Professional Architecture Portfolio 2018

Page 1

portfolio Liam Marosy-Weide


NAME Liam Marosy-Weide BIRTH 04 | 07 | 1991 CONTACT liammarosyweide@gmail.com ONLINE-PORTFOLIO http://issuu.com/liammarosyweide

2


EMPLOYMENT

EXTRA CURRICULAR

11/2016 - 05/2017 LabLand Arkitekter |Student Assistant | Aarhus, Denmark Concept Dev, 3d Prototyping, drafting, visualisations

2017 Skarresø Bygge Festival | Skarresø, Denmark Building Land Manager, Safety Controller

02/2016 - 08/2016 Lendager Arkitekter | Intern / Student Assistant | Copenhagen, Denmark Model Building, Concept development, 1:1 prototyping

2016 Roskilde Festival 16’ | Roskilde, Denmark Building Volunteer, SUPERFLEX VIP Shelters

02/2014 - 04/2015 Design 5 Architects | Architectural Assistant | Sydney, Australia Construction docs, Measure-ups, Concept Dev, Site Management, IT 2013

2013 1st Year Mentor Programme | Sydney, Australia 1st semester Studio Mentor 2010 / 2012 WOOF Volunteer | Bergen, Norway Community project builder, farming

Benn Penna Architects | Freelance work | Sydney, Australia Concept Dev, Interior Rendering, Visualisations 02/2011 - 06/2012 02/2013 - 10/2013 WakeUp! Hostel | Sydney, Australia Weekend Manager | Receptionist | Tour guide

2007 Volunteer | Sikkim, India Tibetan refugee settlement project

EDUCATION

SKILLS

INTERESTS

09/2015 - 06/2017 Aarhus School of Architecture | Aarhus, Denmark Master of Architecture

Vectorworks Rhino Sketchup Autocad Photoshop Indesign Illustrator Lightroom Model Making

Rock Climbing Hiking Camping Sculpture Photography Reading Drawing Live Music Building

01/2011-11/2013 University of Sydney | Sydney, Australia Bachelor of Architecture 09/2012 - 01/2013 Aarhus School of Architecture | Aarhus, Denmark Bachelor of Architecture Exchange 2007 Anchor/Mortlock/Woolley | Sydney, Australia 1 week Internship

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4


6

08 | ST JAMES’ CHURCH cultural | conservation

26

02 | LABLAND ARKITEKTERNE landscape

10

09 | WOOLWICH SCOUT HALL private | community

28

03 | LENDAGER ARKITEKTER Internship | built | sustainability

12

10 | MAPPING THE INTANGIBLE public

30

04 | PARANOID CRUSOE public | built | sustainability

16

11 | PROJECTED FUTURES machine | public | built

34

05 | RED CROSS HOUSE heritage | conservation | built

20

12 | PROJECTS FOR THE COMMUNITY public | community | built | volunteer

38

06 | RAMAKRISHNA MISSION cultural | built

22

13| CREMORNE POINT public

42

14 | CREATIONS + PROCESSES built

44

07 | LENNOX BRIDGE 24 civic | heritage | conservation | built

CONTENTS

01| MASTER THESIS sustainability | Strategy | re-use


01

Old building Existing materials New forms

Aarhus School of Architecture Year Place

Master Thesis, 2017 Aarhus, Denmark

In the present day obsolete buildings which although still functional are valued as insignificant and demolished, raising the question what do we do when “an obsolete building is in place but out of time�?(Jacobs 2014, 103). Motivated by a need to reduce unnecessary waste in the construction industry the thesis sought to develop a strategy which reconciled the local cultural and environmental demands with the potential of the obsolete to form a functioning and sustainable new whole. A holistic understanding of the buildings tectonics orchestrated the removal of materials and developed a foundation for their reuse in-situ. The removed resources were used in the design of 6 transformation typologies which harmonised the potentials of the existing building, the tectonic opportunities of the removed resources and the requirements of the new programme to optimise the buildings function, renewing its significance for future use. The final design transformed an abondoned municipal office building proposed for demolition into a professional Maker Space for upscaling creative startups.

https://issuu.com/liammarosyweide/docs/171129_lmw_report

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7


DR

AM A LUD TIC ING WARM OPEN ECT LIGHT

INC

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EC

LIG

D

L RFU WE PO RAST CONT OPEN FLOWING EN DIR TICING EC T| IND IR

CT

E

ER AT IN G

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O

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US

IFF

INVITING

LIB

DO

UT

O

PENSIVE UINE SANG OL CO NT IE T NS GH A TR L LI RA PO M TE |

HT

T EN AR SP AN AL TR ASU TIVE C FLEC RE CLEAN FORMAL DIR EC T| IND IRE

LM

CA

E FIC E OF AC SP R O

ITIN G CIRC STUD ULA IO TION

| DIR

WR

DIFFUSE

M O RO RE OP TU REA C KSH LA E R L O NA W MMU CO

CIRCULAT

ION POTEN

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TU D

LLE

ES

GA

UL PT UR SC

TR A N DIF W SP FUS EL CO AR E| E DIR EC MIN NT T LIG G HT PAINTERS STUD IO IO WRITERS STUD

E SPAC OOR SHOP OUTD RK OM WO RO G TIN EE M

A

L

A

UN

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M

O

C

RE

A

B SP RIG A H ENT REN T ICIN T G DIRECT LIGH T

G IN AC BR EM RM WA Y AIR CALMING DIFFUSE | DIRECT LIGHT

L FU AY ERY GALL DIO ARTIST STU

TR AN

TIAL

E TABL Y FOR Z COM CO M AR W

PL

ING AG NG RO ST

UR

CO

EN

WARM DIF A FU LA IRY SE ZY

CY

EN

AR SP

AN

TR

INVITING

Mapping Existing Qualities

Removal stage 1 Removing transient additions which are not of the buildings original 1958 fabric.

Removal stage 3 Elements which contain existing service pipes and decay in close proximity.

Removal stage 2 Removing elements which exhibit significant decay and compromise the integrity of the building.

Removal stage 3.1 Selectively removing elements whose removal would benefit the optimization of the proposed function.

8


MEETING ROOM 15m2

MEETING ROOM 15m2

EXHIBITION AND EDUCATION 130m2

COMMON WORKSPACE 105m2

COURTYARD

PRINT ROOM 20m2

W

/C

COMMON WORKSPACE 60m2

W

/C

First Floor

MEETING ROOM 20m2

OUTDOOR SPACE 40m2 LOUNGE 45m2

V

O

ID

COMMON WORKSPACE 60m2

PLANT ROOM

STORAGE 20m2 3D PRINT ROOM 30m2

LASER CUTTER 30m2

CRAFT ROOM 120m2

PHOTO STUDIO 30m2

STORAGE 20m2 ASSEMBLY ROOM 25m2

/C

Open Partition

W

Ground Level

W

METAL SHOP 75m2

/C

WOODSHOP 100m2

LARGE ASSEMBLY 75m2

Solid Partition

Ceiling

Floor

Transparent Partition

Facade

Transformaion Typologies 9


02

LabLand Landscape Architecture Lendager Group

Year Place

2016 - 2017 Aarhus, Denmark

LabLand is a small landscape architecture office based in Aarhus, Denmark. My position as a student assistant allowed me to work on a variety of projects from community square design, park design, bridge and platform design, childrens play equipment and street furniture. The diversity of projects has imparted on me a unique set of skills, design logic and understanding which can be drawn upon when working within building design. My role often involved working with a project leader or the director during concept development, using rhino to investigate and visualise design ideas. Working paramterically, I had a strong influence on the final designs and was relied upon to create presentation material for clients.

10

Urban Square proposal Silkeborg


Bridge, rest area and leisure platform proposal to promote use of a proposed scenic walk in Klitmøller, Denmark.

11


03

Lendager Arkitekter Internship

Lendager Group Year Place

2016 Copenhagen, Denmark

Lendager’s work is a continual analysis and development of social, economic and environmental potentials within sustainable and innovative development, architecture and material production. This is achieved through an entirely holistic approach to sustainability and circular economy. During my internship I was fortunate to work across a range of projects including a Recycling Station, Storage Centre, Summer House and Office Building. I developed stronger model making skills and processes, an understanding of circular economy and a more holistic sustainable approach to architecture through prototyping, analysis of waste fractions and implementation of these into the design process. My most notable project was an upcycled window wall for the new office. The wall acted as a prototype for research and development into design solutions which minimised waste and maximised potentials of discarded building materials. It further sought to assess the feasibility of postmanufacturing second hand building materials and the subsequent impact this process would have on the design, economy and on the environment.

12


13

Upcycled Window Wall


taByttereolen Byttereolenererdet detfleksible fleksiblecentrum centrumi i Nærgenbrugsstation NærgenbrugsstationNordhavn. Nordhavn.På Påbyttebyttehylden hyldenkan kanbrugere brugereaf afNærgenbrugsstaNærgenbrugsstationen tionenplacere placerede deting tingde deafleverer, afleverer,som som stadig stadigererfunktionelle funktionelleeller ellerkun kunmangler manglerlidt lidt reperation. reperation.Denne Dennereperation reperationkan kanforegå foregå i inærgenbrugsstationens nærgenbrugsstationensværksted. værksted.AnAndre drekan kanderefter derefterovertage overtagetingene. tingene.Det Deterer NÆRGENBRUGSTATION NORDHAVN direkte direktegenbrug! genbrug! Byttereolen Byttereolenhar harmange mangeforskellige forskelligekonkonfigurationer, figurationer,som sommuliggør muliggørforskellige forskelligeakaktiviteter. tiviteter.I Icentrum centrumaf afbyttereolen byttereolenererder der siddepladser. siddepladser.Her Herererdet detmuligt muligtat atholde holde forelæsninger forelæsningerom omgenbrug genbrugeller ellerfortælle fortælle INTEGRATION MED BYRUMMET WORKSHOPS OG ARBEJDSMULIGHEDER skoleklasser skoleklasserom om affaldets affaldets rejse rejsegennem gennemfra fra integration with urban skrald skraldtiltilnyt nytprodukt. produkt.

BYTTEHYLDER FORELÆSNING

lectures

GENNEMSIGTIGHED GENNEMSIGTIGHED MULIGHED FOR AFLÅSNING

transparency

BYTTEHYLDER BYTTEHYLDER

IN

WORKSHOPS WORKSHOPSOG OGARBEJDSMULIGHEDER ARBEJDSMULIGHEDER

M

swap shelves

space

Dele Deleaf afbyttereolen byttereolenererpå påhjul, hjul,så såden den kan kanrulles rullesud udpå påpladsen pladsenforan foranNærgenNærgenbrugsstationen. brugsstationen.Derved Dervedbliver blivergenbrugsstagenbrugsstationen tionenog ogkonteksten konteksteni iperioder periodertæt tætforforbundet. bundet.

WORKSHOPS OG ARBEJDSMULIGHEDER

19

MULIGHED FOR AFLÅSNING

NÆRGENBRUGSTATION NORDHAVN

FORELÆSNING FORELÆSNING

19

Nærgenbrugsstation competition model

Nærgenbrugsstation

22

14


Lendager Head office sketch models

15


04 Paranoid Crusoe in Resilient Vejle Aarhus School of Architecture Year Place

4th Year, 2015 Vejle, Denmark

The studios objective was to assess the potential urban transformation opportunities in the resilient City of Vejle, Denmark. The first stage involved focusing on spatial and phenomenological speculations when fiction and its poetic function are applied to cities identified through my key theme of ‘adaptiveness’. Working with Robinson Crusoe by Daniel Defoe, I mapped his adaptation to the island and his architectural exploits which were imbued with paranoia. My findings were split into 4 stages and catalogued into a ‘survival manual’ with fold out interpretations of his architecture which could be assembled into A World of Paranoia. The findings informed my program in Vejle - a self-contained laboratory of adaptable thinking which protects Vejle from its increased waste. Vejle’s general public and its professionals could collaborate and interact with the waste to maximise its potential and minimise its impact. The paranoia of addressing waste is the catalyst, which forms the fortress, and the hope of finding a resolution is the driver of the laboratory within. 16


survival manual 17


18


I am without charge and governed by profuse, protected by the growth of its neighbour and fed by the deft moulding of necessity..

19


05 Red Cross House Design 5 Architects Year Place

2014- 2015 Clarence St, Sydney, Aus

Design 5 - Architects were engaged to document the conservation works and oversee the adaptation of Red Cross House, a multi-storeyed, early 20th Century moderne warehouse constructed as a showroom and central headquarters for S. Hoffnung & Co. Ltd., a long established firm of Sydney wholesalers.

We sought to reinstate a sense of the character, scale and proportion of the lost or damaged significant elements of the building such as the granite clad ground floor facade and lobby entrance. My role included measured drawings of the existing fabric, construction detailing and coordinating with the builder and Design Architects. One challenge was to retain and secure the existing brick faรงade, which was delaminating. We developed a methodology to remove at risk bricks and undertake traditional lime re pointing works and additional structural works across the entire faรงade. This project provided me with invaluable knowledge of contemporary and traditional brick construction methods, fixing techniques, how they behave and what there limitations are.

20


75 10

65

ALLOW TO PIN CONCRETE TOE TO H... Ø8mm S/S EXISTING SLAB USING PINS TO ENGINEER 02 SPEC

155

INSIDE

10

SOFFIT RL 25.810

175

20

7.45°

OUTSIDE

STEEL BLADE MULLION TO ENGINEER SPEC

TO BE FIXED BY BUILDER

1

SPANDREL ELEVATION SCALE 1:100

EQ

INSERT NEW FLASHING TO TUCK BEHIND EXISTING FLASHING TURNED DOWN (BITUMEN COATED ALUMION.)

67

TOP OF GRILL RL 23.654 C.O.S

EXISTING FLASHING TURN DOWN OVER NEW FLASHING REMOVE AND REPLACE BRICKS (COLOURED RED) WITH SALAVGED AND NEW BRICKS

55

40

EQ

85

RETAIN EXISTING BRICKS HATCHED BLACK CONFIRM WITH ENG. FOR REINFORCEMENT

GRILL TO ALIGN WITH CENTRE OF FACADE BRICK COURSE

FACE OF GRANITE SILL AND PANEL BELOW

INVERTED SHELF ANGLE TO ENG. DETAIL

3/4 BRICK WITH BEARING ON CONCRETE TOE WEEP HOLES

FACE OF GRANITE PLINTH 12mm GRANITE PLINTH

SEAL PENETRATION THROUGH FLASHING.

FACE OF GRANITE PILASTER 20

Date

TOP OF GRANITE SILL RL 23.102 C.O.S

SCALE 1:10

Amendment/Issue

Check all dimensions before commencing work Figured dimensions to be taken in preference to scale

MINIMUM 25mm

EXISTING CONCRETE REMOVE SELECTED BRICK FROM BOTTOM COURSE TBC HERITAGE ARCHITECT

PACKING

GALVANISED STEEL ELEMENT FIXINGS IN ACCORDANCE WITH ENGINEER SPEC

SCALE 1:100

NEW FLASHING NO 1 (SEAL AT FLASHING LAPS)

D E S I G N

25

A R C

EXISTING FLASHING (SEAL AT FLASHING JOINTS)

NEW FLASHING NO 2

SEALANT AROUND BOLT TBC.

H I T

E

5 C T 1S

5 Queen Street, Chippendale NSW 2008 Tel (02) 93191855 Fax (02) 93190836

667

RESTORATION DETAIL

WINDOW

2

No

100

CONCRETE TOE TREATED WITH NITOPRIME PRIMER AND RENDEROC

SECTION 1 - CLAREN

1

HELIFIX TIE TO ENG. DETAIL. SUGGEST 6MM @ 900 CTRS.

DESIGN 5 - ARCHITECTS PTY LTD ABN 22 090 066 194 Nominated Architect - Alan Croker, Registration No 4693

FLASHING

S/S SHELF ANGLE TO ENG. DETAIL

Job

155 CLARENCE ST, SYDNEY

55

Client

PROBUILD

100

FFL RL 22190 C.O.S

PLINTH TAKES UP SLOPE IN FOOTPATH Drawing Title

FOOTPATH RL COS

CONC. TOE.

DO NOT SEAL FLASHING AT LAP

DEMOLITION PHASE 2

DEMOLITION PHASE 1

REPEAT OF PHASE 1

LENGTH TO BE DETERMINED BY ENGINEER

3

FACE OF PLINTH ALIGNS WITH RENDERED FACE OF LEVEL 01 PROJECTING CONCRETE TOE

FLASHING ELEVATION (EXTERNAL BRICK SKIN NOT SHOWN)

BRICK FACADE RESTORATION DETAIL

40 Date

Scale

Drawn

Job No.

Sheet Size

Drawing No.

JUNE 14'

95

85

1108

SCALE 1:100 flashing detail

1:100 - 1:5

A3

2

LMW

SECTION 2 - CLARENCE ST RG Checked

SCALE 1:10

H 404

Revision

A

facade construction detail

2

21


06

Ramakrishna Mission, Universal Meditation Centre Design 5 Architects Year Place

2014 Malolo, Nadi, Fiji

The Ramakrishna Mission, Universal Meditation Centre is located on the crest of a prominent rise in the village of Malolo, south west of Nadi, Fiji. The Meditation Hall is primarily for the students of Swami Vivekananda College, however it is also available for public use. My involvement in the project started well into construction. I was to design an independent metal framing system, which would hold up a large lotus mural and decorative panel. The frames primary structure used 316 Stainless Steel rectangular hollow sections and angles with welded and bolted connections to improve rigidity, as it will be exposed to typhoons. The lotus petals were connected with welded and bolted cleats to the primary frame. Working on this project gave me experience with steel fixing methods and construction techniques for typhoon affected areas, and how to design practically to the limited resources and skills of the available manufacturers.

22


completed screen

2 02

KEY

100

50

75

W

100

W

PRIMARY STRUCTURAL FRAME 316 GRADE STAINLESS STEEL 100 X 50 X 5mm RHS WITH WELDED CONNECTIONS AND INCLINED FRAMING

80

W

35

W 28

50

100

50

BRACKET 316 GRADE STAINLESS STEEL 75 X 50 X 6mm WELDED TO PRIMARY STRUCTURAL FRAME AND BOLTED THROUGH FC TILE RHS FRAME

50

PERIMETER TIMBER FRAME 80 X 75mm FIN. BOLTED TO PRIMARY STRUCTURAL FRAME BEHIND W

W

W

FC BOARD STRUCTURAL FRAME 316 GRADE STAINLESS STEEL 100 X 50 X 5mm RHS WITH BOLTED CONNECTIONS

3 02 25

W

E TIL

42

100

D NE PA

W

LS

3 02

SCALE 1:5

W

W

TILED LOGO PANEL 1800 X 2400 X 20mm FC SHEET BOLTED TO PRIMARY STRUCTURAL FRAME. 600 X 600 X 10mm TILES GLUED TO FC SHEET WITH MINIMAL JOINT &FLEXIBLE GROUT 30

CENTRE OVAL FLAT BAR 316 GRADE STAINLESS STEEL 100 X 6mm WITH WELDED CLEAT CONNECTIONS TO HOLD LOTUS PANEL FLANGE PRIMARY STRUCTURAL FRAME 316 GRADE STAINLESS STEEL 100 X 50 X 5mm RHS WITH WELDED CONNECTIONS

75

BRACKET 316 GRADE STAINLESS STEEL 50 X 50 X 3mm ANGLE WITH WELDED CONNECTION TO 1.6 GUAGE STAINLESS PANEL AND PRIMARY STRUCTURAL FRAME.

W 100

100 W W

80

02

LOTUS SCREEN ELEVATION SCALE 1:25

2

2 02

02

23

FOR REVIEW

Amendment/Issue

D E S I G N A R C

H I T

5

E C T S

5 Queen Street, Chippendale NSW 2008 Tel (02) 93191855 Fax (02) 93190836

DESIGN 5 - ARCHITECTS PTY LTD ABN 22 090 066 194 Nominated Architect - Alan Croker, Registration No 4693

Job

FIJI ASHRAM Client

PRIMARY STRUCTURAL FRAME - BASE 2 X 316 GRADE STAINLESS STEEL 100 X 50 X 5mm RHS WITH WELDED CONNECTIONS AND BOLTED TO TIMBER FRAME

Drawing Title

SCREEN DETAILS Date

1

FOR CONSTRUCTION

A

PERIMETER TIMBER FRAME 80 X 75mm BOLTED TO PRIMARY STRUCTURAL FRAME BEHIND

75

BRACKETS 316 GRADE STAINLESS STEEL BRACKETS 50 X 50 X 3mm WITH WELDED CONNECTIONS

B

No

Check all dimensions before commencing work Figured dimensions to be taken in preference to scale

100

BRACKET 316 GRADE STAINLESS STEEL 40 X 50 X 3mm WITH WELDED CONNECTION TO OVAL FLAT BAR AND 1.6 GUAGE LOTUS PANEL

W

CENTRE OVAL FLAT BAR 316 GRADE STAINLESS STEEL 100 X 6mm WITH WELDED CLEAT CONNECTIONS TO LOTUS PANEL FLANGE

3/9/14

Date

FC BOARD STRUCTURAL FRAME HORIZONTAL ANGLE 316 GRADE STAINLESS STEEL 75 X 50 X 6mm WELDED TO FC TILE RHS AND BOLTED TO PRIMARY STRUCTURAL FRAME

75

BRACKET 316 GRADE STAINLESS STEEL 75 X 50 X 6mm WELDED TO PRIMARY STRUCTURAL FRAME AND BOLTED TO FC BOARD STRUCTURAL FRAME

W

316 GRADE STAINLESS STEEL HORIZONTAL MEMBERS 75 X 50 X 6mm ANGLE WITH WELDED CONNECTIONS

50

50

CENTRE OVAL FLATBAR 316 GRADE STAINLESS STEEL 100 X 6mm PRIMARY STRUCTURAL FRAME 316 GRADE STAINLESS STEEL VERTICAL FRAMING MEMBERS 100 X 50 X 5mm RHS WITH WELDED CONNECTIONS AND INCLINED FRAMING

PETAL PANEL INTERSECTION DETAIL

LOCATING ANGLES 316 GRADE STAINLESS STEEL 50 X 50 X 3mm ANGLE BOLTED TO PRIMARY STRUCTURE HORIZONTAL RHS TO FIX FC PANEL TO STRUCTURAL FRAME

50

TILED LOGO PANEL 1800 X 2400 X 20mm FC SHEET BOLTED TO PRIMARY STRUCTURAL FRAME. 600 X 600 X 10mm TILES GLUED TO FC SHEET WITH MINIMAL JOINT &FLEXIBLE GROUT

PRIMARY STRUCTURAL FRAME 316 GRADE STAINLESS STEEL HORIZONTAL FRAMING MEMBERS 75 X 50 X 6mm ANGLE WITH WELDED CONNECTIONS

W

W

LOTUS FRAME 316 GRADE STAINLESS STEEL FLAT BAR 75 X 6mm

LOTUS PETAL PANEL 1.6 GAUGE 316 STAINLESS STEEL PANEL WITH 35mm FOLDED EDGE FLANGES AND WELDED CONNECTIONS

3 02

W

BRACKET 316 GRADE STAINLESS STEEL 50 X 400 X 6mm WELDED TO PRIMARY STRUCTURE RHS AND BOLTED TO BACK FACE OF GLULAM BEAM

75

LOTUS PETAL PANEL 1.6 GAUGE 316 STAINLESS STEEL WITH 35mm FOLDED EDGE FLANGES AND WELDED CONNECTIONS

W

GLULAM BEAM 180 X 495mm

BRACKET 316 GRADE STAINLESS STEEL 50 X 50 X 3mm WITH WELDED CONNECTION TO 1.6 GUAGE STAINLESS PANEL AND PRIMARY STRUCTURAL FRAME.

LOTUS FRAME FLAT BAR SURROUNDING PETAL PANEL EXCEPT FOR CENTRE OVAL316 GRADE STAINLESS STEEL 75 X 6mm WELDED DIRECTLY TO PRIMARY STRUCTURE

75

WELDED CONNECTIONS BETWEEN LOTUS FRAME FLATBAR AND PRIMARY STRUCTURAL FRAME

LOTUS FRAME FLAT BAR 316 GRADE STAINLESS STEEL 75 X 6mm WELDED DIRECTLY TO PRIMARY STRUCTURE

27

PERIMETER TIMBER FRAME 80 X 75mm (FIN) BOLTED TO PRIMARY STEEL STRUCTURAL FRAME BEHIND

BRACKETS WELDED TO PRIMARY STRUCTURAL FRAME AND BACK OF LOTUS PANEL FRAME

54

WELDED CONNECTIONS BETWEEN LOTUS FRAME FLATBAR AND PRIMARY STRUCTURAL FRAME

PRIMARY STRUCTURAL FRAME 316 GRADE STAINLESS STEEL VERTICAL FRAMING MEMBERS 100 X 50 X 5mm RHS WITH WELDED CONNECTIONS AND INCLINED FRAMING

DETAIL SECTION SCALE 1:10

Scale

13/08/14

1:25, 1:10, 1:5

Job No.

Sheet Size

1011

A3

Drawn

LW, LMW Drawing No.

02

Checked

AC

Revision

B

<cafe hub render ^ sustainability framework


07 Lennox Bridge Design 5 Architects Year Place

2014 - 2015 Church St, Parramatta, Aus

Lennox Bridge is the third oldest surviving masonry bridge in NSW and is a fine example of convict built Colonial Architecture in Australia. It was designed by David Lennox and built in 1939. In association with Hill Thalis Architects, works involved the construction of two portals through the wing walls of the bridge to connect foreshores including associated foreshore and road deck upgrades, reconstruction of the original Lennox balustrade along the east side and extensive conservation works. During the course of the works, the remains of an earlier 1804 bridge were revealed and archaeologically preserved. My responsibilities included technical construction drawings and updates during construction for the builders and engineers. I also assisted with design changes, fortnightly consultant meetings and stone shop drawing approvals. During this project I gained first-hand knowledge of fixing methods and construction techniques for stone as a traditional material, and its general use, behavior and limitations.

24


INSCRIPTION TO DETAIL BALUSTRADE CENTRED ON KEYSTONE

1220

340 15 275

30

29 8951 FPL

28 8945 FPL

27 8916 FPL

26 8729 FPL

29 8454 TOES

28 8456 TOES

27 8455 TOES

26 8455 TOES

30

243 COS

130

30 8443 TOES

26

630

180

31 8455 TOES

130

30 8936 FPL

130

31 8916 FPL

D 401

27

PAVEMENT FALL TO TOP OF KERB 0.57 DEGREES

PAVEMENT FALL TO TOP OF KERB 0.57 DEGREES

MIDDLE PIER

28

PAVEMENT FALL TO TOP OF KERB 0.57 DEGREES

29

PAVEMENT FALL TO TOP OF KERB 0.57 DEGREES

30

30

FALL OF PAVEMENT TO BE AVERAGED BETWEEN POINT 32 (1.43DEGREES) AND POINT 31 (0.57 DEGREES)

PAVEMENT FALL TO TOP OF KERB 0.57 DEGREES

31

PAVEMENT FALL TO TOP OF KERB 0.57 DEGREES

completed balustrade

2380

30

30

2440

NORTH PIER 1

2000

NORTH PIER 1 115

130

25 8462 TOES

KERB 1.43 7428

500

23 8838 FPL

22 8822 FPL

24 8469 TOES

SETOUT 3

SETOUT 1

DEGREES

DEGREES OF KERB 1.17

24 8856 FPL

15

160

500

300

25 8905 FPL

23 8452 TOES

773 COS

1143 COS EDGE OF EXISTING PIER

21

TOP OF

REMOVE CEMENT TOPPING

FALL TO

REMOVE CEMENT TOPPING

22

PAVEMENT FALL TO TOP

REMOVE CEMENT TOPPING

ALL PAVEMENT RL'S TO BE REVISED

23

PAVEMENT FALL TO TOP OF KERB 0.91 DEGREES

PAVEMENT FALL TO TOP OF KERB 0.57 DEGREES

24

PAVEMENT

25

21 8793 FPL

1143

1476

SURVEY POINTS EXTEND TO KERB (NOT SHOWN ON DRAWING) AND PERPENDICULAR TO BALUSTRADE.

OUTSIDE FACE OF CONCRETE UPSTAND R 31658 COS ARC LENGTH 7428

REMOVE CEMENT TOPPING

Notes

21 8361 TOES

475 COS

475

ALL DIMENSIONS OF EXISTING ELEMENTS PROVIDED ON D5 DRAWINGS TO BE VERIFIED AND CHECKED ON SITE.

22 8422 TOES

LEGEND MOTT MACDONALD SURVEY POINTS

18

ABERGELDIE STONE SURVEY SETOUT 2

PROPOSED SAND STONE BALUSTRADE

2446

30

2506

PROPOSED CONCRETE UPSTAND

SETOUT 3 SETOUT 1

SETOUT 1

SETOUT 2

SETOUT 3

NORTH PIER 1

21.10.2014

D

24.09.2014

NORTH PIER 2

18.06.2014 16.06.2014 Date

21

FOR COORDINATION

C

FOR CONSTRUCTION

B

FOR CONSTRUCTION

A

FOR CONSTRUCTION

No

Amendment/Issue

Check all dimensions before commencing work Figured dimensions to be taken in preference to scale

REMOVE CEMENT TOPPING

NORTH PIER 2

20

19

18

17

D E S I G N A

R C

H I

T

E

5 C

T

S

5 Queen Street, Chippendale NSW 2008 Tel (02) 93191855 Fax (02) 93190836 SE TO

1294

DESIGN 5 - ARCHITECTS PTY LTD ABN 22 090 066 194

UT

Nominated Architect - Alan Croker, Registration No 4693

1

WILLIAM L. BACKHOUSE Pty. Limited

D 405

500

19 8725 FPL

SETOUT 2

UT

1625

C 405

1565

290

1615

LENNOX BRIDGE

18 8686 FPL TBC

Client

PARRAMATTA CITY COUNCIL

310

19 8420 TOES

18 8418 TOES

SETOUT 4

CORNICE STONE UNDER SLAB NEW LANDING TO ENG DETAIL NEW HANDRAILS TO MEET EXISTING HANDRAILS ON STAIRS

Drawing Title

415

NORTH PIER 3

NORTH PIER 2

Job

800

20 8422 TOES

SETOUT 3

2

200

405

S 290 CO

20 8769 FPL TBC

SURVEYORS, PLANNERS & DEVELOPMENT CONSULTANTS. ABN 88 003 000 708

SE TO

125 SETOUT 1

BALUSTRADE PLAN

SETOUT 1

1286

SETOUT 2

NORTH PIER 3

Date

1212

25

Scale

Drawn

Checked

<cafe hub render ^ sustainability framework JUNE 2014

Job No.

1:20

Sheet Size

A1

RG LMW

Drawing No.

407

RG

Revision

D


08 St Jame’s Church Organ Screen Design 5 Architects Year Place

2015 Sydney, Australia

St James’ Church is the oldest church building in the City of Sydney, consecrated on 11 February 1824, and in continuous use since. Design 5 architects has been working closely with the church since 2002. The latest stage of works included measured drawings of the existing timber organ screen to assist the new organ builders. My primary role was to prepare the drawing package of plans, 4 elevations and a typical section. This required measuring up on site, photographing and tracing methods to complete the full set of drawings on vectorworks.

26


CEILING LEVEL

ORGAN PIPES BEHIND SCREEN NOT SHOWN

ORGAN PIPES INDICATIVE ONLY

TOP OF SCREEN

TOP OF CONSOLE BEYOND

TOP OF CORNICE

APPROX ORGAN FFL TOP OF STRING VESTRY MEZZANINE FFL BEYOND.

TOP OF FASCIA

1 OS1

SILL

COM

A OS1

COMMUNION RAIL LEVEL FFL

SECTION A - TYPICAL SCALE 1:10

TRUSTEES OF ST JAMES' CHURCH Client

ST JAMES' CHURCH KING STREET, SYDNEY Job Nominated Architect - Alan Croker, Registration No 4693 DESIGN 5 - ARCHITECTS PTY LTD ABN 22 090 066 194

5 Queen Street, Chippendale NSW 2008 Tel (02) 93191855 Fax (02) 93190836

CHANCEL FFL

A R C H I T

E C

D E S I G N

T S

5

Check all dimensions before commencing work Figured dimensions to be taken in preference to scale No

Date

FCP

NOTE: NAVE PLAN BASED ON SITE MEASUREMENTS BYDESIGN 5 ARCHITECTS AND MEASURED DRAWINGS BYASHLEY BROWN 2006.

SERVICE ACCESS POINT CEILING ACCESS POINT CEILING VENT DOWNPIPE EXHAUST FIRE CONTROL PANEL OUTDOOR LIGHT SMOKE DETECTOR CONTROL PANEL STORMWATER PIT FLOOR VENT WALL VENT

A CA CV DP E FCP L SDCP SP V WV

Notes

NAVE FFL

VESTRY FFL

PRELIMINARY TRUSTEES OF ST JAMES' CHURCH

Client

ST JAMES' CHURCH KING STREET, SYDNEY

Job

Nominated Architect - Alan Croker, Registration No 4693

DESIGN 5 - ARCHITECTS PTY LTD ABN 22 090 066 194

5 Queen Street, Chippendale NSW 2008 Tel (02) 93191855 Fax (02) 93190836

A R C H I T

E C

D E S I G N

T S

5

Check all dimensions before commencing work Figured dimensions to be taken in preference to scale No

3 NORTH ORGAN - SOUTH ELEVATION south elevation OS1

SCALE 1:20

Date

No

09.04.15

A

Amendment/Issue

PRELIMINARY

Date

SERVICE ACCESS POINT CEILING ACCESS POINT CEILING VENT DOWNPIPE EXHAUST FIRE CONTROL PANEL OUTDOOR LIGHT SMOKE DETECTOR CONTROL PANEL STORMWATER PIT FLOOR VENT WALL VENT

D E S I G N

FCP

A CA CV DP E FCP L SDCP SP V WV

Notes

27

Job

Notes

NOTE: NAVE PLAN BASED ON SITE MEASUREMENTS BYDESIGN 5 ARCHITECTS AND MEASURED DRAWINGS BYASHLEY BROWN 2006.

ALL DIMENSIONS TO BE VERIFIED ON SITE Check all dimensions before commencing work Figured dimensions to be taken in preference to scale

A

R

C

H

I

T

E

ST JAMES' CHURCH

5 C

T

STREET, SYDNE typical KING section S

5 Queen Street, Chippendale NSW 2008 Tel (02) 93191855 Fax (02) 93190836 DESIGN 5 - ARCHITECTS PTY LTD ABN 22 090 066 194 Nominated Architect - Alan Croker, Registration No 4693

Client

TRUSTEES OF ST JAMES' CHURCH


09 Woolwich Scout Hall University of Sydney Year

3rd Year,2013

Place Woolwich Scout Hall, Sydney Team Daniel Nolan, Isabella Moran, Richa Sud

The brief was to research and design a prototype facility for Scouts Australia and the Timber Development Association. The facility should replace an existing scouts hall and include a full sized basketball court, kitchen and bathroom facilities, storage, living area and external deck. The design used an innovative structural system predominantly made of timber Glu-Laminated beams and posts to safely span the 23m whilst minimising structural members. The design was orientated North-East to maximise Northern Sun as well as open to North-Easterly winds during hot summer afternoons. The primary objective of the project was the 1:20 scale model. The group worked on this collaboratively for 1.5 weeks.

28


G:\2013.10.09 -

Stamp

Rev: D

1

2 4,000

3 2,200

4 7,500

5 7,500

6 2,100

sectional model

7 4,400

RITEK ROOF SHEETING, INSTALLATION TO MAN. SPECS GLULAM PORTAL FRAME 200x700 (1200@CENTER)

ALUMINIUM FRAME @ 1500 CENTRES GLASS LOUVERS AT 135 C/C

2700

HANGING PINE RAFTERS 250 X 100 AT 2400 C/C

DETAIL

ALUMINIUM FRAME @ 1500 CENTRES GLASS LOUVERS AT 135 C/C

BASE PLATE CONNECTION TO ENGINEERS DETAIL

FLOATING TIMBER SPORTS FLOORING, 22X129, BEECH, TONGUE AND GROOVE PLANKS

450MM CONCRETE STRIP FOOTINGS

7,000

DETAIL THICKENING OF THE SLAB, TO ENGINEERS DETAIL

REINFORCED, POURED IN-SITU CONCRETE WALLS UNOBAT62+ BATTENS 25.5X60X3600 AT 411 C/C WITH J-LOCK SHOCK PAD SYSTEM

SPOTTED GUM TIMBER DECKING, 140X45 TREATED PINE BEARERS AT 450 C/C FINISHED WITH NATURAL DECKING OIL.

TH

section

All dim respo super constr constr contra are pr direct Tutor

Nick

2001

Projec

Section 1 1:200

Wei

Woo 2110

Status

Revis

Scale

Drawi

Sect Layo

Drawi

20

Plot D

structural system 29


10

Openings : Mapping the Intangible

Aarhus School of Architecture Year Place

2nd Year, 2012 Aarhus, Denmark

The projects brief was to “map the intangible”. In this case we were to look at the phenomenological actions associated with our windows at home. I identified that the window acted as a vessel for allowing the public within the private realm and further had a relationship with the immediate public sphere of the computer, a “window” into cyber space. Redeveloping this into a physical apparatus created the periscope. The periscope runs the height of the building, from ground to my window on the fourth floor. Mechanised openings of hinged mirrors are arranged at every floor allowing a possible 5 view ports. The periscope engages tenants and the public to control their view into other windows. The form is minimal, and invites the public via a long ramp. The periscope project was presented via a box. Based on Marcel Duchamps Box in a Valise, my box took each defining element of the design process and sought to present them in a unique way. This led to the use of a scroll, a drawer and a small periscope.

30


^ mapping the mapping intangible private to public 31


process models

32


Box in a Valise portfolio

33


11 Falig Optik : Projected Futures Aarhus School of Architecture Year

2nd Year, 2012

Place

Aarhus, Denmark

Team

Malin Mohr, Aisha Seeberg, Laura Jorgensen, Sebastian Reumert

The 3 week workshop run by Bartlett and CSM tutors Paolo Zaide and Andy Friend looked at film interpretations of the future. In groups we were to depict these future projections in the form of a largescale installation to be exhibited at the end of the world 21/12/12. We found within our two films “Playtime” and “Encounters at the End of the World” that the common interest was time or rather its nonexistence and difficulty to define. The team worked collaboartively across all stages of the design process. The piece revolves around how time can be altered and distorted. Situated in a dark room, the machine is floating in time and space. It operates in cycles, melting metal and wax and solidifying it by pouring into a tank of water. Its various operational elements are interrelated but separate, and only connect by the rotational movement of the centre arm. To begin your short dive into timelessness, pull the wire of the chopper and turn the wheel…

34


prototyping 35


final machine installation 36


“Under the ice the divers find themselves in a separate reality where space and time acquire a strange, new dimension...� Werner Herzog

37

^ melting process


12

Projects for the community : Klatre Park / Lavvu Godjord Farm, Norway

Year Place

2010, 2012 Manger, Norway

Godjord is a farm on the small mid western Island of Radøy, Norway. The farm seeks to be run sustainably, with minimum use of fossil fuels in its quest for being a centre of permaculture. With this in mind, courses are taught from animal care to sustainable gardening to community construction. During the summer of 2012, the farm was seeking to offer more recreational facilities for the public. Using donated telegraph poles, shipping rope and boys, we constructed a pontoon into the small lake. Whilst the remainder of the materials were invested into the climbing park project. Swings, slides and rope challenges were built 1530ft in the trees and proved to be a great success within the community. Volunteering in the winter of 2010, we constructed a Lavvu, the traditional northern Scandinavian dwelling. Without designing and equipped with traditional construction methods the Lavvu was built out of timber from the forest behind the farm. It is offered to the community for events, courses, sleep-ins for children and private parties.

38


39


40


41


13 Cremorne Point amenities block Univeristy of Sydney Year

2nd Year, 2012

Place

Cremorne Pt, Sydney, Aus

Team

Benjamin Li, Georgia Flint, Niccolo Vivarelli

The Cremorne peninsula is known for its picturesque views overlooking Sydney harbour. Research indicated that it was a hot spot for dog walking, joggers and family outings. The high density of leisure activities required significant changes to the existing amenities block. The block suffered from poor ventilation, material use and orientation, resulting in a putrid, dirty and highly non-functional space. As a group we addressed each flaw one by one. The new design employed strategically placed openings, which coupled with a change of site, and re-orientation maximised cross-ventilation. The cubicles were separated from the basins to allow greater circulation, whilst additional cubicles were added to meet the increased use of the area. My contribution included ventilation modelling, design development and CAD technical drawings. The final model was built by the entire group collectively.

42


form development

1100

110

190

1870

190

3820

3600

110

F

F

F 95 90

110

RECYCLED SPOTTED GUM POSTS 90x50

50

D

0

STEEL COPING 30x30mm FIXED TO MAN SPEC.

20

1890

30

30

STAINLESS STEEL BOLTS 5x85mm FIXED TO MAN SPEC.

110

8

90 STAINLESS STEEL BOLTS 10x160mm FIXED TO MAN SPEC.

POURED IN SITU CONCRETE WALLS 190mm FIXED TO ENG SPEC.

STEEL BRACKET BLADE 400x90x8mm EMBEDDED IN CONCRETE WALL TO MAN SPEC.

0

16

STEEL L COPING 170x160x10mm FIXED WITH SILICONE ADHESIVE

170

TACTILE INDICATORS, 600 x 600 GRIDS

10

ZINCALUME COLORBOND STEEL SHEETING ROOF LINE 5000 x 5400 FIXED TO ENG SPEC. LIGHT TIMBER FRAME 110 x 50 FIXED TO MAN SPEC.

M

STAINLESS STEEL BASIN TROUGH FIXED TO MAN. SPEC

UTILITY

RECYCLED SPOTTED GUM TIMBER PANELS 25x100 FIXED TO MAN SPEC.

STEEL RE-INFORCING 5mm dia FIXED TO MAN SPEC. POURED IN SITU CONCRETE WALLS 1540x200mm FIXED TO ENG SPEC.

400

RECESS TO HOUSE DAMP PROOF COURSE FIXED TO MAN SPEC.

1

2

3

4

PROJECT

PROJECT

CREMORNE PT. AMENITIES BLOCK

409

18

ZINCALUME COLORBOND STEEL SHEETING ROOF LINE 5000 x 5400 FIXED TO ENG SPEC. TIMBER RAFTER 410x35, 665cc

SCALE:

1440 550 300

360

3160

2980

1540

ARCHITECTURAL TECHNOLOGIES M = MALE F = FEMALE,

1:50

450

HYDRAULIC SERVICES CONCRETE PAD 300mm THICK SOIL DRAINAGE

BDES2012

DRAWING TITLE

SITE PLAN

POURED IN SITU CONCRETE WALLS 190mm FIXED TO ENG SPEC. RECYCLED SPOTTED GUM BEAMS 30x80 STEEL COPING 30x30

STEEL L COPING 90x10 POURED IN SITU CONCRETE WALLS 200mm FIXED TO ENG SPEC. URINAL STAINLESS STEEL BASIN TROUGH FIXED TO MAN SPEC. CVC PIPE 60mm dia

CONCRETE SLAB 300mm POURED TO MAN SPEC.

front wall detail

5

D

43

STUDENT:

Liam Marosy-Weide

CREMORNE PT. AMENITIES BLOCK

DRAWING TITLE

BDES2012

DETAIL AXONOMETRIC

ARCHITECTURAL TECHNOLOGIES

SCALE:

STUDENT:

1:5

LIAM MAROSY-WEIDE

0

25


14

Miscellaneous creations + processes Year

“The working hand represents the true versatility of its actions as well as both its seamless unity with the intentioning mind and its cunning independence and capacity for autonomous thought� Juhani Pallasmaa

2011 - 2017

I strongly follow a philosophy of mind to hand and hand to mind. My creative process is an exploration of the tangible qualities of ideas, to understand and appreciate the materials used and the forms they can create. It is essential to examine ideas with a range of scales and material to unlock their potential. This results in a more intimate and well informed result for both the creator and user.

Sauna Project - Skarresø Festival 44


^ 45

ยง development


Liam Marosy-Weide

46



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