Digital Permanent Exhibition III - Official Catalog by Lisbon Art Scene

DIGITAL PERMANENT EXHIBITION III

Adelia Clavien | Sensations | Mixed media photomontage technic printed on canvas | personalized

Adelia Clavien | Mary Pickford Power Of Look | Mixed media photomontage technic printed on canvas | personalized

Aranka Székely | Tango dancers | Watercolour on paper | 30x40cm

Aranka Székely | Passion of the music | Watercolour on paper | 30x40cm

Atuska | Nr.0 | Oil on canvas + 24k pure gold leaf | 100x100cm

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Di Bresciani | Blue Floating: Fugato | Oil on fine linen red cedar stretchers | 129x86cm

Di Bresciani | Light Rhythms: Contrapuntal | Oil on fine linen | 129x86cm

Filipe Assunção | Pose | Mix Media on Paper | 58x42cm

Filipe Assunção | Do Not Judge A Book by the Cover | Mix Media on Paper | 58x42cm

Gloria Keh | Quest | Oil on canvas | 45x90cm

Gloria Keh | Beyond Philosophy | Mixed media on canvas | 68x89cm

Halina Guźda-Otwinowska | She | Drawing | 48x37cm

Halina Guźda-Otwinowska | La Femme | Watercolour | 65x50cm

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Aos Indiferentes Precisamos dos indiferentes,

Aos Indiferentes dos conformados e dos céticos.

Precisamos dos que ligam demasiado ao carro. E dos que não desligam a luz. Precisamos dos que deixam a água a correr.

Precisamos dos indiferentes,

E dos que se demoram no banho.

dos conformados e dos dosque céticos. Precisamos atiram para o mar. E dos lançam para o ar. Precisamos dosque que ligam demasiado ao carro. Precisamos dos pessimistas e dos consumistas.

E dos que não desligam a luz. Dos que querem palhinha.

Precisamos dos queE deixam a água a correr. E saquinho. descartavelzinho. Precisamos dos que E dos que se demoram no reciclam banho.desculpas e mais coisa nenhuma.

Precisamos dos que atiram para o mar. Dos que não querem e dos que não creem. Precisamos até dos que não fazem por mal. E dos que lançam para o ar.

Precisamos dos pessimistas e dos consumistas.

Precisamos dos indiferentes. Dos que querem palhinha. Já não dá para salvar o mundo sem eles.

E saquinho. E descartavelzinho.

Precisamos dos que reciclam desculpas e mais coisa nenhuma.

Escolhe evoluir.

Dos que não querem e dos que não creem. Precisamos até dos que não fazem por mal.

Luise Gandon | Dior | Acrylic on canvas | 50x70cm

Luise Gandon | Actrice| Acrylic on canvas | 100x80cm

María Isabel de Lince | Joy in the meadow | Oil on canvas | 150x100 cm

María Isabel de Lince | Light | Oil on canvas | 150x100 cm

Mark Pol | Structured Woman | Acrylic on canvas | 70x90cm

Mark Pol | Blind Date | Acrylic on canvas | 70x50cm

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Milena Simunic | Holidays | Oil on canvas | 58,5x58,5cm

Milena Simunic | Travels | Oil on Shovel | 70x50cm

Natália Gromicho | O amarelo | Acrylic on canvas | 100x100cm

Natália Gromicho | Hermaphrodite | Oil on canvas | 100x80cm

Nel ten Wolde | Free I | Acrylic on canvas | 137x102cm

Nel ten Wolde | Free II | Acrylic on canvas | 137x102 cm

Orit Sharbat | Transformation I | Acrylic on canvas | 100x100 cm

Orit Sharbat | Transformation II | Acrylic on canvas | 120x100 cm

P. Silva | Behind the game | Oil on canvas | 81x100cm

P. Silva | Cheval de Troyes | Oil on canvas | 81x100cm

Pedro Terra | Inca Colours | Acrylic on canvas | 120x160cm

Pedro Terra | Ether Tones | Acrylic on canvas | 100x150cm

Sarka Darton | Labyrinth | cast concrete, cast gypsum, silk thread and silk velvet | 45x50x42cm

Sarka Darton | Cats Cradle | cast concrete, jasmonite, aluminum and silk thread | 45x30x20cm

Sinikka Elfving | Summer Night 's Dream | Acrylic on Canvas | 100 x 100cm

Sinikka Elfving | Shadows of the night | Acrylic on Canvas | 60 x 80cm

Son Yeounsuck | Freedom+sign=Trace-2020-1 | Ceramic 1280°C ﬁring temperature | 50 X 37 cm

Son Yeounsuck | Freedom+sign=Trace-2020-2 | Ceramic 1280°C ﬁring temperature | 37 X 28 cm

Stanislav Riha | Light behind storm | Jute, steel mesh, gold leaf and acrylic on posterboard | 61x91cm

Stanislav Riha | Lighthouse | Acrylic on rag paper with gold leaf | 51x81cm

Susanne Strandänger | Stockholm Scenery I | Mixed media on canvas | 80 x 130cm

Susanne Strandänger | Portrait of the dog philosopher Rocky | Mixed media on canvas | 90 x 120cm

Yvonne Wiese | Fishing in sunset | Acrylic on canvas | 50x60cm

Yvonne Wiese | Shadows and light | Acrylic on canvas | 50x60cm

ARTISTS

Adelia Clavien

Adélia Clavien from Miège (VS) is born in Portugal, has been living in Switzerland since 1981, and lives in Trélex. Although she spent a long cme among the arcscc community in Valais, she adended her ﬁrst paincng courses and started photography in St Gall where she lived 10 during years. Curious and passionate, Adélia has been fascinated by Arts since she was young and has been working in the IT domain for over 20 years. As an arcst, she works in an autodidaccc and passionate manner. She explores various paincng technics (acrylic, charcoal, sand, stained glass etc) and use her knowledge of photography to created original paincngs mixed with photography – New Pop Realism. The various presented themes allow us to escape in a colored and mysterious universe – Adelia’s universe. Adelia works part-cme in order to have more cme for her arcscc accvices (photography, paincng, music, dancing). Selfeducated, she is mulctalented, speaks several languages, plays several music instruments, is comfortable with the new technology, and is a naturally open person.

Aranka Székely

Aranka is a doctor by profession and an arcst by her passion and creacve mind. She currently runs her private medical praccce in Alsózsolca and Miskolc, Hungary. As a self-taught arcst she tried her hand in diﬀerent styles of paincng from realiscc to abstract using pastels, acrylic and watercolours. Aranka’s color palede is very vivid and at the same cme very feminine.Aranka has parccipated to a lot of solo and group internaconal exhibicons and has been awarded a few cmes with internaconal prizes .Her masterpieces were displayed in art magazines and yearbooks.Art gives her a huge joy and helps her coping with everyday stress.

Atuska

I belive in quality and I belive in slow process. when I do a piece it usually takes 3-9 months to let it go. My art practice is all about to bring long lasting pleasure to the eyes by not compromising at all when it comes to time, quality and quantity about materials used. I strickly paint with oil and when I use gold I use only 24k gold. This might be the reason that the first 5 years of my art practise an international bouquet of collerctors bought all my works without any gallery or art dealer involved. I use simple brushstrokes but I like to create multiple layers of different blacks and different whites within one painting. These hidden stories making the viewer able to find something new in my paintings even years after purchase. When I add colours it's all about finding a sophisticated harmony with visual weights even on those pieces which look harsh for the first glance. My paintings are offering a personal and unique exprerience to the viewer based on the individual's current mood, personal history and beliefs.

Di Bresciani

My art praccce concnues what has been a lifelong and mostly private exploracon of paint and colour gradually moving from representacon to abstraccng and abstraccon. I have a favourite quote from Van Gogh Ì want to paint the way music makes me feel’; somehow to delve through normal processes to reach beyond the corccal layers of language as music seems to do. There is always the hope that this will allow a new experience of light and colour. Naturally, the process is also about gesture and movement and indeed the intuicve nature of movement itself can be seen as central to creacve expression in both the fine arts and in music. Nevertheless I believe that excessive interpretacons of one art through another must always lead to an impasse and suggescons of translacng colours into musical tones or of listening to music whilst paincng I find irrelevant. However, I firmly agree with Dore Ashton that ùlcmately all the arts spring from the same basic sources and kinship is undeniable’2. For me rhythm, colour and space apply equally to music and paincng in the creacve process. In Blue Floacng; Fugato I am thinking of the combinacon of shapes in related modalices as in a monothemacc fugue with the form’s interweaving of melodies. Hence the term Fugato - in the style of a fugue. For Light Rhythms the imitacon and repeccon of rhythm and sequence within a certain `mode of affect’ emerged making a statement of simplicity yet beauty. The idea is almost Neo Baroque - to reach beyond the ugly, distorted, decaying and faceless struggles that dominate so much of our world.

Filipe Assunção

What I love about being an artist is the possibility to create and open windows over new worlds and to leave a legacy that may last for very long. I feel that to be an artist is both an immense privilege and a huge responsibility. I aim to keep a very high standard and produce a consistent work. It is very rewarding to see others enjoying and buying my work. I am surprised because my paintings are loved by all kind of people. I enjoy the emotions that people experience when seeing my work and the communication that is established. That gives me the motivation and excitement to continue creating and improve continuously.

Gloria Keh

I paint because I just have to. Call it an obsession, an addiccon, or whatever, but I just have to paint as paincng completes me. I only sell my work for charity as I believe very strongly in using my art, which is a gio and a blessing, to help others in need. My artworks are my painted prayers and I hope they will be of some good and that through my art, I will be able to fulﬁll my soul’s purpose. Peace be with you.

Halina Guźda-Otwinowska

Luise Gandon

LUISE GANDON is an Austrian-French painter and lives in Vienna. In her works she concentrates on portraits and nudes. Her style often varies because it always depends on her mood. With expressive eyes she wants to show the feelings of the portraited person and therefore she looks for actors during a certain scene in movies. Since 2014 Luise Gandon has exhibites her paintings in galleries, artfairs and museums in Austria, Germany, Italy, Portugal, Spain, Great Britain, The Netherlands, France, Monaco, Thailand and the USA. She has also won some international prizes and her works are shown in art-catalogues by Salvatore Russo and Francesco Russo and in the Eczyclopedia of international art in ART UNIVERSAL.

María Isabel de Lince

María Isabel Salazar de Lince, is a colombian arcst. Studied Art & Arquitecture Design and Psychology, Javeriana University, Bogotá Colombia. Drawing and paincng in Cooperartes Workshop, and with Masters David Manzur, Fernando Dávila, and Miguel Moyano. Has parccipated in several exhibicons, here are some of them: Museum of Hispanic and Lacn American Art. Florida - USA, Euroamerica Galleries. New York - USA, Beijing Art Fair - China, Carousel of Louvre. Paris - France, 1st Internaconal Modern Art Austria Biennale. Viena - Austria, Internaconal Fine Art Masters. Viena - Austria, Internaconal Prize Colosseo. Brancaccio Palace. Rome - Italy, Awmi di Luce. MXM Arte. Pietrasanta - Italy, Leonardo Da Vinci Award. Galleria La Pigna. Rome - Italy, Casanova Award. Flangini Palace. Venice - Italy, The best modern and contemporary arcsts. Palais Sternberg. Viena - Austria, I Segnalac. InArte Werkkunst Gallery. Berlin - Germany, Small is beaucful II. Alliance Francaise. Dubai - United Arab Emirates, Internaconal Biennal of Flanders. Bruges - Belgium, Internaconal Prize Velásquez. MEAM Museum. Barcelona - Spain y III Bienal de Arte de Barcelona. MEAM Museum. Barcelona - Spain.

Mark Pol

The work of Mark Pol, also shown on his website is in essence inspired by daily human life, without losing its vulnerability and the animal unpredictability. Despite the timeframe the painting or drawing might seem to be in, humanity is key in his work.

Milena Šimunič

In poetry and paincng, I see the opcon and opportunity for personal expression. I am interested in diﬀerent mocfs and paincng techniques. In paincng, my interprecve path leads me from realism to abstraccon. It is abstraccon that reﬁnes and draws from me my senses and emocons. To express and epict them, the technique that is the closest to my heart is oil on canvas. Paincng brings me inner peace and leads me to a creacvely inexhauscble world of expression.

Natália Gromicho

A gioed painter, in the purest sense, Natália has skilfully created a body of work that is simultaneously lyrical and mysterious, jubilant yet poecc. Employing these paradoxes, she skilfully applies her raw talent into different mediums and styles creacng a sense of flux, depth and dominance. Natália’s work takes elemental images, from nature and the landscape to culture and individuals she encounters on her travels, and transforms using dramacc ploys such as contrasts in scale, shios in focus, irrored refleccons, staccato images, and mulcple or layered surfaces. Sensory percepcon for Natália is a spiritual accvity, one that leads to a heightened awareness of both nature and culture—this thought process points to a new kind of realism—one that is engaged with the actual processes of life. Yet, it also references the theoreccal avant-garde concepcons of deconstruccon emerging during Modernism.

Nel ten Wolde

Originating from the Netherlands, Nel ten Wolde migrated to Australia in 1986. Since this move, Nel has enjoyed the possibilities of travelling internationally, particularly throughout Europe, seeking inspiration from different countries and cultures. She has been invited multiple times to take part as artist in residence, working alongside and collaborating with other artists. Whilst in Melbourne, her work is focused on abstract landscape oil paintings in varied sizes. When working as Artist in residence she mainly works on collages with photos taken by her on the long walks, mostly over old pilgrim routes, through different countries. She likes to restrict herself with the materials, to force herself to get on to other ideas to create the collages. Most recently she started to make collages on iPad, photos taken of different materials over each other, floating in water, with already existing photos. Then she adds drawing and painting on iPad. The greatest source of inspiration for her work has always been nature, evoking emotions of freedom, beauty & wonder. Her extensive travels throughout Australia have had a significant influence on her life and work, in turn reflected in her Art. The country’s vast differences in landscapes, open space, colours and outstretched desert plains, supply her with endless inspiration. The country she now calls home. The upcoming exhibition will feature a series of paintings,collages and iPad photos of abandoned clothes. A project that she has now been working on for over 2 years.

Orbit Sharbat

Lives and works at Tel Aviv, Israel. She likes to paints with passion and intensity. Her authentic style is marked by expressive, powerful colors, mainly oil or acrylic paint on canvas. Her paintings consist of multiple thick layers of color. At first sight, they may strike you as calm and harmonic, but when studied closely, the veneer of harmony and tranquility soon gives way to a multi-layered rich labyrinth of colors. Her paintings, as the old adage goes, have more to them than meets the eye. Her sources of inspiration are deeply rooted in western culture, transcending the here and now. Her style can be traced back to the work of artists like Jackson Pollok, Andy Warhol, Max Ernst, Damien Hirst, Mark Rothko, Pierre-Auguste Renoir, Claude Monet, Vincent Van Gogh, René Magritte, and Salvador Dali, while also drawing on music, cinema, and theater. The visual interpretation she offers to her subjects plays out in the constant tension between figurative and abstract, reality and illusion. Her intensive technique seeks to explore and find out what is the layer that makes reality an illusion and introduces illusion into reality by representing old and new.

P. Silva

Born on July 3, 1974, in Possacos, Municipality of Valpaços in Trás os Montes. During the studies of Agronomy, I dedicated myself to the stage set of Theater where I realized several Decors for the "Mise en Scene" of Several representacons of Theater in the Cultural Associacon and Sports of Possacos from 1985 uncl 1999. -Bourgeois genclhome de Moliere- Christmas tales and other popular works. My work has been used for some years for the respeccve representacons of representacons. Most of my works are made of recycled material, and they are in private colleccons and insctutes, in the United States in several states, England, Espalha, France, India, Italy and Portugal.

Pedro Terra

Pedro Terra is an Italian-Brazillian contemporary painter who lives and works in São Paulo, Brazil. He was born in 1959 in Ribeirão Preto, a municipality of São Paulo state and started following his arcscc path at a young age aoer moving to the culturally vibrant São Paulo's capital in 1977. There he started his career at the theatre while adending the Macunaíma School of Arts and Craos. In 1992 he abandoned the stages to dedicate his arcscc life exclusively to paincng. He adended the art studio of the Brazilian contemporary painter Conillo and studied Art History with Professor Douglas Tuﬀano. Driven by an old passion, he has also adended several photography workshops at the Culture Department of São Paulo and Geli Organizacon in Jundiaí. For over 27 years he has developed his own technique as an abstracconist painter and his artwork has been shown in exhibicons abroad and in many Brazilian capitals. He is a member of collectors from Brazil, Italy, Norway, Portugal, Germany, Iceland and many other countries.

Sarka Darton

“My practice is interdisciplinary. I much enjoy working across various subjects and media. Fundamental to my art is the act of deep looking and seeing, examining the notion of identity in the context of ever-changing time and space that we occupy.” S$ árka has had 18 solo exhibitions in the Czech Republic, Italy and the UK and 39 group participations in The UK, Italy, USA, France, Portugal, Czech Republic, Slovakia and Morocco among them the important participation at the 57th Venice Biennale where she was commissioned to designed a dress for the commemoration of the 20th anniversary of the death of Diana the princess of Wales. Notable accolades also include the overall First Prize at Italian Trionnale in Verona (2016) and a gold medal at Florence Biennale (2015) S$ árka’s work is held in private and corporate collections worldwide and has been published on several international platforms. She is a multiple award winning artist and an international tutor and lecturer in fine art.

Sinikka Elfving

Sinikka Elfving is a Nordic painter. She was born in the Northern part of Finland close to Arctic Circle. She lives and works in Norway. She is inspired by the strong contraries of the Arctic life, the dark, long and cold Winters and the bright Summers. This is revealed in her works. She uses symbols in her art which are found in nature. In that way her art becomes lyrical, spiritual and expressionistic. The metaphysical aspect of colors has a special place to embrace emotions. She is also fascinated by the phenomena of light that has certain magic in the Arctic Zones during the seasons. With her art she tries to inspire people to value the spiritual meaning of life, to protect the nature and work for peace. The Earth is our only home that we should be able to share with each others, live and let live in peace and harmony. The nature is the exclusive provider of life on Earth and our survival is depending on it. We should find a turning point in our evolution towards humanity and respect for life.

Son Yeounsuck

My works are abstract and metaphorical representacons using the physical, formacve and textured properces of the free formacve medium of clay. Trace’, the subject of my works are representacons that are a colleccon of traces of my inner life that express the things I feel and think in my daily lifes. We are surrounded by a fence of symbols created by various cultural, economic, social and policcal environments. In other words, my works are the symbols I have created, and Could the meanings of the symbols be interpreted freely by the observers?

Stanislav Riha

In the last three decades, I have been creacng wall-mounted, cast resin and aluminum, sculptures combined with canvas and gold leaf, and exploring of computer as a tool for both realiscc and digital artwork. All my life, I love to create art full of emocons and feelings "soul," with the sacsfaccon of fun. I am interested in the balance and composicon of colours and objects rather than the reality of the items. The direccon of the last two decades is aimed at understanding and, through artwork, expressing the human struggle of emocons and adapcons. In the period of the past ten years, I have been polishing my creacve work into the Surreal-abstract style. The main moto of my artwork is; Just as in a good story, the readers have space to create their image; in a good picture, the viewers have a space to create their account.

Susanne Strandänger

“I live my dream, I follow my heart and I ﬂy “ “ Art for me is a state of soul. I see life and art as a unity, inseparable. I make a sacred journey with a divine guide, eyes and heart wide open”

Yvonne Wiese

Artclasses in school inspired me to paint and I never stopped but painted in my spare cme when working as technical translator. I stopped working and started in art schools. When I was introduced to paint with arcst knife I found the expression I wanted, the raw and not photographically expression. I specialized in acrylic paint layer on layer with arcst knife on canvas. I paint impressively and with bright colours, and like the contrast between light and shadow. My mocves are people, animals, and nature from own photos and inspiracon from diﬀerent medias. My speciality is portraits. I have received many internaconal prizes and have exhibicons in Denmark and Europe. See more on my arcst proﬁle on facebook Yvonne Wieses Galleri

10 - 16 Abril

ATELIER NATÁLIA GROMICHO RUA NOVA DA TRINDADE 5G SEG-SAB 12-18H

2021