Sales 538-539-540 | Fine Art

L ESL IE HI NDM A N AUCT ION EERs d ecem ber 14 – 15, 2017 NO .538•539•540

13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e h i n d m a n.c o m

december 14 – 15, 2017 post war and contemporary art fine prints american and european art

SALE 538

Post War and Contemporary Art Thursday 14 December | 10 AM CT SALE 539

Fine Prints

Thursday 14 December | 2 PM CT SALE 540

American and European Art

lh

Friday 15 December | 10 AM CT

LHLIVE

P R EVIEW

Sunday 10 december | 12pm – 4pm monday 11 december | 10am – 5pm tuesday 12 december | 10am – 5pm wednesday 13 december | 10am – 5pm thursday 14 december | 10am – 5pm auction

thursday 14 december | 10am CT post war and contemporary art | lots 1 – 139A thursday 14 december | 2Pm CT fine prints | lots 140 – 356 friday 15 december | 10am CT american and european art | lots 357 – 464 P R OPERTY PICK UP HOU R S

MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.

Lots marked with an asterisk (*) are tax exempt as permitted by law.

lesliehindman.com Cover Lot 73 | Liu Kuo-sung (Chinese, b. 1932) The Universe is in My Heart, 2003

©Leslie Hindman Auctioneers, Inc. 2017 CHICAG O , I L L I N O IS ILLINOIS AUCTION FIRM LICENSE NUMBER 444000295

P RO P ERTY FR O M THE ESTATES a nd t rusts OF Jeanne Ansehl Revocable Trust, St. Louis, Missouri Louis M. and Linda M. Byron, Tucson, Arizona John D. Connelly, Chicago, Illinois Rena Rowan Damone, Palm Beach, Florida Eric Heselbarth, St. Louis, Missouri John Kanealy, Cedar Rapids, Iowa James M. Kemper Jr., Kansas City, Missouri Wendel F. Kent, Sarasota, Florida Janet L. Kohrman, Chicago, Illinois Bertha Levine-Lewis, Chicago, Illinois Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin George Pardo, Naples, Florida Cynthia Patterson, Northfield, Illinois Carrol K. Robertsen, Ann Arbor, Michigan

P RO P ERTY FR O M THE CO LLECTIO N S O F The Cancer Wellness Center, Northbrook, Illinois Matthew and Molly Demos, New Berlin, Wisconsin Dr. and Mrs. Eugene Gedgaudas, Jupiter Island, Florida Diana Gold, New Orleans, Louisiana Dr. Natan HarPaz, Southfield, Michigan Robert A. Holstein, Chicago, Illinois Mr. Kennard, Chicago, Illinois K. Kleiva, Chicago, Illinois Ms. Ann Lowry, Champaign, Illinois Clayton and Karen Marquardt, Kansasville, Wisconsin David and Gail McRorie, Kansas City, Missouri Richard Michi, Barrington, Illinois Edwin M. Roth, Aspen, Colorado Barry O’Connor, Chicago, Illinois Mark Saathoff, Hampton, Illinois Aviva and Leonard Sorkin, Chicago, Illinois Barbara Sullivan, Lake Barrington, Illinois Gerri Weinberg, Milwaukee, Wisconsin WestRock Shared Services LLC, Norcross, Georgia A Gentleman, Janesville, Wisconsin A Private Collection, Boulder, Colorado A Private Collector, Chicago, Illinois

P RO P ERTY s ol d t o benef it

The acquisition fund of the Denver Art Museum Lot 183 | Pablo Picasso (Spanish, 1889-1974) Nature morte au verre sous la lampe, 1962

Contents Post War and Contemporary Art Lots 1 – 139A

6

Fine Prints Lots 140 – 356

82

American and European Art Lots 357 – 464

Artist Index

152

Glossary of Terms

Auction Inquiries

221

Conditions of Sale

226

Telephone / Absentee Bid Forms

228

Lot 463 | Nicholas Roerich (Russian, 1874-1947) The Snow Maiden (Stage Design)

220

224

SALE 538

Post War and Contemporary Art thursday 14 december 2017 | 10AM CT sculpture | lots 1 – 50 works on paper | lots 51 – 74 paintings | lots 75 – 106 photography | lots 107 – 139A

Opposite Lot 97 | Rufino Tamayo (Mexican, 1899-1991) Tres Figuras, 1969

1

JesĂşs Rafael Soto

(Venezuelan, 1923-2005) Espiral Doble, 1979 plexiglas and metal edition 16/110, signed Soto (verso) 15 1/4 x 15 1/4 x 5 1/4 inches. $4,000-6,000

1

2

JesĂşs Rafael Soto

(Venezuelan, 1923-2005) Multiple I, (Jai-Alai Series), 1969 plexiglas, metal and nylon thread edition 140/300, signed Soto 21 x 25 1/8 x 8 inches. $4,000-6,000

2

8

post war and contemporary art

Sculpture

|

Lots 1 – 50

3

3

JesĂşs Rafael Soto

(Venezuelan, 1923-2005) Metal Negro y Metal, 1969 painted wood, metal and nylon thread signed Soto and dated (verso) Diameter: 20 inches.

Provenance: Marlborough Gallery, New York Acquired from the above by the present owner in 1969 Exhibited: New York, New York, Marlborough Gerson Gallery, Soto, 1969 $100,000-150,000

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9

4

10

post war and contemporary art

3A

Olafur Eliasson

(Danish, b. 1967) Eye Eye, 2002 iris shutter, concave mirror and wooden bracket edition 55/70, signed Olafur Eliasson and dated 8 1/2 x 8 1/2 x 10 1/4 inches. $2,000-4,000

3A

4*

Harry Bertoia

(American, 1915-1978) Bush, 1971 bronze Height: 13 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Provenance: Irving Gallery, Milwaukee, Wisconsin This work is accompanied by a certificate of authenticity issued by Val Bertoia. $20,000-40,000 5

Buckminster Fuller

(American, 1895-1983) Jitterbug, 1976 aluminum inscribed Buckminster Fuller 9 x 9 x 13 1/2 x inches.

Property from the Estate of Cynthia Patterson, Northfield, Illinois $2,000-4,000

5

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6

5A

Jacob Hashimoto

(American, b. 1973) Plumes IV, 2008 acrylic, nylon thread, paper and wood signed Hashimoto and dated 123 x 5 x 1 inches. $8,000-12,000

5A

12

post war and contemporary art

6*

James Rosati

(American, 1912-1988) Untitled corten steel Height: 46 inches.

Property from the Estate of James M. Kemper Jr., Kansas City, Missouri $4,000-6,000

7*

Clement Meadmore

(Austrialian, 1929-2005) Scronch, 1994 bronze edition 5/8, inscribed Meadmore and dated 9 x 11 x 11 inches.

Property from the Collection of Richard Michi, Barrington, Illinois $15,000-25,000

7

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8*

Barry Tinsley

(American, b. 1942) Echo, 1986 painted aluminum edition 1/4, inscribed B Tinsley, titled and dated 21 x 16 1/2 x 8 3/4 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $1,000-2,000 8A

Alexander Archipenko

(American/Ukrainian, 1887-1964) Floating Torso with Head, c. 1935 terracotta with black glaze inscribed Archipenko 14 x 16 1/2 x 5 1/2 inches.

Literature: A. Barth, Alexander Archipenkos plastiches Oeuvre, Zweiter Teil: Werkverzeichnis, Frankfurt am Main, 1997, p. 380, no. 215 Frances Archipenko Gray has confirmed the authenticity of this work. $30,000-50,000

8A

14

post war and contemporary art

8

9

Howard Hancock Newman

(American, b. 1943) Untitled (Male Torso), 1982 bronze edition AP #/3, inscribed H. Newman and dated Height: 9 1/2 inches. $1,000-2,000

9

10

Howard Hancock Newman

(American, b. 1943) Untitled (Female Torso), 1983 bronze edition 8/9, inscribed H. Newman and dated Height: 8 3/4 inches. $1,000-2,000

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10

15

11*

Christian Brieu

(Canadian, b. 1948) It’s Raining Frogs bronze edition 5/8, inscribed C Brieu Height: 31 3/4 inches.

Property from the Estate of James M. Kemper Jr., Kansas City, Missouri $1,500-2,500

11

12*

Christian Brieu

(Canadian, b. 1948) Man and Boy Seated bronze inscribed C Brieu Height: 14 1/4 inches.

Property from the Estate of James M. Kemper Jr., Kansas City, Missouri $1,000-2,000

16

post war and contemporary art

12

13

Ernest Trova

(American, 1927-2009) Falling Man nickel plated bronze Height: 9 3/4 inches. $3,000-5,000

13

14

Pedro Friedeberg

(Mexican, b. 1936) Butterfly Chair, c. 1977 painted wood with gilt and mirrored base signed Pedro Friedeberg 35 x 20 1/2 x 17 inches.

14

Provenance: Harcourts Gallery, San Francisco $4,000-6,000

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18

post war and contemporary art

15*

Fernando Botero

(Columbian, b. 1932) Can-Can Girl bronze edition 1/2, inscribed Botero 40 x 25 x 24 inches.

Property from the Estate of Rena Rowan Damone, Palm Beach, Florida $250,000-350,000

15

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16

17

19

16*

Pablo Picasso

(Spanish, 1881-1973) Black Face Plate, 1948 glazed ceramic edition of 100, stamped D’APRES PICASSO and MADOURA PLEIN FEU Diameter: 10 inches.

Ref: A. Raime, 42 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000 17*

Pablo Picasso

(Spanish, 1881-1973) Goat’s Head in Profile 1950 partially glazed ceramic edition of 60, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 11 inches.

Ref: A. Raime, 109 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000

20

post war and american art

18

20

18*

Pablo Picasso

(Spanish, 1881-1973) Goat’s Head in Profile, 1950 partially glazed ceramic edition of 200, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 11 inches.

Ref: A. Raime, 110 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000 19*

Pablo Picasso

(Spanish, 1881-1973) Toros, 1952 partially glazed ceramic edition of 500, stamped EDITION PICASSO Diameter: 8 inches.

Ref: A. Raime, 161 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,500-2,500

21

20

Pablo Picasso

(Spanish, 1881-1974) Picador, 1952 partially glazed ceramic edition of 500, inscribed EDITION PICASSO and stamped MADOURA PLEIN FEU Height: 5 1/4 inches.

Ref: A. Raime, 162 $800-1,200 21*

Pablo Picasso

(Spanish, 1881-1973) Oiseau au ver, 1952 partially glazed ceramic edition of 500, stamped EDITION PICASSO Diameter: 6 inches.

Ref: A. Raime, 172 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,500-2,500

22

23

25

22*

Pablo Picasso

(Spanish, 1881-1973) Bird with Tuft, 1952 partially glazed ceramic edition of 500, stamped EDITION PICASSO and MADOURA PLEIN FEU Diameter: 7 inches.

Ref: A. Raime. 173 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,500-2,500 23*

Pablo Picasso

(Spanish, 1881-1973) Bird on a Branch, 1952 partially glazed ceramic edition of 500, stamped EDITION PICASSO and MADOURA PLEIN FEU Diameter: 7 inches.

Ref: A. Raime, 175 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,500-2,500

24

26

24*

27

26*

Pablo Picasso

Pablo Picasso

25*

Pablo Picasso

(Spanish, 1881-1973) Picador, 1953 partially glazed ceramic edition of 200, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 9 inches.

Red: A. Raime, 201 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000

Pablo Picasso

(Spanish, 1881-1973) Pichet tetes, 1953 partially glazed ceramic edition of 500, stamped EDITION PICASSO and MADOURA PLEIN FEU Height: 7 inches.

Ref: A. Raime, 221 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $2,000-4,000

(Spanish, 1881-1973) Pichet petites tetes, 1953 partially glazed ceramic edition of 300, stamped EDITION PICASSO and MADOURA PLEIN FEU Height: 6 inches.

Ref: A. Raime, 222 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000 27*

(Spanish, 1881-1973) Grave Gris, 1954 partially glazed ceramic edition of 500, stamped D’APRES PICASSO and MADOURA PLEIN FEU Height: 12 inches.

Ref: A. Raime, 246 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $8,000-12,000

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29

31

28*

Pablo Picasso

(Spanish, 1881-1973) Oiseau no. 76, 1963 partially glazed ceramic edition of 200, signed EDITION PICASSO and MADOURA Diameter: 9 3/4 inches.

Ref: A. Raime, 248 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $2,000-4,000 29*

Pablo Picasso

(Spanish, 1881-1973) Hibou, 1954 glazed ceramic edition of 500, stamped EDITION PICASSO and MADOURA PLEIN FEU Height: 12 inches.

Ref: A. Raime, 253 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $4,000-6,000

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post war and american art

30

32

30*

Pablo Picasso

(Spanish, 1881-1973) Four Dancers, 1956 partially glazed ceramic edition of 450, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 12 inches.

Ref: A. Raime, 313 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000 31*

Pablo Picasso

(Spanish, 1881-1973) Four Dancers, 1956 partially glazed ceramic edition of 150, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 10 inches.

Ref: A. Raime, 314 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $2,000-4,000

33

32*

Pablo Picasso

(Spanish, 1881-1973) Bull’s Profile, 1956 partially glazed ceramic edition of 450, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 10 inches.

Ref: A. Raime, 315 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $2,000-4,000 33*

Pablo Picasso

(Spanish, 1881-1973) Bull’s Profile, 1956 partially glazed ceramic edition of 450, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 10 inches.

Ref: A. Raime, 317 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $2,000-4,000

34

35

37

38

34*

Pablo Picasso

(Spanish, 1881-1973) Tetes, 1956 partially glazed ceramic edition of 500; stamped EDITION PICASSO and MADOURA PLEIN FEU Height: 7 inches.

Ref: A. Raime, 367 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $2,000-4,000 35*

Pablo Picasso

(Spanish, 1881-1973) Trois personnages sur tremplin, 1956 partially glazed ceramic edition of 500, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 8 inches.

Ref: A. Raime, 374 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $2,000-4,000

36*

39

38*

Pablo Picasso

(Spanish, 1881-1973) Plongeurs, 1956 partially glazed ceramic edition of 500, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 8 inches.

Ref: A. Raime, 378 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,500-2,500 37*

Pablo Picasso

36

Pablo Picasso

(Spanish, 1881-1973) Flute Player and Goat, 1956 partially glazed ceramic edition of 450, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 10 inches.

Ref: A. Raime, 382 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $2,000-4,000 39*

(Spanish, 1881-1973) Two Dancers, 1956 partially glazed ceramic edition of 450, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 9 3/4 inches.

Ref: A. Raime, 380 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000

Pablo Picasso

(Spanish, 1881-1973) Jacqueline’s Profile, White Background, 1956 partially glazed ceramic edition of 500, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 8 inches.

Ref: A. Raime, 383 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000

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40

41

43

40*

Pablo Picasso

(Spanish, 1881-1973) Jacqueline’s Profile, 1956 partially glazed ceramic edition of 500, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 7 1/2 inches.

Ref: A. Raime, 385 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000 41*

Pablo Picasso

(Spanish, 1881-1973) Danseurs, 1956 partially glazed ceramic edition of 500, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 8 inches.

Ref: A. Raime, 387 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000

44

42*

Pablo Picasso

(Spanish, 1881-1973) Dancers, 1956 partially glazed ceramic edition of 450, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 10 inches.

Ref: A. Raime, 388 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000 43*

Pablo Picasso

(Spanish, 1881-1973) Beach Scene, 1956 partially glazed ceramic edition of 450, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 9 3/4 inches.

Ref: A. Ramie, 389 Property from the Collection of Clayton and Karen Marquardt, Kansasville, Wisconsin Provenance: Madoura Gallery, Vallauris, France, 1970 $2,000-4,000

24

post war and american art

42

45

44

Pablo Picasso

(Spanish, 1881-1973) Face No. 0, 1963 glazed ceramic edition of 500, signed EDITION PICASSO and MADOURA Diameter: 9 3/4 inches.

Ref: A. Raime, 458 $5,000-7,000 45*

Pablo Picasso

(Spanish, 1881-1973) Petit visage no. 65, 1963 partially glazed ceramic edition of 150, signed EDITION PICASSO and MADOURA Diameter: 10 inches.

Ref: A. Raime, 471 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000

46

47

48

50

49

46*

Pablo Picasso

(Spanish, 1881-1973) Oiseau no. 82, 1963 partially glazed ceramic edition of 150, signed EDITION PICASSO and MADOURA Diameter: 10 inches.

Ref: A. Raime, 482 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000 47*

Pablo Picasso

(Spanish, 1881-1973) Deux oiseaux no. 95, 1963 partially glazed ceramic edition of 150, signed EDITION PICASSO and MADOURA Diameter: 10 inches.

Ref: A. Raime, 487 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000

48*

50*

Pablo Picasso

(Spanish, 1881-1973) Oiseau no. 96, 1963 partially glazed ceramic edition of 150, signed EDITION PICASSO and MADOURA Diameter: 10 inches.

Ref: A. Raime, 488 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000 49*

Pablo Picasso

Pablo Picasso

(Spanish, 1881-1973) Chouette (Wood Owl), 1969 partially glazed ceramic edition of 250, inscribed EDITION PICASSO, stamped EDITION PICASSO and MADOURA PLEIN FEU Height: 12 inches.

Ref: A. Raime, 604 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $10,000-15,000

(Spanish, 1881-1973) Yan Petites Betes Pitcher, 1963 partially glazed ceramic edition of 300, inscribed EDITION PICASSO, stamped EDITION PICASSO and MADOURA PLEIN FEU Height: 10 1/2 inches.

Ref: A, Ramie 516 Property from the Collection of Clayton and Karen Marquardt, Kansasville, Wisconsin Provenance: Madoura Gallery, Vallauris, France $3,000-5,000

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51

52

51

Francisco Zúñiga

Literature: Zúñiga, Ariel, Francisco Zúñiga: Catalogue Raisonné. Vol.IV. Drawings, 1971-1989, Mexico, 1999, no. 2139, pg. 469 $2,000-4,000

Literature: Zúñiga, Ariel, Francisco Zúñiga: Catalogue Raisonné. Vol.IV. Drawings, 1971-1989, Mexico, 1999, no. 2679, pg. 598 $2,000-4,000

(Mexican, 1912-1998) The Grandmother, 1974 pastel on paper initialed FZ and dated (lower right) 18 x 25 inches.

26

52

Francisco Zúñiga

post war and contemporary art

(Mexican, 1912-1998) Woman with Blue Cloth, 1978 mixed media on paper initialeded FZ and dated (lower right) 19 1/2 x 27 inches.

Works on Paper

|

Lots 51 – 74

53

LeRoy Neiman

(American, 1921-2012) Untitled (Sailboat) mixed media on paper signed LeRoy Neiman and dated (lower left) 8 x 11 inches. $2,000-4,000 54

LeRoy Neiman

(American, 1921-2012) Untitled (Row Boats), 1955 mixed media on paper signed LeRoy Neiman and dated (lower right) 16 x 22 inches. $3,000-5,000 55

LeRoy Neiman

53

(American, 1921-2012) Untitled (Yacht) mixed media on paper signed LeRoy Neiman (lower right) 8 1/4 x 11 inches. $2,000-4,000 56

LeRoy Neiman

(American, 1921-2012) Untitled (Woman on Telephone), 1960 ink on paper signed LeRoy Neiman and dated (lower right) 8 1/2 x 6 1/2 inches. $1,000-2,000

54

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57

58

57

Aaron Bohrod

(American, 1907-1992) Untitled (Figure Study) ink on paper signed Aaron Bohrod (lower left) 9 1/2 x 6 1/2 inches. $800-1,200 58

Dumile Feni

(South African, 1942-1991) Untitled, 1965 charcoal on paper signed Dumile and dated (lower center) 23 1/2 x 20 inches. $1,000-2,000 59

Walter Whall Battiss

59

28

post war and contemporary art

(South African, 1906-1982) Lady Grey mixed media on paper signed Walter Battiss and titled (lower right) 11 1/4 x 13 3/4 inches. $1,000-2,000

60*

Saul Steinberg

(American, 1914-1999) General C, 1969 rubber stamp and watercolor on paper signed Steinberg and dated (lower right) 22 1/2 x 29 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia Provenance: Pace Editions Inc., New York $15,000-25,000

60

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61*

Alexander Calder

(American, 1898-1979) Boomerangs and Calderunes, 1966 gouache and ink on paper signed Calder and dated (lower right) 21 x 29 inches.

Property from the Collection of Edwin M. Roth, Aspen, Colorado Provenance: Perls Galleries, New York Acquired by Edwin Roth in the early 1970’s, thence by descent This work is registered in the archives of the Calder Foundation, New York, under application no. A06454 $30,000-50,000

61

30

post war and contemporary art

62*

Tom Friedman

(American, b. 1965) On the Beach at Antibbes, 1987 ink, watercolor and graphite on paper signed Friedman, titled and dated (lower right) 21 1/2 x 14 1/2 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $2,000-4,000 63

Robert Natkin

(American, 1930-2010) Apollo Series, 1981 acrylic on paper signed Natkin (lower center) and dated (lower left) 28 1/2 x 38 inches. $3,000-5,000

62

63

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64*

Anne Ryan

(American, 1889-1954) Number 32, c. 1948-54 collage signed A. Ryan (lower right) 7 1/16 x 6 1/8 inches.

Property from the Estate of James M. Kemper Jr., Kansas City, Missouri Provenance: Marlborough Gallery, New York Washburn Gallery, New York Acquired from the above by the present owner in 1996 $5,000-7,000 65*

Monique van Genderen

(Canadian, b. 1965) Untitled, 2015 mixed media on paper 30 x 25 1/2 inches.

Property from the Estate of James M. Kemper Jr., Kansas City, Missouri Provenance: Ameniger/McEnery/Yohe, New York Acquired from the above by the present owner in 2016 $1,000-2,000 66

Philip Taaffe

64

(American, b. 1955) Untitled, 1988 mixed media on paper 22 x 17 inches.

Provenance: Gagosian Gallery, New York $3,000-5,000

65

32

post war and contemporary art

66

67*

Georges Mathieu

(French, 1921-2012) Untitled, 1954 gouache on grey paper signed Mathieu and dated (lower right) 20 x 24 inches.

Property from the Estate of Carrol K. Robertsen, Ann Arbor, Michigan Provenance: Gallerie Pierre, Rue des Beaux Arts, Paris Arnold Klein Gallery, Royal Oak, Michigan $6,000-8,000 68*

Luis Feito López

(Spanish, b. 1929) Untitled, 1974 oil on paper signed Feito (center left) 26 x 20 inches.

Property from the Estate of Carrol K. Robertsen, Ann Arbor, Michigan Provenance: Galerie Gilles Corbeil, Montreal, Quebec Arnold Klein Gallery, Royal Oak, Michigan $2,000-4,000 67

68A

Jaume Plensa

(Spanish, b. 1955) Si-no II, 2003 mixed media on paper signed J Plensa and dated (lower left) 10 1/4 x 7 1/2 inches.

Provenvance: Richard Gray Gallery, Chicago $1,500-2,500

68

68A

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70

69*

Larry Bell

(American, b. 1939) Assembled Relief 5, 1987 cast paper vapor and watercolor signed L. Bell and dated (lower center) 19 x 16 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $5,000-7,000 70*

Ger van Elk

(Dutch, 1941-2014) Study for Dutch Corners, 1986 colored pencil with acrylic 30 1/2 x 51 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $5,000-7,000 71*

Victor Vasarely

(French/Hungarian, 1908-1997) Untitled together with two color paper templates and a black and white mylar template cast paper 24 x 35 inches.

Property from the Collection of Ms. Ann Lowry, Champaign, Illinois $4,000-6,000 72

Richmond Burton

(American, b. 1960) Double Thought Plane #7, 1989 oil on canvas on paper signed Richmond Burton (lower right) 13 x 16 inches.

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post war and contemporary art

Provenance: Simon Watson, New York $1,000-2,000

71

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Liu Kuo-sung Liu Kuo-song is frequently heralded as both a groundbreaker and consequently one of the most significant modern Chinese painters, leading to him being acknowledged as the father of Modernist Chinese ink painting. Originally trained in the centuries old custom of ink painting, Kuo-sung briefly experimented with abstract oil painting in the early 60s, before returning to the traditional medium with a revolutionary approach. Recognizing the limited advancements made over the course of hundreds of years of ink and brush, Kuo-sung sought to innovate radically the approach and bring ink painting to the 20th century and beyond by rejecting convention, adopting new techniques of his own invention and utilizing paper of his own design.

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post war and contemporary art

The Universe is in My Heart, 2003, from the artist’s Space Series, employs both his personally developed Shuitou or water rubbing technique and Zimo or ink steeping technique and demonstrates the artists virtuosity in composition, craftsmanship and expansive scale. Depicting a cycle of seven red moon phases arcing against an atmospherically abstracted planetary surface the work imbues tranquility as science, spirituality and invention harmonize.

A teacher as well as a maker, Kuo-sung demonstrates with this spacescape, vast in scope and concept, the infinite possibilities of ink painting when approached with inspired vision.

73*

Liu Kuo-sung

(Chinese, b. 1932) The Universe is in My Heart, 2003 ink and watercolor signed Liu Kuo-sung and dated in Chinese characters (lower left) 68 1/2 x 128 1/4 inches.

Property from the Estate of James M. Kemper Jr., Kansas City, Missouri $500,000-700,000

73

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post war and contemporary art

74*

Leung Kui-ting

(Chinese, b. 1945) Landscape 2008, 2001 (a pair of works) ink on paper signed Leung Kui-ting and dated in Chinese characters (left center) Each: 14 1/2 x 21 inches.

Property from the Estate of James M. Kemper Jr., Kansas City, Missouri Provenance: Alisan Fine Arts Limited, Hong Kong Acquired from the above by the present owner in 2004 $40,000-60,000

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post war and contemporary art

Paintings

75

Cheong Soo Pieng

(Singaporean, 1917-1983) Untitled, c. 1960’s oil on canvas signed Cheong Soo Pieng in Chinese characters (lower right) 28 x 18 inches. $15,000-25,000

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Lots 75 – 106

76*

Chuang Che

(Chinese, b. 1934) August A & B, 1967 (diptych) oil and collage on canvas titled and dated (verso) 34 x 96 inches.

Property from the Estate of Carrol K. Robertsen, Ann Arbor, Michigan Provenance: Forsythe Gallery, Ann Arbor, Michigan $30,000-50,000

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77

Stephen Pace

(American, 1918-2010) 55-16, 1955 oil on canvas signed Pace and dated (verso) 48 x 68 inches.

Provenance: The Collection of Herman Spertus, Chicago, Illinois McCormick Gallery, Chicago Private Collection, Chicago $40,000-60,000

77

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post war and contemporary art

78

78

Jules Olitski

(American, 1922-2007) Haunt Master, 1987 waterbased oil and acrylic on plexiglass signed Jules Olitski, titled and dated (on verso) 51 x 30 inches.

Provenance: Grace Hokin Gallery, Palm Beach, Florida $8,000-12,000

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79

Paul Jenkins

(American, 1923-2012) Phenomina Lunar Vail of Vence, 1982 acrylic on canvas signed Paul Jenkins (lower center); signed and titled (verso) 60 x 50 inches. $20,000-40,000

79

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post war and contemporary art

80

John Little

(American, 1907-1984) Untitled, 1965 oil on canvas signed John Little and dated (lower left) 30 x 36 inches.

Provenance: McCormick Gallery, Chicago $3,000-5,000

80

81*

Man Ray

(American, 1890-1976) Natural Painting, 1960 acrylic on masonite signed Man Ray (lower right) 7 5/8 x 9 5/8 inches.

Property from the Estate of Wendel F. Kent, Sarasota, Florida Provenance: RenÊ Basset, Paris Sold: Sotheby’s New York, March 25, 2010, Lot 109 $6,000-8,000

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82*

Robert Natkin

(American, 1930-2010) Untitled oil on canvas signed Natkin (lower right) 27 x 34 inches.

Property from the Collection of Aviva and Leonard Sorkin, Chicago, Illinois $3,000-5,000

82

83*

Robert Natkin

(American, 1930-2010) Untitled oil on canvas signed Natkin (lower right) 17 x 24 inches.

Property from the Collection of Aviva and Leonard Sorkin, Chicago, Illinois $3,000-5,000

83

84

Robert Natkin

(American, 1930-2010) Field Mouse Series, c. 1971 acrylic on canvas signed Natkin (left center) 50 1/4 x 60 inches. $4,000-6,000

84

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post war and contemporary art

85

85

Ryan McGinnis

(American, b. 1972) Parvas Sad Potens, 2005 acrylic on panel signed Ryan McGinnis, titled and dated (verso) Diameter: 20 inches. $8,000-12,000

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86

Arthur Osver

(American, 1912-2006) Witness, 1981 acrylic on canvas signed Arthur Osver (verso) 65 x 65 inches.

Provenance: Sold: Leslie Hindman Auctioneers, September 25, 2012, Lot 1043 $2,000-4,000 87*

Bruce Robbins

(American, b. 1948) Swan, 1987 encaustic and oil on canvas, wood, aluminum, plaster and wire mesh signed Bruce Robbins, titled and dated (verso) 48 x 48 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia

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Provenance: Blum Herman, Los Angeles $1,000-2,000 88

Richard Smith

(British, 1931-2016) Blue and Orange Stripes, 1996 oil on canvas signed R Smith and dated (verso) 26 x 17 inches.

Provenance: Sold: Leslie Hindman Auctioneers, December 12, 2007, Lot 154 $2,000-4,000 89

Stephen Edlich

(American, 1944-1989) Sant AO. PA, 1979 mixed media, acrylic, paper, chalk and burlap on primed canvas signed Edlich, titled and dated (verso) 44 x 30 inches.

Provenance: Irving Galleries, Palm Beach, Florida $3,000-5,000 90

Stanley Boxer

(American, 1926-2000) Peltedcascadingbangle, 1984 oil on linen signed S. Boxer, titled and dated (verso) 77 x 40 inches.

Provenance: Grace Hokin Gallery, Palm Beach, Florida $3,000-5,000 87

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post war and contemporary art

88

90

89

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91*

Robert Arthur Goodnough

(American, 1917-2010) White, 1976 acrylic on canvas signed Goodnough, titled and dated (verso) 82 x 30 inches.

Property from the Estate of George Pardo, Naples, Florida Provenance: Watson/de Nagy & Company, Houston, Texas $3,000-5,000 92*

Robert Arthur Goodnough

(American, 1917-2010) Variable Variations, 1978 oil and acrylic on canvas signed Goodnough, titled and dated (verso) 60 x 72 inches.

Property from the Estate of George Pardo, Naples, Florida Provenance: Watson/de Nagy & Company, Houston, Texas $4,000-6,000 93

Robert Arthur Goodnough

(American, 1917-2010) The Boat, 1963 oil on canvas signed Goodnough and dated (lower right); titled, signed, and dated (verso) 46 x 71 1/2 inches. $8,000-12,000

91

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post war and contemporary art

92

93

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94

Roy Schnackenberg

(American, b. 1934) Suburban Still Life, 1963 oil on canvas titled (verso) 37 x 37 inches. $2,000-4,000

94

95

Roy Schnackenberg

(American, b. 1934) Yellow Monkey, 1964 oil on canvas signed Schnackenberg and dated (lower left) 66 x 46 inches. $3,000-5,000

95

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post war and contemporary art

96

96*

André Masson

(French, 1896-1987) Femme Multiplée oil on canvas signed Andre Masson (verso) 35 1/2 x 29 1/2 inches.

Property from the Estate of Wendel F. Kent, Sarasota, Florida Provenance: Boibrino Gallery, Stockholm, Sweden Sold: Sotheby’s New York, February 21, 2002, Lot 100 $20,000-30,000

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97*

Rufino Tamayo

(Mexican, 1899-1991) Tres Figuras, 1969 oil and sand on linen signed Tamayo and dated (lower right) 39 1/2 x 31 3/4 inches.

Property from the Estate of James M. Kemper Jr., Kansas City, Missouri Provenance: Perls Galleries, New York Literature: Genauer, Emily, Rufino Tamayo, New York, 1975, illustrated no. 104 This work will be included in the forthcoming catalogue raisonné by Mr. Juan Carlos Pereda under 969-O-6. $500,000-700,000

Rufino Tamayo Long revered for his signature stylized abstraction of the human form, Rufino Tamayo’s Tres Figuras, 1969, confirms this acclaim masterfully. Compositionally this work combines Tamayo’s Modernist leaning painting approach with notions of ancestral archetypal themes. The painting depicts three elongated figures, simultaneously futuristic and ancient, floating on an atmospheric brick red ground and softly surrounded by a pinkish lavender halo of hues; perhaps as a nod to Colorfield painting and certainly intended to provide a sense of mystery. The subjects stand full frontal, directly engaging the viewers gaze creating an imperative for conversation between character and audience on topics of humanity and how human, human can be. As well, in typical Tamayo fashion, the central placement of the figures ultimately transcends a visual hierarchy requiring the work to be read as a whole through balance and symmetry.

Painted at the height of both the space race and the cold war, the exaggerated structure of the trio reference period science fiction and reality harkening to imagery of robots, astronauts, rocket ships or missiles. Contrasting these fantastical features with materials and process, Tamayo’s heavy paint application, use of sand for texture, limited palate and at times muted earth tones speak to something more primitive, reminiscent in technique of sophisticated cave painting. Considering the predominance of Catholicism in Tamayo’s native Mexico, the religious symbolism of the three cannot be escaped as parallels to the Holy Trinity, or the Three Kings of the Nativity are inherently evoked. Tamayo always one to operate in dualities, as evidenced by his idea that constraining the color choices in a given painting actually expanded the potential for complex organization within said work. In this instance, perceived conceptual opposition between the advanced imagined and the terrestrially historic actually synthesize in Tres Figuras making this work executed in 1969 perpetually in the now.

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post war and contemporary art

97

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98

98

Yannis Gaitis

(Greek, 1923-1984) Untitled acrylic on canvas signed Gaitis (lower left) 25 1/4 x 31 3/4 inches.

Provenance: Walton Street Gallery, Chicago $20,000-30,000

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post war and contemporary art

99

Yannis Gaitis

(Greek, 1923-1984) Untitled acrylic on canvas signed Gaitis (lower right) 28 1/2 x 36 inches Provenance: Walton Street Gallery, Chicago $30,000-50,000

99

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100

100

Gertrude Abercrombie

(American, 1909-1977) Scene of a Murder, 1945 oil on masonite signed Abercrombie, and dated (lower right) 14 3/4 x 21 3/4 inches.

Provenance: Associated American Artists, New York $15,000-25,000

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post war and contemporary art

101

Laurie Hogin

(American, b. 1963) Nugget, 1994 oil on canvas 83 1/4 x 60 inches.

Exhibited: Springfield, Illinois, Illinois State Museum, (Un)Earthly Delights, July 14-November 3, 1996 $4,000-6,000

101

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102

102

Choo Keng Kwang

(Singaporean, b. 1931) Three Cockatoos, 1982 oil on masonite signed K. Kwang and dated (lower right) 32 x 48 inches.

Provenance: Miner’s Gallery Americana Corporation, Carmel, California $1,500-2,500 103

Gustavo Novoa

(Chilean, b. 1941) Monkeys, 1971 oil on board signed G. Novoa and dated (lower right) 31 1/2 x 21 inches.

Provenance: Wally Findlay Galleries $1,000-2,000

103

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post war and contemporary art

104

104

Simon Combes

(English/Kenyan, 1940-2004) Cheetah oil on canvas signed Simon Combes (lower right) 18 x 24 inches. $3,000-5,000

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105

105*

John Bratby

(British, 1928-1992)Â Leopard Small, 1961 oil on canvas signed Bratby and dated (lower left) 24 x 20 inches.

Property from the Estate of Carrol K. Robertsen, Ann Arbor, Michigan Provenance: Merrill Galleries Inc., New York $3,000-5,000

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post war and contemporary art

106

106*

John Heliker

(American, 1909-2000) In the Kitchen, 1992 oil on canvas signed Heliker (lower right) 17 x 14 inches.

Property from the Estate of James M. Kemper Jr., Kansas City, Missouri Provenance: Kraushaar Galleries, Inc., New York Acquired from the above by the present owner in 1996 $3,000-5,000

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107

107

Harry Callahan

(American, 1912-1999) Detroit Log, c. 1940-49 ferrotype vintage gelatin silver print signed Harry W Callahan (lower right) 3 7/8 x 9 1/2 inches.

Provenance: Carol Ehlers Gallery Ltd., Chicago $1,000-2,000 108

Harry Callahan

(American, 1912-1999) Weed Against Sky, Detroit, 1948 silver gelatin print mounted on board signed Harry Callahan (lower right) 10 3/4 x 9 3/4 inches. $8,000-12,000 109

Aaron Siskind

(American, 1903-1991) Chicago, 1948 gelatin silver print stamped Aaron Siskind, titled and dated (verso) 7 5/8 x 9 1/2 inches. $600-800

109

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Photography

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Lots 107 – 139A

108

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110

110

Robert Mapplethorpe

(American, 1946-1989) Buds (Rosebuds Against Sky), 1977 gelatin silver print in artist made frame edition 3/3 signed Robert Mapplethorpe and dated (verso) 15 x 15 inches.

Provenance: Robert Miller Gallery, New York $8,000-12,000

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post war and contemporary art

111

114

Lynn Geesaman

Fred Zinnemann

Provenance: Grant Gallery, Denver, Colorado $600-800

Provenance: Howard Greenberg Gallery, New York $1,500-2,500

(American, b. 1938) Damme, Belgium, 1992 gelatin silver print signed Lynn Geesaman, titled and dated (verso) 18 1/2 x 19 inches.

112

Bill Perlmutter

(American, b. 1932) Brooklyn Bridge, 1998 gelatin silver print signed Bill Perlmutter (lower right) 11 3/4 x 9 inches. $400-600 113

Fred Zinnemann

(American, 1907-1997) Brooklyn Bridge #6, 1931 gelatin silver print 7 3/4 x 13 1/2 inches.

Provenance: Howard Greenberg Gallery, New York $1,500-2,500

(American, 1907-1997) East River, 1931 gelatin silver print signed Fred Zinnemann and titled (verso) 7 3/4 x 13 3/4 inches.

115

Charles C. Ebbets

(American, 1905-1978) Construction Workers Lunching on a Crossbeam, 1932 gelatin silver print; printed later blindstamped The New York Times Photo Collection (lower right) 9 1/2 x 12 inches.

111

Provenance: Camera Obscura Gallery, Denver, Colorado $200-400

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112

114

115

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116

117

117

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post war and contemporary art

116

Henri Cartier-Bresson

(French, 1908-2004) Picnic on the Banks of the Marne, 1938 gelatin silver print; printed later signed Henri Cartier-Bresson (lower right) 9 1/2 x 13 1/2 inches.

Provenance: Camera Obscura Gallery, Denver, Colorado $4,000-6,000

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118

(American, 1918-1978) The Spanish Wake and Wake-Man in Doorway (from Spanish Village), 1951 gelatin silver print each stamped W. Eugene Smith (verso) 13 x 8 3/4 inches and 13 1/4 x 10 3/4 inches.

(Swiss/American, b. 1924), Bar, Gallup, New Mexico, 1955-56

W. Eugene Smith

Provenance: Andrew Smith Gallery, Santa Fe, New Mexico Camera Obscura Gallery, Denver, Colorado $2,000-4,000

Robert Frank

elatin silver print; printed later signed Robert Frank (lower right); titled and dated (lower left) 14 1/4 x 9 3/8 inches.

Provenance: Pace Wildenstein MacGill, New York, 1997 The Ruth and Jake Bloom Collection, Sun Valley, Idaho

Literature: The Americans, no. 29 Sarah Greenough, Looking In: Robert Frank’s The Americans, pp. iv, 244, and 469, and Contact no. 29 Library of Photography: The Art of Photography, p. 135 Robert Frank (Aperture), p. 57 Janet Malcolm, Diana & Nikon: Essays on the Aesthetic of Photography, pl. 61 Robert Frank, Robert Frank, pl. 43 Robert Frank, Lines of My Hand (Parkett/Der Alltag), unpaginated Peter Galassi, Robert Frank: In America, p. 59 $15,000-25,000

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119

120

119

AndrĂŠ KertĂŠsz

(American/Hungarian 1894-1985) Window, Paris, 1928 gelatin silver print signed A Kertesz and dated (verso) 10 x 8 inches.

Provenance: Camera Obscura Gallery, Denver, Colorado $2,000-4,000 120

Imogen Cunningham

(American, 1883-1976) Restaurant in Chartres, 1961 gelatin silver print; printed 1997 blind stamped Imogen Cunningham with Chinese chop 7 1/8 x 7 1/8 inches.

Provenance: Camera Obscura Gallery, Denver, Colorado $1,000-2,000 121

William Klein

121

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post war and contemporary art

(American, b. 1928) Gun, 1955 gelatin silver print signed William Klein, titled and dated (verso) 18 x 12 3/4 inches. $1,000-2,000

122

Robert Frank

(Swiss/American, b. 1924) Savannah, 1955 gelatin silver print; printed 1970-79 signed Robert Frank (lower right); titled and dated (lower left) 13 1/4 x 8 3/8 inches.

Provenance: Galerie Marie-Louise Wirth, Zurich Sold: Christie’s New York, October 5, 1999, Lot 313 The Ruth and Jake Bloom Collection, Sun Valley, Idaho Literature: The Americans, no. 6 Sarah Greenough, Looking In: Robert Frank’s The Americans, pp. 217 and 462, and Contact no. 6 Robert Frank: Story Lines, p. 207 $1,000-2,000

122

123

Yousuf Karsh

(Armenian/Canadian, 1908-2002) Jean Sibelius (From 15 Portraits), 1949 gelatin silver print; printed later signed Karsh (lower left) 19 1/2 x 15 1/2 inches.

Provenance: Andrew Smith Gallery, Santa Fe, New Mexico $800-1,200

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124

Robert Frank

(Swiss/American, b. 1924) Chicago (Political Rally), 1956 gelatin silver print; printed 1970-79 signed R. Frank (lower right); titled and dated (lower left) 11 7/8 x 7 7/8 inches Provenance: Sold: Sotheby’s New York, October 3, 2001, Lot 261 The Ruth and Jake Bloom Collection, Sun Valley, Idaho

Literature: The Americans, no. 3 Sarah Greenough, Looking In: Robert Frank’s The Americans, pp. viii, 213, and 461, and Contact no. 3 ‘A Pageant Portfolio: One Man’s U.S.A.,’ Pageant, April 1958, p. 26 Robert Frank (Aperture), p. 31 Sarah Greenough and Philip Brookman, Robert Frank: Moving Out, p. 177 Robert Frank: Story Lines, frontispiece 3 and p. 108 Peter Galassi, Robert Frank: In America, p. 122 $10,000-15,000

124

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post war and contemporary art

125

125

Osvaldo Salas

(Cuban, 1914-1992) Fidel Castro Santiago de Cuba, 1964 gelatin silver print: later printing signed Osvaldo Salas (lower right); titled and dated (lower left) 12 x 16 inches.

Provenance: Camera Obscura Gallery, Denver, Colorado $800-1,200 126

Osvaldo Salas

(Cuban, 1914-1992) Che, c. 1962 gelatin silver print signed Osvaldo Salas (lower right) and titled (lower left) 9 x 7 inches.

Provenance: Sold: Swann Auction Galleries, May 19, 2011, Lot 184 $800-1,200

126

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127

Flor Garduño

(Mexican, b. 1957) Musicians in Nowhere, Escoma, Boliva, 1990 gelatin silver print; printed 1996 signed Flor Garduño, titled and dated (verso) 8 1/2 x 12 inches.

Provenance: Andrew Smith Gallery, Santa Fe, New Mexico $1,500-2,500

127

128

Graciela Iturbide

(Mexican, b. 1942) Mujer Angel, Desierto de Sonoma Mexico, 1979 gelatin silver print signed Graciela Iturbide (lower right) 8 1/2 x 12 1/2 inches.

Provenance: Etherton Gallery, Tucson, Arizona $800-1,200

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129

Sabastião Salgado

(Brazilian, b. 1944) Refugees in the Korem Camp, Ethiopia, 1984 gelatin silver print signed S. Salgado and dated (verso) 11 1/2 x 17 1/2 inches.

Provenance: Camera Obscura Gallery, Denver, Colorado $4,000-6,000

129

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130

Manuel Álvarez Bravo

(Mexican, 1902-2002) Retrato de lo Eterno, 1977 gelatin silver print signed M Alvarez Bravo (verso) 9 1/2 x 7 1/2 inches.

Provenance: Camera Obscura Gallery, Denver, Colorado $5,000-7,000

130

131

Flor Garduño

(Mexican, b. 1957) Basket of Light, Guatemala, 1989 silver gelatin print; printed 2004 signed Flor Garduño, titled and dated (verso) 12 1/2 x 8 1/2 inches.

Provenance: Andrew Smith Gallery, Santa Fe, New Mexico $3,000-5,000

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132

Ricky Powell

(American, b. 1961) Andy Warhol & Jean-Michel Basquiat, Soho. NYC., 1985 pigment print on aluminum edition 57/100, signed Ricky Powell (lower right); signed (verso) 10 x 14 inches $800-1,200

132

133

Bert Stern

(American, 1929-2013) Marilyn with Azure Roses, 1962 pigment print, hand colored signed Bert Stern (verso) 35 x 27 1/2 inches.

This work is accompanied by a certificate from the artist. $4,000-6,000

133

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post war and contemporary art

134

Ruth Bernhard

(American, 1905-2006) Hips, Horizontal, 1975 gelatin silver print signed Ruth Bernhard (lower right) 10 1/2 x 13 inches.

Provenance: Ginny Williams Photographs, Denver, Colorado $5,000-7,000

134

135

Henri Cartier-Bresson

(French, 1908-2004) Nude, Italy (Leonor Fini), 1933 gelatin silver print; printed 1980-89 signed Henri Cartier-Bresson (lower right) 14 x 9 1/2 inches.

Provenance: Shapiro Gallery, San Francisco $5,000-7,000

135

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136

137

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post war and contemporary art

138

136

137

138

(American, b. 1953) Kiki and Maggie at the Sonesta Hotel, 1985 cibachrome print on alu-dibond edition A.P. 5, signed Nan Goldin, titled and dated 14 1/4 x 22 1/2 inches $3,000-5,000

(British, b. 1964) Untitled (pl. 4 from Winter Garden), 2004 color pigment print with acrylic paint signed Marc Quinn and dated (verso) 32 x 48 inches. $1,500-2,500

(American, b. 1937) Rose for Mother 4.

December 1995, 1995 digital inkjet print edition 21/45, signed David Hockney and dated (lower right) 35 x 47 inches. $2,000-4,000

Nan Goldin

Marc Quinn

David Hockney

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139

139

139A

(American, b. 1949) Calvary (from Wild West), 1988 unique mural-sized color photograph on canvas, after a Polaroid SX-70 print 48 x 48 inches. $2,000-4,000

(American, b. 1950) Afghan Girl, Sharbat Gula, Peshawar, Pakistan, 1984 c-print, printed 2006 edition 6/30, signed Steve McCurry and stamped (verso) 37 x 24 1/2 inches. $15,000-25,000

David Levinthal

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post war and contemporary art

Steve McCurry

139A

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SALE 539

Fine Prints thursday 14 december 2017 | 2:00pM CT lots 140 – 356

Opposite Lot 182 | Pablo Picasso (Spanish, 1889-1974) Le déjeuner sur l’herbe (d’après Manet), 1962

141

140

140

Camille Pissarro

(Danish/French, 1830-1903) La Rue Malpalue, à Rouen, 1885 etching inscribed no. 2 epreuve d’artiste, signed and titled in pencil Plate: 7 3/4 x 5 3/4 inches.

Ref: Delteil 53 $3,000-5,000

141

Camille Pissarro

(Danish-French, 1830-1903) Rue Damiette, à Rouen, 1884 etching and aquatint inscribed no. 5, titled and signed in pencil Plate: 7 3/4 x 5 3/4 inches.

Ref: Delteil 52 $5,000-7,000

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144

142

142

James Ensor

(German, 1860-1949) Les Gendarmes, 1888 etching on simili Japan signed, titled and dated in pencil Plate: 7 x 9 3/8 inches. $1,000-2,000 143

Jean-Louis Forain

(French, 1852-1931) Le Prévenu et l’enfant, c. 1900-2 (first state) etching on paper signed in pencil (lower right) and inscribed 1er etat (lower left) Plate: 15 5/8 x 11 3/4 inches.

Provenance: M. Knoedler & Co., Inc., New York $100-200 144*

Théophile Alexandre Steinlen

(French/Swiss, 1859-1923) La grande soeur (The Big Sister), 1913 etching and drypoint on cream laid paper Plate: 8 3/4 x 6 1/2 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Provenance: David Barnett Gallery, Milwaukee, Wisconsin $300-500 145*

Théophile Alexandre Steinlen

145

86

fine prints

(French/Swiss, 1859-1923) E bien poilu a Pétain (on to Petain, soldier), c. 1915 lithograph Image: 13 x 11 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin $300-500

146

Francis Seymour Haden (British, 1818-1910) A Brig at Anchor, c. 1870 etching and drypoint signed in pencil Plate: 5 1/2 x 8 1/4 inches. $100-200 147

Anders Zorn

(Swedish, 1860-1920) Edo, 1907 etching on laid paper signed in pencil Plate: 7 x 4 5/8 inches.

Ref: Asplund 214 $600-800 148

Anders Zorn

(Swedish, 1860-1920) Skrämda (Frightened), 1912 etching signed in pencil Plate: 7 5/8 x 5 5/8 inches.

Ref: Asplund 248 $600-800 149

Louis Legrand

(French, 1863-1951) Rieuses (from La Petite Classe), 1908 etching and aquatint numbered 66/100 and signed in pencil Sheet: 14 5/8 x 19 1/4 inches. $500-700

149

147

148 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

87

150

Various Artists

(French, 19th Century) A collection of 10 prints from Les Maitres de l’Affiche, 1896-1900 lithographs; L’Imprimerie Chaix, Paris, prntr. each with the blindstamp Various sizes Note: includes 7 prints by Jules Cheret and 3 prints

by Julius Price, Georges Meunier, and Rene Pean $2,000-4,000 151

Alphonse Mucha

(Czech, 1860-1939) La Dame aux Camelias, 1896 lithograph; F. Champenois, Paris, prntr.

Sight 80 x 28 1/2 inches. $7,000-9,000

150 three of ten shown 88

fine prints

151

152

152*

Alphonse Mucha

(Czech, 1860-1939) Biscuits Lefevre-Utile, 1897 lithograph; F. Champenois, Paris, prntr.

Sight: 24 x 17 1/4 inches.

Property from the Collection of Gerri Weinberg, Milwaukee, Wisconsin $4,000-6,000 153

Alphonse Mucha

(Czech, 1860-1939) Lygie, 1901 color lithographic poster; F. Champenois, Paris, prntr.

Sheet: 69 x 23 1/8 inches.

Ref: Rennet/Weill, 77 $5,000-7,000

153

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

89

154

Henri de Toulouse-Lautrec

(French, 1864-1901) Coquelin Aine (from Portraits d’Acteurs et d’Actrices, Treize Lithographies), 1898 lithograph edition c. 400 Image: 11 1/2 x 9 1/2 inches.

Ref: Delteil, 153 $300-500 155

No Lot 156*

Henri de Toulouse-Lautrec

(French, 1864-1901) Procès Arton, Ribot à la Cour d’Assises (second plate), 1896 lithograph; Kleinmann, pub. with red monogram stamp (lower left); monogram and date (lower right) Sight: 16 x 21 3/4 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Ref: Delteil 192 Provenance: Irving Gallery, Milwaukee, Wisconsin $600-800 157

Louis Icart

154

(French, 1888-1950) Repose, 1934 etching, aquatint, and drypoint with handcoloring inscribed no. 185 and signed in pencil with the artist’s blindstamp Image: 18 1/2 x 45 1/2 inches.

Ref: Holland/Catania/Isen 438 $1,500-2,500 158

Louis Icart

(French, 1888-1950) Melody Hour, 1934 etching, drypoint and aquatint with handcoloring signed in pencil with the artist’s blindstamp Plate: 18 3/4 x 23 3/8 inches.

Ref: Holland/Catania/Isen, 437 $1,000-2,000 159

Louis Icart

(French, 1888-1950) Le bandeau (The Blindfold), 1922 etching and aquatint with handcoloring numbered 241 and signed in pencil Image: 14 1/8 x 17 1/4 inches.

Ref: Holland/Catania/Isen, 158 $500-700 160

Louis Icart

156

(French, 1888-1950) Two Beauties, 1931 etching, drypoint and aquatint with handcoloring signed in pencil with the artist’s blindstamp Plate: 17 x 24 1/4 inches.

Ref: Holland/Catania/Isen, 419 $1,000-2,000 161

Louis Icart

(French, 1888-1950) Leda and The Swan, 1934 etching and aquatint with handcoloring signed in pencil with the artist’s blindstamp Plate: 20 1/2 x 31 inches.

Ref: Holland/Catania/Isen, 436 $1,000-2,000 90

fine prints

157

158

159

160

161

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

91

162

163

92

fine prints

164

162

Gustave Baumann

(American/German, 1881-1971) Morning Sun, 1931 woodcut numbered II-79-125, signed and titled in pencil with the artist’s inkstamp lower right Image: 10 7/8 x 9 7/8 inches. $3,000-5,000 163

Robert Riggs

(American, 1896-1970) Out, 1932-33 lithograph edition of 50, signed and inscribed in pencil Sheet: 14 3/4 x 19 1/2 inches.

Ref: Bassham 28 $1,500-2,500 164

Robert Riggs

(American, 1896-1970) Clown Alley, c. 1934 lithograph signed and inscribed in pencil Sheet: 18 3/4 x 22 3/4 inches. $1,500-2,500

165

165

Reginald Marsh

(American, 1898-1954) Tenth Ave. at 27th St, 1931 etching edition 81/100, signed in pencil Plate: 7 3/4 x 10 3/4 inches. $1,000-2,000 166

George Grosz

(German, 1893-1959) Zu Hause (Mammi und Pappi), 1922 photolithograph numbered 37, signed and inscribed (illegibly) in pencil Sheet: 20 x 15 inches.

Ref: DĂźckers, E 82 $200-400 167

Karl Schmidt-Rottluff

(German, 1884-1976) The Road to Emmaus, (from Schmidt-Rottluff 9 Holzschnitte), 1918 woodcut; W. Drugulin, prntr.; Kurt Wolff, pub. signed in pencil Sheet: 20 x 24 1/2 inches.

Ref: Schapire, H 212 $5,000-7,000 167

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

93

168

After Jacques Villon

(French, 1875 - 1963) Le Pigeonnier Normand, (from Jacques Villon Presente par Lionello Venturi), 1962 lithograph; Mourlot, Paris, prntr.; Louis Carré, Paris, pub. signed in pencil Image: 11 x 16 1/2 inches $300-500 169*

168

After Fernand Leger

(French, 1881-1955) Les Loisirs sur fond Rouge lithograph on Arches with Musee Fernand Leger Biot blindstamp numbered 184/250 and stamped with artist’s signature Sheet: 24 x 35 1/2 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $500-700 170*

After Fernand Leger

(French, 1881-1955) Les Toits (from La Ville), 1959 lithograph; Mourlot Frères, Paris, prntr.; Tériade, Paris, pub. numbered 87/180 with stamped signature Sight: 25 1/4 x 19 1/4 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin

169

Provenance: Irving Galleries, Milwaukee, Wisconsin $500-700 171*

Georges Braque

(French, 1882-1963) Verre et pichet, c. 1952 lithograph Sheet: 14 3/4 x 10 1/2 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Ref: Maeght, 1009 Provenance: David Barnett Gallery, Milwaukee, Wisconsin $500-700 172*

Georges Braque

(French, 1882-1963) Le Viaduc de l’Estaque, c. 1950 color aquatint and engraving on BFK Rives inscribed E.A. and signed in pencil Sheet: 22 1/4 x 29 3/4 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,500-2,500 173

No Lot

170 94

fine prints

172

171

175

174

174

175

(French, 1882-1963) Untitled (from Si je mourais lĂ -bas by Guillaime Apollinaire), 1962 woodcut; FĂŠquet and Baudier, Paris, prntr.; Louis Broder, Paris, pub. numbered 10/70 and signed in pencil Sheet: 18 1/2 x 14 1/4 inches.

Property from a Private Collection, Boulder, Colorado Ref: Vallier, 181 $800-1,200

(French, 1882-1963) Le Char III (Char verni), 1955 lithograph with hand varnish; Maeght Editeur, Paris, pub. numbered 52/75 and signed in pencil Image: 12 1/2 x 16 1/2 inches.

Ref: Vallier 98 $2,000-4,000

Georges Braque

Georges Braque

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

95

176*

Pablo Picasso

(Spanish, 1881-1973) Femme assise en tailler: Geneviève Laporte (from Recordant el Doctor Reventós), 1951 etching and drypoint; Editorial Gustavo Gili, Barcelona, pub. numbered 89/180, signed in pencil Plate: 5 5/8 x 4 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Ref: Bloch 1837 Provenance: Irving Gallery, Milwaukee, Wisconsin $8,000-12,000 177

Pablo Picasso

(Spanish, 1881-1973) Couple et Voyageuse (from La Série 347), 1968 etching; Galerie Louise Leiris, Paris, pub. numbered 31/50, signed in pencil Plate: 8 1/2 x 11 1/4 inches.

Ref: Bloch 1543 $3,000-5,000

176

177 96

fine prints

178

178*

Pablo Picasso

(Spanish, 1881-1973) Le peintre et son modèle, 1965 linocut on Arches numbered 153/160 and signed in pencil Sheet: 24 1/2 x 29 3/4 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri Ref: Bloch 1194 $10,000-15,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

97

179*

Pablo Picasso

(Spanish, 1881-1973) Couple et enfant (pl. 1 from Lysistrata), 1934 etching; Limited Editions Club, New York, pub. numbered 150/95 and signed in pencil Sheet: 15 x 11 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri Ref: Bloch 268 $3,000-5,000

179

180

Pablo Picasso

(Spanish, 1881-1973) Calixte et Mélibée (from La Série 347), 1968 lithograph; Galerie L. Leiris, Paris, pub. numbered 35/50 and signed in pencil Plate: 7 1/4 x 10 inches.

Ref: Bloch, 1611 $3,000-5,000

180

98

fine prints

181

181*

Pablo Picasso

(Spanish, 1889-1974) TĂŞte de femme (Jacqueline au chapeau noir), 1962 Linocut; Galerie Louise Leiris, Paris, pub. numbered 47/50, signed in pencil Sheet: 29 5/8 x 24 1/2 inches.

Property from the Collection of Dr. and Mrs. Eugene Gedgaudas, Jupiter Island, Florida Ref: Bloch 1028 $50,000-70,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

99

182*

Pablo Picasso

(Spanish, 1889-1974) Le déjeuner sur l’herbe (d’après Manet), 1962 Linocut on Arches; Arnéra, Vallauris, prntr.; Galerie Louise Leiris, Paris, pub. numbered 40/50, signed in pencil Sheet: 24 3/8 x 29 5/8 inches.

Property from the Collection of Dr. and Mrs. Eugene Gedgaudas, Jupiter Island, Florida Ref: Bloch 1027 $80,000-120,000

100

fine prints

182

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

101

183*

Pablo Picasso

(Spanish, 1889-1974) Nature morte au verre sous la lampe, 1962 Linocut; ArnĂŠra, Vallauris, prntr.; Galerie Louise Leiris, Paris, pub. numbered 10/50 and signed in pencil Sheet: 24 3/8 x 29 5/8 inches.

Property from the Collection of Dr. and Mrs. Eugene Gedgaudas, Jupiter Island, Florida Ref: Bloch 1101 $200,000-300,000

102

fine prints

183

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

103

184

Massimo Campigli

(Italian, 1895-1971) La Benvenuta, 1958 lithograph; L’Oeuvre Gravée, Parigi-Zurigo/ Desjobert, Parigi, pub. numbered 159/175, signed in pencil and dated with publisher’s blindstamp Image: 14 3/4 x 19 3/4 inches $500-700 185

Massimo Campigli

(Italian, 1895-1971) Donne Fiori, 1957 lithograph; L’Oeuvre Gravée, Paris and Zurich, pub. numbered 114/175, signed and dated in pencil with publisher’s blindstamp Image: 22 1/4 x 15 inches $600-800 186

M. C. Escher

(Dutch, 1898-1972) The Encounter, 1944 lithograph on Holland paper numbered 93/200 and signed in pencil Sheet: 18 3/8 x 22 3/8 inches; Image: 13 1/2 x 18 3/8 inches.

Property from the Collection of Mark Saathoff, Hampton, Illinois Ref: Bool et. al, no. 331, p.285 $6,000-8,000 185

186

104

fine prints

187

187

Marc Chagall

(French/Russian, 1887-1985) Autportrait, 1973 lithograph numbered 26/50, signed in pencil Image: 22 1/2 x 15 1/2 inches.

Ref: Mourlot 697 $3,000-5,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

105

188

190

191

188

189*

190

191

(French/Russian, 1887-1985) Josué armé par l’Éternel (from La Bible), 1931-9 etching with handcoloring; Haasen, Paris, prntr.;Tériade, Paris, pub. numbered 58/100 and signed in pencil Image: 11 3/4 x 9 inches.

Ref: Vollard 242

(French/Russian, 1887-1985) A la femme, qu’est-il rest? (from Sur la terre des dieux), 1967 lithogrpah; Mourlot, Paris, prntr.; Alain C. Mazo, Paris, pub. numbered 61/75 and signed in pencil Sheet: 25 1/2 x 19 5/8 inches.

Ref: Mourlot 536

(French/Russian, 1887-1985) Double visage gris, 1974 lithograph in black and grey on japon nacre; Maeght, Paris, pub. numbered 26/50, signed in pencil Image: 16 1/2 inches x 12 1/2 inches.

Ref: Mourlot, 732 $2,000-4,000

(French/Russian, 1887-1985) L’ecuyere (The Woman Circus-Rider), 1956 color lithograph inscribed H.C. and signed in pencil Sheet: 14 3/8 x 21 1/8 inches.

Ref: Mourlot 153 $1,000-2,000

Marc Chagall

Provenance: Ohana Gallery, London $600-800 106

fine prints

Marc Chagall

Property from the Estate of John Kanealy, Cedar Rapids, Iowa $8,000-12,000

Marc Chagall

Marc Chagall

189

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

107

194

193

192

Henry Moore

(British, 1898-1986) Reclining Nude I, 1978 etching and drypoint in ochre; John Collyer and John Crossley, London, prntr.; Raymond Spencer Company Ltd for The Henry Moore Foundation, Much Hadham, pub. numbered 39/50 and signed in pencil with the printer’s blindstamp Sheet: 11 x 12 1/2 inches.

Ref: Cramer 482 $700-900 193

Henry Moore

(British, 1898-1986) Woman Seated on Fireside Stool, 1973-4 lithograph edition 52/75, signed in pencil Sheet: 25 5/8 x 19 1/2 inches.

Ref: Cramer 311

195

Provenance: Grace Hokin Gallery, Palm Beach, Florida $800-1,200 194

Henry Moore

(British, 1898-1986) Reclining Figure Architectural Background III, 1977 lithograph; Curwen Prints, prntr; Galerie Patrick Cramer, pub. edition II/XV, signed in pencil Image: 9 3/4 x 12 inches.

Ref: Cramer, 456 Provenance: Grace Hokin Gallery, Palm Beach, Florida $1,000-2,000 195

Henry Moore

196 108

fine prints

(British, 1898-1986) Reclining Nude II, 1978 etching and drypoint; J C Editions, prntr.; Raymond Spencer for the Henry Moore Foundation, pub. numbered 39/50 and signed in pencil with the printer’s blindstamp Sheet: 10 3/4 x 12 1/2 inches. $700-900

197

198

199

196

Henry Moore

(British, 1898-1986) Sculptural Ideas 4, 1980 etching and aquatint numbered 4/50 and signed in pencil Sheet: 17 x 22 3/4 inches. $800-1,200 197*

Alberto Giacometti

(Swiss, 1901-1966) Rue d’Alesia, 1954 lithograph; Maeght, Paris, pub. numbered 191/200 in pencil and signed in ink Sight: 27 x 19 3/4 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Ref: Lust 201 Provenance: Irving Gallery, Milwaukee, Wisconsin $1,000-2,000

198*

Marino Marini

(Italian, 1901-1980) Untitled (pl. I from Chevaux et Cavaliers), 1972 lithograph on Arches; Atelier Ferdinand Mourlot, Paris, prntr; Société Internationale d’Art XXe Siécle & Léon Amiel, Paris, pub. inscribed E.C. and signed in pencil Sight: 19 x 25 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Provenance: David Barnett Gallery, Milwaukee, Wisconsin $600-800

200

199

Max Ernst

(German, 1891-1976) Untitled, 1970 etching and aquatint; printed with two plates on Velin brun de Roma, edited by Georges Visat, Paris numbered 71/100 and signed in pencil Sheet: 28 x 20 inches.

Ref: Spies-Leppien, 142B $500-700

201

200

Max Ernst

(German, 1891-1976) Tout en un plus deux, 1971 etching on chine appliqué laid on Velin de Lana; edited and printed by Georges Visat, Paris Numbered 22/100 and signed in pencil Image: 15 1/4 x 11 inches.

Ref: Spies-Leppien 210B $500-700 201

Max Ernst

(German, 1891-1976) Masque, 1950 etching; Georges Visat, Paris, prntr. numbered 31/100 and signed in pencil Image: 8 3/8 x 7 inches.

Ref: Spies-Leppien 38B $500-700

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

109

202

Roberto Matta

(Chilean, 1911-2002) Untitled lithograph numbered 29/75 and signed in pencil Sheet: 17 1/2 x 14 inches. $500-700 203*

Zao Wou-Ki

(Chinese/French, 1920-2013) Les grands baigneuses, 1953 etching; E. & J. Desjobert, Paris, prntr.; L’Oeuvre GravÊe, Zurich, pub. numbered 70/95, signed in pencil and dated Image: 17 x 22 1/2 inches.

Ref: Jacometti, 55, A. 83 Property from the Estate of Janet L. Kohrman, Chicago, Illinois $2,000-3,000

202

203

110

fine prints

204

Joan Miró

(Spanish, 1893-1983) Untitled (from Homenatge à Joan Prats, 1971 lithograph numbered H.C. VII/X, signed in pencil Image: 21 1/2 x 29 1/2 inches. $1,500-2,500

204

205

Joan Miró

(Spanish, 1893-1983) Geneve, 1961 lithograph; Maeght, prntr.; Edwin Engelberts, pub. numbered 28/100 and signed in pencil Sight: 14 5/8 x 21 1/2 inches.

Ref: Mourlot 266 $2,000-4,000

205

206

Joan Miró

(Spanish, 1893-1983) Untitled (from pl. IV L’enfance d’Ubu), 1975 lithograph; Mourlot, Paris, prntr.; Teriade, Paris, pub. numbered 97/120 and signed in pencil Sheet: 12 5/8 x 19 3/4 inches.

Property from a Private Collection, Boulder, Colorado Ref: Mourlot 1001 $1,000-2,000

206

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

111

207*

Joan Miró

(Spanish, 1893-1983) Untitled (pl. 13 from Barcelona), 1972-73 etching with aquatint and carbordundum numbered 39/50, signed in pencil Sheet: 67 5/8 x 27 1/8 inches.

Property from the Collection of Dr. and Mrs. Eugene Gedgaudas, Jupiter Island, Florida $8,000-12,000 208*

Joan Miró

(Spanish, 1893-1983) Untitled (a pair of works from Cahiers d’Art), 1934 color pochoirs; Créte, Paris, prntr.; Editions Cahiers d’Art, Paris, pub.

Sheet: 12 x 9 1/4 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $3,000-5,000 209*

Joan Miró

(Spanish, 1893-1983) Pl. V from Paroles Peintes, 1975 etching and aquatint in black and white on Japan paper; Morsang, Paris, prntr.; O. Lazar-Vernet, Paris, pub. signed in pencil Sheet: 15 1/8 x 11 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,000-2,000 210*

Joan Miró

(Spanish, 1893-1983) Untitled (from La Bague d’Aurore), 1957 color etching and aquatint; Louis Broder, Paris, pub. inscribed epreuve d’artiste, numbered 2/6 and signed in pencil Plate: 4 1/2 x 5 3/8 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Ref: Dupin 132 Provenance: Irving Gallery, Milwaukee, Wisconsin $2,000-4,000 211*

Joan Miró

(Spanish, 1893-1983) Untitled (Miro Sculpteur-Italy) 1974 lithograph; La Poligrafa, Barcelona, prntr.; Bijustn, pub. numbered 17/100 and signed in pencil 7 x 15 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Ref: Cramer 193 Provenance: Irving Gallery, Milwaukee, Wisconsin $1,000-2,000 212

Joan Miró

207 112

fine prints

(Spanish, 1893-1983) Miro Sculptures II, 1974 lithograph inscribed HC and signed in pencil Image: 11 1/4 x 22 1/2 inches. $1,000-2,000

208

211 209

210

212 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

113

215

216

217

213

215*

(American, 1898–1976) Criminel au Milieu, 1966 lithograph; Maeght, Paris, prntr./pub. numbered 9/90 and signed in pencil Sheet: 18 7/8 x 25 1/2 inches $600-800

(American, 1898-1976) Untitled (La Scie et les Boules), c. 1965 color aquatint and etching numered 51/90 and signed in pencil Sheet: 25 3/4 x 19 7/8 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,000-2,000

Alexander Calder

214*

Alexander Calder

(American, 1898-1976) Birds in Flight, 1975 lithograph numbered 3/125, signed in pencil Sheet: 27 x 36 1/2 inches.

Property from the Cancer Wellness Center, Northbrook, Illinois $1,000-2,000

114

214

fine prints

Alexander Calder

216

Alexander Calder

(American, 1898-1976) Untitled (from La mémoire élémentaire), 1978 lithograph on Japon paper numbered XXXVI/L and signed in pencil Sheet: 20 1/4 x 28 1/4 inches. $1,500-2,500

217

Alexander Calder

(American, 1898-1976) Boomerang color lithograph Sheet: 44 x 30 inches. $700-900 218

Alexander Calder

(American, 1898-1976) Untitled color lithograph numbered 86/100, signed in pencil Sheet: 22 7/8 x 30 3/4 inches. $1,000-2,000

219*

Sonia Delaunay

(Ukrainian, 1885-1979) CarrĂŠ rouge, 1970 lithograph inscribed E.A. and signed in pencil Sheet: 30 1/8 x 22 1/4 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,000-2,000 220*

Sonia Delaunay

(Ukranian, 1885-1979) Composition concentrique, c. 1970 lithograph inscribed EA and signed in pencil Sheet: 29 7/8 x 22 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,000-2,000 221*

Jean (Hans) Arp

(French, 1886-1966) Untitled (from Le soleil recerclĂŠ), 1966 woodcut; Fequet et Baudier, Paris, prntr.; Louis Broder, Paris, pub. numbered 24/60 and signed in pencil Image: 13 3/8 x 13 3/8 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin

219

Provenance: David Barnett Gallery, Milwaukee, Wisconsin $500-700 222

Marc Tobey

(American, 1890-1976) Fragment, 1973 lithograph; Petersburg Press, pub. numbered 7/45 and signed in pencil Sheet: 27 x 10 inches.

Framed: 17 1/2 x 35 inches. $300-500

221

220 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

115

223

Lucio Fontana

(Argentine/Italian, 1899-1968) Concetto Spaziale, 1968 etching and aquatint with embossing and punched holes edition 15/50, signed in pencil Sheet: 19 x 25 inches. $2,000-4,000

116

fine prints

223

224

225

226

224

225

226

(Argentine/Italian, 1899-1968) Concetto Spaziale, 1968 etching and aquatint with embossing and punched holes edition 15/80, signed in pencil Sheet size: 24 1/2 x 18 1/4 inches. $2,000-4,000

(Argentine/Italian, 1899-1968) Concetto Spaziale, 1968 etching and aquatint with incisions edition15/80, signed in pencil Sheet: 18 1/4 x 25 inches. $2,000-4,000

(Argentine/Italian, 1899-1968) Concetto Spaziale, 1968 etching and embossing with punched holes edition 6/50, signed in pencil Sheet: 24 1/2 x 19 1/2 inches. $2,000-4,000

Lucio Fontana

Lucio Fontana

Lucio Fontana

227

Josef Albers

(American/German, 1888-1976) Untitled ( from Hommage au carré), 1964 screenprint; Atelier Arcay, Paris, prntr.; Edition Denise René, Paris, pub. numbered 85/125, initialed and dated in pencil Image: 11 x 11 inches.

Framed: 16 x 20 inches. $2,000-4,000

228

Josef Albers

(American/German, 1888-1976) Untitled (from Hommage au carré), 1964 screenprint; Atelier Arcay, Paris, prntr.; Edition Denise René, Paris, pub. numbered 85/125, initialed and dated in pencil Image: 11 x 11 inches.

Framed: 16 x 20 inches. $2,000-4,000

229*

230

Josef Albers

Josef Albers

Provenance: Irving Gallery, Milwaukee, Wisconsin $1,500-2,500

Victor Vasarely

(American/German, 1888-1976) WLS - X (from White Line Squares (Series II)), 1966 lithograph; Gemini G.E.L., Los Angeles, pub. numbered 65/125, monogramed, titled, and dated with the publisher’s blindstamp Image: 15 3/4 x 15 3/4 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin

227

229

(American/German, 1888-1976) I-S JP, 1972 screenprint; Ives-Sillman, Inc., New York, pub. inscribed hc and numbered 6/35, signed and dated in pencil with publisher’s blindstamp Image: 15 x 15 inches.

Property from a Private Collection, Boulder, Colorado Ref: Danilowitz, 217 $2,000-4,000 231

(French/Hungarian, 1906-1997) Hokkaido serigraph; Lahumière, pub. numbered E.A. XXX/LXXV and signed in pencil Sheet: 8 x 9 1/4 inches. $200-400

228

230

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

117

232

235

232*

Louise Nevelson

(American, 1899-1988) Six Pointed Star, 1980 cast paper relief; Pace Editions, Inc., New York, pub. numbered 84/90 and signed in pencil Sheet: 40 x 34 1/4 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $3,000-5,000

233

Louise Nevelson

(American, 1899-1988) Untitled (from the portfolio The New York Collection for Stockholm), 1973 screenprint numbered 21/30, inscribed a.c. and signed in pencil Sheet: 12 x 9 inches. $500-700

236

234*

Louise Nevelson

(American, 1899-1988) Untitled (from Faรงade Homage to Edith Sitwell), 1966 offset lithograph and collage; Chiron Press, prntr.; Harry N. Abrams & Pace Gallery, pub. numbered 53/125, signed and dated in pencil Sight: 22 1/4 x 17 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Provenance: Channel 10 Auction, Milwaukee, Wisconsin Judith Posner Gallery, Milwaukee, Wisconsin $600-800

118

fine prints

234

233

235

Louise Nevelson

(American, 1899 - 1998) Tropical Leaves, 1972 embossed lead on CM Fabriano paper numbered 31/150, signed, titled and dated in pencil Sheet: 29 13/16 x 24 13/16 inches. $1,000-2,000 236

Louise Nevelson

(American, 1899-1988) Untitled, 1981 etching numbered 6/20, signed in pencil Image: 39 x 27 1/2 inches. $600-800

237

Willem de Kooning

(American/Dutch, 1904-1997) Untitled (from Quatre Lithographies), 1986 lithograph on Arches; Editions de la Difference, Paris, pub. numbered 26/100, signed in pencil and dated Sheet: 28 1/4 x 24 7/8 inches. $6,000-8,000 238

Lee Krasner

(American, 1908-1984) Free Space, 1975 lithograph; Alex Rosenberg, Transworld Art, New York, pub. numbered 15/175 and signed in pencil with publisher’s insktamp to verso Sheet: 19 1/2 x 26 inches. $1,000-2,000 239

Jean RenĂŠ Bazaine

(French, 1904-1995) Untitled, 1959 aquatint numbered 141/300 and signed in pencil Plate: 9 1/4 x 6 1/4 inches. $200-400 240

Pierre Tal-Coat

(French, 1905-1985) Dans les champs, 1959 lithograph numbered 31/300 and signed in pencil Image: 15 x 18 inches $500-700 237

238

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

119

241

242

243

244

241

242*

243*

244

(American, 1915-1991) Untitled, 1964 (from Ten Works by Ten Painters) screenprint in colors with collage on Mohawk Superfine paper edition of 500; Printed by Ives-Sillman, New Haven Published by the Wadsworth Atheneum, Hartford Sheet: 24 x 20 inches. $400-600

(American, 1915-1991) Soot-Black Sonte, #6, 1973 lithograph; Gemini G.E.L., Los Angeles, pub. numered 10/50 and signed in pencil Sheet: 35 3/4 x 18 1/2 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,000-2,000

(American, 1925-1992) Arbres (Black and Red), 1991-92 lithograph; Editions Jean Fournier and Editions de la DiffĂŠrence, Paris, pub. numbered 69/125 and signed in pencil Sheet: 30 x 22 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,000-2,000

American, 1925 - 1992) Champs (Black, Gray and Yellow), 1991-2 lithograph; Atelier Bordas, Paris, prntr.; Editions Jean Fournier and Editions de la Difference, Paris, pub. numbered 30/125 and signed in pencil Sheet: 30 x 22 1/8 inches. $1,000-2,000

Robert Motherwell

120

fine prints

Robert Motherwell

Joan Mitchell

Joan Mitchell

245*

246

247

248

(American, 1923-2012) Untitled (from Seeing Voice Welsh Heart portfolio), 1965 lithograph; Editions de la Galerie Karl Klinker, pub. numbered 114/150 Sheet: 14 3/4 x 10 1/8 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $200-400

(American, 1923-2012) Composition lithograph numbered 43/50 and signed in pencil Sheet: 28 3/4 x 21 3/8 inches. $300-500

(American, 1923-1994) Untitled (SFE 058), 1990 etching and aquatint; The Litho Shop, Inc., Santa Monica, pub. numbered 1/20 and signed in pencil Sheet: 17 1/2 x 13 inches.

Ref: Lembark I-111

(American, 1923-1994) Untitled (SFE 057), 1990 etching and aquatint; Litho Shop, Inc., Santa Monica, pub. inscribed AP 7 and signed in pencil Sheet: 17 1/2 x 13 inches. $1,500-2,500

Paul Jenkins

Paul Jenkins

Sam Francis

Sam Francis

Provenance: Leslie Sacks Gallery, Los Angeles $1,500-2,500

246

245

247

248

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

121

249

249

Various Artists

(20th Century) Exacta: Dal Costruttivismo All’ Arte Sistematica 1918-1985 silkscreens and lithographs; Fausta Squatriti, pub. eached numbered 9/125 and signed in pencil Overall: 28 x 28 inches.

Note: The complete portfolio, in its orginal blue linen covered cardboard case with title and justification pages including 54 silkscreen and lithographic prints each signed and numbered 9/125 by the following artists: Yaakov Agam, Anni Albers, Getulio Alviani, Richard

122

fine prints

Anuszkiewicz, Mario Ballocco, Max Bill, Gianni Colombo, Carlos Cruz-Diez, César Domela, André Hertaux, Anthony Hill, Richard Paul Lohse, Pavel Mansouroff, Enzo Mari, Kenneth Martin, Alir Mavignier, Francois Morellet, Bruno Munari, Leon Polk Smith, Mauro Reggiani, Fausta Squatriti, Jeffrey Steele, Vasareli, Jesus Raphael Soto, Henryk Stazewski, Luigi Veronesi, and Ludwig Wilding $6,000-8,000

251 12 of 48 shown

250*

251

(American, 1928-2007) Bands of Lines One Inch Wide in Four Directions in Black & Grey, 1985 screenprint; Multiples, Inc., New York, pub. inscribed AP and numbered 1/6, signed in pencil Sheet: 29 x 95 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia Ref: Tate Gallery, 50 $2,000-4,000

(American, 1928-2007) Twelve Forms Derived From a Cube, 1984 (complete portfolio of 48 screenprints with title and justification pages and wooden case) screenprints; Jo Watanabe, New York, prntr.; Multiples, Inc., and Marilena Bonomo, pub. each numbered PP 2/2 aside from the edition of 40, signed in pencil Each: 4 x 4 inches.

Ref: Tate, S47 $15,000-25,000

Sol LeWitt

Sol LeWitt

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

123

252

Charles Hinman

(American, b. 1932) Untitled (from Album No. 1), 1974 screenprint with embossing; Éditions Denise René, pub. numbered 70/200 and signed in pencil with publisher’s blindstamp Sheet: 25 1/2 x 34 inches. $300-500 253

Gene Davis

(American, 1920-1985) Black Watch III, 1974 color screenprint numbered 58/150, signed and dated in pencil Sheet: 72 x 44 3/4 inches. $500-700 254*

Lea Nikel

256

(Israeli, 1918-2005) Untitled (from Ten Painters on War and Peace), 1978 lithograph; Graphart Publishers, pub. numbered 75/190 and signed in pencil Sheet: 25 1/2 x 19 1/2 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $300-500 255

Richard Diebenkorn

(American, 1922-1993) Serge, 1984 (published 1986) lithograph; Alan Holoubek & Serge Lozingot, prntr.; Gemini G.E.L., pub. numbered 22/26, signed in pencil and dated Sheet: 44 1/8 x 34 1/8 inches.

Listed lot 456, Sale 7782, Christies 1993.

Property from THE SMOLLER COLLECTION $5,000-7,000 256*

Howard Hodgkin

(British, 1932-2017) Lotus, 1980 screenprint; Kelpra Studio, prntr.; Bernard Jacobson, pub. inscribed A/P, signed and dated in pencil Sheet: 31 1/4 x 42 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $1,500-2,500 257

Howard Hodgkin

(British, 1932–2017) You and Me, 1978 lithograph with handcoloring; Alan Cox & Don Bessant, Sky Editions, London, prntr.; Bernard Jacobson Ltd, London, pub. numbered 83/100, initialed and dated in pencil Sheet: 9 x 16 inches. $500-700

255

124

fine prints

257

258

Antoni Tapies

(Spanish, 1923–2012) Art 6 ‘75, 1975 lithograph; Erker-Presse, St. Gallen, pub. numbered 114/150 and signed in pencil with publisher’s blindstamp Sheet: 35 1/4 x 25 inches.

Ref: Galfetti, 516 $500-700 259*

Al Held

(American, 1928-2005) SF, 1986 drypoint etching; Renée Bott, prntr.; Crown Point Press, pub. numbered 12/25, signed and dated in pencil Sheet: 22 1/8 x 22 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $500-700 260*

Charles Arnoldi

(American, b. 1946) Untitled, 1986 monotype signed and dated in pencil Sheet: 60 1/2 x 44 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia Provenance: Kass/Meridian, Chicago, Illinois $1,000-2,000

260

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

125

261

261*

Anthony Cragg

(British, b. 1949) Figure I - XI, 1988 (portfolio of 11) color softground etchings; Mark Callen, prntr.; Crown Point Press, pub. each numbered 4/10, signed, titled and dated in pencil Each sheet: 19 x 15 1/2 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $2,000-4,000

126

fine prints

262

Joel Shapiro

(American, b. 1941) Untitled, 1990 woodcut with pochoir and linoleum cut; Grenfell Press, New York, pub. numbered 20/36, signed and dated in pencil with publisher’s blindstamp Sheet: 44 1/4 x 30 1/4 inches. $1,000-2,000 263*

Joel Shapiro

(American, b. 1941) Untitled (Jazz at Lincoln Center), 1996 screenprint; Lincoln Center List Poster and Print Program, New York, pub. numbered 61/108, signed in pencil and dated Sheet: 41 1/4 x 34 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,000-2,000

262

263

264*

John Chamberlain

(American, 1927-2011) Broke Purple, 1983 pochoir with embossing numbered 1/27, signed in pencil and dated Sight: 25 x 22 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $600-800 265*

John Chamberlain

(American, 1927-2011) And His Hair was Perfect, 1983 pochoir with embossing numbered 1/27, signed and dated in pencil Sight: 27 3/4 x 23 3/4 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $600-800

265

264

266*

John Chamberlain

(American, 1927-2011) Chick Meat, 1983 pochoir and embossing numbered 26/27, signed and dated in pencil Sight: 23 3/4 x 24 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $600-800

266

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

127

267*

Frank Stella

(American, b. 1936) Tuftonboro (eccentric polygons), 1974 lithograph and screeprint; Gemini G.E.L., Los Angeles, pub. numbered 60/100, signed and dated in pencil Sheet: 17 1/4 x 22 1/4 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri Ref: Axsom, 103 $1,000-2,000 268*

Laddie John Dill

267

(American, b. 1943) Stage Struck and Stage Fright, 1985 (group of 2) lithographs each numbered out of an edition of 35, signed in pencil and dated Each sheet: 16 1/4 x 28 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $300-500

268

269

James Rosenquist

(American, 1933-2017) Circles of Confusion (from 11 Pop Artists, Volume I), 1965 screenprint; Knickerbocker Machine & Foundry Inc., New York, prntr.; Original Editions, New York, pub. numbered 172/200 and signed in pencil Sheet: 23 7/8 x 20 inches.

Framed: 29 1/2 x 33 inches. $800-1,200 270*

James Rosenquist

270 128

fine prints

(American, 1933-2017) Wall Street Journal, Dinner Triangles, 1977 etching, aquatint with pochoir and handcoloring on Pescia Italia paper; Aripeka Limited, Florida, prntr.; Multiples Inc., New York, pub. numbered 53/78, signed, titled and dated in pencil Sheet: 22 5/8 x 39 3/4 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $800-1,200

271

Ralph Idris Steadman

(British, 1936) Something New Has Been Added, 1995 silkscreen with bullet holes (shot by William S. Burroughs) numbered 5/10A and titled; signed by the artist and William S. Burroughs in pencil Sheet: 30 1/4 x 44 inches.

Property from a Private Collection, Boulder, Colorado $1,000-2,000

271

272

Rufino Tamayo

(Mexican, 1899-1991) Untitled (from Aztlan: Songes Mexicains), 1952 lithograph; La Porte Étroite, Paris, pub. numbered 91/125 and signed in pencil Image: 9 3/8 x 7 1/8 inches.

Provenance: Allan Frumkin Gallery, Chicago $600-800

272

273*

Rufino Tamayo

(Mexican, 1899-1991) Mascara Roja (from Mujeres), 1969 lithograph numbered 36/150 and signed in pencil Image: 21 x 27 1/2 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Ref: Pereda, 124 $1,500-2,500

273

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

129

274

274

Salvador Dalí

(Spanish, 1904-1989) Rose (Femme aux tiroirs) (from Florals), 1972 lithograph with engraving numbered 239/350 and signed in pencil Plate: 21 1/2 x 16 1/2 inches $300-500

275

Salvador Dalí (Spanish, 1904-1989), Memories of Surrealism, 1971 (portfolio of 12) lithographs with collage; Transworld Art, New York, pub. each annotated F and numbered XI/ XXV and signed in pencil with the artist’s blindstamp Sheet: 29 3/8 x 21 1/8 Ref: Michler/Löpsinger 494-505; Field 71-15 A-L

Note: The complete portfolio comprising 12 lithographs with etching printed in colors, 1971, each signed in pencil, annotated ‘F’ and numbered XI/XXV, the frontispiece also signed, on Arches wove paper, contained in the original portfolio (12 prints) with accompanying introduction, title, and text pages. $10,000-15,000 276

No Lot

130

fine prints

275

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

131

277*

278

(Dutch, 1921-2006) Cats, 1978 (complete portfolio of 17 lithographs with case) lithographs; Arts Litho-Paris, prntr.; London Arts Inc., Detroit, Michigan, pub. each numbered 119/125 and signed in pencil Each: 24 1/2 x 32 inches.

Property from the Collection of Dr. Natan HarPaz, Southfield, Michigan $3,000-5,000

(Dutch, 1921-2006) Untitled lithograph; Atelier Dumas, New York, pub. inscribed P.P. and signed in pencil with publisher’s blindstamp Sheet: 21 1/2 x 29 1/2 inches. $300-500

Karel Appel

Karel Appel

277

132

fine prints

280

282

281

279

279*

280*

281

282*

(American, 1925-2008) Cliché Verre, 1980 offset lithograph on mylar; The Drawing and Print Club Founders Society, Detroit Institute of Art, Detroit, pub. numbered 67/200, signed and dated in marker Sheet: 25 x 18 5/8 inches.

Property from the Estate of Carrol K. Robertsen, Ann Arbor, Michigan

(American, 1925-2008) Double Bevel (from Tibetan Locks and Keys), 1987 photo screen decals and hand painted screen ink on steel numbered 21/25 with printed signature and Gemini G.E.L. copyright 10 x 10 x 36 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $2,000-4,000

(American, 1925–2008) Horsefeathers Thirteen-XII (from Horsefeathers Thirteen series), 1972 offset lithograph, screenprint, pochoir, collage, and embossing; Gemini G.E.L., Los Angeles, prntr./pub. numbered 7/51, signed and dated in pencil with publisher’s blindstamp Sheet: 29 x 22 1/4 inches. $800-1,200

(American, 1925-2008) People Have Enough Trouble Without Being Intimidated by an Artichoke, 1979 offset lithograph; Styria Studio, New York, prntr.; Multiples, Inc., New York, pub. numbered 39/100 and signed in pencil Sheet: 30 1/2 x 23 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $1,000-2,000

Robert Rauschenberg

Provenance: The Drawing and Print Club, Detroit Institute of Arts, Detroit, Michigan, 1980 $800-1,200

Robert Rauschenberg

Robert Rauschenberg

Robert Rauschenberg

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

133

284

283

R. B. Kitaj

(American, 1932-2007) The Defects of its Qualities, 1967 screenprint with collage; Marlborough Graphics, Ltd., pub. numbered 49/70 and signed in pencil Sheet: 35 3/8 x 24 1/16 inches. $300-500 284

Roy Lichtenstein

(American, 1923-1997) Pyramids, 1969 lithograph; Atelier Mourlot, New York, prntr. numbered 43/101 and signed in pencil Image: 11 1/2 x 34 3/4 inches.

Ref: Corlett, 87 $4,000-6,000 285*

Roy Lichtenstein

(American, 1923-1997) Reflections on Expressionist Painting, 1990 (from The Carnegie Hall 100th Anniversary Portfolio) screenprint and lithograph with encaustic wax numbered 25/60, signed in pencil and dated Sheet: 59 1/2 x 39 1/4 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri Ref: Corlett 255 $15,000-25,000

285

134

fine prints

286

287

286

After Andy Warhol

(American, 1928-1987) Mao Tse-Tung, 1972 (announcement card for Multiples, Inc. and Castelli Graphics) offset lithograph printed on cardstock signed in marker Card: 6 7/8 x 6 7/8 inches. $1,000-2,000 287

After Andy Warhol

(American, 1928-1987) Flowers, 1970 (announcement card for Galerie Sonnabend) offset lithograph printed on cardstock signed in marker Card: 7 x 7 inches. $1,000-2,000

288

288

After Andy Warhol

(American, 1928-1987) Marilyn, 1981 (Castelli Graphics Invitation) offset lithograph printed on cardstock; Colour Editions, Inc. prntr. signed in marker Card: 7 x 7 inches. $1,000-2,000 289

After Andy Warhol

(American, 1928-1987) Flowers, c. 1980 (a group of 4) screenprints; Sunday B. Morning, pub. each with blue ink stamps on verso fill in your own signature and published by Sunday B. Morning Sheet: 36 x 36 inches.

Each framed: 38 x 38 inches. $800-1,200

289

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

135

290

Andy Warhol

(American, 1928-1987) Joseph Beuys, (State II), 1980/83 screenprint; Rupert Jasen Smith, New York, prntr.; Editions Schellman & Kluser, Munich, Germany/New York, pub. numbered 98/150, signed in pencil; with printer’s blind stamp (lower left) and publisher and artist’s copyright stamps to verso 40 x 32 inches. $15,000-25,000

290

291*

Andy Warhol

(American, 1928-1987) Plains Indian Shield, 1986 (from Cowboys and Indians) screenprint on Lenox Museum Board; Rupert Jasen Smith, New York, prntr.; Gaultney, Klineman Art, Inc., New York, pub. numbered 2/250, signed in graphite with printer’s blind stamp Sheet: 36 x 36 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri Ref: F&S, II.382 $6,000-8,000

291

136

fine prints

292

Tom Wesselmann

(American, 1931 - 2004) Claire Sitting with Robe Half Off (Vivienne) from Portfolio 90, 1993 screenprint on board; International Images, Inc., Putney, Vermont, pub. numbered 36/90 and signed in pencil with publisher’s blindstamp Sheet: 61 x 48 inches. $8,000-12,000

292

293*

Tom Wesselmann

(American, 1931 - 2004) Cynthia Nude, 1981 screenprint; Maurel Studios, New York, prnrt.; Multiples, Inc., New York, pub. numbered 65/100, signed and dated in pencil Sheet: 29 x 38 1/2 inches. $4,000-6,000

293

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

137

294*

Claes Oldenburg

(American, b. 1929) Proposal for a Monument to the Survival of the University of El Salvador: Blasted Pencil (That Still Writes), 1984 soft ground etching and aquatint; Aeropress, New York, prntr.; Multiples, New York, pub. inscribed T.P., signed and dated in pencil Sheet: 22 1/2 x 30 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia Ref: Axsom, 184 $800-1,200 295

Claes Oldenburg

294

(American, b. 1929) Untitled (Sneaker Lace) (from Notes), 1968 lithograph; Gemini G.E.L., Los Angeles. prntr./pub. numbered 70/100, signed and dated in pencil with publisher’s blindstamp Sight: 22 x 15 inches. $600-800 296*

Christo and Jeanne-Claude

(American, b. 1935) Wrapped Walkways (Project for St. Stephen’s Green Park, Dublin), 1983 lithograph with collage; Edition Schellmann & Kluser, Munchen, pub. numbered II/XXV and signed in pencil Sheet: 28 x 44 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia Ref: Schellmann, 111 $2,000-4,000 297

Mimmo Rotella

296

(Italian, 1918-2006) Pepsi, 1979 serigraph inscribed AP and signed in pencil Sheet: 23 x 30 inches. $300-500

299 138

fine prints

301

298

Saul Steinberg

(American, 1914-1999) Music and China (from Six Drawing Tables), 1970 lithograph; Abrams Original Editions, New York, pub. numbered 12/100, signed in pencil and dated with publisher’s blindstamp Sight: 21 1/4 x 29 inches.

Provenance: Lee Gallery, Belmont, Massachusetts $600-800

299*

300

(American, 1914-1999) Gogol I, Gogol II, and Gogol III, 1984 (group of 3) etching, aquatint, drypoint and engraving; Kenneth Farley, Los Angeles, prntr.; Gemini G.E.L., Los Angeles, pub. each numbered 24/51, 26/52 and 22/47 and signed in pencil.

Sheets: 27 1/4 x 19 3/4 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $1,000-2,000

(American, 1923-2002) Last Civil War Veteran, 1979-80 color lithograph; Styria Studios, New York, pub. edition 121/125, signed in pencil Image: 32 x 24 inches. $200-400

Saul Steinberg

Larry Rivers

301

Alex Katz

(American, b. 1927) January 7, 1993 aquatint; Simmelink/Sukimoto Editions, Los Angeles, prntr.; Marlborough Graphics, Inc., New York, pub. numbered 36/50 and signed in pencil Sheet: 29 3/4 Ă— 39 1/2 inches. $5,000-7,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

139

302

Frank Auerbach

(British, b. 1931) Joe Tilson (from Six Etchings of Heads), 1980 etching; Terry Willson of Palm Tree Studios, prntr.; Marlborough Graphics, London, pub. numbered 49/50, signed, titled and dated in pencil Sheet: 15 1/4 x 13 inches. $2,000-4,000 303

Frank Auerbach

(British, b. 1931) Gerda Boehm (from Six Etchings of Heads), 1980 etching; Terry Willson of Palm Tree Studios, prntr.; Marlborough Graphics, London, pub. numbered 4/50, signed, titled and dated in pencil Sheet: 15 1/4 x 13 inches. $2,000-4,000

140

fine prints

302

303

304

305

306

308

304

Frank Auerbach

(British, b. 1931) Leon Kossof (from Six Etchings of Heads), 1980 etching; Terry Willson of Palm Tree Studios, prntr.; Marlborough Graphics, London, pub. inscribed A.P., signed, titled and dated in pencil Sheet: 15 1/4 x 13 inches. $2,000-4,000 305

Frank Auerbach

(British, b. 1931) Lucian Freud (from Six Etchings of Heads), 1980 etching; Terry Willson of Palm Tree Studios, prntr.; Marlborough Graphics, London, pub. inscribed A.P., signed, titled and dated in pencil Sheet: 15 1/4 x 13 inches. $2,000-4,000

306

Frank Auerbach

(British, b. 1931) Julia (from Six Etchings of Heads), 1980 etching; Terry Willson of Palm Tree Studios, prntr.; Marlborough Graphics, London, pub. numbered 27/50, signed, titled and dated in pencil Sheet: 15 1/4 x 13 inches. $2,000-4,000 308

Frank Auerbach

(British, b. 1931) R.B. Kitaj (from Six Etchings of Heads), 1980 etching; Terry Willson of Palm Tree Studios, prntr.; Marlborough Graphics, London, pub. numbered 49/50, signed, titled and dated in pencil Sheet: 15 1/4 x 13 inches. $2,000-4,000

309

After Fernando Botero

(Colombian, 1932) Pedrito, 1975 offset lithograph numbered 179/250, signed, titled and dated in pencil Image: 38 1/4 x 29 5/8 inches. $600-800

310

311

312

313*

(American, b. 1935) Hand Painting on the Mandala, 1986 color engraving and power-tool drypoint with handcoloring; Graphicstudio, University of South Florida, Tampa, pub. numbered 22/60, signed and dated in pencil Sheet: 49 1/2 x 40 inches.

Ref: Carpenter 13 $6,000-8,000

(American, b. 1935) Swaying in The Florida Night, 1983 etching, drypoint and aquatint; R. E. Townsend, Inc., Boston, prntr.; Pace Editions, New York, pub. numbered 51/65, signed and dated in pencil Sheet: 47 x 71 inches.

Ref: D’Oench/Fineberg 143 $2,000-4,000

(American, b. 1935) Red, White, and Blue Venus for Mondale, 1984 screenprint; Pace Editions, Inc., pub. numbered 61/150 and signed in pencil Sheet: 30 x 18 inches.

Ref: D’Oench & Feinberg, 182 $2,000-4,000

(American, b. 1937) The Saint-Germain des Près crowd at the Deux Magots, Paris, 1986 etching and aquatint; Aldo Crommelynck, Paris, prntr/pub. numbered 35/90 and signed in pencil Sheet: 26 1/2 x 31 1/4 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $200-400

Jim Dine

Jim Dine

Jim Dine

310

311

Red Grooms

312

313 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

141

314*

Robert Cottingham

(American, b. 1935) Barrera-Rosa’s, 1986 (group of three) lithograph, etching and drypoint, and linocut; Signet Arts, pub. each numbered 7/29, signed, titled, and dated in pencil Sheets: 22 3/8 x 46 in.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $4,000-6,000 315*

Robert Cottingham

(American, b. 1935) Candy, 1984 pochoir numbered 12/40, signed, titled and dated in pencil Image: 20 3/4 x 20 3/4 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $1,000-2,000 316*

Robert Cottingham

(American, b. 1935) Santa Fe, 1988 woodcut numbered 16/48, signed, titled and dated in pencil Sheet: 35 x 35 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $800-1,200 317*

Philip Pearlstein

(American, b. 1924) Temple at Paestum, 1983 etching and aquatint numbered 41/50 and signed in pencil Sheet 28 1/2 x 40 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $300-500

314

315 142

fine prints

316

318*

Yvonne Jacquette

(American, b. 1934) Times Square, 1987 woodcut numbered 9/35, signed in pencil and dated Sheet: 22 x 30 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $300-500 319*

Yvonne Jacquette

(American, b. 1934) Mississippi Night Lights (Minneapolis), 1986 linocut and screenprint; Brooke Alexander Editions, New York, oub. numbered 47/60, signed and dated in pencil Sheet: 58 x 36 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $500-700 320*

Richard Haas

(American, b. 1936) Chicago View, Evening, 1989 etching and aquatint numbered 23/50, signed, titled and dated in pencil Plate: 17 1/2 x 35 x 1/4 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $300-500 321

Leon Kossoff

(British, b. 1926) Going Home, 1984 etching; Studio Prints, pub. numbered 50/60, signed and titled in pencil with publisher’s blindstamp Sheet: 22 1/2 x 25 5/8 inches. $500-700 319

320 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

143

324

323

322

Leon Kossoff

(British, b. 1926) Outside Kilburn Underground, 1983 etching numbered 8/15, signed, titled and dated in pencil Sheet: 23 5/8 x 25 1/8 inches. $1,000-2,000 323

Karl Wirsum

(American, b. 1939) Jello Joel, 1989 lithograph numbered 17/50 and signed in pencil Sheet: 30 x 22 1/8 $500-700 324

Ed Paschke

325

(American, 1939-2004) Sepia Deux, 1988 screenprint numbered P.P. III, signed and dated in pencil Sheet: 25 1/2 x 38 inches. $600-800 325

Ed Paschke

(American, 1939-2004) Indigo Deux, 1988 screenprint numbered C.S.W III, signed and titled in pencil Sheet: 25 1/2 x 38 inches. $600-800 326

Ed Paschke

326

144

fine prints

327

(American, 1939-2004) BAD, 1991 screenprint numbered H.C. IV/IV, signed, titled, and dated in pencil Sheet: 22 x 20 inches. $300-500

327

Ed Paschke

(American, 1939-2004) Pump, 1989 lithograph numbered 29/50, signed, titled and dated in pencil Sheet: 30 x 22 1/2 inches. $300-500 328*

Roger Brown

(American, 1941-1997) Navy Pier, 1986 lithograph numbered 49/50 Image: 31 x 22 3/4 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $500-700 329

Roger Brown

(American, 1941-1997) One Share Art Stock, 1989 lithograph numbered 18/50 and signed in pencil Sheet: 22 x 29 3/4 inches. $300-500 330

Pedro Friedeberg

(Mexican, 1937) Alfabeto inhabitale and Sigurats Y Nogurats, 1979 (a pair of works) mixographs each signed and numbered in pencil Sheet of largest: 32 1/2 x 24 3/4 inches. $500-700 331

Rodolfo Nieto

(Mexican, 1936-1988) Untitled (a pair of works) mixograph each signed and numbered in pencil Sheets: 29 1/2 x 21 1/8 inches. $200-400

328

332

Joe Andoe

(American, b. 1955) Untitled (Pear), 1990 etching and aquatint numbered 37/50, signed and dated in pencil Sheet: 19 3/4 x 21 1/2 inches. $300-500 333

Joe Andoe

(American, b. 1955) Untitled (Nest), 1990 etching and aquatint numbered 37/50, signed and dated in pencil Sheet: 19 3/4 x 21 1/2 inches. $300-500 334

Barbara Kruger

(American, b. 1945) Savoir c’est Pouvoir (Knowledge is Power), 1989 lithograph; Department of Cultural Affairs, France, pub. edition of 100 36 x 35 1/2 inches. $5,000-7,000

334

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

145

336

335

335

Ed Ruscha

(American, b. 1937) Main Street, 1990 Purchased from Gemini GEL Los Angeles lithograph; Gemini G.E.L., Los Angeles, pub. numbered 132/250, signed in pencil and dated with the publisher’s blindstamp Sheet: 8 1/8 x 10 inches.

Ref: Engberg, 203 $2,000-4,000 336

Ed Ruscha

337

(American, b. 1937) Twentysix Gasoline Stations (from Book Covers), 1970 lithograph; Graphicstudio, University of South Florida, Tampa, pub. numbered 11/30, initialed and dated in pencil Sheet: 16 x 20 inches.

Ref: Engberg 45 $5,000-7,000 337

Ed Ruscha

(American, b. 1937) Some Los Angeles Apartments (from Book Covers), 1970 lithograph; Graphicstudio, University of South Florida, Tampa, pub. numbered 11/30, initialed and dated in pencil Sheet: 16 x 20 inches.

Ref: Minneapolis Institute of Arts, 46 $5,000-7,000 338

Ed Ruscha

(American, b. 1937) Blue Suds, 1971 screenprint; Cirrus Editions, Los Angeles, prntr.; Edizioni O, Milan, pub. numbered 73/100, signed and dated in pencil Sheet: 18 x 24 inches.

Ref: Walker Art Center, 57 $2,000-4,000

338

146

fine prints

339

Ed Ruscha

(American, b. 1937) Metro, Petro, Neuro, Psycho, 1982 soft-ground etching; Peter Pettengill/Crown Point Press, Oakland, prnt./pub. numbered 15/25, signed and dated in pencil with the publisher’s blindstamp Sheet: 24 x 22 1/4 inches.

Ref: Walker Art Center 127 $5,000-7,000

339

340

Ed Ruscha

(American, b. 1937) Roughly 92% Angel, But About 8% Devil, 1982 etching and aquatint; Peter Pettengill/Crown Point Press, Oakland, prnt./pub. numbered 15/25, signed and dated in pencil Sheet: 26 x 22 1/4 inches.

Ref: Engberg, 129 $5,000-7,000

340

341

Ed Ruscha

(American, b. 1937) Indecision, 1982 etching and aquatint; Peter Pettengill/Crown Point Press, Oakland, prnt./pub. numbered 15/25, signed and dated in pencil Sheet: 24 1/4 x 22 1/4 inches. $6,000-8,000

341

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

147

342*

Tom Friedman

(American, b. 1965) Untitled, 2004 relief print; Island Press, St. Louis, pub. numbered AP III and signed in pencil on verso (aside from the edition of 12) Sheet: 19 1/2 x 11 1/2 inches.

Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $5,000-7,000 343

James Brown

(American, b. 1951) Untitled #4, Untitled #6, and Untitled #1, 1986 (a group of 3) etchings with drypoint and handcoloring; Pace Editions, New York, Inc., pub. editions 10/15, 13/15, and 6/15, signed in pencil Sheets: 30 x 22 1/4 inches.

Provenance: Pace Editions, New York $1,500-2,500 344

Liliana Porter

(Argentine, b. 1941) Dialogo con eso, 2004 lithograph with resin boar head; PolĂ­grafa, Barcelona, pub. edition 20/50, signed in pencil Sheet: 22 x 29 1/2 inches. $500-700 345

Bruce Nauman

(American, b. 1941) Holding Hands All Thumbs, 1998 etching; Gemini G.E.L., Los Angeles, pub. inscribed PP II, signed and dated in pencil with publisher’s blindstamp Sheet: 22 1/2 x 27 3/4 inches.

Framed: 29 x 35 inches. $1,500-2,500 342

343

148

fine prints

347

345

350

348

346*

348

349*

350

(German, b. 1941) Monkey, 1988 sugar lift aquatint; Mark Callen, prntr.; Crown Point Press, pub. numbered 3/25 and signed in pencil with publisher’s blindstamp Sheet: 22 3/4 x 25 1/2 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $500-700

(American, 1954-1992) Untitled (Voodoo Doll and Spider), 1990 (together with the Tongues of Flame exhibition catalogue, University Galleries of Illinois State University lithograph on wove paper; Normal Editions Workshop and Illinois State University, Normal, Illinois, pub. numbered 40/50, signed, and dated in red pencil Sheet: 8 1/4 x 10 1/8 inches. $1,500-2,500

(Israeli, 1929-2010) Au loin un oiseau, 1973 (complete portfolio of 5 etchings) etchings; The Double Elephant Press, Ltd., New York, pub. each signed in pencil Each: 17 1/4 x 15 inches.

Property sold to benefit the acquisition fund of the Denver Art Museum

(American, b. 1950) Leave me Ecstasy, 1997 lithograph, etching and silkscreen with wire and thread; Landfall Press, Inc., Chicago, pub. numbered 10/35 and signed in pencil Sheet: 38 1/8 x 31 1/4 inches.

Property from a Chicago Collector $600-800

Markus Lupertz

347

Roy De Forest

(American, 1930-2007) Untitled, c. 1965 embossed color lithograph numbered 14/70 and signed in pencil Sheet: 22 x 30 inches. $500-700

David Wojnarowicz

Avigdor Arikha

Lesley Dill

Note: the portfolio, including the complete set of five signed etchings, hors-texte, title page and justification, on Arches paper, signed by the author in ink on the justification, copy 88 of 90, the full sheets, generally in very good condition, loose (as issued) in the original paper wrappers and canvas-covered portfolio $200-400

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

149

353

351

354

351

353

354

(American, b. 1939) Abu Ghraib, 2004 lithograph; Gemini G.E.L., pub. numbered 5/250, signed in pencil and dated Image: 15 7/8 x 10 1/2 inches.

Property from a Chicago Collector $500-700

(American, b. 1939) Stop BS, 2004 lithograph; Gemini G.E.L., pub. numbered 5/250, signed in pencil and dated Sheet: 61 x 50 inches.

Property from a Chicago Collector $1,000-2,000

(American, b. 1973) Bitch, I Made this Pot, 2013 Lithograph, screenprint, and rubberstamp on Somerset edition of 100 Sheet: 23 3/4 x 31 3/8 inches. $1,500-2,500

Richard Serra

150

fine prints

Richard Serra

Theaster Gates

355

Yrjรถ Edelmann

(Swedish, b. 1941) Wrapped Van Gogh, 1996 lithograph numbered 219/250 and signed in pencil Sight: 31 3/4 x 23 1/2 inches. $200-400

356

Gerhard Richter

(German, b. 1932) Kerze I, 1988 offset lithograph; Kirschbaum Laserscan, DĂźsseldorf, prntr.; Verein zur FĂśrderung moderner Kunst e.V., Goslar, pub. edition of 250, signed in black pastel chalk Sheet: 35 1/4 x 37 inches.

Ref: Butin 64 Provenance: Alan Koppel Gallery, Chicago, Illinois $15,000-25,000

356

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

151

SALE 540

American and European Art Friday 15 december 2017 | 10:00aM CT lots 357 – 464

Opposite Lot 461 | James Kivetoruk Moses (American, 1900-1982) Nome Alaska

357

357*

Continental School

(19th century) Soldier and Woman with Flowers oil on canvas 13 x 10 1/4 inches.

Property from the Estate of Louis M. and Linda M. Byron, Tucson, Arizona $2,000-4,000

154

american and european art

358

358*

George Sheridan Knowles

(British, 1863-1931) Contemplation oil on canvas laid to board signed G. Sheridan Knowles (lower right) 30 1/2 x 20 inches.

Property from the Estate of Louis M. and Linda M. Byron, Tucson, Arizona Provenance: Sold: Sotheby’s, Victorian Pictures, London, December 19, 2001, lot 26 $3,000-5,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

155

359*

Edward John Poynter

(British, 1836-1919) Portrait of a Woman charcoal and chalk on paper monogrammed (lower right) 7 1/4 x 4 3/4 inches.

Property from the Estate of Louis M. and Linda M. Byron, Tucson, Arizona Provenance: Abbot & Holder, London, United Kingdom $400-600

359

360

Circle of Rembrandt van Rijn

(Dutch, 1606-1669) Joseph Interpreting the Dreams of his Fellow Prisoners and Moses and the Burning Bush (a pair of works) ink and wash on cream laid paper both inscribed large eagle with a Crozier watermark Both: 7 x 9 inches.

Provenance: Sold: Swann Auction Galleries, New York, January 25, 2006, lot 146 and January 29, 2004, lot 166 $800-1,200

360

156

american and european art

361

Gari Melchers

(American, 1860-1932) The Gladiator, 1882 oil on canvas signed Gari Melchers Roma and dated (upper left) 15 x 18 inches.

Literature: Detroit Free Press, August 25, 1883, pg. 4 $8,000-12,000

361

362

Gari Melchers

(American, 1860-1932) The Lictor, 1882 oil on canvas signed Gari Melchers Roma and dated (upper left) 18 x 15 inches.

Literature: Detroit Free Press, August 25, 1883, pg. 4 $7,000-9,000

362

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

157

363

Attributed to Johann Mongels Culverhouse (Dutch, 1820-1891) Candlelight Market oil on panel 24 1/2 x 20 inches. $1,000-2,000 364

Attributed to Carle Van Loo

(French, 1705-1765) Fortune Teller oil on canvas bears signature Carle Van loo (lower right) 10 x 14 inches. $1,000-2,000 365

Jennie Augusta Brownscombe

(American, 1850-1936) Massasoit Signing a Treaty oil on canvas signed Jennie Brownscombe (lower left) 30 x 40 inches.

Provenance: Sold: Christie’s, New York, January 19, 2000, lot 43 $4,000-6,000 366*

Auguste-Xavier Leprince

(French, 1799-1826) A View of the Coast at Le Havre by La Havre, 1825 oil on canvas signed A.X. Leprince and dated (lower center) 18 1/4 x 21 1/4 inches.

Property from the Estate of John D. Connelly, Chicago, Illinois 363

Provenance: Sold: Christie’s New York, November 2, 2000, lot 274 $8,000-12,000

364

158

american and european art

365

366

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

159

367

Louis Aston Knight

(American, 1873-1948) Landscape oil on canvas signed Aston Knight Paris (lower left) 24 x 36 inches. $1,500-2,500 368*

Percy Robert Craft

367

(British, 1856-1934) The Fox Hunt oil on canvas signed Percy R. Craft (lower right) 21 1/4 x 48 inches.

Property from the Collection of Gerri Weinberg, Milwaukee, Wisconsin $2,000-4,000 369

Henri Joseph Harpignies

(French, 1819-1916) Woman Walking on a Wooded Path, 1880 watercolor on paper signed H Harpignies and dated (lower left) Sight: 9 x 13 inches. $300-500

369

368

160

american and european art

370

370

Edward Henry Potthast

(American, 1857-1927) October Days oil on panel signed E Potthast (lower right); titled (verso) 12 x 16 inches.

Provenance: Salmagundi Club, New York, circa 1910 Irene Little, New York, 1979 Private Collector, 1981 Sold: Sotheby’s New York, September 29, 2010, lot 95 $18,000-24,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

161

371

Louis Robert de Cuvillon

(French, 1848-1931) Lady with a Fan, 1891 pencil, pastel and gouache on paper signed R de Cuvillon and dated (lower left) 15 1/4 x 11 1/4 inches. $500-700 372

Margaret Murray Cookesley (British, c. 1850-1927) Pottery Seller oil on panel signed M. Murray Cookesley (lower right); titled (verso) 14 x 18 inches. $1,000-2,000 373

Bernard Pothast

372

373

162

american and european art

(Dutch, 1882-1966) Story of the Sailing Ship oil on canvas signed Pothast (lower right) 26 x 30 inches. $3,000-5,000

374

374*

Evert Pieters

(Dutch, 1856-1932) Peeling Potatoes oil on canvas signed E. Pieters (lower right) 16 1/2 x 13 1/2 inches.

Property from the Collection of a Gentleman, Janesville, Wisconsin $2,000-4,000 375

George Bernard O’Neil

(British, 1828-1917) Sampling Wheat oil on canvas signed G.B. O’Neil (lower right) 18 x 23 inches. $3,000-5,000 376

Harry Herman Roseland (American, 1866-1950) Fortune Teller, 1904 oil on canvas signed Hary Roseland and dated (lower left) 20 x 30 inches. $3,000-5,000

375

376

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

163

377

377

Edmund Adler

(Austrian, 1876-1965) Children at Play oil on canvas signed Edmund Adler (lower left) 21 1/2 x 27 inches. $8,000-12,000

164

american and european art

378

Frank Myers Boggs

(American, 1855-1926) Accross the Canal, Nemours, 1905 oil on canvas signed Frank Boggs and dated (lower left) 15 1/4 x 18 1/4 inches.

Provenance: Sold: Christie’s New York, March 1, 2005, lot 20 Exhibited: Frank Boggs - an exhibition of major works, Bernard Black Gallery, New York, January 13 - February 8, 1964, catalogue no. 16. $4,000-6,000

378

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

165

379

Adrianus Eversen

(Dutch, 1818-1897) View of the Zuiderspui in Enkhuizen oil on canvas signed A Eversen (lower right) 16 x 20 inches.

Provenance: Private Collection, Stratford, Connecticut Sold: Skinner’s Boston, January 28, 2011, lot 237 Note: This work will be included in Pieter Overduin’s forthcoming catalogue raisonne as no. 40-6. $10,000-15,000

379

166

american and european art

380

380

Adrianus Eversen

(Dutch, 1818-1897) A Dutch Village in Winter oil on canvas signed A Eversen (lower right) 20 x 25 1/2 inches.

Provenance: Sold: Jackson’s Auctioneers & Appraisers, Cedar Falls, Iowa, May 22-23, 2012, lot 269 $15,000-20,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

167

382

381

381

382

(Spanish, 1845-1928) Watched on Her Way from Market oil on canvas signed Louis Jimenez Paris (lower right) 18 x 12 1/2 inches.

(American, 1850-1936) A Walk Through the Country, 1882 oil on canvas signed Jennie Brownscombe and dated (lower right) 27 x 16 1/2 inches.

Luis Jimenez y Aranda

Provenance: Sold: Skinner’s Boston, May 11, 2001, lot 31 $5,000-7,000

168

american and european art

Jennie Augusta Brownscombe

Provenance: Sold: Treadway Gallery, Cincinnati, Ohio, September 7, 2003, lot 565 $6,000-6,000

383

John George Brown

(American, 1831-1913) The Bouquet, 1860 oil on canvas signed J.G. Brown (lower left) 12 x 10 inches.

Provenance: Private Collection, South Carolina Sold: Christie’s New York, March 4, 2010, lot 179 Exhibited: (Probably) New York, National Academy of Design, 1860 (as The Boquet) $15,000-25,000

383

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169

384

384

Attributed to Narcisse Virgile Diaz de la PeĂąa (French, 1808-1876) Landscape oil on panel stamped (lower left) 15 1/2 x 21 1/2 inches.

Provenance: Estate of Charles H. Wacker III, Chicago, Illinois Private Collector, Chicago, Illinois $6,000-8,000 385

Attributed to Narcisse Virgile Diaz de la PeĂąa (French, 1808-1876) Venus et Cupidon oil on panel signed N. Diaz (lower right) 14 3/4 x 11 inches.

Provenance: Estate of Charles H. Wacker III, Chicago, Illinois Private Collector, Chicago, Illinois $4,000-6,000

385 170

american and european art

386

387

386*

387

(British, 1796-1872) Old Waterway, North Wales oil on canvas 26 x 42 inches.

Property from the Collection of Barbara Sullivan, Lake Barrington, Illinois

(American, 1932-1987) In the Mountains of Ceylon, 1979 oil on canvas signed Maione and dated (lower right); titled (verso) 36 x 53 inches. $2,000-4,000

John Frederick Tennant

Provenance: McClees Galleries, Philadelphia, Pennsylvanvia Exhibited: The Royal Academy, 1861 Note: Accompanied by a hand-written letter from artist dated 1861. $2,000-4,000

Robert Maione

387A

Edmund Johann Niemann (British, 1813-1876) The Fisherman oil on canvas signed Niemann (lower right) 24 x 36 inches. $1,000-2,000

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171

388

Hermann Herzog

(American/German, 1832-1932) Mountain Landscape, Switzerland, 1892 oil on canvas signed H. Herzog and dated (lower right) 19 x 28 inches.

Provenance: Sold: Skinner Inc, Marlborough, Massachusetts, May 11, 2001, lot 14 $7,000-9,000

389*

390*

Hermann Herzog

Hermann Herzog

Literature: Hand List of 1,000 Paintings. Private Collection of Paintings by H. Herzog, in American Paintings of Hermann Herzog, essay by D. S. Lewis, Jr., Brandywine Museum, Chadds Ford, Pennsylvania, no. 664. $3,000-5,000

Literature: Hand List of 1,000 Paintings. Private Collection of Paintings by H. Herzog, in American Paintings of Hermann Herzog, essay by D. S. Lewis, Jr., Brandywine Museum, Chadds Ford, Pennsylvania, no. 288. $4,000-6,000

(American, 1832-1932) Fishing for Minnows oil on canvas signed H. Herzog (lower right) 10 3/4 x 16 1/2 inches.

Property from the Estate of Eric Heselbarth, St. Louis, Missouri

(American, 1832-1932) Near McCall’s Ferry (Susquehanna River) oil on canvas signed H. Herzog (lower left) 17 x 23 inches.

Property from the Estate of Eric Heselbarth, St. Louis, Missouri

388

172

american and european art

389

390

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

173

391*

Hermann Herzog

(American, 1832-1932) Sunset on the Norwegian Coast oil on canvasboard signed H. Herzog (lower left) 18 x 24 inches.

Property from the Estate of Eric Heselbarth, St. Louis, Missouri Literature: Hand List of 1,000 Paintings. Private Collection of Paintings by H. Herzog, in American Paintings of Hermann Herzog, essay by D. S. Lewis, Jr., Brandywine Museum, Chadds Ford, Pennsylvania, no. 692. $4,000-6,000

391

392*

William Trost Richards

(American, 1833-1905) Seacoast oil on board signed Wm. T. Richards (lower left) 14 x 24 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Provenance: Patricia Weiner Gallery, Cincinnati, Ohio $5,000-7,000

392

393*

Hermann Herzog

(American, 1832-1932) Storm on the Maine Coast oil on canvas signed H. Herzog (lower right) 13 3/8 x 18 inches.

Property from the Estate of Eric Heselbarth, St. Louis, Missouri Literature: Hand List of 1,000 Paintings. Private Collection of Paintings by H. Herzog, in American Paintings of Hermann Herzog, essay by D. S. Lewis, Jr., Brandywine Museum, Chadds Ford, Pennsylvania, no. 18. $3,000-5,000

393 174

american and european art

394*

Edward Moran

(American, 1829-1901) Boat Scene oil on canvas signed Edw. Moran (lower left) 18 x 26 inches.

Property from the Estate of Bertha Levine-Lewis, Chicago, Illinois $6,000-8,000

394

395

Theodore Victor Carl Valenkamph (American, 1868-1924) Sailing Vessel on the High Seas oil on canvas signed T V C Valenkamph (lower right) 24 x 36 inches.

Provenance: Sold: Skinner Inc, Marlborough, Massachusettes, May 16, 2008, lot 100 $5,000-7,000

395

396

Theodore Victor Carl Valenkamph

(American, 1868-1924) Fishing Schooner Out of Gloucester, 1900 oil on canvas signed J V C Valenkamph and dated (lower right) 24 x 36 inches.

Provenance: Vose Galleries, Boston, Massachusetts Sold: Christie’s New York, December 3, 2008, lot 102 $5,000-7,000

396 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

175

397

James Jeffrey Grant

(American/Scottish, 1883-1960) Gloucester Harbor Scene oil on canvasboard signed J. Jeffrey Grant (lower right) 16 x 11 1/2 inches.

Provenance: Richard Norton Gallery, Chicago, Illinois, no. 2129 $800-1,200 398

Anthony Thieme

(American, 1888-1954) T-Wharf with View of Custom House, Boston oil on canvas signed A Thieme (lower left) 27 x 22 inches.

Provenance: Sold: Shannon’s Fine Art Auctioneers, Milford, Connecticut, April 28, 2005, lot 130 $10,000-15,000 399

Richard Hayley Lever

(American, 1876-1958) Canal Locks, Devon, England, 1903 oil on canvas signed Hayley Lever (lower left); titled and dated (verso) 16 x 20 inches.

Provenance: Sold: Bonhams, San Francisco, June 11, 2003, lot 4064 $4,000-6,000 397

399

176

american and european art

398

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177

400

401

178

american and european art

402

400

Emile Albert Gruppe

(American, 1896-1978) Rockport Harbor oil on canvas signed Emile A Gruppe (lower right) 20 x 24 inches.

Provenance: Sold: Bonhams, San Francisco, December 10, 1997, lot 3071 $4,000-6,000

401

Emile Albert Gruppe

(American, 1896-1978) Foggy Day Gloucester oil on canvas signed Emile A Gruppe (lower right); signed and titled (verso) 16 x 20 inches.

Provenance: Sold: Skinner Inc, Marlborough, Massachusetts, May 31, 1996, lot 123 $4,000-6,000

402

Armin Carl Hansen

(American, 1886-1957) Fish On oil on canvas signed Armin Hansen (lower left) 9 x 12 inches.

Provenance: Sold: Coeur D’Alene Art Auction, Idaho, July 9, 1994, lot 139 $10,000-15,000

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179

403*

Hermann Dudley Murphey

(American, 1867-1945) Patio Scene and View of Taxco (a pair of works) oil on board Patio Scene signed H. Dudley Murphy (lower right) Both: 16 x 12 inches.

Property from the Collection of K. Kleiva, Chicago, Illinois $1,000-2,000 404*

Arthur Grover Rider

403

(American, 1886-1975) Mexican Quarters, 1930 oil on canvas signed A. G. Rider and dated (lower right); titled (stretcher) 30 x 34 inches.

Property from the Collection of Barry O’Connor, Chicago, Illinois $6,000-8,000

404

180

american and european art

405

406

405

Charles Henry Reynolds

(American, 1902-1963) Taos Landscape oil on masonite signed Chas H Reynolds (lower right) 18 x 24 inches. $400-600

406

Conrad Wise Chapman

(American, 1842-1910) Valley of Mexico oil on panel signed CW Chapman (lower left) 5 1/2 x 8 1/2 inches. $4,000-6,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

181

407

408*

(Italian, 1861-1944) Venetian Scene oil on canvas signed N. Birganti (lower right) 20 x 30 inches. $600-800

(American, 1877-1947) Landscape oil on board signed SC Gile (lower right) 11 5/8 x 19 1/4 inches. $4,000-6,000

Nicholas Briganti

Selden Connor Gile

409*

Carl Rudolph Krafft

(American, 1884-1938) Landscape oil on canvas signed Carl R Krafft (lower left) 30 x 40 inches.

Property from the Collection of Mr. Kennard, Chicago, Illinois $3,000-5,000

408

409

182

american and european art

410

Gari Melchers

(American, 1860-1932) Portrait of a Man, 1931 oil on canvas signed Gari Melchers and dated (upper left) 42 x 32 1/4 inches. $6,000-8,000

410

411

Thomas Piacenza Benton

(American, 1926-2009) Gay Head oil on masonite signed T P Benton (lower right) 12 x 16 inches. $1,000-2,000

411

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

183

412

Hugues Claude Pissarro

(French, b. 1935) Le petit Jean Guillemette et son père dans le pre-grand oil on canvas signed H. Claude Pissarro (lower right); signed and titled (verso) 20 x 24 inches. $6,000-8,000

412

413

Hugues Claude Pissarro

(French, b. 1935) Le port des peniches Ă St. Quentin oil on canvas signed H. Claude Pissarro (lower right) 18 1/2 x 22 inches. $6,000-8,000

413

184

american and european art

414

Hugues Claude Pissarro

(French, b. 1935) Katia en robe rouge au château de Marras oil on canvas signed H. Claude Pissarro (lower left); signed and titled (verso) 15 x 18 inches. $6,000-8,000

414

415

Hugues Claude Pissarro

(French, b. 1935) La ferme des Touques oil on canvas signed H. Claude Pissarro (lower right); titled (verso) 18 x 22 inches. $6,000-8,000

415

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

185

416

Yolande Ardissone

(French, b. 1927) Agay oil on canvas signed Ardissone (lower left) 38 x 30 3/4 inches.

Provenance: Wally Findlay Galleries, Chicago $1,000-2,000

416

417

Jules René Hervé

(French, 1887–1981) Patio Scene oil on canvas signed Jules R Herve (lower right) 31 1/2 x 36 1/2 inches. $1,000-2,000

417

418

Michel Henry

(French, 1928-2016) Still Life with Cherries and Oranges oil on canvas signed Michel Henry (lower left) 40 x 33 inches. $1,000-2,000

418

186

american and european art

419

Howard Behrens

(American, 1933-2014) Terrace with Bougainvillea oil on canvas signed Behrens (lower right) 15 3/4 x 19 1/4 inches. $800-1,200

419

420

John Modesitt

(American, b. 1955) Coastal Scene oil on canvas signed Modesitt (lower right) 20 x 24 inches. $1,000-2,000

420

421

Itzchak Tarkay

(Israeli, 1935-2012) Interior Scene, Two Seated Women oil on canvas signed Tarkay (lower left) 39 x 31 inches. $2,000-4,000

421

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

187

422

Francesco Spicuzza

(American, 1883-1962) Cedar Lake pastel on paper signed Spicuzza (lower right) Sight: 11 1/2 x 15 1/4 inches. $1,000-2,000 423*

Francesco Spicuzza

(American, 1883-1962) Splashing, 1917 and My Wife, 1907 (a doubled sided work) oil on canvas signed F. Spicuzza and dated (lower right); signed, titled, dated (verso) 16 x 20 inches.

Property from the Collection of Diana Gold, New Orleans, Louisiana $3,000-5,000

422

423

188

american and european art

424

Constantin Kluge

(Russian/French, 1912-2003) La Marne au printemps oil on canvas signed C. Kluge (lower left) 25 3/4 x 31 7/8 inches. $4,000-6,000

424

425

Gaston Sébire

(French, 1920-2001) Canotiers au bois de Boulogne oil on canvas signed G Sebire (lower right) 30 x 36 inches. $2,000-4,000

425

426

François Gall

(French, 1912-1987) Élégante sur le pont oil on masonite signed Gall (lower right) 8 1/2 x 10 1/2 inches. $800-1,200

426

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

189

427

Jules RenĂŠ HervĂŠ

(French, 1887-1981) Paris Bassin aux Tuileries and le Louvre oil on canvas signed Jules R Herve (lower right); titled (verso) 13 x 16 inches. $800-1,200

427

428

Walter Emerson Baum

(American, 1884-1956) Snowy Landscape oil on upson board signed W E Baum (lower right) 7 3/8 x 9 3/8 inches. $1,000-2,000

428

429

Frank Hans Johnston

(Canadian, 1888-1949) Blue Pools of Silence oil on masonite signed Franz Johnston (lower left); titled (verso) 15 x 17 3/4 inches. $4,000-6,000

429

190

american and european art

430*

Carl Wuermer

(American, 1900-1981) Winter Stream oil on canvas signed Carl Wuermer (lower left) 20 x 24 inches.

Property from the Collection of Matthew and Molly Demos, New Berlin, Wisconsin $2,000-4,000

430

431

Johann Berthelsen

(American, 1883-1972) New York at Night oil on canvas signed Johann Berthelsen lower right) 20 x 16 inches.

Provenance: Sold: Christie’s East, New York, December 3, 1996, lot 159 $5,000-7,000

431

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

191

432

192

american and european art

433

432

433

(American, 1883-1972) A Snowy Day, New York oil on canvas signed Johan Berthelsen (lower right) 24 x 20 inches.

(American, 1883-1972) Winter on Fifth Avenue oil on canvasboard signed Johann Berthelsen (lower right) 9 x 12 inches.

Johann Berthelsen

Provenance: Sold: Shannon’s Fine Art, Connecticut, April 25, 2002, lot 10 Private Collection, Bronx, New York $7,000-9,000

Johann Berthelsen

Provenance: Sold: Christie’s East, New York, May 5, 1999, lot 47 $3,000-5,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

193

434

Guy Wiggins

(American, 1883-1962) 5th Ave at the Library oil on canvas signed Guy Wiggins (lower left); signed and titled (verso) 25 x 30 1/4 inches.

Provenance: Sold: Altermann Galleries, Texas, October 25, 2000 $60,000-80,000

435

196

american and european art

436

435

436

(American, 1856-1937) City Hall Park oil on canvas signed Colin Campbell Cooper (lower right) 30 x 24 inches.

(American, 1883-1972) From the Lagoon oil on canvas signed Johann Berthelsen (lower right) 16 x 20 inches.

Colin Campbell Cooper

Provenance: Sold: Leslie Hindman Auctioneers, Chicago, September 24, 2013, lot 50 $15,000-25,000

Johann Berthelsen

Provenance: Sold: Christie’s New York, “East,” December 3, 1996, lot 164 $3,000-5,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

197

437

437*

Frederick Carl Frieseke (American, 1874-1939), Nasturtiums, ca. 1917 oil on board signed F C Frieseke (lower right) 11 3/8 x 9 3/8 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Provenance: Chris Wyman Hollis Taggart Gallieres, New York, 2002 Patrica Weiner FIne Art, 2002

198

american and european art

Exhibited: Macbeth Gallery, New York, New York autumn 1917.

Note: This painting will be included in the forthcoming catalogue raisonne of Frieseke’s work being compiled by Nicholas Kilmer, the artist’s grandson, and sponsored by Hollis Taggart Galleries, New York. $5,000-7,000

438

Attributed to Alfred Henry Maurer

(American, 1868-1932) Still Life with Apple oil on board 7 1/2 x 9 inches.

Provenance: Salander-O’Reilly Galleries, New York, New York $2,000-4,000

438

439

Jean de Botton

(French, 1898-1978) Still Life oil on canvasboard signed Jean de Botton (lower right) 18 x 22 1/2 inches. $800-1,200

439

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

199

440

440

Edouard Léon Cortès

(French, 1882-1969) Place de Théâtre de la Comédie-Française oil on canvas signed Edouard Cortès (lower right) 13 x 18 inches. $15,000-25,000

441

Edouard Léon Cortès (French, 1882-1969) La Place de la Républic and La porte santé danis (a pair of works) oil on panel each signed (lower recto) Each: 6 1/4 x 8 5/8 inches.

Provenance: Phillips de Pury & Co., London, 1965 Acquired from the above by present owner $10,000-15,000

200

american and european art

441

441

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

201

442

443

202

american and european art

444

442

Antoine Blanchard

(French, 1910-1988) Place de la Madeleine oil on canvas signed Antoine Blanchard (lower right); signed (verso) 13 x 18 inches. $4,000-6,000

443

Antoine Blanchard

(French, 1910-1988) Flower Market, Madeleine oil on canvas signed Antoine Blanchard. (lower right); signed and marked Paris (verso) 13 x 18 inches. $4,000-6,000

444

Antoine Blanchard

(French, 1910-1988) Paris, Rue de la Paix oil on canvas signed Antoine. Blanchard. (lower left); signed and marked Paris (verso) 13 x 18 inches. $4,000-6,000 445

No Lot

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

203

446*

Edouard Léon Cortès (French, 1882-1969) Street Scene oil on canvas signed Edouard Cortès. (lower right) 13 x 18 inches.

Property from the Estate of Bertha Levine-Lewis, Chicago, Illinois $10,000-20,000

446

204

american and european art

447

447*

Edouard Léon Cortès (French, 1882-1969) Parisian Street Scene oil on canvas signed Edouard Cortès. (lower right) 13 x 18 inches.

Property from the Estate of Bertha Levine-Lewis, Chicago, Illinois $10,000-20,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

205

448*

Edouard Léon Cortès (French, 1882-1969) Opera in 1910 in Winter oil on canvas signed Edouard Cortès (lower right) 18 1/4 x 22 inches.

Property from the Collection of Barbara Sullivan, Lake Barrington, Illinois.

Provenance: Galerie F. Clair, Paris, 1960 Dr. William Thudium, Gladwyne, Pennsylvania Thence by descent to present owner $10,000-20,000

448

206

american and european art

449

449

Conrad Kiesel

(German, 1846-1921) Portrait of a Lady oil on canvas signed C. Kiesel (lower left) 22 x 16 1/2 inches.

Property from a Private Collector, Chicago, Illinois $3,000-5,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

207

450

208

american and european art

451

450

Louis Icart

(French, 1888-1950) Le guignol oil on canvas inscribed Louis Icart (lower left); titled with atelier stamp (verso) 20 1/2 x 16 1/2 inches. $5,000-7,000 451

Louis Icart

(French, 1888-1950) Two Seated Ladies oil on masonite signed Louis Icart (lower right); numbered 695 (verso) 13 x 16 inches. $5,000-7,000 452

Louis Icart

(French, 1888-1950) Infirmière oil on board signed Louis Icart (lower right) 17 x 12 inches. $5,000-7,000

452

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

209

453

Anthony Oakshett

(British, b. 1955) Still Life of Peaches, Pears, Quince, Figs, Melon and Other Fruit, 1998/99 inscribed Anthony Oakshett and dated (stretcher) oil on canvas 34 1/2 x 45 1/2 inches. $1,000-2,000

453

454*

Theo Tobiasse

(French, 1927-2012) Les MariĂŠs et la danseur au mouton oil on canvas signed theo tobiasse (lower left) and titled (upper left) 36 x 23 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Provenance: Irving Gallery, Milwaukee, Wisconsin $6,000-8,000

454 210

american and european art

455

AndrĂŠ Minaux

(French, 1923-1986) Portrait oil on canvas signed Minaux (lower left) 25 3/4 x 19 3/4 inches. $600-800 456*

Marcel Mouly

(French, 1918-2008) Jeune fille corse Ă la table jaune, 1971 oil on canvas signed M. Mouly and dated (lower left) 26 x 32 inches.

Property from the Collection of Dr. and Mrs. Eugene Gedgaudas, Jupiter Island, Florida $8,000-12,000

455

456

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

211

457

457

Otis Kaye

(American, 1885-1974) Silver, Gold Never Grow Old, 1971 oil on panel signed O. Kaye and dated (center) 9 x 12 1/2 inches.

Provenance: Descent from artist in family to current owner $40,000-60,000

212

american and european art

458

Otis Kaye

(American, 1885-1974) Slo Hi Bot Low, 1970 watercolor on paper signed O. Kaye and dated (lower center) 21 x 16 inches.

Provenance: Descent from artist in family to current owner $15,000-25,000

459

Otis Kaye

(American, 1885-1974) Money Grows on Trees, 1953 watercolor on paper signed O. Kaye and dated (lower left) 21 1/2 x 29 inches.

Provenance: Descent from artist in family to current owner Exhibited: New Britain, Connecticut, New Britain Museum of American Art, Otis Kaye, Money, Mystery, and Mastery, January 17- May 20, 2015 $15,000-25,000

458

459

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

213

460

Arthur Dove

(American, 1880-1946) Covered Boat, 1932 watercolor and charcoal on paper signed Dove (lower center) 5 x 7 inches.

Provenance: Alfred Stieglitz, 1967 The Downtown Gallery, New York Terry Dintenfass, Inc., New York Private collection $8,000-12,000

460

461

James Kivetoruk Moses

(American, 1900-1982) Nome Alaska watercolor, ink and pencil on paper signed Kivetoruk Moses and titled (lower right) 9 x 12 inches. $2,000-4,000

461

214

american and european art

462

462

Thomas Hart Benton

(American, 1889-1975) Eagle Creek, Lewis and Clark Camp ink wash and pencil on paper signed Benton, titled and dated (lower right) 11 x 14 inches.

Provenance: Collection of the artist Purchased from the above by the present owner $15,000-25,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

215

216

american and european art

463*

Nicholas Roerich

(Russian, 1874-1947) The Snow Maiden (Stage Design) oil on canvas 24 x 36 inches.

Property from the Estate of James M. Kemper Jr., Kansas City, Missouri Provenance: Cordier & Ekstrom, Inc., New York Acquired from the above by the present owner in 1974 $100,000-150,000

463

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

217

464

464*

Ernest Lawson

(American/Canadian, 1873-1939) Moonlight, Segovia, Spain oil on panel signed E. Lawson (lower left) 12 x 8 1/2 inches.

Property from the Collection of David and Gail McRorie, Kansas City, Missouri Provenance: The Red Piano Art Gallery, Hilton Head Island, South Carolina Mr. Earl W. Cole, California $3,000-5,000

218

american and european art

sale 548

chicago atlanta denver

outsider and folk art

milwaukee naples palm beach scottsdale st. louis

online only auction friday, december 15, 2017 2PM CT | chicago

| 312.334.4205 aronpacker@lesliehindman.com

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LESLIE hindman

auctioneers

From left: Lot 83 | Purvis Young, (American, 1943-2010), Untitled Lot 118 | Nikifor, (Polish, 1895-1968), Church Lot 33 | Edwin Lawson, (American, 1911-1980), Fashions 1965-1970

Artist Index ARTIST NAME

LOT

Abercrombie, Gertrude 100 Adler, Edmund 377 Albers, Josef 227-230 Álvarez Bravo, Manuel 130 Andoe, Joe 332, 333 Appel, Karel 277, 278 Archipenko, Alexander 8A Ardissone, Yolande 416 Arikha, Avigdor 349 Arnoldi, Charles 260 Arp, Jean (Hans) 221 Auerbach, Frank 302-306, 308 Battiss, Walter Whall 59 Baum, Walter Emerson 428 Baumann, Gustave 162 Bazaine, Jean Rene 239 Behrens, Howard 419 Bell, Larry 69 Benton, Thomas Hart 462 Benton, Thomas Piacenza 411 Bernhard, Ruth 134 Berthelsen, Johann 431-433, 436 Bertoia, Harry 4 Blanchard, Antoine 442-444 Boggs, Frank Myers 378 Bohrod, Aaron 57 Botero, Fernando 5, 309 Boxer, Stanley 90 Braque, Georges 171, 172, 174, 175 Bratby, John 105 Brieu, Christian 11, 12 Briganti, Nicholas 407 Brown, James 343 Brown, John George 381, 383 Brown, Roger 328, 329 Brownscombe, Jennie Augusta 365, 382 Burton, Richmond 72 Calder, Alexander 61, 213-218 Callahan, Harry 107, 108 Campigli, Massimo 184, 185 Cartier-Bresson, Henri 116, 135 Chagall, Marc 187-191 Chamberlain, John 264-266 Chapman, Conrad Wise 406 Che, Chuang 76 Christo 296 Combes, Simon 104 Continental School 357 Cookesley, Margaret Murray 372 Cooper, Colin Campbell 435 Cortès, Edouard Leon 440, 441, 446-448 Cottingham, Robert 314-316 Craft, Percy R. 368 Cragg, Anthony 261 Culverhouse, Johann Mongels 363 Cunningham, Imogen 120 Dalí, Salvador 274, 275 de Botton, Jean 439

220

de Cuvillon, Louis Robert 371 De Forest, Roy 347 de Kooning, Willem 237 Delaunay, Sonia 219, 220 Diaz de la Peña, Narcisse Virgil 384, 385 Diebenkorn, Richard 255 Dill, Laddie John 268 Dill, Lesley 350 Dine, Jim 310-312 Dove, Arthur 460 Ebbets, Charles C. 115 Edelmann, Yrjö 355 Edlich, Stephen 89 Eliasson, Olafur 3A Ensor, James 142 Ernst, Max 199-201 Escher, M. C. 186 Eversen, Adrianus 379, 380 Feito López, Luis 68 Feni, Dumile 58 Fontana, Lucio 223-226 Forain, Jean-Louis 143 Francis, Sam 247, 248 Frank, Robert 118, 122, 124 Friedeberg, Pedro 14, 330 Friedman, Tom 62, 342 Frieseke, Frederick Carl 437 Fuller, Buckminster 5 Gaitis, Yannis 98, 99 Gall, François 426 Garduño, Flor 127, 131 Gates, Theaster 354 Geesaman, Lynn 111 Giacometti, Alberto 197 Gile, Selden Connor 408 Goldin, Nan 136 Goodnough, Robert Arthur 91-93 Grant, James Jeffrey 397 Grooms, Red 313 Grosz, George 166 Gruppe, Emile Albert 400, 401 Haas, Richard 320 Haden, Francis Seymour 146 Hansen, Armin 402 Harpignies, Henri Joseph 369 Hashimoto, Jacob 5A Held, Al 259 Heliker, John 106 Hervé, Jules René 417, 427 Herzog, Hermann 388-391, 393 Hinman, Charles 252 Hockney, David 138 Hodgkin, Howard 256, 257 Hogin, Laurie 101 Icart, Louis 157-161, 450-452 Iturbide, Graciela 128 Jacquette, Yvonne 318, 319 Jenkins, Paul 79, 245, 246

Johnston, Frank Hans Karsh, Yousuf Katz, Alex Kaye, Otis Kertész, André Kitaj, R. B. Klein, William Kluge, Constantin Knight, Louis Aston Knowles, George Sheridan Kossoff, Leon Krafft, Carl Rudolph Krasner, Lee Kruger, Barbara Kuo-sung, Liu Kwang, Choo Keng Lawson, Ernest Leger, Fernand Legrand, Louis Leprince, Auguste-Xavier Leung, Kui-ting Lever, Richard Hayley Levinthal, David LeWitt, Sol Lichtenstein, Roy Little, John Lupertz, Markus Maione, Robert Mapplethorpe, Robert Marini, Marino Marsh, Reginald Masson, André Mathieu, Georges Matta, Roberto Maurer, Alfred Henry McCurry, Steve McGinnis, Ryan Meadmore, Clement Melchers, Gari Michal, Henry Minaux, André Miró, Joan Mitchell, Joan Modesitt, John Moore, Henry Moran, Edward Moses, James Kivetoruk Motherwell, Robert Mouly, Marcel Mucha, Alphonse Murphey, Hermann Dudley Natkin, Robert Nauman, Bruce Neiman, LeRoy Nevelson, Louise Newman, Howard Hancock Nieto, Rodolfo Nikel, Lea

429 123 301 457-459 119 283 121 424 367 358 321, 322 409 238 334 73 102 464 169, 170 149 366 74 399 139 250, 251 284, 285 80 346 387 110 198 165 96 67 202 438 139A 85 7 361, 362, 410 418 455 204-212 243, 244 420 192-196 394 461 241, 242 456 151-153 403 63, 82-84 345 53-56 232-236 9, 10 331 254

Glossary of Terms Novoa, Gustavo Oakshett, Anthony Oldenburg, Claes Olitski, Jules O’Neil, George Bernard Osver, Arthur Pace, Stephen Paschke, Ed Pearlstein, Philip Perlmutter, Bill Picasso, Pablo Pieters, Evert Pissarro, Camille Pissarro, Hugues Claude Plensa, Jaume Porter, Liliana Pothast, Bernard Potthast, Edward Henry Powell, Ricky Poynter, Edward John Quinn, Marc Rauschenberg, Robert Ray, Man Reynolds, Charles Henry Richards, William Trost Richter, Gerhard Rider, Arthur Grover Riggs, Robert Rivers, Larry Robbins, Bruce Roerich, Nicholas Rosati, James Roseland, Harry Herman Rosenquist, James Rotella, Mimmo Ruscha, Ed Ryan, Anne Salas, Osvaldo Salgado, Sabastião Schmidt-Rottluff, Schnackenberg, Roy Sébire, Gaston Serra, Richard Shapiro, Joel Siskind, Aaron Smith, Richard Smith, W. Eugene Soo Pieng, Cheong Soto, Jesús Rafael Spicuzza, Francesco Steadman, Ralph Steinberg, Saul Steinberg, Saul Steinlen, Théophile Alexandre Stella, Frank Stern, Bert Taaffe, Philip Tal-Coat, Pierre

103 453 294, 295 78 375 86 77 324-327 317 112 16-50, 176-183 374 140, 141 412-415 68A 344 373 370 132 359 137 279-282 81 405 392 356 404 163, 164 300 87 463 6 376 269, 270 297 335-341 64 125, 126 129 Karl 167 94, 95 425 351, 353 262, 263 109 88 117 75 1-3 422, 423 271 298, 299 60 144, 145 267 133 66 240

Tamayo, Rufino 97, 272, 273 Tapies, Antoni 258 Tennant, John Frederick 386 Thieme, Anthony 398 Tinsley, Barry 8 Tobey, Marc 222 Tobiasse, Théo 454 Toulouse-Lautrec, Henri de 154, 156 Trova, Ernest 13 Valenkamph, Theodore Victor Carl 395, 396 van Elk, Ger 70 van Genderen, Monique 65 van Loo, Carle 364 Various Artists 150 Vasarely, Victor 71, 231 Villon, Jacques 168 Warhol, Andy 286-291 Wesselmann, Tom 292, 293 Wiggins, Guy 434 Wirsum, Karl 323 Wojnarowicz, David 348 Wou-Ki, Zao 203 Wuermer, Carl 430 Zinnemann, Fred 113, 114 Zorn, Anders 147, 148 Zúñiga, Francisco 51, 52

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist.

ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category.

STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist.

CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil.

STYLE OF . . .

FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist.

MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period.

AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

221

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LESLIE HINDMAN AUCTIONEERS u p c o m i ng a u c t i on s c h e d u l e 538 | post war and contemporary art december 14 | chicago

560 | asian works of art march 26 – 27 | chicago consignment deadline january 25

539 | fine prints december 14 | chicago

561 | important jewelry april 10 – 11 | chicago consignment deadline february 7

540 | american and european art december 15 | chicago

562 | fine timepieces april 11 | chicago consignment deadline february 7

548 | outsider and folk art december 15 | chicago

557 | palm beach collections april 12 | palm beach consignment deadline february 9

549 | palm beach collections january 11 | palm beach

564 | fine furniture, decorative arts and silver april 18 – 19 | chicago consignment deadline february 16

554 | fine furniture, decorative arts and silver january 23 – 24 | chicago

565 | luxury accessories and couture april 20 | chicago consignment deadline february 19

552 | interiors january 30 – 31 | online only

573 | arts of the american west april 21 | denver consignment deadline february 20

556 | Property from the Estate of Philip and Mary Hulitar, Palm Beach, FLorida february 22 | palm beach

566 | interiors april 25 – 26 | online only

567 | st. louis spring auction march 9 | st. louis consignment deadline january 8

568 | fine books and manuscripts may 1 | chicago consignment deadline march 2

Leslie Hindman Auctioneers offers a complete range of appraisal and auction services designed to assist you.

If you have property to sell, be it a single item, a large collection or an entire estate, please contact us for a complimentary evaluation at 312.280.1212 or consign@lesliehindman.com.

This schedule is subject to change. Changes can be found at lesliehindman.com

lesliehindman.com

Auction Inquiries fine art DEPARTMENT

Zack Wirsum Senior Specialist Post War and Contemporary Art zachary@lesliehindman.com

Sarah Wilson Associate Specialist American and European Art sarahwilson@lesliehindman.com

OFFICE OF THE PRESIDENT Leslie S. Hindman CEO 312.280.1212 Adam Spender Executive Assistant 312.334.4201

finance Christopher Reimann CFO christopherreimann@lesliehindman.com 312.280.1212

ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Molly Gron Director mollygron@lesliehindman.com 312.334.4235 Katelyn Finn Important Collections Manager katelynfinn@lesliehindman.com 312.447.3297 Katie Matusik Estates and Appraisals Manager katelynmatusik@lesliehindman.com 312.334.4224

museum services Michael Shapiro Senior Advisor, Museums and Private Collections michaelshapiro@lesliehindman.com 312.334.4210

consignment department Grace Whalen Director of Consignments gracewhalen@lesliehindman.com 312.334.4202 Raluca Mondi Consignment Coordinator ralucamondi@lesliehindman.com 312.447.3263

Reed Landin Associate Specialist Fine Prints reedlandin@lesliehindman.com 312.334.4216

Fine Art

Asian Works of Art

Zack Wirsum Senior Specialist zachary@lesliehindman.com

Annie Wu Specialist anniewu@lesliehindman.com

Aron Packer Business Development, Fine Art aronpacker@lesliehindman.com 312.334.4205

Flora Zhang Account Executive florazhang@lesliehindman.com 312.447.3290

Reed Landin Associate Specialist reedlandin@lesliehindman.com Sarah Wilson Associate Specialist/Cataloguer sarahwilson@lesliehindman.com Nate Brady Account Executive nathanbrady@lesliehindman.com 312.600.6064 Lauren Carpinelli Account Executive laurencarpinelli@lesliehindman.com 312.334.4228 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com Corbin Horn Specialist corbinhorn@lesliehindman.com Nick Coombs Associate Specialist nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282

Fine Jewelry and Timepieces Katie Guilbault, G.G. Gemologist katieguilbault@lesliehindman.com Susanne Siegel, G.G. Business Development / Gemologist susannesiegel@lesliehindman.com 312.334.4233 Jamie Henderson Associate Specialist / Cataloguer jamiehenderson@lesliehindman.com Ian Klopfer, G.G. Gemologist ianklopfer@lesliehindman.com Katie Meyer Account Executive katiemeyer@lesliehindman.com 312.334.4213 Madeline Schroeder Account Executive madelineschroeder@lesliehindman.com 312.334.4223 Luxury Accessories and Couture Mary Shearson Director maryshearson@lesliehindman.com

Genevieve King Cataloguer genevieveking@lesliehindman.com

Dawn Butler Account Executive dawnbutler@lesliehindman.com 312.447.3288

Modern Design

Arts of the American West

Luke Palmer Specialist lukepalmer@lesliehindman.com Mike Intihar Senior Specialist mike@lesliehindman.com Cassia Baker Senior Account Executive cassiabaker@lesliehindman.com 312.447.3282 Fine Books and Manuscripts Gretchen Hause Director gretchenhause@lesliehindman.com Elizabeth Keithley Account Executive elizabethkeithley@lesliehindman.com 312.334.4231

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Nate Brady Account Executive nathanbrady@lesliehindman.com 312.600.6064

Rachel Enright Consignment Manager rachelenright@lesliehindman.com 303.825.1855 Interiors Gia Spezia, Director gia@lesliehindman.com 312.334.4219 LH Exchange Elise Moyer, Director elisemoyer@lesliehindman.com 312.447.3261

Lauren Carpinelli Account Executive laurencarpinelli@lesliehindman.com 312.334.4228

REGIONAL offices Jim Sharp Vice-President jim@lesliehindman.com 312.334.4203 Vaughn Smith Regional Development Manager vaughnsmith@lesliehindman.com 312.334.4238 Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204

Atlanta

Mary Calhoun marycalhoun@lesliehindman.com 404.858.9155

Denver

1024 Cherokee Street, Suite 200 Denver, Colorado 80204 denver@lesliehindman.com 303.825.1855

Milwaukee

414 East Mason Street Milwaukee, Wisconsin 53202 414.220.9200

Naples

850 6th Avenue South Naples, Florida 34102 239.643.4448

West Palm Beach

1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053

Scottsdale

Logan Browning loganbrowning@lesliehindman.com 480.490.3175

St. Louis

32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833

Kansas City

Pam Kirkland pamkirkland@lesliehindman.com 314.833.0833

Rockford, Illinois Janet Moore 815.399.3983

Ohio

Macy Nyhart Hansen 513.560.3200

Washington, D.C. Maura Ross 561.676.3199

Mid Atlantic

Roger Schrenk and Chris Fultz 703.217.3811

International

Tina Fisher Grow 561.315.9100

Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping Arrangements Leslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

Guide for Prospective Buyers Conditions of Sale Leslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions Leslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates Leslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser.

In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are:

$0 - $200 ............................................. $10

$200 - $500 ............................................. $25

$500 - $1,000 .......................................... $50 $1,000 - $2,000 ........................................ $100 $2,000 - $5,000 ........................................ $200 $5,000 - $10,000 ...................................... $500 $10,000 - $20,000 ................................... $1,000 $20,000 - $50,000 ................................... $2,000 $50,000 - $100,000 ................................. $5,000 $100,000 - $200,000 ............................... $10,000

Over > $200,000 ......... Auctioneer’s Discretion

In-House Bidding Live bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Driving Directions/Parking From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street.

Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking: Leslie Hindman Auctioneers, Inc. has a private parking lot located on Ada Street, diagonally across the street from our entrance.

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Conditions of Sale LESLIE HINDMAN AUCTIONEERS, INC. AS AGENT

The lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above.

All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment.

Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Leslie Hindman Auctioneers.

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Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser.

In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $100,000; twenty percent (20%) of any amount in excess of $100,000 up to and including $1,000,000; and twelve percent (12%) of any amount in excess of $1,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $100,000; twenty-one percent (21%) of any amount in excess of $100,000 up to and including $1,000,000; and thirteen percent (13%) of any amount in excess of $1,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

LIABILITY

Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.

Condition Reports Leslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:

Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.

a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price

Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

Discretion Any and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc.

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e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

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g.) to take other action as we find necessary or appropriate

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leslie hindman auctioneers CHICAGO | atlanta | DENVER

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

f x 312. 280. 1211 | bi d @ l e s l i e hi nd ma n.co m Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

Name

Sale Number/Name

Business Name Billing Address City State

Country/Zip

Contact Name Primary Phone Secondary Phone Email

Fax

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

$0 - $200 ........................................ $10

$200 - $500 ........................................ $25

$500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000

Over > $200,000 .... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

A per lot buyer’s premium is added to the final hammer price as per the following:

Signature

Date

For Leslie Hindman AUCTIONEERS, INC.

Date

Leslie Hindman Auctioneers, Inc. is not responsible for failure or other inadvertent errors relating to the execution of your bids.

$0 - $100,000 .......................................... 25% $100,001 - $1,000,000 ............................ 20% $1,000,001 + ............................................ 12%

First time bidders please provide a valid credit card and one of the following: Passport / Driver’s License / National Identity Card Lot Number

PHONE BID

Absentee Bid

LOT DescriPtion

US Dollar Limit

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

Back-up Bid

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

LHLIVE 1 3 3 8 w e S T LA K E S TREET ph 312.280.1212

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fx 312.280.1211

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CHICA G O , ILLINOI S

60607

bid@lesliehindman.com

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lesliehindman.com

L ESL IE HI NDM A N AUCT ION EERs d ecem ber 14 – 15, 2017 NO .538•539•540

13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e h i n d m a n.c o m

december 14 – 15, 2017 post war and contemporary art fine prints american and european art