Lila Jiang Chen // Yale 2013-16 Architecture Portfolio

T H E G R A P H I C N A R R AT I V E ISSUE

08.16

SEL ECTED W OR K S FROM M.ARCH I PROGRAM AT YAL E UN I V E R I ST Y 2013-2016 ARCHITECTURE

+PROFESSIONAL +OTHERS

T H E G R A P H I C N A R R AT I V E ISSUE 08.16

D I G I TA L E D I T I O N YSOA

CONTACT INFORMATION N

LILA JIANG CHEN

A

NEW YORK CITY, NY 11102 UNITED STATES

T E

203-507-1232 LILA.JIANG@GMAIL.COM

FORMATTED FOR ISSUU ONLINE EDITION HARD COPY PRINTED AT YALE UNIVERSITY PRINTING & PUBLISHING SERVICES IN NEW HAVEN, CT ALL RIGHTS RESERVED 2016

01 UPENN SOA 13 DANCE MACHINE 25 HIGHER GROUND 37 BUILDING PROJECT 45 BRIDGEPORT ECO-INDUSTRIAL PARK 63 WATER FROM THIN AIR 75 CORNELL TECH

OTHERS

89 GEHRY-GO-ROUND 91 IPMS ORIGAMI 93 FORMAL ANALYSIS 95 DRAWING 97 FREE SPEECH KIT

PROFESSIONAL CV

99 GEORGE FRIEDMAN 101 RAW DESIGN 103

i ndex

ARCHITECTURE

arch i t e c t u r e

01 UPENN SOA 13 DANCE MACHINE 25 HIGHER GROUND 37 BUILDING PROJECT 45 BRIDGEPORT ECO-INDUSTRIAL PARK 63 WATER FROM THIN AIR 75 CORNELL TECH

01

1

ARCHITECTURE

amphibus

am¡phi¡bus DP‍¿ޖ‏EԼV

Vehicle capable of operating in both land and water. First utilized by Cornell University as public transit to connect its Roosevelt Island campus to Manhattan and Queens.

Cornell Te c h [ LOCATION ] ROOSEVELT ISLAND, NEW YORK, USA [ DURATION ] 4 MONTH [ ACADEMIC ] YSOA // ARCHITECTURAL DESIGN // WEISS / MANFREDI [ YEAR ] U3, FALL 2016 [ INDIVIDUAL ] CAMPUS MASTERPLAN

Cornell Tech is establishing a new campus in Manhattan with a new program that seeks to bridge the gap between academia and real-world entrepreneurship. This project tries to avoid the negative relationship of the tech industry with the city of San Francisco due to the perception that they are taking advantage of all the resources without giving back to the community.

Challenging the traditional mode of the closed off, single-use campus, this SURMHFW HPSOR\V D KRUL]RQWDOO\ VWUDWLĂ€HG PL[HG XVH W\SRORJ\ DQG RSHQV XS WKH JURXQG Ă RRU WR WKH SXEOLF 7KH JRDO LV WR JHQHUDWH D VXVWDLQHG HFRQRPLF vitality and private market reaction that integrates this isolated island as a true QHLJKERUKRRG RI WKH FLW\ UDWKHU WKDQ DQ H[FOXVLYH FDPSXV The bottom layer accommodates student workshop-housing, amenities, and diverse businesses, along with parks and plazas to attract people from all over the city. The campus is suspended above the free ground plan, preserving a secured access to intellectual property. Since each vertical cross-sectional slice contains all necessary programmatic parts, the campus is able to be phased both horizontally by region, and also vertically by layer.

CORNELL TECH

2

RECOMBINATION MATRIX SALK EWHA

PROGRAM

STRATEGY

B1

B2

C1

C2

COMPOSITION

A1

1

(SALK)

D1

A2

2

A1 A1 A2 A1 B1 B2 A1 A1 A2 A1 B1 B2

EXPANSION

D2

3

A1 B2 C1 C2

CAPS

B2

4

B2 C2

5

B2

PLUS+

REFLECT MINUS-

MINUSVERTICAL

HORIZONTAL

CAPS

gro un d

7

C1 C2

6

B2 C1 C2

EXPLODED AXO

SALK INSTITUTE

3

ARCHITECTURE

EWHA WOMAN'S UNIVERSITY

UNIT MODULE

RO

OP OFT

TRADITIONAL CAMPUS

IES ILIT FAC

FES S T O R D PRO N UBA INC ULTY A C FA

R OU T EAK

SIO

EET S, M OOM

NAL

S

VERTICAL STACKING

UNIT MODULE

PROGRAM DATUM POINTS

ING

HORIZONTAL ORGANIZATION

PROGRAM

“LEAN” STARTUP

SPACES

BRIDGE ACCESS

S

150’ max

FINANCE

FACULTY

INCUBATOR SPACE

MARKETING

20’ 1 storey

MEASURE

INDUSTRY

HUMAN RESOURCES

PROFESSIONALS

45’ 1-3 storeys

GROUP WORK

60%

BR

ORGANIZATION

BUILDING

/$%25$725,(6

BUILD

CO-WORKING

PROTOTYPING

1-2 storeys

LA COL

BOR

SS CLA

HOU

N ATIO

ROO

SIN

RIA

MS

G&

+

N

LEARNING LECTURE HALLS

OPEN ACCESS C

PUBLIC

BASIC NEEDS

LEARN

COMPLIMENTARY SERVICE

LIVING

WORKSHOPS

E

L NTIA IDE RD RES URTYA CO

G RNIN LEA

P COM

CLASSROOMS

LEARN A

16’ min 32’ 1-2 storeys

C SPA

SEMINAR SPACES

ACADEMY

40%

E+ BIK TH PA

E ST PED

PRIVACY

MEETING ROOMS

24’

E LEM

NT A

RY

ES VIC SER

CROSS SECTIONAL RELATIONSHIP

AND TS PS N SHO TAURA RE S

L NTIA IDE RD RES URTYA CO

MAX 20’

45’

24’

32’ EXISTING SEA LVL

LONGITUDINAL RELATIONSHIP MAX 20’ 45’ 24’

32’ EXISTING SEA LVL

M SINGLE REPEATING UNIT

LAYERING OF ACTIVITY/STRUCTURAL ZONES

CORNELL TECH

4

BRIDGE ARRIVAL (TOP: VEHICLE DROP-OFF, BOTTOM: PEDESTRIAN+BIKE)

MAIN CAMPUS GREEN/ INTERSECTION APARTMENT-STYLE AND HOTEL STUDENT RESIDENTIAL DORM

1

ASSEMBLY/CLASSES

2

FLEXIBLE CO-WORKING SPACE

3

FACULTY, R&D, LABS, PROFESSIONALS

4

STUDENT HOUSING BUILDING

5

GROUND RETAIL/REST. + AMENITIES

6

2BD APARTMENT LOFTS (56 units)

7

3BD APARTMENT LOFTS (84 units)

8

LOBBY ENTRANCE TO CORNELL BLDG

MAIN GROUND ENTRANCE

MAIN LECTURE HALL/ THEATER

PROGRAM

AMPHIBUS ARRIVALS TERMINAL BOOKSTORE/ GIFTSHOP DEPARTURE TERMINAL+ MAIN CAFE

ACCESIBLE GREEN ROOF OUTDOOR SPACE

FITNESS FITNESS PARK PARK

EXERCISE EQUIPEMENT

WATER WATER ACCESS ACCESS

FREE KAYAKS, CAMPUS CONNECT FERRY STOP

PUBLIC PUBLIC POOLS POOLS

POOL WATER + PURIFIED SEA WATER

LANDSCAPE

THE THE HILL HILL

LOOKOUT ON EXISTING HIGH POINT EXISTING WALKWAY ON FIRST PEDESTRIAN LAYER PRESERVED EXISTING TREE LINE AND WALKWAY

THEATER THEATER PIER PIER

PLACE FOR ASSEMBLY

EXISTING, +8’ TO 10’

CITYVIEW CITYVIEW

BAM! LOOKOUT TO MANHATTAN!

FLOODZONE, +16’ NEW GRADE @ +18’

THE THE GROVE GROVE

RELAXATION PIER

BRIDGE ENTRY (INTO EXIBHITION AREA) ROOSEVELT ISLAND (F) BIKE PATH + PEDESTRIAN

AMPHIBUS DEPARTURES

WATER TRANSPORTATION PIER BIKE RENTAL +PARKING

M

VEHICULAR DROP-OFF

FUTURE CORNELL TECH STOP (E, M, S)

UNDERGROUND ACCESS MAIN ARRIVAL

AMPHIBUS ARRIVALS

CIRCULATION

M

AMPHIBUS! UNDERGROUND SERVICE + EMERGENCY VEHICLES

5

ARCHITECTURE

M ROOSEVELT ISLAND [F]

55t h

BUS (TOP DECK); BIKE+PEDESTRIAN (BOTTOM DECK)

ST PH AS E1

54t h

ST

AMPHIBUS

CENTRAL CIRCULATION

PH AS

E3

2

PEDESTRIAN+ BIKE RING

PH A

SE

FREE CORNELL KAYAKS

43 rd

AV E

M CORNELL TECH [E,M,S]

PAR

KA VE

URBAN CONNECTIONS 54t hS

55t T

hS

T QUEENS PLAZA [E,M,R] QUEENSBORO PLAZA [7,N,Q]

GRAND CENTRAL [S,4,5,6,7, METRO NORTH]

QU

43

CORNELL TECH AMPHIBUS ROUTE T: URBAN CONNECTIONS AND PHASING PLAN B: NEW AMPHIBUS LINE

rd

EEN

AV E

SP

LA

ZA

S

To establish a meaningful connection between Roosevelt Island, Manhattan, and Queens, ease of transportation is of utmost importance. Any transfers between mediums will discourage visitors, therefore, a new amphibian bus line is introduced to connect to the major hubs in both sides. Access from the bridge is also introduced to facilitate movement. On the side of the ferry stop, free kayaks are offered to cross RYHU WKH 4XHHQ V VLGH IXWXUH FDPSXV H[SDQVLRQ

When the campus has cemented its status within the city, it will have the leverage of establishing a new subway stop at its sourthern end.

CORNELL TECH

6

NEW GRADE + 18’

EXISTING GRADE 8’ - 10’

NEW GRADE + 18’

EXISTING GRADE 8’ - 10’

7

ARCHITECTURE

MASTERPLAN FLYOVER VIDEO STILLS

SEA LEVEL RISE + 16’

T: SECTION THROUGH CAMPUS CORE B: SECTION THROUGH TYPICAL UNIT AND COURTYARD L: VIDEO STILLS FROM LEFT TO RIGHT, TOP TO BOTTOM. FIRST COLUMN: EXTERIOR OVERALL VIEWS SECOND COLUMN: PASSAGE THROUGH PEDESTRIAN CENTER STREET SEA LEVEL RISE + 16’

CORNELL TECH

8

1:500 MODEL OF CAMPUS CENTER

HOTEL/ VISITORS ENTRY

ARRIVALS+ INFO/BOOKSTORE

LEARNING UNIT

RESIDENTIAL TOWER

CAFE+ DEPARTURE LOUNGE

STUDENT RESIDENCE ENTRY

TRANSPORTATION CROSS AXIS

CORNELL AMPHIBUS

9

ARCHITECTURE

STANDARD UNIT

CORNELL TECH

10

11

ARCHITECTURE

DAYTIME AND NIGHTIME SCENES OF CAMPUS CENTER

1.

UNIT MODULE AND BIKE BRIDGE

2. CORE PEDESTRIAN PATH 3. ARRIVAL AND INFO CENTER 4. RESIDENTIAL TOWER 5. BRIDGE CONNECTION 6. MAIN DOCK AND CAMPUS GREEN 7. MAIN BIKE PARK/RENTAL

CORNELL TECH

12

02

13

ARCHITECTURE

[ LOCATION ] PHILADELPHIA, PENNSYLVANNIA, USA [ DURATION ] 4 MONTHS [ ACADEMIC ] YSOA // ARCHITECTURAL DESIGN // MIMI HOANG [ YEAR ] U2, FALL 2014 [ INDIVIDUAL ]

TRADITIONAL PROGRAM

UPenn SoA

ARCH + LANDSCAPE

7KH 5()$% VWXGLRV UHĂ HFW D KDQGV RQ DSSURDFK DV WKH\ DUH GHVLJQHG DV FROODERUDWLYH ZRUNVKRS VSDFHV 7KH IDEULFDWLRQ HTXLSPHQW LV LQtegrated to the assembly and instruction spaces to encourage the translation of ideas into reality. Conceptually the studios are clustered and organized around gathering spaces that are linked. To create a balanced distribution of studio spaces to ancillary common spaces, an organizational system was devised based on circulation patterns. The system is based on double height gathering spaces and simple rules of circulation that creates vertical connections through them.

UPPER YEARS

CORE STUDIOS

REFAB LABS

HIERARCHICAL BREAKDOWN

1ST YEARS

NEW PROGRAM

7KH WUDGLWLRQDO %HDX[ $UWV SURJUDP LV YHU\ KLHUDUFKLFDO ZLWK D SUHVFULSWLYH SURJUDP LQ ZKLFK ÀUVW \HDU VWXGHQWV KDYH OLWWOH FKDQJH WR interact with upper-years, let alone another faculty. The new proposal seeks redistribute the student body into a non-hierarchical, interdisciplinary option studios based on topic of interest rather than by levels. These studios are focused on research and fabricationWKH 5()$% /DEV (DFK 5()$% ODE KDV D VSHFLÀF TXRWD SHU IDFXOW\ DQG students apply into the studio they are interested in. Everyone enWHUV WKH VDPH &25( VWXGLRV GXULQJ WKH ÀUVW \HDU LQ HYHU\ GLVFLSOLQH

but afterwards year-based distinction is eliminated.

DESIGN + VISUAL

ARCH UNDERGRAD

SCHOOL OF ARCHITECTURE

Adjacency does not equal collaboration: The design of an interdisciplinary school of architecture for Upenn takes on this premise, not by housing different faculties in the same building, but by re-designing the program‘s curriculum and how people work together.

PLANNING

UPENN SCHOOL OF ARCHITECTURE

14

MOVEMENT-BASED UNIT

GROUP MODULE

UNIT MODULE

RELATIONSHIPS

9

8

GR EE N

7

CA

M

PU

S

6

PRIV & PUBATE LIC

5

D DE

AD

STADIUM

4

3

2

O N TI EC RS IN TE

ZA

IN

A

M A

PL

ARCHITECTURE

NT

15

O

-1

FR

G

EA AR

STUDIO

GATHERING

Long range BUILDING CONTEXT

Close range

activity

Long range axis

New “grand” Campus Entry Plaza

Close range

monolith

Long range STUDY MODELS

UPENN SCHOOL OF ARCHITECTURE

16

CROSS SECTION AA EAST-WEST

FLOOR PLANS BB 6141

AA 6141

1416 1416 1416

GROUND

17

ARCHITECTURE

/ MAIN ENTRANCE

1104

4011

1104

4011

6141

1ST - CORE STUDIOS

TRANSVERSAL SECTION BB NORTH-SOUTH

4011

1416

6141

1416

1104

B - AUDITORIUM

2ND - CLASSROOMS

3RD - REFAB CONSTRUCTION

4TH - REFAB CONSTRUCTION

5TH - REFAB ASSEMBLY

6TH - REFAB ASSEMBLY

7TH - PRO RESEARCH

8TH - ADMIN

UPENN SCHOOL OF ARCHITECTURE

18

T: NEW CAMPUS ENTRANCE PLAZA B: SECOND FLOOR COMMON SPACE

19

ARCHITECTURE

COMPOSITION OF THE

STORAGE - DISPLAY

SHADING

BUILDING ENVELOPE

The white, neutral storage walls are waiting to be energized with an everchanging landscape of works and ideas.

LEARNING AREAS SOCIAL AREAS

MATERIALITY & BUILDING ENVELOPE

MASSING MODELS

The main value in architecture school is the production of ideas that live on through the different means of production: boards, models, diagrams, drawings, etc.- most of which are lost when the physical materials are thrown away. The concept of the walls is therefore to provide a space where students can store their work as a way to share ideas and inspire. It is also an instrument of self-promotion and transparHQF\ ZLWKLQ WKH VFKRRO VFKRODUVKLS DZDUGLQJ :LWK the REFAB labs in which students have to apply into the studio whose topic interests them, the walls also serve as an advertisement for the course. The white, neutral storage walls are waiting to be energized with an ever-changing landscape of works and ideas.

The spacing and depth of the wall rings changes to perform different functions: visiblity and privacy control, shelving, tables, seating, hand-rail, etc. These are hung from steel cables to emphasize the horizontal bar-code reading. The glass becomes undulating like hung fabric on the double height common spaces. Coupled with the white fritted pattern whose density decreases as it reaches the ground, it reads as a dematerializing milky curtain.

UPENN SCHOOL OF ARCHITECTURE

20

21

ARCHITECTURE MIDTERM MODEL THE CORE STUDIOS ARE THE TRUNK FROM WHICH THE UPPER REFAB LABS BRANCH OUT

THE CONTINUOUS LANGUAGE OF THE RINGS BLURS

THEY EXTEND TO CONCEIL THE STRUCTURE AND

THEY ALSO PERFORM MUTIPLE FUNCTIONS BY

THE BOUNDARIES BETWEEN FLOORS.

PROVIDE A UNIFIED LOOK.

VARYING DEPTH AND SPACING.

OFFICES

FACULTY

RESEARCH

REFAB LABS + FABRICATION STUDIOS

RESEARCH

CLASSROOMS

CORE STUDIOS

E-W SECTION

22

23

ARCHITECTURE

Its siting, lightness, and height becomes a new beacon of light on campus, standing out as an identifiable icon within the surrounding buildings.

UPENN SCHOOL OF ARCHITECTURE

24

03

25

ARCHITECTURE

HUDSO N RIVER

W EST 2 2N

CLEMENT CL ARKE MOORE PARK W EST 2 1 S

GALLERY DISTRICT

CH

E

A LSE

PIE

W EST 2 0 T

W EST 1 9 T

RS

F ULTON HOUSES W EST 1 8 T

W EST 1 7T

PIE

7 R5

ON

SITE

W EST

STR EET

PIE

4 R5

GA

HO

DANCE THEATRE

NS

RA

EV

TIO

J

WA

O

ST

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SH ING T

7KH SURMHFW VWDUWHG ZLWK DQ H[HUFLVH VWXG\LQJ DQG H[SORULQJ DQ LPportant architectural monument in the city. Based on that typology, distilled ideas relating to its usage, program, circulation, operation, DQG FRQWH[W ZHUH DSSOLHG WR WKH GHVLJQ RI WKH 'DQFH 0DFKLQH 7KH monument studied was Frank Lloyd Wright’s Guggenheim Museum. The most salient aspect is indeed its continuous circulation, but more crucial than the ramp itself, how adjacent galleries connect to the main thoroughfare. Each one of these sub-galleries serve as a different repository of culture drawn from all over the world. The unrolled plan of the Guggenheim shows this space-thoroughfare relationship that parallels the High Line- the difference being that the spectacle of the city as a contemporary gallery of urban life scenes is what draws in the crowds onto the High Line.

W EST 1 4 T

DS

[ LOCATION ] HIGH LINE, NEW YORK, USA [ DURATION ] 2 MONTHS [ ACADEMIC ] YSOA // ARCHITECTURAL DESIGN // JOYCE HSIANG [ YEAR ] U1, FALL 2013 [ INDIVIDUAL ]

W EST 1 5 T

ME AT PACKING DIST RICT HU

Dance Machine

W EST 1 6T

CHELSE A MARKET

WE

T OR

RE

RE

ET

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ST

12 ST

ST

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TH

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Faced with the imminent high-rise development surrounding the Meatpacking district section of the High Line due to dubious zoning exemptions, the design of this new multistory dance theatre seeks to preserve the vital connection between the High Line’s users and the city of New York.

It becomes clear that preserving the spatial openness and accessibility of the High Line is an important cause to consider in the design.

Faced with the imminent high-rise development surrounding the Meatpacking district section of the High Line due to dubious zoning H[HPSWLRQV WKH GDQFH WKHDWUH VHHNV WR SUHVHUYH WKH YLWDO FRQQHFWLRQ between the High Line’s users and the city of New York. The porous, à XLG IRUP RI WKH EXLOGLQJ SURYLGHV DQ XQLPSHGHG HQMR\PHQW RI WKH city’s urban spectacle.

7KH ERWWRP SXEOLF SULYDWH SRUWLRQ RI WKH EXLOGLQJ KRXVHV D Ă H[LEOH performance and events space that can open and directly engage the street. This is important as the space leasability increases, raising capital for the small theatre company. The top section of the buildLQJ LV GHGLFDWHG WR XVHUV DIĂ€OLDWHG WR WKH FRPSDQ\ HLWKHU DV UHVLGHQW dancers, or as members of the public taking dance classes.

DANCE MACHINE

26

SECTION OF GUGGENHEIM AS CENTRAL SPACE SecƟon of Guggenheim as central space.

Unrolled guggenheim: relaƟonship between event space and thoroughfare. A series of “guggen” spaces, where even

SITE ZONING

BUILDING COMPONENTS

BASE

BASE High Line ConnecƟon; HIGH LINE CONNECTION; outdoors “guggen” space.

OUTDOORS “GUGGEN” SPACE.

1.

EMPTY LOTS ADJACENT TO HIGH LINE

PRIMARY WALLS Envelopes program, PRIMARY STRUCTURE creates main volumetric massing.

ENVELOPES PROGRAM, CREATE MAIN VOLUMETRIC MASSING.

2.

MAXIMUM BUILDUP UNDER ZONING EXEMPTION.

SECONDARY STRUCTURE

INTERIOR WALLS Complements support SECOND STRUCTURAL SYSTEM, system, separates internalSEPARATES program. INTERNAL PROGRAM.

3.

CONSERVING PUBLIC ACCESS AND VISUAL SIGHTLINES

PRIVATE DANCE COMPANY AND AFFILIATED PROGRAMS

“GUGGEN” SPACE

“Guggen” Space

INTERSTITIAL SPACE CREATED

PUBLIC-PRIVATE PUBLIC EVENTS, SHOWS

27

ARCHITECTURE

BY ALL THE SET OF WALLS, HOUSING PUBLIC PROGRAM.

GUGGENHEIM: RELATIONSHIP BETWEEN EVENT SPACE AND THOROUGHFARE. nts happen, are aƩached to theUNROLLED main circulaƟon, just as peripheral programs are aƩached to the High Line.

A SERIES OF “GUGGEN” SPACES, WHERE EVENTS

HAPPEN, ARE ATTACHED TO THE MAIN CIRCULATION, JUST AS PERIPHERAL PROGRAMS ARE ATTACHED TO THE HIGH LINE.

SPATIAL RELATIONSHIPS

ĂĐŬ

ŝƌĐƵůĂƟŽŶ

sŝƐƵĂů ͬ ^ƚƌƵĐƚƵƌĂů

&ƌŽŶƚ

>ŽŽŬŽƵƚ

,ŝŐŚ >ŝŶĞ

LEVELS &ƌŽŶƚ

ĂĐŬ

MASSING

ϳƚŚ &ů ϲƚŚ &ů ϱƚŚ &ů ϰƚŚ &ů ϯƌĚ &ů

,ŝŐŚ >ŝŶĞ

'ƌŽƵŶĚ

PROGRAM

DANCE MACHINE

28

11 9

FLOOR PLANS 10

11 2ND FLOOR

5TH FLOOR

14

10

11

11 3RD FLOOR

6TH FLOOR

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

FLEXIBLE THEATRE STAGE BACKSTAGE SERVICES LOBBY RECEPTION OFFICE COAT ROOM WASHROOMS OUTDOORS THEATRE

- HIGH LINE

DANCE STUDIO ATRIUM SPACE PUBLIC LOUNGE CAFE DANCER’S LOUNGE OFFICES/ADMINISTRATION TERRACE

10 11

15

13

16 12

11

4TH FLOOR

8

7TH FLOOR

8 4

6

4

2

1

7

STREET ENTRANCE

GROUND FLOOR

29

ARCHITECTURE

STREET ENTRANCE

3 5

STUDY MODELS

DANCE MACHINE

30

L: NORTH-SOUTH TRANSVERSE SECTION R: EAST-WEST CROSS SECTION

31

ARCHITECTURE

SECTIONS DEPICTING THE WARM TONES OF THE MATERIALS LINING THE GATHERING SPACES ON THE INTERIOR AND EXTERIOR. NEUTRAL COLORS LINE THE “WORK” SPACES IN THE DANCE MACHINE.

DANCE MACHINE

32

SCALE MODEL

1/16” = 1’ - 0”

L: FRONT VIEW FROM WASHINGTON STREET M: BACK VIEW FROM THE HUDSON RIVER R: TOP VIEW SHOWING THEN HIGH LINE CONNECTION

33

ARCHITECTURE

THE TWO MAIN GRAND CIRCULATION CORES PROVIDE A PROFILE CONSISTING OF STEPS WHERE THE PUBLIC CAN SIT AND RELAX WITH A PANORAMIC VIEW OF THE CITY. ONE CORE FACES DOWNTOWN MANHATTAN, WHILE THE OTHER CORE LOOKS OUT INTO THE HUDSON RIVER.

DANCE MACHINE

34

35

ARCHITECTURE

The porous, fluid form of the building provides an unimpeded enjoyment of the city’s urban spectacle.

DANCE MACHINE

36

04

37

ARCHITECTURE

SURFACE PLAY

UNDEGROUND MAKE

Higher Ground [ LOCATION ] HAMDEN, CONNECTICUT, USA [ DURATION ] 1 MONTH [ ACADEMIC ] YSOA // ARCHITECTURAL DESIGN // JOYCE HSIANG [ YEAR ] U1, FALL 2013 [ INDIVIDUAL ] MUSEUM / WORKSHOP EXTENSION

The project arises from the desire to maintain the character of the site by keeping the balance of building volume to outdoors green space unchanged.

The design approach is therefore one that merges the new addition into the landscape, generating a playful outdoors space and an underground pocket for workshop classes.

7KH ORFDWLRQ RI WKH H[LVWLQJ WUHHV ZDV XVHG DV DWWUDFWRU SRLQWV LQ WKH generation of the undulating landscape, with some of the trees on their original location as reminders perforating through the surface.

A series of parametric openings creates an ethereal space with natural light, and also provides direct entry points into the underground spaces through a gradually ramping surface. The set of ramps and openings form part of a circulation network that allow the users to seamlessly weave in and out of the landscape and in contact with the river and the topography.

HIGHER GROUND

38

SCALE MODEL

L: VIEW FROM RIVER, 1/16� = 1’ - 0�

R: VIEW FROM SITE ENTRANCE, 1/8� = 1’ - 0�

TOPOGRAPHY

The Eli Whitney Museum serves as a handson learning center for children. Part of the approach is to allow children the freedom to ZLWQHVV DQG H[SHULPHQW GLUHFWO\ ZLWK QDWXUH Preserving its relationship to outdoors is essential to this direct contact. The project offers WKH XVHUV D WZR IROG JURXQGV H[SDQVLRQ WKH top maintains a play-ground like topography in which kids can freely move about the site, while the bottom offers protected spaces to more structured workshops.

Site navigation is presented as a gradual meandering within the surface topography, many alternative pathways encourage circulation. :HDYLQJ LQ DQG RXW RI WKH VLWH WKH QHZ H[pansion also seamlessly brings people closer to the water edge.

39

ARCHITECTURE

LIGHT DIFFRACTION STUDY

HIGHER GROUND

40

SECTION bb

SECTION aa

SecƟon bb

SecƟon aa

SECTION cc SecƟon cc

SECTION dd SecƟon dd

UNDERGROUND PLAN

Storage

dd

Play Hill

Above Ground

Workshop/ExhibiƟon Above Ground

Storage

Play Hill

W/C

W/C

Cafe

cc

Plan of underground

41

ARCHITECTURE

bb

aa

SCALE MODEL

1/8” = 1’ - 0”

SECTIONS THROUGH THE SITE SHOWING INTERIOR SPACES AND RELATIONSHIP TO THE LANDSCAPE

HIGHER GROUND

42

I’m imagining water running in under this thing and the whole surface being coated with a reflective thin sheet of water, and light bouncing off of that.

- Mark Tsurumaki

43

ARCHITECTURE

HIGHER GROUND

44

05

45

ARCHITECTURE

NUE P AVE HRO WINT

PRISM F O R M E R LY K N O W N AS THE CUBE [ LOCATION ] NEW HAVEN, CONNETICUT, USA [ DURATION ] 2 MONTHS [ ACADEMIC ] YSOA // ARCHITECTURAL DESIGN // [ YEAR ] U1, SPRING 2014 [ TEAM D ] +ANTHONY GAGLIARDI, ANNE MA, MADELYNN RINGO, CYNTHIA HSU, CHARLES KANE, SEOKIM NIM, CAITLIN THISSEN

SCRA NTON STREE T

BRINGING IN THE URBAN DOMAIN. EXPLOITING THE POTENTIAL OF NARROW SITES.

FLEXIBLE LIVING

BP PROJECT WINNING TEAM

office

CONNECTICUT GREEN BUILDING COUNCIL - STUDENT AWARD owner

owner

This flexible microhouse prototype explores the potential of left-over, undersized lots in the city by transforming them into a landscape extension of the interior living space, benefitting the owners and improving the quality of the neighborhood. It also tests flexible living arrangements as a model for young professionals who can eventually turn it into a multi-generational house.

tenant owner owner

The Jim Vlock First-Year Building Project is design-build studio at <DOH 8QLYHUVLW\¡V Ă&#x20AC;UVW \HDU VSULQJ VHPHVWHU 7KH HGLWLRQ IHDWXUHV WKH GHVLJQ RI SURWRW\SH KRXVH RI VTXDUH IRRW DW 6FUDQWRQ Street in New Haven. The house is divided into a 500 sf homeowner unit, and a leasable 300 sf tenant unit. Our proposal emphasizes a Ă H[LEOH OLYLQJ DUUDQJHPHQW RQ WKUHH Ă RRUV VWUDWHJLFDOO\ PHGLDWHG E\ the circulation core. As an affordable house for young professionals, SDUW RI LW FDQ EH OHDVHG RXW WXUQHG LQWR DQ RIĂ&#x20AC;FH RU HYHQWXDOO\ IXOO\ occupied by the owner.

office

owner

With a strong tradition of the front porch as a place for social interaction, the house is set back on the site to create a courtyard, a welcoming spatial relief to the urban formula of building right up to the sidewalk. Gradually, this microhouse prototype seeks to re-invigorate the city by turning its left-over sliver lots into buildable sites while greening the neighborhood.

tenant owner

tenant office

BUILDING PROJECT

46

DESIGN PROCESS

STUDY MODELS

47

ARCHITECTURE

7KDW /RRNV OLNH IXQ

2

1

3

)/2256 )((7

4

5

6

7

8

9

1

THE HOUSE IS SET BACK ON THE SITE CREATING A COURTYARD. THE HOUSE ALIGNS TO THE ROW OF BACKYARDS, SUBDIVIDING THE CONTINUOUS

2 3

4

TALLER TO ACCOMODATE

5

THE NEW CUBE IS

20â&#x20AC;&#x2122;

X

3

FLOORS.

23â&#x20AC;&#x2122;

7

THE MAXIMUM HEIGHT-TO-SETBACK IS

3RD

FRONT, SEPARATED BY A PLANTED STOOP MAIL.

SETBACKS, FRONTYARD, AND BACKYARD.

6

THE PUBLIC DOMAIN THRESHOLD AT THE AND CONTAINING A HALF-WALL FOR THE

TO

ACCOMODATE FOR THE UNEVEN SIDE

GREEN BELT AND PROVIDING SPATIAL RELIEF TO THE LATERAL WINDOWS.

THE ORIGINAL CUBE BECOMES THINNER AND

2:1.

8

STOREY, THE SIDES

THE MIDDLE YARD SERVES AS A TRANSITION BETWEEN THE PUBLIC AND PRIVATE, AND

THE FRONT YARD BECOMES A PLANTED

TO ALLOW FOR A

GARDEN THAT PROVIDES PRIVACY, AT THE

ARE FACETED TO FIT WITHIN THE DEFINITION

ALLOWS AMPLE SPACE FOR ACTIVITIES SUCH

SAME TIME IT BECOMES A WELCOMING

OF EXPOSED FACE, WHICH IS TAKEN AS THE

URBAN GESTURE EXPANDING ON THE

AVERAGE BETWEEN THE LOW POINT AND

PROTECTED, LUSHLY PLANTED PRIVATE

TRADITION OF THE FRONT PORCH.

HIGH POINT.

GARDEN FOR THE OWNERâ&#x20AC;&#x2122;S USE ONLY.

AS GARDENING AND PLAYING.

9

THE BACKYARD IS AN ENCLOSED AND

BUILDING PROJECT

48

SCALE MODEL

1/8” = 1’ - 0”

L: POSITION OF HOUSE IN CONTEXT M: VIEW OF PRIVATE BACKYARD SCALE MODEL

1/2” = 1’ - 0”

R: VIEW FROM FIRST FLOOR DINING TABLE

49

ARCHITECTURE

“I think the siting of this thing is really great. It looks right on the site and it’s different from the other buildings; its tininess is sort of monumental.”

- Turner Brooks

BUILDING PROJECT

50

LANDSCAPE INTERATIONS

UP

UP

Depending on the ownerâ&#x20AC;&#x2122;s level of involvement in the up keep of his/her land, landscape possibilities may vary. One can imagine it to be as simple as a flat landscape planted with tall, wild grasses to something more programed such as a planted vegetable garden, thriving because of its direct access to the southern sun.

51

ARCHITECTURE

SCALE MODEL

1/8” = 1’ - 0”

T: FRONT YARD VIEW FROM SCRANTON STREET B: POP-OUT WINDOW ON SOUTHEAST CORNER

BUILDING PROJECT

52

INTERIOR SPACE

The faceted cube pushes the limits of residenWLDO FRQYHQWLRQ E\ PD[LPL]LQJ LQWHUQDO HIĂ&#x20AC;FLHQcy and compactness while allowing internal VSDWLDO FRQVWUDLQWV WR Ă&#x20AC;QG WKHLU UHOHDVH LQ WKH landscape. This allows the importance of landscape to come to the fore, lending a greener and lusher feel to the very dense housing stock of New Havenâ&#x20AC;&#x2122;s urban-scape.

As proposed, the tenant occupies the 3rd Ă RRU DOORZLQJ WKH RZQHU¡V VSDFH RQ WKH Ă&#x20AC;UVW DQG VHFRQG Ă RRU WR VSLOO RXW RQWR WKH ODQG LQ the form of interior furnishings such as dining tables and pop-out window seats. These elements push and pull on the buildingâ&#x20AC;&#x2122;s enveORSH HVWDEOLVKLQJ D XQLTXH GLDORJXH EHWZHHQ WKH LQWHULRU DQG H[WHULRU $V D UHVXOW WKH VLWH EHFRPHV DQ H[WHQVLRQ RI WKH RZQHU¡V LQWHULRU living room that can be visually enjoyed by neighboring sites.

53

ARCHITECTURE

UP

R

UP

GROUND FLOOR

-OWNER

DN

DN

UP

DN DN

W

D

2ND FLOOR LOFT -OWNER

W

D

3RD FLOOR -TENANT

BUILDING PROJECT

54

SCALE MODEL

1/2” = 1’ - 0”

T: FRONT YARD WITH EXTENDING TABLE B: FIRST FLOOR LIVING/DINING ROOM

55

ARCHITECTURE

SCALE MODEL

1/2” = 1’ - 0”

T: THIRD FLOOR TENANT APARTMENT B: SECOND FLOOR BEDROOM LOFT

BUILDING PROJECT

56

MODULAR FURNITURE

C

F

A

A

C

E

B

E

1

2

2

15"

1

7'-10"

3

SLIDING PANEL

4

4

5

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30"

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6

48”

16”

48”

18”

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KING

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16”

3 7'-6"

TWIN

KITCHEN

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4"

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VAR.

A

BATHROOM

SLIDING PANEL

4 5

4"

6

48”

WORK DESK

E

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BED

VAR.

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7'-10"

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FULL QUEEN

TWIN

38" 30"

7'-10"

16"

15"

6"

F

4"

4"

STORAGE

A

57

KITCHEN

ARCHITECTURE

7'-10"

3

38"

7'-10"

16"

15"

6"

D

E

18”

BED

C

BATHROOM

T: THIRD FLOOR TENANT SPACE ML: FIRST FLOOR LOOKING UP BL: SECOND FLOOR LOFT R: OPENING NIGHT

BUILDING PROJECT

58

59

ARCHITECTURE

BUILDING PROJECT

60

61

ARCHITECTURE

...this house is slightly wacko, but I kind of like it. It has a little romantic viewing, it has a little character.

- Robert Stern

BUILDING PROJECT

62

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[ LOCATION ] BRIDGEPORT, CONNECTICUT, USA [ DURATION ] 4 MONTH [ ACADEMIC ] YSOA // ARCHITECTURAL DESIGN // KELLER EASTERLING [ YEAR ] U2, SPRING 2015 [ TEAM ] +WINNY TAN URBAN PLANNING

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7KLV SURMHFW WDNHV DGYDQWDJH RI WKH FORVH SUR[LPLW\ RI LQGXVWULHV LQ WKH Black Rock area to establish an eco-industrial park that attracts people and capital, becoming an epicenter for the greater revitalization RI %ULGJHSRUW ,W WLHV WKH H[LVWLQJ LQGXVWULHV LQWR D V\PELRWLF H[FKDQJH loop in which the byproducts of one industry becomes the inputs of DQRWKHU UHGXFLQJ ZDVWH DQG JHQHUDWLQJ PRUH SURĂ&#x20AC;WV /HYHUDJLQJ WKH cost of self-berming and insurance premiums, it becomes a way to Ă&#x20AC;QDQFH D PXOWL SXUSRVH EHUP WKDW ZLOO VHUYH DV D VSLQH IRU HQHUJ\ H[FKDQJH SURWHFW WKH DUHD IURP Ă RRGLQJ DQG FUHDWH D PDLQ SHGHVWULDQ path that reinvents the water edge.

It partners up with local institutions such as the University of Bridgeport, to establish educational programs and events for the public. It also redevelops Captain's Cove with a new Welcome Center that will serve DV WKH KHDUW RI WKH SDUN 7KLV PDVWHUSODQ WLHV LQ WKH Ă&#x20AC;QDQFLDO SRWHQWLDO RI H[LVWLQJ LQGXVWULHV HGXFDWLRQDO HQWLWLHV DQG JRYHUQPHQWDO JRDOV WR incentivize private market investments. Being one of the world's few industrial-symbiotic parks, this projects seeks to put Bridgeport on the map as an important touristic destination along the northeast corridor.

ECO-INDUSTRIAL PARK

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Aquaculture A lt S School h l Offers accelerated programs from college-prep through advanced-placement level courses in marine, environmental sciences, and related technologies.

State of the art labs open in partnership with Bridgeport University and University of Connecticut and various HS.

65

ARCHITECTURE

Bridgeport Greening Initiative Houses the Bridgeport Green Team, developed to update and expand the cityâ&#x20AC;&#x2122;s environmental stewardship. This includes the Cleen Sweep program, sustainable events, restoration of brownfield properties and nursing plants for city wide greening.

Dominion Fuel Cell Plant Converts Nat. Gas fuel to heat, water and electricity with minimal emissions.

Largest fuel cell manufacturer in the world. Capacity 15 Megawatt, equivallent to powering 15,000 homes at any point.

Clean and reliable energy infrastructure for expansion.

Treats waste water into clean water before discharge back into Cedar Creek.

Capacity: 40 million gal/ day. with 10 sewage pumps, serving a population of approximately 175,000 residents. Wetland park and floating wetland adjacent to plant will serve to aid the treatment process.

Waste to Energy up to 24 town a greater Bridgepo generating ener 83,000 Connect

Is the #1 tax pa port by over $10

Yale diverts its w to Bridgeport W

BERMING COST ESTIMATE SELF BERMING OF EXISTING INDUSTRIES ESTIMATE TOTAL 10300 LINEAR FT @ 6k / L.Ft R OUGHLY = $62 MILLION

SELF BERMING OF EXISTING INDUSTRIES ESTIMATE TOTAL 8750 LINEAR FT @ 6k / L.Ft R OUGHLY = $46.5 MILLION

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FLOOD INSURANCE PREMIUMS

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$2,715,955

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$31,500,000

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$282,455,690

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ASSESSED VALUE

PREMIUM HIGH RISK

PREMIUM MOD-LOW RISK

Wheelabrator Bridgeport

Wholesome Eco Dining

PREMIUM MOD-LOW RISK

ASSESSED VALUE

$5,427,103

PREMIUM HIGH RISK

PREMIUM MOD-LOW RISK

Mod-Low Risk 2014 Premium

High Risk Approx Premium

$50,000 $100,000 $150,000 $200,000 $250,000 $300,000 $350,000 $400,000 $450,000 $500,000

$1,016 $1,713 $2,321 $2,756 $3,129 $3,502 $3.875 $4,185 $4,497 $4,807

$1,870 $4,816 $8,988 $13,568 $18,691 $24,057 $30,612 $38,020 $46,982 $57,754

Waste Water Treatment Plant

ASSESSED VALUE

PREMIUM HIGH RISK

$62,491

PRO JEC TED PREMI UMS

$724,800

O&G Stone Splitter Yard $6,471,730

An Net-zero urban farm and food business incubator, where sustainable food production and economic development exists inside a repurposed industrial building. The Factory funs under a social enterprise model, and holds a series of demonstration farms on site.

PREMIUM HIGH RISK

Bridgeport Biodiesel

$62,941,750

ASSESSED VALUE

$564,612,450

The Factory Collective

$4,807

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Building/Content Coverage

ASSESSED VALUE

PREMIUM HIGH RISK

PREMIUM MOD-LOW RISK

$52k

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7KLV H[FKDQJH LV RUJDQL]HG DURXQG ORRSV anchored on the biggest players, the RESCO Wheelabrator and the Water Treatment Plant. This masterplan also includes currently planned new industries and our proposed potential institutions that could enhance the symbiotic relationship and create city programs.

$720,460

16 Algae Biofield

PREMIUM MOD-LOW RISK

Aquaculture School

ECO-INDUSTRIAL PARK

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Demolish PT. BARNUM Public Housing

7,0(

+ Wetland reclamation on Cedar Creek Harbor

Move residents to Downtown via Housing Vouchers

+ Floating Wetlands

+ Recreational Activity

+ Anaergia digester

+ Ferry node from Ferry Station + Greenification of Parking Lot

67

ARCHITECTURE

7,0(

+ Drainage sink for the site + Shuttle from Train Station

+ Increase pedestrian Access +20’-0”

+10’-0”

Amenity for adjacent Institutions

Mary Immaculate Convent Daycare Center

+ Wetland Park

+ Welcome Center

Longfellow School

+ Program with UBridgeport

Bridgeport Aquaculture School

+ Eco Park Ave.

7,0(

+ Oyster farm + Commercial Development + Increase pedestrian Access

+ Development of East Campus + Algae Biofuel

+ Develop Eco-park as campus + Extend system via Pedestrian Bridge over Cedar Creek

+ Extend Peerless Pl. + Flagship Micro Industry

+ Develop Access to Seaside Park

+ Biodigester

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+ Bridgeport Greening Initiative

N SIO AN P EX

+ Solar Array

+ Wind Farm

ECO-INDUSTRIAL PARK

68

! y e d d i n u a H ket G c o P

69

ARCHITECTURE

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ECO-INDUSTRIAL PARK

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BIOSWALE

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DISCHARGE AT SELECT POINTS ALONG BERM

FLOATING WETLANDS

ACTIVITY BOARDWALK RETROFIT

71

ARCHITECTURE

SECTION A

E

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OINT PROME NP NA

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SITTING STEPS

& K Z

SEATING PLATFORMS

+17

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PERVIOUS PARKING SURFACE

EXISTING LANDSCAPE SHIPPING ACCEESS

ACTIVITY BOARDWALK RETROFIT 2

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SECTION C

Sections key SECTION B

C B A

D E

ECO-INDUSTRIAL PARK

72

D: THROUGH WETLAND PARK

E: THROUGH CAPTAIN COVE'S MARINA

73

ARCHITECTURE

ECO-INDUSTRIAL PARK

74

07

75

ARCHITECTURE

t I harves m r f water o ! y k s the

Water From Thin Air [ LOCATION ] LYON, RHĂ&#x201D;NE-ALPES, FRANCE [ DURATION ] 4 MONTHS [ ACADEMIC ] YSOA // WOLF PRIX [COOP HIMMEB(L)AU], ABIGAIL COOVER HUME [ YEAR ] U3, SPRING 2016 [ INDIVIDUAL ] MACHINE PROTOTYPE H.I. FELDMAN NOMINEE / SPRING 2016

With water as the theme for the studio, this project takes an active approach in answering the worldwide water shortage problem. This project envisions a machine tower that can harvest water from the sky and capture solar energy. As a prototype, it is able to be replicated around the world, adapting to variable local conditions. Using technology based on natural phenomena and innovative research, the tower machine is able to condense water out of the atmosphere at minimal energy consumption. :KHQ WKH DPELHQW WHPSHUDWXUH LV FORVH WR WKH GHZ SUHFLSLWDWLRQ SRLQW IRJ LV IRUPHG 7KLV HIIHFW LV IUHTXHQWO\ REVHUYHG LQ /\RQ GXULQJ WKH ZLQter months. To bridge this temperature gap when natural conditions are not present, the warm air on the ground is pumped up to an altitude in which the air is cold enough, and condensation is caught in a mesh fabric.

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WATER FROM THIN AIR

76

RESEARCH PRECEDENTS

OBJECT / PROJECT

WATER CONDENSATION MECHANISMS

CONDENSATION MECHANISM

radiative cooling

condensation nucleus

radiative cooling

cold surface

condensation surface

cold surface

shadow channel

warm air from ground

DEW ON LEAF

DEW ON SPIDERWEB

CACTUS

BROMELIADS

WARM AIR - COLD SURFACE

SURFACE TENSION - FINE FABRIC

SURFACE TENSION - NEEDLE

HAIRY HYDROPHOBIC SURFACE

radiative cooling

radiative cooling condensation mesh

cold metal

condensation mesh

grooved surface

air humidity dew+rain

DEWBANK

warm air

radiative cooling

cooper wool condenser

soil

CO

MP

open at night, cooled surface

WARM AIR - COLD SURFACE

SS

Teflon fabric

WATAIR

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RE

radiative cooling

WARKAWATER

FOGQUEST

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air humidity dew+rain

air humidity dew+rain

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fog

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warm air

radiative cooling

condensation mesh

warm air from plants ǡ& ĚƌŽƉ

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grooved surface “bromeliad” inspired

turbulent air flow

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ROOTS UP

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TECHNICAL CHARACTERISTICS

EOLE WATER

LOWER AIR TEMP + TURBULENCE

GREEN HOUSE- COLD SURFACE

BLOWN AIR - CONDENSER

LYON WEATHER CHART AVERAGE TEMPERATURE (C)

35

28C MAX

30

H

HINDENBURG

245 M Long, 41 M Diameter Volume: 200,000 M3 Lift Capacity: 232,000 Kg 16 Balloons Of Hydrogen

HE

SKY 600 59 M Long, 15 M Diameter Volume: 6,600 M3 Ballonet Volume: 1800 M3 Lift Capacity: 2,300 Kg Ballonet Of Helium

GRAF ZEPPELIN 236 M Long, 30 M Diameter Volume: 105,000 M3 Lift Capacity: 87,000 Kg 17 Balloons Of Hydrogen 12 Balloons Of Blau Gas

ZEPPELIN NT Zeppelin Nt 75 M Long, 14 M Diameter Volume: 8,255 M3 Lift Capacity: 10,900 Kg No Balloons - Helium Fills Hull

22C

20 15 10 5

H

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0 -5

17C MIN 3C MAX 2C 1C MIN

35 30

AIR TEMP DEW PT fog (natural condensation)

25 20

16C MAX 13C

15 10 5 0 -5

AIR TEMP DEW PT (mech condensation)

AVERAGE DEW POINT (C)

11C MIN

2C MAX 0C -1C MIN

AVERAGE RELATIVE HUMIDITY (%) 100 90

80% MEAN

80 70

CONDENSED TOWER 180 M Tall

EXPANDED TOWER 300 M Tall

EIFFEL TOWER 300 M Tall

60

63% MEAN

50 40 30 20 10 0

JAN

77

ARCHITECTURE

FEB

MAR

APR

MAY

JUN

JUL

AUG

SEPT

OCT

NOV

DEC

PROJECT MECHANISM

air humidity

HE

PROJECT DESIGN SPECS 500 m of walkway (80m/min) 200kg/m of walkway (+related structure) 1.0 kg/ m3 HE Lift Capacity = 100,000 m3 HE 6,000-12,500 m3 HE per balloon With volume control ballonets

FROG DLU

& NP

condensation mesh

10,000m3 x10

TOWER MACHINE CONCEPT radiative cooling

air humidity

hot air rises

DEW HARVEST FROM SKY cold air

7

radiative cooling rain

hot air rises

air humidity

DEW + RAIN HARVEST AT GROUND LEVEL

PROJECT SEASONAL CHANGE

Dew Point: 4C Altitude: 1000 Volume: +8.1%

gas volume change

Dew Point: 2C Altitude: 833 Volume: +5.8%

Dew Point: 7C Altitude: 1166 Volume: +9.3%

cooling altitude to reach dew point

Dew Point: 11C Altitude: 1166 Volume: +9.3%

Dew Point: 13C Altitude: 1166 Volume: +9.3%

Dew Point: 16C Altitude: 1166 Volume: +9.3%

Dew Point: 12C Altitude: 1166 Volume: +9.3%

Dew Point: 10C Altitude: 833 Volume: +5.8% Dew Point: 6C Altitude: 666 Volume: +3.5%

Dew Point: 1C Altitude: 500 Volume: +1.7%

Dew Point: 2C Altitude: 500 Volume: +1.7%

Dew Point: 1C Altitude: 333 Volume: 100%

Machine rises to the height neccesary to cool ground air down to dew point.

Form expands to allow air flow through fabric during high wind months.

JAN

FEB

MAR

APR

MAY

JUN

JUL

AUG

SEPT

OCT

NOV

DEC

WATER FROM THIN AIR

78

FORMAL STUDIES EARLY SKETCH MODELS

FINAL SCHEME

79

ARCHITECTURE

T: STUDY OF CANOPY AND FLOATING TOWER BL: VIEW FROM FLOATING TOWER BR: VIEW FROM TRAM BRIDGE

WATER FROM THIN AIR

80

HIGH WIND AERODYNAMIC EXPANSION

200m

50m

25m

CONDENSED-FORM CAPACITY Ground: 300 Airborne: 90

LONGIT LON GITTUDI UDINAL NAL NA A SE S CT CTION CTI ON

FOG CONDENSING FABRIC

4 VIEWING PLATFORMS 3 SUPPLY/RETURN SPINE 1 WALKWAY SPINE 10 HELIUM SOLAR BALLOONS 100,000 m3 HELIUM

LATERAL STABILIZATION TURBINE

TOP VIEWING PLATFORM

VIEWING PLATFORM

MAIN ELEVATOR CAR

ELEVATOR CABLE

TOP DETAILS 3-BALLOON CLUSTER RING 5000 mm 1000 mm

HE

10,000 m

EMERGENCY PARACHUTE

3

UP CAR CAPACITY 20

DOWN CAR CAPACITY 20

300m

ANCILLARY EQUIPMENT COMPARTMENT

ENTRANCE

4-BALLOON CLUSTER RING 4000 mm

HELIUM SOLAR BALLOONS

WALKWAY SPINE (CLOSED DURING HIGHWINDS) CORE SPINE VIEWING PLATFORMS

MAIN EQUIPMENT COMPARTMENT

ELEVATOR CAR

3-BALLOON CLUSTER RING

UP/DOWN POWER WHEELS

WATER CABLE BALLON ATTACHMENT CABLE

FOG CONDENSING FABRIC

CABLE SEPARATOR WHEEL

ELECTRICITY CABLE

SUPPLY/RETURN SPINE (TENSION STRUCTURE+ DUCTS) UP/DOWN GRIDDED CABLE

EXPANDED-FORM CAPACITY Ground: 40 Airborne: 40 WATER COLLECTION TO GROUND + POWER SUPPLY

WARM AIR SUPPLY CABLE

WARM AIR SUPPLY FROM GROUND MAIN MOTOR UNDERGROUND

FOG HARVESTING TOWER

ELEVATOR MECHANISM

0m m - RIV VEER R ELEVA E TION

L: SITE PLAN R: GROUND PLAN

MAIN ROUTE

GREEN PARK VEHICULAR DROP-OFF

6m MAIN ENTRY PLAZA

5m 4m

PARKING

3m

2m

1m

TO

W ER

UN

FO LDING

SITE PLAN SCALE 1:1500

83

ARCHITECTURE

PAVILLION ACCESS LEVELS RECEPTION

+6m

SHOP

+5m

+4m

+3m

+2m

+1m

BOOKSTORE RECEPTIONGROUP

BASEMENT+ SERVICE ENTRANCE

AUDITORIUM

OFFICES

PERMANENT EXHIBITION PAVILLIONS

GUIDES AREA

(PROCESSION ACCORDING TO AVAILABLE WATER RESOURCES)

1- ASIA 1025 SQM

STUDIOS

ASIA

2- SOUTH AMERICA 1018.4 SQM

MOVIE THEATRE WATER COLLECTION FROM CANOPY

NORTH AMERICA

SOUTH AMERICA

CANOPY STRUCTURE 3- NORTH AMERICA 1018.4 SQM

WATER COLLECTION NETWORK

EUROPE

AFRICA

4- EUROPE 544.5 SQM

5- AFRICA 325 SQM

OCEANIA 6OCEANIA 75 SQM

CATEGORIES ACCESS TO PERMANENT EXHIBITION

EXHIBITION SUPPORT RECEPTION

PLAN SCALE 1:800

BATHROOMS

WATER FROM THIN AIR

84

CLOUD CATCHER PLAN

FABRIC CONDENSING MESH

CABLE DROOP CONTROL ARMS

MAIN ROUTE

ELEVATOR

RING SUPPORT STRUCTURE VIEWING PLATFORM

HE 10,000 m3

CABLE STRUCTURE + WATER & ENERGY CONDUITS

TOWER PLAN SCALE 1:275

85

ARCHITECTURE

HORIZONTAL STABILITY TURBINE

SECTIONAL MODEL

MAIN SUPPLY+ RETURN CABLE

CORE RIGID STRUCTURE

CONDENSING MESH

ATTACHMENT CABLE

VIEWING PLATFORM

ELEVATOR CAR

PEDESTRIAN PATH

HELIUM BALLOON + SOLAR PANEL

ROBOT CONSTRUCTION SEQUENCE TS

OT

SEW

DRESS ME UP!

3

SEW ME UP!

B

S

2

LACE ME UP!

NB

OT

1

TWI BO

S

CABLE

4

BLOW ME UP!

BEGINNING

MIDDLE

END

Cable Bots are positioned at 3 points on the viewing platforms: beginning, middle, and end. They spool the cables to a specific length at each section.

Next, Twin Bots go up each pair of parallel wires attaching the fabric mesh to the structure.

Sew Bots then run through the cables and close the seams from the different pieces of fabric. This also facilitates the replacement of damaged sections.

Solar Helium Balloons are then attached to the platform structures from the inside and filled with air.

WATER FROM THIN AIR

86

L: ANCHORED IN HONG KONG HARBOUR R: 1:250 SCALE MODEL OF DETAILS AND CONNECTIONS

87

ARCHITECTURE

WATER FROM THIN AIR

88

ON THE VIEWING PLATFORMS, EXPERIENCING THE CLOUD CONDENSATION

89

ARCHITECTURE

EROTIC MORPHOSIS

90

91

ARCHITECTURE

the cloud catcher a prototype for a water harvesting structure that could be implemented around the world

92

o ther s 89 GEHRY-GO-ROUND 91 IPMS ORIGAMI 93 FORMAL ANALYSIS 95 DRAWING 97 FREE SPEECH KIT

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[ DURATION ] 1 WEEK [ COMPETITION ] INTRO TO URBAN DESIGN // A. PLATTUS [ YEAR ] U1, FALL 2013 [ TEAM ] + VITTORIO LOVATO, EUGENE TAN, SIN HSU & ANNE MA

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AWARD WINNER - EXHIBITED IN AIA NEW YORK

51

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POTENTIAL SITES in NEW YORK

1

Free Speech Sign

2

Free Speech Zone Indicator

Durable Straps ”

24

Bent Metal Ledge

”

Free Speech Toolkit

Railing Clasps

8

1

AR EA

The Manhattan grid not only controls the constant flow of people, but it also neglects spaces that encourage New Yorkers to pause. It is here that the ‘happening’ of free speech is most necessary, and most potent.

The proposed design is a Free Speech Kit that members of the public can locate, set up, and drop off. The items within the Kit enable the New York street to be activated - both as a place of ‘happening’, and more specifically, as a space for free speech. The Symbolic Speech Apparatus and the Symbolic Debate Apparatus are two inflatables which declare the latter. The objects bring to mind the ladder and podium, two objects long associated with informal speech and debate. Additionally, the inflatable recalls an entire lineage of civic activism. One object denotes the location where free speech is occurring, while the other expresses the two-way nature of free speech, thereby encouraging spectators to participate. Being inflatables, their function is detached from their image, distilling their symbolic importance. Finally, the Kit’s Free Speech Circle helps mark the location of these episodic civic events, raising awareness of free speech through an associational motif. These symbolic circles hint at past occurrences on the streets of NYC, layering everyday spaces with meaning and memory.

FFREE

SPE

T C KI CH T S EE SP CH KI FFREE SPEE FREEE T KI T CH C KI CH KI SPEE SPEE EECH FREEE EE SP FR FREE H KIT T PEEC P CH KI REEE SP FR SPEE FREE KIT EECH S SP REEE FR

Subway Entrance Rail

”

12

”

24

Free Speech Kit

3

Air Pump

4

Symbolic Debate Aparatus

5

Symbolic Speech Aparatus

FREE SPEECH KIT

52

09 THE GO

OR LOWER Terr O L F ace 7th ~ One Day Only! ~ MAY 7th, 2014

[ DURATION ] 1 MONTH [ ARCHITECTURE ] VISUALIZATION 3 // J. EBERHART [ YEAR ] SPRING 2014 [ TEAM ] +VITTORIO LOVATO, KIANNA HOSSEINI, HUGO FENAUX & ANNE MA

The brief for this project asked for the design of a location-specific installation for a fabrication class. The location was the 7th floor terrace in the School of Architecture, where many sets of Gehry designed furniture sit. These designer furniture pieces had many issues and were rarely used, usually neglected during events (the famous 6-on7â&#x20AC;&#x2122;s), becoming more of a hindrance to the social scene. Faced with the irony of the situation, the project takes on a humorous turn to give these furniture pieces a new life: turning them into amusement park rides.

53

OTHERS

Several iterations were explored with a combination of different furniture pieces, either providing a new dimension to their current functionality or changing them altogether. The final design is based on a two-piece Gehry rocking chair. Following through with the idea of an amusement ride, the terrace was reconfigured as a park ground, complete with ticket booth, posters, fair music, and happy people. Ride tickets were also sold a week prior to the May 7th inaugural date, with the proceeds going towards a grand raffle of Oreo cookies.

Must be taller than this line to ride!

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other proj

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RIDE

GEHRY-GO-ROUND

54

10

IPMS ORIGAMI [ DURATION ] 2 WEEKS [ ACADEMIC ] YSOA // VISUALIZATION 2 // S. BALD, K. BLOOMER [ YEAR ] U1, FALL 2013 [ TEAM ] + KIANNA HOSSEINI & ANNE MA

55

OTHERS

FRAMEWORK

ITERATION 1

UNIT MODULE

GROUP MODULE

UNIT MODULE

ITERATION 2

UNIT MODULE

GROUP MODULE

GROUP MODULE

UNFOLDED UNIT

UNFOLDED UNIT

ITERATION 3

UNIT MODULE

GROUP MODULE

UNFOLDED UNIT

IPMS ORIGAMI

56

11

Formal Analysis [ DURATION ] 1 WEEK EACH [ ACADEMIC ] YSOA // FORMAL ANALYSIS // PETER EISENMAN [ YEAR ] U1, FALL 2013

SAN SEBASTIANO

ALBERTI MANTUA, ITALY

$OEHUWL¡V 6DQ 6HEDVWLDQR UHĂ HFWV D VLJQLĂ&#x20AC;FDQW GHYHORSPHQW LQ WKH FRQWH[W RI KXPDQLVW DUFKLtecture, the prevalence of theory and ideas as a generative force behind design- the interplay EHWZHHQ VLJQLĂ&#x20AC;HUV DQG VLJQLĂ&#x20AC;HG HOHPHQWV One of the most interesting aspects in this regard is the articulation of domes and vaults in different parts of the building. The big arches of the main roof vault rest on typical column capitals, but the columns or pilasters themselves are curiously missing beneath them. In essence, the absence of engaged columns that ZRXOG KDYH VHUYHG DV WKH VLJQLĂ&#x20AC;HU IRU WKH LGHD of supporting structure creates the effect of a Ă RDWLQJ URRI 3DUDGR[LFDOO\ WKH ODFN RI VLJQLĂ&#x20AC;ers represents a rare instance of architectural honesty, in which the structural wall that actually supports the arches is left unadorned from classical motifs. This also renders the reading of the walls and the roof as one continuous, massive volume.

This monumentality contrasts the tectonics of the crypt, which was built at another time. Divided into a much smaller grid, the vaults within WKH FLUFXODWLRQ VSDFH UHVW XSRQ VTXDUH FROXPQV honest to their structural function, but the vaults connecting to the perimeter wall rest on non-structural pilasters, which serves to signify the structural termination of all the vaults. The closely packed spacing of colonnades suggests a redundant structure- it is more likely that the series of vaults is employed to generate the feel of a maze-like crypt, therefore, becoming a VLJQLĂ&#x20AC;HU IRU DQ LGHD DERXW D W\SH RI VSDFH

57

OTHERS

The church of San Lorenzo is based on a plan with eight sides, and the even-numbered mulWLSOHV RI WKLV Ã&#x20AC;JXUH FDQ EH HDVLO\ UHVROYHG DQG traced in the ordering of architectural elements DV LW JRHV XS FUHDWLQJ D PRUH ORJLFDO H[SHFWHG progression of parts. As we move up the interior composition, we can see that there is always the repetition of 8 elements. The dome is also a metaphor of this resolved system in which the arches framing the windows go up and come EDFN GRZQ LQWR WKH QH[W ZLQGRZ UHSUHVHQWLQJ a closed system.

CHIESA DI SAN LORENZO CAPPELLA DELLA SACRA SINDONE

GUARINI TORINO, ITALY

In contrast, the Chapel of S. Sindone is based on a circular and triangular plan. The repercussions of merging an even-numbered polygon with an odd-numbered polygon starting from the plan can be traced throughout the compoVLWLRQ RI WKH VXEVHTXHQW HOHPHQWV )RU H[DPple, from the triad of giant arches it follows a dodecagonal drum with windows and serlianas, ZKLFK LQ WXUQ LV IROORZHG E\ D VHULHV RI KH[DJRnal dome layers. The implicit understanding is that the lines of forces from the different layers of element have to bisect each other. The cliPD[ RI WKLV SKHQRPHQRQ FDQ EH VHHQ LQ WKH design of the dome, with each element being bisected by structure, and arranged in an sysWHP WKDW FDQ FRQWLQXH LQÃ&#x20AC;QLWHO\

FORMAL ANALYSIS

58

12

Drawing , KDYH DOZD\V EHLQJ LQWHUHVWHG LQ WKH DUWLVWLF H[SUHVVLRQ RI SRZHUIXO VWURNHV VHQVXRXV IRUPV JUDFH ÁXLGLW\ DQG HSKHPHUD , ÀQG EHDXW\ LQ WKH VSRQWDQHLW\ RI LQFLSLHQW VNHWFKHV DQG KRZ WKDW DSSULVHV WKH YLHZHU RI WKH UDZ SURFHVV RI FUHDWLRQ DW ZRUN D PL[WXUH RI LQVSLUDWLRQ LQWXLWLRQ DQG WHFKQLTXH 7KH XQÀQLVKHG YDJXHQHVV RI VNHWFKHV OHDYHV URRP IRU LQWHUSUHWDWLRQ OLNH PHPRULHV do. It serves as a powerful tool to capture the wistful transience of life: the summer warmth of D WULS WR %DLH 6DLQW 3DXO WKH ODE\ULQWKLQH PDWUL[ RI ZLQGLQJ SDWKV LQ 9HQLFH WKH PLVW\ VXQULVH RI D Sunday morning...

ART MEDIUM

1. MULTILINER PENS, BRUSH NIB MARKER 2. MANGA PROCESS: PENCIL SKETCH, INKING (TACHIKAWA+G PEN, MULTILINERS), COLOUR (GOUACHE + ACRYLICS) 3. MIXED MEDIA (ACRYLICS, CONTE, INK) 4. WATERCOLOUR

1

59

OTHERS

4

4

4

2

3

DRAWING

60

profe s s i o n a l 99 GEORGE FRIEDMAN 101 RAW DESIGN 103 CV

Lila Jiang Chen EDUCATION

SKILLS

Yale University

-Autodesk: REVIT $XWR&DG 0D\D 'V 0D[ (FRWHFW 9DVDUL -Rhinoceros, T-Spline, Grasshopper, Sketchup, ZBrush 9UD\ 0D[ZHOO .H\VKRW -Adobe: Illustrator, Photoshop, InDesign, Premiere, Dreamweaver, and Flash -Model making and fabrication: 3D printing, powder printing, CNC milling, casting, resin models -Real Estate Pro-forma Analysis

New Haven, USA // 2013-2016 Master in Architecture H.I. Feldman Nominee, Spring 2016 John W. Storrs Scholarship

McGill University Montreal, Canada // 2006-2010 %DFKHORU LQ 6FLHQFH $UFKLWHFWXUH

Minor in Construction Engineering and Management &*3$ ZLWK 'LVWLQFWLRQ 'HDQ¡V /LVW )DFXOW\ RI (QJLQHHULQJ

Oxford International School Panama City, Panama // 2003-2005 &*3$ &ODVV 9DOHGLFWRULDQ

Study Abroad Politecnico di Milano )HE -XQ

%HLMLQJ /DQJXDJH DQG &XOWXUH 8QLYHUVLW\ )HE -XQ

AWARDS -Designing for Free Speech, Top Award. â&#x20AC;&#x153;The Ultimate Free 6SHHFK .LW Âľ

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.URVV 0DJD]LQH 'UDZLQJ &RQWHQW 5XQQHU XS

-Big Eye Solutions National Drawing Contest: First Place DQG

61

PROFESSIONAL

LANGUAGES (QJOLVK DQG 6SDQLVK KLJKO\ SURĂ&#x20AC;FLHQW

&DQWRQHVH DQG 0DQGDULQ SURĂ&#x20AC;FLHQW

,WDOLDQ LQWHUPHGLDWH )UHQFK HOHPHQWDU\

OTHER -TA and Editor for Ecological Urban Design (Yale)

Helped plan the course at Yale and coordinated between GLIIHUHQW SDUWLHV IRU RQ JRLQJ GHVLJQ H[SHULPHQW SURMHFWV LQ Baltimore. Currently working on the publications.

-Yale Retrospecta

Projects selected for publication: â&#x20AC;&#x153;Higher Groundâ&#x20AC;? and â&#x20AC;&#x153;Team D Building Projectâ&#x20AC;?

-Canadian Architecture Studentâ&#x20AC;&#x2122;s Association: National Portfolio

Project selected for publication.

-McGill Daily

Project published as part of art show.

PROFESSIONAL EXPERIENCE

Gensler - Intern Architect

S-Trip - Architectural Consultant

New York City, NY // May - Aug2015 (4 mo.)

'HYHORSHG GHVLJQ LWHUDWLRQV DQG SHUIRUPHG WHVW Ă&#x20AC;WV VLWH VXUveys, renderings, models, and material sourcing/research. :RUNHG RQ VHYHUDO FRPPHUFLDO DGDSWLYH UHVXVH UHWURĂ&#x20AC;WV DQG interior projects. Also collaborated with other interns to design and build an installation/community project in the Rockaways.

Toronto, ON // Jun - Sept2011 (4 mo.)

Worked with the President and an interior designer to re-deVLJQHG WKH KHDGTXDUWHU¡V à RRUV ORIW LQWHULRU DQG WKH EXLOGLQJ¡V H[WHULRU WR LQFUHDVH EUDQG DZDUHQHVV 0DQDJHG GHVLJQ projects by planning, sourcing materials, coordinating labor, and any other aspects to succesfully implement the proposals under a tight budget and schedule.

RAW Design - Intern Architect Toronto, ON // Feb - Aug2013 (7 mo.)

Formed part of several teams producing massing models, IDoDGH VWXGLHV DQG DSDUWPHQW SDUNLQJ SODQQLQJ IRU KLJK ULVH UHVLGHQWLDO DQG PL[HG XVHG SURMHFWV LQ WKH *UHDWHU 7RURQWR $UHD :RUNHG H[WHQVLYHO\ RQ WKH GHVLJQ GHYHORSPHQW RI +DUPRQ\ 9LOODJH D PLOOLRQ 6) PL[HG XVHG SURMHFW LQ Barrie, Ontario.

George Friedman Architect - Intern Architect Toronto, ON // Jun2011 - Jan2013 (1.5 yrs) :RUNHG H[WHQVLYHO\ RQ FRQVWUXFWLRQ GUDZLQJV IRU VHYHUDO SURMHFWV LQ DQ RIĂ&#x20AC;FH RI PHPEHUV LQFOXGLQJ FRRUGLQDWLRQ ZLWK clients and consultants. Participated in all stages of development- contributed to design, produced study models, worked RQ ODQGVFDSH SODQV DQG DFWHG DV WKH Ă&#x20AC;UP¡V VROH YLVXDOL]DWLRQ artist.

Projects focused on educational institutions in the Greater Toronto Area.

Sceno Plus - Architectural Assitant Montreal, QC // Apr2011 Worked in a team of 3 to develop a proposal for a 12,000 FDSDFLW\ HYHQWV FRPSOH[ LQ $EXMD 1LJHULD 3DUWLFLDSDWHG LQ design, produced models, drawings and renderings.

Atelier Big City - Architectural Assitant Montreal, QC // Jan - Feb2010 Performed site survey, presentation drawings, and study models for the Champs-de-Mars competition in Montreal.

CV

62

13

George Friedman

DAVIS WELCOME CENTRE SHERIDAN COLLEGE - ONTARIO, CANADA PROJECT TYPE: EDUCATION, RENOVATION PROJECT SIZE:

18,000 SQFT $2,750,000 DATE: SEPT2011 - FEB2012 CONSTRUCTION COST:

THE PROJECT RENOVATES THE MAIN ENTRANCE AREA AT SHERIDAN COLLEGEâ&#x20AC;&#x2122;S DAVIS CAMPUS. THE NEW DESIGN INCLUDES A NEW CANOPY AND LANDSCAPE ENTRANCE, A WELCOME CENTRE WITH ITS FURNITURE, STUDENT SERVICES, COUNSELING AND ADMINISTRATION OFFICES, AND STUDENT GATHERING AREAS.

63

PROFESSIONAL

[ FIRM ] TORONTO, ON, CANADA [ POSITION ] ARCHITECTURAL ASSISTANT [ DURATION ] JUN2011 - JAN2013

WELCOME CENTRE

STUDENT SPACES

ENTRANCE CANOPY & LANDSCAPE

GEORGE FRIEDMAN

64

14

R AW Design

[ FIRM ] TORONTO, ON, CANADA [ POSITION ] ARCHITECTURAL ASSISTANT [ DURATION ] FEB - AUG2013

PHASE III HARMONY VILLAGE BARRIE, ONTARIO, CANADA

PHASE II

PROJECT TYPE: MIXED-USE LIFESTYLE DEVELOPMENT PROJECT SIZE:

1.3 MILLION SQFT

IN PARTNERSHIP WITH DIAMOND SCHMITT ARCHITECTS. THIS WINNING MASTERPLAN PROPORAL IS A SUSTAINABLE, MIXED-USE URBAN COMMUNITY WITH A WATERFRONT BY LAKE SIMCOE. THE PROJECT CONSISTS OF APROX.

5 TOWERS OF 25 FLOORS EACH, WITH AN ELEVATED LANDSCAPE

PODIUM THAT CONTAINS LIFESTYLE AMENITIES SUCH AS COOKING AND ART CLASSES, GYM, RETAIL STORES, COMMUNITY CENTRE, MEDICAL AND PROFESSIONAL SERVICES, ETC. THE PROJECT IS GOING TO BE DEVELOPE IN

4 PHASES.

65

PROFESSIONAL

PHASE I

PHASE IV

TYPICAL FLOOR PLAN

RAW DESIGN

66

lila jiang chen portfolio

2013-2016