Architectural Portfolio 2008 2014 by Lim Meng Jin

LIM

MENG

JIN

Vol. I

2008-2014

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

HELLO THERE! My name is Lim Meng Jin, an M.Arch graduate from The Mackintosh School of Architecture. Iâ&#x20AC;&#x2122;m looking for a creative environment where I can meet inspiring design aficionados, upgrade my skills and most importantly, have fun! Know that wherever this portfolio may end up, it was done with extraordinary intent.

I hope you enjoy this booklet!

While you are at it, why not check out my CV as well?

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

FIFTH YEAR THESIS Role in Project:

Tutor:

Sole owner of the project

Graeme Massie

The Flooded Future This is a hypothetical thesis, based on scientifically proven data and research. The thesis aims to speculate how life in the warehouse district would be like post-apocalyptic, and how the people of Hamburg could potentially reap benefits from the negatively-deemed rising of water levels beyond the ground planes. A civilian colony, which accommodates the five aspects of live, work, commune, govern and support within a block, is the study vehicle of this project, as a testament to future human living after the rise of water levels beyond existing ground levels.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

With global warming and various apocalyptic scenarios being heatedly discussed over the recent years, I am particularly interested in what the definition of life is post-apocalypse. One of the most prominent (and scientifically proven) scenarios is the rise of water levels and flooding due to global warming and glacier melting. This is particularly alarming since most cities develop near water bodies, and two-thirds of the world population today (circa 2013) resides in cities. How do the cities react and respond to positively reap benefits out of this supposedly imminent catastrophe, if you like?

The city centre and HafenCity have developed flood protection methods in terms of dikes and raised floor levels. The warehouse district, or locally known as Speicherstadt, in contrast, is left at its historic level without any sorts of protection. Eventually, as the water level gradually rises over the years, the entire ground floor of Speicherstadt will be submerged, thus rendering Hamburg city centre is prone to flooding, due to its function on that level irrelevant. its location along River Elbe, which tide fluctuations are heavily depended on the conditions of How do the warehouses in Speicherstadt rethe North Sea. Due to global warming and sea spond and benefit from the unavoidable, and expansion, it is predicted that the water levels in spring back to life, just as how Hamburg as a Hamburg will increase by 1.8 to 2m by the end of whole did on a few occasions of catastrophe the century (potentially could drastically increase such as the big fire of 1842, the bombing of due to accelerated global warming over time). WWII, and the big flood of 1976?

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

The speculated rising of water level in Hamburg draws benefit of hydroelectricity from the flooded basements to the superstructures, creating a network of elevated living post-apocalyptic. Lives thrive, towers rise.

1927

2013

The Civiliansâ&#x20AC;&#x2122; Colony will be introduced in the middle of the district as a catalyst, and as a testament to future human living when water levels rise beyond the existing ground levels. The tower block is a speculated outcome of how human lifestyle evolves and adapts over the flooded years.

2050

2075

2100

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Like every other life forms in na- A web of life begins infiltrating the ture, life finds its way back into crevices. The inhabitation of the the post-apocalyptic city, both void has begun. horizontally and vertically.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

The working spaces in the Working Obelisk are directed to north to receive quality north daylighting for optimum efficiency. 5

The Civiliansâ&#x20AC;&#x2122; Warren plans are arranged in such a way that enable all rooms to be exposed to the exterior, thus benefitting from both south sunlight and north daylight.

As with the Civiliansâ&#x20AC;&#x2122; Archives, the dark room of the Cerebral Bay is located interstitially because it requires less daylighting.

2 The void in the Civilian Colony is primarily

directed to the south, with huge exposure to the north as well, ensuring the spaces within are sufficiently lit naturally. 3 Because of its precious archive materials,

the Civiliansâ&#x20AC;&#x2122; Archives is located interstitially within the block facing east, thus only allowing indirect daylighting into the space.

The produce trays in the Cultivation Depot are oriented towards south to receive south sunlighting for maximum yield in produce.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

LIVE WORK COMMUNE GOVERN SUPPORT

Post apocalypse, humans will not have the luxury to spread out programmes across the city as they used to, and have to create cities within blocks instead. Elevated streets that will become the primary mode of travelling between buildings, will also become part of the buildings. As opposed to a majority of existing streets at the present as a series of outdoor rooms, the elevated streets are rather, carved-out rooms in internal worlds, with an occasional breath of exterior presence when they bridge between buildings.

2013

2100

A post-apocalyptic city starts from a blank canvas. So is the definition of views and perspectives. A hybrid is born.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

FOURTH YEAR DESIGN Role in Project:

Tutor:

Sole owner of the project

Neil Simpson

The Nirvana of Learning Central Station brings huge quantities of workers and tourists across the Clyde. Exits burst from Argyll Street and Union Street but it is the main entrance at Gordon Street through Robert Rowan Anderson’s Central Hotel that is the front door to the city. Office workers and shoppers turn either direction in thick streams. Gordon Street will be the location for the Central School of English Language and Literacy. How is Gordon Street to be considered a place? What sort of ‘agreement’ is needed? What can the provision of a new school building ‘teach’ Gordon Street? If Central Station is the space of assembly and the city shops and offices are the classrooms, what is the potential of the project sites between the two?

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

The language school is seen as a series of paths ultimately reaching the highest state of conof enlightenment, in which each path is directly sciousness. or indirectly guided by the orchestration of light. The urban corner, is not viewed as an indepenSpaces in the building are sequentially designed dent corner, rather as a part of an entity of four so that as one rises he/she gains knowledge, corners; thus its design manifestation is a subsequent evolution of the other three corners.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin 1

Minimalist approach of wrapping exterior with solid mass, only exposing the â&#x20AC;&#x2DC;gemâ&#x20AC;&#x2122; spaces

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

THIRD YEAR DESIGN Role in Project:

Tutor:

Macro masterplan: Micro masterplan: Group of four Sole owner

Anand Krishnan

Architecture with a Social Impact A Malaysian study showed the percentage of population in urban areas has increased from 24.5% in 1957 to 50.8% in 1990. We can expect the proportion of the aged population to have escalated parallelly as well. The aged population has its own unique problems and will generate new demands in health and social services, and a new thinking for sustainable development. The design studio extends the exploration of architectural position in proposing strategy to resolve a unique social issue of elderly, within an urban community-themed â&#x20AC;&#x2DC;architecture with a social impactâ&#x20AC;&#x2122;. The project commences with a group proposal of a masterplan/model/programme that addresses the needs of the required user group, as well as providing spaces that invite interaction with the surrounding community. Subsequently, individual detailed design of a selected portion of the masterplan is produced.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

The urban model for aging mainly dominates the organic site, and the young on the grid, with both slowly merging pass each other, creating a concoction of communal and intergenerational spaces. With global warming on a rise, planning without sustainable approach in mind is intolerable. The wetland at the upper end acts as the major green lung of the area, as well as a water filter to the river, which acts as a communal and commercial belt. The solar farm at the lower end turns an otherwise negative area into a positive and profitable one, and enables the area to be selfsustaining in a long run. The challenge of this masterplan is to tackle the interaction between city and nature. When designing from city towards nature, we no longer need to impose a rigid grid-like structure to create an urban model. It is intended to simulate the gridlike pattern of the neighbouring sites, which gradually evolve into a more organic organization, so as to provide a smooth transition between city and nature. The theory takes place in section as well, where building heights nearer to the city tend to be more static and more dynamic as approach nature.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

The community centre is designed in such a manner that enables the elderly to gain bearings when they are in the facility, hence the different building heights and facade treatments. The footprints are linked by a family of louvres and sloped roofs, and a series of brick cores, which further emphasizes the loftiness of the spaces. The design also allows for seamless connection between inside and outside, with an alfresco relationship between the building footprints and the covered walkways.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

SECOND YEAR PROJECT Role in Project:

Tutor:

Group of two

Nor Hafiza

Structural System Study The project sees a happy collaboration with Mr. Samuel Chan Jenn-Au, in which we are required to identify and describe the structural systems used in KL Sentral, Malaysia. designed by the late Kisho Kurokawa. The analysis is translated into a scaled model to understand the materiality, load distribution, function and joint details of each structural system.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

FIRST YEAR DESIGN Role in Project:

Tutor:

Sole owner of the project

Keith Tan

The Lair Not having experience in dealing with clients before, this brief calls for a design exercise which briefly exposes the students to the real working world. Understanding the characteristics of the client is crucial in delivering effective design executions. In this case, the client is a Komodo dragon, set in a designated plot in Taiping Zoo, Malaysia. Inspired by the ferociousness and lethality the komodo dragons exude, The Lair offers increasing fear with the decrease in altitude, to a subsequent climax which sees the visitors being surrounded by the lizards, as â&#x20AC;&#x2DC;preyâ&#x20AC;&#x2122;.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

exposure to daylight for recharging burrow as shelter slanted handrails - exhilaration heightened anti-slip glass stairs - fear heightened PTFE roof membranes - oppresion heightened

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

FIRST YEAR DESIGN Role in Project:

Tutor:

Sole owner of the project

Dr. Veronica Ng

The Grafted Wall The design intention is to create a daydreaming space strongly engaged to the wall. Cut-out panels are used to create void between the two walls, which is specific to the userâ&#x20AC;&#x2122;s anthropometry, so as to contrast the boxy look on the exterior. Slidable panels are used to camourflage the space when not in use and stand out when in use. A gradual change of opacity in materials creates an airier ambience in space in accordance to manipulation of light and shadow.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin base

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All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

PRACTICAL EXPERIENCE Role in Project:

Firm:

Pt 1 Architectural Assistant

CWA

KLBC Project My experience with Clement Wong Architecture saw me being heavily involved in the Kuala Lumpur Baptist Church Project from its building submission to tender stages, under the supervision of an architect. These are few of the drawings I have done for CWA. The night scene rendering is done by me as well. All drawings are the property of CWA.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin



JADUAL KELUASAN BANGUNAN

JADUAL KIRAAN DATA

TINGKAT

KELUASAN TAPAK Luas Tapak Keseluruhan = 0.6 ekar / 2,428 m.p / 26,125 k.p NISBAH PLOT - Dikehendaki = 2 Nisbah Plot = Jumlah luas lantai kasar (m.p) = 3363 m.p = luas tapak keselaruhan (m.p) 2,428 m.p

Bersih (m.p) Servis (m.p)

Kasar (m.p)

Tempat Letak Kereta

101.97

590.15

692.12

Dewan, Bilik Persidangan

772.24

82.89

855.13

Dewan, Kelas

285.21

281.37

566.58

TINGKAT 3

Pejabat

574.43

179.43

753.86

Pejabat

328.01

167.71

495.72

2061.86

1301.55

3363.41

TINGKAT 4

1.39

CAR PARK CALCULATION

LUAS LANTAI

KEGUNAAN

TINGKAT BAWAH TINGKAT 1 TINGKAT 2

JUMLAH

NETT FLOOR AREA

LOCATION

SQM 101.97 772.24 285.21 574.43 328.01 2061.86

GROUND FLOOR 1ST FLOOR 2ND FLOOR 3RD FLOOR 4TH FLOOR TOTAL NETT AREA

SQFT 1097.60 8312.32 3069.97 6183.11 3530.67 22193.68

CAR PARKING LOTS REQUIRED PROVIDED

MOTORCYCLE PARKING LOTS REQUIRED PROVIDED

 CO  NC  RE  TE   DR   AIN  UN  DE  R

 

 CO  NC  RE TE  DR   AIN    

96 80 96 08 96 53   CO  NC RE   TE   DR  AIN   

96 55



62159 

PA111402



PA111402

62158



 

62162

PA111403

FIRST FLOOR

AREA STAIR 2 GUEST TOILET MALE TOILET FEMALE TOILET DISABLED NURSERY JANITOR ROOM CORRIDOR PRE-FUCTION SERVICES ROOM STAIR 1 STORE P/A CONTROL SANCTUARY OFFICE 1 CONFERENCE DRESSING ROOM STAGE BACKSTAGE SERVICES ROOM STAIR 3 SUB TOTAL

LOCATION SECOND FLOOR

AREA

BUILD UP AREA (sq.m) 16.89 17.05 21.01 16.64 4.87 11.56 7.12 35.34 121.79 4.96 9.00 3.52 10.79 294.08 17.08 85.45 21.74 100.97 43.88 2.91 8.48

DOOR & WINDOW TYPE EXPANDED METAL, FD3 D5, W2 (4 nos) D1 (3 nos), W1 (5 nos) D1 (4 nos), W1 (4 nos) D2 , W1 (2 nos) D3 , W2 (2 nos), W5 D3 , W2 (2 nos) VENT BLOCK WALL SD1, W7 , W8 (6 nos) N/A W8 (6 nos) D3, W2a N/A FD1 ,FD2 D4 ,W2a (2 nos) FD1 (2 nos) ,W2a (7 nos) D3 ,W2a (3 nos) D1 ,FD1, W12 D1 ,FD1 N/A W2a

GARIS PADUAN DBKL 10% 10% 10% 10% 10% 10% 10% 10% MECHANICAL

N/A MECHANICAL

10% N/A MECHANICAL

10% 10% 10%

REQUIRED(m2) PROVIDED(m2)

N/A 4.27 N/A N/A 0.80 N/A N/A N/A N/A N/A 0.85 1.72 0.90 0.90 1.69 N/A 1.55

N/A 7.29 N/A N/A 7.29 N/A N/A N/A N/A N/A 4.28 3.42 2.33 2.33 1.89 N/A 1.59

LIGHTING & VENTILATION REQUIRED(m2) PROVIDED(m2)

1.69 1.71 2.10 1.66 0.50 1.16 0.72 3.53 MECHANICAL

N/A MECHANICAL

0.35 N/A MECHANICAL

1.71 8.55 2.17

1.98 2.88 2.48 2.30 0.36 3.42 1.44 28.96 MECHANICAL

N/A MECHANICAL

1.22 N/A MECHANICAL

2.43 8.51 3.65

MECHANICAL

N/A 10%

N/A 0.85

N/A 1.22

855.13

BUILD UP AREA (sq.m)

STAIR 2 OFFICE 2 TOILET MALE TOILET FEMALE TOILET DISABLED NURSERY CORRIDOR CLASSROOM 1 CLASSROOM 2 STAIR 1 SERVICES ROOM STORE WALKWAY SITTTING DECK CLASSROOM 3 CLASSROOM 4 STAIR 3

16.89 20.63 21.01 16.64 4.87 18.67 42.11 34.24 34.88 9.00 4.96 8.81 110.35 66.77 54.00 40.00 8.48

SUB TOTAL

566.58

LOCATION THIRD FLOOR

SUB TOTAL

LOCATION FOURTH FLOOR

DOOR & WINDOW TYPE EXPANDED METAL, FD3 D4, W2 (4 nos), W6 D1 (3 nos), W1 (5 nos) D1 (4 nos), W1 (4 nos) D2 , W1 (2 nos) D3 , W2 (2 nos), W5 VENT BLOCK WALL D5 , W7, W10 D5 , W10 (2 nos) W10 (3 nos) N/A N/A SD1 FD1 ,FD2 D5 (2 nos), W3 (6 nos) D5 (2 nos), W3 (4 nos) W3

GARIS PADUAN DBKL 10% 10% 10% 10% 10% 10% 10% 10% 10% 10% N/A N/A

LIGHTING & VENTILATION REQUIRED(m2) PROVIDED(m2)

1.69 2.06 2.10 1.66 0.50 1.87 4.21 3.42 3.49 0.90 N/A N/A

3.12 2.88 2.69 2.51 0.36 2.88 45.23 3.46 4.32 5.40 N/A N/A

MECHANICAL

10% 10% 10%

5.40 4.00 0.85

8.10 5.40 1.35

AREA STAIR 2 TOILET MALE TOILET FEMALE DISABLED 1 JANITOR ROOM DISABLED 2 CORRIDOR KITCHEN CANTEEN LOUNGE LAUNDRY OFFICE 3 OFFICE 4 RECEPTION SERVICES ROOM STORE ROOM STAIR 1 SEMINAR 2 SEMINAR 3 SEMINAR 4 SEMINAR 5 STAIR 3 TERRACE ROOF GARDEN RC LEDGE WALKWAY SERVICES

BUILD UP AREA (sq.m) 16.89 26.43 25.90 10.28 4.08 4.78 34.77 30.95 57.71 64.98 21.26 28.18 25.72 42.43 4.96 8.81 9.00 36.90 36.90 27.30 27.82 13.89 53.62 88.92 19.45 29.02 2.91

DOOR & WINDOW TYPE EXPANDED METAL, FD3 D1 (6 nos), W1 (6 nos) D1 (6 nos), W1 (6 nos) D2 , W1 (2 nos) D3 , W1 (2 nos) D2 VENT BLOCK WALL D4, W4 (5 nos), W5 D6(2 nos),W11(3 nos),W10(2 nos) D6(2 nos),W11(3 nos),W11a(3 nos) D4, W4 (2 nos), W11 (3 nos) D5, W7, W5 D5, W10 (2 nos) W11(3 nos),W10(2 nos) D3 D3, W2a W10 (3 nos) D5, W2a (3 nos) D5, W2a (3 nos) D5, W2a (3 nos) D5, W2a (3 nos) FD3, W2a, W11a N/A N/A N/A W11a (5 nos) N/A

GARIS PADUAN DBKL 10% 10% 10% 10% 10% MECHANICAL

10% 10% 10% 10% 10% 10% 10% 10% N/A N/A 10% 10% 10% 10% 10% 10% N/A N/A N/A 10% N/A

LIGHTING & VENTILATION REQUIRED(m2) PROVIDED(m2)

1.69 2.64 2.59 1.03 0.41 MECHANICAL

3.48 3.10 5.77 6.50 2.13 2.82 2.57 4.24 N/A N/A 0.90 3.69 3.69 2.73 2.78 1.39 N/A N/A N/A 2.90 N/A

1.98 3.60 3.60 0.36 0.36 MECHANICAL

28.96 5.13 5.94 7.02 4.68 4.50 4.32 5.94 N/A N/A 5.40 3.65 3.65 3.65 3.65 2.30 N/A N/A N/A 5.40 N/A



62159 PA111402 

  

AREA

 PREMIX

753.86

BUILD UP AREA (sq.m)

STAIR 2 STAFF 1 TOILET STAFF 1 STAFF 2 TOILET STAFF 2 MEETING ROOM LOUNGE STAIR 1 SERVICES ROOM STORE ROOM OFFICE 5 TOILET OFFICE 5 OFFICE 6 TOILET OFFICE 6 OFFICE 7 TOILET OFFICE 7 OFFICE 8 TOILET OFFICE 8 OFFICE 9 TOILET OFFICE 9 STAIR 3 WALKWAY SERVICES RC FLAT ROOF

16.89 19.07 5.20 15.73 5.20 46.02 109.39 9.00 4.96 8.81 21.43 4.05 21.43 4.05 21.43 4.05 21.43 4.05 21.43 4.05 13.89 25.12 2.91 86.13

SUB TOTAL

753.86

DOOR & WINDOW TYPE FD3, W11 D4, W1, W11a (3 nos) D3, W1 D4, W6 D3, W1 (2 nos) D4, W4 (7 nos), W9 W11 (5 nos), W11a (2 nos) W9 (5 nos), W13b D3 D3 D5, W13 D3 D5, W7a D3 D5, W7a D3 D5, W7a D3 D4, W7a D3 FD3, W11, W13a W11 (5 nos) N/A N/A

GARIS PADUAN DBKL 10% 10% 10% 10% 10% 10% 10% 10% N/A N/A 10% MECHANICAL

10% MECHANICAL

10% 10% N/A N/A

LIGHTING & VENTILATION REQUIRED(m2) PROVIDED(m2)

1.69 1.91 0.52 1.57 0.52 4.60 10.94 0.90 N/A N/A 2.14

1.26 3.42 0.18 0.18 0.18 4.21 8.46 2.66 N/A N/A 2.43

MECHANICAL

2.14 MECHANICAL

1.39 2.51 N/A N/A

2.43 MECHANICAL

3.56 6.30 N/A N/A

  

 

62160

PA122803



D4, W1 (4 nos) D1 (2 nos), W1 (3 nos) D1 (2 nos), W1 (3 nos) EXPANDED METAL, FD3 (2 nos) N/A D3, W16, W17

N/A 10% N/A N/A 10% N/A N/A N/A N/A N/A 10% 10% 10% 10% 10% N/A 10%

N/A D7, W2a (6 nos) N/A N/A W2a (6 nos) N/A N/A N/A N/A N/A

LIGHTING & VENTILATION



243.40 27.16 121.40 4.96 8.02 7.14 9.49 29.81 47.65 6.64 8.48 17.24 9.01 9.01 16.89 110.30 15.52 692.12

GARIS PADUAN DBKL

LOCATION

AREA CAR PARK ENTRANCE PUBLIC SPACE SERVICES ROOM STAIR 1 LIFT STORE 1 LV SWITCH ROOM TNB SUB STATION STORE 2 STAIR 3 KITCHEN TOILET MALE TOILET FEMALE STAIR 2 COURT SECURITY SUB TOTAL

DOOR & WINDOW TYPE

LOCATION GROUND FLOOR

BUILD UP AREA (sq.m)

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

PERSONAL SKETCHES Role in Project: Sole owner of the project

‘Graphein’-ed Graphics ‘Graphein’, in Ancient Greek, means to write/draw. Ever so thankful of the discovery of graphite and paper, sketching and drawing have taught me to be a more patient person, and have also sharpened my sight on capturing views and angles. Enjoy.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

WALL MURAL Role in Project: Sole owner of the project

The Bold Series Inspired by a few incredible projects on the web, I decided to paint a wall mural in my bedroom. The leopard was chosen as a reminder of its boldness. The painting process was a test of patience and skill, but I truly enjoyed every second of it!

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

RIBA EXHIBITION Role in Project:

Employer:

One of the four facilitators

The GSA

An Event to Impress The Royal Institute of British Architects (RIBA) visits The Mackintosh School of Architecture once in every five years to monitor its quality excellence. This time around, four postgraduate students were chosen to organize an exhibition which aimed to showcase a more extra-curricular side of the school. The exhibition involved intensive planning, discussion, collaboration and out-sourcing. Effective teamwork was the key element that contributed to the success of the exhibition. Despite several hiccups in the process, I thoroughly enjoyed setting up the gallery. One of my fifth year renderings was also featured in the exhibition, which made the experience even more memorable!

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

PHOTOGRAPHY Ownership:

Gears:

Sole owner

Canon 1000D Tripod

The Memoirs Abroad Architecture, photography and graphic design are three of my lifelong passions, and I had an absolute enjoyable time combining them together during my postgraduate years in a foreign land. Enjoy.

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin

mengjin_12@hotmail.com +6 012 218 3537

All work is the property of Lim Meng Jin, unless otherwise stated www.behance.net/limmengjin