尊彩藝術中心—陳澄波百二誕辰東亞巡迴大展

陳澄波百二誕辰東亞巡迴大展

國立故宮博物院 2O14.12.05-2O15.3.30 Chen Cheng-Po’s 120th Birthday Anniversary Touring Exhibition National Palace Museum 2014年 是 臺 灣 前 輩 畫 家 陳 澄 波 先 生 120歲 的 誕 辰 ， 大 型 的 紀 念 展，從臺南、北京、上海、東京一路巡迴，以國立故宮博物院 作為整個活動的最後總結；取名「藏鋒」，意在凸顯一個深受 中國傳統水墨思想影響的傑出藝術家，如何在作品中吸納東方 繪畫的特質，在「中西融合」的課題上，作出貢獻。

國立故宮博物院．中央研究院臺灣史研究所．台南市政府．財團法人陳澄波文化基金會 尊彩藝術中心．佳士得香港有限公司．嘉義市政府文化局．正修科技大學藝文處 國立臺灣師範大學文物保存維護研究發展中心．財團法人台南市文化基金會 陳澄波 Chen Cheng-po《清流》Stream 1929 Oil on canvas 72.5x60.5cm

陳澄波百二誕辰東亞巡迴大展 Chen Cheng-Po’s 120th Birthday Anniversary Touring Exhibition

臺南【澄海波瀾】 2O14.1.18-3.3O 新營文化中心︱臺南文化中心︱鄭成功文物館︱國立臺灣文學館 “Surging Waves – Chen Cheng-Po’s 120th Bir thday Anniversary Touring Exhibition”, Tainan

2014 年是臺灣前輩畫家陳澄波先生誕辰 120 週年，為紀 念這位在臺灣、東亞近代美術史上默默耕耘、獲獎無數、 提攜後進不遺餘力、留下諸多珍貴文化遺產，並戮力推 動美育的先行者，中央研究院臺灣史研究所、臺南市政 府、財團法人陳澄波文化基金會結合國內外各相關單位 暨博物館、美術館等，將相關單位珍藏之珍貴作品與文 史資料為主要展示內容，盛大舉行東亞巡迴大展，並以 臺南作為「澄海波瀾—陳澄波百二誕辰東亞巡迴大展」 的首站，由臺師大美術系白適銘教授策展，以四大展場 （臺南文化中心、新營文化中心、臺灣文學館、鄭成功 文物館）呈現六大主題：「現代之眼」、「美育前線」、 「世界座標」、「巴黎想像」、「東方情緒」、「波光

have joined hands with museums and galleries in Taiwan and

瀲灩」，期望以宏觀而全面的視角來重新閱讀陳澄波這

abroad to mount this grand East Asia touring exhibition. Tainan

一生對藝術創作的執著與熱忱，揭示根植於歷史脈絡、

is the first stop for the “Surging Waves – Chen Cheng-Po’s

風土民情的藝術思維，及建構臺灣藝術文化的主體性，

120th Bir thday Anniversary Touring Exhibition.” Curator of the

期使世人對其一生畫業的努力成果，有更進一步之瞭解，

exhibition, Professor Pai Shih-Ming (Depar tment of Fine Ar ts,

更向藝術家對臺灣近代美術史發展的成就與貢獻致敬。

National Taiwan Normal University), staged it at four locations: Tainan Municipal Cultural Center, Xinying Cultural Center,

The year 2014 is the 120th anniversary of the bir thday of Chen

National Museum of Taiwan Literature, and Koxinga Museum;

Cheng-Po. This exhibition commemorates Chen Cheng-Po as a

and divided Chen’s wor ks into six themes: “Modern Eyes”,

“cultural pioneer,” a “champion of the ar ts” who made selfless

“Ar t Education”, “World Coordinates”, “Parisian Imagination”,

contributions to the Taiwanese and East Asian ar t of recent eras,

“Or iental Mood”, and “Glitter ing Waves”. The exhibition

won countless awards, guided younger protégés, left valuable

provides a macroscopic and comprehensive perspective to

cultural treasures, and aided in promoting the modernization

Chen’s enthusiasm and dedication to ar tistic creation, and

of ar t education. At the same time, it recalls the surging waves

reveals ar tistic thinking rooted in historical context, culture and

of his ar tistic life and his grand cultural ambitions. For these

customs. Moreover, it unveils Chen’s lifetime achievements in

purposes, Institute of Taiwan History at Academia Sinica, Tainan

painting industry, fur thers understanding, and pays tribute to the

City Government, and Chen Cheng-Po Cultural Foundation

development of Taiwanese modern ar t.

臺南 Tainan

臺南文化中心【巴黎想像 / 世界座標】 Tainan Municipal Cultural Center “Parisian Imagination” / “World Coordinates” 1924 年，對藝術懷抱著崇高志向的陳澄波，遠赴日本求學。當時 世界畫壇風起雲湧，陳澄波除了接受東京美術學校現代藝術思潮 的啟蒙，更積極投入各種活動，參觀現代藝術與前衛畫會的展覽， 並從明信片、雜誌或畫冊剪報收集美術新知，擴充視野，建立具 有世界規模的現代藝術史觀和文化視角。 In 1924, embraced with art and full of lofty ambitions, Chen Cheng-Po, went to study in Japan. At that time, Chen Cheng-Po not only learned modern art concepts at the Tokyo School of Fine Arts, but was also actively involved in various activities, visited modern and avant-garde art exhibitions, and gained 淡水夕照 Sunset of Tamsui 1935 油彩畫布 Oil on canvas 50F

knowledge in arts from postcards, magazines and art albums. It expanded his horizons, and established an understanding about modern art history and cultural perspective.

國立臺灣文學館【波光瀲灩】 National Museum of Taiwan Literature “Glittering Waves” 在日本所受的美術教育，除了開拓陳澄波繪畫的視野和技能， 獲得帝展、臺展、府展的肯定以外，他對世界美術的追求，已 經從學習者的身份轉換成傳播者。原本單純創作的身分，也因 為懷抱社會關懷的理想，而逐漸站上美育的最前線。陳澄波的 藝術成就超越過去純粹追求個人理想的階段，逐步進入建構「臺 灣文化主體」的嶄新思考方向。 Art education received in Japan not only shaped Chen Cheng-Po’s vision and skills, but also affirmed success at Imperial Exhibition, Taiwan Fine Arts Exhibition, and Taiwan Governmental Fine Arts Exhibition. In quest for the “world art”, he became not only a learner but also a communicator. As a creator, he cherished social care ideals, what gradually put him at the forefront of aesthetics. Chen’s artistic achievements exceeded his pursuit of personal ideals, and successively constructed a new thinking of “Taiwan’s cultural subjectivity”.

鄭成功文物館【東方情緒】Koxinga Museum “Oriental Mood” 1929 年，陳澄波結束東京美術學校師範科研究所學

In 1929, after graduating from the Tokyo School of Fine Arts, Chen Cheng-Po

業之後，前往上海，陸續在新華藝專、昌明藝專、

left for Shanghai and started teaching at Xinhua Art College, Changming Art

藝苑繪畫研究所等學校擔任教職。陳澄波在上海時

College, Yiyuan Painting Research Institute, etc. Chen Cheng-Po’s artistic style was

期的風格持續變化，他融合印象派、後印象派、野 獸派等畫風，以及傳統水墨的筆法和意境，例如使

constantly changing during the Shanghai period: he was combining Impressionism, Post-impressionism, Fauvism, and other styles, as well as traditional ink techniques and artistic concepts. For example, he used images with “oriental flavor” or

用具有「東方味」的圖像，或是以油彩實踐水墨的

applied texturing methods of ink to oil painting what resulted in rich expressive

皴法，讓線條具有豐富的表現力。1933 年 6 月，陳

lines. In June 1933, Chen Cheng-Po returned to Taiwan. Here, he became actively

澄波返臺定居。他積極參與畫會和舉辦展覽，作品

involved in activities of art associations and organized exhibitions. He formed a

呈現出「東方情緒」的特質。

new style with “Oriental Mood” artistic qualities.

陳澄波百二誕辰東亞巡迴大展 Chen Cheng-Po’s 120th Birthday Anniversary Touring Exhibition

北京【南方艷陽】 2O14.4.24-5.20 中國美術館 “The Bright Sunshine of the South – The Grand Art Exhibition of Chen Cheng-Po”, Beijing

由中國美術館、財團法人陳澄波文化基金會、臺南市文

National Ar t Museum of China (NAMOC) in Beijing, Chen

化局共同主辦的「南方艷陽—陳澄波藝術大展」展出陳

Cheng-Po Cultural Foundation, and Cultural Affairs Bureau of

澄波各個時期的代表作共 133 幅，是封塵近半個世紀的

Tainan City Government co-sponsored the “The Bright Sunshine

畫作首次在中國美術館集中亮相，既是對陳澄波藝術創

of the South – The Grand Ar t Exhibition of Chen Cheng-Po”

作的全面展示，也將見證中國近現代美術史上，兩岸文

to display 133 masterpieces by Chen Cheng-Po. National Ar t

化藝術相互了解與密切交流的一段珍貴史實。這場著重

Museum of China provides a comprehensive display of Chen’s

在學術性的展覽，呼應中國美術館擔任中國近代美術研

ar tistic creation, thus witnessing the impor tance of exchange

究中心推動單位的一項重要工作項目，集結作品、文獻、

of culture and ar t between Mainland China and Taiwan in the

修復等方面，編印了內容豐富的畫冊，並邀約兩岸專家

histor y of modern Chinese ar t. This exhibition focuses on

學者同席研討，進一步引發學界對陳澄波藝術及中國早

academic factors. The Center for Modern Chinese Ar t Studies

期油畫藝術等相關美術史問題的研究與探討，期待為兩

of the NAMOC is an impor tant institution for assembling

岸的相互瞭解與交流，作出具體貢獻。

and restoring works of literature and ar t. As a result of this exhibition, NAMOC published the content-rich book, and

右上圖 Picture top on the right

invited exper ts and scholars from both Taiwan and China to

嘉義街外 Outside of a Chiayi Street

par ticipate in a seminar in order to discuss Chen’s ar t, early

1927 油彩畫布 Oil on canvas 64×53cm (15F)

Chinese painting ar t and other with ar t histor y related issues, thus contributing to the mutual understanding and cross-strait exchanges.

Beijin

北京

西薈芳 West Huifang 1932油彩畫布 Oil on canvas 117×91cm (50F)

陳澄波百二誕辰東亞巡迴大展 Chen Cheng-Po’s 120th Birthday Anniversary Touring Exhibition

上海【海上煙波】 2O14.6.6-7.6 中華藝術宮 “Misty Vapor on the High Seas”, Shanghai

嘉義公園 Chiayi Park 1939 油彩畫布 Oil on canvas 91×116.5cm (50F)

陳 澄波 在結 束 日本 東 京美 術 學 校西 畫 研 究 科 的學業 之

and activities during the Shanghai period highly supplemented

後，便赴上海，先後擔任多所美術專科學校西畫科教授

to the histor y of Shanghai modern ar t. Chen’s residence in

兼主任，並參與多項官方美術公職。陳澄波在上海期間

Shanghai coincided with the heyday of the Shanghai’s “new

的創作和活動，是對上海近現代藝術史個案的有力補充。

school” painting movement in the 1930s. Chen was passionate

這段時期正逢 30 年代上海風華的全盛時期；他生性熱情，

about nature. He had a wide circle of ar tists’ friends, including

交遊廣闊，藝友不分水墨畫、西畫，包括：王濟遠、張

Wang Ji-Yuan, Chang Shan-Zi, Chang Ta-Chien, Yu Jian-Hua, Pan

善孖、張大千、俞劍華、潘玉良……等，同時，他也積

Yu-Liang, and others. Chen also actively par ticipated in the

極參與現代繪畫團體「決瀾社」的籌組工作；惜因上海

establishment of the “Storm Ar t Society”. Unfor tunately, because

128 事件的爆發，未能參與展出，且以「日僑」身份被

Chen had an “overseas Japanese” identity, the outbreak of the

迫離滬。

Januar y 28 Incident in Shanghai prevented his par ticipation in the first exhibition of this society and also ended his Shanghai

在陳澄波闊別上海八十年後，特別選在中國最具規模的

period.

上海中華藝術館舉行「海上煙波―陳澄波特展」，展覽 著重於陳澄波上海時期的經歷與藝術思維的轉折，藉由

It has been 80 years since Chen Cheng-Po left Shanghai. “Misty

回顧他當年在上海的遊蹤與創作，透過這些藝術創作的

Vapor on the High Seas – Chen Cheng-Po’s Ar t Exhibition”

軌跡，或許可為 20 世紀 30 年代上海美術運動的史料，

is hold by China Ar t Museum in Shanghai and focuses on

提供一些有用的資訊與線索。

Chen’s experiences and the shift of his ar tistic thinking during the Shanghai period, and exhibits Chen’s works painted back

Chen Cheng-Po right after graduating from the Tokyo School of

in those years. Moreover, through the representation of the

Fine Ar ts where he studied Western painting, went to Shanghai

ar tistic creation, and historical data of Shanghai’s Ar t Movement

and took a position of director and professor at the Western

in the 30th of the 20th centur y, it provides some significant

Painting Depar tment, Shanghai Fine Ar ts College. At the same

information and clues.

time he was involved in various ar t initiatives. Chen’s creation

Shanghai

上海

琳瑯山閣 Linglang Mountain Pavilion 1935油彩畫布 Oil on canvas 73×91cm (30F)

盧灣之弧

新華藝術專科學校 ( 斜徐路打浦橋南堍 )

陳澄波上海時期相關歷史遺跡考察

1926 年 12 月 18 日創立。初名「新華藝術學院」。設國畫、

Luwan District

西畫、音樂、藝術教育四個系。1929 年秋，改校名為「新

Review of the historical sites during Chen Cheng-Po's Shanghai period

華藝術專科學校」。陳澄波於 1930 年前後，被聘任為新華 藝術專科學校西畫系教授。

1928 年，上海的一批西畫家，力圖組織一個非營利性的繪

Xinhua Art School (Xiexu Road, South side of the Dapu Bridge)

畫學術機構，取名「藝苑」。位於上海西門地區的藝苑繪畫

Founded in December 18th, 1926. It was named Xinhua Ar t

藝苑第二屆美術展覽會（明復圖書館）

研究所，是中國近現代美術史中出現於上海的重要西畫團 體。1931 年 4 月，陳澄波油畫《人體》參展藝苑第二屆展 覽會，獲得了極高的聲譽。

School and had four depar tments including Tradition Chinese Painting, Western Painting, Music, and Arts Education. In 1929, it was renamed into Xinhua Art College. Chen Cheng-Po was appointed as professor of the Department of Western painting in 1930.

The Second Yiyuan Art Exhibition (Mingfu Library) In 1928, a group of ar tists in Shanghai organized a non-profit western painting institution named Yiyuan Painting Research Institute (Yiyuan). Located in West Gate region, Yiyuan is one of the most impor tant Western painting groups in Chinese modern ar t histor y. In April 1931, Chen Cheng-Po’s painting “Human Body” was presented at the Second Yiyuan Ar t Exhibition, and earned a great reputation.

決瀾社第一次展覽會（中華學藝社 紹興路 7 號）

陳澄波上海寓所 ( 新華藝術專科學校附近—打浦橋南堍 )

陳澄波曾於 1931 年 9 月 23 日參加決瀾社籌備會議，決瀾社

根據李超教授專訪陳重光先生相關回憶所錄，當年陳澄波寓

的第一次展覽會舉辦於中華學藝社，該社是聯繫文化界人士

所離新華藝專臨近，陳澄波從寓所到新華藝專步行即可，根

的重要地點。1932-1935 年是中華學藝社舉辦美術展覽活動的

據歷史文獻記錄，新華藝專舊址（1937 年 11 月以前），位

活躍時期，其中重要的有決瀾社和中華獨立美術協會展覽。

於打浦橋南堍地區 , 現為打浦路海華花園小區所在地。

The First Ar t Exhibition of the Juelan Society (Chinese Scholarship Society, No. 7, Shaoxing Road)

Chen Cheng-Po’s Residence in Shanghai (near Xinhua Art School, South side of Dapu Bridge)

Chen Cheng-Po had joined the preliminar y meeting of Juelan

According to Professor Li Chao’s exclusive interview with Chen

Society in 1931. The first Ar t Exhibition of the Juelan Society

Tsung-Kuang, Chen Cheng-Po’s residence was near Xinhua Ar t

was held at Chinese Scholar ship Society, which was an

College, which was within a walking distance from the residence.

impor tant assembly site for cultural figures. Its active period

Based on historical documents, Xinhua Ar t College was located

was between 1932 and 1935, during which it held several ar t

(before November 1937) in the area of the South side of Dapu

activities including Juelan Society and Painting Exhibition of

Bridge, what is now a community named Haihua Garden.

China Independent Fine Ar ts Society.

上海 Shanghai

上海美專（順昌路 440 號）

第一屆全國美術展覽會（新普育堂）

上海美專深受蔡元培關於美育和“思想自由，兼容並包＂主

第一屆全國美術展覽會規模宏大、展品充足，是陳澄波上海

張的影響，活躍於現代藝壇。陳澄波在上海的時期，與許多

時期早期的重要藝術活動記錄。陳澄波有三幅油畫作品《清

上海美專教師結下深厚友誼，加上他們擁有共同的藝術理

流》、《綢坊之午後》、《早春》入選第一屆全國美術展覽

想，才得以組織藝苑繪畫研究所深入研究藝術。

會西畫展。這幾件作品也是探討 1930 年代中國洋（西）畫

Shanghai Academy of Fine Arts (No. 440, Shunchang Road)

運動重要的切入點。

Shanghai Academy of Fine Ar ts was deeply influenced by Tsai Yuan-Pei’s aesthetic educational claim and guiding ideology –

The First National Art Exhibition of the Republic of China (New Puyutang)

“all-embracing thought of freedom”. During the Shanghai period,

The First National Ar t Exhibition of the Republic of China had a

Chen forged profound friendship with many teachers who had

grand scale and abundant ar tworks, which was an impor tant ar t

similar ar tistic ideals. As a result, they organized in-depth studies

activity record of Chen Cheng-Po’s early Shanghai period. Chen

on ar t at the Yiyuan Painting Research Institute.

had three paintings including “Stream”, “Afternoon at a Silk Mill”, and “Early Spring”, that were presented at the exhibition. These works play a great role in researching Chinese Western Painting Movement in 1930s.

昌明藝術專科學校（黃陂南路、太倉路） 1930 年 初 創 立， 由 王 一 亭、 吳 東 邁 為 紀 念 吳 昌 碩 而 發 起 創辦。該校設有國畫系、西畫系、藝術教育系。陳澄波於 1930 年任教於昌明藝術專科學校，開啟了融合中國古風、 尋求東方精神新體現的藝術探索歷程。

Shanghai Changming Art School (Huangpi South Road, Taicang Road) Established in 1930, Shanghai Changming Art School was initiated

by Wang Yi-Ting and Wu Dong-Mai, in order to commemorate the ar tist Wu Chang-Shuo. The school was comprised of the Depar tment of Traditional Chinese Painting, the Department of Fine Ar ts and the Depar tment of Ar ts Education. Chen ChengPo star ted teaching here in 1930. At the same time, he began combining Chinese antiquities and oriental spirit in order to reflect a new course in his ar tistic explorations.

藝苑繪畫研究所（西門林蔭路 126 號）

復興公園 ( 原法國公園 )

為 1928 年創立的綜合性繪畫研究社團，簡稱藝苑。根據文

復興公園在法租界時期有“上海的盧森堡公園＂之稱。過往

獻記載，陳澄波於 1929 年至 1931 年間，曾參與藝苑繪畫研

為私人園林，人們稱之為“顧家宅花園＂，這便是復興公園

究所相關教學及展覽活動。醇厚的學術風氣與和睦的自由探

最初的雛形。陳澄波上海時期中，法國公園成為他重要的寫

討，使「藝苑」在上海西畫界產生了良好的影響和聲譽。

生地點，描繪出樸實而富拙趣的風景繪畫。

Yiyuan Painting Research Institute (No. 126, Linyin Road, West Gate)

Fuxing Park (originally French Park)

Yiyuan Painting Research Institute was a comprehensive painting

during the French Concession period. It was originally a private

research association founded in 1928. According to written

park, named Gu's Park. During the Chen’s Shanghai period,

records, between 1929 and 1931, Chen Cheng-Po had joined

French Park became an impor tant outdoor sketching place with

teaching activities and exhibitions at Yiyuan. With free academic

simple but vivid scenery for landscape painting.

atmosphere and harmonious discussion Yiyuan had a great influence and reputation in Shanghai Western painting field.

Fuxing Park was also known as “Luxembourg Park in Shanghai”

陳澄波百二誕辰東亞巡迴大展 Chen Cheng-Po’s 120th Birthday Anniversary Touring Exhibition

東京【青春群像】 2O14.9.12-10.26 東京藝術大學︱東京上野公園 “The Modern Ar t in Taiwan - Works by Foreign Students in Their Youth”, Tokyo

自畫像 Self-Portrait

“The Modern Ar t in Taiwan – Works by Foreign Students in

1928 油彩畫布 Oil on canvas 41×32cm (6F)

Their Youth (1895-1945)” exhibition hold at the University Ar t Museum of the Tokyo University of the Ar ts presents ar tists who from the 1910s to the late 1930s studied at the Tokyo School of Fine Ar ts. When studying at the Tokyo School of Fine

國立東京藝術大學大學美術館舉辦的「臺灣近代美術－

Ar ts, alumni Chen Cheng-Po laid a foundation to his painting.

留學生們的青春群像 (1895 － 1945)」展覽，參展藝術家

He used thick brush strokes to bring out strong colors. These

均為 1910 年代中期至 1930 年代末期留學東京美術學校

easy and smooth, full of vitality strokes also shaped his unique

的學生。同樣身為東京美術學校校友的陳澄波，在東美

ar tistic style.

求學期間奠定他的油畫基礎，此時期他喜愛用厚重筆觸 襯托出濃烈的色調，這些流暢、富有生命力的筆觸也形

After more than one hundred year, for the first time in total 54

塑他畫面中特有的律動風格。

significant ar t works by 14 senior ar tists are brought back on display at the alma mater. The exhibition is divided into three

此 次 展 覽 共 有 14 位 臺 灣 前 輩 藝 術 家 共 54 件 重 要 作 品

themes: “Reunion of the Young Taiwanese Graduates”, “Taipei,

在百年後首次回到母校展出，並以「臺灣少年郎東美重

Tokyo, Paris, Beijing/Shanghai” and “Beautiful Formosa”, thus

逢」、「臺北、東京、巴黎、北京 / 上海」以及「美麗

presenting ar t works by the ar tists who graduated from the

Formosa」三大主題依序呈現藝術家們在東京美術學校的

Tokyo School of Fine Ar ts, the ideals of ar t at that time, as well

養成，呈現藝術家對於當時世界美術發展抱持的理想，

as their contribution to local community after the return to

以及學成返臺後對於鄉土的耕耘及貢獻。

Taiwan.

東京 Tokyo

陳澄波百二誕辰東亞巡迴大展 Chen Cheng-Po’s 120th Birthday Anniversary Touring Exhibition

臺北【藏

鋒】 2O14.12.5-2O15.3.3O

國立故宮博物院 “Store Wind – Exhibition of Chen Cheng-Po”, Taipei

陳澄波是臺灣日治時期第一位以油畫入選日本最高美術

Chen Cheng-Po was the first Taiwanese painter to be invited to

權威「帝國美術展覽會」( 簡稱「帝展」) 的第一人，也

par ticipate in Japan’s Imperial Exhibition. In the first generation

是臺灣第一代油畫家中最早展露對現代繪畫理念探討並

of oil painter s, he was one of the fir st who expressed his

建立強烈自我風格的第一人。但更重要的是：作為近代

interest in the modern painting and built a strong personal

美術先驅的陳澄波，極早就在作品中展露他對中國傳統

creative style. More impor tantly, as a pioneer of modern ar t,

水墨繪畫，包括倪雲林、八大山人等人作品用筆用墨的

Chen Cheng-Po very early attempted to incorporate distinctive

理解，並融和在自己的創作之中。

features and concepts of Chinese ink-wash painting into his ar t, including those used by Ni Yun-Lin, Zhu Da and others.

在國立故宮博物院九十周年館慶，及故宮南院積極推動 之際，作為嘉義人的陳澄波，也正逢 120 歲冥誕，所有

National Palace Museum is celebrating its 90th anniversar y

作品全數修復完成之後，首度集中一室展出，「藏鋒－

what coincides with the 120th bir thday anniversar y of Chen

陳澄波特展」的推出，並配合國際研討會的辦理，邀集

Cheng-Po. Once the restoration of Chen’s ar tworks is finished,

東亞國際學者參與，相互激盪，引發新研究觀點，應具

the exhibition named “Store Wind – Exhibition of Chen Cheng-

歷史學術上的重大意義。

Po” will be opened at the Southern Branch of National Palace Museum. Besides, the scholars from various countries in East Asia are invited to take par t in the international symposium where new research topics, significant for the histor y of academics, will be provided and discussed.

臺北 Taipei

玉山積雪 Mount Jade Covered by Snow 1947 油彩木板 Oil on board 23.5×33cm

祖母像 Portrait of Grandmother 1930 油彩畫布 Oil on canvas 65×50cm

崗 Hillock 1936 油彩畫布 Oil on canvas 91×116.5cm

湖濱 Lakeside

別墅 Cottage

山腳下 At the Foot of the Mountain

油彩畫布 Oil on canvas 33.5 ×45cm (8P)

油彩畫布 Oil on canvas 18.8×26.2cm (2F)

油彩木板 Oil on wood 21×27cm (3F)

陳澄波百二誕辰東亞巡迴大展 Chen Cheng-Po’s 120th Birthday Anniversary Touring Exhibition

陳澄波與尊彩藝術中心 Chen Cheng-Po & Liang Gallery

陳澄波與陳碧女紀念畫展 Memorial Exhibition for Chen Cheng-Po and Chen Bih-Neu 陳澄波與陳碧女父女兩人對藝術生命的期許均抱持無限的熱情， 創作時所包涵的藝術性與思想性，常能引人深深入畫，讓人感受 其隱含的深沈情感和偉大胸懷。從兩人作畫筆觸的相類似，即可 發現其包含的情感至深，及個性皆為剛烈，難怪當時有報章評論 陳氏父女的作品，而道出「虎父與虎女」的口號，實為貼切。 It was apparent that father and daughter both shared a limitless passion for living life in pursuit of art. The work exudes an artistic quality and thoughtfulness that draws one into the image, and engulfs them with profound emotions and a great sense of magnanimity. The brushstrokes of the two are similar, revealing deep inner feelings and staunch personalities. It is no wonder that a news headline for a review regarding Chen Cheng-Po and Chen Bih-Neu was titled, “Like Father, Like Daughter.”

台灣美術史上的重要時刻 Important Events in Taiwanese Art History 尊彩藝術中心應中國文化部，中國文化學會的邀請，提供陳澄 波、廖繼春、洪瑞麟、廖德政等四位台灣前輩藝術家的作品，前 往北京中國美術館參加「二十世紀中國油畫展」。中國油畫學會： 「這次展覽將是一次具有歷史性、學術性、前瞻性的大展，將作 為中國油畫的世紀性盛會而載入中國當代文化發展的史冊」。 Liang Gallery was invited by the Ministry of Culture of the People’s Republic of China and the Chinese Cultural Association to feature works of four senior Taiwanese artists – Chen Cheng-Po, Liao Chi-Chun, Hong Rui-Lin and Liao TeCheng for the “20th Century Chinese Oil Painting Exhibition” at the National Art Museum of China in Beijing. The China Oil Painting Society stated that, “This will be a great, forward-looking exhibition of a historical and academic importance. It will be recorded in the development of Chinese contemporary culture as the event of the century.”

陳澄波作品集—藏寶圖肆 Treasure Map IV Painting Album 陳重光先生（陳澄波長子）與其家族，傾全力支持藏寶圖肆的編輯，使得這本畫冊成為陳澄波的專屬專輯，也受到各界的重 視與推崇，內容更為海內外拍賣公司與畫廊業者所認定的陳澄波畫作中最重要的參考用書之一。陳澄波多數畫作經過清洗與修 復，第一次在國人的面前展示，多幅未曾面世的精彩作品齊聚一堂，讓尊彩藝術中心倍感光榮之外，也因此次陳澄波個展的難 度與內容之齊全，使得尊彩奠定在海內外經營陳澄波畫作的正確公正性與權威性。 Many thanks go to Chen Cheng-Po’s son, Chen Chung-Kuang, and his family for their support and encouragement in creating the Treasure Map IV Painting Album, and turning it into an album for a solo exhibition for Chen. Treasure Map IV, which exclusively features Chen’s works, has become an important reference used by auction houses all over the world for identifying and appraising Chen Cheng-Po’s paintings. Many of the paintings were cleaned and restored, and displayed again to the public for the first time. Liang Gallery felt extremely proud to showcase so many works that had never been debuted in public before under its roof. By hosting such a complex and comprehensive solo exhibition of Chen’s works, Liang Gallery cemented its reputation both locally and internationally as a credible and authoritative source for paintings by Chen Cheng-Po.

陳澄波與尊彩藝術中心 Chen Cheng-Po & Liang Gallery

璀璨世紀－陳澄波與廖繼春雙個展 Dazzling Through a History Chen Cheng-Po & Liao Chi-Chun Art Treasures Collection 本展為尊彩藝術中心瑞光新館開幕特展，展出廖繼春與陳澄波不同 時期的重要作品：陳澄波的「上海風車」、「長榮女中」、「新樓 風景」中，同樣的矮房與樹木圍繞出的草地，同樣彎曲的小徑綿延， 母子身影位於畫面中央，卻有不同的寧靜恬逸。而「自畫像」則展 現陳澄波深沈而若有所思的樣貌，顯露出自信與堅持創作的毅力； 「我的家庭」中，觀賞者與陳澄波的家人共享小小的圓桌，溫暖的 燈光下，桌上簡單擺設的物件清楚地說明家裡每位成員的興趣及個 性。陳澄波畫作中散發出的故鄉情更感動了所有前來觀賞的民眾。 This is a special exhibition that commemorates Liang Gallery’s new branch on Ruiguan Road, and showcases the important works of Chen Cheng-Po and Liao Chi-Chun across different time periods. Chen’s “Shanghai Windmill”, “ChangJung Girls School”, and “New Building Landscapes” all feature the same grassy area surrounded by low rooms and trees, and the same curved stretches of trail.

Yet, at the center of the image, the mother and child exude a different sense of silence and ease. And, in “Self-Portrait”, Chen presents a deep and thoughtful expression that reveals the determination of self-confidence and persistence in art. In “My Family”, the viewer and Chen’s family, under a warm light, shares a small round table. Simple furnishing objects on the table clearly describe the interests and personality of each family member. The hometown feelings exuded by the works of Chen moved viewers even more deeply.

尊彩 20 周年．雙特展 彩筆江河—陳澄波飛行．熱氣球—台灣當代藝術展 Liang Gallery Twentieth Anniversary – Double Special Exhibition The Origin of Taiwan Art – Chen Cheng-Po Exploring with a Balloon – Taiwan Contemporary Art Exhibition 以建立台灣美術史定位為使命的尊彩，為迎接這意義非凡的一刻， 於 挑 高 的 二 樓 主 題 館 展 出「 彩 筆 江 河 — 陳 澄 波 」 大 展。 陳 澄 波 （1895-1947）不單是第一位入選日本帝展的台灣畫家，更是台灣 近代美術發展的先驅，他在 1935 年完成的《淡水夕照》，2006 年 在香港的拍賣場以新台幣 2.2 億天價賣出，聞名全球！此作第一次 於私人畫廊展出，於尊彩 20 周年慶中曝光， 堪稱難得的壓軸鉅作， 也是尊彩為台灣前輩藝術家的經營打下良好的根基。 Liang Gallery is committed to the mission of establishing Taiwan’s art history.

To meet the remarkable significance of this particular moment, it is holding a grand exhibition, “The Origin of Taiwan Art – Chen Cheng-Po”, in the high-ceiling thematic pavilion on the second floor. Chen Cheng-Po (1895-1947) was not just the first Taiwanese painter to be selected for the Japanese Imperial Exhibition, but also a pioneer in the development of contemporary art in Taiwan. In 1935, he completed the painting, “Tamsui Sunset”, which, in 2006, received international acclaim after being sold at an auction in Hong Kong for TWD 220 million! To commemorate Liang Gallery’s twentieth anniversary, this exhibition marks the first time when this rare masterpiece is featured at a private gallery as a grand finale.

2012 年 尊彩藝術中心貳拾週年—台灣前輩藝術家 「彩筆江河—陳澄波大展」 Liang Gallery Twentieth Anniversary The Origin of Taiwan Art: Chen Cheng-Po 2012

尊彩藝術中心是由負責人余彥良先生創立於 1993 年，至今 已有 22 年歷史；藝術中心獨棟位於台北市內湖區瑞光路上， 展覽館空間三個樓層共約 2000 平方米，每個月均規劃不同 的主題展覽。 自創立以來，致力於推廣台灣現代、當代藝術，更專注與台 灣前輩藝術家陳澄波、廖繼春、楊三郎、陳植棋、李梅樹、 金潤作、蒲添生等藝術家家屬們及相關基金會共同合作，定 期舉辦大型回顧展與學術研討會，並加強社會教育功能等事 務，以此奠定私人畫廊建立於台灣美術史之重要地位。 尊彩藝術中心自 1997 年起，與陳澄波文化基金會合作各項 展覽有 18 年之久，歷年展覽有 1997 年陳澄波與陳碧女紀念 展，2005 年台灣藏寶圖之四―陳澄波回顧展，2010 年璀璨 世紀之陳澄波與廖繼春回顧展，2012 年彩筆江河之陳澄波 回顧展。2012 至 2013 年，我們亦協辦與陳澄波文化基金會 於台北市立美術館、高雄市立美術館等大型回顧展，2014 年協辦「澄海波瀾―陳澄波百二誕辰東亞巡迴大展」，此展 由台南出發，並延伸巡迴至北京中國美術館、上海中華宮藝 術館、東京藝術大學大學美術館，年底回到台北故宮博物 院，做為完美盛大展出的句點。這項長達一年多的巡迴大 展，期望更多人對陳澄波在藝術上的傑出成就與不朽的思維 能有更深刻的理解，肯定他對台灣近代美術史之影響與美術 教育之貢獻，對此致上最高敬意。 尊彩藝術中心近年積極參加國際藝博會，2014 年倫敦藝博 Ar t14 London，新加坡藝博 Ar t Stage、博多那上海國際當代 藝術展 SH Contemporary。 2015 年即將於香港藝術博覽會 Ar t Basel HK 會上展出陳澄 波個展。期許以多年豐富策展經驗推動台灣藝術國際化，以 完善的展覽策劃，各項學術出版的國際交流，引領藝術創作 者與藝術愛好者，走向更寬闊的藝術領域。

The 22-year-old Liang Gallery was founded in 1993 by Yu Yen-Liang. The gallery is located on Ruiguang Road in Taipei’s Neihu District, and has a three-story building offering high-ceiling and well-lit exhibition space up to almost 2000 square meters. Every month it holds exhibitions on different themes.

Since its founding, Liang Gallery has been committed to promoting Taiwanese modern and contemporary ar t. It has also worked with foundations and families of senior artists such as Chen Cheng-Po, Yang San-Lang, Chen Chih-Chi, Li Mei-Shu, Chin Jun-Tso, Pu Tien-Sheng, and others. In order for private galleries to establish a strong position in the history of Taiwanese art, Liang Gallery regularly organizes large-scale retrospective exhibitions, discussion forums, and hence, contributes to strengthening social educational functions.

Since 1997, Liang Gallery has been collaborating with the Chen ChengPo Cultural Foundation, and during eighteen years period, have jointly organized exhibitions, such as “Memorial Exhibition for Chen ChengPo and Chen Bih-Neu” in 1997, “Treasure Map IV – Retrospective Exhibition of Chen Cheng-Po” in 2005, “Dazzling Through a History – Chen Cheng-Po and Liao Chi-Chun Art Treasures Collection” in 2010, “The Origin of Taiwan Art – Retrospective Exhibition of Chen ChengPo” in 2012. During 2012-2013, Liang Gallery worked jointly with the Chen Cheng-Po Cultural Foundation, the Taipei Fine Ar ts Museum, and the Kaohsiung Museum of Fine Arts to organize retrospective art exhibitions. In 2014, it co-hosted the “Surging Waves – Chen Cheng-Po’s 120th Birthday Anniversary Touring Exhibition”. The touring exhibition star ted in Tainan, moved to the National Ar t Museum of China in Beijing, the China Art Museum in Shanghai, the University Art Museum of the Tokyo University of the Arts in Tokyo, and will end followed by a grand exhibition at the National Palace Museum in Taipei. This touring exhibition, lasting for more than a year, highlights Chen Cheng-Po’s enduring thinking and his outstanding achievements in art. Moreover, it provides a more profound understanding of Chen’s influence and contribution to the history of modern art and art education in Taiwan.

In recent years, Liang Galler y has been actively par ticipating at international art fairs, including “Art14 London”, “Art Stage Singapore”, and “BolognaFiere Shanghai Contemporary”.

In 2015, Liang Galler y will present Chen’s solo exhibition at Ar t Basel in Hong Kong. Liang Gallery aims to continuously fur ther the internationalization of Taiwan’s contemporary ar t, and provide wellorganized exhibition plans, academic publications, and cultural exchange among nations to lead artists as well as art lovers into a more expansive world of art.