Professional Work Sample_Limeng Jiang by Limeng Jiang

WORK SAMPLE

LIMENG JIANG DESIGNER

WORK SAMPLE

LIMENG JIANG DESIGNER

226 E University Pkwy, Baltimore, MD 21218

CV CV

LIMENG JIANG

Profile

T 917.946.3178 limeng.jiang@hotmail.com Portfolio: issue.com/limengjiang/docs/portfolio

Designer with 2 years architectural & interior design expertise seeking position in New York Current Working Status: H1B Visa

Experience

Education

Architectural Designer, RD Jones & Associates; Baltimore, MD 2014.9-Present

Project 1: Banner Hill Apartments Baltimore, MD

Role: Construction documents (Construction Plan,Electrical Plan,Reflected Ceiling Plan, Elevations, Details, Finish Plan & Furniture Plan), Construction Documentation Manual, Millwork Details

Project 2: Grand + 12 Apartments Los Angeles, CA

Role: Coordinate with vendors. Construction Documentation Manuals, FF+E items & Presentation

Project 3: Mint Museum Tower Charlotte, NC

Role: Schematic Design, Material Selection, Presentation board, Development Design Set Drawing.

Intern Architect, The China Archi. Design & Research Group; Beijing, China â&#x20AC;&#x201C; 2012.5-2012.10

Project 1: Kangbashi Government Project 2: Chongqing Admin Business Building, Ordos, China | Role: Scheme Center and Urban Design, Chongqing, Design and CD Drawing China | Role: Presentation Report and Landscape

Intern Architect, The Archi. Design Institute of Henan; Zhengzhou, China 2011.5-2011.10

Project: Sun Residence community, Shangqiu, China | Role: DD set Drawing, Model Build&FinalReport.

Colombia University, NYC, NY

Master of Science in Advanced Architectural Design

2013-2014

Zhejiang University, Hangzhou, China

Bachelor of Architecture

2008-2013

Chinese University of Hong Kong, Exchange Program Hong Kong

2010-2011

Expertise

Revit Rhino 3dsmax (Vray) Maya (Mentalray) Atlantis AutoCAD Adobe Creative Suite

English (Fluent) Mandarin (Native) German (Elementary)

Hand Modeling Digital Fabrication Photography

Reference

Keith Kaseman

kk@kabs-studio.com

Hayman Elashry

Principal of KABS Adjuct Professor of ColumbiaUni. Senior Project Manager of RD Jones

Xiaoxin Cao

Principal of QiStudio

caoxx100@sina.com

Credential

LEED AP, BD+C

helashry@rdjones.com

PROFESSIONAL WORK SAMPLE

LIMENG JIANG DESIGNER

Neutral World Banner Hill Apartments 9/25/2014

Baltimore, MD Hospitality | Multi-family Apartments Bernard Holnaider Co-worker: Alli Oroski/Hayman Elashry Dec.2014-Mar,2015

This project focuses on the integrity of project. Thoughtful selection of materials used for this property, the design is aimed to make the space inside elegant and warm. My role in this project mainly includes Construction documents (Construction Plan,Electrical Plan,Reflected Ceiling Plan, Elevations, Details, Finish Plan & Furniture Plan), Construction Documentation Manual and Details(Transition Details, Ceiling Details, Workroom Counter and Restroom Counter)

BEATTY A R C H I

NYC | LONG

Owner

Design Architect

Structural

1220 Code

Door Hardware

Door +

Acoustical



  

   











 

   

Specifications



Mechanical, Plumb

Spe





 







 

  

 

 

 







   



Electrical, Fire Alarm

Exterior Lighting

  

  



 



Grena

 

260 H



Landscape Architec





Pool

 

1073



  

 

Interior Design

  Civil Engineer



  

712

 

 



 













 

  









 

  







  





   



















  



 





 



 

  





 

 



   

 



  

 



 



project

ZOM - Ban



9/25/2014

key









  

  



611 Charles Str Baltimore, MD





seal



   





Main Floor Furniture PlanA

issued

date

D 1 2 3 4 5

01-30-2015 03-02-2015 04-02-2015 05-08-2015S 06-12-2015



 



 

title



FIRS S CLU FURN



 

drawn by:

checked by:

scale:

 

project number:

E sheet number



 



    

 





 

 

  







 

  

  





   

   







 



    







 







 

6 B





 

 



 

 

Main Floor Furniture PlanB  







 

Club Room Elevation











 













 







  

 

   

 

  

  

 

 

  

  







  



 

 



 

 

 



 

   

 



 

 

  



 



 

   





 



 





 

  





 







 

 







 





  

 





  



 



   



  



 















    

 











 







 

 

  



 

  





 



 

















 



    

  



Workroom Millwork Detail

 







  







 

  

   



  

 



    

  

  

    

 



 











 

 









 







 

 





 

 



 

 

     

 



  

























 







 

  

 

  



  











 

  

 

  







    





      







  















 

 















 







 

 



 

 



  





     













 









  









    



  





 

 

   











  

   

   



 

 



 





  

















  



 







   



 

  





 



 





      

  

 

 

 





 







 



   







 

 



   







 

  

 









 

Restroom Millwork ADA Detail  







  



 



 

 









   

 

 



  



 



  

 





 



  

 





   

 

 









  





 









  













 



   

 









 



  



   



 

 

    





  

 





















 

 

 





 

























  





 





     





 





 





 













 

  

  



 

  





 









  

 



 

























   

  

















Pop Raspberry Grand + 12 Apartments

Los Angeles, CA Hospitality | Multi-family Apartments Bernard Holnaider Co-worker: Alli Oroski/Hayman Elashry Feb.2015-May,2015

This project locates itself in the West Coast with beauty sunshine and fabulous outdoor view. The main point of this design is to make the fine and clear vision for the site the exposed concrete inside the builiding. In this project, I take responsibility for Coordinating with vendors, Scheme Design Presentation Board for Client Presentation, Construction Drawings, particularly Elevations and part of Millwork Details, Construction Documentation Manuals, and Custom Lighting Fixtures

Club Room Perspective View



Second Floor Plan A

First Floor Reflected Ceiling Plan 

Custom Lighting Drawing

 

 







   



   







  















 

  





 



        

       

Second Floor Plan B

  

 





 

   

 

 



   









       

  



 

  

 

  

Entertainment Kitchen Perspective View

Neutral World Mint Tower Musuem

Miami, FL Hospitality | Multi-family Apartments Bernard Holnaider Co-worker: Vickie Ford/Hayman Elashry May.2015-Present

The project focuses on the crafting of custom components in pursuit of an iterative and flexible system for designing. We focus on modifying the existing building and reimagining a new design at both the component and the building levels simultaneously. I take charge of part of Schematic Design and Material Selection, Millwork Sketches, Presentation board for Client Presentation, All the Construction Drawings for DD Set and Details which are going on currently.



 



 









 



 

  

  



  



   

 

 J

J  

 

 

 

  





 









 

 



J  

 



 

J  







 

  

 



 

 

  TV







 

TV TV





 

 

 







   

 





 









 

12th Floor Electrical Plan

 

  TV

 

  

TV 

 

  



 



 









 



 



 



 

 

 

 



 





    



  

 



 

   

J   

 









 

 

 

 







 

J J

 

  

 



 

 

  







TV 

  









TV 



Fitness Center Table Detail 

  

43rd Floor Electrical Plan



  

Meeting Room Table Detail Entertainment Kitchen Perspective View





 



   



 

 

 

  

 





 



 



 

  









  

   





 





 

  

 

 

 

   





 













  



  

 







 

 

 



 



 



 

 

        

  







 

  

 



 



  



 



    





 



    

 





  





    

   

     

 



 









    

 

 

  











 

 

 

  











 







 

  



 

   

 





  



  



 



 



    

 







     





    



  



  







  





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HUMANISM Convention Center on Hills

Chongqing, China Intern Work/Group Instructor: CAO, Xiaoxin Jul.2012-Aug.2012

Chongqing is a Chinese city with complicated terrain especially for mountains. The site for this convention center is just right located around mountains with different heights. Despite the complex typography, the concept for it is basically quite simple as one local flower blossoming, which, on the other side, solves the problem of access traffic with the advantage of specific shape. My role in this project is to make the schematic design an

Terrian Design Strategy

Perspective View

First Floor Plan

Greenery Analysis

Second Floor Plan

Third Floor Plan

One "Petal" Plan

ACADEMIC WORK SAMPLE

LIMENG JIANG DESIGNER

Humanism Elder Center in Madrid

Madrid, Spain Studio Work/Individual Instructor: HE, Yong Feb.2013-May.2013

The design is based on the urban texture of the center of Madrid, as well as the original CEBADA market. The Elderly Center becomes a connection between the market and outdoor space. Researches shows that, the utilization rate of the original market is relativley low, thus we retrofitting a platform to change the original function of the market. On the platform, some retail department stores are built to satisfy needs of the surrounding residents, which will hopefully improve market utilization. The center itself is designed with smooth body structure, while the streamlined appearance is well-designed for the elderly sensory experience.

North Elevation

Market Section

Site Model Bird View Site Model View2

Market-Elder Center Section

Curtain Wall Section Details

Original Building Facade

Diagnal Panel ReThinking BIM

Original Building Revit Model

New York, USA Visual Study/Group Instructor: Mark Green/John Lee Feb.2014-Mar.2014

The project focuses on the crafting of custom components in pursuit of an iterative and flexible system for designing. We focus on modifying the existing building and re-imagining a new design at both the component and the building levels simultaneously. We try to adapt our design ideas to existing conditions of our chosen site or building. Weâ&#x20AC;&#x2122;re interested in designing a changeable panel which brings various watching experience according to peopleâ&#x20AC;&#x2122;s position. Plus, these changeable panels enrich the interior lighting, directions towards park, and expressions of buildings. So the breathing facade becomes as it is.

Revit Process

SPATIALISM Matrix Market in Brazil

Rio de Janeiro, Brazil Studio Work/Individual Instructor: Keith Kaseman Jan. 2014-Mar. 2014

This studio is a space exploration for the site. The main idea is to create flexible space which could control its growth both inside and outside. The experiment for space chooses its site on the favela of Rio in Brazil, which means much more possibilities for the configuration and organization. According to the observation of Brazilian Favela along the river and on the hill, the staged layer becomes the archetype of this market with woven fabric.Based on the fact of interweaving this market mixture from inside and outside, I inject diagonal paving roof as the basic strategy from cover to cover. To weave the landscape as soft side, the paving roof have its beginning from the busy street as hard side and end its way at the top of south market roof with terrific scenic view.

I II

DRAFTISM Model and Historic Building

Zhejiang,China Historic Study/Group Instructor: Jian Yu/Jingyu Zhang Aug.2011

New York, USA Tectonic Study/Group Instructor: Kenneth Frampton Feb.2014-May.2014

Model Study is for the tectonic structure of Renzo Piano's famous architecture ---- Jean-Marie Tjibaou Cultural Center, which has a curved shape that references traditional Kanak constructions. Survey & drawing of Maode Hall which belongs to the Huizhou Architecture of Chinese traditional architecture in Zhejiang Province; this aims to grasp the structure and scale of Chinese traditional ancient buildings.

2008-2015

Limeng Jiang, Leed AP Designer limeng.jiang@hotmail.com +1-9179463178

PORTFOLIO: http://issuu.com/limengjiang/docs/portfolio