DEAD DARLINGS ROTTERDAM
ANONYMOUS ART AUCTION
SATURDAY, 6TH FEBRUARY 2010 FOUNDATION B.A.D. TALINGSTRAAT 5, ROTTERDAM
ROTTERDAM 2010
Dead Darlings is an anonymous and subversive auction series that started in Amsterdam in 2005. This is the first edition that will take place in Rotterdam and is a collaboration between Dead Darlings and De Zwarte Ruyter. By tradition, all the lots will be introduced by title only. The contributing artists will be listed on our website, but will not be revealed in connection to the work until the sale is final. By keeping the auctioned work anonymous we want to take pressure off the names, and give the works the opportunity to stand on their own. Dead Darlings are works that have lost their relevance to the overall œvre of an artist, works which have been excluded or witheld, yet remain relevant to him or her, because of the meaning acquired during the course of their making. They are the innocent victims of the artistic process, and we want to give them a chance to be liberated from that context and appreciated for the qualities they display as singular autonomous entities. The theme for this fifth edition is ‘Masterpiece’, with each auction we attempt to come up with a theme that explores a different aspect of why a darling may have been killed. In the case of the masterpiece the focus is on works that have a latent quality, but one that never made sense within the context they were created. Most artists strive to make a perfect artwork, something that they think is the best artwork they have ever made or that ever has been made by any dead or living artist, an artwork they want to let the whole world know about, something that says it all, a milestone in their career, a-once-in-a-lifetime creation; ‘Masterpiece’! But then as time passes, artists realize that the masterpiece ain’t really that ‘master’ at all, or maybe it just ends up somewhere in a corner, gathering dust, to be forgotten for whatever reason, never to be shown again... These are the works that we have put out a call for... A theme that finally gives the artists a chance to exhume some of those works that lay in waiting, tucked away in the attic...
Dead Darlings & De Zwarte Ruyter
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THE FOLLOWING PUBLICATION SERVES AS AN AUCTION PROGRAMME AND A WORKS ARCHIVE WITH PAGE NUMBERS CORRESPONDING TO LOT NUMBERS
DEAD DARLINGS ROTTERDAM
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AUCTION PROGRAMME
This photograph is taken in an abandoned hospital whose ruins act as playground for the semi-professional porn industry. Walking on a warm Sunday morning you will surely interrupt a penetration. I convinced a bunch of young men, who where using these buildings as temporary studios, to take their clothes off for a shoot. Pushing the limits of inconvenience, this moment could only be captured once, on a unique medium and on the most un-glamorous: polaroid. I made some tests beforehand to be sure that the picture would be out of focus. It was hilarious to see shy boys switch to disappointed proud men. They wouldn’t stop asking if I would take another photograph… But, this polaroid is the only captured manifestation of the happening. This photograph was taken by Jonas Ohlsson who dared not undress.
PREGNANT WOMAN 01 SURROUNDED BY NAKED MEN 7.62 x 9.65 cm Framed Polaroid 2008 Starting price: 10 €
DEAD DARLINGS ROTTERDAM
02 THE RESTAURANT 50 x 40 x 1,7 cm Acrylic on canvas 2009 Starting price: 30 €
This painting is from the series “Boat Trip in Berlin”, from a holiday last year. The funny part of it was that it was an incredibly boring holiday, there wasn’t anything interesting to see. Mainly I was surprised about the fact that there were people moving directly towards the restaurant and staying there the whole trip, so they didn’t see anything of the landscape. These were the impressions I tried to put on the canvas and the fact that the clumsiness both in color, style and subject makes it a ‘Masterpiece’…
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GRIP 03 13 x 18 cm Framed photograph ±2007 Starting price: 10 €
When I made this photograph I thought: This is what I Like to do. This is what I’m gonna do. It made me think of Grand Master Piet. But during my study I had a lot of ideas that never went any further or were never executed. This is one of them. Now free from the walls of the academy, I feel I am finally on my way to do things in a playful way again and that I can enjoy making art again. This work reminds me of that.
DEAD DARLINGS ROTTERDAM
04 DELIVERED INTO THE HANDS OF INDIFFERENCE 50 x 28 x 37 Wood, acrylic paint 2007 Starting price: 19.99 €
I worked on “Delivered into the hands of indifference” in 2007 as part of an assignment for the Rietveld academie in sculpture class. It is small, has a body-like feeling, I like the colors and it represents a lot of my thoughts and how I see the world in a abstract way! I love its simplicity but also the way it makes you think: “Something is wrong here.” It could be part of a normal household, but at the same time it’s something new and refuses to be part of normal life. The viewer and the context are the ones who decide how this object can be seen.
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THE GUARD 05 20 x 20 cm B&W photograph 2006 Starting price: 25 â‚Ź
Well, I found something. It is my first series of Mamiya shots, taken in the Museum of Fine Arts. It was supposed to be a series on museum guards, being stalked by me, but I never pursued the idea. This shot is one I always loved the most. No one has seen it, except for me, and my father who developed it.
DEAD DARLINGS ROTTERDAM
06 I STILL REMEMBER THE SMELL OF THESE FLOWERS 64,5 x 89 cm Paper, black ink 2009 Starting price: 40 €
The work was one of the first from the series of drawings based on old photos, but I got a lot of criticism, so now the project has been changed a bit, but for me it was a nice starting point. There is nothing more to say…
AUCTION PROGRAMME
TANTE RIET † 07 29 x 36 cm Photo print on canvas (unframed) Breda, 2005 Starting price: 42 €
This one is from a series of stills (Super 8) where I documented the home of a, also for me, unknown aunt Riet who just died. It has never been shown before because it’s too literally a dying bed and it does not emphasize her surroundings. It’s a ‘Dead Darling’ because it didn’t meet my criteria at the time.
DEAD DARLINGS ROTTERDAM
08 DRUP Height: 65 cm Wood 2006 Starting price: 50 â‚Ź
A true masterpiece that is unfairly collecting dust in a corner of my studio. The work is referring to a drop built out of many square drops. Each block is connected with the others only with super glue. Therefore the work is a formal combination of geometric and organic.
AUCTION PROGRAMME
SUPERCITY 09 80 x 80 cm Aluminium mounted color photo print 2005 Starting price: 33 €
This work belongs to a small series of photographs that were made from a scale model installation. The original work ‘died’ some time ago, but the photo stayed alive to remind me of this ‘Masterpiece’.
DEAD DARLINGS ROTTERDAM
10 LUXURIOUS LIVING 40 x 60 cm Digital print 2007 Starting price: 39 €
This photograph I took during a two month project about the squatters movement of the city Nijmegen. I knew what squatters looked like, but I had never really spoken to them and I surely hadn’t ever visited ‘their’ homes. I was very excited to see their living areas, and after a couple of visits I decided I wanted to focus on the sleeping areas, which were usually nothing more than a mattress on the filthy ground with a stained pillow and blanket. The result of this project was a series of 6 photos of ‘beds’, plus this one I took in a 800.000 euro house that was inhabited by three young fellows. Everything they owned they had found on the streets or was given to them, so they lived a ‘luxurious’ life for free. As you can see, there’s no bed in this picture, but I just could not throw this one out. Now, two years later, this is the only one I still absolutely love because of it’s colors, beautiful light and the story behind it. The other pictures are useless: this lonely ‘Masterpiece’ says it all.
AUCTION PROGRAMME
— 11 A4 size (excl. lijst) Chalk on paper 2005 Starting price: 40 €
I was cleaning up my studio and found a lot of material from 2005. A bunch of photo’s, sketches, and drawings. Among them was this drawing, clearly inspired by the work of J.C.J. van der Heijde. I find it a beauty, totally forgotten that I made it and I was really surprised to find it again… a real Dead Darling ‘Masterpiece’ you could say.
DEAD DARLINGS ROTTERDAM
12 DECALOGUE Video, DVD format 2002 Starting price: 10 €
When I made this work I was still at the Rietveld Academy. For a big period of time I would always come back to this work and realize that it’s my ‘Masterpiece’. It speaks about all the aspects that I am interested in Art, but when I see it now the only thing I can see is a rough performance with a tired person and an old chair.
AUCTION PROGRAMME
FINDING A NEW RELIGION NO.2 13 50 x 40 cm Alkyd and oil paint on canvas 2007 Starting price: 50 €
This piece is of the early works that were made during a working period in Los Angeles. It’s a painting where there is still some disagreement about the quality. Part of me finds it to be good, the other part – not. Is this work a ‘Masterpiece’?
DEAD DARLINGS ROTTERDAM
14 SPLENDOR IN THE GRASS 20 x 30 cm Photograph 1998 Starting price: 10 €
From a series self obsessed snapshots made during the break of a video workshop by Nan Hoover. Since the photo has been made, this Darling has been hanging on my ‘Inspiration Wall’, among other female beauties. As an image it leaves an ever lasting impression and serves as a staring point for new work, without the image itself ever seeing the daylight.
AUCTION PROGRAMME
LOST, FOUND AND 15 UNFRAMED (A MASTERPIECE) 21 x 29.7 cm Epson Stylus Photo ink-jet print on 255 g. Epson Premium Glossy A4 2003 Starting price: 50 €
A milestone in my career, aonce-in-a-lifetime creation, a ‘Masterpiece’. It just ended up somewhere in a corner, gathering dust, to be forgotten for some reason and never got to be seen by anyone or anything.
DEAD DARLINGS ROTTERDAM
16 UNTITLED Âą 10 x 40 x 40 cm Gun made out of stuffed animals 2004 Starting price: 25 â‚Ź
This is a work I made during my first years of study. I still was working with different materials. Finally I graduated with a painting degree. Now I found the sewing machine again, and leave the slow paintings for what they are. The work for the Dead Darlings is a forerunner for the work I am making right now. Here I combine worlds of extremes with each other (violence and children) and this I combine with humor and aesthetics.
AUCTION PROGRAMME
This is a Dead Darling from my ‘White on White PROJECT’ – a poetic and provocative attempt to push the boundaries of digital art forms, by appropriating Malevich’s ‘White on white’ oil painting. Two different whites can only be seen when the spectator slightly tilts her or his head to the computer screen. In this way, the artwork, though digital and “flat”, invites the spectator to engage in a physical action, creating a temporal space in the process. 1024 x 768 pixels refers to the “physical” dimension of the artwork, making a total of 786 thousand and 432 pixels. The work is only available in digital form. When the artwork is sold, the buyer/collector will get: – The artwork in digital form: trough email or on a USB stick. – A certificate of authenticity signed by the artist.
WHITE ON WHITE 17 1024 BY 768 PIXELS X-R 1024 x 768 px. Digital art 2009 Starting price: 1 €
DEAD DARLINGS ROTTERDAM
18 SUGAR-SPIDERS 30 x 24 cm Acrylic on canvas 2009 Starting price: 25 â‚Ź
The painting is from a sequence of copied newspaper and magazine photographs, whereby the choice of the subject mainly was determined by coincidence. From this, a beautiful series of boring and incomprehensible works came to life, which in itself was a surprising result and brought me joy. But the painting in question was too well managed to relate equally with the rest of the sequence and so fell outside the boat.
AUCTION PROGRAMME
GULLIMAN 19 20 x 25 cm Collage (stickers on ink-jet print) in white wooden frame 2009 Starting price: 25 â‚Ź
Sometimes you make a work which is simple and pure but utterly silly. This work is a very good example of that.
DEAD DARLINGS ROTTERDAM
20 SOPHIE (SCHETS #3) 150 x 210 cm Charcoal and graphite on paper 2009 Starting Price: 0 â‚Ź
This drawing of Sophie started as a reaction to a photo made in a collaboration. Some works never seem to match or exceed the effect of the original photo. They die, but this Dead Darling survived because it had something special. To hang the drawing again and to finish it makes no sense. I started a new one that is bigger. This is a dead darling that I should have killed from the start.
AUCTION PROGRAMME
TO MISTAKE MOUNTAINS FOR VOLCANO’S 21 50 x 60 cm Photograph printed on coated paper 2009 Starting price: 45 €
This photograph was taken in the Bulgarian countryside where it was supposed to be part of an installation called “White Holes”, but somehow it couldn’t find it’s place. In a later work, again the photo didn’t fit. That’s how it became a Dead Darling. Probably it’s just too good to fit into an installation or a series of photo’s.
DEAD DARLINGS ROTTERDAM
22 X-RAY Height: 90 cm Rubber, digital print and perspex 2009 Starting Price: 0 â‚Ź
In the beginning I found this one to be really good! But later on I made another one that was much better. From that time on this dead darling has been hanging lonely in my studio. It’s time to say goodbye.
AUCTION PROGRAMME
I took this image, when I was 24 and I was completely fascinated by James Dean. Jimmy Dean (as Cher muses in Robert Altman’s cult-classic “Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean”) died when he was 24, crashing his brand new Porsche 550 Spyder. In his most celebrated film “Rebel Without a Cause” he is wearing his famous red jacket and in this photo I tried to catch the atmosphere of the movie as well as his coolness and melancholy. Even though he didn’t look ‘that androgynous’, Sue Golding hit exactly the right spot when she published her text “James Dean: The Almost Perfect Lesbian Hermaphrodite” in 1988. Dean was caught in this beautiful space between all genders. The attitude of the adolescent, the grain of high-speed black & white film, the Ferrari T-shirt, the bright red ink that fills the jacket like blood, the brick wall that gives the image a touch of anarchy… It’s been in my drawer for almost 14 years. It is time for it to come out of the closet!
COME BACK… 23 24 x 18 cm B&W photograph with red ink 1996 Starting price: (24 + 14 years) 38 €
DEAD DARLINGS ROTTERDAM
24 MY STUDIO, LA 15 x 15 cm C-print 2008 Starting price: 10 €
I took this photo during my residency in LA in 2008. It’s in line with my work, but has never had a life of its own. I guess that would make it a half-Dead Darling…
AUCTION PROGRAMME
This photograph became a Dead Darling while I was working on a project about the interior of a bibliophile’s home. I made a series about people who collect books to the extreme. A series about how their compulsive drive to collect books took over their lives and, more importantly, took over their living spaces. The houses I visited were filled with books, in fact, the books took over rooms and things like couches, tables, stairs and doorways. The photo is a dead darling because it didn’t fit with the rest of the series, because of the distance I took as a photographer. This made me sad because I love this picture more than the rest of the photos in the series. This photo says it all.
LANDSCAPING 25 40 x 60 cm Digital print 2009 Starting price: 40 €
DEAD DARLINGS ROTTERDAM
26 EVERLASTING LOVE (MODEL) 22 x 18 x 33 cm Metal, textile and rubber, welded 2006 Starting price: 48 €
Why the work “Everlasting Love” has become a Dead Darling I don’t know precisely. Maybe it isn’t always good to make a model first. It can sometimes feels too finished. Also I wasn’t really sure if I wanted it to be mechanical, electronic or motorized. I left it for a while and then other projects got priority.
AUCTION PROGRAMME
VOLUME 27 This work was made in Antalya, Turkey, in the outskirts of town. While taking the photograph of this hotel the people all came outside to watch the photographer. He had to explain the beauty of this perfect cubic black wall to the people. But the residents were only interested in one thing: a picture of themselves. In order to get the permission to do the shot, a picture of everybody in the hotel had to be taken. This work never saw the light of day because the anecdote seemed stronger then the work itself. Now, looking back at it, the picture has gained in beauty.
75 x 62 cm Ultra chrome print 2005 Starting price: 35 â‚Ź
DEAD DARLINGS ROTTERDAM
28 INCOMPLETE ALPHABET 42 x 59.4 cm Poster 2008 Starting price: 10 €
I think this work speaks for itself. I don’t know exactly how I came to the idea. It probably has to do with the whole “Muslim and villains rage” from a few years ago, when all the time there was a Samir A., Mohammed B and Volkert van de G on the news. From there it is a simple continuation to see if it’s possible to make an alphabet of it. There are still a few places empty so people can contribute to the work themselves.
AUCTION PROGRAMME
The Rat King is a cryptozoological phenomenon that occurs when a group of rats become permanently bound to one another by knotted tails, excrement and hair. The rats thus move and function as one entity. While biologists generally believe the Rat King to be little more than Germanic folklore, specimens of dead Rat Kings are housed in museums throughout northern Europe, the largest of which contains 27 rats. I find even the possibility of a Rat King’s existence very disturbing. An entangled entity, the thirst for survival speaks of life somehow, but also morbidly and deeply about death. I’d imagine that as some of the rats die, the others continue along their way, eating the remains of their fallen partners together with whom they once worked. The Rat King symbolizes Hell: tortured and bound, alive but in pain and suffering. In quotidian life, it speaks to population density and other urban phenomena, as the rat is ever present in cities, being particularly associated with the US mecca and benchmark, New York. Here, I can almost imagine the people becoming matted together with their—or rather, our—own mess, forcing some sort of togetherness upon us, as we individually bulldoze our way toward sustenance, comfort, and—of course—the finer things in life.
RAT KING II 29 56 x 76 cm Gouache & graphite on watercolor paper 2009 Starting price: 40 €
DEAD DARLINGS ROTTERDAM
30 DEAD BEAUTY 20 x 25 cm Photograph, ink-jet print 1998 Starting price: 45 €
When in 1998 a befriended biologist passed by with this ‘Dead Darling’, I made some still lives of it, an interesting subject. Unfortunately the idea of doing something more with it died an early death, until Dead Darlings Rotterdam brought it back to life.
AUCTION PROGRAMME
RISING FROM DAWN 31 31 x 48 cm Photograph on aluminium 2002/07 Starting price: 45 €
This was something I tried out, which later turned out not to lead anywhere, so it ended up lying around in the studio ;-) The original footage dates back to a film shoot from 2002, and only in 2007 I was digging it out again to have a look at it from another angle. I started reworking the image which eventually resulted in this photo work. But then it ‘died’ because I wasn’t sure what it actually was and what I really wanted from it…
DEAD DARLINGS ROTTERDAM
32 ANONYMOUS 14.5 x 20 cm Digital print on parchment 2008 Starting price: 25 €
This photograph emerged in a series that I made in the dark. Because I could see very little, the picture arose by itself instead of me creating it. It seemed like I had found the picture and printed it in a way that expressed this feeling. For a long time I hung it on my wall to inspire me to work in a freer way. In the meantime I developed a more exploratory way of working. That’s why the image is now a former ‘Darling’ of mine. I think It still deserves a place on another wall.
AUCTION PROGRAMME
I found one of those napping, almost forgotten “Masterpieces” gathering dust somewhere hidden in my digital attic. After a debauched and long night at Hamburg’s harbour, I tripped up on a little flea market the next morning. While buying some useless objects, I bumped into a stand where I found an artefact I was unconsciously looking for: an old orange box filled with a bunch of 35mm slides. As I was holding them to the sun I immediately realized: I could have never invented this little world. Staged without having any artistic purposes but—at the same time—filled with a thrilling and haunting content. It drew a microcosm I couldn’t comprehend. Inebriated by my discovery and the night before, I came to a turning point in my artistic approach. From then on, I intended to terminate the use of any cameras. The resulting work was my first conscious avoidance of originality or rather the renunciation of an innovative aspiration. While the torturous incomprehension of the discovered collection awakened a desire to interfere with the predefined image, it broke a fresh ground on my operating principles.
WELCOME 33 60 x 80 cm Ink-jet print 2006 Starting price: 9.99 €
DEAD DARLINGS ROTTERDAM
34 UNTITLED ø 41 cm Oil on panel 2005 Starting price: 10 €
There are two preceding paintings to this Dead Darling which were more or less made by accident. I used the attainments from those paintings, like the use of transparent paint and the erasing of the subject, to make this green one. This painting has a lot of features that are since then very important to me like the texture in the background and the reflective top layer. It was meant to be a good painting and a solid ground for future paintings. However, much of the circular paintings I made later on were too complex and did not have the loose character of this Dead Darling. I have moved a lot during the last few years and I always took the first three circular paintings with me. Now that I have started making angular paintings again and the subject of my works has changed it is time to let the small ‘Masterpiece’ go. Although it doesn’t have the same significance any longer, it is too valuable for me to destroy.
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UNTITLED 35 4 x 59 x 63 cm Sculpture 2005
In 2005 I found this object in the Lidl at the August Allebeeplein in Amsterdam Slotervaart. After hanging on my studio wall for a while, it moved to the chimney of my home and then disappeared into the closet. The work has often been compared to ‘Victory Boogie Woogie’, but unlike Mondriaan’s composition this ‘objet trouvé’ is one of my first works. I still experience a certain kind of emotion with this work, in my eyes it’s timeless: a ready made, whose composition I probably will never exceed.
Starting price: 39 €
DEAD DARLINGS ROTTERDAM
36 #48 STRETCHA FETCHA 110 x 75 cm B&W 4 x 5" photograph, plotter print on 220 g. matte paper 2008 Starting price: 40 â‚Ź
The object already was a Dead Darling back when I found it after some years. By photographing these relics of my past I tried to redefine them as essential elements of growing up, give them a new meaning. By the time I was finished I found myself busy with a new project. It’s the same as getting a new toy car for your birthday. And so the photo and the object became the same; both Dead Darlings, collecting dust in a dark, narrow attic.
AUCTION PROGRAMME
SEEING PULP 37 During my first year in art school I used to do a lot of photography and was fascinated by American motion pictures. I wanted to make my fascination visible by photographing my own eye with the reflection of a movie I admired. I filmed my eye with a video camera while looking at Pulp Fiction (the scene where Uma Thurman has an overdose), then I played the video on a TV and made an analogue photo of that. So there is no trick or photoshoping involved. Later I concentrated more on making video’s, thus it became a Dead Darling.
39 x 30 cm Framed photograph 1996 Starting price: 40 â‚Ź
DEAD DARLINGS ROTTERDAM
38 HABITAT 28 x 35 cm Framed photograph 2007 Starting price: 49 â‚Ź
For years I kept a photographic diary by making pictures of little things, situations and typography that I found on the streets. This growing collection of photographs are a sort of visual notebook for me, from where a lot of my own work develops. Once in a while you happen upon an image where you don’t need to add anything, the entrance of this shop is one of them.
AUCTION PROGRAMME
I had this idea about a series with portraits. These images should express something general about how people can feel. To realize the photo it cost a lot of effort and help from other people. After developing the negative I recognized my plans just worked out half the way. So I had to photoshop a little to stress my ideas about the series. All in all I worked a lot on that photo. When it was finally perfect, two days later I suddenly didn’t like it anymore. To me the idea of the whole series seemed to be a bit too illustrative, forced and sentimental. But anyway- it was an important photo to me, because since then I decided to never manipulate my images again. And I still like the negative a lot.
SARAH 39 Photograph 2006 Starting price: 35 â‚Ź
DEAD DARLINGS ROTTERDAM
40 DAVID 59.4 x 84.1 cm Laserprint (series of 2) 2005 Starting price: 11 â‚Ź
Funny, critical, humorless, loving, accidental, timeless, random, personal scan of a copy of a masterful drawing.
AUCTION PROGRAMME
Trying to change the unease of receiving a blue envelope into a joyful act and gratitude for the new paper. I decided to collect (my) tax envelopes and paint an image of death on it. Inspired by the slogan “leuker kunnen we het niet maken wel makkelijker” and of course the saying “the only two certainties of life are death and taxes”. My idea/scheme was to set the balance of the mutual cash flow to my advantage by selling the series to the belastingdienst when they decide to start an Art collection. That they will never do so is probably the third certainty in life. In the meantime they lay dustless in a drawer growing in numbers, pampered like Darlings, unseen. Till death puts an end to it :)
DEATH AND TAXES 41 22,8 x 16 cm Acrylic paint on paper tax return envelope 2007 Starting price: 30 €
DEAD DARLINGS ROTTERDAM
42 THE EXPLAINING OF THINGS IN WORDS IS ALWAYS A HUGE PROBLEM 36 x 55 cm Photograph (in wooden frame) 2007 Starting price: 50 €
This picture was taken during my work for a documentary book. It didn’t make it into the selection of the book, so unfortunately, I had to kill it.
COLOPHON
DEAD DARLINGS & DE ZWARTE RUYTER WOULD LIKE TO THANK Joseph Miceli, Katerina Karayanni, Sander F. van Hest, Jan de Bruin, Fiona Weir, Annika Hauke, Hester Scheurwater, Niels Post, Jeroen Bosch, Kamiel Verschuren, Ties Ten Bosch, Pact op Zuid, Trendbeheer and Foundation B.a.d. Last but not least, and most of all: the Artists who entrusted us with their work and made this possible. — Concept: Tania Theodorou and Lina Ozerkina Design: Lina Ozerkina (alfa60.com) DZR team: Tijs Bakker, Judith Vogt and Bonno van Doorn DD team: Adam Etmanski, Tania Theodorou and Lina Ozerkina Printing & binding: Alfa60 Independent Publishing Catalogue edition: 100
DEAD DARLINGS ROTTERDAM
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