Digital Permanent Exhibition 2020 - Official Catalog by Lisbon Art Scene

DIGITAL PERMANENT EXHIBITION

Nel ten Wolde | Free I | Acrylic on canvas | 137x102cm

Nel ten Wolde | Free II | Acrylic on canvas | 137x102 cm

Stanislav Riha | Ribbon routine | Acrylic, copper, rug-paper and gold leaf on canvas | 88x57cm

Stanislav Riha | Waiting room | Acrylicand gold leaf on canvas | 122x122cm

Mark Pol | Imagine 1 | Acrylic on canvas | 50x70cm

Mark Pol | Red Impact | Acrylic on canvas | 70x90cm

Natรกlia Gromicho | Viagem de comboio | Acrylic on canvas | 100x100cm

Natรกlia Gromicho | Via Sacra Sec. XXI | Acrylic on canvas | 160x180cm

Paulo J Saraiva | Outra decisĂŁo| Oil on canvas | 60x80cm

Paulo J Saraiva | Situação idecisa | Oil on canvas | 60x80cm

Gloria Keh | Metamorphosis lll | Acrylic on canvas | 60x60cm

Gloria Keh | Energy Waves | Acrylic on canvas | 60x60cm

Pompeyo Curbelo Martin | Klimawandel | Oil on canvas | 100x100cm

Pompeyo Curbelo Martin | Sabana | Oil on canvas | 60x50cm

Milena Simunic | New World | Oil on canvas | 90x100cm

Milena Simunic | Prism of light | Oil on canvas | 100x80cm

Yvonne Wiese | Fishing in sunset | Acrylic on canvas | 50x60cm

Yvonne Wiese | Shadows and light | Acrylic on canvas | 50x60cm

Miguel David | PNT 009 | Photography | 96x69cm

Miguel David | PNT 013 | Photography | 96x69cm

Orna L.Brock | Untitled | Photographic print on fine paper | 41x45cm

Orna L.Brock | Untitled | Photographic print on fine paper | 45x32cm

Aranka SzĂŠkely | What is this?â&#x20AC;?could be selfie during pandemia | Watercolour on paper | 40x30cm

Aranka SzĂŠkely | Life is music | Watercolour on paper | 40x30cm

MarĂa Isabel de Lince | Greening of the earth | Oil on canvas | 96x140cm

MarĂa Isabel de Lince | Infinity | Oil on canvas | 95x140cm

Erich Kovar | Bassinstrument | Oil on canvas | 90x70cm

Erich Kovar | Guitarist | Oil on canvas | 70x50cm

Nicholas Bartlett | The distraction and the constant | Oil on canvas | 120x120cm

Nicholas Bartlett | HOPE B side | Oil on canvas | 120x120cm

Sanne Rasmussen | Together separately | Oil on canvas | 80x60cm

Sanne Rasmussen | The girl with bicycle | Oil on canvas | 80x60cm

Di Bresciani | Resilience | Oil on fine linen red cedar stretchers | 129x86cm

Di Bresciani | Reaching for the Dawn | Oil on fine linen red cedar stretcher | 120x120cm

ร va Nyรกry | Beaming Over | Oil on canvas | 100x70cm

ร va Nyรกry | Game of elements | Oil on canvas | 70x100cm

Berta Miravete | Alive Popies | Watercolor | 48x62cm

Berta Miravete | Violet & Orange Popies | Watercolor | 48x62cm

Chrilz | #influencer(za) | Colored pencil, arches oil paper, and resin on wood panel | 30x30cm

Chrilz | the look | Colored pencil, arches oil paper, and resin on wood panel | 30x30cm

Halina GuĹşda-Otwinowska | Ballet 2020 | Acrylic on canvas | 65x50cm

Beatriz Lopez | Mediterranean Dreams II | Oil on canvas | 48x62cm

Beatriz Lopez | Mediterranean Dreams I | Oil on canvas | 48x62cm

Stefani Zinonos | Open your Soul Box; Dare to feel | Video HD

Son Yeounsuck | Freedom+sign=Trace-2020-1 | Ceramic 1280Â°C firing temperature | 50 X 37 cm

Son Yeounsuck | Freedom+sign=Trace-2020-2 | Ceramic 1280Â°C firing temperature | 37 X 28 cm

ARTISTS

Nel ten Wolde

Originating from the Netherlands, Nel ten Wolde migrated to Australia in 1986. Since this move, Nel has enjoyed the possibilities of travelling internationally, particularly throughout Europe, seeking inspiration from different countries and cultures. She has been invited multiple times to take part as artist in residence, working alongside and collaborating with other artists. Whilst in Melbourne, her work is focused on abstract landscape oil paintings in varied sizes. When working as Artist in residence she mainly works on collages with photos taken by her on the long walks, mostly over old pilgrim routes, through different countries. She likes to restrict herself with the materials, to force herself to get on to other ideas to create the collages. Most recently she started to make collages on iPad, photos taken of different materials over each other, floating in water, with already existing photos. Then she adds drawing and painting on iPad. The greatest source of inspiration for her work has always been nature, evoking emotions of freedom, beauty & wonder. Her extensive travels throughout Australia have had a significant influence on her life and work, in turn reflected in her Art. The countryâ&#x20AC;&#x2122;s vast differences in landscapes, open space, colours and outstretched desert plains, supply her with endless inspiration. The country she now calls home. The upcoming exhibition will feature a series of paintings,collages and iPad photos of abandoned clothes. A project that she has now been working on for over 2 years.

Stanislav Riha

In the last three decades, I have been creating wall-mounted, cast resin and aluminum, sculptures combined with canvas and gold leaf, and exploring of computer as a tool for both realistic and digital artwork. All my life, I love to create art full of emotions and feelings "soul," with the satisfaction of fun. I am interested in the balance and composition of colours and objects rather than the reality of the items. The direction of the last two decades is aimed at understanding and, through artwork, expressing the human struggle of emotions and adaptions. In the period of the past ten years, I have been polishing my creative work into the Surrealabstract style. The main moto of my artwork is; Just as in a good story, the readers have space to create their image; in a good picture, the viewers have a space to create their account.

Mark Pol

The work of Mark Pol, also shown on his website is in essence inspired by daily human life, without losing its vulnerability and the animal unpredictability. Despite the timeframe the painting or drawing might seem to be in, humanity is key in his work.

Aos Indiferentes Precisamos dos indiferentes,

Aos Indiferentes dos conformados e dos céticos.

Precisamos dos que ligam demasiado ao carro. E dos que não desligam a luz. Precisamos dos que deixam a água a correr.

Precisamos dos indiferentes,

E dos que se demoram no banho.

dos conformados e dos dosque céticos. Precisamos atiram para o mar. E dos lançam para o ar. Precisamos dosque que ligam demasiado ao carro. Precisamos dos pessimistas e dos consumistas.

E dos que não desligam a luz. Dos que querem palhinha.

Precisamos dos queE deixam a água a correr. E saquinho. descartavelzinho. Precisamos dos que E dos que se demoram no reciclam banho.desculpas e mais coisa nenhuma.

Precisamos dos que atiram para o mar. Dos que não querem e dos que não creem. Precisamos até dos que não fazem por mal. E dos que lançam para o ar.

Precisamos dos pessimistas e dos consumistas.

Precisamos dos indiferentes. Dos que querem palhinha. Já não dá para salvar o mundo sem eles.

E saquinho. E descartavelzinho.

Precisamos dos que reciclam desculpas e mais coisa nenhuma.

Escolhe evoluir.

Dos que não querem e dos que não creem. Precisamos até dos que não fazem por mal.

Natália Gromicho

A gifted painter, in the purest sense, Natália has skilfully created a body of work that is simultaneously lyrical and mysterious, jubilant yet poetic. Employing these paradoxes, she skilfully applies her raw talent into different mediums and styles creating a sense of flux, depth and dominance. Natália’s work takes elemental images, fromnature and the landscape to culture and individuals she encounters on her travels, and transforms using dramatic ploys such as contrasts in scale, shifts in focus, irrored reflections, staccato images, and multiple or layered surfaces. Sensory perception for Natália is a spiritual activity, one that leads to a heightened awareness of both nature and culture—this thought process points to a new kind of realism—one that is engaged with the actual processes of life. Yet, it also references the theoretical avant-garde conceptions of deconstruction emerging during Modernism.

Paulo Saraiva

Gloria Keh

I paint because I just have to. Call it an obsession, an addiction, or whatever, but I just have to paint as painting completes me. I only sell my work for charity as I believe very strongly in using my art, which is a gift and a blessing, to help others in need. My artworks are my painted prayers and I hope they will be of some good and that through my art, I will be able to fulfill my soulâ&#x20AC;&#x2122;s purpose. Peace be with you.

Pompeyo Curbelo Martin

This series tries to capture the negative consequences produced by the hand of man that have a negative impact on our planet.

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Milena Ĺ imuniÄ?

In poetry and painting, I see the option and opportunity for personal expression. I am interested in different motifs and painting techniques. In painting, my interpretive path leads me from realism to abstraction. It is abstraction that refines and draws from me my senses and emotions. To express and epict them, the technique that is the closest to my heart is oil on canvas. Painting brings me inner peace and leads me to a creatively inexhaustible world of expression.

Yvonne Wiese

Artclasses in school inspired me to paint and I never stopped but painted in my spare time when working as technical translator. I stopped working and started in art schools. When I was introduced to paint with artist knife I found the expression I wanted, the raw and not photographically expression. I specialized in acrylic paint layer on layer with artist knife on canvas. I paint impressively and with bright colours, and like the contrast between light and shadow. My motives are people, animals, and nature fromown photos and inspiration from different medias. My speciality is portraits. I have received many international prizes and have exhibitions in Denmark and Europe. See more on my artist profile on facebook Yvonne Wieses Galleri

Miguel David

A few years ago, and after reading a study of Plato's Cave ... I started with the "P N T" Project. The final song of the “idea”, I sums it up, as if it were a utopia, as : "And despite of the shadows and existential crises, we will find THE LIGHT". With the passing of time... the images evolved, mutated, changing to more and more indefinite. From figuration ... to abstraction. The work is a visual fantasy. A fusion of lights and shadows. An intense personal expression. A game of conspiracy, while I show the real object through my perception... I hid its true meaning. In this subjective perception of my inside world I have reached the conclusion that, the spectator faced with any unrecognizable sign, appeals to his archive of accumulated evocations, derived from his nature and idiosyncrasy, to palliate the meager essence. According to my theory, and especially with the theory of C. Einstein, on which I base, any act of vision summons and attracts a file of accumulated sensations and experiences that serve to mitigate the insufficient "reality". And THE LIGHT finally disappeared… fading away... I think I did not even reach out softly to caress her.

ORNA L.BROCK

My Abstract photographic landscapes , tend to create an illusionary sceneries , in which lines , curves , colorful dots & pixel squares are combined together in order to create a sense of wholeness , coherence & unity. I am creating new arrangements that are reflecting the influences of the modern digital world upon the human existence & nature. My quest of rearranging & articulating my visions , thought & ideas , continues in recent years at new places , mainly in different market places, in Jerusalem, in order to discover precious moments where the encounter & interaction between different people, between different cultures & beliefs, different groups in society, is happening & occurring.That main idea which I was trying to portrait in this series of photographic works led my thoughts to see the market places not only as a place of unique authenticity , fascinating with its colorful characteristics, but also as a place which crystallizes the need & the mutual necessity of different people, to live &co exist.I have tried to visualize that idea & to symbolize it in those abstract photographic landscapes.

Aranka SzĂŠkely

Aranka is a doctor by profession and an artist by her passion and creative mind. She currently runs her private medical practice in AlsĂłzsolca and Miskolc, Hungary. As a self-taught artist she tried her hand in different styles of painting fromrealistic to abstract usingpastels, acrylic and watercolours. Arankaâ&#x20AC;&#x2122;s color palette is very vivid and at the same time very feminine.Aranka has participated to a lot of solo and group international exhibitions and has been awarded a few times with international prizes .Her masterpieces were displayed in art magazines and yearbooks.Art gives her a huge joy and helps her coping with everyday stress.

María Isabel de Lince

María Isabel Salazar de Lince, is a colombian artist. Studied Art & Arquitecture Design and Psychology, Javeriana University, Bogotá Colombia. Drawing and painting in Cooperartes Workshop, and with Masters David Manzur, Fernando Dávila, and Miguel Moyano. Has participated in several exhibitions, here are some of them: Museum of Hispanic and Latin American Art. Florida USA, Euroamerica Galleries. New York - USA, Beijing Art Fair - China, Carousel of Louvre. Paris - France, 1st International Modern Art Austria Biennale. Viena - Austria, International Fine Art Masters. Viena - Austria, International Prize Colosseo. Brancaccio Palace. Rome - Italy, Attimi di Luce. MXM Arte. Pietrasanta - Italy, Leonardo Da Vinci Award. Galleria La Pigna. Rome - Italy, Casanova Award. Flangini Palace. Venice - Italy, The best modern and contemporary artists. Palais Sternberg. Viena - Austria, I Segnalati. InArte Werkkunst Gallery. Berlin - Germany, Small is beautiful II. Alliance Francaise. Dubai - United Arab Emirates, International Biennal of Flanders. Bruges - Belgium, International Prize Velásquez. MEAM Museum. Barcelona - Spain y III Bienal de Arte de Barcelona. MEAM Museum. Barcelona - Spain.

Erich Kovar

Erich Kovar was born and lives in Austria. He knows how to incorporate his impressions gained in Europe, Africa and Asia into his works. He began his artistic training as a graphic artist with Professor Josef Tobner , subsequently intensively studied painting by self-taught. Through an incessant experimentation continuous work, he develops and perfects his painting technics. The art style varies Many of his paintings can be placed close the symbolism, although in reality has a very personal and original style. The pictures pack a lot of current affairs.

Nicholas Bartlett

â&#x20AC;&#x153;When I try to understand the pursuit of my art practise I always come back to the Taoist principles of relationships and pathfinding. I aim to investigate the inner and outer worlds of our minds and emotions and their back and forth relationships with our environments. Through colour, emotive gesture and metaphors within symbols. I hope to tell the start of a narrative of the world as I see it from my eyes. Asking those who experience my work to at first join me, then travel on continuing the narrative with their own experience of the world. If the whole universe can exist within a single smile then it's my practice to learn ways to express this.â&#x20AC;?

Sanne Rasmussen

I always had a big passion for art. Back in 2010 when I got the opportunity to live out my dream of working and developing my art, there wasn’t any doubt in my mind. In other words, being creative brings me great joy. I Have for many years been teachingby the art painter Daniel Goldenberg in his studio in Copenhagen. I have attended courses at the Art School of Copenhagen as well. I get inspiration from my everyday impressions and experiences. I do also get a big inspiration when I’m traveling the world - Specially, I’m inspired by the modern person in the big city. The portrait has a very special place in my repertoire as well. My art often takes its starting poinin departure in the everyday life of people in urban spaces, in the big city. The scenes are taken directly out of th city pulse – it can be Copenhagen, London, Paris or perhaps New York. I love to play with light and shadows in my paintings. My painting technique is the old classic method with layers, with modern expression.

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Di Bresciani

In 1988 Di founded the Youth Music Foundation of Australia Inc (YMF) which is affiliated with leadingmusic/arts institutions in Australia, Italy, the US and the UK. In 2003 Di was selected Woman Achiever of the Year by the Australian Brain Foundation. Di is a life member of the Melba Trust Foundation, a Fellow of the Australian Institute of Music Teachers, a senior adjudicatorfor the Australian Music Examinations Board, a Fellow and a Life Governor of University College, Melbourne, an honorary Fellow of the Institute of Music Teachers, a Governor of the Florey and Mental Health Research Institute, Founder and ManagingDirector YMF and a Member of the Australian Institute of Company Directors. Di was awarded Merit in the Order of Australia Honours List New Year 2013 with the citation ‘for contributions to music, the visual arts and the community’. Previously: Vice President Soiree Musical Inc, Director Australian Cultural Fund, Art Committee Member Peter MacCallum Institute, Board Member Australian Society for Music Education, Board Member Rose Music Pty Ltd, Managing Director Yamaha Music Foundation of Australian Inc, Board Member Australian Festival of Chamber Music, Council Member University College Melbourne and Council Member University College Past Students’ Association.

Éva Nyáry

She graduated from the University of Fine Arts with excellent results in 1985; afterwards she had studied at English and French masters (Five years of foreign professional practice.) Member of the Hungarian Academy of Arts. (MMA)Éva Nyáry has participated in more than eighty (80) independent and group exhibitions abroad and in Hungary with her works, for example in Vienna at the request of the Collegium Hungaricum, Stockholm, Sofia, Damascus, Rome - Italy, Paris, Munich, South Korea - Seoul and different towns cities in Hungary. She has gone along Csontváry’s path, (Syria, Jordan, Lebanon). Her grand exhibition called „Syria with Hungarian eyes” was opened by the President of the Syrian Republic in Damascus.In 2018, he painted a series of 15 paintings, entitled "World Famous Operas".

Beatriz Lopez

Born in Madrid in 1974, within an artistic family. Learn to draw and paint at a young self-taught, surrounded by an atmosphere of painters and sculptors who come frequently to the study of his father, a doctor-painter, in Palma de Mallorca. He studied architecture at La Coruna, abandoning the first year, avoiding stereotypes set by the University. This race takes experience and perspective on notions of construction and afternoons and evenings at street drawing, of which there is a whole block of sea port, his favorite corner of this city. Back to Madrid, his hometown, where just studying engineering, without abandoning the idea of one day devoted entirely to painting. These studies define end of linear and geometric style of painting. Always using a rich chromaticism, acquired during his travels through Latin America, Asia and Europe, and his love of nature, light and color. It is in these last years when he decided to devote himself entirely to painting, moving back to Palma de Mallorca, where he now has his studio.

Berta Miravete

Bachelor in Fine Arts at Facultad de Bellas Artes de San Carlos de Valencia, Spain. 2003. I was born in Valencia in 1980. Actually, I live in Madrid with my family. I have been workink as Art and French language teacher for 10 years. My solo shows take place each 10 years or so. I consider myself a multidisciplinary painter. My work varies greatly depending on the moment of my life. It is no coincidence that this pictorial diversity has a difference of between 5 and 10 years in most cases. I am involved in painting and designing. My work is posted in Linkedin.

Chrilz

I am a drawer working in some kind of blend between Neo-figurative and Neo-expressionism, utilizing the human formas my vessel of expression. My focus is human nature: our experiences, our emotions, our relationships. It is culmination of life unfolding that fuels my need to create. The conceptual side of the arts is paramount to me. In every piece, the formal elements are intentionally composed, all in an effort serve the idea. Each Piece is always an effort to express something more, whether that be a complete concept or the subtlety of emotion. I am enamored by color, line, geometry, realism, and the collision of elements functioning together. As an artist I consider myself as the machine, receivinginput from without that is processed and output as visual work. Life itself is an artistÂ´s greatest masterpiece and the integration of my existence into the whole is at the core of my ever-growingprocess.

Halina GuĹşda-Otwinowska

Stefani Zinonos My artistic practice is based on the creation of an atmosphere through different formations and construction of spaces. These spaces are mainly formed through 3D structural models, large or small- scale installations, and different kinds of sculptures. My art practice inevitably has been affected at a great level due to the global pandemic of Covid-19 and the relevant circumstances of the isolation. After a global lockdown, I had no access to my art studio and therefore there weren't suitable conditions to make big installations. Having enough space to experiment with the interaction of the ceiling, floor and walls was a big part of my practice. However, this change operated as a challenge for me and urged me to develop my work in a different pathway concerning the process of I decided to convert my kitchen into a new improvised studio starting to explore the ideamaking of creating art. miniature models replacing the concept of a “real” room.My excitement to create new spaces and forms led me to work with 3D small perspective boxes. Then, I started to explore the idea of making videos and how this process can offer a visual illusion of the size of space to the viewer. Generally, my art is characterized by elements of different geometrical shapes and forms, aggressive lines and dark colours. The main materials that dominate in my works are wooden sticks, bamboos, wooden rods, elastic string and mirror. These materials and especially the wooden sticks inspire me to create different works that provoke a sense of entrapment. Another notable element that characterizes my works is the process of experimenting with the darkness and the shadows with different led lights that I use. When I finish each sculpture, installation, or 3D structural model I start a process of photo shooting and video recording in darkness and I explore other aspects of the works through shadows and the light. The philosophy behind my art is based on my obsession with the introspection of my mental and emotional state. This introspection concentrates on exploring some darker aspects of my personality. Inspired by Jungian Psychology and the notion of ‘shadow’ as the unknown dark side of the personality, through my works I articulate and illustrate those emotions into an atmosphere. The main aim of my art is to record some of my existential emotions that maybe make me scared or those which usually operate in an aggressive way to my psychology. The creation of those atmospheres is a process that makes me re- experience and acknowledge those dark emotions creating a kind of diary that reflects and reveals some of my inner conflicts. Existential emotions of anxiety, panic, and despair are some of my main inspirations to create moods and works that concentrate on experimentation with the contrast of darkness and light, entrapmentescapism, chaos-order, balance- imbalance, and limitation-extension. My art is more about provoking a certain mood to the viewer through the composition of dark colors, aggressive lines, and shapes and through the particular angles of viewing the designed spaces that provoke a sense of entrapment and mental discomfort.

Son Yeounsuck

My works are abstract and metaphorical representations using the physical, formative and textured properties of the free formative medium of clay. Traceâ&#x20AC;&#x2122;, the subject of my works are representations that are a collection of traces of my inner life that express the things I feel and think in my daily lifes. We are surrounded by a fence of symbols created by various cultural, economic, social and political environments. In other words, my works are the symbols I have created, and Could the meanings of the symbols be interpreted freely by the observers?

2020