Portfolio_Hung by Hsiao-Tung Hung

Hsiao-Tung “Lily” Hung Architecture Portfolio 2016 lilyhung2000@gmail.com 352-999-3280

Hsiao-Tung “Lily” Hung lilyhung2000@gmail.com 352-999-3280 320 sw 10th st. apt 103 Gainesville 32601

EDUCATION: Gainesville, FL May, 2016 Philadelphia, PA 2009-2012 Charlottesville, VA 2007

University of Florida Master of Architecture

GPA 3.7

University of Pennsylvania Post-Bacc Program University of Virginia Bachelor in Biology COMPUTER AND PROFESSIONAL SKILLS: Revit SketchUp AutoCad

Rhino Maxwell Grasshopper

Maya DIALux Sefaira

Adobe CS (Illustrator, InDesign, Photoshop) Microsoft Office (PowerPoint, Excel, Word) CNC Laser Cutter Model Building Graphic Presentation LANGUAGE: Proficient in English and Chinese. 2 semester studies in Japanese PUBLICATION: Skin that Moves: Nitinol Facade Study (Master Thesis). May, 1 2016. University of Florida, School of Architecture Martin Gold, Martha Kohen, Hsiao-Tung Hung, Alex Thomas. ReCharting Longboat Key. December, 1 2015. University of Florida, School of Architecture. Hung, Hsiao-Tung. 2013. Cube. Gainesville, FL: Architrave, University of Florida, School of Architecture. Friedman, Eliot B., Yi Sun, Jason T. Moore, Hsiao-Tung Hung, Qing Cheng Meng, Priyan Perera, William J. Joiner, et al. 2010. A conserved behavioral state barrier impedes transitions between anesthetic-induced unconsciousness and wakefulness: Evidence for neural inertia. Plos One 5 (7) (07/30): e11903, http://dx.doi.org/10.1371%2Fjournal.

AWARDS: Gainesville, FL April, 2016 Gainesville, FL December, 2015 Gainesville, FL. 2012-2014

Study Aboard Graduate Design Award University of Florida School of Architecture Gallery Design Competition 1st Place. University of Florida Holloway Scholarship Awarded in recognition of a record of academic excellence. WORK EXPERIENCE:

Gainesville, FL Summer, 2015

University of Florida, Architecture Department, Gainesville, FL. Student Assistant. Designed layout and text for the book “ReCharting Longboat Key.” Edited appropriate images of the book using Adobe CS (Photoshop, InDesign, and Illustrator)

Philadelphia, PA 2008-2012

University of Pennsylvania, Neuroscience Department (Amita Sehgal) Research Assistant. Designed and conducted biological experiments in a team oriented environment. Collected and Analyzed data using Microsoft Excel and Word.

Charlottesville, VA 2006-2007

University of Virginia, Biology Department (Michael Menaker) Research Assistant. Collected and analyzed data using Matlab, Clocklab, and Microsoft office (Excel, PowerPoint, and Word). Worked with professors and researchers on biological experiments.

LEADERSHIP AND ACTIVITIES: Guadalajara/Tequila/Mexico city, Mexico Summer, 2015

Mexico Summer Study Abroad Designed community center/laundromat for town of Tequila. Focused studies in Architecture and Mexico History and Culture.

Gainesville, FL 2016

Florida Disability Access and Awareness Foundation Volunteer. Volunteered in non-profit foundation to spread the awareness of the significance of disability accessible design. Built an accessibility portal that maps out Gainesville Florida from a wheel chair perspective.

Philadelphia PA 2009-2012

Chinese Christian Church and Center, Philadelphia PA. Sunday School Teacher & Praise Team Leader. Educated 7 –9 year-old children Christian beliefs and Bible. Played piano to supply music to praise service. Introduced ideas to expand the community awareness.

NEXUS - CLOISTER

academic work | design studio | team Work | 2014 fall Our design goal for the NEXUS engineering building is to make the building a functional, educational, and collaborate space for faculty, students and researchers. The project is an addition to the existing Nuclear Science Building. The idea of cloister was looked at more closely through Louis Kahnâ&#x20AC;&#x2122;s Unitarian Church of Rochester in New York and Le Corbusierâ&#x20AC;&#x2122;s Monastery of Sainte in France. For Monastery of Sainte, Le Corbusier was interested in the independent and social life of monks. The form of cloister creates a continues circular circulation and this form of circulation would help monks to meditate and ponder. The same form of environment would also encourage the engineers and scientists to uncluster their minds as well. The proposal site of the new Nexus building is in between Reitz Union and Nuclear Science Building on the campus of University of Florida in Gainesville, Florida. Two axises define the site: 1. Axis of North Lawn that runs North-East and South West. 2. Axis of Nuclear Science Building runs North and South. Our proposal is to extend two wings from the cores of Nuclear Science Building and close off the volume as a cloister. Two cores also establish along the axis of the cores of the existing building.

A big open atrium is created to serve as a spatial connection to the old and new building with. A glass dining hall that connects the old and new building also serves as a collaborate space. A roof garden provides green space to the community with an amphitheater following the contour was created naturally on the ground floor. Programs are organized in terms of their privacy and building. The lower levels contain programs that are more public, such as undergraduate and freshman suits, a computer facility, and video conference room The upper levels, contain programs that are more private, such as the engineering labs and offices.

1. Service Core 2. Elevator 3. Atrium

Ground Floor Plan

First Floor Plan

1. Computer Lab 2. ICERM HQ 3. Freshman Advising Suite 4. Undergraduate Programs Office Suite 5. Hall 6. Mechanic Room

1. Research Lab 2. Design Teaching Lab 3. Leadership Lab 4. Computer Lab 5. Hall 6. Mechanic Room

2nd Floor Plan

3rd Floor Plan

1. Research Lab 2. Design Teaching Lab 3. Leadership Lab 4. Computer Lab 5. Hall 6. Mechanic Room

3 4

1. Faculty Office 2. Graduate Student Bullpen 3. Collaboration 4. Video Conference Room 5. Storage Closet 6. Mechanic Room 7. Audio Visual Closet 8. Kitchen 9. Hall

2 5 7

4th Floor Plan

1. Lab Pod 2. Hall 3.Eqipment Room 4. Tissue Culture Room 5. Autoclave Room 6. Mechanic Room 7.Microscopy Room

7 3

5th Floor Plan

3 4 5 6 7

South Wall Section Detail 1. Spandrels 2. Low-E Double Glass 3. Curtain Wall System-Mullion & Transom (7”x2”) 4. Ventilation System 5. Insulation 6. Wood Louver 7. Louver Mullion 8. Window

East Wall Section Detail Cladding Detail 1. Dead Load Bracket 2. Wind Restraints 3. Frieze Element - aluminum 4. Louvers and Acoustic Attenuators 5. Spigot Junction 6. Roller Blinds Integrated in Ceiling 7. Aluminum Curtain Wall 8. Trench Heater 9. Concrete Slab 10. Metal Deck 11. Raised Access Floor Green Roof 1. Turf/Plant Rolls 13. Loam / Soil 14. Oldroyd Typ Filter Fleece 15. Oldroyd Xv20 GreenXtra Membrane 16. Moisture Retention Mat 17. Kanuf Piolyfoam Floorboard 18. Oldroyd Xv Green as Additional Separating Drainage Layer 19. BBA Approved Waterproof Layer e.g. Dryseal, Hambleside Danelaw

Another strategy to strengthen the idea of Nexus is that the circulations of new building, existing Nuclear Sciences Building and Reitz Union are physically connected. These physical connections not only making the “Nexus” building forming Nexus internally but also externally. The “Nexus” building reaches out to other programs which makes the\ interaction with surrounded program happen more naturally and smoothly. The material structure of the new Nexus building is steel with metal deck and concrete slab. The buildings are supported with steel columns and steel girders. The two cores are made with reinforced concrete. The facades facing North Lawn, Reitz Union, and Nuclear Science Building are made with curtain walls for views and the facades facing the atrium are store front windows for letting more light into the interior space from the open atrium. Two types of screen systems are established: 1. West elevations - louvers, for blocking excess sun from the south, 2. North, east, and west elevations - metal perforated panels (circles).

BUS STOP PAVILION

academic work | digital | individual work | 2013 spring

The bus stop situates at the intersection of 13th street and Museum Road on the campus of University of Florida. This bus stop not only provide a shelter and a place for students await for the bus, but also decorates a corner, gave an aesthetic and innovative appearance to the campus. The design idea of the pavilion is gotten from a type of fish called Queen Angel Fish that lives in Caribbean Ocean not to far from Florida. The structure skin of the palliation, imitating the fish scales, is made in wood. The bus stop occupies the entire width of the pedestrian walkway, can also serve as a tunnel, creating interesting walking experience to the public. Even though the structure is made with opaque material, its appearance is light and airy, at the same time, providing enough shading in the sub-tropical climate in Florida. At night, the pavilion glows blue lights. From a distance, the palliation looks like it is flowing in the dark blue ocean.

Lamps

READING ROOM

academic work | material and method II | team work | 2014 spring

The Reading Room situates next to the main library in Gainesville. The Reading room provides ample space for students and family to come to read and study . The Reading Room features a computer room space on the ground floor and more reading space on the mezzanine floor. A hydrolic elevator brings people up and down between the two levels of space. The building is built with concrete columns and reinforced concrete wall.

GALLEROO - COMPETITION: 1ST PLACE

academic work | environmental technology | team Work | 2015 fall The site of the gallery is at Melbourne Australia in a coastal, temperate zone, with a dry, warm summer and wet, cold winter. The gallery is designed with an atrium which pulls the warm air out and creates a public space. Photovoltaic cells are integrated with a shading system. The efficiency of solar PV louvers is directly related to orientation of the system and the tilt angel of each louver. Acoustic panels were an important aspect of the design for lobby space. Lighting fixtures were integrated into the panels as well, which interlock and diffuse artificial light throughout the lobby. The sawtooth monitor design of the skylights provides additional lighting and has small openings allowing the building to breathe.

B. INTEGRATED PHTOVOLTAICS DAYLIGHTING AND VENTILATION A. INTEGRATED LIGHTING AND ACOUSTIC CEILING PANELS

The sawtooth monitor design of the skylights allowed for many opportunities of integration. Firstly, the skylights are designed to catch overhead Southern sunlight, which filters down into the main galleries situated on the uppermost level. Not only does this system provide additional daylight to illuminate the public walkways, but small openings in the assembly allow the building to breathe. The passive strategy allows warmer air to rise and escape through the roof, while fresh cool air moves downward through to small openings. This solution provides minimal ventilation without compromising the artwork presented in the galleries.

Acoustic panels were an important aspect of the design for the lobby space. In order to limit unwanted noise from intrusive street noise as people enter and movie around the space, Armstrong acoustic wood ceiling panels were selected for the ceiling system. The panels absorb unwanted noise, but also reflect some sound which is ideal for the main lecture space. Lighting fixtures

C. INTEGRATED PHOTOVOLTAICS AND INDIRECT LIGHTING STRATEGY

Photovoltaic cells are integrated with shading system. Effectiveness of North facing brise soleil shading compared to that of North facing louvered system. North facing is ideal because of Melbourneâ&#x20AC;&#x2122;s location in the southern hemisphere, below the equator. PV solar cells are laminated onto shadow glass louvers to not only shade daylight entering the gallery spaces, but to also draw energy from solar radiation that can be used to power additional systems in the building. The efficiency of solar PV louvers is directly related to orientation of the system and the tilt angle of each louver.

Roof 51' - 0"

level 2 33' - 0"

level 1 15' - 0"

ground 0' - 0"

South elevation

1 3 7

Roof 51' - 0"

Basement Plan

Ground Level Plan

Second Level Plan

First Level Plan

level 2 33' - 0"

level 1 15' - 0"

1 basement 2 lobby 3 lobby / lecture space 4 restroom 5 painting gallery 6 sculpture gallery 7 outdoor sculpture gallery

ground 0' - 0"

North elevation

RIGID FOAM INSULATION ON METAL DECK WITH MEMBRANE WATER PROOFING OPERABLE SAWTOOTH SKYLIGHT MONITOR VENTILATION SYSTEM SPRINGLOCK COUNTERFLASHING PARAPET WALL WITH CONTINUOUS METAL COPING AND DRIP EDGE

Roof 51' - 0"

CONTINUOUS FLASHING ON FIBER CANT STRIP 8" C.I.P PARTY WALL (BEYOND) WOOD ACOUSTICAL PANEL CEILING WOOD ACOUSTICAL PANEL SOFFIT

8" CIP CONCRETE WALL WITH 3 5/8" FURRING, CLOSED CELL INSULATION AND 5/8" GWB SIGNAGE PHOTOVOLTAIC INTEGRATED LOUVER SYSTEM (BEYOND)

level 2 33' - 0"

6" STRUCTURAL FLOOR SLAB WITH HARDWOOD FINISH

EXTERIOR GRADE WOOD PANEL CEILING

ALUMINUM CURTAINWALL LOUVER SYSTEM PERMIABLE FLOOR FINISH

DRIP EDGE

level 1 15' - 0"

LIGHT WEIGHT INSULATED CONCRETE DECK WITH WATERPROOFING MEMBRANE (SLOPE 1/4"-1' MIN)

HOLLOW METAL FRAME WINDOWS (BEYOND) 8" C.I.P. CONCRETE WALL WITH 3 5/8" FURRING, CLOSED CELL RIGID INSULATION, AND 5/8" G.W.B. ground 0' - 0" EXISTING CONCRETE WALK DAMP PROOFING ON 8" C.I.P. CONCRETE WALL (BELOW GRADE) COARSE GRAVEL FILL WITH FILTER FABRIC DRAIN PIPE CONTINUOUS KEY 12" x 36" CONTINUOUS REINFORCED CONCRETE FOOTING THICKENED SLAB EDGE GRANULAR CAPILARY BREAK AND DRAINAGE PAD 6" FOUNDATION SLAB STAINED AND POLISHED CLOSED CELL HIGH DENSITY RIGID INSULATION

basement -10' - 0"

DAMP PROOFING ON 8" C.I.P. CONCRETE WALL COARSE GRAVEL FILL WITH FILTER FABRIC DRAIN PIPE CONTINUOUS KEY 12" x 36" CONTINUOUS REINFORCED CONCRETE FOOTING THICKENED SLAB EDGE GRANULAR CAPILARY BREAK AND DRAINAGE PAD 6" FOUNDATION SLAB

ARTIFICIAL LIGHT ANALYSIS Lobby After many testing different artificial lights, Flow 450, Enola_B Up Down, Astrid 75, and Proxima HF were chosen for the lobby space. The lights are distributed evenly around the lobby space. The lamps use for the reception area do not overpower the whole ďż˝lluminance of the lobby space. The addition of the spot lights give out 183 lux which 17 foot-candles on the floor surface and 233 lux which is 21.7 foot-candles on the work surface area. Even though 21.7 foot-candles is a little over 20-footcandles, which is the maximum footcandle-level for a museum gallery, the reception desk typically needs more than 20 foot-candles because it requires detail work, therefore even though the room is a little above 20 foot-candles, the illuminate light level is still good.

SAN FRANCISCO BAY CHAPEL

academic work | connection | individual work | 2015 spring Because I attended a Christian high school I used to go to churches on Sundays, therefore I have seen different types of church buildings in different cities. Some were built in the 18th century. These buildings are usually tall with high ceilings and stained glasses, built with heavy material like rocks, concrete or heavy timber. Some modern churches do not resemble anything like the churches built in the early days. They look like a residence halls from the outside: plane and mundane. Even though I understand from a Christianâ&#x20AC;&#x2122;s point of view that â&#x20AC;&#x153;churchâ&#x20AC;? means a place to gather, to worship and does not literally mean a building type (pointed roof with a bell tower and a cross sign on top of the roof), I believe that a church should be designed differently from a residence hall, should be easily identified, not just as a church of the stereo type, but a special place for people to gather, social, and worship God. The church I design may not look like churches like St. Peters church but affordable and functional Christian church that is friendly for people to use and also consists a peaceful and celestial atmosphere.

Roof Plan

Concrete is a composite material composed mainly of water, aggregate, and cement. Additives and reinforcements (such as rebar) are included in the mixture to achieve the desired physical properties of the finished material. When these ingredients are mixed together, they form a fluid mass that is easily molded into shape. Over time, the cement forms a hard matrix which binds the rest of the ingredients together into a durable stone-like material with many uses.

A 1. Insulation 2. Waterproof Layer 3. Bauder DSE40 Drainage Layer 4. Un-Vegetated Barrier 5. Concrete 6. Insulation

C 1. Sealent 2. Insulation 3. Steel Angel Support 4. Steel Screw 5. 2.5â&#x20AC;&#x153; Laminated Glass

5 6

3 4

1. Roll - Formed Aluminum Sash with Neutral Grey Kynar 2. Silicone Primary Sealent 3. Stainless Steel, Black Zinc Coated Screw 4.Thermal Break; TPE Rubber Gasket with Integral Condensation Gutter and Condensate Weep Holes at Corners 3 5. Insulated Glass Pane 6. Curb Flashing 7. Curb Insulation 8. Concrete

1. Steel Angle Support 2. Steel Screw 3. Beam 4. Sealent 5. Insulation

5 1 2

6 3

7 8

E 1. Reinforced Bar 2. Concrete 3. Insulation 4. Concrete

A 1 2

C F

1. Reinforced Bar 2. Concrete Foundation 3. Concrete Piles

1 2

DESERT PROJECT

academic work | design studio | individual work | 2013 spring The Desert architecture is designed in Death Valley, California as luthier and motorcycle studios. Death Valley is located in eastern California, situated in Mojave Desert. It is the lowest and driest area in North America and has the highest recorded temperature on Earth. The design idea of these two studios are based on the landscape of the desert. The ďŹ rst design process was to create a model based on the desert and this model was made in plaster. Then a drawing and paper relief model were made. The ďŹ nal model is designed with two studios connected together to a hinge as it would rotate. This layout creates a big courtyard in front of the two studios as a amphitheater. The clients are Bill Guy, a retired banker who makes violins for fun and Sinya Kimura, a Japanese motorcycle maker who came to the states to make his American dream

Level 1 Plan

1. entrance to mortorcycle studio 2. entrance to luthier living room 3. motorcycle studio 4. restroom 5. bedroom 6. bathroom 7. bedroom 8. kitchen 9. reception room 10. luthier studio

11. amphitheater 12. living room 13. entrance to luthier studio 14. kitchen 15. bathroom

Level 2 Plan

SKIN THAT MOVES - NITINOL ACTUATED FACADE academic work | Thesis project | individual work | 20156 spring

My thesis project is to explore the possibilities of the material Nitinol, in relation to other materials such as paper, metal sheets, and acetate, to create an adaptive facade system without energy use. Nitinol, also known as Nickel Titanium is a nickel - titanium metal alloy with unique properties. This alloy exhibits superelasticity or psuedoelasticity, and shape memory properties. It means this unique metal can remember its original shape and shows great elasticity under stress. The metal contains nickel and titanium at approximately equal atomic percentages. Nitinol comes in wire, sheets, tubes, and coils. It can be trained to different shapes by high heat (1000°F). After the metal cools down, it changes to the shape when it was trained. The metal relaxes when the heat is removed. Because of Nitinol’s superelasticity, the metal can be activated by heat from the sun or electricity. This offers an opportunity to create an adaptive facade system that does not require energy use.

Force

Heat

Austenite

Original Shape Martensite

Deformed Shape

Original Shape

Martensite

nitinol or

Relaxing State

Shaping

Training Shape (1000 °F)

Cooling

De-shape

Actuating (direct heat: flame, warm water, sunlight , or the daily change in air temperature)

On the other hand, because Nitinol is a metal, it can be activated by conducting electricity therefore when it is needed, facade system can also be connected to power system. My thesis project is to incorporate the unique properties of Nitinol into a facade system with different materials and shapes. At phase I, paper was used to create different shapes of facade systems, such as gills, flowers and cell types. At phase II, aluminum was used in a gill type with nitinol wire attaching to it. When the heat is given, Nitinol wire moves with the facade system. More iterations currently are being explored.

Material Study 0 min

1 min

2 min

3 min

4 min

5 min

6 min

7 min

Acetate 3”x10”

Acetate 1.5”x10”

1 ply Chipboard 3”x10”

Bristol 3”x10”

Wood Veneer 3”x10”

Aluminum Flashing 3”x10”

Curve Height Return Height

Double Skin Facade: The double skin facade consists of two skins placed in such a way that air flows in the intermediate cavity. The ventilation of the cavity can be natural, fan supported or mechanical depends on the local climate. The cavity also provides a personâ&#x20AC;&#x2122;s space so a person can use that space to clean glass or metal facade and to fix the facade in case it is broken.

Aluminum Flashing Frame Glass

The movement of the adaptive kinetic facade helps air to move through which may cool the interior of the building. It also brings in the sun light, helps to brighten the interior space. Because the power to move the facade comes from sunlight, therefore the whole system is sustainable to the environment. This can help to save energy of the building.

Before Nitinol Get Activated by the Heater

Heat Curve

After Nitinol Get Activated by the Heater

Straight

REVIT PROJECT

academic work | bim | team work | 2015 fall

MILAN TRADE FAIR

- MODELING

academic work | Advanced digital | individual work | 2013 spring Architect: Studio Fuksas Location: Milan, Italy Architect in Charge: Massimiliano Fuksas

Massimiliano Fuksas dealt with the expansiveness of the 8 separates structures by orienting them inwards towards the central spine covered with a glass canopy that functions akin to that of a central street. While the canopy itself is freestanding, it floats over portions of the roofs of the adjacent rectilinear buildings and dramatically swoops down to the ground level in parabolic vortex fashion, defying the traditional archetypal conception of a canopy. http://www.bing.com/images/search?q=milan+trade+fair&view=detailv2&&id=5B7B167B248C68EDEEBE1C5F17ADA4381A1E2DD4&selectedIndex=8&ccid=OxWMKNyM&simid=608048622881669950&thid=OIP.M3b158c28dc8ca9e9251d04cbbfbd2909o0&ajaxhist=0

LONDON AQUATIC CENTRE

academic work | structure II | team work | 2015 fall

- MODELING

Architect: Zaha Hadid Architects Location: Westminster, London, UK Architect in Charge: Zaha Hadid Architects

Step 1 Using lines from planes and section, create a basic line model

The architectural concept of the London Aquatic Centre is inspired by the fluid geometries of water in motion, creating spaces and a surrounding environment that reflect the riverside landscape of the Olymipic Park. The podium element contains of a variety of differentiated and cellular programmes within a single architecture volume which is seen to be completely assimilated with the bridge. The podium emerges from the bridge to casade around the pool hall to the lower level of the canal.

https://www.bing.com/images/search?q=zaha+hadid+aquatic&view=detailv2&&id=79068FF14A1AA72D2C415DED34CF9408EDF1BB91&selectedIndex=4&ccid=cEtBun0Q&simid=608041012198376923&thid=OIP.M704b41ba7d106f3f1b77fb34fe1a584bo0&ajaxhist=0

Step 2 Add important registration lines for detail, such as truss location and direction

Step 3

Model the curves of each fan truss in its respective position to create a basic framework

Step 4

Create a surface to follow the framework and mimic the roof shape

Step 5 Trim the surface to complete the roof shape

Truss Structure

LAUNDROMAT

- COMMUNITY CENTER

academic Work | design studio | individual Work | 2015 summer

San Martin de las Canas is a small town in a rural area about 30 minutes drive north of Tequila, Mexico. It is formed by people who mostly grow tequila and own small business as grocery stores that sell cold beverages and snacks. The community center by the lake provides a public space where people can gather together and enjoy each otherâ&#x20AC;&#x2122;s company as well as offering a laundry facility. The building, mainly contains three spaces - a community space, dining space, and a semi-outdoor playground for children. The roof is supported by four tree like columns and the building itself has a tectonic feather of window panels that are functional and aesthetically pleasing.

Mexican culture is based on Spanish culture from Europe, started as when the Spanish conquest of the Aztec Empire began in 1519 when Hernan Cortes arrived at the port in Veracruz with ca. 500 conquistadores. Traditionally, the Hispanic family is a closed-knit group and the most important social unit. Mexicans put a high value on hierarchy and structure in business and family matters. Not only they have strong connection with their immediate or extended families, they are also deeply connected with the members of the community. Because of this specific culture value of Mexicans, a public space that is well organized and functional is important to a community like San Martin de las Canas. Therefore, a community center with a laundry facility is proposed on the site that situates at the west bank of the lake ( As proposed, one of the houses is eradicated to fit the design).

Canopy Column

Louvers, glass and wall

Laundry facility

Floor