Sales 570 Post War and Contemporary Art + Sale 571 Fine Prints

L ESL IE HI NDM A N AUCT ION EERs may 23, 2018 NO.570 • 571

13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e h i n d m a n.c o m

may 23, 2018 post war and contemporary art fine prints

SALE 570

Post War and Contemporary Art Wednesday 23 May | 10 AM CT SALE 571

Fine Prints

lh

Wednesday 23 May | 2 PM CT

LHLIVE

P R EVIEW

saturday 19 may | 10am – 4pm Sunday 20 may | 12pm – 4pm monday 21 may | 10am – 5pm tuesday 22 may | 10am – 5pm wednesday 23 may | 10am – 5pm auction

wednesday 23 may | 10am CT post war and contemporary art | lots 1 – 206 wednesday 23 may | 2Pm CT fine prints | lots 207 – 562 P R OPERTY PICK UP HOU R S

MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale.

Lots marked with an asterisk (*) are tax exempt as permitted by law.

Cover Lot 171 | Alan Saret, (American, b. 1944) Constellation, 1979-80, nickel wire Above Lot 200 | Pablo Picasso, (Spanish, 1881-1973) Hibou blanc sur fond rouge, 1957

lesliehindman.com ©Hindman LLC 2018 CHICAGO, ILLINOIS ILLINOIS AUCTION FIRM LICENSE NUMBER 444.000521

P RO P ERT Y F RO M T H E ESTAT ES a n d tr u s ts O F

Gerard L. Cafesjian, Naples, Florida The Robert Grenton Revocable Trust, Glencoe, Illinois Franz Kamber, Mahomet, Illinois Elvire and Lucien Levy, Sarasota, Florida Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Anne Markley Spivak, Grosse Pointe, Michigan

P RO P ERT Y F RO M T H E C O LLEC T IONS OF

Mr. Richard Adamick, Fort Lauderdale, Florida Drs. Stewart and Renee Albert, St. Louis, Missouri The Appleton Museum of Art, Ocala, Florida Cathy G. Bernstein, Boston, Massachusetts Jane Brite, Milwaukee, Wisconsin Stephen and Barbara Byer, Milwaukee, Wisconsin Stefan T. Edlis, Chicago, Illinois Tony Karakas, St. Louis, Missouri Ms. Suzanne Massey, Evanston, Illinois Joseph and Arlene McHugh, Chicago, Illinois The Honorable and Mrs. Marvin H. Morse, Sarasota, Florida Edwin M. Roth, Aspen, Colorado Robert Schware, Boulder, Colorado Dimitrios and Christine Sereleas, Chicago, Illinois Sandra and Robert Thomas, Chicago, Illinois Mrs. Mary Jean Thomson, Riverwoods, Illinois Mr. Anastasios Tsonis, Milwaukee, Wisconsin Mr. James Velasco, Chicago, Illinois Gordon and Patsy Wassenaar, Grand Rapids, Michigan Marcia Weber, Atlanta, Georgia WestRock Shared Services LLC, Norcross, Georgia An Important Corporate Collection

P RO P ERT Y s ol d to ben efit

The Acquisition Fund of The San Diego Museum of Art, San Diego, California Lot 130 | Ray Yoshida, (American, 1930-2009) Unbelievable Refuge, 1980

Contents Post War and Contemporary Art Lots 1 – 206

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Fine Prints Lots 207 – 562

Artist Index

136

Glossary of Terms

Auction Inquiries

251

Conditions of Sale

256

Telephone / Absentee Bid Forms

259, 261

Lot 485 | Tom Wesselmann, (American, 1931-2004) Lulu (from Metropolitan Fine Art), 1982

250

254

SALE 570

Post War and Contemporary Art Wednesday 23 may | 10AM CT paintings and works on paper | lots 1 – 134 photography | lots 135 – 160 sculpture | lots 161 – 206

Opposite Lot 179 | Sheila Hicks, (American, b. 1934) cotton, linen and rayon

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Paintings and Works on Paper

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Lots 1 – 134

1*

Alice Trumbull Mason

(American, 1904-1971) Evasive Square, 1966 oil on canvas initialed ATM and dated (lower right); signed, titled and dated (verso) 32 x 24 1/4 inches.

Property Sold to Benefit the Acquisition Fund of The San Diego Museum of Art, San Diego, California Provenance: Wolf Kahn and Emily Mason, New York Gifted to The San Diego Museum of Art by the above $6,000-8,000 2

2*

Bruce Robbins

(American, b. 1948) Swan, 1987 encaustic and oil on canvas, wood, aluminum, plaster and wire mesh signed Bruce Robbins, titled and dated (verso) 48 x 48 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia Provenance: Blum Herman, Los Angeles $500-700

3*

Leo Andenmatten

(Swiss, 1922-1979) Silence Blancs oil on canvas signed L. Andematten and titled (verso) 48 x 37 inches.

Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida $2,000-4,000

3

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4

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4

Richard Anuszkiewicz

(American, b. 1930) Masked Triad, 1993 oil on wood construction signed RICHARD ANUSZKIEWICZ and dated (verso) 47 x 36 inches.

Exhibited: New York, New York, National Academy of Design, Annual Exhibition $40,000-60,000

5

Kate Shepherd

(American, b. 1961) Through a Doorway, Interior on Brown, 2000 and Diptych, Brown and Navy Interior and Velvet Dress, 2000-01 oil on aluminum panels each signed Shepherd and dated (verso) 30 x 19 and 28 1/2 x 19 inches.

Provenance: Galerie Lelong, New York $20,000-40,000

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11

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Edwina Leapman

(British, b. 1934) Leaf Green II, 1998 acrylic on canvas signed E. Leapman and dated (verso) 35 1/2 x 33 1/2 inches.

Provenance: Annely Juda Fine Art, London $1,000-2,000 7

John Beech

(American, b. 1964) Glue Painting #47, 2005 glue on linen signed Beech, titled and dated (verso) 12 1/4 x 12 1/4 inches. $1,000-2,000 8

Jon R. Schueler

(American, 1916-1992) Gale over Sleat I, 1976 oil on canvas signed Jon Schueler and titled (verso) 14 x 12 inches. $1,000-2,000

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9

Robert Natkin

(American, 1930-2010) Bath England September 1973, 1973 acrylic on canvas signed Natkin (lower center); titled and dated (verso) 60 x 40 inches.

Provenance: Gertrude Kasle Gallery, Detroit, Michigan $2,000-4,000 10

Robert Natkin

(American, 1930-2010) Series B V (Small), 1967 acrylic on canvas signed Natkin and dated (lower center) 15 x 18 inches.

Provenance: Gertrude Kasle Gallery, Detroit, Michigan $800-1,200 11

Robert Natkin

(American, 1930-2010) Untitled from Apollo series, 1981 acrylic on canvas signed Natkin (lower center) and date stamped (verso) 35 x 38 1/8 inches. $3,000-5,000 12

Robert Natkin

(American, 1930-2010) Untitled oil on wood signed Natkin (lower right) 39 1/4 x 48 inches. $2,000-4,000

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Conrad Marca-Relli

(American, 1913-2000) Untitled # 19, 1972 oil and canvas collage on canvas signed Marca-Relli (lower right) 23 7/8 x 26 1/2 inches.

Provenance: Washburn Gallery, New York $10,000-15,000

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Miyoko Ito

(American, 1918-1983) Act I by Sea, c. 1955 oil on canvas 48 x 38 inches.

Provenance: Thomas McCormick Gallery, Chicago Exhibited: Chicago, Illinois, The Art Institute of Chicago, Fifty-eighth Annual Exhibition

by Artists of Chicago and Vicinity, 1955 $4,000-6,000

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16*

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(Polish, 1915-1990) Informal, 1966 oil on canvas signed Kantor and dated (verso) 26 x 29 inches.

(French, 1913-1999) Still Life, 1955 oil on canvas signed C. Venard (lower left) 13 x 15 inches.

Property from the Estate of Anne Markley Spivak, Grosse Pointe, Michigan $2,000-4,000

(French, 1919-2004) Automne au Breal, 1963 oil on canvas signed Cathelin (lower right); signed, titled and dated (verso) 38 x 57 1/2 inches.

Tadeusz Kantor

Provenance: Galeria Desa Przedsleblorstwo Panstwowe, Krakow, Poland Forsythe Gallery Inc., Ann Arbor, Michigan $20,000-40,000

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post war and contemporary art

Claude Venard

Bernard Cathelin

Provenance: David B. Findlay Galleries, New York $8,000-12,000

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José María Sicilia

(Spanish, b. 1954) Flor 40, 1985 mixed media on canvas signed Sicilia, titled and dated (verso) 118 3/4 x 39 inches.

Provenance: Galeria Fernando Vijande, Madrid, Spain Blum Helman Gallery, New York $6,000-8,000 19

Carl Holty

(American, 1900-1973) Untitled, 1981 oil on board inscribed by artist’s wife Elizabeth Holty and dated (verso) 12 x 9 inches. $1,000-2,000

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Ron Gorchov

(American, b. 1930) Procession, 1983 oil on shaped canvas signed Ron Gorchov, titled and dated (verso) 65 x 81 inches.

Provenance: Marlborough Gallery, New York Susanne Hilberry Gallery Inc., Birmingham, Michigan Exhibited: Rochester, Michigan, Meadow Brook Art Gallery, Oakland University, MAGIC IN THE MIND’S EYE PART I, October 4 - November 8, 1987, no. 37 $50,000-70,000

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24

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Antonietta Peeters

(Dutch, b. 1967) Untitled, 2007 acrylic on linen signed Antonietta Peeters and dated (verso) 35 1/2 x 25 1/2 inches. $1,000-2,000 22

JosĂŠ MarĂ­a Sicilia

(Spanish, b. 1954) Untitled (La Luz Que Se Apaga), 1997 oil, wax, and paper on panel signed JMS and dated (verso) 40 x 40 inches.

Provenance: Joseph Helman Gallery, New York $2,000-4,000

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Dorothy Fratt

(American, 1923-2017) Big I.D., 1991 acrylic on canvas signed Fratt (lower right); signed, titled and dated (verso) 59 1/2 x 49 1/2 inches.

24

Walter Dahn

(German, b. 1954) Untitled, 1985 silkscreen on canvas initialed WB and dated (verso) 13 x 9 1/2 inches. $2,000-4,000

Provenance: Riva Yares, Scottsdale, Arizona $1,000-2,000

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25

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Peter Plagens

(American, b. 1941) Learning of the Tragic News, 1996 mixed media on canvas signed Peter Plagens, titled and dated (verso) 66 x 42 inches.

Provenance: Nancy Hoffman Gallery, New York $1,000-2,000

26

Joan Snyder

(American, b. 1940)Â Paint/Tree, 1990 oil and mixed media on canvas signed Joan Snyder and dated (verso) 48 x 60 inches.

Provenance: Ann Jaffe Gallery, Bay Harbor Islands, Florida Hirschl & Adler Modern, New York Nielsen Gallery, Boston, Massachusetts Sold: Skinner Inc., Boston, September 9, 2011, Lot 643 $3,000-5,000

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Sam Gilliam

(American, b. 1989) Untitled, 1989 mixed media signed Sam Gilliam and dated (verso) 24 x 25 1/2 inches. $6,000-8,000

28

John Seery

(American, b. 1941) Untitled oil on canvas signed Seery (lower right); signed (verso) 33 x 24 3/4 inches. $2,000-4,000

(American, b. 1940) Rite, 1996 oil on canvas signed Foosaner, titled and dated (verso) 48 x 44 inches. $1,000-2,000

29

31

(American, b. 1941) Untitled oil on canvas signed Seery (lower right); signed (verso) 30 x 24 inches. $2,000-4,000

(Chinese, 1927-2012) Mountain Ranges (Painting 7211), 1972 oil on canvas signed Hu, Chi-Chung, titled and dated (verso); signed in Chinese characters and dated (lower right) 52 x 50 inches. $3,000-5,000

John Seery

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Judith Foosaner

Hu Chi-Chung

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32*

Gershon Iskowitz, (Canadian, 1921-1988), Orange Violet-A, 1979 oil on canvas signed Iskowitz, titled and dated (verso) 61 x 55 1/2 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida Provenance: The Drabinsky Gallery, Toronto, Canada Galerie Elca London, Montreal, Quebec $20,000-30,000

26

post war and contemporary art

33*

Gershon Iskowitz, (Canadian, 1921-1988), Autumn-A, 1978 oil on canvas signed Iskowitz, titled and dated (verso) 87 x 154 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida Provenance: Gallery Moos, Toronto, Ontario Exhibited: Toronto, Ontario, the Art Gallery of Ontario, Gershon Iskowitz Retrospective, January 23 - March 7, 1982; Windsor, Ontario, Art Gallery of Windsor, March 23 - May 2, 1982; Montreal, Quebec, Musee d’art contemporain, May 17 - June 27, 1982; London, Ontario, London Regional Art Gallery, July 9 - August 22, 1982, No. 100 $30,000-50,000

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34*

Gershon Iskowitz

(Canadian, 1921-1988) Northern Lights Septet, 1984 oil on canvas stretched over board signed Iskowitz, titled and dated (verso) 92 x 162 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida Provenance: Gallery Moos, Toronto, Ontario $30,000-50,000

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James F. Dicke

(American, b. 1945) Untitled, 1993 oil on canvas signed J. Dicke and dated (verso) 24 x 20 inches. $2,000-4,000 36

James F. Dicke

(American, b. 1945) Untitled, 2009 oil on canvas signed Jim Dicke and dated (verso) 18 x 18 inches. $1,500-2,500 37

James F. Dicke

(American, b. 1945) Space Storm, 1994 oil on canvas signed J. Dicke and dated (verso) 30 x 30 inches.

Provenance: The Ralls Collection, Washington D.C. $3,000-5,000

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Robert Richenburg

(American, 1917-2006) Recapture the Error, 1950 oil on paper signed Richenburg and dated (lower right) 15 x 18 inches.

Provenance: MB Modern, New York $1,000-2,000 39*

Sonia Sekula

(American/Swiss, 1918-1963) Love is Always Now, 1952 gouache on paper signed Sekula and dated (lower right) 13 1/2 x 11 inches.

Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida $1,000-2,000 40

William Lumpkins

(American, 1908-2000) Voice of Silence, 1958 mixed media on paper signed Lumpkins and dated (lower right) 45 x 36 inches.

Property from a Chicago Collector $1,000-2,000 39

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41

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Graham Sutherland

(British, 1903-1980) Landscape through a Doorway, 1937 gouache and ink on paper laid to board signed Sutherland and dated (lower right) 11 3/4 x 9 inches.

Property from the Collection of a Titled British Lady Provenance: Marlborough Fine Art Ltd., London $10,000-15,000

42

Graham Sutherland

(British, 1903-1980) Steel Ladle, 1942 gouache, ink, graphite and collage on paper laid to cardboard signed Sutherland and dated (lower right) 6 1/2 x 6 inches.

Property from the Collection of a Titled British Lady $5,000-7,000

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43

Willem de Kooning, (Dutch/American, 1904-1997) Untitled (New York Times May 21, 1976), 1977 oil on newsprint laid to canvas signed de Kooning (lower center right) 22 x 29 inches.

Provenance: Private Collection, Connecticut James Goodman Gallery, New York, Acquired from the above by Mr. Fabian Carlsson, Spain in 1988 Arij Gasiunasen Fine Art, Palm Beach, Florida $80,000-120,000

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Anton Rooskens

(Dutch, 1906-1976) Untitled, 1968 gouache on paper signed Rooskens and dated (lower right) 12 1/2 x 16 1/2 inches.

Provenance: Galerie Krikhaar, Amsterdam $1,000-2,000

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Suzan Frecon

(American, b. 1941) turning red ochre with some other colors, 2002 watercolor on agate burnished old Indian paper 9 1/2 x 12 3/4 inches.

Provenance: Lawrence Markey Inc., New York $2,000-4,000

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William Tillyer

(British, b. 1938) Proscenium Vase, 1993 watercolor signed Tillyer (lower right) 30 x 22 inches.

Property from Fairlawn, Lake Forest, Illinois Provenance: Bernard Jacobson Gallery, London $1,000-2,000

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Sam Francis

(American, 1923-1994) Untitled, 1990 acrylic on paper signed Sam Francis, inscribed, and dated (verso) 32 1/4 x 23 7/8 inches.

Provenance: Private Collection (March 1991) Private Collection, Chicago

Note: This work is identified with the interim identification number of SF87-269 in consideration for the forthcoming Sam Francis: Catalogue RaisonnĂŠ of Unique Works on Paper.

This information is subject to change as scholarship continues by the Sam Francis Foundation. $30,000-50,000

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Paul Jenkins

(American, 1923-2012) Phenomena Cosmic Wreath St. Croix, 1980 watercolor signed Paul Jenkins (lower center) 43 x 30 1/2 inches.

Property from the collection of Avril Chait, Scottsdale, Arizona $5,000-7,000 49

Alice Baber

(American, 1928-1982) Untitled, 1981 watercolor on paper signed Alice Baber and dated (lower right) 28 1/2 x 40 inches.

Exhibited: Elkhart, Indiana, Midwest Museum of American Art, Works on Paper, December 3, 1993 - February 27, 1994. $800-1,200

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Alexander Calder

(American, 1898-1976), Himself, 1963 gouache and ink on paper signed Calder and dated (lower right) 13 1/2 x 21 1/4 inches.

Provenance: Acquired directly from the Artist by Nicholas Guppy, London, c. 1963 Acquired from the above by Obelisk Gallery, Boston Sold: Sotheby’s New York, October 7, 1989, Lot 412 Acquired from the above by the present owner.

This work is registered in the archives of the Calder Foundation, New York, under application no. A11285. $30,000-50,000

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Jack Youngerman

(American, b. 1926) April 24, 1965, 1965 gouache on paper initialed JY and dated (lower center) 23 x 29 inches.

Provenance: Betty Parson Gallery, New York Mr. Harold Brown, Irvington, New Jersey Exhibited: Newark, New Jersey, Newark Museum, New Jersey Collects, March 20 - May 3, 1970 $3,000-5,000

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Anne Truitt

(American, 1921-2004) 1 Dec ‘87, 1987 acrylic on paper signed Truitt and dated (lower right) 22 1/2 x 30 inches.

Provenance: Osuna Gallery, Washington, D.C. $30,000-50,000

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Franz Erhard Walther

(German, b. 1939) Werkzeichnung #28, 1968-1970 watercolor and pencil on paper signed Walther and dated (lower right) 11 5/8 x 8 1/4 inches.

Provenance: Peter Freeman Inc., New York $1,000-2,000 54

Franz Erhard Walther

(German, b. 1939) Werkzeichnung #13, 1966-1969 watercolor and pencil on paper signed Walther and dated (lower right) 11 5/8 x 8 1/4 inches.

Provenance: Peter Freeman Inc., New York $1,000-2,000 55

Kate Shepherd

(American, b. 1961) Blue and Green, Deck Corner, 2002 graphite transfer on screenprint 7 1/4 x 7 inches.

53

Provenance: Galerie Lelong, New York Sold: Museum of Contemporary Art Benefit Art Auction, October 23, 2004 $600-800 56

John Charles Haley

(American, 1905-1991) Untitled crayon on paper signed Haley (lower right) 11 x 13 3/4 inches. $500-700

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Joan Snyder

(American, b. 1940) Study for FMSWNL V, 1980 mixed media on lithograph signed Joan Snyder (lower right) 25 x 37 1/2 inches.

Provenance: Nielsen Gallery, Boston, Massachusetts $1,000-2,000 58*

Emil Bisttram

(American, 1895-1976) Abstraction, 1941 encaustic on paper signed Bisttram and dated (lower left) 11 3/4 x 9 3/4 inches.

Property from the Collection of Marcia Weber, Atlanta, Georgia Provenance: Cline Fine Art, Santa Fe, New Mexico Owings-Dewey Fine Art, Santa Fe, New Mexico $1,000-2,000 59*

Emil Bisttram

(American, 1895-1976) Abstraction, 1941 encaustic on paper signed BISTTRAM and dated (lower left) 11 3/4 x 9 3/4 inches.

Property from the Collection of Marcia Weber, Atlanta, Georgia Provenance: Cline Fine Art, Santa Fe, New Mexico Owings-Dewey Fine Art, Santa Fe, New Mexico $1,000-2,000

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60*

Larry Bell

(American, b. 1939) Assembled Relief 5, 1987 cast paper vapor and watercolor signed L. Bell and dated (lower center) 19 x 16 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia $2,000-4,000 61

Rivane Neuenschwander

(Brazilian, b. 1967) Untitled, 1998 mixed media 13 1/2 x 8 inches. $5,000-7,000 62

Rivane Neuenschwander

(Brazilian, b. 1967) Untitled, 1998 mixed media 16 x 8 inches. $5,000-7,000

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post war and contemporary art

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Rivane Neuenschwander

(Brazilian, b. 1967) Tale Drawing (Fingerprints), 1998 mixed media 36 1/2 x 21 inches. $10,000-15,000

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Tam Van Tran

(American, b. 1966) Untitled, 2002 mixed media Each: 14 x 11 inches.

Provenance: Cohan, Leslie, & Browne, New York $1,000-2,000 65

Andy Warhol

(American, 1928-1987) Dollar Signs, 1981 graphite on HMP paper estate stamped (verso) 31 1/2 x 21 1/2 inches. $12,000-18,000

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post war and contemporary art

66*

Richard Artschwager

(American, 1923-2013) Upper Right Corner Pinch, 1968 charcoal on paper 19 x 25 inches.

Property from the Estate of Anne Markley Spivak, Grosse Pointe, Michigan Exhibited: Humlebaek, Denmark, Louisiana Museum of Modern Art, Drawing Distinctions, August 15 - September 20, 1981 $7,000-9,000 67*

Richard Artschwager

(American, 1923-2018) Table and Two Chairs (One Chair Somewhat Closer to the Table Than the Other), 1977 ink on paper signed Artschwager and dated (lower right) 32 1/2 x 40 inches.

Property from the Estate of Anne Markley Spivak, Grosse Pointe, Michigan Exhibited: Buffalo, New York, Albright-Knox Art Gallery, Richard Artschwager’s Theme(s), July 6 - August 12, 1979; Philadelphia, Pennsylvania, Institute of Contemporary Art, October 16 - November 18, 1979; La Jolla, California, Museum of Contemporary Art, January 18 - March 2, 1980; Houston, Texas, Contemporary Arts Museum, March 22 - May 4, 1980 Literature: Artschwager, Richard, Richard Artschwager’s Theme(s) San Diego, 1975, p. 86, illus.

This work is accompanied by a letter from the artist to the husband of present owner. $8,000-12,000 68*

Richard Artschwager

(American, 1923-2013) Braid, 1968 charcoal on paper signed Artschwager and dated (lower right) 25 x 19 inches.

Property from the Estate of Anne Markley Spivak, Grosse Pointe, Michigan $7,000-9,000

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Mark Sheinkman

(American, b. 1963) 8-4-96, 1996 graphite on paper 40 x 30 inches.

Provenance: Lawing Gallery, Houston, Texas $1,000-2,000 70

Mark Sheinkman

(American, b. 1963) 8-3-96, 1996 graphite on paper 40 x 30 inches.

Provenance: Lawing Gallery, Houston, Texas $1,000-2,000 71

Mark Sheinkman

(American, b. 1963) 12-2-96, 1996 graphite on paper 40 x 30 inches.

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post war and contemporary art

Provenance: Lawing Gallery, Houston, Texas $1,000-2,000

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JosĂŠ MarĂ­a Sicilia

(Spanish, b. 1954) Untitled, 1992 mixed media and wax on paper 39 3/8 x 39 3/8 inches.

Provenance: Blum Helman Gallery, New York $2,000-4,000 73

Edward Corbett

(American, 1919-1971) Mt. Holyoke #42, 1955 charcoal on paper signed E Corbett, titled and dated (lower left) 30 1/2 x 40 inches.

Provenance: Grace Borgenicht Gallery, New York Exhibited: New York City, New York, Whitney Museum of American Art, Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, April 18 - June 10, 1956 San Francisco, California, San Francisco Museum of Art, Edward Corbett: A Retrospective, April 4-May 4, 1969 $4,000-6,000 72

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James Bishop

(American, 1927-2007) Untitled oil, graphite, and colored pencil on paper 4 1/4 x 3 1/4 inches.

Provenance: Lawrence Markey Inc., New York $6,000-8,000 75*

Norman Bluhm

(American, 1921-1999) Untitled, 1961 oil on paper mounted on canvas signed Bluhm and dated (upper right) 36 x 24 1/2 inches.

Property from the Collection of Edwin M. Roth, Aspen, Colorado Provenance: Irving Galleries, Palm Beach, Florida $8,000-12,000

74

76

Matsumi Kanemitsu

(American, b. 1922) Untitled, 1968 ink on gray coated paper signed Kanemitsu and dated (upper left); signed (lower left) 31 1/2 x 22 1/2 inches.

Provenance: Merida Galleries, Louisville, Kentucky $1,000-2,000

76

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

53

77

77

Ernesto Neto

(Brazilian, b. 1964) Operacao Achonchego, 1999 ink on paper signed Ernesto Neto, titled and dated (lower right) 26 x 38 inches. $1,000-2,000 78

Richard Serra

(American, b. 1939) Untitled (Abstract Form) charcoal on paper initialed R.S. (lower left) and inscribed For Jean Scramm (lower right) 13 x 10 inches. $800-1,200

78

54

post war and contemporary art

79

David Alfaro Siqueiros

(Mexican, 1896-1974) Untitled (projecto de mural), 1968 charcoal on paper signed David Siqueiros and dated (lower right) 25 1/2 x 19 1/2 inches. $2,000-4,000 80

Hans Hofmann

(German, 1880-1966) Untitled, 1942 ink and watercolor on paper initialed H.H. and dated (lower right) 14 x 17 inches.

Provenance: Sold: Sotheby Parke Bernet, New York, October 19, 1979, lot 4, illustrated $5,000-7,000

79

80

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

55

81

56

post war and contemporary art

81*

Suellen Rocca

(American, b. 1943) Untitled (a pair of works) graphite on paper Largest: 13 3/4 x 11 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 82

Liu Kuo-sung

(Chinese, b. 1932) Emerging Light, c. 1972 ink and watercolor 14 1/2 x 36 inches.

Provenance: The Denver Art Museum, Denver, Colorado Acquired from the above by the present owner $20,000-40,000

83

83

Nedko Solakov

(Bulgarian, b. 1957) Insignificant Stories #9, Insignificant Stories #3 and Wise Series #9, 2001 (a group of three works) sepia, ink and wash on paper Each: 7 1/2 x 11 inches.

82

Provenance: Arndt & Partner, Berlin $800-1,200

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

57

84

85

58

post war and contemporary art

84

85*

86*

(American, 1886-1972) Mt. Negoi in Transylvania Alps of Romania near town Cluj mixed media on paper signed Joseph E. Yoakum and titled (upper left) 17 1/4 x 11 3/4 inches.

(American, 1886-1972) Syrian Desert Namrath Syria} of Saudi Arabia S.E.A. 1967 mixed media on paper titled and dated (upper edge) 11 1/2 x 15 1/4 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $8,000-12,000

(Belgian, b. 1927) Fermiere comme on n’en fait plus, 1966 mixed media on paper signed Alechinsky and dated (upper left) 10 x 15 inches.

Property from the Estate of Anne Markley Spivak, Grosse Pointe, Michigan $3,000-5,000

Joseph Yoakum

Provenance: Douglas Kenyon Inc., Chicago $8,000-12,000

Joseph Yoakum

Pierre Alechinsky

86

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

59

87

Gladys Nilsson

(American, b. 1940) On The Rocks, 1981 watercolor signed Gladys Nilsson, titled and dated (verso) 22 1/2 x 30 1/4 inches.

Provenance: Phyllis Kind Gallery, Chicago, Illinois $5,000-7,000

87

60

post war and contemporary art

88*

Gladys Nilsson

(American, b. 1940) Measure 4 Measure, 1994, Bird, 2001 and Pynkly Furnashed, 2002 watercolor on paper each signed Gladys Nilsson, titled and dated (verso) Largest: 7 x 5 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $4,000-6,000

88

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

61

89

89

90

(British, b. 1944) Old Travis, 1982 crayon on paper signed Glen Baxter and dated (lower right) 33 3/5 x 25 1/5 inches.

Property from an Important Corporate Collection

(British, b. 1944) Young Alf’s, 1983 crayon on paper signed Glen Baxter a nd dated (lower right) 33 3/5 x 25 1/5 inches.

Property from an Important Corporate Collection

Provenance: Galerie Eric Franck, Geneva Acquired from the above by the present owner in 1984 $1,000-2,000

Provenance: Galerie Eric Franck, Geneva Acquired from the above by the present owner in 1984 $1,000-2,000

Glen Baxter

62

90

post war and contemporary art

Glen Baxter

91*

Saul Steinberg

(American, 1914-1999) General C, 1969 rubber stamp and watercolor on paper signed Steinberg and dated (lower right) 22 1/2 x 29 inches.

Property from the Collection of WestRock Shared Services LLC, Norcross, Georgia Provenance: Pace Editions Inc., New York $8,000-12,000

91

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

63

92

94

64

post war and contemporary art

92

93*

(American, b. 1939) Lemon Slices More Slanted Lge, c. 1983 colored pencil on paper signed Karl Wirsum (lower left); titled (upper left and right) 23 x 35 inches. $4,000-6,000

(American, b. 1939) Untitled (Siamese Twins), c. 1978 colored pencil and ink on paper 28 x 22 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $5,000-7,000

Karl Wirsum

Karl Wirsum

94

Karl Wirsum

(American, b. 1939) Untitled colored pencil on paper signed Karl Wirsum (lower center) 18 x 24 inches. $3,000-5,000

93

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

65

95*

Tom Wesselmann

(American, 1931-2004), Bedroom Blonde with Green Wallpaper #1, 1985 liquitex on bristol board signed Wesselmann and dated (lower right); dated (verso) 54 1/2 x 61 1/2 inches.

Property from the Collection of Dimitrios and Christine Sereleas, Chicago, Illinois Provenance: Sidney Janis Gallery, New York Exhibited: New York, New York, Sidney Janis Gallery, Wesselmann: Exhibition of New Work by Tom Wesselmann, November 16 - December 14, 1985 $100,000-150,000

66

post war and contemporary art

95

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

67

96

97

97

96*

Aaron Bohrod

(American, 1907-1992) Heads and Torso, 1954 watercolor and ink on paper signed Aaron Bohrod (lower center) 11 x 8 1/2 inches.

Property from the Collection of Mr. Anastasios Tsonis, Milwaukee, Wisconsin Provenance: Grace Chosy Gallery, Madison, Wisconsin $800-1,200 97

Aaron Bohrod

(American, 1907-1992) Seated Nude Female Grooming Her Foot and Carousel Horse mixed media, watercolor and gouache signed Aaron Bohrod (lower right) 12 x 9 1/2 and 16 x 13 inches. $1,000-2,000 98

Sister Gertrude Morgan

(American, 1900-1980) I Need Thee mixed media on paper signed Sister Gertrude Morgan (lower center) 5 1/3 x 3 inches. $1,000-2,000 99

Michael Hurson

(American, 1941-2007) Study for Advertising America, 1986 pencil, conte crayon and pastel on vellum signed and dated (under mat) 11 1/4 x 5 1/2 inches.

98

68

post war and contemporary art

99

Provenance: Paula Cooper Gallery, New York $300-500

100

Paul Cadmus

(American, 1904-1999) Jackson Allen, 1966 crayon on handtoned paper titled (lower left) and signed Cadmus (lower right) 14 5/8 x 9 1/2 inches. $8,000-12,000

100

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

69

101

101

LeRoy Neiman

(American, 1921-2012) Gas Light Club Paris, 1961 graphite, ink and gouache on paper signed LeRoy Neiman, titled and dated (lower left) 15 x 22 inches. $3,000-5,000 102

Raymond Saunders

(American, b. 1934) Night, Oakland Bag Lady watercolor and graphite collage titled and stamped Saunders (lower right) 14 x 10 7/8 inches. $800-1,200

102

70

post war and contemporary art

103

Philip Taaffe

(American, b. 1955) Untitled (Lakes), 1995 mixed media signed Philip, inscribed and dated (verso) 8 x 8 inches. $2,000-4,000 104

Vernon Fisher

(American, b. 1943) In the Camp, 1981 graphite with collage signed and dated (lower right) 32 1/2 x 45 inches.

Property from an Important Corporate Collection Provenance: Barbara Gladstone Gallery, New York Acquired from the above by the present owner in 1981 $2,000-4,000 103

104

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

71

105

105*

Choi Yeong-Geol

(Korean, b. 1968) Summer watercolor on paper 50 x 61 1/2 inches.

Property from the Estate of Gerard L. Cafesjian, Naples, Florida Provenance: Sold: Christie’s Hong Kong, May 28, 2006, Lot 484 $10,000-15,000

72

post war and contemporary art

106

106*

Choi Yeong-Geol

(Korean, b. 1968) Afternoon in the Seaside watercolor on paper 83 3/4 x 66 1/2 inches.

Property from the Estate of Gerard L. Cafesjian, Naples, Florida Provenance: Sold: Christie’s Hong Kong, May 28, 2006, Lot 485 $10,000-15,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

73

107

107

Vernon Fisher

(American, b. 1943) Talk Show Future, 1983 acrylic on laminated paper, oil and wood 40 x 102 1/2 inches.

Property from an Important Corporate Collection Provenance: Barbara Gladstone Gallery, New York Acquired from the above by the present owner in 1981 $4,000-6,000

107

108

David Dewey

(American, b. 1946) Last Light, 2004 watercolor on paper signed Dewey and dated (lower right) 24 3/4 x 39 1/4 inches.

Provenance: Caldbeck Gallery, Rockland, Maine Exhibited: Rockland Maine, Caldbeck Gallery, David Dewey - new paintings, July 21 - August 14, 2004 Newport, Rhode Island, Newport Art Museum & Art Association, Water to Water: Maine and Rhode Island in the Paintings of David Dewey, October 13, 2006 - January 28, 2007 $1,000-2,000

108

74

post war and contemporary art

108A*

Siet Zuyderland

(Dutch, b. 1942) Drie Proefcellen, 1974 oil on paper on board signed Zuyderland and dated (lower right) 19 3/4 x 25 1/2 inches.

Property from the Collection of Stefan T. Edlis, Chicago, Illinois Provenance: Deson Zaks Gallery, Chicago Acquired from the above by the present owner $1,000-2,000

108A

109

Michael Gregory

(American, b. 1955) Palouse #14, 2001 oil on panel signed M. Gregory and dated (verso) 45 1/2 x 35 1/2 inches.

Provenance: Nancy Hoffman Gallery, New York $4,000-6,000

109

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

75

110

110

111

(American, 1921-2013) Still Life with French Easel, 1982 oil on canvas signed Beal (lower right) 24 1/2 x 36 inches.

(American, 1921-2013) Anne Wilfer Drawing, 1983 oil on canvas signed Beal (lower right) 54 x 50 inches.

Jack Beal

Provenance: Allan Frumkin Gallery, New York Acquired from the above by the present owner in 1984 $3,000-5,000

76

post war and contemporary art

Jack Beal

Provenance: Allan Frumkin Gallery, New York Acquired from the above by the present owner in 1985 $6,000-8,000

111

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

77

112

112

114*

(American, 1909-1977) Untitled, 1947 oil on masonite signed Abercrombie and dated (lower right) 8 x 10 inches. $6,000-8,000

(American, 1920-2001) Waiting for the Mail, 1972 egg tempera signed MEDEARIS (lower right); signed, titled and dated (verso) 20 x 36 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $6,000-8,000

Gertrude Abercrombie

113

George Copeland Ault (American, 1899-1948) Hilltop Farm, 1939 oil on board signed G.C. Ault and dated (lower left) 12 x 16 inches. $40,000-60,000

78

post war and contemporary art

Roger Medearis

115

Robert Vickery

(American, 1926-2011) Landscape with Lighthouse, 1953 tempera on board signed R Vickery (lower left) 12 1/2 x 27 1/5 inches. $4,000-6,000

113

114

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

79

116

Kailiang Yang

(Chinese, b. 1974) Valentinskamp, 2006 oil and acrylic on canvas signed Kailiang Yang, titled and dated (verso) 15 3/4 x 15 3/4 inches.

Provenance: Carlier Gebauer, Berlin $1,000-2,000 117*

Tom Uttech

(American, b. 1942) Darky Lake Portage, 1987-1991 oil on canvas signed Tom Uttech, titled and dated (verso) 49 x 54 inches.

Property from the Collection of Mr. Richard Adamick, Fort Lauderdale, Florida Provenance: Maxwell Davidson Gallery, New York Struve Gallery, Chicago $10,000-15,000

116

117

80

post war and contemporary art

118

John Alexander

(American, b. 1945) Wet Spot, 1992 oil on canvas signed John Alexander (lower right); signed, titled and dated (verso) 35 x 30 inches.

Provenance: Marlborough Gallery, New York $5,000-7,000 119

William T. Wiley

(American, b. 1937) Getting the Word Out, 1993 acrylic and charcoal on canvas signed William T. Wiley, titled and dated (verso) 79 1/2 x 138 inches.

Provenance: Riva Yares Gallery, Scottsdale, Arizona Locks Gallery, Philadelphia, Pennsylvania $15,000-20,000

118

119

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

81

120

120

Amy Sillman

(American, b. 1966) Prize, 1997 oil on canvas signed Amy Sillman, titled and dated (verso) 72 x 60 inches.

Provenance: Casey Kaplan Gallery, New York $40,000-60,000

82

post war and contemporary art

121*

Hollis Sigler

(American, 1948-2001) The Manifestation of Her Problem, 1983 oil on canvas signed Hollis Sigler and dated (upper right); titled (upper center) 60 x 48 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois Provenance: Dart Gallery, Chicago $5,000-7,000

121

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

83

122

122

Douglas Argue

(American, b. 1962) Untitled, 1986 oil on board 56 3/4 x 48 1/2 inches.

Property from an Important Corporate Collection Provenance: MC Gallery, Minneapolis Acquired from the above by the present owner in 1985 $3,000-5,000

84

post war and contemporary art

123

Fateh Moudarres

(Syrian, 1922-1999) Revelation, 1992 oil on canvas signed Fateh Moudarres, titled and dated verso; signed and dated (lower right) 29 x 22 inches. $6,000-8,000

123

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

85

124

86

post war and contemporary art

124

Mark Flood

(American, b. 1957) Scarecrow, 2002 acrylic on canvas stretched over board signed Mark Flood, titled and dated (verso) 47 7/8 x 27 7/8 inches. $15,000-25,000 125

LeRoy Neiman

(American, 1921-2012) Untitled (Muhammad Ali), c. 1960 oil on board signed LeRoy Neiman (lower left) 24 1/4 x 12 1/4 inches. $30,000-50,000

125

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

87

126

Robert Vickery

(American, 1926-2011) Clown tempera on board signed Robert Vickery (lower left) 27 x 22 inches $2,000-4,000

126

127*

Luo Qing

(Chinese, b. 1970) Man Carrying a Monkey, 2001 oil on canvas signed Luo Qing in Chinese characters (lower right); signed, titled and dated (verso) 51 1/2 x 41 1/4 inches.

Property from the Estate of Gerard L. Cafesjian, Naples, Florida Provenance: Sold: Christie’s Hong Kong, November 28, 2010, Lot 1432 $3,000-5,000

127

88

post war and contemporary art

128

128*

Xiao Hong

(Chinese, b. 1966) Intellectual Youth Series, 2006 oil on canvas signed Xiao Hong in Chinese characters and dated (lower right) 67 x 59 inches.

Property from the Estate of Gerard L. Cafesjian, Naples, Florida Provenance: Sold: Christie’s Hong Kong, May 27, 2012, Lot 2586 $10,000-15,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

89

129

129

Ed Paschke, (American, 1939-2004), Labula, 1980

oil on canvas signed E. Paschke and dated (lower right); signed, titled and dated (verso) 46 x 42 inches.

Provenance: Phyllis Kind Gallery, Chicago Jean Robert Carl Hammer Gallery, Chicago, Illinois Exhibited: London, England, Camden Art Centre, Who Chicago?, December 10, 1980 - January 25, 1981; Sunderland, England, Ceolfrith Arts Center, February 16 - March 14, 1981; Glasgow, Scotland, Third Eye Centre, March 21 - April 30,1981; Edinburgh, Scotland, Scottish National Gallery of Modern Art, May - June, 1981; Belfast, Ireland, Ulster Museum, July - August, 1981 Literature: Dennis Adrian and Russell Bowman, Who Chicago?, Sunderland, No. 132, p. 26, illus. $40,000-60,000

90

post war and contemporary art

Ray Yoshida, (American, 1930-2009), Unbelievable Refuge, 1980 oil on canvas 36 x 46 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois Provenance: Phyllis Kind Gallery, Chicago Exhibited: London, England, Camden Art Centre, Who Chicago?, December 10, 1980 - January 25, 1981; Sunderland, England, Ceolfrith Arts Center, February 16 - March 14, 1981; Glasgow, Scotland, Third Eye Centre, March 21 - April 30,1981; Edinburgh, Scotland, Scottish National Gallery of Modern Art, May - June, 1981; Belfast, Ireland, Ulster Museum, July - August, 1981 Literature: Dennis Adrian and Russell Bowman, Who Chicago?, Sunderland, No. 176, p. 190, illus. $10,000-15,000

130

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

91

131

131

Cundo BermĂşdez

(Cuban, 1914-2008) Couple, 1958 oil on canvas signed Cundo BermĂşdez (lower right) 30 x 23 inches. $20,000-40,000

92

post war and contemporary art

132

RenĂŠ Portocarrero (Cuban, 1912-1986) Figuras de Camparsa, 1957 oil on canvas signed Portocarrero and dated (lower left); signed, titled and dated (verso) 35 1/4 x 25 1/4 inches. $30,000-50,000

132

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

93

133

94

post war and contemporary art

134

133

Fritz Scholder

(Native American, 1937-2005) Wooden Indian, 1972 oil on canvas signed Scholder (upper left); titled and dated (verso) 71 x 54 inches.

Property from a Private Illinois Collection $20,000-40,000

134*

Ziwei Wang

(Chinese, b. 1963) Hopeless Mao Wave Dancer, 2003 acrylic on canvas signed Ziwei Wang, titled and dated (verso) 51 1/2 x 58 1/2 inches.

Property from the Collection of Mr. James Velasco, Chicago, Illinois $4,000-6,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

95

135

96

post war and contemporary art

Photography

|

Lots 135 – 160

135*

Hong Lei

(Chinese, b. 1960) I Dream that I was Hung Upside Down to Listen to Huizong Play the Zither with Chairman Mao, 2004 c-print edition AP 2/3, signed Hong Lei, titled and dated in Chinese characters (lower left) 49 1/4 x 39 1/4 inches.

Property from the Estate of Gerard L. Cafesjian, Naples, Florida Provenance: Sold: Christie’s Hong Kong, November 28, 2010, lot 1403 $3,000-5,000 136

Dinh Q. Le

(Vietnamese, b. 1968) Untitled, 1997 woven c-print and linen tape 41 x 30 inches.

Exhibited: Buffalo, New York, Uncommon Traits: Re/Locating Asia, February 14-March 28, 1998 Literature: Machida, Margo, Uncommon Traits: Re/Locating Asia, Buffalo, 1997/98, illustrated, pg. 9 $3,000-5,000 136

137*

Koh Sang Woo

(Korean, b. 1978) Natasha, 2000 computer montage on sintra 42 x 28 1/2 inches.

Property from the Estate of Gerard L. Cafesjian, Naples, Florida Provenance: Sold: Christie’s New York, July 14, 2004, Lot 221 $1,000-2,000

137 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

97

138

Anri Sala

(Albanian, b. 1974) I love you, from Point of View: An Anthology of the Moving Image, 2002 c-print edition 160/250, initialed AS (verso) 11 x 16 1/2 inches. $2,000-4,000

138

139

Michael Eastman

(American, b. 1947) Open All Day Everyday, 1986 ektacolor print 14 1/4 x 18 1/2 inches. $400-600

139

140

Michael Eastman

(American, b. 1947) Black and White in Color, 1986 ektacolor print signed Michael Eastman and dated (lower right); titled (lower right) 28 3/4 x 35 5/8 inches. $500-700

140

98

post war and contemporary art

141

Ansel Adams

(American, 1902-1984) Mary Martha Chapel, Sudbury, Massachusetts, c. 1960 gelatin silver print 30 x 23 inches.

Provenance: Sold: Sotheby’s New York: Monday, June 21, 2010, lot 361 Photographs from the Polaroid Collection Exhibited: Quito, Pontificia Universidad Católica del Ecuador, From the Polaroid Collection: Ansel Adams, sponsored by the Embassy of the United States, October - November 2001, and traveling to 3 other venues through 2003 $4,000-6,000 142

Michael Eastman

(American, b. 1947) Marcella’s Resort, 1984 dye coupler c-print signed Michael Eastman and dated (lower right); titled (lower right) 9 1/4 x 17 1/2 inches. $400-600 143

Michael Eastman

(American, b. 1947) Parking Lot, 1984 c-print signed Michael Eastman and dated (lower right); titled (lower right) Image: 15 3/4 x 36 3/4 inches $500-700

141

143

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

99

144

145

100

post war and contemporary art

144

Olafur Eliasson

(Danish, b. 1967) Ohne Title (Island Serie #49), 1999 c-print signed Olafur Eliasson (verso) 23 5/8 x 35 3/8 inches.

Provenance: Neuger Riemschneider, Berlin $6,000-8,000 145

Olafur Eliasson

(Danish, b. 1967) Ohne Title (Island Serie #47), 1999 c-print signed Olafur Eliasson (verso) 23 5/8 x 35 3/8 inches.

Provenance: Neuger Riemschneider, Berlin $6,000-8,000

146

146

Ansel Adams

(American, 1902-1984) Rock detail, Point Lobos California, 1971 polaroid type 55 print 9 1/4 x 7 1/4 inches.

Literature: John Humphrey, Ansel Adams Recollected Moments, San Francisco, No. 66, p. 16, illus. $1,000-2,000 147

Ansel Adams

(American, 1902-1984) El Capitan, Winter gelatin silver print initialed AA (lower right) 9 3/8 x 7 inches. $2,000-4,000

147

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

101

148

102

post war and contemporary art

148

Saul Leiter

(American, 1923-2013) Snow, 1960 c-print signed Saul Leiter and inscribed (verso) Image 13 1/2 x 9 inches.

Provenance: Howard Greenberg Gallery, New York $6,000-8,000 149

Afrika (Sergei Bugaev)

(Russian, b. 1960) Stalker 3-Charlot 6, 2000-02 mixed media signed S. Bugaev Afrika and dated (lower right); signed, inscribed and dated (verso) 17 x 13 1/2 inches.

Provenance: I-20 Gallery, New York $2,000-4,000 149

150

Margaret Bourke White

(American, 1904-1971) Chemical Laboratory Kettle, Aluminum Co. of America, 1930 silver gelatin print signed Bourke White (lower right) 11 1/2 x 9 inches.

Provenance: Sold: Rachel Davis Fine Arts, Cleveland, Ohio, October 5, 1996, Lot 190 Acquired from the above by the present owner $500-700

150

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

103

151

151

152

153

(British, 1904-1983) Coach Party, Royal Hunt Cup Day, Ascot, 1933 gelatin silver print; printed c. 1955 stamped BILL BRANDT (verso) 9 1/4 x 7 3/4 inches. $8,000-12,000

(American, 1921-1985) Couple in MG, 1951 gelatin silver print; printed 1980 blind stamped Ruth Orkin (lower right); estate stamped, titled and dated (verso) 11 3/4 x 17 3/4 inches.

(American, b. 1929) Untitled (Karen Graham for Estee Lauder), 1982 silver gelatin print signed Skrebneski and dated (lower right) 13 x 15 1/2 inches. $500-700

Bill Brandt

Ruth Orkin

Provenance: Michael H. Lord Gallery, Milwaukee, Wisconsin $3,000-5,000

104

post war and contemporary art

Victor Skrebneski

152

153

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

105

154

Robert Frank

(Swiss/American, b. 1924) Chicago (Political Rally), 1956 gelatin silver print; printed 1970-79 signed R. Frank (lower right); titled and dated (lower left) 11 7/8 x 7 7/8 inches Provenance: Sold: Sotheby’s New York, October 3, 2001, Lot 261 The Ruth and Jake Bloom Collection, Sun Valley, Idaho Literature: The Americans, no. 3 Sarah Greenough, Looking In: Robert Frank’s The Americans, pp. viii, 213, and 461, and Contact no. 3 ‘A Pageant Portfolio: One Man’s U. S. A.,’ Pageant, April 1958, p. 26 Robert Frank (Aperture), p. 31 Sarah Greenough and Philip Brookman, Robert Frank: Moving Out, p. 177 Robert Frank: Story Lines, frontispiece 3 and p. 108 Peter Galassi, Robert Frank: In America, p. 122 $5,000-7,000

154

155

Aaron Siskind

(American, 1903-1991) Street Market, Harlem, 1937 gelatin silver print, printed after 1970 signed Aaron Siskind (lower right); titled and dated (verso) 8 3/4 x 12 inches. $1,500-2,500

155

106

post war and contemporary art

156

Weegee

(American, 1899-1968) Woman Viewing Picasso Painting at the Tate, 1960 together with 29 other gelatin silver prints by the artist gelatin silver prints Largest: 14 x 11 1/4 inches. $1,000-2,000

156

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

107

157

158

159

108

post war and contemporary art

157

Fred Zinnemann

(American, 1907-1997) East River, 1931 gelatin silver print signed Fred Zinnemann and titled (verso) 7 3/4 x 13 3/4 inches.

Provenance: Howard Greenberg Gallery, New York $700-900 158

Fred Zinnemann

(American, 1907-1997) Brooklyn Bridge #6, 1931 gelatin silver print 7 3/4 x 13 1/2 inches.

Provenance: Howard Greenberg Gallery, New York $700-900 159

Thomas Kellner

(German, b. 1966) New York, Times Square at Night, 2003 color coupler print edition 7/20, signed Thomas Kellner, titled and dated (verso) 16 1/2 x 54 inches. $5,000-7,000 160

Eadweard Muybridge

(American/British, 1830-1904) Animal Locomotion Plate 573, Animal Locomotion Plate 629 and Animal Locomotion Plate 759, 1887 collotypes Largest: 8 x 15 inches.

Provenance: Daniel Wolf Inc., New York Acquired from the above by the present owner in 1978 $1,500-2,500 160

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

109

161

Clement Meadmore

(Australian, 1929 -2005) All of Me, 1977 bronze edition 7/10, inscribed Meadmore Height: 10 3/4 inches.

Provenance: Bergsma Gallery, Grand Rapids, Michigan Exhibited: Grand Rapids, Michigan, Clement Meadmore Small Bronzes 1977-1978, 1980, no. 3 $8,000-12,000

161

110

post war and contemporary art

Sculpture

|

Lots 161 – 206

162

Mark di Suvero

(American, b. 1933) Untitled, 1972 steel edition 94/250, initialed MdS 10 x 8 x 2 inches. $3,000-5,000

162

163

163*

Yves Dana

(Swiss, 1959) Untitled, 1986 bronze edition 2/4, inscribed DANA and dated 16 x 27 inches.

Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida $1,000-2,000

164*

Yves Dana

(Swiss, 1959) Untitled bronze edition 1/5, inscribed DANA 19 x 13 x 16 inches.

Property from The Estate of Elvire and Lucien Levy, Sarasota, Florida $1,000-2,000

164

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

111

165*

Sorel Etrog

(Canadian, 1933) Walking Figure bronze edition 6/10, inscribed ETROG Height: 8 inches.

Property from The Estate of Elvire and Lucien Levy, Sarasota, Florida $5,000-7,000

165

166*

Sorel Etrog

(Canadian, 1933) Striding Woman bronze edition 6/10, inscribed ETROG Height: 9 1/2 inches.

Property from The Estate of Elvire and Lucien Levy, Longboat Key, Florida $5,000-7,000

166

112

post war and contemporary art

167

Sidney Gordin

(American, 1918-1996) Untitled, 1971 bronze and iron stamped SG and dated Height: 9 3/4 inches $2,000-4,000 168*

Leonardo Nierman

(Mexican, b. 1932) Untitled bronze edition V/VI, inscribed Nierman Height: 21 inches.

Property from the Robert Grenton Revocable Trust, Glencoe, Illinois $1,000-2,000

167

168

169

Antonio Grediaga Kieff

(Canadian/Spanish, b. 1936) Untitled bronze edition 4/6, inscribed Kieff Height: 18 1/2 inches. $1,500-2,500 170

Judy Pfaff

(American/British, b. 1946) Cat’s Cradle, 1991 steel wire, brass, enamel, gold, white gold, yellow gold and copper leaf on glass edition 6/18, inscribed J. Pfaff 16 x 20 x 3/8 inches.

Property from an Important Corporate Collection Provenance: Business Committee for the Arts, Inc., New York Acquired from the above by the present owner $500-700

169

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

113

171

114

post war and contemporary art

171

Alan Saret

(American, b. 1944) Constellation, 1979-80 nickel wire 29 x 18 inches.

Provenance: Gifted by the artist to the artist’s nephew Acquired from the above by the present owner $15,000-25,000 172

Richard Artschwager

(American, 1923-2013) Hair Blp, 1989 rubberized horsehair edition 21/25, signed R. Artschwager and dated (verso) 13 x 7 x 1/2 inches.

Provenance: Brooke Alexander Gallery, New York $3,000-5,000

172

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

115

173

Richard Artschwager

(American, 1923-2013) Port, 1991 painted wood, celotex, and formica edition 23/50, signed R. Artschwager, titled and dated (verso) 20 x 20 x 3 inches.

Property from an Important Corporate Collection Provenance: Museum of Contemporary Art, Los Angeles Acquired from the above by the present owner in 1992 $3,000-5,000

173

174

Rivane Neuenschwander

(Brazilian, b. 1967) Untitled (Bowl), 1999 mixed media 5 x 19 3/4 inches. $4,000-6,000

174

175

Jean Arp

(French, 1886-1966) Documenta III, 1964 die-cut brass and aluminum edition of 100 9 3/4 x 8 1/4 inches. $600-800

175

116

post war and contemporary art

176

Ernest Tino Trova

(American, 1927-2009) Falling Man Suspended Relief, 1969 brass and plastic edition 172/175; stamped (verso) Height: 12 1/2 inches.

Property from an Important Corporate Collection Provenance: Pace Gallery, New York Acquired from the above by the present owner in 1970 $600-800

176

177

Olafur Eliasson

(Danish, b. 1967) Eye, 2002 iris shutter, concave mirror, and wooden bracket edition 55/70, signed Olafur Eliasson and dated 8 1/2 x 8 1/2 x 10 1/4 inches. $1,000-2,000 177

178

Aaronel deRoy Gruber

(American, b. 1918) Cube, 1969 Plexiglas 5 1/4 x 5 1/4 x 5 1/4 inches.

Property from an Important Corporate Collection

178

Provenance: Bertha Schaefer Gallery, New York Acquired from the above by the present owner in 1970 $1,000-2,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

117

179

179*

Sheila Hicks

Provenance: Acquired directly from the artist $6,000-8,000

Provenance: Acquired directly from the artist $20,000-40,000

(American, b. 1934) Untitled cotton, linen, and rayon 23 x 23 inches.

Property from the Collection of Jane Brite, Milwaukee, Wisconsin

118

180*

Sheila Hicks

post war and contemporary art

(American, b. 1934) Untitled cotton, linen, and rayon 68 x 68 inches.

Property from the Collection of Jane Brite, Milwaukee, Wisconsin

180

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

119

181

181

182*

(American, b. 1929) M159, 1976 masonite signed Ferrara, titled and dated 10 x 11 1/2 x 4 inches. $2,000-4,000

(American, 1899-1988) Night Zag XVII, 1973 painted wood 37 1/2 x 36 x 2 1/2 inches.

Property from the Collection of Cathy G. Bernstein, Boston, Massachusetts

Jackie Ferrara

Louise Nevelson

Provenance: Harcus Krakow Rosen Sonnabend Gallery, Boston, Massachusetts $50,000-70,000

120

post war and contemporary art

182

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

121

183

183

Nick Cave

(American, b. 1959) Untitled (Pocket Series) (a pair of works) mixed media one signed N. Cave (verso) 24 x 24 inches. $5,000-7,000 184

Philip Jackson

(British, b. 1944) Opera Box bronze edition 1/8, inscribed Jackson Height: 10 1/4 inches.

This work depicts an opera box in 1787.

The figures are as follows: Lorenzo da Ponte, Giacomo Casanova, Professor Meissner, Constanza Mozart, Antonio Baglioni, and Luigi Bassi. $1,500-2,500

184

122

post war and contemporary art

185

David Aronson

(American, 1923-2015) “ Your representative owes you, not his industry only, but his judgement; and he betrays you instead of serving you if he sacrifices it to your opinion.”

– Edmund Burke, Speech to the Electors of Bristol, November 3, 1774, 1963 bronze inscribed Aronson 23 x 20 inches.

Provenance: Nordness Gallery, New York $1,000-2,000

185

186*

Jun Kaneko

(American/Japanese, b. 1942) Slab 00-1-22, 2000 ceramic signed Kaneko (verso) 29 x 22 inches.

Property from the Collection of Ms. Suzanne Massey, Evanston, Illinois $1,000-2,000

186

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

123

187

Jacob Hashimoto

(American, b. 1973) Plumes IV, 2008 acrylic, nylon thread, paper and wood signed Hashimoto and dated 123 x 5 x 1 inches. $3,000-5,000

187

124

post war and contemporary art

187 | detail

188

Jaume Plensa

(Spanish, b. 1955) A Day Long, 2004 (a set of twelve pairs) bronze, rope, wood and wool 192 x 1440 inches.

Property from a Private Collection Provenance: A direct commission from the artist $200,000-400,000

188

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

125

189

Ryan Gander

(British, b. 1976) Untitled painted plaster edition of 52 Height: 6 1/2 inches. $1,000-2,000

189

190

190

Yayoi Kusama

(Japanese, b. 1929) Pumpkins (Yellow and Red), 2013 (a pair of works) resin Each: 3 3/4 x 3 1/4 x 3 1/4 inches. $800-1,200 191

Yayoi Kusama

191

126

post war and contemporary art

(Japanese, b. 1929) Pumpkin, 2013 resin 3 3/4 x 3 1/4 x 3 1/4 inches. $600-800

192*

Jeff Koons

(American, b. 1955) Puppy (Vase), 1998 porcelain edition 1423/3000, inscribed Jeff Koons and dated Height: 17 1/2 inches.

Property from the Collection of Joseph and Arlene McHugh, Chicago, Illinois $8,000-12,000

192

193

Katy Schimert

(American, b. 1963) Brain, 2001 glazed ceramic Height: 8 1/2 inches. $800-1,200

193

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

127

194

Arman

(French, 1928-2005) La Renommee, 1989 bronze edition E.A. 1/2, inscribed Arman Height: 76 inches. $10,000-15,000 195*

John Kearney

(American, 1924-2014) Horse steel bumpers inscribed JK Height 41 inches.

Property from the Collection of Sandra and Robert Thomas, Chicago, Illinois $3,000-5,000

194A

197

128

post war and contemporary art

195

196

Renee Sintenis

(German, 1888-1965) Standing Horse and Reclining Horse bronzes inscribed RS, one with foundry mark H. Noack Berlin Friednau Height of tallest 5 inches. $6,000-8,000 197

Mauro Corda

(French, b. 1960) Grand Embryo bronze edition EA I/VI, inscribed Corda and stamped Height: 34 inches. $3,000-5,000

196

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

129

200

130

post war and contemporary art

198

201

199

198*

199*

(Spanish, 1881-1973) Bull’s Profile, 1956 glazed ceramic edition of 450, stamped EMPREINTE ORIGINALE DE PICASSO and MADOURA PLEIN FEU Diameter: 10 inches.

Ref: A. Raime, 315 Property from the Jeanne Ansehl Revocable Trust, St. Louis, Missouri $800-1,200

(Spanish, 1881-1973) Oiseau no. 96, 1963 glazed ceramic edition 132/150, inscribed EDITION PICASSO and MADOURA Diameter: 10 inches.

Ref: A. Raime, 488 Property from the Estate of Anne Markley Spivak, Grosse Pointe, Michigan $2,000-4,000

Pablo Picasso

Pablo Picasso

200

Pablo Picasso

(Spanish, 1881-1973) Hibou blanc sur fond rouge, 1957 partially glazed ceramic edition 19/200, insribed EDITION PICASSO and dated; stamped MADOURA PLEIN FEU and EDITION PICASSO Diameter: 18 inches.

Ref: A. Raime, 395 $12,000-18,000

201*

Pablo Picasso

(Spanish, 1881-1973) Visage, 1969 glazed ceramic edition 143/500, stamped EDITION PICASSO and MADOURA PLEIN FEU Height: 12 inches.

Ref: A. Raime, 611 Property from the Estate of Anne Markley Spivak, Grosse Pointe, Michigan $3,000-5,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

131

202*

Reverend Howard Finster

(American, 1916-2001) Coca Cola, 1990 mixed media signed Howard Finster, inscribed and dated (verso) 34 x 10 1/2 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,000-2,000 203

Tom Wesselmann

(American, 1931-2004) Still Life, 1988 ceramic edition 155/299, inscribed Tom Wesselmann (lower right) 13 1/4 x 14 3/4 inches. $2,000-4,000 204

Tom Wesselmann

(American, 1931-2004) Seascape (Foot), 1967 screen-printed vacuum formed Plexiglas edition 8/101, inscribed Wesselmann and dated (lower left) 14 1/2 x 13 1/5 inches.

Provenance: Douglas Kenyon Inc., Chicago $3,000-5,000

202

132

post war and contemporary art

203

204

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

133

205

Stephan Balkenhol

(German, b. 1957) Woman with Blue Dress, 1998 wawa wood 66 x 9 1/4 x 9 3/4 inches.

Provenance: Galleria Monica De Cardenas, Milan, Italy Acquired from the above by the present owner in 1998 $10,000-15,000

205 | detail

205

134

post war and contemporary art

206 | alternate view

206

Marc Sijan

(American, b. 1946) The Butler polyester resin, clothes and silver plate tray Height: 67 inches. $6,000-8,000

206

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

135

SALE 571

Fine Prints Wednesday 23 may | 2:00pM CT lots 207 – 562

Opposite Lot 331 | Pablo Picasso, (Spanish, 1881-1973) Grand nu de femme (Large Nude Woman), 1962

207

138

fine prints

208

210

207

Albrecht Durer

(German, 1471–1528) Christ before Pilate (from The Engraved Passion), 1512 engraving Sheet: 4 5/8 x 3 inches.

Ref: Bartsch 7 $1,500-2,500

208

210

(Italian, c. 1490-c. 1536) Christ Cleaning the Temple and Virgin and Child with the Infant Saint John the Baptist and two Angels engravings Sheet of larger: 9 1/4 x 6 3/4 inches. $300-500

(Dutch, 1494-1533) Cain Killing Abel, 1529; The Temptation of Saint Anthony, 1509; Mary Magdalen in the Desert, c. 1506 (a group of 3) engravings Sheet of largest: 6 1/2 x 4 5/8 inches.

Ref: Bartsch 5; 117; 123 $500-700

Agostino dei Musi

209

No Lot

Lucas van Leyden

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139

211

212

213

214

211

Rembrandt van Rijn

(Dutch, 1606–1669) The Agony in the Garden, c. 1657 etching and drypoint a later impression Sheet: 4 5/8 x 3 1/2 inches Ref: Bartsch, Hollstein, 75 $500-700

140

fine prints

212

Rembrandt van Rijn

(Dutch, 1606-1669) Three Heads of Women, one asleep, 1637 etching Sheet: 5 1/2 x 3 3/4 inches.

Ref: B., Holl. 368; New Holl. 161; H. 152 $2,000-4,000

213

214

(Dutch, 1606-1669) Joseph telling his Dreams, 1638 etching Sheet: 5 5/8 x 3 5/8 inches. $1,000-2,000

(Dutch, 1606-1669) The Golf Player, 1654 etching on laid paper Sheet: 4 7/8 x 5 3/4 inches.

Ref: Bartsch, Hollstein, 125 $2,000-4,000

Rembrandt van Rijn

Rembrandt van Rijn

215

Rembrandt van Rijn

(Dutch, 1606-1669) The Stoning of Saint Stephen, 1635 etching on laid paper without watermark Sheet: 4 x 3 1/2 inches.

Ref: Bartsch 97, New Hollstein 140 $2,000-4,000 216

Rembrandt van Rijn

(Dutch, 1606–1669) Christ and the Woman of Samaria, 1657 etching and drypoint on laid paper Pl: 4 3/4 x 6 1/4 inches.

Ref: Bartsch, Hollstein 70 $2,000-4,000

215

216`

217

Rembrandt van Rijn

(Dutch, 1606–1669) Woman Bathing Her Feet at a Brook, 1658 etching and drypoint Pl: 6 1/8 x 3 1/8 inches.

Ref: Bartsch 200 $2,000-4,000

217

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141

218

Anthonie Waterloo

(Flemish, c. 1610-1690) a group of two untitled landscapes etchings Sheet of larger: 12 3/4 x 10 1/4 inches. $50-70 219

Claude Augustin Duflos le Jeune

(French, 1700–1786) The Four Poems (Les Quatre Poésies), c. 1741 after François Boucher (French, 1703–1770) (a group of 4) etching and engraving Sheets: 11 1/2 x 10 3/4 inches.

Ref: BN VIII.79.139; Jean-Richard 239.927; Le Blanc II.151.66 $100-200 220

Giovanni Battista Piranesi 220

(Italian, 1720–1778) Avanzi d’un portico coperto, o criptoportico, in una villa di Domiziano (from Vedute di Roma), 1766 etching on paper Pl: 16 1/2 x 23 3/4 inches.

Ref: Hind 79 ii/iv $500-700 221

No Lot 222

Francisco Goya

(Spanish, 1746–1828) Muchachos al avio (from Caprichos), c. 1799 etching on cream laid paper Pl: 8 1/2 x 6 inches.

Ref: Delteil 48 $500-700 223

Francisco Goya

(Spanish, 1746–1828) A group of 3 prints including Tan bárbara la Seguridad come el Delito (‘The Little Prisoner’), c. 1820; Dios se lo pague a usted (‘Blind Man tossed on the Horns of a Bull’), c. 1800-1808; and Al Toro y al Aire Darles Calle (Lluvia de Toros), c. 1824 etchings various sizes $1,500-2,500 224

Seymour Haden

(British, 1818–1910) Wareham Bridge, 1877 drypoint signed in pencil Pl: 5 7/8 x 8 3/4 inches.

Ref: Harrington 176; Schneiderman 156 $100-200

222

142

fine prints

223

223

223

225

225

Edgar Degas

(French, 1834-1917) Danseuse mettant son chausson, c. 1892 etching; Vollard, Paris, pub. edition of approximately 150; second state (of 2), after cancellation 7 x 4 5/8 inches.

Ref: Delteil 36; Adhémar 60 $800-1,200 226

Paul Cézanne

(French, 1839–1906) Portrait de Cézanne par lui-même, c. 1898 lithograph; Auguste Clot, Paris, prntr. edition of approximately 100 Image: 12 1/2 x 10 1/2 inches.

Ref: Cherpin 8 $500-700

226

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143

227

229

227

Pierre-Auguste Renoir

(French, 1841–1919) Le fleuve scamandre (2e planche), c. 1900 etching and soft-ground etching with the artist’s ink stamp signature Pl: 10 x 7 1/2 inches.

Ref: Delteil 25 $500-700 228

Pierre-Auguste Renoir

(French, 1841–1919) Femme au Cep de Vigne, 3eme variante (from L’Album des Douze Lithographies Originales) 1904 lithograph; A. Vollard, Paris, pub. from an edition of 950, with the stamped signature Image: 6 3/4 x 4 inches.

Ref: Delteil 47 $300-500

230

144

fine prints

229

Pierre-Auguste Renoir

(French, 1841–1919) Claude Renoir, la tete baisee (from L’Album des Douze Lithographies Originales), 1904 lithograph; Vollard, Paris, pub. edition of 950 with artist’s ink stamp signature Image: 7 1/2 x 7 1/2 inches.

Ref: Delteil 39 $600-800 230

Pierre-Auguste Renoir

(French, 1841–1919) Femme au cep de vigne, 2e variante (from L’Album des Douze Lithographies Originales), 1904 lithograph; Vollard, Paris, pub. edition of 950 with the stamped signature Image: 4 3/4 x 3 1/2 inches.

Ref: Delteil 46 $300-500

231

232

231

Pierre-Auguste Renoir

(French, 1841–1919) Etude de Femme Nue, Assise (from L’Album des douze Lithographies), c. 1904 lithograph; A. Vollard, Paris, pub. from the edition of 950 with the printed signature as issued Sheet: 10 3/4 x 8 1/2 inches.

Ref: Delteil 42 $300-500 232

Pierre-Auguste Renoir

(French, 1841–1919) Ambroise Vollard (from Douze Lithographies Originales), c. 1904 lithograph; Ambroise Vollard/Auguste Clot, Paris, pub./prntr. from the edition of 1000, signed in the stone Image: 9 1/4 x 6 3/4 inches.

Ref: Delteil 37 $600-800 233

Pierre-Auguste Renoir

(French, 1841–1919) Claude Renoir, de trois-quarts a droite, 1908 soft-ground etching on laid paper with the artist’s stamped signature Plate: 6 1/2 x 5 1/8 inches.

Ref: Delteil 18 $500-700

233

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145

234

Mary Cassatt

(American, 1844–1926) In the Opera Box (No. 3), c. 1880 soft-ground, aquatint and etching signed Mary Cassatt in pencil (lower left) Image: 7 3/4 x 7 inches.

Ref: Breeskin 22-iv/iv (formerly iii/iii) $30,000-50,000

234 146

fine prints

235

Félix Hilaire Buhot

(French, 1847-1898) L’Hiver à Paris, 1879 etching and aquatint Image: 9 1/8 x 13 5/8 inches.

Ref: Bourcard/Goodfriend 128 $500-700 236

Various Artists

235

(French, 19th Century) a group of 4 etchings consisting of Paysage, 1899 by Alfred Sisley (French, 1839-1899); Le lecon de desin, c. 1890

by Berthe Morisot (French, 1841-1895); Guillaumin au Pendu, 1873

by Paul Cezanne (French, 1839–1906); and W.H.B. Sands, éditeur, 1898

by Henri de Toulouse-Lautrec (French, 1864–1901) etchings Sisley, 3rd state of 4, published by the Gazette des Beaux-Arts, Paris; Lautrec, 2nd state printed in bistre from Joyant various sizes $400-600 237

Anders Zorn

(Swedish, 1860-1920) Skramda (Frightened), 1912 etching signed in pencil Plate: 7 5/8 x 5 5/8 inches.

Ref: Asplund 248 $300-500

236 | one of four

236 | one of four

237

239

238

No Lot 239

Henri de Toulouse-Lautrec

(French, 1864–1901) L’explorateur L.J. Vicomte de Brettes (The Explorer Vicomte de Brettes),1898 (first edition published 1911) drypoint etching Pl: 6 3/4 x 3 3/8 inches. $300-500 240

No Lot 241

No Lot

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

147

242

Henri-Edmond Cross

(French, 1856–1910) Les Champs Élysées (from Pan), 1897 lithograph Sheet: 11 x 14 3/8 inches. $600-800 243

Georges Rouault

(French, 1871–1958) La negre (from Réincarnations du Père Ubu), 1928 etching with aquatint; Ambroise Vollard, Paris, pub.

Pl: 11 3/4 x 5 7/8 inches.

Ref: Chapon 18 $300-500 244

Georges Rouault

242

243

148

fine prints

(French, 1871–1958) Clown (Le Pitre) (from Maîtres d’Aujourd’hui), c. 1924-27 lithograph; Frapier, Paris, pub. numbered 10/25 and signed in pencil Image: 13 3/4 x 8 3/4 inches.

Ref: Chapon/Rouault, 317 $300-500

244

245

Maurice de Vlaminck

(French, 1876–1958) Le café de Paris (from Visage des Maisons), 1927 etching and drypoint signed in pencil Pl: 4 x 6 1/2 inches. $300-500

245

246

Maurice Utrillo

(French, 1883–1955) Moulin de la Galette, Montmartre 1926 lithograph inscribed e.a. and signed in pencil Image: 8 3/4 x 6 1/4 inches. $400-600

246

247

Marie Laurencin

(French, 1883–1956) The Plumed Horsewoman (La Cavalière), 1926 and Fillette, 1945 (a group of 2) lithograph and etching numbered 21/45 and 68/75, each signed in pencil Image of larger: 7 x 7 inches. $300-500

247

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149

248

249

250

248

250

(French, 1888-1950) Waltz Dream, 1938 drypoint and color aquatint signed in pencil with the artist’s blindstamp Pl: 14 3/4 x 17 3/8 inches. $500-700

(French, 1888-1950) Le sofa, 1937 etching and aquatint signed in pencil with the artist’s blindstamp Pl: 17 3/4 x 26 1/2 inches. $600-800

249*

251

(French, 1888–1950) Vitesse (SPEED II), 1933 etching, drypoint and aquatint signed in pencil with the artist’s blindstamp 15 x 25 inches.

Property from the Collection of Gordon and Patsy Wassenaar, Grand Rapids, Michigan $500-700

(French, 1888-1950) Les Orchidées, 1937 Etching, aquatint, and dry point signed in pencil with the artist’s blindstamp Pl: 28 x 19 1/2 inches. $600-800

Louis Icart

Louis Icart

251

150

fine prints

252

Louis Icart

Louis Icart

252

254

256

258

(French, 1888-1950) Meditation (Golden Veil), 1930 etching and aquatint signed in pencil with artist’s blindstamp Pl: 15 3/4 x 19 3/4 inches. $500-700

(French, 1888-1950) Waterfall, 1936 etching and aquatint signed in pencil with artist’s blindstamp Pl: 21 x 8 3/4 inches. $600-800

(French, 1888-1950) Gust of Wind (Coup de vent), 1925 etching and aquatint signed in pencil Image: 21 x 17 1/ 2 inches. $500-700

(French, 1888-1950) Tosca, 1928 etching and aquatint signed in pencil with artist’s blindstamp Image: 20 1/2 x 13 inches $500-700

253

255

(French, 1888-1950) Werther, 1928 etching and aquatint signed in pencil with artist’s blindstamp Image: 20 x 13 1/4 inches. $300-500

(French, 1888-1950) Pink Slippers (Reveil), 1936 etching and aquatint signed in pencil; a proof with annotations Pl: 11 5/8 x 25 1/8 inches. $600-800

Louis Icart

Louis Icart

Louis Icart

Louis Icart

Louis Icart

257

Louis Icart

(French, 1888-1950) Thaïs, 1927 etching and aquatint signed in pencil with artist’s blindstamp Image: 16 x 20 1/4 inches. $400-600

Louis Icart

259

Louis Icart

(French, 1888-1950) Faust, 1928 etching and aquatint signed in pencil Image: 20 1/2 x 13 inches. $500-700

255

257

256

258

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

259

151

260

261

260

263

(French, 1902-1960) Le Marie, Seoul, Coree, 1950 woodblock signed in pencil lower right above the Owl seal; seals of the carver, Kentaro Maeda, and printer, Matashiro Uchikawa, lower right margin Image: 15 3/8 x 11 3/4 inches $500-700

(French, 1902-1960) Vendeur de Masques, (Chinois), 1940 woodblock signed in pencil lower right above the butterfly seal; seals of the carver, Kentaro Maeda, and printer, Matashiro Uchikawa, lower right margin Image: 15 3/8 x 11 3/4 inches $500-700

261

264

(French, 1902-1960) La Balance, “Chinois,� 1939 woodblock signed in pencil lower right above the Tea Jar seal; seals of the carver, Kentaro Maeda, and printer, Matashiro Uchikawa, lower right margin Image: 15 3/8 x 11 3/4 inches $500-700

(French, 1902-1960) Le bonze errant, Coree, 1948 woodblock signed in pencil lower right above the peach seal; seals of the carver, Kentaro Maeda, and printer, Matashiro Uchikawa, lower right margin Image: 15 3/8 x 11 3/4 inches $500-700

Paul Jacoulet

Paul Jacoulet

263

262

Paul Jacoulet

(French, 1902-1960) Les Vieux Manuscrits, Coree-Seoul, 1948 woodblock signed in pencil lower right above the ivy-leaf seal; seals of the carver, Kentaro Maeda, and printer, Matashiro Uchikawa, lower right margin Image: 15 3/8 x 11 3/4 inches $500-700

264

152

fine prints

262

Paul Jacoulet

Paul Jacoulet

265

James Abbott McNeill Whistler

(American, 1834–1903) a group of 7 lithographs including Firelight – Joseph Pennell, No. 1, 1896 (3); The Doctor, 1894 (2); Stéphane Mallarmé, 1892; and Gants de Suede, 1890 lithographs various sizes $2,000-4,000

265 four of seven v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

153

266*

Childe Hassam

(American, 1859-1935) A Vermont Village, 1923 etching signed in pencil Plate: 5 7/8 x 8 11/16 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $600-800

266

267

Birger Sandzen

(American, 1871-1954) The Old Cecil Homestead, 1936 lithograph edition of 100, signed in pencil Sheet: 19 7/8 x 16 inches. $500-700 268

John Taylor Arms

(American, 1887–1953) A Stranger in England, 1940 etching signed and dated in pencil Pl: 2 3/4 x 5 9/16 inches. $100-200

267

269

John Taylor Arms

(American, 1887-1953) Shadows of Venice, 1930 etching and aquatint edition of 100, signed and dated in pencil Image: 10 x 11 7/8 inches.

Ref: Fletcher, 229 Provenance: Slyvan Cole Gallery, New York Acquired from the above by the present owner in 2000 $500-700 270*

John Taylor Arms

269

154

fine prints

(American, 1889-1953) Sketch, New York World’s Fair No 2, 1939 etching signed, inscribed and dated in pencil Pl: 6 7/8 x 4 7/8 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $300-500

271

Gustave Baumann

(German, 1881-1971) Monterey Cypress, 1932-36 woodcut on cream laid paper edition of 125; signed, titled and numbered “I 8 125” in pencil, lower margin, and with the artist’s ink stamp, lower right Sheet: 17 x 13 1/2 inches.

Provenance: The Annex Galleries, Santa Rosa, California Acquired from the above by the present owner in 1994 $3,000-5,000

271

272

Martin Lewis

(American, 1881-1962) Building a Babylon, Tudor City, N.Y.C, 1929 drypoint edition of 84, signed in pencil Pl: 13 x 8 inches.

Provenance: Susan Schulman Printseller LLC, New York Acquired from the above by the present owner in 1995 $3,000-5,000

272

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

155

273

274 156

fine prints

273*

George Bellows

(American, 1882-1925) The Appeal to the People, 1923-24 lithograph Edition of 55; signed in pencil, lower right, and signed and inscribed “imp.” by the printer, Bolton Brown, in pencil, lower left Image: 14 x 18 1/8 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida Ref: Mason 167 $1,000-2,000

275

274*

George Bellows

(American, 1882-1925) The Life Class (second stone), 1917 lithograph numbered ‘No 28’ (from the edition of 49), signed by the artist and intialed ‘J.B.B.’ by the artist’s daughter, Jean Bellows Booth in pencil Image: 14 x 19 3/4 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida Ref: Mason 43 $1,000-2,000 275

Rockwell Kent

275

(American, 1882–1971) a large collection of prints and ephemera pertaining to Rockwell Kent including a number of prints posthumously printed by the studio of Letterio Calapai $300-500 276

Rockwell Kent

(American, 1882–1971) Man Reading in a Cabin, 1920 woodcut signed in pencil Sheet: 17 1/16 x 15 inches $500-700 277

Roi Partridge

(American, 1888-1984) On the Links, 1931 etching inscribed ‘4th Trial Proof’ and signed in pencil Image: 13 3/4 x 10 3/4 Property from an Important Corporate Collection Provenance: Krauschaar Gallery, New York Acquired from the above by the present owner in 1959 $200-400

276 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

157

278

Thomas Hart Benton

(American, 1889-1975) Approaching Storm, 1938 lithograph edition of 190, signed in pencil Image: 9 3/4 x 12 3/4 inches Ref: Fath 25 $2,000-4,000

278

279*

Thomas Hart Benton

(American, 1889–1975) Island Hay, 1945 lithograph signed in pencil Image: 10 x 12 1/2 inches.

Property from the Collection of Robert Schware, Boulder, Colorado Ref: Fath 68 $1,000-2,000

279

280

Thomas Hart Benton

(American, 1889-1975) County Politics, 1973 lithograph; Associated American Artists, New York, pub. edition of 250, signed in pencil Image: 14 x 17 inches.

Ref: Fath 89 $2,000-4,000

280

158

fine prints

281*

Thomas Hart Benton

(American, 1889-1975) Sunday Morning, 1939 lithograph; Associated American Artists, pub. edition of 250, signed in pencil Image: 9 3/4 x 12 3/4 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida Ref: Fath 26 $2,000-4,000 282

No Lot

281

283

No Lot

284

Thomas Hart Benton

(American, 1889–1975) Lonesome Road, 1938 lithograph; Associated American Artists, New York, pub. edition of 250, signed in pencil Image: 9 5/8 x 12 1/2 inches.

Ref: Fath 18 $1,000-2,000

284

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

159

285

Grant Wood

(American, 1891–1942) Seed Time and Harvest, 1937 lithograph; Associated American Artists, pub. edition of 250, signed and dated in pencil Sheet: 8 1/2 x 13 inches Ref: Cole 2 $2,000-4,000

285

286

Robert Riggs

(American, 1896-1970) Clown Alley, c. 1934 lithograph signed and inscribed in pencil Sheet: 18 3/4 x 22 3/4 inches. $1,000-2,000

286

287

Sybil Andrews

(British/Canadian, 1898-1992) Hauling, 1952 linocut numbered T.P. 1, signed and titled in pencil Sheet: 10 1/2 x 12 1/2 inches.

Ref: Coppel SA 50 $6,000-8,000

287 160

fine prints

288*

Reginald Marsh

(American, 1898-1954) Eltinge Follies, 1940 etching stamped with artist’s initials and dated 1940 RM (lower right) Image: 11 7/8 x 9 3/4 inches.

Property from the Collection of Edwin M. Roth, Aspen, Colorado $500-700 289

Reginald Marsh

(American, 1898-1954) Switch Engines, Erie Yards, Jersey City, 1947 lithograph; Print Club of Cleveland, pub. edition of 243, signed in pencil Pl: 9 1/16 x 13 3/8 inches.

Ref: Sasowsky 30 289

Provenance: Sold: Wolf’s Auction Gallery, Cleveland, Ohio, April 29, 1989, Lot 299 Acquired from the above by the present owner $500-700

290

Reginald Marsh

(American, 1898–1954) Skyline from Pier 10 Brooklyn, 1931 etching; Whitney Museum of American Art, New York, pub. numbered 88/100 with the publisher’s blindstamp Sheet: 13 1/8 x 16 inches.

Ref: Sasowsky 129 $500-700

290

291

Reginald Marsh

(American, 1898-1954) Tenth Ave. at 27th St, 1931 etching; Whitney Museum of American Art, New York, pub. numbered 81/100, with the publisher’s blindstamp Plate: 7 3/4 x 10 3/4 inches.

Ref: Sasowsky, 128 $400-600

291 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

161

291A

Reginald Marsh

(American, 1898-1954) Merry-Go-Round, 1940 etching; Whitney American Museum of Art, New York, pub. numbered 75/100 with the publisher’s blindstamp Pl: 7 3/4 x 11 7/8 inches.

Provenance: Sold: Wolf’s Auction Gallery, Cleveland, Ohio, January 29, 1984, Lot 58 Acquired from the above by the present owner $100-200 292

Clair Leighton

(British/American, 1898-1989) Corsican Washerwomen, 1936 wood engraving numbered 110/215, signed and titled in pencil Image: 8 3/8 x 10 1/16 inches. $300-500

293

293*

Werner Drewes

(American/German, 1899-1985) Summer Heat, 1978 color woodcut numbered 17/XXV, signed in pencil and dated Image: 11 1/4 x 16 1/2 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $600-800 294*

Fritz Eichenberg

(American, 1901-1990) In Praise of Folly, 1972 (portfolio of 10 with text and justification) wood engravings; Aquarius Press, Baltimore, prntr. numbered 6/150 on the justification page, each signed in pencil Overall: 20 1/4 x 14 1/2 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $500-700

295

294 162

fine prints

295*

Howard Norton Cook

(American, 1901-1980) Fiesta, 1933 etching and drypoint signed in pencil Image: 11 x 14 3/8 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $600-800 296

Isabel Bishop

(American, 1902-1988) Snack Bar, 1959 etching numbered 49/50, signed in pencil Pl: 7 x 4 1/2 inches.

Ref: Teller 53 Provenance: Associated American Artists, New York Acquired from the above by the present owner in 1981 $300-500 297*

Isabel Bishop

298

(American, 1902-1988) Entrance to Union Square, 1981 etching and aquatint; Stephen Sholinsky, prntr. numbered 8/75 and signed in pencil Pl: 8 1/4 x 7 1/2 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida Ref: Teller 77 $300-500 298*

Gene Kloss

(American, 1903-1996) Deer Dance, 1969 etching and aquatint numbered 28/75, signed and titled in pencil Image: 13 x 18 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $500-700 299

Benton Spruance

(American, 1904-1967) Morning in Babylon, 1938 lithograph edition of 30, signed and inscribed in pencil Image: 13 x 9 5/8 inches. $500-700

300

300*

Benton Spruance

(American, 1904-1967) Landscape with Figures, 1940 lithograph edition of 30, signed and titled in pencil Image: 10 x 13 3/8 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida Ref: F./L. 179 $600-800 301*

Benton Spruance

(American, 1904-1967) Supplies for Suburbia, 1938 lithograph edition of 30, signed and titled in pencil Image: 10 x 15 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $2,000-4,000 301 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

163

302*

Lill Tschudi

(Swiss, 1911-2004) Waiters, 1936 linocut numbered 18/50 and signed in pencil Image: 11 x 10 5/8 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $5,000-7,000 303*

Romare Bearden

(American, 1911-1988) Out Chorus, 1979-80 screenprint numbered 186/200 and signed in pencil Image: 12 x 16 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida Ref: Gelburd/Rosenberg GG#97 $2,000-4,000 304

Romare Bearden

(American, 1911-1988) Salome (John the Baptist) (from the Prevalence of Ritual portfolio), 1974 screenprint; Ives Sillman, New Haven, prntr.; Cordier & Ekstrom, New York, pub. numbered P.R. III 4/100, signed and dated Image: 28 3/4 x 36 1/8 inches Property from an Important Corporate Collection 302

Provenance: Association of American Artists Acquired from the above by the present owner in 1975 $800-1,200 305*

Jacob Lawrence

(American, 1917-2000) Builders No. 3, 1974 screenprint; Ives-Sillman, New York., prntr.; Northside Center for Child Development, New York, pub. numbered 129/150, signed, titled and dated 29 x 39 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida Ref: Nesbett 74-2 $3,000-5,000 306*

Jacob Lawrence

(American, 1917-2000) The Builders (The Family), 1974 screenprint; Ives-Sillman, New Haven, prntr.; IBM Corporation, New York, pub. numbered 77/300, signed, titled and dated Image: 30 x 22 1/8 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $3,000-5,000 304

164

fine prints

303

305

306

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

165

307

307

Shiko Munakata

308

Jacques Villon

(American, b. 1920) Van, 1989 etching and aquatint; Lawrence Hamlin, prntr.; Crown Point Press, San Francisco, pub. numbered 20/50, signed and dated in pencil Image: 9 x 11 3/4 inches. $4,000-6,000

Shiko Munakata

(Japanese, 1903-1975) Untitled (Three Goddesses), 1959 woodblock signed in pencil and dated with the artist’s red ink stamp Sheet: 15 1/2 x 20 inches. $3,000-5,000

166

fine prints

309

Wayne Thiebaud

(Japanese 1903-1975) Fish and Flower and Female Buddha, 1957 woodcut; Print Club of Cleveland, pub. edition of 260, signed and dated in pencil Image: 12 1/2 x 8 5/8 inches. $2,000-4,000 310

(French, 1875–1963) Reclining Nude etching; Pierre de Tartas, Paris, pub. numbered 52/60 and signed in pencil with publisher’s blindstamp Pl: 6 1/4 x 8 inches. $200-400

308

309

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

167

311*

Georges Braque

(French, 1882-1963) Le Jockey, 1954 etching and aquatint with light varnish; Visat, Paris, prntr.; Maeght, Paris, pub. numbered 14/75 and signed in pencil Image: 5 3/4 x 7 1/4 inches.

Property from the Estate of Franz Kamber, Mahomet, Illinois Ref: Vallier, 94 $800-1,200

311

312*

Georges Braque

(French, 1882-1963) Astre et Oiseau II, 1958-59 lithograph in colors numbered 69/75, signed in ink Image: 17 1/2 x 20 1/2 inches.

Property from the Estate of Franz Kamber, Mahomet, Illinois Ref: Vallier, 130 $4,000-6,000

312

313*

Georges Braque

(French, 1882 -1963) Le Charrue, 1965 lithograph in colors; Maeght, Paris, prntr./pub. numbered 88/150, signed in pencil Image: 11 3/4 x 18 3/4 inches.

Property from the Estate of Franz Kamber, Mahomet, Illinois Ref: Vallier, 150 $400-600

313

168

fine prints

314*

Georges Braque

(French, 1882-1963) Uranie II, 1958 lithograph and aquatint; Maeght, Paris, pub. numbered 65/75 and signed in pencil Image: 9 1/4 x 12 1/5 inches.

Property from the Estate of Franz Kamber, Mahomet, Illinois Ref: Vallier, 118 $2,000-4,000 315

Georges Braque

(French, 1882-1963) Souspente, 1945 lithograph Sheet: 12 x 10 inches. $100-200

314

316

Georges Braque

(French, 1882–1963) Tête en profil et l’etoile (from Georges Braque - Nouvelles Sculptures et Plaques Gravées), 1960 etching and aquatint; Albert Morancé, pub. inscribed E.A. and signed in pencil Pl: 11 5/8 x 9 3/4 inches.

Ref: Vallier 152 $2,000-4,000

316

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

169

320

317

320

(Spanish, 1881–1973) Le concert (from Femmes et Faunes) collotype and pochoir; New York Graphic Society, pub.; Daniel Jacomet, prntr.

Sheet: 15 5/8 x 19 3/8 inches. $300-500

(Spanish, 1881–1973) Cape et epee: Poursuite I ( from Series 347), 1968 aquatint; Galerie Louise Leiris, Paris, pub. numbered 12/50 and signed in pencil Sheet: 10 3/4 x 13 3/4 inches.

Ref: Bloch 1568 $2,000-4,000

After Pablo Picasso

318

No Lot 319

No Lot

170

fine prints

Pablo Picasso

321

Pablo Picasso

(Spanish, 1881-1973) Sueno y mentira de Franco, 1937 (a group of 2) etching and aquatint; published by the artist each numbered 38/850 with stamped signatures Plates approx: 12 1/2 x 16 5/8 inches.

Ref: Bloch 297-8 lacking the original text and wove-covered wrappers $6,000-8,000

321

321

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

171

322

322

After Pablo Picasso

(Spanish, 1881-1973) Nature morte aux poires et au pichet, c. 1960 aquatint; Atelier Crommelynck, Paris, pub. inscribed H.C. and signed in pencil with the publisher’s blindstamp Image: 12 3/4 x 17 inches. $10,000-15,000 323

After Pablo Picasso

(Spanish, 1881-1973) Mere et enfant au fichu (Mother and Child with Shawl) (from Barcelona Suite), 1966 offset lithograph; Museo Picasso, Barcelona, pub. inscribed H.C. and signed in pencil Image: 18 x 16 1/8 inches.

Ref: Czwiklitzer, 231 $3,000-5,000

323

172

fine prints

324

324*

Pablo Picasso

(Spanish, 1881-1973) Nature Morte Au Compotier, 1945 lithograph numbered 22/50, and signed in pencil Image: 9 1/2 x 14 inches.

Property from the Estate of Franz Kamber, Mahomet, Illinois Ref: Bloch, 379; Mourlot, 6 $3,000-5,000 325

Pablo Picasso

(Spanish, 1881-1973) Le DÊjeuner sur l’Herbe, 1962 linocut; Galerie Louise Leiris, Paris, pub. unnumbered and unsigned trial proof Image: 13 3/4 x 10 1/2 inches.

Ref: Bloch 1096 $7,000-9,000

325

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

173

328

326

After Pablo Picasso

(Spanish, 1881-1973) Madame Ricardo Canals (from Barcelona Suite), 1966 offset lithograph; Museo Picasso, Barcelona, pub. inscribed H.C. and signed in pencil Image: 22 7/8 x 17 1/2 inches Ref: Czwiklitzer, 232 $3,000-5,000

327

After Pablo Picasso

(Spanish, 1881-1973) L’Attente (Margot) (from Barcelona Suite), 1966 offset lithograph; Museo Picasso, Barcelona, pub. inscribed H.C. and signed in pencil Image: 22 5/8 x 18 inches.

Ref: Czwiklitzer, 233 $3,000-5,000 328

Pablo Picasso

(Spanish, 1881-1973) Femme endormie, 1962 linocut; ArnĂŠra, Vallauris, prntr.; Galerie Louise Leiris, Paris, pub.

Image: 10 5/8 x 13 3/4 inches.

Ref: Bloch 1083 $15,000-20,000

174

fine prints

329

After Pablo Picasso

(Spanish, 1881-1973) Harlequin (from Barcelona Suite), 1966 offset lithograph; Museo Picasso, Barcelona, pub. inscribed H.C. and signed in pencil Image: 22 5/8 x 17 1/4 inches.

Ref: Czwiklitzer, 230 $3,000-5,000 330

After Pablo Picasso

(Spanish, 1881-1973) La Danseuse Nain (from the Barcelona Suite), 1966 offset lithograph; Museo Picasso, Barcelona, pub. inscribed H.C. and signed in pencil Image: 22 1/2 x 12 1/2 inches.

Ref: Czwiklitzer 234 $3,000-5,000

326

329

327

330

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

175

331

Pablo Picasso

(Spanish, 1881-1973) Grand nu de femme (Large Nude Woman), 1962 linocut; Galerie Louise Leiris, Paris, pub. unnumbered and unsigned trial proof Image: 25 1/8 x 20 3/4 inches.

Ref: Bloch 1085 $22,000-28,000

331

176

fine prints

332

332*

Pablo Picasso

(Spanish, 1881–1973) Le Repos du Sculpteur III (from La Suite Vollard), 1933 etching; A. Vollard, Paris, pub. signed in pencil from the edition of 206 Pl: 7 1/2 x 10 1/2 inches.

Property from the Robert Grenton Revocable Trust, Glencoe, Illinois Ref: Bloch 173 $6,000-8,000 333

Pablo Picasso

(Spanish, 1881–1973) Vive la Paix, 1954 lithograph inscribed E.A (aside from the numbered edition of 350) and signed in pencil Sheet: 25 1/2 x 19 5/8 inches. $2,000-4,000

333

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

177

335

178

fine prints

334

334

Pablo Picasso

(Spanish, 1881–1973) Écrivain avec son Égérie (from La Série 347), 1968 etching; Galerie Louise Leiris, Paris, pub. numbered 39/50 and signed in pencil Pl: 5 3/4 x 8 3/4 inches.

Ref: Bloch 1801 $3,000-5,000 335

Pablo Picasso

(Spanish, 1881–1973) Visage (Jacqueline au bandeau), 1962 linocut; Galerie Louise, Leiris, Paris/Arnéra, Vallauris, pub./prntr. numbered 26/50 and signed in pencil Image: 13 3/4 x 10 1/2 inches.

Ref: Bloch 1090 $8,000-12,000 336

Pablo Picasso

(Spanish, 1881–1973) Portrait de “Mousquetaire” vieillissant, au Visage couperosé (from Séries 347), 1968 etching; Galerie L. Leiris, Paris, pub. numbered 39/50 and signed in pencil Pl: 5 3/8 x 4 1/4 inches.

Ref: Bloch 1732 $3,000-5,000

336

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

179

337

338

180

fine prints

339

340

337

Pablo Picasso

(Spanish, 1881–1973) Minotaure endormi contemple par un femme (from la suite Vollard), 1933 etching; Vollard, Paris, pub. signed in pencil from the total edition of 310 Pl: 7 1/2 x 10 1/2 inches.

Ref: Bloch 193 $7,000-9,000 338

Pablo Picasso

(Spanish, 1881–1973) Femme assise en tailler: Geneviève Laport (from Recordant el Doctor Reventós), 1951 etching and drypoint; Editorial Gustavo Gili, Barcelona, pub. numbered 47/180, signed in pencil 5 5/8 x 3 3/4 inches.

Ref: Bloch 1837 $10,000-15,000

339*

Pablo Picasso

340*

(Spanish, 1881-1973) Tete de Bouffon (Carnaval), 1965 linocut; Arnéra, Vallauris, prntr.; Le Patriote, Nice, pub. numbered 142/160, signed in pencil Image: 25 1/8 x 20 1/8 inches.

Property from the Collection of Dimitrios and Christine Sereleas, Chicago, Illinois Ref: Bloch 1193; Baer 1356 $8,000-12,000

Pablo Picasso

(Spanish, 1881–1973) Faune dévoilant une femme (from La Suite Vollard), 1936 aquatint and engraving; A. Vollard, Paris, pub. signed in pencil Sheet: 13 3/8 x 17 3/4 inches.

Property from the Robert Grenton Revocable Trust, Glencoe, Illinois Ref: Bloch 230 $40,000-60,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

181

342

343

344

345

341

Massimo Campigli

(Italian, 1895-1971) La Figlia di Saffo (from Lyriche di Saffo), 1944 lithograph signed in pencil and dated Image: 7 1/2 x 12 inches. $200-400 342

Massimo Campigli

(Italian, 1895–1971) Selbstbildnis, 1965 lithograph numbered X/XXXV and signed in pencil Sheet: 26 x 20 inches. $300-500

182

fine prints

343

Marino Marini

(Italian, 1901-1980) L’idea del cavaliere, 1963/1968 lithograph; Curwen Prints Ltd., London, prntr.; Edition Galerie Wolfgang Ketterer & Felix H. Man, Stuttgart/London, pub. numbered VII/XXXV and signed in pencil Sheet: 29 5/8 x 21 inches. $400-600

344

John Piper

(British,1903–1992) The Visitation, 1975 lithograph; Gallery Wolfgang Ketterer, Munich, pub. numbered 48/90 and signed in pencil Sheet: 22 x 18 3/4 inches.

Ref: Levinson 253 $300-500

345

Giacomo Manzù

(Italian, 1908–1991) a group of 3 prints: Passo di Danza II (from Europäische Graphik IX), 1974 Pittore e Modella (from Europäische Graphik III), 1965 Natura morta (from Europäische Graphik III), 1965 etching and aquatint; lithograph inscribed H.C., signed in pencil; numbered 7/65, signed in pencil; numbered IV/XXXV, signed in pencil Sheet of largest: 26 x 20 inches. $500-700

347

346

349

348

346*

Ben Nicholson

(British, 1894-1982) Mug and Goblet, 1968 etching and aquatint edition of 50, signed and dated in pencil Pl: 10 1/4 x 9 3/8 inches.

Property from the Estate of Franz Kamber, Mahomet, Illinois Ref: Cristea, 111 $1,000-2,000

347*

348

349

(British, 1894-1982) Variation on Aegean, 1967 etching edition of 50, signed and dated in pencil Pl: 7 1/2 x 11 inches.

Property from the Estate of Franz Kamber, Mahomet, Illinois $1,000-2,000

(British, 1898–1986) Reclining & Standing Figure and Family Group (from Reclining Figures), 1973 lithograph; Curwen Prints Ltd., London, prntr.; XXe Siècle, Paris, pub. numbered 48/50, signed in pencil and dated Image: 17 3/8 x 12 5/8 inches.

Ref: Cramer 237 $600-800

(British, 1898–1986) Seven Sculpture Ideas, 1973 lithograph; Curwen prints, London, prntr.; Galerie Wolfgang Ketterer, Munich, pub. number IV/XXXV, signed and dated in pencil Sheet 29 3/4 x 21 inches.

Ref: Cramer 296 $500-700

Ben Nicholson

Henry Moore

Henry Moore

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

183

350

350

350*

Alberto Giocometti

(Swiss, 1901-1966 Characters in a Studio II (from Regard sur la peinture by Pierre Lob), 1950, and Untitled (Sculptures in the Studio), c. 1950 etchings both signed lower right and numbered lower left, first: ed.

5/30, second: ed. 5/15 Image: 5 1/4 x 3 3/4 inches.

Property from the Estate of Franz Kamber, Mahomet, Illinois Ref: Lust, 88 for Character in a Studio II $6,000-8,000 351*

Le Corbusier

(French/Swiss, 1887-1965) Plate 9 from the album Unite/Unit, 1963 etching and aquatint numbered 10/130 and signed in pencil Image: 16 1/4 x 12 1/2 inches.

Property from the Estate of Franz Kamber, Mahomet, Illinois $1,000-2,000 352*

Jean Fautier

351

184

fine prints

(French, 1898-1964) Orenoque, 1942 etching and aquatint numbered 20/50 and signed in pencil Image: 3 1/2 x 5 inches.

Property from the Estate of Franz Kamber, Mahomet, Illinois $300-500

353

353*

Jean Fautier

(French, 1898-1964) Otages fond noir, 1946 etching numbered 7/50 and signed in pencil Image: 9 1/4 x 12 1/2 inches.

Property from the Estate of Franz Kamber, Mahomet, Illinois $800-1,200 354

Jean DuBuffet

(French, 1901-1985) Paysage aux Frondaisons, 1953 lithograph numbered 4/20, titled, dated and signed in pencil Image: 20 x 15 1/4 inches $500-700

354

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

185

355

Stuart Davis

(American, 1892-1964) Composition, 1931 lithograph numbered 22/25, signed in pencil and titled Sheet: 23 x 15 3/4 inches.

Ref: C./M. 18 Provenance: Associated American Artists, New York Acquired from the above by the present owner in 1976 $3,000-5,000 356

Louis Schanker

(American, 1903-1981) Circle Image, 1952 woodcut numbered 148/200 and signed in pencil Sheet: 17 3/16 x 20 3/4 inches. $500-700 357

George Rickey

355

(American, 1907-2002) Untitled, 1973 lithograph inscribed H.C., signed in pencil and dated Sheet: 25 x 21 inches. $500-700 358

Emerson Woelffer

(American, 1914–2003) Untitled, 1976 lithograph inscribed A.P. for Judy, signed in pencil and dated Sheet: 30 x 22 inches. $1,000-2,000 359

Artist Unknown

(20th century) Untitled carborundum on paper numbered 22/50 and signed illegibly in pencil Sheet size: 16 x 21 1/2 inches. $500-700 360

Alexander Archipenko

(American/Ukrainian, 1887-1964) Bathers, 1950 lithograph; George Miller, New York, prntr.; Associated American Artists, New York, pub. edition of approx. 100, signed in crayon Image: 12 7/8 x 8 1/2 inches.

Ref: Karshan 32

357

186

fine prints

Provenance: Associated American Artists, New York Acquired from the above by the present owner in 1979 $800-1,200

359

358

360

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

187

361

Marc Chagall

(French/Russian, 1887–1985) Le Peintre devant le Village I, 1969 lithograph numbered 31/75 and signed in pencil Sheet: 25 1/2 x 19 inches. $2,000-4,000 362

Marc Chagall

(French/Russian, 1887–1985) Rencontre, 1971 lithograph numbered 32/50 and signed in pencil Sheet: 25 3/8 x 19 1/2 inches.

Ref: Mourlot 629 $1,000-2,000 363

Marc Chagall

361

363

(French/Russian, 1887–1985) Derriere le miroir, 66-67-68, 1954 lithographs; Maeght Editeur, Paris, pub.

Overall: 15 x 11 inches.

An incomplete set comprising seven unsigned lithographs in colors and two unsigned lithographs in black, on wove paper, the colors very good, from the edition of 2500, the full sheets, loose. $5,000-7,000

363

364 | highlights 188

fine prints

365

364

365

(French/Russian, 1887–1985) Verve Vol VIII, Nos 33-34 (Bible), 1956, comprising 16 color lithographs including the front cover excised from the bound book, printed by Mourlot Frères, Paris, published by Editions de la Revue Verve, Paris

(French/Russian, 1887–1985) Soleil Couchant (from Nice et la Côte d’Azur

by Charles Sorlier), 1967 lithograph; Charles Sorlier, prntr.; Mourlot, Paris, pub. numbered 49/150 and signed in pencil Image: 23 1/4 x 18 inches.

Ref: Mourlot CS, 26 $10,000-15,000

Marc Chagall

Verve Vol X, Nos 37-38 (Dessins pour la Bible), 1960, comprising 23 color lithographs including the front covers excised from the bound book, printed by Mourlot Frères, Paris, published by Editions de la Revue Verve, Paris Overall: 14 x 10 1/2 inches. $2,000-4,000

After Marc Chagall

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

189

366

366*

Marc Chagall

(French/Russian, 1887–1985) Les fleurs saccagées (Trampled Flowers) (from Daphnis et Chloe), 1961 lithograph; Tériade Editeur, Paris, pub. numbered 11/60 and signed in pencil Image: 16 1/2 x 12 1/2 inches.

Property from the Robert Grenton Revocable Trust, Glencoe, Illinois Ref: Mourlot 342 $15,000-25,000

190

fine prints

367*

Marc Chagall

(French/Russian, 1887-1985) L’Envolee Magique, 1980 lithograph; Maeght Editeur, Paris, pub. numbered 25/50, signed in pencil Image: 31 x 23 inches.

Property from the Collection of Dimitrios and Christine Sereleas, Chicago, Illinois Ref: Mourlot 980 $10,000-15,000

367

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

191

368

Marc Chagall

(French/Russian, 1887–1985) L’Artiste Phénix, 1972 lithograph; Maeght, Paris, pub. inscribed H.C. and signed in pencil Image: 28 1/4 x 20 3/4 inches.

Ref: Mourlot 648 $3,000-5,000 369

Marc Chagall

(French/Russian, 1887–1985) a group of 3 etchings from Les Ames Mortes, 1948 Tériade/Louis Fort, Paris, pub./prntr. various sizes Ref: Cramer 17 $1,500-2,500 370

Rene Magritte

(Belgian, 1898-1967) Poire et Rose etching edition 80/150, signed (lower right) Image: 5 5/8 x 3 5/8 inches. $1,000-2,000 371

Man Ray

(American, 1890-1976) Donna (pl. 5 from Ballade de Dames Hors du Temps), 1971 etching and aquatint; Leon Amiel, pub. numbered 59/75 and signed in pencil Image: 15 x 19 1/2 inches.

Ref: Anselmino/Pilat, 60 E $500-700 368

371

192

fine prints

373

375

372

373

374

375

(Spanish, 1904-1989) Plaza Fountain (from New York City), 1964 engraving numbered 68/125, signed and dated in pencil Image: 16 3/4 x 24 3/8 inches. $500-700

(Spanish, 1904–1989) Portrait de Ronsard (from Les Amours de Cassandre), 1968 dry point etching with hand coloring and embellishment on Japon; Pierre Argillet, pub. signed in pencil with the artist’s blind stamp Pl: 13 1/2 x 9 3/4 inches. $600-800

(Spanish, 1904–1989) The Glory that was Spain’s, 1975. color etching inscribed E.A. and signed in pencil Pl: 15 1/2 x 12 1/2 inches. $600-800

(Spanish, 1904-1989) Visions of Chicago, 1975 (suite of 4) etching and hand coloring; Merril Chase, Chicago, pub. each numbered out of 100 and signed in pencil Various sizes $4,000-6,000

Salvador Dali

Salvador Dalí

Salvador Dali

Salvador Dali

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

193

376

Joan Miró

(Spanish, 1893–1983) Untitled (from Constellations), 1959 lithograph numbered 295/350 and signed in pencil Image: 11 3/4 x 9 1/4 inches. $2,000-4,000 377

Joan Miró

(Spanish, 1893–1983) Pl.8 (from Le Lézard aux Plumes d’Or), 1971 lithograph; Louis Broder/Mourlot, Paris, pub./prntr. numbered VI/X and signed in red pencil Sheet: 13 3/4 x 19 1/2 inches.

Ref: Mourlot 806 $2,000-4,000 378

Joan Miró

(Spanish, 1893–1983) Derriere le miroir, Nos. 151-152, 186, 193-194, 203 (a group of 4) lithographs; Maeght Editeur, Paris, pub.

Each: 15 x 11 inches. $1,000-2,000

376

377

194

fine prints

379 378

381

379

Joan Miró

(Spanish, 1893 - 1983) L’Astre Patagon (from Derrière le Miroir), 1960 lithograph numbered 48/150, and signed in pencil Image: 19 1/4 x 25 1/2 inches. $1,000-2,000

380

Joan Miró

381

(Spanish, 1893–1983) Untitled lithograph numbered 19/75 and signed in pencil Image: 23 1/2 x 17 3/4 inches. $1,000-2,000

Joan Miró

(Spanish, 1893–1983) Tres Joan, 1978 etching and aquatint on Arches; Polígrafa, Barcelona/Morsang, Paris, pub./prntr. numbered 62/99 and signed in pencil Sheet: 29 1/2 x 47 1/2 inches.

Ref: Dupin 1034 $5,000-7,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

195

382

382*

Joan MirĂł

(Spanish, 1893–1983) La femme aux bijoux, 1968 etching with aquatint and carborundum; Maeght, Paris, pub. inscribed H.C., an hors commerce impression aside from the numbered edition of 75 and signed in pencil Pl: 18 1/2 x 13 1/2 inches.

Property from the Robert Grenton Revocable Trust, Glencoe, Illinois Ref: Dupin 452 $10,000-15,000

196

fine prints

383*

Joan Miró

(Spanish, 1893–1983) Le Dandy, 1969 etching, aquatint and carborundum numbered 43/75 and signed in pencil Pl: 16 1/2 x 17 inches.

Property from the Robert Grenton Revocable Trust, Glencoe, Illinois Ref: Dupin 492 $5,000-7,000

383

384*

Joan Miró

(Spanish, 1893–1983) Le jardin de mousse, 1968 aquatint with carborundum; Maeght Editeur, Paris, pub. numbered 6/75 and signed in pencil Pl: 15 1/2 x 18 1/4 inches.

Property from the Robert Grenton Revocable Trust, Glencoe, Illinois Ref: Dupin 454 $5,000-7,000

384

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

197

385

Joan Miró

(Spanish, 1893-1983) Femme et Oiseau devant la Lune (from Laurels Number One), 1947 etching and aquatint; Atelier 17, New York, prntr.; Laurel Gallery, New York, pub. numbered 162/300, signed and dated in pencil Image: 4 1/2 x 5 7/8 inches.

Ref: Dupin 51 Provenance: Sold: Wolf’s Auction Gallery, Cleveland, Ohio, January 29, 1984, Lot 240 Acquired from the above by the present owner $1,000-2,000

385

386*

Joan Miró

(Spanish, 1893–1983) Affiche pour L’Exposition Miro, Louisiana Humelbaeck, 1974 lithograph inscribed E.A. and signed in pencil Sheet: 26 3/4 x 21 1/2 inches.

Property from the Collection of Drs. Stewart and Renee Albert, St. Louis, Missouri Ref: Mourlot 944 $1,000-2,000

386

387*

Joan Miró

(Spanish, 1893-1983) Untitled (from Miro Lithographe II), 1975 lithograph; Maeght Editeur, Paris, pub. inscribed H.C. and signed in pencil Image: 12 x 9 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois Ref: M.1041/C.books 198 $1,000-2,000

387

198

fine prints

388

Joan Miró

(Spanish, 1893-1983) Untitled (pl. 10 from Homenatge a Joan Prats), 1971 lithograph in colors numbered XXII/XXV and signed in pencil Image: 21 x 29 inches.

Provenance: Preston Burke Gallery, Birmingham, Michigan $2,000-4,000

388

389

Joan Miró

(Spanish, 1893-1983) Untitled (pl. 11 from Le Lezard Aux Plumes d’Or), 1971 lithograph; Mourlot, Paris, prntr.; Louis Broder, Paris, pub. numbered 3/40 and signed in pencil Image: 12 7/8 x 18 7/8 inches.

Ref: M.815/C.books 148 $3,000-5,000

389

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

199

390

Alexander Calder

(American, 1898–1976) Untitled lithograph numbered 44/75 and signed in pencil Sight: 19 1/2 x 25 1/4 inches. $1,000-2,000 391

No Lot

390

392

Alexander Calder

(American, 1898–1976) Cometes lithograph numbered 18/200 a nd signed in pencil Sheet: 27 x 21 1/2 inches $1,000-2,000 393

No Lot

392

200

fine prints

394

Alexander Calder

(American, 1898–1976) Circles and Waves lithograph numbered 19/100 and signed in pencil Sheet: 22 7/8 x 30 1/4 inches. $1,000-2,000

394

395*

Alexander Calder

(American, 1898–1976) Untitled, c. 1970 lithograph inscribed E.A. and signed in pencil Sheet: 23 1/2 x 43 inches.

Property from the Collection of Drs. Stewart and Renee Albert, St. Louis, Missouri $1,000-2,000

395

396

Alexander Calder

(American, 1898-1976) Boomerang color lithograph Sheet: 44 x 30 inches. $1,000-2,000

396 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

201

401

397

Francisco Toledo

(Mexican, b. 1940) Untitled lithograph signed and dated in pencil Sight: 9 1/4 x 13 1/4 inches. $200-400 398

Raul Anguiano

(Mexican, 1915–2006) Untitled (mujer de profil), 1957 lithograph numbered 32/60 and signed in crayon Image: 21 1/2 x 17 inches. $400-600

202

fine prints

399

401

(Mexican, 1896–1974) El guardian de la paz, 1945 lithograph inscribed E/E and signed in pencil Image: 11 3/4 x 9 inches. $400-600

(Chilean, 1911-2002) Untitled (portfolio of 6 prints) lithographs each numbered 13/20 and signed in pencil Sheet: 30 x 22 inches.

Property from an Important Corporate Collection

David Alfaro Siqueiros

400

David Alfaro Siqueiros

(Mexican, 1896–1974) Nina madre, 1956 lithograph inscribed E/E and signed Image: 30 1/4 x 23 inches. $600-800

Roberto Matta

Provenance: The artist Acquired from the above by the present owner in 1969 $1,000-2,000

402

Karel Appel

(Dutch, 1921-2006) Angoisse, 1970 lithograph numbered 57/100, signed and dated in pencil Sight: 29 1/2 x 22 inches visible. $300-500 403

Karel Appel

(Dutch, 1921-2006) Untitled, 1971 lithograph inscribed ea, signed and dated in pencil Image: 26 x 40 inches $300-500

404

Pierre Soulages

(French, b. 1919) SĂŠrigraphie 18, 1988 screenprint; Olympic Games Committee, Seoul, pub. numbered 165/300 and signed in pencil Image: 29 3/4 x 21 3/4 inches. $5,000-7,000 405

Pierre Soulages

(French, b. 1919) Eau-forte V, 1956 etching numbered 46/100 and signed in pencil Image: 19 3/4 x 26 inches. $3,000-5,000

404

405

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

203

408

406

406

Robert Motherwell

(American, 1915-1991) Untitled (pl. 8 from The Basque Suite), 1970 screenprint numbered 130/150 and initialled in pencil Image: 22 1/2 x 17 3/8 inches. $2,000-4,000 407

Robert Motherwell

(American, 1915-1991) St. Michael III, 1979 lithograph with silkscreen numbered 46/99, initialled in pencil Image: 41 1/2 x 31 1/2 inches.

Property from an Important Corporate Collection Provenance: Patricia Heesy Galley, New York Acquired from the above by the present owner in 1983 $2,000-4,000 408

Richard Diebenkorn

(American, 1922-1993) Five Aquatints with Drypoint: #3, 1978 aquatint and drypoint numbered 13/35, initialed in pencil Pl: 10 15/16 x 7 7/8 inches.

407

204

fine prints

Provenance: G.W. Einstein Company Inc., New York Acquired from the above by the present owner in 1985 $2,000-4,000

409

Theodoros Stamos

(American/Greek, 1922-1997) Untitled screenprint signed in pencil $500-700 410

Carol Summers

(American, b. 1925) A group of 2 color woodcuts each signed and numbered $500-700 411

Carol Summers

(American, b. 1925) A group of 2 color woodcuts each signed and numbered $300-500

409

412

Howard Hodgkin

(British, 1932-2017) You and Me, 1978 color lithograph numbered 79/100, initialled in pencil and dated Sheet: 9 x 16 inches. $500-700

412

413

Howard Hodgkin

(British, 1932-2017) Venetian Glass, 1989 offset lithograph numbered 50/72, initialled and dated in pencil Image: 26 3/4 x 33 1/4 inches. $1,500-2,500 414

Howard Hodgkin

(British, 1932-2017) Composition with Red (from Europaeische Graphik VII), 1971 lithograph; Edition Wolfgang Ketterer, Munich, pub. numbered 9/65 and signed in pencil Sheet: 19 3/4 x 25 3/4 inches. $500-700

413

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

205

415

Louise Nevelson

(American, 1899-1988) Essences 14, 1977 soft ground etching numbered 15/30, signed in pencil and dated Sheet: 35 x 23 1/2 inches. $600-800

206

fine prints

415

416

417

418

416

Louise Nevelson

(American, 1899-1988) Aquatint V, 1973 aquatint etching; Pace Editions, Inc., pub. numbered 19/90, signed in pencil and dated Image: 37 x 26 inches. $800-1,200

417*

Louise Nevelson

(American, 1899-1988) Tropical Leaves, 1972 lead intaglio collage; Pace Editions, New York, pub. numbered 82/150, signed, titled and dated Image: 25 1/4 x 16 1/4 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin $1,000-2,000

419

420

418

Stephen Antonakos

(American/Greek, 1926-2013) Tear II, 1999 serigraph and collage numbered 1/6 PP, signed, titled and dated in pencil Sheet: 30 x 22 inches. $800-1,200 419

James Brooks

(American, 1906-1992) Untitled, 1970 screenprint numbered 31/32; signed and dated (lower right) Image: 22 x 30 inches. $600-800 420

George Sugarman

(American, 1912-1999) Purple and White, 1965 lithograph numbered 10/20, signed in pencil and dated on verso Sheet: 29 3/4 x 21 3/4 inches. $500-700

421

421

Patrick Heron

(English, 1920-1999) Magenta Disk and Red Edge, 1970 screenprint numbered 19/100, signed and dated in pencil Sheet: 23 1/3 x 30 2/3 inches. $2,000-4,000 422

Gene Davis

(American, 1920-1985) Home Run, 1973 lithograph numbered 53/75, signed in pencil and dated (lower right) Sheet: 29 1/4 x 39 1/4 inches. $400-600 422 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

207

423

Bridget Riley

(British, b. 1931) Elapse, 1982 screenprint edition of 260, signed in pencil Image: 40 1/8 x 25 1/8 inches. $3,000-5,000 424

Frank Stella

(American, b. 1936) York Factory I, 1971 screenprint numbered 15/100, signed in pencil Image: 13 1/2 x 40 inches. $2,000-4,000 425

Al Held

(American, 1928-2005) KYOTO-WA, 1985 color woodblock edition of 100 Sheet: 27 x 40 inches.

Provenance: Cleveland Center For Contemporary Art, Cleveland, Ohio Acquired from the above by the present owner in 1986 $1,000-2,000 423

424

425

208

fine prints

426

426

Chryssa

(American/Greek, 1933-2013) Chinatown II, c. 1978 (portfolio of 12 screenprints) screenprints each numbered 147/150 and signed in pencil Sheets: 43 1/2 inches x 34 1/4 inches. $1,000-2,000

427

Chryssa

(American/Greek, 1933-2013) Untitled (a group of 2) screenprints numbered 80/100 and signed in pencil Each approx. 34 x 31 1/2 inches. $600-800

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

209

428

429

210

fine prints

430

428

Barbara Hepworth

(British, 1903–1975) December Forms, 1970 screenprint numbered 37/60, signed Barbara Hepworth, English, lower right corner Sheet: 30 3/4 x 22 7/8 inches $1,500-2,500 429*

Josef Albers

(American/German, 1888-1976) WLS - X (from White Line Squares (Series II)), 1966 lithograph; Gemini G.E.L., Los Angeles, pub. numbered 65/125, monogramed, titled, and dated with the publisher’s blindstamp Image: 15 3/4 x 15 3/4 inches.

Property from the Estate of Robert L. and Arlene S. Mann, Whitefish Bay, Wisconsin Ref: Danilowitz, 172.2 Provenance: Irving Gallery, Milwaukee, Wisconsin $1,000-2,000 430*

Barnett Newman

(American, 1905-1970) Moment, 1966 screenprint on plexiglass with rag board mounted to wood artist’s proof, signed and dated Overall: 49 x 5 1/4 inches.

Property from the Collection of Edwin M. Roth, Aspen, Colorado $4,000-6,000 431*

431

Victor Vasarely

(French/Hungarian, 1906-1997) Reponses a Vasarely, 1974 (the complete portfolio of 12) screenprints and heliogravures each numbered 59/340, signed on the justification and on the screenprints Portfolio: 24 x 20 5/8 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $1,000-2,000 432

Victor Vasarely

(French/Hungarian, 1906-1997) Untitled screenprint numbered 124/150, signed in pencil $300-500 433

Victor Vasarely

(French/Hungarian, 1906–1997) Sauzon, (pl. 7 from the series Le discours de la methode), 1947/1969 silscreen with collage; Fernand Mourlot, Paris, prntr.; Editions Esselier, Paris, pub. numbered 112/138 and signed in pencil Sight: 17 3/4 x 15 1/4 inches. $600-800

432

433

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

211

434

434*

Lee Krasner

(American, 1908-1984) Embrace, 1974 screenprint; printed and published by Kennedy Graphics/Chromacorp, New York, for the 1976 Montreal Olympics numbered 149/200 and signed in pencil Sheet 40 x 25 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $1,000-2,000

212

fine prints

435*

Richard Anuszkiewicz

(American, b. 1930) New Glory, 1975 silkscreen 36/175, signed in pencil and dated Image: 25 x 18 1/2 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500 436

Richard Anuszkiewicz (American, b. 1930) Untitled, 1971 screenprint signed and dated in ink $400-600

439*

437

Richard Anuszkiewicz

(American, b. 1930) Richard Anuszkiewicz: 1965 6 Seritypien silkscreens; Galerie der Spiegel, Cologne, Germany, prntr/pub. each signed in pencil Each: 24 1/4 x 24 1/4 inches.

The incomplete portfolio with 5 of 6 screenprints on paper board; signed, dedicated, and dated on the colophon and numbered 56 (from an edition of 125); with the original case. $1,000-2,000 438

Richard Anuszkiewicz

(American, b. 1930) Untitled, 1972 lithograph numbered 116/200, signed and dated in pencil 26 x 19 inches. $400-600

Larry Zox

(American, 1937-2006) Odon II, 1981 serigraph numbered 167/185 and signed in pencil Sheet: 42 1/2 x 30 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500

441

Larry Zox

(American, 1936-2006) Untitled (a pair) serigraphs each numbered and signed in pencil various sizes $600-800

440*

Larry Zox

(American, 1937-2006) Moro I, 1981 serigraph numbered 167/185 and signed in pencil Image: 30 x 21 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500

437

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

213

443

442

Friedal Dzubas

(American/German, 1915-1994) Night Star screenprint numbered 25/90, signed and titled in pencil 32 3/8x19 1/8 inches $400-600 443

Robert Natkin

(American, 1930-2010) Bern Series #12 color lithograph signed (lower left) 39 x 43 inches. $1,000-2,000 444

Nancy Graves

(American, 1939-1995) Toch, 1977 etching and pastel edition 28/28, signed in pencil and dated (lower right) 20 x 24 inches. $500-700

214

fine prints

445*

Mark Tobey

(American, 1890-1976) Morning Grass, 1975 lithograph numbered 20/150, signed in pencil 25 3/4 x 20 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500 446*

Mark Tobey

American, 1890-1976 Of Time and Age, etching numbered XXVII/L and signed in pencil Sheet: 26 1/2 x 20 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500

447*

Mark Tobey

American, 1890-1976 The Harvest Gleaning, 1975 etching numberd XLVII/L and signed in pencil 11x14 inches Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500 448*

Mark Tobey

American, 1890-1976 Psaltery, 1st Form and Psaltery, 2nd Form, 1974 etchings numbered E A X/XX and 144/150, signed in pencil Image: 13 7/8 x 10 7/8 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $500-700

449*

Mark Tobey

American, 1890–1976 Awakening Night and Awakening Dawn, 1974 etching numbered 87/150 and 38/150, each signed in pencil Sheet: 19 3/4 x 25 3/4 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $500-700 450

Mark Tobey

(American, 1890-1976) A group of 5 prints: They’ve Come Back II, 1971 Divertimento, 1971 Glowing Fall, 1975 Liberation, 1973 Sonata, 1975 Transformation, 1974 aquatints and lithographs numbered 7/96, signed in pencil; numbered 77/96, signed in pencil; numbered 85/100, signed in pencil; numbered 91/96, signed in pencil; numbered 57/100, signed in pencil; numbered 83/100, signed in pencil Sheet of largest: 30 x 21 3/4 inches. $2,000-4,000

448

448

450

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

215

451

Stanley William Hayter

(British, 1901–1988) La noyee (The Drowned Woman), 1955 engraving, soft-ground etching and scorper numbered 165/175, signed, titled and dated in pencil Pl: 14 1/4 x 19 inches. $600-800 452

Krishna Reddy

(Indian, b. 1925) a group of 4 colored intaglios each variously signed and numbered $1,500-2,500

451

452

216

fine prints

453*

Mel Bochner

(American, b. 1940) White Island, 1985 aquatint numbered W.P. 2/12, signed, titled and dated in pencil Pl: 29 1/2 x 22 7/8 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500

453

454*

Mel Bochner

(American, b. 1940) Iron Point, 1985 aquatint numbered 13/20, signed, titled and dated in pencil Image: 19 1/2 x 23 1/2 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500

454

455*

Mel Bochner

(American, b. 1940) Day’s Cove, 1985 aquatint numbered AP 5/6, signed, titled and dated in pencil Sheet: 22 1/2 x 29 3/4 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500

455

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

217

456

456

Sam Francis

(American, 1923-1994) Web, 1972 color screenprint; Gemini G.E.L., Los Angeles, pub. numbered 43/50 and signed in pencil Sheet: 41 1/2 x 53 1/2 inches. $2,000-4,000 457

Sam Francis

(American, 1923-1994) Untitled, 1987 lithograph numbered 16/30 and signed in pencil Sheet: 30 1/8 x 47 1/2 inches. $1,000-2,000 458

Larry Poons

(American, b. 1937) Untitled (a pair) silkscreens each signed and numbered Sheet of larger: 42 1/4 x 29 7/8 inches. $600-800 459*

Various Artists

457 218

fine prints

(American, 20th century) Flight, 1971 (the complete set of eleven lithographs and one screenprint in colors (each signed excluding the Marc Chagall), on various wove papers, loose (as issued), with title page, text, table of contents and justification page and original blue cloth covered portfolio box published by the International Rescue Committee, New York each numbered 101/250 and signed in pencil Overall: 29 x 21 3/4 inches.

Property from the Collection of the Honorable and Mrs. Marvin H. Morse, Sarasota, Florida $5,000-7,000

459

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

219

460

461

464

220

fine prints

465

466

467

468

469

460

465*

468

(American, 1933–2017) Cold Rolled, 1974-76 lithograph with mixed media edition of 60, signed and titled Sight: 33 1/2 x 73 inches $2,000-4,000

(American, 1925-2008) Horsefeathers Thirteen-VII, 1972 offset lithograph numbered 54/84, signed and dated in pencil Sheet: 29 x 22 inches.

Property from the Estate of Anne Markley Spivak, Grosse Pointe, Michigan $1,000-2,000

(American, 1925-2008) 10,000’ and Rising (from L.A. Flakes), 1982 etching with embossing numbered 11/37; signed and dated 35 x 30 inches. $600-800

466*

(American, 1925-2008) 400’ and Rising (from L.A. Flakes), 1982 etching with embossing numbered 11/37, signed in pencil 35 x 30 inches. $600-800

James Rosenquist

461

Robert Rauschenberg

(American, 1925–2008) Autobiography (Broadside), 1968 (set of three) offset lithograph edition of 2000 Each sheet: 66 1/2 x 48 3/4 inches $2,000-4,000 464

Robert Rauschenberg

(American, 1925-2008) The Paris Review, 1965 offset lithograph numbered 138/150, signed and dated Sheet: 25 x 21 inches.

Property from an Important Corporate Collection Provenance: Dayton’s Gallery 12, Minneapolis Acquired from the above by the present owner in 1966 $500-700

Robert Rauschenberg

Robert Rauschenberg

(American, 1925-2008) Cliche’ Verre, 1980 offset lithograph on mylar numbered 44/200, signed and dated in marker Image: 25 x 18 1/2 inches.

Property from the Estate of Anne Markley Spivak, Grosse Pointe, Michigan $800-1,200

Robert Rauschenberg

469

Robert Rauschenberg

467

Robert Rauschenberg

(American, 1925-2008) Arcanum II, 1981 screenprint and collage numbered 70/85, signed and dated in pencil 23 x 15 inches. $1,000-2,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

221

470*

Christo and Jeanne-Claude

(American, b.1935) Wrapped Motorcycle/Side (Project for Harley-Davidson 1933 V2 Model), 1997 lithograph and screenprint numbered AP 62/70, signed and dated (upper right) Sight: 19 x 22 inches.

Property from the Collection of Tony Karakas, St. Louis, Missouri $3,000-5,000 471

Claes Oldenburg

(American, 1929-1997) Mitt Print with Bob, 1973 color silkscreen numbered 17/75, signed in pencil and dated Image: 11 5/8 x 12 1/2 inches. $400-600 472

Claes Oldenburg

470

472

222

fine prints

(American, b. 1929) Alphabet in the Form of a Good Humor Bar, 1970 offset color lithograph initialed in pencil Sheet: 29 1/2 x 20 3/4 inches. $600-800

473

473*

Jasper Johns

(American, b. 1930) Bent “U” (from Fragment-According to What), 1971 lithograph numbered 32/69, signed and dated in pencil Sheet: 25 1/4 x 20 1/4 inches.

Property from the Estate of Anne Markley Spivak, Grosse Pointe, Michigan $2,000-4,000 474

475

476

Andy Warhol

(American, 1928–1987) U.N. Stamp, 1979 offset lithograph on Rives numbered 32/1000 and signed in felt pen Sheet: 8 1/2 x 11 inches. $1,500-2,500 475

After Andy Warhol

(American, 1928–1987) Marilyn (Castellli Graphics Invitation), 1981 offset lithograph signed in red marker Sheet: 12 x 12 inches. $3,000-5,000 476

After Andy Warhol

(American, 1928-1987) Myths, 1981 (set of ten announcement cards with cover and contents card) color offset lithographs; Ronald Feldman Fine Arts, prntr. each signed in marker Each: 7 x 7 inches. $3,000-5,000 477

Andy Warhol

(American, 1928–1987) Paris Review, 1967 screenprint with die-cut holes on cream paper; Chiron Press, New York, prntr.; Paris Review, New York, pub. numbered 38/150 in pencill, stamped with artist’s signature Sheet: 37 x 27 1/8 inches. $3,000-5,000 478

No Lot 479

Andy Warhol

(American, 1928–1987) Campbell’s Soup Can (Tomato), 1966 screenprint on shopping bag; Institute of Contemporary Art, Boston, pub.

Overall: 19 1/4 x 17 inches. $1,000-2,000 477

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

223

480

480

Andy Warhol

(American, 1928-1987) Turtle, 1985 colored lithograph; Rupert Jasen Smith, New York, prntr.; CBS, Inc., Los Angeles, pub. numbered 126/250, signed in pencil Sheet: 31 1/2 by 39 3/8 inches.

Ref: F. & S. II.360A $15,000-20,000

224

fine prints

481*

Andy Warhol

(American, 1928-1987) Love, 1983 silscreen and collage Approx. 32 x 25 inches.

Property from the Collection of Tony Karakas, St. Louis, Missouri $30,000-40,000

481

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

225

484

482

483

(American, 1923-1997) Castelli Handshake Poster, 1962 offset lithograph Sheet: 17 x 22 inches. $500-700

(American, 1923-1997) The New Gallery of Contemporary Art, 1978 color offset lithograph signed in pencil Sheet: 17 1/2 x 20 3/8 inches. $1,000-2,000

Roy Lichtenstein

226

fine prints

Roy Lichtenstein

484

Tom Wesselmann

(American, 1931–2004) Still Life with Petunias, Lilies and Fruit, 1988 screenprint on museum board; International Images, Inc., Putney, Vermont, pub. numbered 54/100, signed and dated in pencil Sheet: 56 1/2 x 71 inches. $10,000-15,000

485*

Tom Wesselmann

(American, 1931-2004) Lulu (from Metropolitan Fine Art), 1982 lithograph; co-published by the Metropolitan Opera and Circle Gallery, New York numbered 16/250, signed and dated in pencil Sheet: 22 1/8 x 30 1/8 inches.

Property from the Collection of Stephen and Barbara Byer, Milwaukee, Wisconsin $4,000-6,000

485

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

227

486

Allen Jones

(British, 1937) Leg Splash and Kneeling Woman (from Europäische Graphik VII), 1970 (a group of 2) lithograph; Curwen Press, London, prntr.; Galerie Wolfgang Ketterer, Munich, and Felix Mann, London, pub. the first signed and titled on verso; the second numbered 53/65, signed and dated in pencil Sheet of largest: 29 1/2 x 20 1/2 inches. $500-700 487

Richard Lindner

(American/German, 1901-1978) Der Rosenkavalier, 1977 lithograph numbered 247/250, signed in pencil 30 1/8 x 22 1/16 inches. $500-700 488

Bernard Buffet

(French, 1928–1999) The Village Road, 1967 lithograph numbered 109/125 and signed in pencil Sheet: 22 1/2 x 17 1/2 inches. $200-400 489 487

LeRoy Neiman

(American, 1921-2012) Untitled (Bar Scene), 1957 lithograph with mixed media signed LeRoy Neiman and dated (lower right) 16 3/4 x 19 1/2 inches. $500-700 490

Red Grooms

(American, b. 1937) The Pancake Eater, 1981 lithograph and screenprint with gold radiance powder, cut outs and window shade with string, in original Plexiglas frame signed and dated in red pencil, numbered 16/31 on a metal label affixed to the reverse of the frame, co-published by Brooke Alexander, Inc. and Malborough Gallery, Inc., New York Frame: 42 1/4 x 30 1/4 inches. $1,000-2,000

489

228

fine prints

491

Will Barnet

(American, 1911-2012) Circe, 1979 lithograph numbered P.P. 1/4, signed and dated in pencil Image: 27 inches.

Provenance: Arthur L. Feldman Fine Arts Inc., Cleveland, Ohio Acquired from the above by the present owner in 1985 $300-500 492

Will Barnet

(American, 1911-2012) The Dream, 2002 serigraph edition of 250, signed in pencil 28 x 19 inches. $300-500 493

Red Grooms

(American, b. 1937) Gertrude Stein, 1975 color lithograph numbered 40/45, signed in pencil 24 x 31 inches $600-800 494

Red Grooms

(American, 1937) Truck, 1980 lithograph numbered PP 2/3 and signed 24 1/2 x 61 3/4 inches.

Property from an Important Corporate Collection Provenance: Brooke Alexander Gallery, New York Acquired from the above by the present owner in 1984 $300-500

490

494

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

229

495

Ed Paschke

(American, 1939 - 2004) Pump, 1989 etching Arches paper, signed, dated, titled and numbered in pencil in the lower margin, edition 6/50, published by Landfall Press, Chicago, with their stamp on the reverse; 22 3/4 x 17 1/2 inches (image), 29.7/8� x 22 inches (sheet). $500-700 496

No Lot

495

497

Ed Paschke

(American, 1939-2004) L.A. Ex, 1994 lithograph numbered 1/45, signed and titled in pencil Sheet: 26 7/8 Ă— 29 5/8 inches.

Provenance: Tandem Press, Madison, Wisconsin Acquired from the above by the present owner in 1994 $800-1,200

497

498

Ed Paschke

(American, 1939-2004) Bad, 1991 (together with text and cover page) screenprint and lithograph inscribed Bon A Tirer and signed in pencil Sheet: 22 x 20 inches. $300-500

498

230

fine prints

500

499

501

499

Karl Wirsum

(American, b. 1939) Jello Joel, 1989 lithograph numbered 7/50, signed in pencil 30 x 22 1/8 inches. $300-500

500

501

(American, 1941-1997) One Share Art Stock, 1989 lithograph numbered 17/50, signed in pencil 22 x 29 3/4 inches (sheet), 13/1/4 x 18 3/4 inches (image) $300-500

(American, 1958–1990) Montreux Jazz Festival, 1983 (a group of 3) offset posters each signed in marker Sheets: 39 1/4 x 27 1/2 inches. $1,000-2,000

Roger Brown

Keith Haring

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

231

508

502

503

505

502

504*

506*

(American, born 1928) Black and White Love (title page from Decader), 1971 screenprint numbered 183/200, signed and dated in pencil Sheet: 39 x 32 inches $600-800

(American, 1928) Wall: Four Stones II - ONE, 1990 lithograph numbered 5/6, signed and dated in pencil 32 1/2 x 19 1/4 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $600-800

(American, 1928) Wall: Four Stones II - TWO, 1990 lithograph numbered 6/6, signed and dated in pencil 32 1/2 x 19 1/4 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $600-800

503*

505*

507*

(American, 1928) Wall: Four Stones I - ONE, 1990 lithograph numbered 5/6, signed and dated in pencil 32 1/2 x 19 1/4 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $600-800

(American, 1928) Wall: Two Stones - Three, 1990 lithograph numbered 5/14, signed and dated in pencil 32 1/2 x 19 1/4 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $600-800

(American, 1928) Wall: Four Stones I - TWO, 1990 lithograph numbered 6/6, signed and dated in pencil 32 1/2 x 19 1/4 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $600-800

Robert Indiana

Robert Indiana

232

504

fine prints

Robert Indiana

Robert Indiana

Robert Indiana

Robert Indiana

510

511

509

508*

510

(American, 1928) For Friendship, 1990 lithograph numbered 25/35, signed, titled, and dated in pencil 40 x 29 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $500-700

(American, b. 1935) Rolling Stock #42, 1993 color etching with aquatint numbered 4/50, signed in pencil 18 x 13 1/2 inches. $400-600

Robert Indiana

509

Philip Pearlstein

(American, b. 1924) Nude with Rocker, 1977 lithograph numbered III/X and signed in pencil Sheet: 23 1/4 x 33 7/8 inches. $200-400

Robert Cottingham

511

Richard Estes

(American, b. 1932) Downtown, Near Broadway, 2003 woodcut number 3/49, signed in pencil 16 x 12 inches.

513

512

No Lot 513

Tom Uttech

(American, b. 1942) Bear Dreaming color lithograph numbered 4/41, signed and titled in pencil 14 1/4 x 16 inches. $500-700

Provenance: Marlborough Graphics, New York $1,000-2,000 v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

233

514

514

Chuck Close

(American, b. 1940) Lucas, 1993 woodcut with pochoir; Karl Hecksher, New York, prntr.; Pace Editions, Inc., New York, pub. numbered 33/50, signed in pencil and dated with the printer’s blindstamp Image: 36 x 30 1/8 inches; sheet: 46 1/4 x 36 inches.

Provenance: Pace Prints, New York Acquired from the above by the present owner in 1994 $10,000-15,000

234

post war and contemporary art

515

515

Chuck Close

(American, b. 1940) Alex, 1992 woodcut; Pace Editions, Inc., New York, pub. numbered 3/75, signed and dated in pencil Image: 23 1/4 x 19 1/2 inches.

Provenance: Pace Prints, New York Acquired from the above by the present owner in 1993 $7,000-9,000

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

235

516

Dieter Roth

(German/Swiss, 1930–1998) Ein weiblicher Gedanke (A Feminine Thought), 1971 (suite of 2) etchings; Petersburg Press, pub.; Karl Schulz, prntr each numbered 15/50, signed and dated in pencil Pl: 11 1/2 x 9 1/2 inches.

Provenance: vanStraaten Gallery, Chicago, IL $1,000-2,000 517

Kenny Scharf

516

(American, b. 1958) Sajippe Kraka Joujesh, 1998 screenprint numbered 93/150 and signed in pencil Image: 31 3/4 x 39 3/4 inches. $600-800 518

William T. Wiley

(American, b. 1937) Eerie Grotto? Okini, 1982 woodcut numbnered 154/200; signed and dated in pencil 22 x 30 inches.

Property from an Important Corporate Collection Provenance: Crown Point Press, California Acquired from the above by the present owner in 1983 $1,000-2,000 519

Tony Fitzpatrick

517

(American, b. 1958) Harlequin Dog, 1993 black and white etching with aquatint inscribed A.P. I, signed, titled and dated in pencil Sheet: 18 1/8 x 14 7/8 inches. $200-400 520

Tony Fitzpatrick

(American, b. 1958) Vehicle 1958 and Rook, 1999 (a group of 2) black and white etchings with aquatint each inscribed a.p., signed and dated in pencil Sheets: 16 1/8 x 13 inches. $500-700 521

Tony Fitzpatrick

518

236

post war and contemporary art

(American, b. 1958) Luck and Mutt, 1992 (a group of 2) black and white etchings with aquatint each inscribed a.p., signed and dated in pencil Sheets: 18 1/4 x 15 $500-700

522

Tony Fitzpatrick

(American, 1958) Pony, Bull, Baby Doll, and Beast, 1999 (a group of 4) black and white etchings each numbered, signed, titled, and dated in pencil various sizes $300-500 523

Tony Fitzpatrick

(American, 1958) Pinto, Azul and Rubio, 1997 (a group of 3) etchings with aquatint each numbered, signed, titled, and dated in pencil Sheets: 11 1/8 x 10 inches. $600-800 524

Tony Fitzpatrick

(American, b. 1958) Max and Gaby’s Alphabet portfolio, 1999-2000 etching and aquatint each inscibed B.C.P. III, initialed and dated in pencil Sheets: 13 x 11 inches. $8,000-12,000

523

524 | partial

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

237

525

526

525

526

(Swedish, b. 1963) House and Bugs, 2008 color spit bite and sugar lift aquatints with soft ground etching; Crown Point Press, San Francisco, pub. numbered 27/50, signed in pencil and dated Sheet: 22 1/2 x 31 1/2 inches. $2,000-4,000

(Swedish, b. 1963) Back to the Land, 2008 color spit bite and sugar lift aquatints with soft ground etching; Crown Point Press, San Francisco, pub. numbered 33/50, signed in pencil and dated Sheet: 26 x 48 1/2 inches. $2,000-4,000

Jockum Nordstrรถm

238

post war and contemporary art

Jockum Nordstrรถm

527

527

Larry Rivers

(American, 1932-2004) The Culture Box, 1992 screenprints on metal edition 1/25, signed 23 x 24 inches. $1,500-2,500 528*

Jim Dine

(American, b. 1935) Bill Clinton, 1992 color woodcut; published by the artist and Pace Editions, Inc., New York numbered 94/100, signed and dated (lower left) Image: 12 1/4 x 10 inches.

Property from the Collection of Tony Karakas, St. Louis, Missouri $2,000-4,000

528

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

239

529*

Robert Morris

(American, b. 1931) Black Bodies Radiation, Despair of Yourself Despair of Your Country, and Rotten with Criticism, 1989 aquatints each numbered 17/20, signed in pencil and dated Sheets: 15 x 20 1/4 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500 530*

Robert Morris

531

(American, b. 1931) Untitled,1988 etching and aquatint numbered 5/30, signed and dated in pencil Sheet: 29 3/8 x 37 1/4 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $200-400 531

Bruce Nauman

(American, b. 1941) Holding Hands All Thumbs, 1998 etching; Gemini G.E.L., Los Angeles, pub. inscribed PP II, signed and dated in pencil with publisher’s blindstamp Sheet: 22 1/2 x 27 3/4 inches. $800-1,200 532*

Komar and Melamid

533

(Russian, 20th Century) 7 prints from Peace I, 1986 lithographs with photolithography each signed dated and numbered Sheets: 36 1/4 x 24 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $1,000-2,000 533*

Leon Golub

(American, 1922-2004) Facings: Black Men - Black Women lithograph numbered 27/32, signed in pencil 29 1/4 x 41 1/2 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500 534*

Leon Golub

534

240

post war and contemporary art

(American, 1922-2004) Facings: Black Men - Black Women lithograph numbered 8/82, signed in pencil 29 1/4 x 41 1/2 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500

535*

Leon Golub

(American, 1922-2004) Classic Head? Claw Hand lithograph numbered 5/5, signed in pencil Sheet: 22 1/4 x 30 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500 536*

Aaron Fink

(American, b. 1955) Untitled (Two Heads), 1987 lithograph numbered 16/16, signed and dated in pencil 26 3/4 x 40 inches.

Property from the Collection of the Appleton Museum of Art, Ocala, Florida $300-500 537

Frank Auerbach

(British, b. 1931) Joe Tilson (from Six Etchings of Heads), 1980 etching; Terry Willson of Palm Tree Studios, prntr.; Marlborough Graphics, London, pub. numbered 46/50, signed, titled and dated in pencil Sheet: 15 1/4 x 13 inches. $2,000-4,000

537

538

Leon Kossoff

(British, b. 1926) Going Home, 1984 etching numbered 59/60, signed, titled, and dated in pencil 16 x 20 inches.

539

Nancy Grossman

(American, b. 1940) The Road to Life lithograph numbered 169/175, signed in pencil 17 3/4 x 25 inches. $500-700

540

540*

George Baselitz

(German, b. 1938) Idol, 1963 etching edition of 20, signed in pencil 12 x 9 3/4 inches.

Property from the Collection of Joseph and Arlene McHugh, Chicago, Illinois $3,000-5,000 541*

George Baselitz

(German, b. 1938) Ohne Titel, 1964 etching numbered 14/20, signed in pencil 7 1/4 x 9 1/2 inches.

Property from the Collection of Joseph and Arlene McHugh, Chicago, Illinois $3,000-5,000

541

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

241

542*

Alex Katz

(American, b. 1927) Sara, 2012 silkscreen numbered 31/60, signed in pencil 39 x 41 inches.

Property from the Collection of Tony Karakas, St. Louis, Missouri $3,000-5,000 543* 542

Alex Katz

(American, b. 1927) Sophie, 2012 silkscreen numbered 31/60, signed in pencil 39 x 41 inches.

Property from the Collection of Tony Karakas, St. Louis, Missouri $3,000-5,000 544

Alex Katz

(American, b. 1927) The Green Jacket, 1990 screenprint; Gaultney-Klineman Art, New York, pub. numbered 145/150 and signed in pencil Sheet: 36 x 24 inches. $1,000-2,000 545

Alex Katz

543

(American, b. 1927) The Swimmer, 1974 aquatint and drypoint numbered 69/84, signed in pencil 28 x 36 inches.

Provenance: Associated American Artists, New York Acquired from the above by the present owner in 1975 $800-1,200 546*

Alex Katz

(American, b. 1927) Pink Kim, 1995 woodcut numbered 61/75, signed in pencil 11 1/2 x 12 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $1,500-2,500

546

242

post war and contemporary art

547

547*

548

(British, b. 1937) Celia with Green Hat, 1984 lithograph numbered 40/98, signed in pencil and dated 29 x 21 inches.

Property from the Collection of Dimitrios & Christine Sereleas, Chicago, Illinois $15,000-25,000

(British, b. 1937) An Erotic Etching, from The Erotic Arts (Scottish Arts Council 172), 1975 etching; Secker and Warburg, London inscribed A/P (aside from the edition of 100) and initialled in pencil Plate: 6 x 4 1/2 inches. $1,000-2,000

David Hockney

David Hockney

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

243

549

554

244

post war and contemporary art

555

549*

551

(Japanese, b. 1936) Longing Samurai, 1992 color etching and aquatint numbered 20/30, signed and dated in pencil 25 x 38 1/4 inches.

Property from the Estate of Gerard L. Cafesjian, Naples, Florida

(American, b. 1944) Navigator, 1995 color woodcut signed in pencil 24 x 17 1/2 inches. $500-700

Sold: Sotheby’s New York, November 1, 2003, Lot 794 $1,000-2,000

(American, b. 1955) Untitled (Oak Leaves), 1990 etching and aquatint numbered 37/50, signed and dated in pencil Sheet: 19 3/4 x 21 1/2 inches. $200-400

Masami Teraoka

550

Richard Bosman

(American, b. 1944) Drowning Man, 1981 woodcut numbered 4/47, signed in pencil 40 x 24 inches.

Property from an Important Corporate Collection Provenance: Brooke Alexander Gallery, New York Acquired from the above by the present owner in 1981 $500-700

Richard Bosman

552

Joe Andoe

553*

555

(American, b. 1955) Horse X 12 (Gold Reversal), 1995 silkscreen numbered 7/12, signed (lower right) 40 x 48 inches.

Property from the Collection of Tony Karakas, St. Louis, Missouri $2,000-4,000

(American, b. 1957) Plots on Loan, 2001 lithographs bound as issued edition 50/250 19 x 14 1/2 inches. $2,000-3,000

554

(American, b. 1945) May (a group of 4), 1979 intaglio each numbered 2/45; signed in pencil Image: 11 3/8 x 7 5/8 inches.

Property from an Important Corporate Collection

Joe Andoe

Donald Sultan

(American, b. 1951) Black Freesias, 1987 (portfolio of 6) aquatints edition of 40; each signed, titled, and dated in pencil 14 1/4 x 15 1/2 inches.

Provenance: Pace Prints, New York Acquired from the above by the present owner in 1988 $3,000-5,000

Raymond Pettibon

556

Susan Rothenberg

Provenance: Willard Gallery, New York Acquired from the above by the present owner in 1980 $1,000-2,000

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557 | partial

558

559 246

post war and contemporary art

557

Various Artists

(American, 20th Century) A group of prints from the Madison Print Club: Robert Stackhouse, Working Drawing for an Unfinished Print, 2000 John Buck, Man with Horses, 2003 Suzanne McClelland, Mankind, 2004 Lesley Dill, Listen, 2006 Suzanne Caporael, What Time Does, 2007 lithograph; woodcut; intaglio; lithograph with mixed media; digital print with shellac and chine colle each variously signed and numbered in pencil full sheets as issued $2,000-4,000 558

Jennifer Bartlett

(American, b. 1941) Air: 24 Hours, 1994 (a group of 3) black and white aquatints each numbered 22/25, signed in pencil 16 3/4 x 16 3/4 inches.

Provenance: Diane Villani Editions, New York Acquired from the above by the present owner in 1998 $1,000-2,000

561

559

Jennifer Bartlett

(American, b. 1941) (American, b. 1941) Air: 24 Hours, 1994 (a group of 3) color aquatints each numbered 59/65, signed in pencil 16 3/4 x 16 3/4 inches.

Provenance: Quartet Editions, New York Acquired from the above by the present owner in 1995 $1,000-2,000 560*

Judy Pfaff

(American, b. 1946) Cost of Seed lithograph numbered 2/20, signed and titled 18 x 24 inches.

Property from the Collection of Mr. Anastasios Tsonis, Milwaukee, Wisconsin $300-500 561*

Lesley Dill

(American, b. 1950) Your Thoughts Don’t Have Words, 1997 lithograph and collage inscribed LP7, signed in pencil 27 x 37 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800 562*

Lesley Dill

(American, b. 1950) Unknown Nourishment, 2001 lithograph and collage inscribed TP, signed in pencil 26 x 21 inches.

Property from the Collection of Mrs. Mary Jean Thomson, Riverwoods, Illinois $600-800

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american and european art

sale 572

american and european art friday, may 24, 2018 10 AM CT | chicago | 312.280.1212 lesliehindman.com

inquiries

Lot 78 | Louis Marie De Schryver (French, 1862-1942), Les Fleurs de Paris

LESLIE hindman

auctioneers

Artist Index ARTIST NAME

LOT

Abercrombie, Gertrude 112 Adams, Ansel 141, 146, 147 Albers, Josef 429 Alechinsky, Pierre 86 Alexander, John 118 Andenmatten, Leo 3 Andoe, Joe 552, 553 Andrews, Sybil 287 Anguiano, Raul 398 Antonakos, Stephen 418 Anuszkiewicz, Richard 4, 435-438 Appel, Karel 402, 403 Archipenko, Alexander 360 Argue, Douglas 122 Arman 194A Arms, John Taylor 268-270 Aronson, David 185 Arp, Jean 175 Artschwager, Richard 66-68, 172, 173 Auerbach, Frank 537 Augustin Duflos le Jeme, Claude 219 Ault, George Copeland 113 Baber, Alice 49 Balkenhol, Stephan 205 Barnet, Will 491, 492 Bartlett, Jennifer 558, 559 Baselitz, George 540, 541 Baumann, Gustave 271 Baxter, Glen 89, 90 Beal, Jack 110, 111 Bearden, Romare 303, 304 Beech, John 7 Bell, Larry 60 Bellows, George 273, 274 Benton, Thomas Hart 278-281, 284 Bermudez, Cundo 131 Bishop, Isabel 296, 297 Bishop, James 74 Bisttram, Emil 58, 59 Bluhm, Norman 75 Bochner, Mel 453-455 Bohrod, Aaron 96, 97 Bosman, Richard 550, 551 Botero, Fernando 194 Brandt, Bill 151 Braque, Georges 311, 312, 315, 316 Brooks, James 419 Brown, Roger 500 Buffet, Bernard 488 Bugaev, Sergei (Afrika) 149 Buhot, Felix Hilaire 235 Cadmus, Paul 100 Calder, Alexander 50, 390, 392-396 Campigli, Massimo 341, 342 Cassatt, Mary 234 Cathelin, Bernard 17 Cave, Nick 183 CĂŠzanne, Paul 226 Chagall, Marc 361-363, 365-368 Chi-Chung, Hu 31 Christo and Jeanne-Claude 470 Chryssa 426, 427 250

Close, Chuck 514, 515 Cook, Howard Norton 295 Corbett, Edward 73 Corbusier, Le 351 Corda, Mauro 197 Cottingham, Robert 510 Dahn, Walter 24 Dali, Salvador 372-374 Dana, Yves 163, 164 Davis, Stuart 355 De Kooning, Willem 43 De Toulouse-Lautrec, Henri 239 De Vlaminck, Maurice 245 Degas, Edgar 225 Dei Musi, Agostino 208 Dewey, David 108 di Suvero, Mark 162 Dicke, James F. 35-37 Diebenkorn, Richard 408 Dill, Lesley 561, 562 Dine, Jim 528 Drewes, Werner 293 DuBuffet, Jean 354 Durer, Albrecht 207 Dzubas, Friedal 442 Eastman, Michael 139, 140, 142, 143 Eichenberg, Fritz 294 Eliasson, Olafur 144, 145, 177 Estes, Richard 511 Etrog, Sorel 165, 166 Fautier, Jean 352, 353 Ferrara, Jackie 181 Fink, Aaron 536 Finster, Reverend Howard 202 Fisher, Vernon 104, 107 Fitzpatrick, Tony 519-524 Flood, Mark 124 Foosaner, Judith 30 Francis, Sam 47, 456, 457 Frank, Robert 154 Fratt, Dorothy 23 Frecon, Suzan 45 Gander, Ryan 189 Georges, Braque 313, 314 Gilliam, Sam 27 Giocometti, Alberto 350 Golub, Leon 533-535 Gorchov, Ron 20 Gordin, Sidney 167 Goya, Francisco 222 Graves, Nancy 444 Gregory, Michael 109 Grooms, Red 490, 493, 494 Grossman, Nancy 539 Gruber, Aaaronel deRoy 178 Haden, Symour 224 Haley, John Charles 56 Haring, Keith 501 Hashimoto, Jacob 187 Hassam, Childe 266 Hayster 451 Held, Al 425

Hepworth, Barbara Heron, Patrick Hicks, Sheila Hockney, David Hodgkin, Howard (After) Hodgkin, Howard Hofmann, Hans Holty, Carl Hong, Xiao Hughes, Patrick Hurson, Michael Icart, Louis Indiana, Robert International Rescue Committee Iskowitz, Gershon Ito, Miyoko Jackson, Philip Jacoulet, Paul Jenkins, Paul Johns, Jasper Jones, Allen Kaneko, Jun Kanemitsu, Matsumi Kantor, Tadeusz Katz, Alex Kearney, John Kellner, Thomas Kent, Rockwell Kieff, Antonio Grediaga Kloss, Gene Komar and Melamid Koons, Jeff Kossoff, Leon Krasner, Lee Kuo-sung, Liu Kusama, Yayoi Laurencin, Marie Lawrence, Jacob Le, Dinh Q. Leapman, Edwina Lei, Hong Leighton, Clair Leiter, Saul Lewis, Martin Lichtenstein, Roy Lindner, Richard Lumpkins, William Luo, Qing Magritte, Rene ManzĂš, Giacomo Marca-Relli, Conrad Marini, Marino Mark, Tobey Marsh, Reginald Mason, Alice Trumbull Matta, Roberto Meadmore, Clement Medearis, Roger Miro, Joan Moore, Henry Morgan, Sister Gertrude Motherwell, Robert

428 421 179, 180 547, 548 413 412, 414 80 19 128 512 99 248-259 502-508 459 32-34 14 184 260-264 48 473 486 186 76 15 542-546 195 159 275, 276 169 298 532 192 538 434 82 190, 191 247 305, 306 136 6 135 292 148 272 482, 483 487 40 127 370 345 13 343 445, 447-449 289-291A 1 401 161 114 376, 378-389 348, 349 98 406, 407

Glossary of Terms Moudarres, Fateh 123 Munakata, Shiko 308, 309 Muybridge, Eadweard 160 Natkin, Robert 9-12, 443 Nauman, Bruce 531 Neiman, LeRoy 101, 125, 489 Neto, Ernesto 77 Neuenschwander, Rivane 61-63, 174 Nevelson, Louise 182, 415-417 Newman, Barnett 430 Nicholson, Ben 346, 347 Niermann, Leonardo 168 Nilsson, Gladys 87, 88 Nordström, Jockum 525, 526 Oldenburg, Claes 471, 472 Orkin, Ruth 152 Partridge, Roi 277 Paschke, Ed 129, 495-498 Pearlstein, Philip 509 Peeters, Antonietta 21 Pettibon, Raymond 555 Pfaff, Judy 170, 560 Picasso, Pablo (After)

317, 323, 326, 327, 329, 330 Picasso, Pablo

198-201, 321, 322, 324, 325, 328, 331, 340 Piper, John 344 Piranesi, Giovanni Battista 220 Plagens, Peter 25 Plensa, Jaume 188 Poons, Larry 458 Portocarrero, Rene 132 Rauschenberg, Robert 461-469 Ray, Man 371 Reddy, Krishna 452 Renoir, Pierre-Auguste 227-233 Richenburg, Robert 38 Rickey, George 357 Riggs, Robert 286 Riley, Bridget 423 Rivers, Larry 527 Robbins, Bruce 2 Robert, Morris 529, 530 Rocca, Suellen 81 Rooskens, Anton 44 Rosenquist, James 460 Roth, Dieter 516 Rothenberg, Susan 556 Rouault, Georges 243, 244 Sala, Anri 138 Salvador, Dali 375 Sandzen, Birger 267 Sang Woo, Koh 137 Saret, Alan 171 Saunders, Raymond 102 Scharf, Kenny 517 Schenker, Louis 356 Schimert, Katy 193 Scholder, Fritz 133 Schueler, Jon R. 8 Seery, John 28, 29 Sekula, Sonia 39

Serra, Richard Sheinkman, Mark Shepherd, Kate Sicilia, Jose Maria Sigler, Hollis Sijan, Marc Sillman, Amy Sintenis, Renee Siqueiros, Daivd Alfaro Siskind, Aaron Skrebneski, Victor Snyder, Joan Solakov, Nedko Soulages, Pierre Spruance, Benton Stamos, Theodoros Steinberg, Saul Stella, Frank Sugarman, George Sultan, Donald Summers, Carol Sutherland, Graham Taaffe, Philip Teraoka, Masami Thiebaud, Wayne Tilyer, William Tobey, Mark Toledo, Francisco Tran, Tam Van Trova, Ernst Tino Truitt, Anne Tschudi, Lil Utrillo, Maurice Uttech, Tom Van Leyden, Lucas Van Rijn, Rmbrandt Various Artists Vasarely, Victor Venard, Claude Vickery, Robert Villon, Jacques Walther, Franz Erhard Wang, Ziwei Warhol, Andy (After) Warhol, Andy Waterloo, Anthonie Weegee Wesselmann, Tom White, Margaret Bourke Wiley, William T. Wirsum, Karl Woelffer, Emerson Wood, Grant Yang, Kailiang Yeong-Geol, Choi Yoakum, Joseph Yoshida, Ray Youngerman, Zinnemann, Fred Zorn, Anders Zox, Larry

78 69-71 5, 55 18, 22, 72 121 206 120 196 79, 399 155 153 26, 57 83 404, 405 299-301 409 91 424 420 554 410, 411 41, 42 103 549 307 46 450 397 64 176 52 302 246 117, 513 210 211-217 557 431-433 16 115, 126 310 53, 54 134 475, 476 65, 474, 477-481 218 156 95, 203, 204, 484, 485 150 119, 518 92-94, 499 358 285 116 105, 106 84, 85 130 Jack 51 157, 158 237 439, 440, 441

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist.

ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category.

STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist.

CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil.

STYLE OF . . .

FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist.

MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artistand of a later period.

AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

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L ES L I E H I NDMAN . C O M

LESLIE HINDMAN AUCTIONEERS u pco m i n g a u ctio n s ch e d u l e 570 | post war and contemporary art May 23 | chicago

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Guide for Prospective Buyers Conditions of Sale Leslie Hindman Auctioneers encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

Exhibitions Leslie Hindman Auctioneers recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

Estimates Leslie Hindman Auctioneers provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

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The normal bidding increments are:

$0 - $200 ............................................. $10

$200 - $500 ............................................. $25

$500 - $1,000 .......................................... $50 $1,000 - $2,000 ........................................ $100 $2,000 - $5,000 ........................................ $200 $5,000 - $10,000 ...................................... $500 $10,000 - $20,000 ................................... $1,000 $20,000 - $50,000 ................................... $2,000 $50,000 - $100,000 ................................. $5,000 $100,000 - $200,000 ............................... $10,000

Over > $200,000 ......... Auctioneer’s Discretion

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Conditions of Sale HINDMAN LLC AS AGENT

The lots listed in this catalogue will be offered by Hindman LLC as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE

Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above.

All lots are sold “AS IS” and without recourse and neither Hindman LLC nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Hindman LLC nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Hindman LLC and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold.

Hindman LLC expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Hindman LLC has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Hindman LLC before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Hindman LLC, and that Hindman LLC will only look to the principal for payment.

Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Hindman LLC. Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids.

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Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Hindman LLC. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount.

Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser.

In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Hindman LLC sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $250,000; twenty percent (20%) of any amount in excess of $250,000 up to and including $3,000,000; and twelve percent (12%) of any amount in excess of $3,000,000.

The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $250,000; twenty-one percent (21%) of any amount in excess of $250,000 up to and including $3,000,000; and thirteen percent (13%) of any amount in excess of $3,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Hindman LLC. Hindman LLC reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Hindman LLC a handling charge of $50 for any check dishonored by the drawee.

Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Hindman LLC has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Hindman LLC will have no liability of any loss or damage to such items.

Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law: a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

LIABILITY

Condition Reports Hindman LLC is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Hindman LLC shall not be liable for any amount in excess of that paid by the purchaser.

Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

Discretion Any and all of the conditions may be waived or modified in the sole discretion of Hindman LLC.

03/18

e.) to offset against any amount owed f.) to not allow any bids at any upcoming auction by or on behalf of the buyer

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Hindman LLC reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Hindman LLC shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

lh

g.) to take other action as we find necessary or appropriate

v i e w t h e c o m p l e t e c ata l o g u e at l e s l i e h i n d m a n . c o m

257

leslie hindman auctioneers CHICAGO | atlanta | DENVER

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

f x 312. 280. 1211 | b i d @ l e s l i e h i nd ma n.co m Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

570

Post War and Contemporary Art Name

Sale Number/Name

Business Name Billing Address City

State

Country/Zip

Contact Name Primary Phone

Secondary Phone

Email

Fax

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

$0 - $200 ........................................ $10

$200 - $500 ........................................ $25

$500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000

Over > $200,000 .... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

A per lot buyer’s premium is added to the final hammer price as per the following:

Signature

Date

For Hindman LLC

Date

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

$0 - $250,000 .......................................... 25% $250,001 - $3,000,000 ............................ 20% $3,000,001 + ............................................ 12%

First time bidders please provide a valid credit card and one of the following: Passport / Driver’s License / National Identity Card Lot Number

PHONE BID

Absentee Bid

LOT DescriPtion

US Dollar Limit

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

Back-up Bid

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

LHLIVE 1 3 3 8 w e ST LA K E STREET ph 312.280.1212

|

fx 312.280.1211

|

C H ICA G O , ILLINOIS

60607

bid@lesliehindman.com

|

lesliehindman.com

leslie hindman auctioneers CHICAGO | atlanta | DENVER

BID FORM

MILWAUKEE | NAPLES | PALM BEACH | SCOTTSDALE | ST. LOUIS

f x 312. 280. 1211 | b i d @ l e s l i e h i nd ma n.co m Online registration/bid requests must be received at least 24 hours before the auction begins. Hindman LLC will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Hindman LLC allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

571

Fine Prints Name

Sale Number/Name

Business Name Billing Address City

State

Country/Zip

Contact Name Primary Phone

Secondary Phone

Email

Fax

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:

$0 - $200 ........................................ $10

$200 - $500 ........................................ $25

$500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $200 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,000 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000

Over > $200,000 .... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids.

If we receive more than one bid of the same value, the first one received will take precedence.

I authorize Hindman LLC to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website.

A per lot buyer’s premium is added to the final hammer price as per the following:

Signature

Date

For Hindman LLC

Date

Hindman LLC is not responsible for failure or other inadvertent errors relating to the execution of your bids.

$0 - $250,000 .......................................... 25% $250,001 - $3,000,000 ............................ 20% $3,000,001 + ............................................ 12%

First time bidders please provide a valid credit card and one of the following: Passport / Driver’s License / National Identity Card Lot Number

PHONE BID

Absentee Bid

LOT DescriPtion

US Dollar Limit

EXCLUDES BUYER’S PREMIUM

PLEASE CHECK

Back-up Bid

FOR TELEPHONE BIDDERS ONLY

How did you hear about Leslie Hindman Auctioneers?

LHLIVE 1 3 3 8 w e ST LA K E STREET ph 312.280.1212

|

fx 312.280.1211

|

C H ICA G O , ILLINOIS

60607

bid@lesliehindman.com

|

lesliehindman.com

L ESL IE HI NDM A N AUCT ION EERs may 23, 2018 NO.570 • 571

13 3 8 We s t L a ke S tr e e t C hi c a g o, Illi n o i s 6 0 6 07 l p h 312. 28 0.1212 l f x 312. 28 0.1211 l l e s li e h i n d m a n.c o m

may 23, 2018 post war and contemporary art fine prints