–– C O N T A C T PHONE: 087875351353 EMAIL: lintangkiranaa@gmail.com WEB: behance.net/lintangkirana L I N T A N G Hello! My name is .. S K I L L S PERSONAL • Leadership • Creative • Adaptability • Communication • Problem solving PROFESSIONAL • Architecture Design • Interior Design • Visual Communication • Graphic Design • Photography • Videography • Illustration • Computer Aided Design • Digital Fabrication SOFTWARE • Adobe Illustrator • Adobe Photoshop • Adobe Lightroom • Adobe AfterEffects • Adobe Premiere • Adobe InDesign • Figma • Rhinoceros • Grasshopper • SketchUp • VRay for Sketchup • TwinMotion • AutoCAD K I R A N A S I T A P U T R I
An interior architecture graduate in search of exciting adventures. A creative and self-driven character with proven experiences in leadership. I have a profound interest in understanding human behavior; I love traveling, and it allows me to see the world candidly and meet people from all walks of life. With an easygoing personality, I have always worked proficiently with people. I do well in teamwork and am committed to accomplishing my responsibilities.
ENVIRONMENTAL GRAPHIC DESIGNER
OPERATIONS
DIRECTOR Skylite Musicals Skylite Musicals is an annual event held by Labschool Kebayoran Highschool students, where students showcase their abilities to direct and perform a musical which in 2017; using original songs, script, and choreography. Everything on stage was performed live, including the orchestra. A T I O N (Pintar Bersama) HEAD OF Ekskursi Arsitektur UI: Rumah Pohon HEAD OF PRODUCTION
TEDxUniversitasIndonesia CHIEF EXECUTIVE OFFICER A36020192021-pres.202120202020-202120192017-2018
E X P E R I E N C E S A C H I E V E M E N T S • Top 15 Architecture Design in Podomoro Design Festival Competition 2020: Socializing The New Normal • Best Director in Theatre Competition, Teknik Cup 2019 E D U C A T I O N • HIGHSCHOOL (2015-2018) Applied Science, SMA Labschool Kebayoran • COLLEGE (2018-2022) BA Interior Architecture, Architecture Departement, Universitas Indonesia
CREATIVE DIRECTOR PINTER
FREELANCE PHOTOGRAPHER Self-Employed Over the years, I’ve taken on many photography assignments including: commercial, travel, landscape, events, portraiture, and branding.
TEDxUniversitasIndonesia
EXPEDITION TEAM: PHOTOGRAPHER Ekskursi Arsitektur Universitas Indonesia Traveling alongside Architecture Excursion Expedition team to Lingga Islands, Riau. Documenting the everyday life of Suku Laut, Asli Daik, and their vernacular homes.
In regards to COVID-19, TEDtalks converted into pre-recorded videos to adapt to the pandemic. I was appointed as the Director of Photography, while also being the Head of Video Production team.
VIDEO
DIGITAL DESIGN MEDIA ASSISTANT LECTURER Department of Architecture, Universitas Indonesia Was an assistant lecturer, alongside the team, for Digital Design Media class; a course which teaches students how to effectively use digital tools to generate communicative architecture representations.
20212021pres.-2021pres.-2018 O R G A N I Z
STOIK TRISULA Mainly, assignments given were designs related to human spatial experience:concepting city park programmes, designing exhibitions, public signages, public artwork installations, and other visual branding assignments.
DIRECTOR OF PHOTOGRAPHY
ARCHITECTURAL INTERN STUDIO-RK Assignments given were: ideate designs, generate architectural drawings, construction documentation, and was also appointed as a Project Manager in one of the projects that happened during the 4 months.
V I S U A L B R A N D I N G P U B L I C A T I O N V I S U A L S A R C H I T E C T U R E R E P R E S E N T A T I O N S S K E T C H E S F U R N I T U R E A N D 3 D I N S T A L L A T I O N S P H O T O G R A P H Y A N D M O T I O N G R A P H I C S 01 - 02 06050403 - 09 10STNETNOCFOELBAT
01 PINTER PublicationSketchesRebrandingVisuals Selembar Kursi Mading PINTER Jell-O City Architecture Representations Tetesan Warna & Nirmana Photography and Motion Graphics 03 04 05 06 07 09 08 10 You Do Yuk Campaign02
V I S U A L B R A N D I N G 2021 (team) PINTER Rebranding01
what is ? PINTER is Indonesia’s first crowdfunded micro-scholarship provider, which strives to #BridgeTheGap between the youth with untapped potential and quality education, to ensure equal educationalacrossopportunitiesIndonesia. p nter
p nter #BridgeTheGap The Bridge. Target Market Personas: Brand Tone - Excitement Brand Voice - Passionate
Bridge.The The new logo depicts a bridge which was implemented into a stylized letter “I” in “PINTER”, having it aligned with their goal; to #BridgeTheGap towards a better Indonesia. PINTER Characters: to market the brand’s friendliness and inclusivity. Visual Assets:
Everyone is running their own race, in their own time. Step out of your comfort zone when you’re ready, at your own pace. #KomikPINTER3/7
whatWonder likewasit before? here’s a snippet
You Do Yuk Campaign02 2021 (team) V I S U A L B R A N D I N G
Publication Visuals03 2021-2022 (personal) P U B L I C A T I O N V I S U A L S
VIVO posterscampaign“SenseSational”teaser
Designing posters for Green School Bali’s event “IGNITE”. Showcasing Indonesia’s cultural richness while presenting the event’s identity
Designing posters for brands’ social media: CLEAR & Kembali Berwisata
A R C H I T E C T U R E R E P R E S E N T A T I O N S 2018-2021 (personal) Architecture Representations04
S K E T C H E S 2017-2022 (personal) Sketches: People, Architecture, Still Life 05
People Drawing Pen
Architecture Drawing Pen, Watercolour Paint
Still Life ColourPencil, Pencil
IllustrationDigital For a passionproject.
In response to the restrictions of overseas travelling regarding COVID-19, my friend and I created this campaign for people to “Find 62 Ways” to enjoy the beauty of Indonesia.
And these are the couple of designs I made for the campaign.
Illustrations for wall installation at Pantjoran PIK 2’s Pagoda Staircase. Telling the story of how Peranakan Culture came into Indonesia.
Illustrations for Yu Jia by AKASA (which later changed its name to “Yang Tze”). A fsh soup restaurant originating from China.
Illustrations for AKASA restaurants’ interior: Yu Jia & Chummy Tummy
F U R N I T U R E A N D 3 D I N S T A L L A T I O N S 2020 (team) 06 Selembar Kursi
Selembar Kursi’s aim is to create a public seating area, that sup ports social distancing by designing collapsible personal stool; minimizing the possibility of people infecting or getting infected by the virus. The design aids a system where people could feel they’re in a safe space despite being outside their homes, not concerned about people sitting too near to them or who sat there before they did. The design’s parts were digitally fabricated by laser-cutting sheets of plywood, which then was manually assembled in a manner to achieve the furniture’s goal. The hinges and clips also was made through digital fabrication process using 3D printing Thistechnology.technique is used because for an object in a rather large faces into a 3D form; while designing, the construction process was also be considered.
During the pandemic, and due to applying social distancing in the new normal, seating areas in hospitals, stations, airports, trains, etc, are given signs to not sit on. X’s are accustomed to skip a seating to another. But in Jakarta, it isn’t enough to discipline people with just signs.
ISRUKRABMELES 04-01SEPYTOTORP
Collapsible Mechanism
We constructed the design to have flat surfaces for easier cleaning, storage, and mobility. And due to those reasons, we chose laser-cutting to easily cut flat surfaces. The material chosen is a 9 mm thick plywood. For the hinges and clips, we chose to man ufacture them by 3D printing because this method allows us to easily objectify com plex shapes into reality. We designed a 3d print hinge by referenc ing a metal hinge, then adjusting it to suit it more with our design. We also designed a clip in order to keep the stool folded and won’t open as wildly when it’s carried around.
07 Mading PINTER 2022 (personal) F U R N I T U R E A N D 3 D I N S T A L L A T I O N S
Mading is PINTER’s frst offline activation. This Mading was put in three different cafes. The objective was to reach bigger audience and get them to know PINTER better.
The design was set to be eye-catching while still obtaining sophistication to intrigue the targetted market.
Jell-O City08 2021 (personal) F U R N I T U R E A N D 3 D I N S T A L L A T I O N S
Learning to see things that are already there, but was unseen until I let go of the things I knew about the ingredients for one bit Perceivingwhile. wider affordances from the objects than what it was intended to be used for. With this perspective, we can see everything more than it is itself. Seeing the potentials of what they could be, rather than what they should be.
CAT ALOGUE
JELL-O CITY HASINVADED!BEEN
[LEFT] HOW ON EARTH DID SHE FINDUS?
I saw potential on forks, on how their edges would easily be joineries. So, I tried them out. Though not as been, it did successfully became a self-supporting structure of a “hut”. Then, Mochi came again and demolished a section of the hut.
Using sliced jell-o, which was chilled for a while in the freezer, I composed blocks in front of a light source. My intention was to only see how light comes through them. Then my cat, Mochi, came along curiously and added value to the image.
DARN! INTERSECTION.ANWEHAVETOGOFAST!
[RIGHT] WE’REHOORAAAY!SAFEINSIDEOURBUBBLES.
I scooped the previous bubbles into a measuring cup which was already random bubbles. Then they slowly disappeared, leaving these adjacent blobs; creating a pattern.
I made bubbles by shaking water and soapdish inside a bottle. Then I scooped it into the kitchen sink with shallow water. The branched void immediately caught my eyes: “This looks like a tiny road!”.
2018 (personal) Tetesan Warna & Nirmana09 F U R N I T U R E A N D 3 D I N S T A L L A T I O N S
P H O T O G R A P H Y A N D M O T I O N G R A P H I C S 2018-2022 (personal) Photography & Motion Graphics10
Documentary
Landscape
UrbanAstronomy
Architecture
Studio
People & Culture
Videography & Motion Graphics
More works on ... lintangkiranawww.behance.net/
Digital issuu.com/lintangkirana/docs/portfolio2022portfolio: Thank you!