . . . 14 Frankenthaler, Helen. . . . . . . . . . . . . . . . . 18-24 Gantner, Bernard . . . . . . . . . . . . . . . . . . . . . 113 Gleizes, Albert Leon. . . . . . . . . . . . . . . . . . . 148 Gornik, April. . . . . . . . . . . . . . . . . . . . . . . . . . 84 Gottlieb, Adolph. . . . . . . . . . . . . . . . . . . . 15-17 Grooms, Red. . . . . . . . . . . . . . . . . . . . . . 79-81 Grosz, George . . . . . . . . . . . . . . . . . . . . . . . 128 Hockney, David. . . . . . . . . . . . . . . . . . . . . 26-27 Hunt, Richard Howard. . . . . . . . . . . . . . . . . . . 25 Jaar, Alfredo. . . . . . . . . . . . . . . . . . . . . . . . . 191 Johns, Jasper. . . . . . . . . . . . . . . . . . . . . . 28-30 Katz, Alex . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Kelly, Ellsworth. . . . . . . . . . . . . . . . . . . . . 32-35 Kohlmeyer, Ida Rittenberg. . . . . . . . . . . . . . . . 78 Kollwitz, Kathe. . . . . . . . . . . . . . . . . . . . . . . 130 Laboureur, Jean-Emile. . . . . . . . . . . . . . . . . . 112 Leger, Fernand. . . . . . . . . . . . . . . . . . . . . . . 149 Lichtenstein, Roy. . . . . . . . . . . . . . . . . . . 36-37 Mapplethorpe, Robert. . . . . . . . . . . . . . . . . . 186 Marc, Franz . . . . . . . . . . . . . . . . . . . . . . . . . 126 Marini, Marino . . . . . . . . . . . . . . . . . . . . . . . 72

132 P R I N T S A N D M U LT I P L E S

Marini, Marino (After) . . . . . . . . . . . . . . . . . . . 71 Matisse, Henri. . . . . . . . . . . . . . . . . . . 100, 104 Miro, Joan. . . . . . . . . . . . . . . . . . . . . . 154-168 Misrach, Richard . . . . . . . . . . . . . . . . . . . . . 193 Moore, Henry. . . . . . . . . . . . . . . . . . . . 152-153 Morgan, Barbara . . . . . . . . . . . . . . . . . 178-179 Morisot, Berthe . . . . . . . . . . . . . . . . . . . . . . 105 Motherwell, Robert. . . . . . . . . . . . . . . . . . 38-41 Mucha, Alphonse. . . . . . . . . . . . . . . . . 120-122 Mueller, Alfredo . . . . . . . . . . . . . . . . . . . . . . 106 Murray, Elizabeth . . . . . . . . . . . . . . . . . . . . . . 83 Nilsson, Gladys . . . . . . . . . . . . . . . . . . . . . . . 90 Oldenburg, Claes. . . . . . . . . . . . . . . . . . . . . . 42 Olitski, Jules . . . . . . . . . . . . . . . . . . . . . . 43-44 Paladino, Mimmo. . . . . . . . . . . . . . . . . . . . . . 77 Paschke, Ed. . . . . . . . . . . . . . . . . . . . . . . 87-89 Picasso, Pablo. . . . . . . . . . . . . . . . . . . 131-147 Poliakoff, Serge . . . . . . . . . . . . . . . . . . . . . . . 45 Pollock, Jackson. . . . . . . . . . . . . . . . . . . . . . . 46 Rauschenberg, Robert . . . . . . . . . . . . . . . 47-48 Renoir, Pierre-Auguste. . . . . . . . . 97-99, 101-103 Rivers, Larry. . . . . . . . . . . . . . . . . . . . . . . . . 49 Rockwell, Norman. . . . . . . . . . . . . . . . . . . . . 123 Rosenquist, James. . . . . . . . . . . . . . . . . . . . . 50 Rouault, Georges. . . . . . . . . . . . . . . . . 114-117 Ruscha, Ed . . . . . . . . . . . . . . . . . . . . . . . 51-52 Shinoda, Toko . . . . . . . . . . . . . . . . . . . . . 92-93 Slaughter, Tom. . . . . . . . . . . . . . . . . . . . . . . . 82 Smith, Kiki. . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Soto, Jesus Rafael. . . . . . . . . . . . . . . . . . 61-62 Stella, Frank. . . . . . . . . . . . . . . . . . . . . . .53-54 Sultan, Donald. . . . . . . . . . . . . . . . . . . . . . . . 55 Tapies, Antoni . . . . . . . . . . . . . . . . . . . . . 64-70 Thiebaud, Wayne . . . . . . . . . . . . . . . . . . . 56-57 Ting, Walasse . . . . . . . . . . . . . . . . . . . . . . . . 76 van Rijn, Rembrandt. . . . . . . . . . . . . . . . . . . . 95 Villon, Jacques. . . . . . . . . . . . . . . . . . . . . . . 111 Vuillard, Edouard . . . . . . . . . . . . . . . . . . . . . 110 Warhol, Andy . . . . . . . . . . . . . . . . . . . . . . . . . 58 Wesselmann, Tom . . . . . . . . . . . . . . . . . . 59-60 Wou-Ki, Zao. . . . . . . . . . . . . . . . . . . . . . . . . . 63

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist. ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category. STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist. CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil. STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artistâ&#x20AC;&#x2122;s style, contemporary or nearly contemporary to the named artist. MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period. AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width.

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POST WAR AND CONTEMPORARY ART Wednesday December 11 | 12PM CT Chicago | Live + Online Wednesday December 11 | 9AM CT Chicago | Live + Online INQUIRIES

hindmanauctions.com 1338 West Lake Street Chicago, Illinois 60607 312.280.1212

IMAGES TOP TO BOTTOM Sale 724 | Post War and Contemporary Art Ray Yoshida (American, 1930-2009) Partial Evidences, 1972, oil on canvas Estimate: $30,000 – $50,000 Sale 724 | Post War and Contemporary Art Barbara Rossi (American, b. 1940) Z Zone, 1975, acrylic on plexiglas Estimate: $15,000 – $25,000 Sale 732 | American and European Art Wassily Kandinsky (Russian, 1866–1944) Abstraction, 1925 ink and charcoal Estimate: $40,000 – $60,000 Sale 732 | American and European Art Bernard Buffet (French, 1928-1999) Église, 1965 oil on canvas Estimate: $50,000 – $70,000

AUCTION INQUIRIES | FINE ART DEPARTMENT

Joseph Stanfield Director, Senior Specialist

Zack Wirsum Senior Specialist Post War and Contemporary Art

Tess Hall Senior Specialist American and European Art

Monica Brown Senior Specialist, Fine Prints

Nate Brady Cataloger

Julianna Tancredi Cataloger

Mary Grace Bilby Account Executive

FINANCE

CONSIGNMENT DEPARTMENT

Fine Books and Manuscripts

REGIONAL OFFICES

Marco Gusella Controller marcogusella@hindmanauctions.com 312.280.1212

Jim Sharp VP Expertise jimsharp@hindmanauctions.com

Gretchen Hause Director, Senior Specialist gretchenhause@hindmanauctions.com

Maggie Porter VP Sales Strategy maggieporteri@hindmanauctions.com

Maria Fernandez Account Executive mariafernandez@hindmanauctions.com 312.334.4236

Sabrina Granados Account Executive sabrinagranados@hindmanauctions.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Alyssa Quinlan Senior Vice President, Chief Business Development Officer alyssaquinlan@hindmanauctions.com 312.447.3272 Joan Wagner VP Midwest joanwagner@hindmanauctions.com 312.447.3289 Molly E. Gron, J.D. Senior Director, Business Development mollygron@hindmanauctions.com 312.334.4235 Katie Matusik Director of Appraisals katelynmatusik@hindmanauctions.com 312.334.4224 Susan Mackenzie Business Development Director, Midwest susanmackenzie@hindmanauctions.com 312.447.3267 Vaughn Smith Business Development Manager, Midwest vaughnsmith@hindmanauctions.com 312.334.4238 Briar Koehl Business Development Senior Associate briarkoehl@hindmanauctions.com 312.600.6075 Miranda Luce Maxfield Business Development Associate mirandaluce@hindmanauctions.com 312.334.4208 Samantha Schwartz Business Development Associate samanthaschwartz@hindmanauctions. com 312.447.3297

MUSEUM SERVICES Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@hindmanauctions.com 312.334.4210

Cassia Baker Manager, Client Accounts cassiabaker@hindmanauctions.com 312.447.3282 Raluca Mondi Consignment Coordinator ralucamondi@hindmanauctions.com 312.447.3263

Fine Art Joseph Stanfield Director, Senior Specialist josephstanfield@hindmanauctions.com Zack Wirsum Senior Specialist zacharywirsum@hindmanauctions.com Tess Hall Senior Specialist anastasiahall@hindmanauctions.com Monica Brown Senior Specialist monicabrown@hindmanauctions.com Nate Brady Cataloger nathanbrady@hindmanauctions.com Julianna Tancredi Cataloger julianatancredi@hindmanauctions.com Mary Grace Bilby Account Executive marygracebilby@hindmanauctions.com 312.334.4216

Fine Furniture, Decorative Arts and Silver Corbin Horn Director, Senior Specialist corbinhorn@hindmanauctions.com 312.334.4214 Mike Intihar Senior Specialist mikeintihar@hindmanauctions.com Benjamin Fisher Senior Specialist benjaminfisher@hindmanauctions.com Nick Coombs Specialist nickcoombs@hindmanauctions.com Genevieve King Cataloger genevieveking@hindmanauctions.com

Modern Design Hudson Berry Specialist hudsonberry@hindmanauctions.com

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Asian Works of Art Annie Wu Director, Senior Specialist anniewu@hindmanauctions.com Flora Zhang Cataloger florazhang@hindmanauctions.com Megan Sadler Account Executive megansadler@hindmanauctions.com 312.600.6066

Fine Jewelry and Timepieces Kimberly Burt Director kimberlyburt@hindmanauctions.com Katie Guilbault, G.G. Business Development Director Senior Specialist katieguilbault@hindmanauctions.com Jamie Henderson Specialist jamiehenderson@hindmanauctions.com Nicole Gunn, G.G. Specialist, Florida Region nicolegunn@hindmanauctions.com Marisa Ackerman, G.G. Specialist marisaackerman@hindmanauctions.com Sally Klarr, G.G. Specialist sallyklarr@hindmanauctions.com

Abby Chambers Account Executive abbychambers@hindmanauctions.com 312.334.4234

Atlanta

668 Miami Circle NE Atlanta, Georgia 30324 404.800.0192

Denver

1024 Cherokee Street, Suite 200 Denver, Colorado 80204 303.825.1855

Milwaukee

414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200

Naples

850 6th Avenue South Naples, Florida 34102 239.643.4448

West Palm Beach

1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053

Scottsdale

15475 North Greenway Hayden Loop Suite B17 Scottsdale, Arizona 85260 480.490.3175

St. Louis

32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833

Kansas City

Hana Thomson Cataloger hanathomson@hindmanauctions.com

Pam Kirkland pamkirkland@hindmanauctions.com 314.833.0833

Madeline Schroeder Account Executive/Cataloger madelineschroeder@hindmanauctions. com 312.334.4223

Rockford, Illinois

Luxury Accessories and Couture Timothy Long Director, Senior Specialist timothylong@hindmanauctions.com Michael Hall Cataloger michaelhall@hindmanauctions.com Beatrice Levine Account Executive beatricelevine@hindmanauctions.com

Arts of the American West Alexandria Dreas Consignment Manager alexandriadreas@hindmanauctions.com 303.825.1855

Janet Moore 815.399.3983

Ohio

Macy Nyhart Hansen 513.560.3200

Washington, D.C. Maura Ross 561.676.3199

Mid Atlantic

Roger Schrenk and Chris Fultz 703.217.3811

International

Tina Fisher Grow 561.315.9100

GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty percent (20%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Hindman LLC encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Hindman LLC recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes. Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the

course of the auction. The normal bidding increments are:

$0 - $200 ........................................ $10 $200 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Over > $200,000 ...... Auctioneer’s Discretion

In-House Bidding Live bidding at Hindman LLC is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Hindman LLC allows absentee and live bidding through our website at www. lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Hindman LLC will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

DRIVING DIRECTIONS/PARKING From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 135

CONDITIONS OF SALE HINDMAN LLC AS AGENT The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid. Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references. Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment. Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid. Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC. Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

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Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive. Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000. Third-Party Platform Fee If the buyer bids through a third-party platform the buyer agrees to pay a surcharge to Hindman LLC equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Hindman LLC a handling charge of $50 for any check dishonored by the drawee. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale. Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items. Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

LIABILITY Condition Reports Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request. Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser. Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law. Discretion Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC. 07/19

e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

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ROGER BROWN (AMERICAN, 1941-1997), SUNDAY AFTERNOON AT THE GRAND SLAM, 1972, TO BE OFFERED IN OUR POST WAR AND CONTEMPORARY ART AUCTION ON DECEMBER 11

BID FORM

FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM

Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registeration through our website at www.hindmanauctions.com

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

NAME

SALE No./NAME

$0 – 200 $200 – 500 $500 – 1,000 $1,000 – 2,000 $2,000 – 5,000 $5,000 – 10,000 $10,000 – 20,000 $20,000 – 50,000 $50,000 – 100,000 $100,000 – 200,000 $200,000 +

725 - Prints Business NAME

Billing address

city

state

country/zip

contact NAME

primary phone

$10 $25 $50 $100 $200 $500 $1,000 $2,000 $5,000 $10,000 AUCTIONEER’S DISCRETION

secondary phone

For absentee bids, indicate your limit for each lot. Your bids will be excecuted at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence.

fax

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website. SIG N ATURE

DAT E

( FO R HINDM AN L CC)

DAT E

A per lot buyer’s premium is added to the final hammer price as per the following: $0 – 250,000 $250,001 – 3,000,000 $3,000,001 +

25% 20% 12%

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

First time bidders please provide a valid credit card and one of the following: Passport/Driver’s License/National Identity Card lot no.

lot description

ABSENTEE BID

PHONE BID

BACK-UP BID

USD ($) L IM I T EX C L . BUY E R’S PR EM I U M

PL EAS E C H EC K

F O R T EL EPH O N E B I D D ER S O N LY

1338 WEST LAKE STREET CHICAGO, ILLINOIS 60607 PH 312.280.1212 FX 312.280.1211 EM BID@HINDMANAUCTIONS.COM HINDMANAUCTIONS.COM

How did you hear about Hindman?

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

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