P O R T F O L I O D
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TA B L E O F C O N TE N TS CV
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Research and Thesis
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Academic Projects
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Architecture Competitions
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Installations realized
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Vivere l’archeologia-Proposta per largo Argentina
Landscape and Architecture - Borghetto Flaminio - Rome Interior Architecture - Reabilitação da manutenção militar em Lisboa Structures - Realizzazione di un ponte di spaghetti
Architettura Sacra - Kaira Looro L’atelier creativo dell’infanzia - Includi...amo Innature Sacra San Michele - collaboration with Atelier Quagliotto (LT)
Mimosa - la mostra pericolosa Superimmagine - architettura come pretesto
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DA N I E L A N A PP O A r c h i te c t u r e M a s t e r ’ s D e g r e e
P E R S O N A L D A TA
Nationality Date
of
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Italiana .
10
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1994
Place of birth |San Giuseppe Vesuviano (NA) Adress | Via Nomentana Nuova 117 (RM) Contacts
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nappodaniela@libero.it +393388360814
SKILLS Digital
Languages
Autodesk AutoCAD | advanced
Italian | mader-tongue
ArchiCAD |
English | B2
good
Rhinoceros |
advanced
Portuguese | B2 (ICLP Faculdade Letras)
Cinema 4D |
advanced
Spanish | A2
Vray Render |
advanced
Adobe Photoshop |
advanced
Aptitude
Adobe Illustrator |
advanced
Team work
Adobe Indesign | Adobe Aftereffect | Adobe Premier |
Social skills
good
Problem solving
beginner
Leadership
good
Microsoft Office |
advanced
Adaptability
iWork |
advanced
Phisical 3D Models
SAP | Metashape |
3D printing
beginner
Archival research
good
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E D U C AT I O N
EXPOSITIONS
October 2015 - May 2019 | Rome Sapienza University of Rome Architecture Faculty LM-4 C.U., Master’s degree 110/110 lode Advisor: Arch. Alfonso Giancotti Co-Advisor: Arch. Guglielmo Villa
May 2015 Biennale dello spazio pubblico Museo MACRO - Testaccio (Rm) December 2018 end of I Edition of l’Annuale degli studenti Aula autogestita Petruccioli - Sapienza
September 2017 - July 2018 | Lisbon Faculdade de Arquitectura de Lisboa Erasmus Program
May 2019 Open House Roma Art Gallery Sinestetica (Rm)
EXPERIENCES December 2015 - March 2017 | Rome Architecture Faculty Sapienza Student Rap of faculty assembly Student Rap of faculty council
May 2017 - May 2019 | Roma l’Annuale degli studenti - Architettura a confronto Co-founder ed organizer of the architecture competition Project, equipment and self-construction of the installation “Mimosa” (2018) Project, equipment and self-construction of the installation “Superimmagine” (2019) www.annualestudenti.org April 2017 - September 2019 | Latina Atelier Quagliotto - Price NIB Top 10 Architecture 2018 Project and drawing of public spaces and interiors Competition Aviapolis - Urban Block Vantaa, Finland (Shortlist) Competition Tra borgo e fabbrica. Riqualificazione paesaggistica ai piedi della Sacra di San Michele ( Classification Honorable Mencion) June 2018 - July 2018 | Lisbona Theatre “A comuna da pesquiça” Scenography and light direction for a show: “Se me deixares vou sentir a ua falta durante uma semana, depoi esqueço-te” by Anna Diez Molinero June 2018 | Lisbon Largo da Rosa , Mouraria Lisboa Volunteer for “Santos Populares” January 2019 - May 2019 | Roma Office SorT - Architettura Sapienza sede di Via Gianturco Tutoring and student orientation Equipment for the exposition of students works March 2019 | Rome Ambassador of architecture competition for Sapienza - Rome“Docexdoce” www.docexdoce.com
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VIVERE L’ARCHEOLOGIA | LIVE THE ARCHAEOLOGY
Proposta per Largo Argentina | Proposal for Largo Argentina The theme of the project stems from a reflection on the archaeological areas, in particular in the center of Rome, making a detailed study of the area of Largo Argentina. Because of their semantic charge, places of archeology are recognized as having a condition of exceptionality like some sacred element. This process of sacralization has ended up making unbridgeable the distance between the places of the city and the places of archeology. This separation between the world of Architecture and that of Archeology Francesco Venezia makes it date back to 1810, the year in which the term "archeology" is conventionally forged. From this date the ruins become the object of a scientific study that take over life, or rather the possibility of living these places. “The world of ruins has entered a sort of protected reserve, jealously protected, which is absolutely separate from the place of Architecture” (Francesco Venezia) The archaeological sites are physically separated from the places of the city by fences that have the task of protecting and preserving the state of the ruins, but this denies any possibility of involving ever larger areas in everyday life. In fact, our daily relationship with archaeological remains is often affected by a series of difficulties (about road, regulatory, constraining, etc.) that increasingly place us in the condition of the excluded rather than that of the included. The archaeological areas are turned into "open museums", this can be a sign of a process that is transforming history into scenography and that constrains or limits human action, from crossing to an infinite variable of actions, gestures or experiences that the man can do. The dominant action envisaged in these spaces is similar to that in a museum, therefore tending to be directed to observation. For example Giovanni Longobardi speaks of Pompeii as a complex archaeological site protected according to the reasoning inherited from tradition and offered according to the most typical procedures of the cultural industry, identifying it as a highly representative non-place. The space of non-place creates neither a single identity nor a relationship, but solitude and similarity. He does not even leave space for history, if anything, he sometimes transforms it into an element of spectacle (M. Augè). Moreover it must be taken into consideration that those historical places that are closed to preserve their existence, actually undergo a change of meaning and experiences of use, often becoming non-places, whose identity is transformed.
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The risk is that the monument is transformed into a productive resource but it can also degenerate into a mercantilist resource (Tomaso Montanari). The isolation that derives from it is perhaps what makes the archaeological city more fragile and defenseless in the face of the more recent gaze of the economy , which has progressively governed cultural goods as reserves of raw material to be transformed into wealth.
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Before Rome became flat and formless like a scalloped polenta, the Romans lived moving in layers of the overlapping epochs like fish in water, in depth and on the surface. "(G. C. Argan) The stratification is the result of the overlapping of the dynamics of rooting over time, each one leaving some wreckage on the earth according to the example of geology. The artifact, relic of a previous rooting can be taken up as a substrate of a new process, continuing to increase the sedimentation of history.
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Given then that any space with a value for the community, past or current, is transformed, we can think of widening the range of possible new functions for today's activities, noble and not.
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And if there was a general overturning of the fence and the use of space? The Archeology could serve as a substrate for a new process of rooting and therefore a new use. This is possible only "looking at the past not as a juxtaposition of concluded phases but as the premises of a continuum in movement in which the care of the existing and the prfiguration of the new are mixed without interruption."
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BORGHETTO FLAMINIO Requalification’s Project of the area of Borghetto Flaminio - Rm (Italy) Laboratory: Progettazione IV (4° year of Master Degree CU) Year: 2017 Professor: Arch. Nilda Valentin The idea behind the project comes from a reflection about the relationship between nature and man in the anthropized spaces, a relationship understood in a balanced way in which these two protagonists find the right proportion. As in a suminagashi composed of two colors, green and black, they are juxtaposed, infiltrate and a moment before mixing, find the compositional and chemical balance that leads them to be read again as two different colors while entering the one inside the other, and it is at that moment that they are imprinted on paper and immortalized. Thus nature and the human component must be immortalized in the project in a fusion that makes a space suitable for a harmonious living. In light of the experiences with regard to well-being induced by physical, visual contact with nature it seems increasingly necessary to design taking into account the benefits of an architecture integrated into the green. Since we decide to attribute an intention to the architectural project, this should have an ethic in itself that others cannot be that of living in harmony with the environment
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C o n c e p t Suminagashi made by me
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MANUTENÇÃO MILITAR EM LISBOA intervenção de reabilitação de manutenção militar em Lisboa | intervention of reabilitation of manutenção militar in Lisbon Laboratory: Projecto V (5° Year of Master’s Degree C.U.) Year: 2018 Professor: João Pernão In view of the redevelopment of the Lisbon military area, which will be converted into a creative hub, we were asked to develop an executive project that was part of the planned program. I made an hypothesis of a masterplan that aimed to create public spaces connected with the various levels of the surroundings and with the cycle path in front of the area. As for the interiors, I concentrated on building 1, strongly influenced by the presence of machinery that filled most of the walkable areas. Steel and wood structures have been designed in synergy with the machinery of the building studied, thus creating lofts individual and group work positions. The functional program includes: artistic atelier, study rooms, recording rooms, underground parking, fashion studio, cooking school and restaurant.
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SPAGHETTI BRIDGE Project and model of a “spaghetti bridge� Laboratory: Progettazione strutturale Year: 2017 Professor: Tommaso Pagnoni Team : Daniel Gomez, Daniela Nappo, Daniele Saturno Starting from practical requirements, that is, continuous light of 1.00 cm and estimated operating load in 20 kg placed symmetrically with diving weights of 1 kg each; the bridge model in spaghetti was held together with glue-gun. The structure chosen is the double inclined pushing reticular arch to maximize the properties of the material used. The arches have been tilted to allow an efficient transmission of the forces towards the shoulders that absorb the load, thus lightening the driveway plane. The aesthetics of the bridge has therefore been suggested for the optimization of the structural behavior, giving life to a streamlined structure and slender with harmonious proportions. For this structure a load test of 42 kg was carried out without reaching the breaking phase, 22 Kg more than the design load, with a structure weight of 1.82 kg.
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Analysis SAP 3D
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RISCHIO DI DEFORMAZIONE FUORI DAL PIANO Abbiamo collegato le due strutture ed infittito il numero delle aste
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RIDUZIONE AL MINIMO DELLO SPESSORE DELL’ IMPALCATO Per una leggerezza della struttura
ARCO SPINGENTE Trasmette tutti i carichi al terreno e non necessita di catena
Considerando il vincolo della grandezza dei pesi da sub si è deciso per un passo di 4,8 cm, fornendo 2 appoggi a ciascun peso per permettere a 10 pesi di essere inseriti sull’impalcato ed altri 10 pesi sovrapposti a questi ultimi.
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RISCHIO DI DEFORMAZIONE FUORI DAL PIANO Abbiamo collegato le due strutture ed infittito il numero delle aste
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Load Position Scheme
ARCO SPINGENTE Trasmette tutti i carichi al terreno e non necessita di catena
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RIDUZIONE AL MINIMO DELLO SPESSORE DELL’ IMPALCATO Per una leggerezza della struttura
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Elemento
N. Spaghetti
Sezione
Area mm2
Tiranti
2
6,28
Travetti
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28,26
Distanziatori
3
9,42
Archi
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59,66
Aste
3
9,42
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KAIRA LOORO Un luogo Versatile - Tanaf (Senegal) | A versatile place - Tanaf (Senegal) Year: 2017 Team: Daniel Gomez, Daniela Nappo The demands of this competition were to create in Tanaf - Senegal a place that was a place of worship for all religions in the area (Islam, Christianity, animism) that could be used in an emergency and at the same time a place where they could be celebrated parties for the local community. A building for the commuity should be versatile to its multiple needs; but how to set up a place for different religions and their traditions, for day celebrations, but also for situations of emergency? A siple void lacking of organization and furniture is not enough; neither to much defined spaces sould be the answer. A ground modeled in shapes by excavating it’s the salution that we proposed. This allows every person to meseure himself with this sacred space, to pray in different positions and to use it to sit or to lay on the ground, but it can be used even as safe place to rest and to be nursed. Here christians and muslims can celebrate their prayers and can prepare themselves to this moment through a bacin of water at the entrance, and the animists can express their strong relation with nature where is view open to the impluvium and baobab. The water from the impluvium joins the religions and is necessary for the place.
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INCLUDI...AMO L’atelier creativo dell’infanzia | Creative atelier for children Year: 2018 TEAM: Architecture student Daniel Gomez Daniela Nappo Psychologist Pasqualina Nappo Neurodevelopmental disorder therapist Roberta Nappo The idea is to make every person feel part of the whole, to have full participation in school life, part of all the subjects, each with their own special needs. Our project concerns a kindergarten class, since in the age of three to five it is impossible to educate children to encourage the sharing of feelings and emotions, encourage motivation to accept the rules, have an experiential approach for the acquisition of knowledge, to stimulate the sense of trust, to favor the organization of activities in small groups. We created a welcoming and structured environment where children can access the resources present. The arrangement of the benches favors the exchange of knowledge and learning through interaction. Four creative ateliers are present in the classroom to promote an alternative teaching method that follows children according to their aptitudes: environments that encourage creativity, manual ability, play, curiosity and fantasies.
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INNATURE Il cammino dell’arte-Setubal 38.509972 N 8.920609 W Anno: 2018 TEAM: Daniel Gomez Daniela Nappo For this ideas competition, we wanted to have an "exhibition walk" in the Arrabida park in Portugal, a white laminated wood structure. The entire route is interrupted by punctual elements of ever-changing shapes that include, access, central exhibition hall, residences, warehouses and refreshment points. The path of the exhibition is sometimes at ground level near the low vegetation and in the shade of large trees; sometimes up at the height of the foliage; to creating ever-changing view that chang experiences that condition the way of experiencing the space. The landscape comes into contact with the exposed artistic elements and conditions perception. The work of art is examined by the visitor also according to the natural context and with the sensation of movement with which the entire project develops. Even the residences are part of the itinerary to ensure the visitor-guest a feeling of belonging.
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SACRA SAN MICHELE - TRA BORGO E FABBRICA | SACRA SAN MICHELE - BETWEEN VILLAGE AND FACTORY Ex maglificio Bosio - Sacra San Michele (Torino) Year: 2018 Team: Atelier Quagliotto: Arch. Samuel Quagliotto Daniel Gomez Beatrice Magliocchetti Chiara Mascagni Daniela Nappo Paolo Magliozzi Classification: Honorable mention - 4° place
Sant’Ambrogio di Torino, Italy At the foot of the Sacra di San Michele is expected to define a redevelopment of all the main streets of Sant’Ambrogio through a planimetric design that seeks to regain the areas of everyday life. The ex Maglificio will be retrained trying to preserve its architectural qualities and at the same time it is proposed the insertion of precise grafts able to define focal points and meeting points for the community. In the Municipal Tower will be designed new environments available for tourists and citizens. The new material plot of Piazza IV Novembre and the reconstruction of some parts with ethereal elements chase the will to mend the past with the present.
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MIMOSA - LA MOSTRA PERICOLOSA Aula Petruccioli - Architecture Faculty Sapienza Year: 2018 Curators: l’Annuale degli studenti - architettura a confronto Claudio Carmosino, Omar Chatt, Mattia Martellucci, Ilenia Romano, Daniel Gomez. Isabella Guzzi , Daniela Nappo, Marco Kakoliris, Francesco Masiello, Arianna Pandolfo, Francesco Petrone, Vera Masarone, Attilio Mazzetto
Project realized in low budget self-construction for the exhibition of the second edition of l’Annuale degli studenti - Architettura a confronto. The project is characterized by an internal space delimited by a net, this was filled with 3,000 white balloons thus creating a game of discovery for the visitors who entering the area had to find autonomously the voids inside which the projects were located winners, the only spaces where there were no balloons. The idea was to interpret the exhibition as an experience that goes beyond observation, in an interactive way, which puts the user first. In fact, users were free to live the experience as they saw fit. Someone was playing with balloons, others were looking for the fastest route to find winning projects, some enjoyed the feeling of hindered movement and walked slowly.
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SUPERIMMAGINE Art Gallery Sinestetica - Rome Year: 2019 Curators: l’Annuale degli studenti
Daniel Gomez, Isabella Guzzi, Mattia Martellucci, Vera Masarone, Francesco Masiello, Daniela Nappo, Arianna Pandolfo
At Sinestetica after two editions of the "l’Annuale degli studenti" the competition organized by our association, aimed at architecture students, was exhibited in an experimental installation born from some reflections about the nature of images. Every day we look at images of all kinds that serve to convey the most disparate contents, on which they sometimes take over. How powerful can the Image be, beyond the communicative function for which it was born? The images on display were disconnected from the architectural meaning and used as compositions of shapes and colors: the content will be reduced to a pretext. The gallery space, a former mattress storage, was invaded by a dynamic surface of mattress on which the visitor can lie down, sit, move, look all the images. The artist’s project were exposed like catalogs, posters, polaroids, vinyl records. The Users could take at home a copy of the exhibited works.
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