PHYLLIS LIU PORTFOLIO 2011-2015 刘舟行作品集
Phyllis Liu recently graduated from Melbourne School of Design with a master degree of architecture. Studying in Melbourne for five years, she’s impressed by the multicultural atmosphere of the city which influences her interests in design. Through her academic practices, Phyllis has learned how to appreciate different cultures and interpret them into architectural languages. She’s also interested in the balance between the power of visuality and the internal journey and experience in architecture.
Personal Info:
Production Skills:
Name: Zhouxing Liu (Phyllis) DoB: 12th August, 1991 Email: phyllis.lzx@gmail.com Citizenship: China Languages: Mandarin and English
AutoCad Rhino Adobe Photoshop Adobe InDesign Adobe Illustrator SketchUp Revit Grasshopper Physical model making
Education:
Professional Experience:
2014-2015 Master of Architecture University of Melbourne, Australia
2014-2015 Intern Architect TAO Trace Architecture Office, Beijing, China
2011-2013 Bachelor of Environments (major in architecture) University of Melbourne, Australia
SELECTED PROJECTS:
Master Studios: 2015 Design Thesis: Learning Communities & Space “Rooms with a View...And More.” 2015 Design Studio E: Atmosphere:, Your Hamma for Marta “Comforting Light” 2014 Design Studio D: Terra Incognito “Zanzibourne: Embassy of Zanzibar Island” 2014 Design Studio C: Moneyscraper “ New ASX Building” Undergraduate Studio: 2013 Studio Fire:
Conan Dolye Theatre & “Sherlock Holmes:The Specled Band” Set Design
2013 Studio Air:
Parametric Design Highway Gate (group work with Shiqi Tang & Mengyan Wang) “ Wydham Gateway”
Construction Documentations: 2014 Applied Construction: High Rise Office building facade design 2013 Construction Design: Kew House
I
LEARNING COMMUNITIES & SPACE:
ROOMS WITH A VIEW... AND MORE! --2015--
This thesis explores how windows can be used in architecture to give onlookers visual cues about the identity of an organisation. It argues that in a community setting, the views are two ways; both into and out of a building and what the viewer and viewee see can shape their perception of community. The diverse role of window in architecture is carefully explored in the design of the new fine arts facility at St John’s College. In the architecture various window typologies are used to respond to both internal programs and external context, but are focused on the common goal of enabling abundant dialogues to happen between viewers and viewees across architecture to create valuable connections between the community and the specific group that the architecture speaks for.
east elevation: view from outside
We are in our Greek community. We don't know what's happenning outside.
Oh we cannot see anything inside!
FROM RESEARCH TO DESIGN
Hi there!
THE PASSIVE ENGAGEMENT
THE ACTIVE ENGAGEMENT
ite
d d ce s an n va si ad aly an
KLIN ROOM
PRIVATE WORKSHOP
PRIMARY SECONDARY LEARNING SPACE LEARNING SPACE
ICT SPACE
STORAGE
LIBRARY
GALLERY
s a
COMMUNITY MEETING SPACE
knowing the brief & site analysis: Greek Orthodox School / Art facility alwa to y t s he
Identifying the problem: not seeing and not seen
c sit ome e a ba nd ck th e
Defining different levels of contacts
s ol to actbetween school and community t as con ws ol do ntr n wi co to
CAFE
VIEWS
DISPLAY OF ARTWORK
DISPLAY OF ACTIVITIES
NATURAL LIGHT
NATURAL FLOW
INTERACTION
Art facility building function analysis: Windows and learning / teaching programs
Window typologoies study: people / space / window
Learning from artists and art: human behavioural study
From solution to architectural concept: windows for communication
SOUTH ENTRANCE VIEW
PRIVATE WORKSHOP WINDOW
ROOF GARDEN skylight secondary learning space
LIBRARY
PRIVATE WORKSHOP
skylight for primary learning space
KILN ROOM
ICT SECONDAR LEARNING
ART STORAGE
TEACHER'S OFFICE
STORAGE: DRY / WET/ SECURED
PRIMARY LEARNING
OUTDOOR LEARNING
STUDENT LOUNGE OUTDOOR INFORMAL MEETING SPACE
'PERSONAL' WORKSHOP MEETING ROOM / GALLERY
'PERSONAL' WORKSHOP TOILET
FIRST FLOOR GROUND FLOOR
CAFE
KITCHEN
'PERSONAL' WORKSHOP
GALLERY
A
A
C
B
B
SECTION A-A 1:100
A
SITE PLAN
C
GROUND FLOOR PLAN
NTS
C
B
B
A
C
FIRST FLOOR PLAN
NTS
SECTION A 1:100
SECTION B-B 1:100 section b-b (nts)
SECTION B-B
1:100
section a-a (nts)
SECTION A-A
1:100
SECTION C-C 1:100
community gathering space you are at: behind the window: primary learning space
WEST ELEVATION 1:100
entrance hall artwork storage
gallery corridor & informal students discussion space
Individual is the basic unit of a community, thus experience of every occupant matters. Human figures are used in most of the drawings to discuss the relationship between viewer and viewee and how could window, as a behavioral element, infuence their perception about spaces. cafe kiln room
Long section shows combination of passive and active engagements with different scenes and narratives presented by windows. Visitors are able to look into classroom and kiln room through wndows where class activities become part of the live promotion of the school. Meanwhile artwork in storage space and gallery is another story-telling method. Community engage with the school by looking(passive) and talking(active). The school thus can choose different ways to promote itself.
DETAILS: STRUCTURE / FUNCTION / VIEW / PEOPLE
When designed at a human’s scale, windows have the most powerful impact on occupants’ behaviors. They are carefully chosen for different groups of users. There are usually more than one type of windows to ensure the best performance of indoor space. For example, in primary learning space awning window is embedded into double glass channel wall system. The double glass channel system turns afternoon sunlight into evenly diffused light and resists heat gain. Awning windows are at a pupil’s height. It brings natural flow and presents a view of the outdoor learning space and the lawn.
roof garden skylight detials (nts)
kiln room window details (nts)
primary learning space window details (nts)
private workshop window detials (nts)
In order to achieve thin frame window in brick wall, it has to combine with steel structure to replace the traditional lintel. Structure system has a significant impact on the choice of windows. Emergence of new typology is always resulted from the development of construction technologies. If one uses window as driving designing concept of a building, then which system is capable for the desired window must be taken into consideration before concept development stage.
II
ATMOSHPHERE / YOUR HAMMAM FOR MARTA “ COMFORTING LIGHT: BATH UNDER THE SHINE --2015--
Natural daylight from the dome is essential for traditional hammam. With the enclosed site context, the comforting light hammam tries to enhance and exaggerate the bathing experience under the light by introducing a huge circular void into the hammam and shift the traditional small openings from the dome onto facade. Thus with a protective concrete shell, the building embraces a soft light well under which people take shower and complete the transition process. The south-facing void also captures daylight into the bath spaces around and the curvy shape naturally create a gradient of brightness for the internal space. From the lower ground floor to the first floor, different effects of light responds to different functions but the void would always be the essence of the hammam functionally and spiritually.
section a-a (nts)
section b-b (nts)
Small operable circular windows are located above the large window for ventilation.
Following the marble steps, passing through the narrow door in thick concrete wall, one can reach the sound bath that is right next to the flower bath.
A large circular window is designed for the flower bath on north facade with the view of fig tree. The fixed glass is divided into three parts by horizontal mullions. A 500*500mm casement window is embedded in the middle panel so that people can actually touch the leaf and smell the brewing tea from tea garden. The external wall is much thicker than the glass. The difference of thickness enables people to place their tea cup on the concrete sill when sitting in the flower bath and enjoying the view of fig tree. The lower mullion is also designed as a small shelf to place water jar and glasses as a small refreshment supply.
The flower bath is lightened by natural sunlight from the south-facing void during daytime. But light from the hammam can penetrate through the circular window on north facade to the neighborhood during the night.
Marble steps leading to the sound bath run in the middle of the flower bath and divide it into two small pools. One is facing the void and the other is looking at the fig tree through the window. People can choose their preferred view and sit on either side. The water is shallower and might be cooler due to the large opening on the fig tree side. Thus the bench is heated by hydro system during winter.
WINDOW STUDY 0
0.25
0.5
0.75
1m
MOMENT: STEAM ROOM The steam room is on the first floor. Like all other small bath areas, the room is next to the void. The steam room is facing the north thus it's relatively darker with less sunlight from the void. But if you wipe the vapor on the glass and have a look of outside, you'll see the great sunlight coming from the top lighten the bottom of the hammam as well as the north side. You're on the top level of the hammam so you can see people showering on lower ground floor and also people swimming downstairs. With the vapor in steam room, they soon become moving silhouette again.
MOMENT: SHOWER SPACE UNDER THE VOID The shower space is located right under the light well. When you step into the area from the dark entrance hall, all of sudden everything is lighted by the natural daylight from the void. In the middle there are four shower cabins in a quarter circular shape with semi-transparent ground glass panel. There is no cover on top of the cabin so that the steam would keep rising up and make the space steamy. If you follow the vapor and look up , you can find that the void goes all the way up and reaches the roof.
section c-c model
C
section d-d model
C
D
lower ground floor model
D
ground floor model
orthographic model @1:100
II I --2014--
TERRA INCOGNITO :
PROJECT ZANZIBOURNE
AN EMBASSY OF ZANZIBAR ISLAND IN THE CITY OF MELBOURNE
laneway study + design Zanzibourne project is an embassy for people from Island of Zanzibar in Melbourne. Those who have to leave their country because of devastating flood will move to Melbourne and thus an embassy is needed. The embassy is defined as a space that supports its people and helps them to start a new life in Australia. Thus Zanzibourne project features as a language learning spaces for both English and Swahili. There is also Muslim prayer’s space. This project tries to deal with both cultural and religious issue between Zanzibar and Melbourne.
view from heape ct
view from lt lonsdale st
ground floor: foyer & classroom
first floor: classroom
second floor: classroom & public learning space
third floor: library,office & prayer's space
fourth floor: library & prayer's space
rooftop: prayer's space with minaret
fourth floor library view
rooftop muslim prayer's space
'duplicated 3d laneway'
classroom and public learning space
Located at Fishemans Bend, right next to Yarra River, the new ASX defines the end of Melbourne’s skyline, which gives it a great chance to speak for itself. The geometric form is inspired by sculptures in sketches. (In specific each function gives the original solid several cuts based on the functional needs.) For this MONESCRAPER, it presents to viewers different images from different perspectives. So the image about MONESCARPER is always changing.
IVMONEYSCRAPER This is the new multiple identities compared to other traditional skyscrapers, which also responses to its multiple functions.
In accord with the form, the surfaces combines different materials to stress its multiple functions and identities. White concrete gives it a sculptural look and glass curtain wall refers back to Melbourne’s modern skyscraper. They are the permanent definitions while LED screens and semi-transparent mesh screen attached on façade give it a living visual expression. The building is more than one single object. It’s not easy to read just like how hard to read money. MONESCRAPER is a building that can speak for its personalities and
--2014--
exterior view 1
main entrance
exterior view 2
'car park entrance
foyer
APARTMENT
DEPARTMENT STORE
typical apartment plan
golf driving range
typical department store plan
office
foyer
section a-a nts
upper golf driving range plan
upper golf driving range plan
lower golf driving range plan
upper foyer plan
typical apartment plan
south elevation nts
lower foyer plan
west elevation nts
north elevation nts
V.--2013-- CONNAN DOYLE THEATRE REMAPPING HOODEL GRID
URBAN IMPRESSION
COUNTERFEIT URBAN CONTEXT
LANE WAY EXPERIENCE
ORDER & DISORDER
DISTORTED COUNTERFEIT
TRAVEL IN BETWEEN
19TH CENTURY MELBOURNE THEATRE
This project looks at the extraordinary form of the hoodle grid in melbourne cbd which is a strong gesture of urban order while there are disturbances from both inside and outside (the disordered outskirts as well as the internal lane ways). Southern cross station as an important nod converging and diverging all flows at the edge of the city produces a dramatic and dynamic image. For the theatre it's also where a journey begins. It is a spot with duplicated urban fabrics each of which is derived from different scales. The transparent facade offers a view of current urban skin while on other side is the counterfeit. The idea of traveling between the real and the fake is associated with Sherlock Holmes story as a metaphor the chaotic relationship of truth and crimes. 1. FOYER 26
27
25
1 1
18. STORAGE
1
1
3. THE CUYLER HASTINGS STUDIO 19. CHANZ
1 13
4. THE HARRY PLIMMER CINEMA 20. BIO BOX
17
22
5. THEATRE STAGE
26
6. SIDE STAGE (WING)
21. OUTDOOR PERFORMING SPACE (ROOF STAGE)
7. DRESSING ROOM
22. RESTAURANT
8. WARDROBE
23. BAR
9. WORKSHOP
24. FEMALE TOILET
10. REHEARSAL ROOM
25. MALE TOILET
11. SHOWER ROOM
26. DISABLED TOILET
12. TECHNICIANS’ OFFICE
27. SIGHTSEEING WALKWAY
13. MANAGEMENT OFFICE
24. FEMALE TOILET
25 24
2 24
25
2
26
2 15 4
25
23
16
21
24
1
6
5
7
6
6
5
5
6
7
20 8
7
BASEMENT PLAN
9
10
11
12
9
3
18
3
14. BOX OFFICE 15. VISITORS’ OFFICE
7
16. DIRECTOR’ S OFFICE
GROUND FLOOR PLAN
17. CONTROL ROOM (THEATRE)
2. THE WILLIAM DESMOND THEATRE
24 14
MODERN DUPLICATION (NIGHT ONLY)
FIRST FLOOR PLAN
SECOND FLOOR PLAN
THIRD FLOOR PLAN
OUTDOOR PUBLIC SPACE
URBAN VIEW
IN BETWEEN CIRCULATION
FAKE URBAN SKIN
SECTION A-A
FOYER
SECTION B-B
SECTION C-C
MAIN CIRCULATION
OUTDOOR PUBLIC SPACE
FOYER - TRANSITION
BACK STAGE SPACE
PERFORMING SPACE
'THE SPECKLED BAND' SET DESIGN A SHERLOCK HOLMES PLAY BY CONNAN DOYLE
SCENE THREE: THE GAS ROOM
This set model is designed for the third scene, the gas chamber, of Sherlock Holmes Play ‘The Speckled Band’. The play tells a story of how Sherlock Holmes escapes from a gas room where the villain tries to kill him with toxic gas. Pipes and shower head are designed to spread the gas and become a symbol of danger when everyday objects become killing weapons. Rotating stage and circular electronic chairs are also designed for this scene to interpret a place of murder.
VI
--2013--
WYDHAM GATEWAY
PARAMETRIC DESIGN TEAM: ZHOUXING LIU / SHIQI TANG / MENGYAN WANG
The expected outcome of this studio is to deisng gateway with parametric approach along the highway from Melbourne city to Wydham. The gateway is supposed to be an iconic structure for Wydham with the potential to attract more visitors. The parametric design model has been applied to a metaphor of structure relief that is inspired by rock erosion process. It stands for the bearing elements remaining in harsh environments. The voronoi pattern representsthe erosioned skin, meanwhile it is also a self-supported structure. There will be a public ‘burning’ events after the completion of construction where the fire is a key element of the design. It is a process of removing the rebundant and keep the most necessary structure.
SITE PLAN HIGHWAY RAMP
MOVING DIRECTION
PRINCESS HIGHWAY
TREE
GATEWAY
It is an approach to create urban memory, shared by the whole community. And the memory would last and develop in the future as what’s new is not only the skin but also real life. Vegetation like grass and other kinds of plants would naturally grow on the burned structure. As time goes by, the plant becomes another new surface after burning and make the structure dissolve in the surroundings.
PERSPECTIVE VIEW
- CREATE BASE STRUCTURE - OFFSET SURFACE - MAP THE SURFACE ((PANTTERN ONE) - LOFT - CHANGE PARAMETER FOR DISTANCE
- CREATE BASE STRUCTURE - OFFSET SURFACE - MAP THE SURFACE ((PANTTERN THREE) - LOFT
FORM FIDING PROCESS
ABOVE: 1:50 prototype (cardboard&plaster) making and burning process BELOW: Construction in practice (heavy duty corrugated cardboard, spray white concrete, 3M VHB)
-Digital modeling - Casting cell - Assemble cells with 3m double sided tape - Transport voronoi framing wall to the site - Tilt up - Spray concrete - Burn
BURNT PROTOTYPR
VIEW FROM HIGHWAY
BURNT PROTOTYPR
EXPECTED GREENERY
VIEW BEHIND THE GATEWAY
VII --2014--
Construction Documentation high rise office building facade design
200
350
200
1200
200
350
200
1200
VII I
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
--2013-Construction Design kew house
ADJACENT SINGLE STOREY BRICK AGED WAREHOUSE
1796
18400
LPD
12.08m
90°20'
RL 38.79
2130 10.25m
89°34’
RL 39.09
39 DISABLED CAR PARK
dp& rwh
dp& rwh FALL 1:200
sump
FALL 1:200
CAR PARK
3326 CAR PARK
ADJACENT DOUBLE STOREYS COMMERCIAL BUILDING
sump
GROUND FLOOR ROOF FALL
2°
dp& rwh sump
17.92m
FOOTPATH
0.00
CARDIGAN ST
DECK
38.31
GRANTTA PL
CROSSOVER
BCF
17.75m
13790
108°13‘
13423
FALL 2°
FIRST FLOOR ROOF
CROSSOVER T STORM WATER
G
633
S RAMP FALL 1:14
FALL
CANOPY BELOW
GROUND FLOOR ROOF
dp& rwh
RL 38.54
2°
FALL 2°
FALL 1:200
sump
FALL 1:200
dp& rwh
269°54’
sump dp& rwh
22.3m
1000
RL 38.76
LEGEND
ELECTRICITY POLE
2816
17380
2160
ADJACENT DOUBLE STOREYS PRECAST CONCRETE BUILDING
LPD
LEGAL POINT OF DISCHAGE
DP
DOWN PIPE
RWH RAINWATER HEAD BG
BOXGUTTER
RL
RELATIVE LEVEL
G
GAS PIPE
S
SEWER
T
TELSTRA CABLE
STORMWATER
DATE: 22.05.2013
ZHOUXING LIU
SUBJECT NAME: CONSTRUCTION DESIGN
DRAWING DESCRIPTION: SITE PLAN
SCALE: 1:100
STUDENT NUMBER 528640
TUTOR: AIMEE GOODWIN
PROJECT DESCRIPTION: 154-156 CARDIGAN ST, CARLTON
DRAWN BY: ZHOUXING LIU
STUDENT NAME
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
3380
STORMWATER PIPE
PROJECT DATUM DRAWING NO:
A1.01
BCF
BLINDING CONCRETE FINISH
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
LEGENDS - SHS: SQUARE HOLLOW SECTION - MT: METAL STUD
A A
B
C
D
1800
WALL TYPES - WT1:
8250
7420 3820
260MM EXTERNAL PRECAST CONCRETE SANDWICH PANEL WALL.THERMOMASS SYSTEM NC, 50MM OUTER CONCRETE PANEL AS ARCHITECTURAL WYTHE, 60MM POLYSTYRENE OR POLYISOCYANURATE INSULATION, 150MM INTERNAL STRUCTURAL CONCRETE WYTHE AND 10 MM BORAL PLASTERBOARD INTERIOR LINING. - WT2: 150 MM EXTERNAL PRECAST CONCRETE WALL
1800 W.07
WT 1
1790
W.06
1
WT 2
- WT3:
200
W.05
1660
W.08
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
200
7470
EXTERNAL METAL STUD WALL WITH TWO 18MM PLASTERBOARD ON BOTH SIDES. RONDO METAL WALL STUD, 92MM*33.5MM, 0.55BMT, RUNNING VERTICALLY WITH NOGGINS IN BETWEEN, SPACING AT 600MM CENTERS, FIXED USING SCREWS.SARKING AND INSULATION ARE APPLIED.
C
1660
W.04
9460
EXHIBITION SPACE
FFL RL 39.05
FFL RL 39.15 200 13530
WINDOWS:
W.03
1660
WT 1
3
WT 3
SHS 90
200 160
MS
4
W.01
RECEPTION FFL RL 39.15
6 7 8 9
STORAGE FFL RL 39.15
KITCHEN
MALE TOILET
FFL RL 39.15
FFL RL 39.15
FEMALE TOILET
FFL RL 39.15
D.10
1100
3700
B
2470
DIS. TOILET
W.13
D.03
740 3800.0000
3000.0000
1650
920
740
500
2400
1100
W.12
500
2100
500
1100
370
W.11
500
2100
500
1100
495
PLAN
A
DATE: 22.05.2013
ZHOUXING LIU
SUBJECT NAME: CONSTRUCTION DESIGN
DRAWING DESCRIPTION: GROUND FLOOR PLAN
STUDENT NUMBER 528640
TUTOR: AIMEE GOODWIN
PROJECT DESCRIPTION: 154-156 CARDIGAN ST, CARLTON
DRAWN BY: ZHOUXING LIU
STUDENT NAME
DOORS
D.02-D.03: 2040(H)*920(W)*40MM(T) CORINTHIAN ELEGANCE DOOR
2095
SCALE: 1:50
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
GROUND FLOOR
W.09: 2040(H)*3580(W)MM G.JAMES DOUBLE GLAZING FIXED WINDOW WITH 651 SERIES ALUMINUM FRAME, DIVIDED INTOTWO BAYS
D.01: 2040(H)*1200(W)*40MM(T) CORINTHIAN LUMINA ENTRY DOOR WITH CLEAR GLASS PARTITION
17765
A
W.08: 3000(H)*7210(W)MM G.JAMES DOUBLE GLAZING FIXED WINDOW WITH 651 SERIES ALUMINUM FRAME, DIVIDED INTO FOUR BAYS
W.10-W.13: 600(W)*1100(H)MM G.JAMES 048 SERIES AWNING WINDOWS
10
5
620
D.09
D.08
FFL RL 39.15
WT 1
750
D.05
1 2 3 4 4
W.07: 3000(H)*3820(W)MM G.JAMES DOUBLE GLAZING FIXED WINDOW WITH 651 SERIES ALUMINUM FRAME, DIVIDED INTO FOUR BAYS
130 W.10
D.01
D.04
20 19 18 17 16 15 14 13 12 11
4070260
1600
W.020-W.06: 3000(H)*1660MM(W) G.JAMES DOUBLE GLAZING FIXED WINDOW WITH 651 SERIES ALUMINUM FRAME, DIVIDED INTO TWO BAYS
1990
1200
B
D.02
200
1660
W.01: 2040(H)*1800(W)MM G.JAMES DOUBLE GLAZING FIXED WINDOW WITH 476 SERIES ALUMINUM FRAME, DIVIDED INTO FOUR BAYS
W.02
2
W.09
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
INTERNAL METAL STUD WALL WITH 10MM PLASTERBORAD ON BOTH SIDES.RONDO METAL WALL STUD, 92MM*33.5MM,0.55BMT, RUNNING VERTICALLY WITH NOGGINS IN BETWEEN, SPACING AT 600MM CENTERS, FIXED USING SCREWS - WT4:
DRAWING NO:
A1.02
D.04-D.05: 2040(H)*820(W)*40MM(T) CORINTHIAN RIMM DOOR WITH TIMBER AND GLASS D.08-D.10: 2040(H)*720(W)*37MM(T) CORINTHIAN DECO DOOR WITH TIMBER
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT CANOPY: 1100(W)*1800(L)*200(H)MM MASA EXTRUDECK CANOPY WITH BUILT IN DRAINAGE SYSTEM, WELDED INTO STUD WAY. TOP SURFACE FALLS IN 2 DEGREES TO DRAIN WATER INTO PIPE HIDDEN IN STUD WALL.
ROOF SYSTEM: -PARAPET CAPPING: 150MM HEIGHT
PERLOK® PARAPET WALL COPING APPLIED ON PARAPET AS WATERPROOFING MEMBER.
-LYSAGHT SLIP-LOK ROOF DECKING WITH 2 DEGREE FALL, DRAINING RAINWATER TO BOX GUTTER -BRADFORD INSULATION ANTICON 100 FOIL AS INSULATION BETWEEN THERMOFOIL™ MEDIUM DUTY SARKING FOIL (733) AND 2MM GALVANISED MESHAUSMESH 300/1800MM SAFETY MESH
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
SUSPENDED CEILING SYSTEM: - GROUND FLOOR CEILING: 10MM BORAL SOUNDSTOP® PLASTERBOARD, NAILED TO RANDO 333 FURRING CHANNEL, SUSPENDED TO BONDEK WITH RANDO 166 FURRING CHANNEL CLIP. - FIRST FLOOR CEILING: 10MM BORAL SOUNDSTOP® PLASTERBOARD, NAILED TO RANDO 333 FURRING CHANNEL, SUSPENDED TO LYSAGHR 150 C PURLIN WITH RANDO 166 FURRING CHANNEL CLIP FLOORING: - FLOOR: BORAL SOLID STRIP FLOORING: 18MM THICK NAILED ON BATTEN OVER CONCRETE SLAB -BONDEK: LYSAGHT BONDEK SITTING ON 200UB AND 310UB WITH WELDED STEEL STUDS IN CONCRETE. STAIRS:
-STAIR LOCK MDF STAIR SYSTEM CONSISTING OF 260MM TREAD AND 160MMRISE, HELD BY 32MM THICK STRINGER, WITH 1M HIGH STAINLESS STEEL BALUSTRADE AND TIMBER HANDLE. FOOTINGS FOOTING SYSTEM: -PIER FOOTING: 500MM IN DIAMETER BOARD PILES @2500 CENTERS WITH 600MM CAPPING BEAM ON TOP. - 250MM REINFORCED SLAB FOOTINGS WITH MASS CONCRETE PADS BENEATH. STUDENT NAME ZHOUXING LIU
SUBJECT NAME: CONSTRUCTION DESIGN
DRAWING DESCRIPTION: SECTION B-B
STUDENT NUMBER 528640
TUTOR: AIMEE GOODWIN
PROJECT DESCRIPTION: DRAWN BY: 154-156 CARDIGAN ST, CARLTON ZHOUXING LIU
SCALE: 1:50
DATE: 22.05.2013
DRAWING NO:
A3.02
-SANDBAGS AND VAPOUR BARRIED APPLIED BETWEEN SLABS AND NATURAL GROUND.ARTIFICIAL FILL MAY BE APPLIED TO FIT THE LEVEL DIFFERENCE.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
-LYSAGHT®150 CEE PURLINS@1200 CENTERS, SUPPORTED BY 200UB OR 310 UB, SUPPORTING OTHER ROOF STRUCTURE
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
NOTES -SPANDREL GLASS IS USED ON WEST ELEVATION TO COVER THE SUB-FLOOR STRUCTURE. IT SHARES THE SAME FRAME WITH FIRST FLOOR FIXED WINDOW FRAME ON THE TOP (G.JAMES 671 SERIES).
DECK -STRUCTURES:
-BONDEK NEXT TO IT IS SUPPORTED BY 125 PFC INSTEAD OF 200UB TO ENSURE ENOUGH SPACE FOR SPANDREL WINDOW FRAME.
310 UB AND 200 UB CONNECTED TO PRECAST CONCRETE WALL FORM THE FRAME WORK. TIMBER BATTEN RUNNING BETWEEN BEAMS SUPPORT THE DECK FLOORING AND DRAINAGE SYSTEM.
-OPACI-COAT-300 SPANDREL GLASS INSULATION IS APPLIED TO ENSURE THERMAL PERFORMANCE.
-DRAINAGE SYSTEM:
- 10MM BORAL SOUNDSTOP速 PLASTERBOARD, NAILED TO RANDO 333 FURRING CHANNEL, SUSPENDED TO BONDEK WITH RANDO 166 FURRING CHANNEL CLIP.
PLYWOOD SHEATING WITH TANKING ON TOP OF TIMBER BATTEN FALLS IN 1 DEGREE TO DRAIN WATER INTO PIPES THAT LINK WITH RAINWATER HEAD AND DOWNPIPES. RUBBER PEDESTALS ARE ADOPTED TO CREATE HORIZONTAL FLOORING LEVEL.
-GROUND FLOOR CEILING: 10MM BORAL SOUNDSTOP速 PLASTERBOARD, NAILED TO RANDO 333 FURRING CHANNEL, SUSPENDED TO BONDEK WITH RANDO 166 FURRING CHANNEL CLIP.
- 75MM BLINGDING CONCRETE AS EXTERIOR GROUND FINISH UPON GROUND OR FILL.
ZHOUXING LIU
SUBJECT NAME: CONSTRUCTION DESIGN
DRAWING DESCRIPTION: SECTION C
STUDENT NUMBER 528640
TUTOR: AIMEE GOODWIN
PROJECT DESCRIPTION: DRAWN BY: 154-156 CARDIGAN ST, CARLTON ZHOUXING LIU
SCALE: 1:20
DATE: 22.05.2013
DRAWING NO:
A4.01
STUDENT NAME ZHOUXING LIU
SUBJECT NAME: CONSTRUCTION DESIGN
DRAWING DESCRIPTION: SPANDREL GLASS DETAIL
STUDENT NUMBER 528640
TUTOR: AIMEE GOODWIN
PROJECT DESCRIPTION: DRAWN BY: 154-156 CARDIGAN ST, CARLTON ZHOUXING LIU
SCALE: 1:5
DATE: 22.05.2013
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
STUDENT NAME
DRAWING NO:
A4.04
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PHILLIPS SHIRT II
67-3000
PHILLIPS SHIRT
67-4753