Tseng, hsuan che

[5.0]

[3.2]

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2010-2013/Archi-Portfolio TSENG, HSUAN-CHE 建築設計 _1作品集 曾炫哲

/ 個人簡介 學生 : 曾炫哲 學校 / 科系 : 國立聯合大學建築系五年制 修業期間 : 2010-2014 地址 : 花蓮市中正路 262 號 7 樓之 3 聯絡電話 :0919532266 電子信箱 :aqsw1290@gmail.com

/intro Student: School: Study Period: AD:

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Phone: E-mail:

TSENG, HSUAN-CHE Five-year National United Department of Architecture

University,

2010-2014 Hualien City, No. 262, Zhongzheng Rd 7F 3 0919532266 aqsw1290@gmail.com

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/ 競圖

/ 經歷

// 獎項

// 參與

// 建築

// 非建築

2013「嘉義厝」設計新秀競圖 / Lo-Has / 第三名

2013 袁宗南照明設計事務所 / 實習生

2008-2009 中華民國海軍陸戰隊 / 義務

2010 全國大學室內設計競圖 / 空的經歷 / 佳作

2010 台北科技大學「牆」競圖 2011「創意狂想 巢向未來」創意競賽

2010-2013 愛迪亞室內設計事務所 / 實習生

2012 聯合大學專題競賽 / 第三名

2013 全國 AILUS 獎學生設計作品競賽

2007 ( 肯納園志工 /Subway 內外場服務 生 / 婚宴內外場服務生 )

/Competition

/Experience

//Awards

//Archi

2013 "Chiayi house" design Rookie Competition / Lo-Has / third

2013/J.Y. Lighting Design /trainee

2010 National College Interior Design Competition experience / masterpiece 2012 Union University Topics Contests / third

2010-2013/IDEA Interior Design /trainee

/

empty

//Participate 2010 Taipei University of Technology "wall" Competition 2011 "Creative fantasy nest to the Future" creative competition

//General 2008-2009/Republic of China Marine Corps 2007 (Kenner Park Volunteer / Subway inside and outside the field of Porter / Wedding services inside and outside the field of Health)

2013 National Award for Student Design Work Competition AILUS

/ 技能

/Specialty

// 建築軟體

//Archi-soft

AutoCAD /Sketchup /Illustrator /Rhinoceros /Vray /3d-max /Maya /SketchBook /Artlantis Studio

AutoCAD /Sketchup /Illustrator /Rhinoceros /Vray /3d-max / Maya /SketchBook /Artlantis Studio

// 非建築軟體

//General-soft

Micro-soft 系 列 /iMindMap /Indesign / Photoshop /Illustrator /After Effects

Micro-soft Series /iMindMap /Indesign /Photoshop /Illustrator /After Effects

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/INDEX /Motto 大方無隅，大器晚成，大音希聲，大象無形。 道隱無名。夫唯道，善貸且成。 Generous no corner, a late bloomer, Great Music sound, invisible elephant.Road hidden nameless. Fu Wei Tao, good credit and a.

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/PROJECTS. 01.

矛 x 盾 / 生命的悸動

02.

循 x 環 / 死亡的城市

03.

禪 x 靜 / 木雕茶藝館

04.

重 x 生 / 獅潭圖書館

05.

再 x 生 / 南勢火車站

p.008

Spear x Shield / throbbing life

p.012

Through x Cycle / death city

p.018

Zen x Lack / wood tea houses

p.030

Anew x Emerge / library Shihtan

Re x Raw / Nanshih Train Station

p.042

/pure/true/simple

06.

桃 x 宴 / 農舍

07.

縫 x 隙 / 消防救護大樓

08.

構 x 生 / 未來生態居

09.

石 x 山 / 老屋欣力

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表 x 現 / 水彩 . 麥克筆 . 炭筆 . 拼貼

p.054

Peach x Feast / Cottage

p.066

Seam x gap / fire and ambulance building

p.080

Constitutive x Living / Future Eco Habitat

p.092

Stone x Mountain / old house, new life

Express x appear Charcoal. Collage

/

watercolor

p.110

marker.

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愈是簡單的往往愈見其深度，在極簡主義的堅持原則之下，澄澈的心靈直白地表述已不需要過多的遮 飾，透白的設計也透露對空間的呼吸節奏，擾亂的心緒，在亮澄澄的陽光灑落之下，逐步蒸散。 Is becoming increasingly more often simply its depth, in principle, under the insistence of minimalism, clarity of mind bluntly expressed the need excessive Zheshi, transparent white design also revealed the space breathing rhythm disturbed state of mind, in the sun glistening spilled under the gradual evaporation.

/CATEGORY 4

/PROJECTS. 11.

畢 x 設 / 花蓮港複合轉運站

12.

競x圖/牆

13.

競 x 圖 / 空的經歷

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競 x 圖 / 嘉義厝

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實 x 習 / 燈光設計 . 室內設計

Graduation x Design composite RTS

p.122

/

Hualien

Harbor

p.148

Competition x Figure / ALTUS

Competition Empitness

p.152

x

Figure

/

Undergoing

the

p.156

Competition x Figure / House of Chiayi

p.162

Real x Exercise / lighting design. Interior design

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01.

矛 x 盾 / 生命的悸動 Spear x Shield / throbbing life

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矛 x 盾 / 生命的悸動 Spear x Shield / throbbing life

生命是存在唯一的真理，允許自己被生活的各種形式、顏色、面向所佔據。 Life is the only truth there, allowing himself to be living in various forms, colors, facing occupied.

實體模型 Solid model

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/WIND

/Distortion

/Struggle

操作元素 /Operating elements 將重的材質疊壓在輕的材質上，即使結構上沒有問題，也能引發錯置的感覺 The weight of the material layers in the light of the material, even if there is no problem in the structure can lead to misplaced feeling

兩隻扭曲的箭，其相似性是有意造成的，它們各自退一步形成弓形，是為了 在下一次做更猛烈的攻擊，同時也可能意味著衝突中的一個暫停。 The two twisted arrows, the similarity is intentional, each of them take a step back like an arch, next time do more violent attack, but could also mean a pause in the conflict.

複雜的東西，缺乏彈性，無法持久，所以容易失去焦點。然而複雜的東西通 常是由一些極其簡單的元素所構成。 Complex things, lack of flexibility, can not be sustained, it is easy to lose focus. Complex thing, however, is usually posed by some very simple elements.

有些問題再設定時就是無法解決，一個人不可能同時向兩個方向移動，放棄 某些要求，也許就能輕易地讓問題解決。 Some of the problems and then set can not be resolved, a person can not move in both directions, to waive certain requirements, may be able to solve the problem easily.

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02.

循 x 環 / 死亡的城市 Through x Cycle / death city

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循 x 環 / 死亡的城市 Through x Cycle / death city

死亡的城市，是一座讓人在此安息的空間，人們在此徘徊，在此停留，從這 裡開始，從這裡結束。不斷重複的生命與死亡的循環之中，嘗試反思著生命 的意義，存在的本質。 Death of the city, is a space for people to rest in peace, people in this wandering here to stay, from here and from here the end. Repeated cycle of life and death, trying to reflect on the meaning of life, the nature of existence.

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側向立面 01

側向立面 02

頂平面圖

/ELE01

/ELE02

/TOP PLAN

操作元素 /Operating elements

死亡與生命的交替，是如此的沉重，活著的人幫死亡的人送入地底的過程， 心理被莫名的重量壓縮至無法呼吸，走在通往死亡的長廊裡，我們省思，我 們活著。

Death of the city, is a space for people to rest in peace, people in this wandering here to stay, from here and from here the end.

Repeated cycle of life and death, trying to reflect on the meaning of life, the nature of existence.

向下

人

壓縮

迂迴

壓力

/DOWN

/PEOPLE

/Compression

/Roundabout

/Pressure

正向立面圖 03 /ELE03

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概念分析圖 : /CONCEPT:

step01

step02

step03

死亡城市中的元素，人 + 空的空間 + 巨大的量體 + 省思的空間，迂迴的道路， 生活在這裡的空間，承受著死亡帶來的壓力，兩個巨大的量體，彼此相嵌下 壓著這塊土地，使人們不斷自省，生命存在的意義。

step04

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City of Death elements, empty space man +reflection huge amount of body space, circuitous road, living here in the space, the pressure brought to bear death, two huge amount of body, embedded in each other pressing down the land, so that people continue to examine, meaning the existence of life.

動線分析圖 : /ACTION: 在荒野中，慢慢地趨近，生命慢慢地消逝，人們的佇立猶如石碑一般，靜靜 地看著時間的流動，讓生命的空，建築的空來容納這一切。 In the wilderness, slowly approaching, life slowly fade away, people generally stand like stone, quietly watching the flow of time, so that life empty, empty building to accommodate it all.

PLAN

SECTON

ELE03

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03.

禪 x 缺 / 木雕茶藝館 Zen x Lack / wood tea houses

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禪 x 缺 / 木雕茶藝館 Zen x Lack / wood tea houses 自從觀察到當地木雕文化的傳承與現代雕刻的接軌的轉變，與原本木雕文化 的起源自一個自然的狀態，有樹有水有石頭彼此是交纏的，自然而然呈現一 種美感，木雕首重是減法哲學，將某些部分減去來呈現人們的想望。 Since the observation of the local cultural heritage and modern wood engraving standards change, with the original wood carving culture originated from the one natural state, there are trees with water and stones are entangled with each other, presenting a natural beauty, woodcarving first weight is subtraction philosophy, some parts will be subtracted to render the people's desire.

概念分析圖 : /CONCEPT:

步驟 01 /step01

步驟 02 概念模型

/step02

/Conceptual

在觀之，茶道首重是不足之美，原意是將茶室佈置的簡單，臨時的器具剩下 的讓客人去想像。根據觀察兩者的基本精神，不足之美與減法哲學是一件事， 兩種看法。 In view of the tea ceremony, the first weight is less than the United States, is intended to be a simple arrangement of tea, a temporary instrument to imagine the rest of the guests. According to observations of both the basic spirit of the lack of beauty and subtraction philosophy is one thing, two views.

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步驟 03 /step03

利用木頭的根纏繞的狀態，期間的縫隙，產生的空呼應木雕的減法哲學，同 時也觀察茶葉泡在水中時，因為每一個茶葉吸水的狀態不一樣，而導致上下 分離的情形，其中間的空與茶道的不足之美相呼應，最後將兩者做一個強制 性的結合，把世代交替的矛盾與衝突做一個呈現，去諷刺木雕文化以及茶道 和現代的變異產生的掙扎與矛盾。 Using the winding state of the root of the wood during the gap, the resulting empty echo subtraction philosophy wood, but is also observed in the water bubble tea, tea leaves as each state is not the same water, which led to separation of the upper and lower case, between which empty deficiencies with the beauty of the tea ceremony echoes, and finally the two combine to make a mandatory, the generational conflicts by doing a presentation, go satire woodcarving culture and tea and modern variation resulting struggle and contradiction.

操作元素 : /Operating elements

觀察對象 : /Observed object

型態變化 : /Morphological changes:

型態 01

型態 02

型態 01

/Patterns01

/Patterns02

/Patterns03

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概念發展圖 /Concept Development Plan

可以被使用的量 The amount that can be used

內部碎化的量體，以猶如樹根般纏繞的板包覆，不讓其無限擴張，在動靜之 間取得平衡。 The amount of fragmentation within the body, like the roots to the plate-like wound covering, without their unlimited expansion in the balance between static and dynamic.

與原始街屋的三層型式相同 With the same type of the original threestory shop houses 將第二層抽離 Pulled out of the second layer

分割上下兩層，將方塊類比成茶葉 Split into two layers, the into tea

box

analogy

將每個方塊錯落，把茶葉飄浮的感覺做出來 Each box will be scattered, the tea made​​ out of a feeling of floating

再用樹根去纏繞做出既想要飄浮，又想要扎根的矛盾狀態 Then wrapped around the roots to make both want to float, and they want the state rooted contradictions 透視圖 /Perspective

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配置發展圖 /Configuring the Development Plan

朝南看到的是綿延的山巒與小片樹林，整個感覺就是置身於森林之中 South see is rolling hills and the small piece of wood, the whole feeling is being in forest

西向立面 /WEST ELE

南向立面 /SOURTH ELE

配置圖 /SITE PLAN

在建物前方有設定水池，可以反射上面的框架，讓整體造型更加有效果 Set in the pond in front of the building, can reflect the above framework, so that the overall shape is more effective in 透視圖 /Perspective

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在東西兩側可以設置廁所或是儲藏室，因為日照的角度可以讓該方位得到更 多的日照面積與時間 In the east and west sides can set the toilet or pantry, because sunlight can make the azimuth angle to get more sunshine area and time 因為北面臨房，無法直接開窗，所以考慮退縮一定的距離，讓光線可以間接 照射到裡面，相對而言，得熱最少，可以考慮設置廚房 Because north facing room, can not directly open the window, so consider withdrawal a certain distance, so that light can be indirect exposure to the inside, relatively speaking, heat at least, consider setting the kitchen

因為南面的陽光較為溫和，所以可以考慮大面開窗，在加較深的出簷 Because milder southern sun, so you can consider Omo windows, deep eaves in Canada 因為北風可能被街巷風所加強，因此入口不宜設在面北 , 因此將入口設在面 南，同時以大面的板構物，去遮擋北風雨西曬 Because northerly winds streets may be strengthened, so should not be located at the entrance facing north, so the entrance on the south side, both Omo board structure matter, to block the wind and rain north western exposure 在北面退出一點縫隙，可以讓北風灌入，讓內部有足夠的通風效果 Exit to the north a little gap, allowing the poured, so there is sufficient ventilation inside

north

基地分析 /SITE analysis

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太陽 /SUN

動線 /Action

風 /WIND

視野 /VIEW

價值最高的樓層，因為可以賣東西維生 Highest value floor, because for a living

you

can

價值第二高的樓層，因為可以看到的視野最好 Value of the second highest floor, see the best view

sell

because

something

you

法規分析 /Regulatory analysis

can

價值第三的樓層，因為中間屬於過度空間，視野不比第三層好也無法直接進 行交易賣東西 Value of the third floor, because the middle is excessive space, vision can not be better than the third layer good deal directly sell things

基地大小

基地空間

騎樓

基地的容積率

將街屋的退縮騎樓空間延續下去，可以得到額外的容積率 The retreat of arcade space street houses you can get extra volume rate

基地的綠地

continue,

價值分析 /VALUE analysi s

原始街屋

分三層

價值系統 01

價值系統 02

價值系統 03

將中間的樓層價值進行改變，讓其挑空，把視野獨有特質帶進來 Will change the value of the middle of the floor, let it pick an empty, the unique characteristics of the field of vision brought in.

剖面透視圖 /A sectional perspective view

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此次型態，是以景深與框景下去著手，主要是以三個層次為原則，以遠近和 模糊的視覺意像，來把美的感覺帶出來。 The pattern is based on the depth of field and frame views down to proceed, mainly based on three levels to the principle of distance and blurred vision imagery to bring out the feeling of beauty,

空間量 /space

南向立面圖 /South ele

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time_01

time_03

time_02

發展過程 /Developing

東向立面圖 /East ele

利用承重牆的方式，將樓板支撐，用兩片剪力牆，形成主要的承重結構體 The use of load-bearing walls a way that will support the floor, with two wall, forming the main load-bearing structure 因為分成三層，所以分別由樓板去做承 重牆的連接 Because divided into three layers, so the load-bearing walls were done by the floor connection 結構呈 L 型的支撐型態，在 8 米內的範圍內，是沒有問題的。 L-shaped support structure type, within 8 meters range, there is no problem.

西向立面圖 /West ele

in

結構說明圖 /Explaining the structure

西向剖面透視圖 /West section

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6

2 7

10

8

1

10

6 7

6

9

5 9

1

3

UP

4

主入口 木料放置場 廁所 手工教室 工作區 緩衝區

The main entrance Place timber field Toilet Hand classroom Workspace Buffer

7 工作區 _ 外 Outside the work area 8 電梯 Elevatorcounter Rest area 9 休息區 Parking lot 10 停車場

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B1 樓平面圖 /B1F PLAN

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1 2 3 4 5 6

2

4 3 11

5

1 樓平面圖 /1F PLAN

1 2 3 4 5 6

主入口 客服櫃台 廁所 廚房 準備室 水池

7 用餐區 ( 內 ) 8 用餐區 ( 外 ) 9 服務入口 10 斜坡 11 電梯

The main entrance Customer Service Toilet Kitchen Preparation room Pool Dining area (outside) Dining area (outside) Imports of services Slopes Elevator

4 4 4 UP UP

UP

5

0.60 m

0.60 m

DN

4 1

5 0.59 m

UP

2

UP

DN

3 5

2 樓平面圖 /2F PLAN

1 1 2 3 4 5

中庭挑空 客服櫃台 準備室 用餐區 ( 內 ) 電梯

Atrium pick an empty Customer Service Preparation room Dining area (outside) Elevator

1 2 3 4 5 6

2

3 6

3

辦公室 準備室 廁所 用餐區 ( 內 ) 用餐區 ( 外 ) 電梯

Office Preparation Toilet Dining area (outside) Dining area (outside) Elevator

3 樓平面圖 /3F PLAN

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04.

重 x 生 / 獅潭圖書館 Anew x Emerge / library Shihtan

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重 x 生 / 獅潭圖書館 Anew x Emerge / library Shihtan 藉由實地觀察基地，看到有許多家的雜貨店，有種懷舊的感覺，加上原老街 的立面與建築群形成的小角落，令人感到非常親切，所以想要將這份感覺帶 進建築，因為是要做地方生活學習中心，但是當地的人口數與使用率實為不 高，因此有機會做出小而美的空間品質。 By field observation base, saw many homes grocery store, a kind of nostalgic feeling, plus the original Street facades and architectural complex formed small corner, people feel very warm, so I want to be with this feeling into the building, because it is a place to live and study center to be done, but the local population and the usage is actually not high, so there is an opportunity to make a small but beautiful spatial quality. 主要除了讓當地的老人可以方便使用之外，還有一個主旨就是利用觀察市集 的特質，讓小朋友可以體會將來去外面生活所需要的知識，就像在市集上面 進行交易的人們，其實就是社會的縮影，不過也是有溫暖與光明，雖說市集 是亂是複雜，但是他仍然有猶如柳暗花明的一面，而需要體會這些意境，就 是需要不斷的學習。 Mainly elderly people in addition to the local convenience, there is a theme is the use of observable market characteristics, which allows children to experience life in the future to go outside the knowledge needed, as in the market for transactions above people, in fact, a microcosm of society, but also a warm and bright, although market is a complex disorder, but he still has like vista side, and need experience these mood is the need for continuous learning.

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鳥瞰透視圖 /Aerial perspective

原始狀態 Original state

在基地現場觀察到的街屋立面，在此獅潭也是一項文化資產，保留原有美好 的空間品質，利用皮層的界面，去將他框住。 Spot at the base of the street house facade observed in this Shihtan is a cultural asset, the preservation of good spatial quality, the use of cortical interface, go to frame him. 利用滲透的手法，讓周邊因為街屋產生的小產生的亂，進而產生的溫暖可以 被傳送到這個地方生活學習中心，讓小孩以及老人，在裡面可以非常自在的 學習與娛樂。 The use of infiltration tactics, so the surrounding because of the small street houses produce chaos generated, thus resulting warmth can be transferred to this place to live learning center where children and the elderly, which can be very comfortable in learning and entertainment. 在立面的介面上，弱化牆體，讓原本就存在的老街屋立面可以在裡面被看到 被感受到。 In the facade interface, weakening the wall, so that already exist Street house facade can be seen to be felt on the inside. 在嘗試將內與外結合，但是同時卻也保有室內該有的舒適度，這裡採用的手 法除了機能上是比較屬於公共性質之外，在視覺的感官上，利用將立面弱化 的手法，把外在自然的景觀帶入，在內與外之間取得平衡。 In the attempt to combine inside and outside, but at the same time they also maintain indoor comfort of the others, in addition to functional approach adopted here is more on the outside of a public nature, the visual senses, using the facade weakening techniques to bring outward into the natural landscape, a balance between the inner and the outer.

/time01

蛋糕 ? cake?

/time02

負空間 Penetration

/time03

界面 Interface

/time04

滲透 Penetration 滲透

弱化 Weaken

/time05

概念發展圖 /Concept Development Plan

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前面被弱化的牆與竹林利用後面高大的牆體去做一個背景的效果，來凸顯主 體的整體感，利用牆的元素將主體分割成室內與室外，同時界定機能的分群。 In front of the weakened wall and behind the use bamboo to do a background effect, to the overall sense of the body, the use of the of the body wall is divided into indoor and and define the function of the grouping.

tall walls highlight elements outdoor,

前面被弱化的牆與竹林利用後面高大的牆體去做一個背景的效果，來凸顯主 體的整體感，利用牆的元素將主體分割成室內與室外，同時界定機能的分群。 In front of the weakened wall and behind the use bamboo to do a background effect, to the overall sense of the body, the use of the of the body wall is divided into indoor and and define the function of the grouping.

tall walls highlight elements outdoor,

在前面種竹林的另一個目的也是為了減少溫室效應的產生，因為根據統計竹 林產氧量多一般森林的 30%，而氧是可以吸收很難處理的短波輻射，進一步 達到阻擋的作用 Another species of bamboo in front of goal is also to reduce the production of greenhouse effect, because, according to statistics oxygen production more generally bamboo forest 30%, while the absorption of oxygen is difficult to deal with short-wave radiation, and further up the role of blocking 為了讓視覺是乾淨的，所以將停車位擺在後方，裡用高大的牆去做一個遮蔽， 同時以塊體的視覺感與裡面的量體去呼應。 To make the visual is clean, so the parking spaces placed in the rear, where a tall wall to do a shelter, but to block the visual sense to go with the inside of the amount of body echoes.

基地分析 /SITE analysis

動線 /Action

32

風 /WIND

太陽 /SUN

視野 /VIEW

周邊環境 /Surroundings

4 2

6

13 5 9

8 3 1

12 11

14

10 1 2 3 4 5 6

主入口 影視中心 廁所 閱讀室 閱讀區 次入口

The main entrance Television Centre Toilet Reading Room Reading area Second entrance

7 竹林 8 客服櫃台 9 戶外座椅 10 停車場

Bamboo forest Customer Service Outdoor seating Parking lot

11 設備區 12 電梯 13 儲藏室

Equipment zone Elevator Storage

14 直升樓梯

Helicopter stairs

1 樓平面圖 /1F PLAN

33

在這裡的界面，除了需要透空的感覺之外也是需要通風與防水，利用水不會 往上流的特性做出一些溝縫，主體材料是雪松木板材，在以混擬土與鋼支承 去支撐整理結構 Here's the interface, in addition to the outside through the empty feeling is also a need ventilation and waterproof, the use of the characteristics of water will not flow upward to make some groove joints, the subject material is cedar wood panels, in order to be mixed with the soil to support the steel support finishing structure

結構細部圖 01 /Structural detail 01

利用角度的手法，將玻璃距離木板條一定的程度，讓陰影的面積變大，進而 讓裡面受到陽光的照射面積變少，溫度不會太高。 Use angle approach, the glass slats from a certain level, so that the shadow of a larger area, thereby allowing sunlight inside the area by fewer, the temperature is not too high. 結構細部圖 02 /Structural detail 02

34

內部的竹子圈的每根竹子，裡用竹子剖半之後內部產生的空，去填塞橡膠， 讓螺絲等固定構件可以有著力點，固定在天與地之間。 Inside each circle bamboo bamboo, bamboo-sectional half years after the internally generated empty, go padded rubber, let screws securing member can have the focal point, fixed between heaven and earth. 利用玻璃本身，來做的旋轉開窗的形式，主要是面向西南方，在夏天時涼風 可以進來，冬天暖風可以進來，採自動與手動兩種系統。 The use form of summer come in,

of the glass itself, do the rotation in the windows, mainly for the southwest, in the breeze can come in winter, warm air can both systems adopt automatic and manual

結構細部圖 03 /Structural detail 03

結構細部圖 04 /Structural detail 04

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已消失的建築為目的，讓這個建築在視覺上是被透過的，利用一個軸線，以 觀察這個基地最多的視野為出發點，做出一層一層的視覺屏障，讓這個建築 的立面訊息被過濾。 The building has disappeared for the purpose, so that the building is visually through the use of an axis, in order to observe the base up to the vision as a starting point, make a visual barrier layer by layer, so that the building's facade messages are filtered. 將內部的量體感被弱化，產生若隱若現的視覺效果，裡面有量體產生的縫外 面有竹林產生的縫視覺由內到外可以看到被過濾的老街立面視覺由外到內可 以到兩種尺度的縫交織而成的光線猶如一面鏡子一般。 The amount of internal somatosensory been weakened, resulting looming visual effects, there are massing outside produced bamboo sewn seam produced visual can be seen from the inside to the outside is filtered Street facade vision can go from outside to inside sewing two scales interwoven light like a mirror in general. 入口銅牆的天際線的角度與面向去設計他的立面構造，形成不同的反射角， 根據銅牆部的表面材質可以讓人感受與觸摸時間流逝痕跡。 Entrance skyline copper wall angle and oriented to design his facade structure, the formation of different reflection angles, according to the Ministry of copper wall surface material that people can feel and touch the traces of the passage of time.

爆炸圖 /Axis Figure

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利用其長條開窗種植栽，讓人走在裡面可以隨時間的改變而感受到不同的空 間品質，同時，讓這座牆可以呼吸，與這裡的老街不被阻斷而是互相流通， 立面隨著四季而變化。 Using its long windows planting planted, people can go in there and feel the change with time of the different spatial quality, same time, so this wall can breathe, and where the streets are not blocked but flow and as the seasons change facade

以量體產生的縫 ( 方塊 )；以竹林產生的縫 ( 圓 )，利用兩個不同的手法產生 的縫，透過光線彼此交織。 In order to produce the amount of body joints (box); generated in bamboo joints (circle), using two different methods produce seam, through the light interwoven.

型態 01 /type01

型態 02 /type02

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以每個機能盒為單元，去創造出師市集擁有的亂與複雜，但卻是親切的 !

To each function box as a unit, to create apprenticeship market have chaos and complexity, but it is kind! 原有市集是各式各樣的貨品，現在是學習中心，所以將物品全面替換成二手 書，當地居民的二手書，或是跟政府合作的計畫送來外地的二手書，讓當地 的小朋友有更多的資訊的可以被獲得，讓孩子可以在裡面感受到市集的感覺， 進而透過書籍讓自己的知識更加廣闊，讓老人可以非常自在的在裡面看書， 與休閒 ! 感受到溫暖 !

Old bazaar is a wide range of goods, now is the learning center, it will fully replace items used books, used books of local residents, or cooperate with the government's plan used books sent overseas, so that the local children have more information can be obtained, so that children can feel the bazaar feeling inside, and then through the books to make their knowledge more extensive, so that the elderly can be very comfortable in there reading, and relaxing! feel the warmth!

活動 /Activity

38

發展 /Developing

透視圖 /Perspective

39

40

05.

再 x 生 / 南勢火車站 Re x Raw / Nanshih Train Station

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再 x 生 / 南勢火車站 Re x Raw / Nanshih Train Station 旅行，一種移動的方式。 一隻狗上路，就是上路。完全，徹底的，不回頭。 一個人上了路，卻留下一半駐在原地。 另一半被整理得好好，裝在箱子裡，帶走。

現代的人，要進行一場旅行，總得要帶些東西才敢真正的上路，例如手錶、 皮包、帽子、筆記本、大包包 ..... 等等等。 Modern man, to carry out a trip, gotta dare to bring something truly on the road, such as watches, purses, hats, notebooks, big bags ..... etc., etc..

只是移動。 Travel, a mobile way.

A dog on the road is the road. Totally, completely, and do not look back.

A man on the road, but left in place in half.

The other half was finishing well, packed in boxes, away.

Just move.

當你帶著這麼多的東西，去旅行。想當然爾，你的注意力只會集中在你的東 西有沒有放好，總是有個障礙阻擋在你跟真實世界的接觸，你以為你在旅行， 其實是你的東西在旅行。 When you take so many things, to travel.

Understandably, your attention will focus on the things you have put away, there is always an obstacle blocking in your contact with the real world, you think you are traveling, in fact, is your thing in travel.

概念發展圖 /CONCEPT

42

一樓平面圖 /1F PLAN

43

s the ast

ep f th eo

p ha ructure

ro o

fs

wood st

slo

pi

ng

在這個地方我想要藉由火車站再生的概念，讓人找回旅行的本質，放下身上 的包袱，讓自己變輕，變得更加自由地去體驗任何小小的旅行，讓自己能夠 更加的開放與真實的世界進行交流，進而由內而外看到世界道由內而內看到 自己的模樣。找回旅人內在的記憶盒。 In this place I want to be contacted by the concept of regeneration station, people get back the essence of travel, to lay down the burden of the body so that they are lighter, more freedom to experience any little trip, so that they can be more open to communicate with the real world, and then from the inside out to see the world from the inside and the inner channel to see their appearance. Forget traveler inherent memory cartridge.

過去火車站的形體 /Body past the railway

記憶盒 ˙ 在時間不斷的流動中被凝止 /Memory Box ˙ constant flow of time is Ningzhi

將過去拉長 /The last stretchstation

過去地留下的記憶盒 /Memories of the past to box

44

在時間的長廊裡回憶 /Corridor at the time of recall

結構爆炸圖 /Structural axis charts

由內而外看到旅人在旅行中會看到風景。 Seen from the inside traveler will see the scenery while traveling.

在外面看到量體反射周邊的事物，猶如你不旅行的話就只能透過二手的資訊 來看世界，是被過濾過的。 Reflection on the outside to see the things around massing as if you do not travel, then it can only look at the world through second hand information is being filtered.

由內而外看 /Look from the inside

由外而外看 /From the outside looking inside out

旅人在旅行的過程中，除了外面的風景，有時候也會關照自己的內心真正的 模樣，在這裡就是為了要讓旅人重新找回旅行的意義。 Travelers during the trip, in addition to the scenery outside, sometimes take care of their heart really looks like, here is to allow travelers to rediscover the meaning of travel. 旅人以為只有他是旁觀者，事實上他也是被他經過的城市仔細端詳，有時候 也要跳脫自己的觀點去重新審視自己。 He is a traveler that only bystander, in fact, he had also been his city after a closer look, sometimes have to escape from their own point of view to re-examine themselves.

由內而內看 /Inside look from the insidelooking inside out

由外而內看 /From the outside to see

45

將舊山線與海線交織的切割線去將過去的記憶盒切割，被切割的鋁板與玻璃 之間的交錯相連，營造光線交織的感覺，利用玻璃的特性將陽光部分灑落在 空間內，讓內部有流動的感覺。暗喻將過去的記憶從時間裡抽出。 The Old Mountain Line and Sea line cutting line interwoven memories of the past to the box cut, the cut staggered between aluminum and glass connected, intertwined to create a feeling of light, the use of the characteristics of the glass portion of the sunlight falling on the space, so that internal flow feeling.

Metaphor of the past from time out of memory.

操作發展圖 /Operation Development Plan

主要用鋼結構，以鋼結構和鋼筋混凝土作為主要系統，將下基穩固，再以上 蓋的方式將其搭建。 Mainly used steel to steel and reinforced concrete as the main system, the lower base stable, then the way will be more than covered their structures. 結構剖面圖 /Structural section

結構概念圖 /Structural concept

46

以複合材料來構成未開窗的部分，以木構去重新找會舊有的車站情懷，將過 去的月台作包覆，除了有保護的意義之外也有將過去的時間藉由舊有月台的 再生。 To form a composite material is not part of windows, the wooden structure will be to re-find old station feelings, the platform will be covered in the past, in addition to the protection will also have significance beyond the past months old by the time stage regeneration.

結構材料剖面透視圖 /Structure & Materials

外層主要以鋁板作為皮層，同時應用他的反射模糊來呼應設計概念，以多種 材質作為保溫層，內部以木條作為光線的再過濾，以雙層玻璃來降低太陽短 波輻射，外部以木構架作為光線第一層的過濾，鋼筋混凝土作為下部的支撐， 鋼結構作為屋頂的支撐。 Mainly in the outer layer of aluminum as the cortex, while applying his reflection blur to echo the design concepts to a variety of materials as insulation, internal to wood as a light and then filtered to double glazing to reduce solar radiation, external to timber frame as the first layer of light filtering, reinforced concrete as a lower support, steel as roof support.

結構爆炸圖 /Structural axis charts

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南向剖面圖 01 /South sec01

西向剖面圖 02 /South sec02

南向立面圖 /South ele

南向剖面圖 /South sec

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東向剖面圖 01 /East sec01

東向剖面圖 02 /East sec02

北向立面圖 /North ele

北向剖面圖 /North sec

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觀察火車經過的地方，具有一定向度的衝擊力量，以舊火車站做為一個轉淚 點，與舊月台原有的向度的力量做一個衝撞，已鋪面的碎化去暗喻衝擊後的 碎片。

觀察原有的的建築物，以其翼板作為過去力量的留存，以再生的概念將其力 量再次延續，把生命重新帶回來，讓人找回過去旅行的意義。以舊有記憶盒 的意象，在力量再次延續的過程當中把記憶盒炸裂，過去的記憶由此湧現。

After observing the train where a certain dimension of the impact force to the old train station as a transfer point of tears, and the dimension of the original old platform power to do a collision, paved metaphor shred to pieces after impact .

Observe the original building, with its wing retained power as in the past, in order to regenerate its power to extend the concept, brought back to life again, people get back past the meaning of travel. In the image of the old memory box, in the process of power to extend the memory box burst, memories of the past thus emerge.

原有的月台格柵與現有月台的之間的關係，產生的光與影的交織，以旅行者 其中一個鏡頭拍攝下來，停留在時間的流動之中。 Original platform grille and the relationship between the existing platforms, resulting in light and shadow intertwined to travelers one of the shots down, stay in the flow of time being.

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步驟 01

步驟 02

步驟 03

/step01

/step02

/step03

時間 01

時間 02

步驟 03

/step01

/step02

/time03

站體再生蓋念概念圖 /Station regeneration

整體上一碎化的鋪面，去營造多樣生態可以生存的環境，從灌木到喬木以及 台灣孟宗竹的有層次的生態系統，來保障整個基地的生態平衡。 Overall a shred pavement, to create a diverse ecosystem can survive in the environment, from shrubs to trees as well as Taiwan Moso the hierarchical ecosystem, to protect the ecological balance of the entire base.

透視圖 /Perspective

主要以線性的空間，去呈現一種連續的活動，同事暗喻著再生的連續的意涵。 Mainly in the linear space, to present a continuous activity, colleagues continuous regeneration metaphor meaning.

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52

06.

桃 x 宴 / 農舍 Peach x Feast / Cottage

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桃 x 宴 / 農舍 Peach x Feast / Cottage

傳統客家人唯有勤於勞動又節約簡樸，才有機會讓他們脫離貧困，改善生活， 與現在的農人因為農地破碎化，無法大量的生產，唯有靠加工與高精緻化的 產品，讓他們得以繼續無持生計，繼而又追求著觀光化與休閒化，以達到報 酬率可以維持好的生活品質。但是回歸客家人簡樸不奢華的生活，簡簡單單 的過生活。為何卻沒有人去強調 ?

Only traditional Hakka diligent labor and saving simplicity, let them have a chance to escape poverty and improve their lives, and now farmers because of the fragmentation of agricultural land, not a lot of production, can only rely on processing and highrefined products, so they can continue without support livelihoods, and then again with the pursuit of leisure tourism, in order to achieve a good return on the quality of life can be maintained. But simple does not return to a life of luxury Hakka, the simple live on.

Why is no one to emphasize?

日常生活圈 Daily Life Circle

農業活動圈 Circle agricultural

將兩者進行壓縮與扭轉 compression and torsion

不斷在強調外在的條件如何改善，卻沒有想要在內在與涵養的行為上進行再 教育，我們人真的需要這麼多的物質來滿足與維持我們的日常生活嗎 ?

Constantly emphasize how external conditions improve, but did not want included in the re-education on conservation behavior, we really need so many people to meet and maintain the material in our daily life?

時間 02 /step02

新的生活圈 The new living area

產業作業圈 Industrial operations Circle

時間 03 /step03

生活圈概念圖 /Living area concept map

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踏入桃宴農莊前的轉折是必經的歷程，動線中的視線是貫穿的，讓視 線不受限制的探索，但是身體卻會受到路徑收放而時快時慢，將視線 與身體感切割，讓人清楚體驗兩者的差異，進而使除了視覺之外的感 官都敏銳起來，觸覺，味覺，聽覺～從不自由中體會自己的存在！ Feast peach farm before entering the transition is a necessary course of action is through the line of sight, so that the line of sight unrestricted exploration, but the body will be the path retractable and faster or slower, the sense of sight and body cutting, people clearly experience the difference between the two, thereby enabling the addition to the visual senses are sharp up outside, touch, taste, hearing - never appreciate the freedom of their existence!

一樓平面圖 /1F PLAN

55

一個現代的客家女性，受到現代高等教育之後，回到農地，逐漸找回客家人 美好的生活哲學與生活方式，同時也漸漸找回自己的心，誕生出新世代的客 家女性，兼具理性與感性的雙重性質，能夠靜下心來好好地品嘗生活中各種 的酸甜苦辣。 A modern Hakka women by modern higher education, return to agricultural land, gradually recovered Hakka better life philosophy and way of life, but also getting back his own heart, the birth of a new generation of Hakka women, both rational and inductive dual nature, can stop and take to taste life in a variety of ups and downs.

坐落在新的土地 Located in the new land

生活的空間 Living space

適應新的土地 Adapt to the new land

緩衝的空間 Buffer space

與自然連結蓋念圖 /with the natural

觀察客家過去傳統婦女出嫁女兒時，所穿著服飾的紅，與屋主所要種植的水 蜜桃的紅，兩者在此作一個比喻，屋主想要在這裡種植水蜜桃，就像要把水 蜜桃出嫁給這塊土地。 Observe the traditional Hakka women married daughter, the wearing apparel red, and homeowners to be planted peach red, both in this to make an analogy, homeowners want peaches grown here, just put peaches to be married to this piece of land. 與新的土地產生灰色的模糊地帶，使得生活空間與土地產生新的連結關係。 With the new generation gray gray area of land, making the land produce living space with a new link relationships.

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產生新的連結關係 Create new links between

生活圈概念圖 /Living area concept map

桃樹的生長過程，需要受到不斷的剪去，才能將生命的精華集中在果實的成 長，透過減去來取得更多，便是這次設計的概念發想。 Peach tree growth process, need to be constantly cut to the essence of life concentrated in the fruit's growth, through less to get more, that is, the design concept generation. 厚實的量體讓外面強烈的陽光變得溫馴，變得柔和，延續當地田梗的紋理不 等比例的切割原來單純的量體，形成穿越 + 區隔與開放的空間經驗。 Thick massing outside so intense sunlight becomes tame, soften the texture of the continuation of local fields ranging from stem cutting the proportion of the amount of the original pure body, formed through + segmentation and open space experience.

時間 01

時間 02

時間 03

時間 04

時間 05

/step01

/step02

/step03

/step04

/step05

剪枝概念圖 /Pruning concept map

鳥瞰透視圖 /Perspactive

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4

5

7

16

21

13

17

3

18 6 2

1

14

1 2 3 4 5 6

15

12

9

20 8

10

11

19

客廳 前院 父母房 洗衣間 浴廁 理性中庭

LIVING YARD Parents Room Laundry room WC Reason atrium

7 小孩房 8 主臥房 9 廚房 10 主入口

Kids room Master bedroom Kitchen dooryard

11 小教室 12 手工藝教室 13 展示空間

Small classroom Crafts Classroom Exhibition space

14 感性中庭

Emotional atrium

15 儲藏區 ( 水蜜桃 ) Storage area (Peach) 16 加工區 ( 溼性 ) Processing zones (wet) 17 儲藏區 ( 釀製品 ) Storage area (stuffed 18 後院 / 車庫 Backyard / garage 19 儲藏區 ( 乾性 ) Storage areas (dry) 20 客房 / 休息室

Room / lounge

21 招待口

Entertain mouth

一樓平面圖 /1F PLAN

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空間組織 /Spatial organization

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設置桃宴小屋的目的，除了在機能上可以放置農具以及關照整個農地 的各種需求；額外地，將桃宴也設定在其地形的的高點，俯瞰整區的 桃宴場景，實為一大享受。在此靜靜的享受田園生活。 Set Peach feast hut purpose, in addition to functions can be placed on tools and take care of the entire agricultural land needs; additionally, the peach feast is also set in its terrain, the highest point overlooking the entire area of peach banquet scene, in fact, a large enjoy. Enjoy this quiet rural life.

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3

2

時間 01 /time01

1 時間 02 /time02

1 2 3 4

桃宴 廚房 浴廁 儲藏室

小屋平面圖 /1F PLAN

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Peach feast Kitchen Washroom Storage

時間 03 /time03

概念圖 /Concept

桃宴小屋的結構以多數的鋼柱支撐，以防潮濕的氣候，以木構造為主體，採 用自然的木頭質感，融合在大地。

桃宴小屋延續主體的造型意象，透過不同景致的視野觀察點，切割出切角， 創造出多種角度欣賞苗栗山嵐美景。

Peach feast cabin structure to the majority of steel columns support to prevent humid climate, with wood as the main structure, the use of natural wood texture, blend in the earth.

Continuation of the main hut peach banquet style imagery, through different point of views of field observation, cutting out the cutting angle to create a variety of angles appreciate Miaoli Sam Rainsy views.

木構架 Wooden frame

內有農具儲藏室，生態廁所以及廚房，以服務在此進行聚餐的桃宴相關的行 為與活動。 There are tools storeroom, ecological toilets and kitchen to serve in this feast for dinner peach related behavior and activities.

格子狀系統 Lattice system

鋼柱 Steel columns

混擬土 Concrete

結構示意圖 /Schematic

透視圖 /Perspective

61

架空讓空氣流通 Overhead allow air circulation 排水收頭 Drainage closing head 鋼構件 Steel components 隔熱層 Insulation 鋼構件 Steel components

根據高度越高，風壓舊越高的原理，將建築上部的空間除了管線與結構所佔 的體積之外，其餘留白，讓空氣可以在裡面流動，配合隔間牆與屋頂的界面 留下一條縫，讓室內可以因為負壓而形成自然通風。 According to the higher altitude, the higher the pressure the old principle of the upper part of the building space in addition to the volume occupied by the pipeline and structure, the rest blank, so that air can flow inside, with partition walls and roof of the left interface a crack, so that the negative pressure chamber can be formed because of natural ventilation.

木掛板 Wood siding 木構架 Wooden frame

交錯搭接 A /A staggered lap 混擬土 Concrete

屋頂的坡度較平緩，受到風壓的面積相對就比較小 More gentle slope of the roof by the wind pressure on the relatively small size of the relative

主體細部剖面圖 A /Structural section Detail-A

62

配合結構將牆的厚度增厚，讓室內活動的人可以感受到在鄉村以農為生的溫 暖的厚實感，讓人的心情更為穩定與沉著。 With the structure of the wall thickness of the thickened, so people can feel the indoor activities on agriculture for a living in the countryside solid sense of warmth, people's mood is more stable and calm.

建築的底層為格子樑系統，磚 + 木板 + 鋼管為主要結構材料，天花板的掛材 方式在下雨天可以透過側墻看到戶外的景觀，同時室內也別有洞天，透過水 簾的效果看到桃樹與白粉牆的對話。 The ground floor of building lattice girder system, brick + wood + steel as the main structural material, ceiling hanging material way in the rain can be seen through the side wall of the outdoor landscape, while indoors amazing, through the curtain to see the effect of peach and white-washed walls of the dialogue.

鋼構件 Steel components

木構架 Wooden frame

混擬土 Concrete

主體透視圖 /Main perspective

主體細部剖面圖 B /Structural section Detail-B

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07.

縫 x 隙 / 消防救護大樓 Seam x building

gap

/

fire

and

ambulance

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step 01

縫 x 隙 / 消防救護大樓 Seam x building

gap

/

fire

type02

step 01

and

ambulance step 02

消防隊常常需要在救災的現場尋找任何一絲的生命，背負著搶救生命的重責 ! 因此，一個生命的消逝，對消防隊員而言，無非是一個心理不可承受之重。 Fire is often necessary to look for any trace of relief step 01 scene of life, burdened with the heavy responsibility step 03 to save lives!Therefore, a life for firefighters step 02 gone concerned, is nothing more than a psychological step 01 Unbearable. 特意挑高一個空間暗喻將消防隊員常在縫隙中尋找生命的跡象的行為，被凝 固的生命，代表著死亡，用板構物鑲嵌死亡的量體，生命在死亡的量體縫隙 中流竄。 step 04 step 03 Specifically a high-ceilinged space metaphor will step 02 firefighters often find signs of life gap behavior was step 01 solidified life, representing the death of constitutive material inlaid with plates massing of death, life in step 02 death massing gap fled.

step 03

step 04

step 05

step 01

step 02

step 03

type01

type02

type02 type06

type02 type07

step 04

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step 03

step 06

概念圖 /CONCEPT

概念圖 /CONCEPT

step 04

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step 02

step 05

type02

step 06 step 07

type02

type03 type03 type03

在碎片中尋找生命的跡象，是消防隊員的職責，同時也是令人尊敬的，將其 轉換成空間，讓消防隊的精神更為顯著，同時提醒著人們對於生命的寶貴與 珍惜。 In the debris looking for signs of life, is the firefighter's duties, but also the venerable, to convert it into space, so that the spirit of fire is more significant, but to remind people of the precious and cherished for life.

type04 type04 type01 type01 type01

type04

type05 type02 type02 type02

type05 type05

type03 type03 type03

type06 type06

透視圖

type06

/Perspective

概念圖

/CONCEPT

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type07

初步概念 /CONCEPT 在瓦礫堆中尋找生命跡象，運用板與板之間的縫隙產生的光，去暗喻生命。 運用較厚實的量體去表現，在量體與量體之間插入板構物，界定地上與地下 的邊界生命與死亡之間的重量感。特別挑高一個空間來將生命的空靈的感受 抽開，讓人體驗空所給予的虛無，進而省思生命的可貴。 Looking for signs of life in the rubble, using the gap between the plates produces light metaphor to life. The use of relatively thick massing to performance, and the amount of the amount of body structure between the insert plate material, to define the boundaries of the ground and underground between life and death sense of weight. Special high-ceilinged space to the life of an ethereal feel drawn open, people experience given empty nothingness, and then reflect on the value of life.

概念圖 /CONCEPT

時間 01 /time01

時間 02 /time02

時間 03 /time03

透視圖 01 /Perspective 01

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觀察對象 /Observed object 在基地上觀察到水圳底下的水草順著水流，但是依然在原本的地方持續著生 命，消防隊與水的關係密不可分，藉由觀察基地現況的水流影響水草的浮動 的意象，與消防隊亦剛亦柔的意象不謀而合。 Observed on the water at the base of the plants along the water canal underneath, but still continued in the original place of life, fire and water are inextricably linked, by observing the status of the base currents affect the image of floating plants, and fire brigade has just has soft images coincide. 關鍵字發想 : 水 + 柔性 + 剛性 + 片狀 + 水痕 + 取水 + 凝固 Keywords hair like: water + soft + rigid + sheet + water + water + freezing mark

型態 01 /type01

型態 02 /type02

概念圖 /CONCEPT

透視圖 02 /Perspective 02

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替選方案 01 Alternatives 01 將建築物往前推，直接面臨馬路，綠地可能會被隱藏，公共性質不高。將公 共區域留設與社區較為接近的地方。 Push forward the building, directly facing the street, the green may be hidden, the public nature is not high. Leaving in the public areas and the community more accessible.

替選方案 01 Alternatives 01

替選方案 02 Alternatives 02 將建物往後推移，但是往後地的交通動線較為不便，將綠地留給與外界的溝 通，公共性質較高。 Will be built next thing goes on, but future land transportation routes is more inconvenient, the green leaves of communication with the outside world, higher public nature. 替選方案 01 Alternatives 01

替選方案 03 Alternatives 03 將建築物留設與電塔的旁邊，因為本身基地的北側已經與環境斷裂，所以車 道設置於此並無增加額外的斷裂點。綠地留設在中間，可以讓一般民眾穿越， 公共性質高，將與社區的較多接觸的點，設定為公共區域，使得基地與當地 的民眾可以多一些互動。 And leaving in the building next to the tower, because the north side of the base itself and the environment has been broken, so there is no additional lane to set this breaking point. Green leaving in the middle, you can let the general public through the public nature of the high, the more contact with the community point set as public areas, making the base with the local people can be more interactive.

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替選方案 01 Alternatives 01

配置替選方案 /Configuration alternatives

作為消防隊進出入口的主要區域，因為設置在電塔旁，同時往地下的地下車 道，並無影響原本的動線系統。建築物前的的廣場，屬於半公共性質的空間， 主要是讓警消兩者同時使用的。 As the fire brigade entrance into the main area, as provided in the electrical tower next, and deepened underground driveway, had no effect on the original moving line system. The square in front of the building, quasi-public space is designed to allow use of both police and fire. 將 綠地與後面的社區公園做一個連結，而不導致綠地封閉的情形，觀察其角 落，屬於交通轉折點，並沒有在此設定任何集會活動，避免危險發生。 The community park behind the green and make a link to the case without causing green closed to observe the corners are traffic turning point, and not in any gatherings this setting to avoid hazard.

時間 01 /time 01

時間 02 /time 02

時間 03 /time 03

配置分析 /Configuration analysis

基地配置圖 /SITE PLAN

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基地鄰經國路之快速道路有大片的連接面，作為直接出勤的出入口的選擇性 高。基地旁有一大條的水圳，其水的意象與消防隊常常需要用水的意象，彼 此關係密切。 Partial elevation of the ground floor, its windows let in the basement ventilation opportunities, and its surface is made of light-colored, so that the sun can be reflected shortwave radiation, part of the block to the basement heat source. Window location where people can easily maintain and clean. 基地周邊的紋理多為稻田，其水平視野非常開闊，有機會在水平的視野中創 造出有一個指標性的建築物增加其存在感。 Mostly around the base texture rice, the level of a very broad perspective, the opportunity in the horizontal field of vision to create an index of buildings to increase their sense of presence.

基地周邊高程分析圖 /Around the base elevation analysis chart

西向立面圖 /West ele

72

在基地旁邊的電塔，其高度會造成附近水平延伸的視野部分的視覺斷裂，在 基地東方的社區公園，其高埕與基地齊平，但是在與地高差約 4 米的邊界， 並無處理。 At the base next to the tower, its height will cause nearby horizontally extending portion of the visual field of view fracture at the base of the East neighborhood park, its high courtyard flush with the base, but with the ground elevation of about four meters of the border, there is no treatment. 基地面積較為狹長，其東西兩側的受熱面積較高，需要注意其東西曬的問題。 Relatively narrow base area, the east and west sides of the heated area is high, need to pay attention to the problem of what the sun.

俯瞰透視圖 /Overlooking perspective

東向立面圖 /East ele

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部分抬高的地面層，其開窗讓地下室有通風的機會，其表面材質為淺色系， 讓陽光可以反射短波輻射，部分遮擋到地下室的熱源。開窗位置可以讓人在 這裡方便進行維護與清潔。 Partial elevation of the ground floor, its windows let in the basement ventilation opportunities, and its surface is made of light-colored, so that the sun can be reflected shortwave radiation, part of the block to the basement heat source. Window location where people can easily maintain and clean.

4

5

讓人在地下室感受到從地層裂縫中透出的光線，來暗喻在在被瓦礫堆壓垮的 空間，看到一絲的生命。 People feel in the basement from the formation of cracks in the revealing light to metaphor crushed in the rubble in the space, see a trace of life.

1 3

間 空 置 留 時 臨

廁所

機車停車場

2

1 2 3 4 5 6

細部分析 /Detailed analysis

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停車場 機車停車場 監守所 停車出入口 殘障停車位 廁所

Parking lot Motorcycle parking Probation Parking entrance Handicapped Parking Toilet

B1F 平面圖 /B1F plan

光線在此過濾兩次，使得室內的空間品質呈現柔和的氛圍，在室內的人可以 體驗到被散焦柔和的光線包圍的感覺。 The light in this filter twice, so that the quality of the indoor space showing the soft atmosphere, one can experience the room is defocused light surrounded by a soft feeling. 雲梯車

車 務 公

光線多位在公共使用的區域，讓人在室內的空間，心情可以被治癒。 Light a number of areas in public use, people in the interior space, the mood can be cured.

水庫車

5 水庫車

救護車

4

室 救護器材

7

室 消防值班

會客室

廁所

檔案室

1

辦公室 櫃台

2

槍械室

3 警 車

警 車

6

) 間 水 (茶 室 客 會

1 2 3 4 5 6 7

細部分析 /Detailed analysis

廣場 警察局 警車停車位 消防局 消防車停車位 綠地 坡道

Plaza Police department Police car park Fire Station Truck parking Green Ramp

1F 平面圖 /1F plan

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4

02

5

01

廁所(男)

6

3

3

廁所(女) 救 護 車

2

廁所

救 護 車

消防隊待命休憩空間

1

水 庫 車

集會堂

1

消防隊辦公室

多功能集會堂

設備室 會議室

5

隊長辦公室

2

4

準備空間

倉儲空間

隊長個人寢室

1 2 3 4 5 6

室內集會所 警察局 廁所 主入口 樓梯間 電梯

1 2 3 4 5 6 7

Indoor Meeting House Police department toilet The main entrance Stairwell Elevator

2F 平面圖 /2F plan

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辦公室 待命休息室 廁所 會議室 樓梯間 電梯 隊長辦公室

Office Standby Lounge toilet Meeting Room Stairwell Elevator Captain's Office

3F 平面圖 /3F plan

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3 6

03

1

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集會堂

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救 護 車

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09

水 庫 車

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倉儲空間

1 2 3 4 5 6

休息室 寢室 廁所 廚房 樓梯間 電梯

1 2 3 4

Lounge Room toilet Kitchen Stairwell Elevator

4F 平面圖 /4F plan

休息室 寢室 樓梯間 電梯

Lounge Room Stairwell Elevator

5F 平面圖 /5F plan

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08.

構 x 生 / 未來生態居 Constitutive Habitat

x

Living

/

Future

Eco

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構 x 生 / 未來生態居 Constitutive Habitat

x

Living

/

Future

Eco

lohas= 樂活 =low has，是一種少的擁有 ‧ 在現代的都市，我們在開發時， 很直接處理的大自然元素就是養育我們的大地，土壤是蘊藏豐富生命元素的 載體，與土壤一起生活早在遠古是一件自然的事情。 lohas = Broadwood = low has, the owner of a small city in the modern ‧, we develop, it is to deal directly with the natural elements of the earth that feeds us, the soil is rich carrier elements of life, to live together with the soil back in ancient times was a natural thing.

現在的都市集中開發，使我們接觸大地的機會越來越少，因此在此與土壤共 同生活，看見土壤，觸摸得到土壤，同時讓心靈重新回歸土壤，再次萌生簡 單快樂的芽苗。 Now focus on the development of the city, so that we have fewer opportunities to touch the earth, so in this life together with the soil, and saw the soil, the soil by touch, while allowing the mind to re-return to the soil, simple and happy again sprouted sprouts.

概念發展 /CONCEPT

時間 01 /time01

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時間 02 /time02

時間 03 /time03

時間 04 /time04

基地位在台中市待開發住宅區，周邊皆為規劃好的住宅預定地，若可以在此 基地建立起一個範例，成為此區的一個小綠點，慢慢擴展到每個住宅區，同 樣的精神可以不斷被複製，成為真正的城市森林綠洲。 Base located in residential areas to be developed, Taichung City, the surrounding are pre-planned residential land, if you can establish a base in this example, as this area is a small green dot, and slowly expanded to almost every residential area, the same spirit can continue to be copied and become a true urban forest oasis.

時間 05 /time05

基地配置圖 /SITE PLAN

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4 1

6 2

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1. 梯廳 2. 停車塔 3. 垂直動線 4. 挑空 5. 外結構體 6. 型態 A 7. 型態 B 8. 型態 C

5

82

/A hall /Parking tower /Vertical moving /Pick an empty /Outer structure /type A /type B /type C

2F~4F 平面圖 /2~4F plan

將建築的表層結構化，有更多人無法實際到達的空間，但是具有結構上的意 義，同時也讓更多的生物可以棲息在其中而不被打擾，人與自然之間的介面， 多了許多彈性的空間，讓兩者因為建築的存在，可以進一步的共存。 The surface structure of the building, there are more people not actually reach space, but has a structural significance, but also allow more organisms can live in them and not be disturbed, the interface between man and nature, and more many flexible space, so that the existence of the two because the building can be further coexistence.

8F 空中花園平面圖 8F Sky Garden Plans 空間組織 /Spatial organization 在台灣地少人多的狀況下，垂直化的發展是必然的趨勢，同時也要兼顧到老 年化的需求。以及智慧型建築的涵構，最重要的是生態綠建築對環境保護的 重要性與友善。是未來應用的重點發展。將人生活的需求簡化，讓空間有更 多的容量包含自然，同時對人本身也是有益處的。 In Taiwan, the situation is so densely populated, the vertical development is an inevitable trend, but also take into account the needs of the aging.

Culvert structures and intelligent buildings, the most important is eco-green building on the importance of environmental protection and friendlier. Focus on the development of future applications. Simplify the daily needs of people, so that there is more capacity space includes natural, while the man himself is also beneficial.

9~18F 平面圖 /9 ~ 18F plan

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住宅單元類型說明 /Residential Unit Type Description 01. 有老人需要扶養的家庭 ( 三代 ) 02. 剛出社會的新婚家庭 ( 夫婦兩人 + 小孩 ) 03. 單親家庭 ( 父或母 + 小孩 ) 01 There are elderly people in need of support families (three generations) 02. Gangchu society family wedding (the couple + child) 03. Parent families (parents + children)

型態 A /type A

型態 B /type B

型態 C /type C

透視圖 /Perspective

84

空間定性 /Space qualitative 小孩的房間擺越簡單越好，還是給予一定的隱私，不過還是讓它們有多出來 互動機會，家中擺一張大桌子，全家的互動都集中在桌子。前面的院子與玄 關稍微縮小，但是依舊保持先經過庭園再到大門，讓人有機會體會到大自然 的風和雨，留下自然的痕跡，但是不至於被影響太大。 Children's room swing as simple as possible, or to give some privacy, but still allow them to interact with multiple opportunities to come out, at home, put a large table, family interactions are concentrated in the table. Front yard and porch slightly reduced, but still maintain the garden and then go through the door, people have the opportunity to appreciate the nature of the wind and rain, leaving traces of nature, but it will not be affected too much. 整體空間保持較為開放的空間，在家的任何角落都可以知道對方在做些甚麼， 但是不至於去干擾。空間以無障礙為原則，多變化的自然景觀，溫暖的觸感， 無突起的地面。 Overall space to keep more open space at home anywhere can know each other what to do, but will not go interference. Space accessible to the principle of varied natural landscape, warm to the touch, no protruding ground.

型態 A /type A

型態 B /type B

型態 C /type C

85

南向立面圖 /South ele

86

西向立面圖 /West ele

北向立面圖 /North ele

東向立面圖 /East ele

87

整體空間保持較為開放的空間，在家的任何角落都可以知道對方在做些甚麼， 但是不至於去干擾。空間以無障礙為原則，多變化的自然景觀，溫暖的觸感， 無突起的地面。 Overall space to keep more open space at home anywhere can know each other what to do, but will not go interference. Space accessible to the principle of varied natural landscape, warm to the touch, no protruding ground.

細部剖面示意圖 /Schematic cross section detail

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南向剖面圖 /South section

整體空間保持較為開放的空間，在家的任何角落都可以知道對方在做些甚麼， 但是不至於去干擾。空間以無障礙為原則，多變化的自然景觀，溫暖的觸感， 無突起的地面。 Overall space to keep more open space at home anywhere can know each other what to do, but will not go interference. Space accessible to the principle of varied natural landscape, warm to the touch, no protruding ground.

擋土柱結構系統 /Retaining column structure system

西向剖面圖 /West section

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石 x 山 / 老屋欣力 Stone x Mountain/old house, new life

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石 x 山 / 老屋欣力 Stone x Mountain/old house, new life 設計概念 /CONCEPT 在觀察基地的主角松樹，樹的生命與人相同的是他們也有高潮｀低潮｀有挫 折｀有昂揚，在以人的尺度看見松樹樹幹的部分，便以其皮層龜裂的痕跡訴 著這裡的生命的軌跡。每個痕跡都在述說與記錄著他門生命的過往，這是其 他生命中所不容易看到的； The protagonist in the observation bases pine tree of life and people is that they also have the same low tide `` `setbacks have spirited, human scale in order to see some pine trunk, he traces its complaint with the cortex crack here the trajectory of life. Every trace of recounting and recording his door life in the past, it is in the other life is not easy to see; 如果樹幹遭受到外力與病害而得到傷害，樹本身所擁有的包容與癒合力會是 生命中會精彩的一部份，如果一齣戲沒這些情感與高低潮的話，那麼這齣戲 肯定索然無味，了無生趣。即使樹無法挽回生命，但卻依然呈現出一種永恆 佇立的姿態，與不卑不亢的精神。 If the trunk is obtained subjected to external forces and disease damage, the tree itself is owned by the healing power of tolerance and life will be wonderful one part, and if one did not play with the highs and lows of these emotions, then the play is certainly uninteresting , and apathy. Even if the tree can not save lives, but it is still showing a permanent standing posture, and reasonable manner the spirit.

時間 01 /time01

時間 02 /time02

時間 03 /time03

設計概念 /CONCEPT

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松園別館在花蓮是一個難得可以讓市區的居民在這邊好好放鬆自己的地方， 四周可以將花蓮市到花蓮港的美景收的一覽無遺，過去松園只是個廢墟，也 有傳言是日治時期神風特攻隊出發前受令的所在地，經過多次管理單位的轉 換，甚至會被淪為飯店的開發地，在當地居民的反對聲浪下，最終成為一個 可以開放的歷史風貌用地。 Pine Garden, Hualien is a rare allow urban residents in here to relax in their place, four weeks can be Hualien City, Hualien harbor views collected at a glance, past Pine just ruins, there are also rumors that the Japanese colonial period kamikaze Commandos before departure location by order, after several management unit conversion, may even be reduced to the hotel's development, in the opposition of local residents, and ultimately become a historical style can open land.

但是現階段的管理單位與文化局並未將之進行大動作的改造與再利用，多數 建築物保持原樣以及修復腐壞的建材，這次設計的宗旨便是使松園別館可以 成為給予當地人減緩日益加速的生活步調緩衝的空間，並成為花蓮人值得驕 傲的且給予來參觀的人深刻的印象的場所。 But at this stage of management units and Cultural Affairs will not be a big movement of transformation and re-use, most of the buildings remain intact, and repair perishable materials, the design objective is to make the Pine Garden can be given to locals alleviate the growing the pace of life accelerated buffer space, and become proud of Hualien to visit the people and give a deep impression of the place. 基地位置圖 /SITE

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空間操作 /Space operation 舊有建物現階段的使用常作為彈性的展示空間，為了因應展示需求而將原有 的空間性質以隔板遮擋，現階段的設計將重視原有建物的通透性，將老屋本 身就是當作一個展示品來看待，將原有的展示機能外移出去，以一棟新建築 的型態來與舊有建築群的空間場所來進行對話。 Old buildings often used at this stage as flexible exhibition space, in order to demonstrate demand in response to the spatial properties of the original block with clapboard, stage design will focus on the permeability of the original building, the old house itself is when as a showpiece to look at, the relocation of the original display function out to a new building types come with old buildings to make room for workplace dialogue.

立面分析圖 /Facade analysis chart

概念圖 /CONCEPT 從舊有的空間構造，學習到材料的使用，舊有建物在牆體與基礎上使用混擬 土，而在屋頂使用木構架，從這裡以一種新的構築方式將過去的混擬土與木 構架重新組合。 Some space from the old structure, to learn the use of materials, the old building of the wall to be mixed with the soil on the basis of use, and in the use of timber frame roof, from here in a new way in the past to build soil mixed with wood intended frame reassembly.

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平面分析圖 /Plane analysis diagram

松園別館與原有土地的關係是非常好的，在不破壞原有的基地關係，持續追 塑這塊土地的源頭，原本是日本軍隊為了取得置高點，將原有的山頭移平， 變成平地，利用這次的老屋欣力的計畫，同時在本質上進行回復。 Pine Garden relationship with the original land is very good, does not destroy the original base relations continued to chase the source of plastic land, originally a Japanese army set in order to obtain high point, the original hills leveled into plains, take advantage of this old house XLT plan, while in essence to reply.

透視圖 /Perspective

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20 21

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觀眾席 劇場舞台 觀景平台 室內休憩區 手工藝區 儲藏區

Auditorium Theater stage Viewing platform Indoor Recreation Area Crafts District Storage area

7 清洗區 8 地下體驗區入口 9 貨梯出入口 10 地下體驗區

Washing area Underground entrance Freight elevator Underground Experience

Public Toilets 11 公共廁所 12 哺乳 / 殘障廁所 Breastfeeding / Office 13 辦公室 14 諮詢室

Consulting room

15 販賣區 16 閱讀區

Market District Reading area

17 準備室 18 室內展覽空間 19 防空洞

Preparation Indoor exhibition space Dugout

20 主入口

The main entrance

21 原入口

Original entrance

1F 平面圖 /1F PLAN

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原有基地上建物，有三棟屬於混擬土構造，一棟木構造建築，材料上也是屬 於複合使用，混擬土上搭建木構架屋頂。在上其灰瓦。 Existing buildings on the base, there are three proposed land belonging mixed structure, a wooden structure building, also belongs to the composite materials used to be mixed with soil to build timber frame roof. On its tiles. 在這次設計當中，以玻璃與鋼構造最搭配使用，以最少破壞性構築在舊有建 物之上，新舊之間的關係，以完整包覆來進行舊有建築物的保護。 In this designs, most with glass and steel structure with the use of the least disruptive built on top of the old building, the relationship between old and new, with full cover for the protection of old buildings.

新舊接合細部剖面圖 /Detailed profiles

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透視圖 01 /Perspective01

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透視圖 02 /Perspective02

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原始東向剖面圖 /Original east section

東向剖面圖 /east section

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原始東向剖面圖 /Original east section

東向剖面圖 /east section

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透視圖 /Perspective

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透視圖 /Perspective

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原始東向立面圖 /Original east ele

北向立面圖

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原始北向立面圖 /Original north ele

北向立面圖

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原始南向立面圖 /Original south ele

南向立面圖

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原始西向立面圖 /Original west ele

北向立面圖

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表 x 現 / 水彩 . 麥克筆 . 炭筆 . 拼貼 Express x appear / watercolor marker. Charcoal. Collage

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紋理 /Grain 工具 : 原子筆 時間 :2012 /Tools: ballpoint pen /Time: 2012

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巷弄 /Alleys 工具 : 炭筆 時間 :2012 /Tools: Charcoal /Time: 2012

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剖立面 /Sectional elevation 工具 : 水彩 時間 :2012 /Tools: Watercolor /Time: 2012

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人+樹 /People + tree 工具 : 水彩 時間 :2012 /Tools: Watercolor /Time: 2012

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室外透視 /Outside Perspective 工具 : 麥克筆 時間 :2012 /Tools: Mike Pen /Time: 2012

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室外透視 /Outside Perspective 工具 : 麥克筆 時間 :2012 /Tools: Mike Pen /Time: 2012

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室內透視 /Interior Perspective 工具 : 麥克筆 時間 :2012 /Tools: Mike Pen /Time: 2012

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室外透視 /Outside Perspective 工具 : 麥克筆 時間 :2012 /Tools: Mike Pen /Time: 2012

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拼貼準備 /Collage ready 材料 : 珍珠板 + 道林紙 + 壓克力顏料 工具 : 筆刷 + 膠水 時間 :2012 /Tools: Pearl Dowling + Acrylic board +Tools: Brush + glue /Time: 2012

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異.夢 /Iso Dream

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伍 x 設 / 花蓮港複合轉運站 5th x Design composite RTS

/

Hualien

Harbor +

+

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動機 /Motivation 在現今的社會世界，是一個交織的社會，被自然與人為的事物彼此交織，那 建築在這裡要扮演的是甚麼樣的角色 ? 是很單調的做一個外觀就好 ? 還是說 她是包容的 ? 或是他其實是一個動態的，可以去涵構複雜的自然 ?

In today's social world, is an interwoven social, natural and man-made things are intertwined, and that building is here to play what role? Do a very monotonous look like? Still say she is inclusive ? or if he is in fact a dynamic, complex structures can go to Han's natural?

simple

complicated

花蓮古稱奇萊，據《花蓮縣志》記載，西班牙人在 1622 年（明天啟 2 年）到 這裡採取砂金，還將花蓮地區稱為多羅滿，是台灣原住民的天下。而漢人至 花蓮開墾是清朝咸豐元年（1851 年），相較臺灣其他地方遲。在 1932 年臨 海道路（今蘇花公路之前身）通車前，往來花蓮通常需要乘船、而有「陸上 離島」之稱。所以讓花蓮重新回復海港城市，便是至今重要的指標。 Hualien ancient Chilaishan, according to "Hualien County" records, the Spaniards in 1622 (Tianqi 2 years) to be here to take gold, also known as multi LUO Man Hualien, Taiwan's indigenous peoples of the world. The Han Chinese to reclaim the Qing Xianfeng Hualien (1851), compared to other places in Taiwan late. In 1932 Linhai Road (the predecessor of today Suhua Highway) before the opening, between Hualien usually requires a boat, while "Land Islands," said. So let Hualien restored the harbor city, is still important indicators.

概念圖 01 /CONCEPT 01

縱觀花蓮，其地理位置臨近太平洋，靠中央山脈與海岸山脈，如此靠近大自 然的城市，卻未反映和自然環境之間的特性，花蓮是一個靠海的都市，身在 其中卻覺得是一個內陸的城市，所以海洋這件事情消失了。基地擁有處於城 市與海洋的交界處的條件，要如何以此為契機，找回與海洋之間的對話 ?!

Throughout Hualien, its location close to the Pacific, by the Central Mountain Range and Coastal mountains, so close to the nature of the city, but did not reflect the characteristics and the natural environment, Hualien is a city near the sea, in which the body was found is a inland city, so the ocean this thing disappeared. Base has at the junction of the city and ocean conditions, how to take this opportunity to get back with the dialogue between the ocean?!

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基地圖 /SITE

+ 40%

+ 10%

-

0

80%

+ 基地圖 /SITE

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設計理論基礎 /Design Theory 在自然界所有看到的事物，即便是靜止，他也是動的，觀察物件從原子從夸 克開始看起，如此的微觀，任何人工的或是自然的分類定義在此沒有任何意 義，所有的一切都在運動，但是以人的感官看來，他卻是靜止，這就是動態 平衡所產生的表象，真正的原理在於平衡。 All see things in nature, even still, he is moving to observe the objects from the atom began to read from the quarks, so microscopic that any artificial or natural categories are defined in this does not make any sense, everything in the exercise, but it seems to the human senses, he was still, this is generated by the appearance of dynamic equilibrium, the real principle is balance.

反噬就是逆向操作，一般建築程序從基地到平面空間格局，在去思考物質材 料，反過來就是先充分了解在該地想要呈現甚麼樣的物質質感，進一步來研 究此物質成為牆或是天花板等建築構建的可能性，在去思考其各種新的構件 在此基地適合在哪存在與組合。 Anti is the reverse operation, general building program from the base to the plane spatial pattern, in thinking about physical materials, which in turn is the first fully understand the place you want to show what kind of material texture, further to investigate this matter as walls or ceilings, etc. the possibility of building construction, in thinking about its various new components where appropriate in the presence of this base and combinations.

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概念圖 02 /CONCEPT 02

反噬自然，固然是將自然的元素當作是空間養分的來源，內外空間的對話， 透過物質所建築出來的介面進行對話。簡單的建築空間來自於對物質的了解， 複雜的自然需要被某種介質進一步過濾，使人的生活空間與自然並存，彼此 對對方最終都會是友善的，是循環的，是永續的。 Bite naturally, of course, is the natural element as a source of nutrients is the space inside and outside space, dialogue, through the substance out of the interface for building a dialogue. Simple architectural space of the material comes from understanding the complex nature needs to be some kind of further filter media, people's living space and nature co-exist with each other on the other end will be the friendly, is circular and is sustainable.

我認為世界是自然與人類在自然中的活動彼此交織形成的現象的世界。，所 以著重於自然與人之間的介質，便是所想要探討的課題。如果說科學的目標 之一就是發現紛繁的自然現象。建築的目標之一就是包容複雜的自然現象。 因此稱有此種特性的建築為反噬自然的建築。 I think the world is a natural and human activities in nature intertwined to form a world phenomenon.

So focus on the medium between nature and man, that is, you want to explore the topic. If one of the goals of science is to discover the numerous natural phenomena. One of the goals is to accommodate construction of complex natural phenomena. So there is this characteristic building known as the bite of natural architecture.

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花蓮小檔案 : /Hualien small files: 位 置 : 花蓮市位於台灣東半部偏北 Location: Hualien City is located in north eastern half of Taiwan 人

口 : 花蓮市 10 萬 7424 人 / 花蓮縣約 30 萬 9629 人

Population: 107,424 people Hualien City / Hualien County, approximately 309,629 people 面 積 : 約 29.4095 平方公里 Area: Approximately 29.4095 square kilometers 人口密度 : 花蓮市 3652.7 人 /KM；花蓮縣 66.9 人 / 每平方公里 ( 台北市為 9770.3 人 /KM) Population density: Hualien City 3,652.7 people / KM; Hualien County 66.9 persons / squarekilometer(Taipei City 9,770.3 people / KM) 氣

候 : 亞熱帶氣候 ( 秀姑巒溪以北 )/ 熱帶氣候 ( 秀姑巒溪以南 )

花蓮區域發展的定位 /Regional Development Positioning 花蓮區域發展應該是要重新被定位於一個海港城市的意象，而不是想盡辦法 從陸路上面開發新的交通路線，近來蘇花高的議題不斷，除了環境評估有待 商確之外，我們是否該靜下來思考，花蓮真正的特色，本來就在海上運輸， 但是到目前為止，花蓮在這方面卻沒有認真的對待。 Hualien regional development should be to re-locate the image in a harbor city, rather than from the land above to find ways to develop new transportation routes, recently Suhua issues constantly, in addition to environmental assessment to be correct supplier, we are the calm down and think, Hualien authentic features, already in maritime transport, but so far has not Hualien in this regard seriously.

Climate: subtropical climate (Hsiukuluan north) / tropical climate (Hsiukuluan south)

「海岸都市」或是「海港城市」才是花蓮真正從古至今「真實」的核心價值， 生處在國際城市競爭的環境下，對於花蓮都會的風貌塑造，將未來海洋都市 的規劃作為重點，予以發展，創造出生活、生態、生產的國際港灣都市為定 位。 "Coastal City" or "Harbour City" is truly ancient times Hualien "real" core values​​ , raw competitive environment in the international city, for Hualien city scene building, the city of the future marine planning as a priority, be developed to create a living, ecology and production of international harbor city is located.

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基地空照透視圖 /Base aerial perspective

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基地位置 /Base site ‧ 基地位置：本案基地位於花蓮港區之 23-25 號碼頭 （位於美崙溪出海口與花蓮港口） ‧ 基地面積：約 17.7 公頃 ( 詳細面積大小以地政單位資料為準 ) ‧ 基地現況：本案基地位於花蓮市市中心東北角，為花蓮港第一港口入港 凹帶視覺點。 ‧ Base Location: the case of the 23-25 base ​​ is located Hualien Port Pier (Located in the river's mouth and Meilun Hualien Port)

in

‧ Base area: about 11.89 hectares (detailed information on area size in the Lands Unit prevail) ‧ Base current situation: the case base is located in the northeast corner of downtown Hualien City, Hualien Harbor first port into the territoryConcave with visual point.

基地位置圖 /site

都市紋理演變圖 /Urban texture evolution chart

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1991 年基地圖 /1991 base map

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基地概述 /Project Site 花蓮港，位於臺灣花蓮縣花蓮市，為台灣的國際商港之一。東臨太平洋，西 倚中央山脈，是一個由東、西防波堤合攏而成的人工港。昭和 14 年（1939 年） 興建完成，民國 52 年 9 月 1 日（1963 年）開放為國際商港，成立花蓮港務局。 Hualien, Hualien City, Hualien County in Taiwan, one of Taiwan's international port. East Pacific, West Central Mountains, is one from the East and West together and made ​​ artificial harbor breakwater. 1939 (1939) completed the construction of the Republic of 52 years on September 1 (1963) opened to international port, the establishment of Hualien Harbor Bureau. 擔負起東部地區產業發展及港埠輸運功能。該港貨源主要以區域特性之大宗 貨物為主，如砂石、水泥及其熟料等。 Assume the eastern region harbors industrial development and transport functions. The Hong Kong supply mainly dominated regional characteristics of bulk cargo, such as gravel, cement and clinker and so on.

基地空照圖 /Base aerial

退縮海岸約 60M Flinch coast, about 60M 面積約 :17.7 公頃 An area of ​​ about: 15 hectares

基地主要為倉儲區，包含周邊碼頭與道路設計。 Base mainly for storage area, including the surrounding Pier and road design.

設計水深：外港水深：14-16.5 公尺 Design Depth: Outer :14-16.5 meters depth 地籍圖 /Cadastral

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基地空照圖 /Base aerial

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計畫起源 /Origins 「花蓮複合港轉運中心」計畫在解決與外界接軌的交通層面扮演相當重要的 一環，對於花蓮的發展與其找尋本質的道路上，有著很重要的轉換點，在人 為建設與自然環境取得平衡，並為花蓮建立一個與大自然對話的平台。

根據觀光局東部海岸國家風景區行政資訊網，東部的遊客人口由 97 年到 102 年從 33 萬增加到 175 萬，足足增加 140 萬的人潮，可以想見此觀光遊客人潮 的暴增，對花蓮不僅是人潮過多造成的交通問題，也是對環境的衝擊。

"Hualien composite transhipment center" plan to solve the traffic level of integration with the outside world plays a very important part, for the development of Hualien find its essence on the road, has a very important turning point in the construction of artificial balance with the natural environment, and to Hualien establish a platform for dialogue with nature.

According to Tourism Bureau, East Coast National Scenic Area Administration Info eastern population of tourists from the 97 years to 102 years from 330,000 to 1,750,000, an increase of 1.4 million full crowds, tourists can imagine this crowd jumped on Hualien is not only the traffic problems caused by excessive crowds, but also the impact on the environment.

基地現況 /Base status

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設施定位 /Facility Positioning

Content is probably its facilities culvert structure the following sections:

基地以花蓮港第四期工程所興建的人造平台碼頭做為規劃範圍，其規劃的內 容包含文藝展演空間，針對室內外的場地進行設計。以及轉運站功能的空間， 針對航運 / 客運 / 一般交通運輸的集散地。另外就是在提供一般民眾親近海 洋的休閒娛樂空間。 Fourth base in Hualien Harbor construction works as an artificial platform dock scope of planning, the planning of the contents include art and cultural exhibitions space for the design of indoor and outdoor venues.

And RTS function space for shipping / passenger / general transportation hub. The other is to provide the

01 The eastern aboriginal culture and creative industries.

02. Eastern literature and art on display venue.

03. Hualien Ocean cultural industries.

04 International Harbour travel and tourism leisure facilities.

05 urban residents entertainment and leisure space.

基地面積約 17 公頃，在此空間考量未來觀光客需求量，當地居民的使用，以 及貨運運輸等各使用族群的需求。 Base area of ​​ about 12 hectares, in the future tourist demand for space considerations, the use of local residents, as well as freight transport and other user groups needs.

其設施內容大概涵構以下各部分 : 01. 東部原住民文化創意產業。 02. 東部文學與藝術創作等展示場地。 03. 花蓮海洋文化產業。 04. 國際港灣旅運與觀光休閒設施。 05. 城市居民娛樂與休閒空間。

08 between the mountains and the

sea

意象圖 /Schama

133

基地現況影像紀錄 /Image record of the status of the base

01

01

02

02 03

03

134

06

05

04 04

05

06

135

航運 / 海運現況 /Shipping / shipping status 二十八年十月，可泊三千噸級輪船三艘及年進出口貨物二十萬噸。 Twenty-eight years in October, can be parked three thousand ton ship three and two hundred thousand tons of import and export goods

四十八年四月，至五十一年十月完成，吞吐能量年達五十萬噸。 Forty April 2008, to 51 years for completion in October, up to five hundred thousand tons annual throughput of energy

全長 264 公尺 乘員 2,076 名乘客 整艘船的噸位是 69130 噸

六十二年六月。吞吐能量達一一○萬噸。 Six years in June. Throughput energy of ten thousand tons

六十七年九月三十日，能提供一萬五千噸海輪通行，營運增為二九○萬噸。 30 September 1978, to provide fifteen thousand tons seagoing traffic, operating increased to ten thousand tons

全長 229 公尺 乘員 1,530 名乘客 整艘船的噸位是 51,309 噸

八十年十二月，三至十萬噸級可自由進出本港。 Eight years in December, 3 to 15 tons freely out of Hong Kong 全長 112 公尺 乘員 774 名乘客 整艘船的噸位是 3,213 噸

136

使用強度 /Land Use Intensity 基地原本的使用機能為倉儲，但是設置以來，使用率近乎於零，現今以雜草 叢生，變成獨樹一格的野生海洋生態區。 The use of performance as the original base storage, but since setting the utilization rate close to zero, now with weeds into a unique style of wild marine ecoregions.

2003

2005

2009

2012

137

基地限制 /Limit

基地潛力 /Potential

01.

01. 基地位在城市與海洋的交界處，提供了與海洋親近的地利。

港口內有大面積的砂石處理場，常有砂石車出入，在動線上會有危險 性。應該做動線分區。

01 The port has a large area of ​​ sand disposal sites, often gravel trucks out in Move online there will be dangerous. Should do moving lines partition.

02.

砂石場的處理，可能有空氣汙染的可能

02. Gravel pits treatment, there may be the possibility of air pollution 03. 要注意潮起潮落的高度差，避免海水入侵建築 03 To pay attention to the ebb and flow of the height difference, avoiding seawater intrusion Architecture

01. The base is located in the junction of the city and the ocean, provides a location close to the ocean.

02. 花蓮文人藝術眾多，在此有更多的空間與機會建立大型的藝術展演舞台， 進一步發展花蓮的藝術。 02. Hualien many literati arts, in which there is more space and the opportunity to build large-scale art exhibition arena, further development of the art of Hualien.

03. 建立起第三大公眾交通工具的任務，為花蓮帶來藍色公路的契機，若可 實現，對花蓮的自然環境與旅行觀光之間取得平衡，無不益處。 03. Establish the third largest public transport tasks, Blue Highway Hualien brings opportunity, if they can achieve, on the natural environment in Hualien strike a balance between tourism and travel, all benefit.

基地現況 /Base status

138

基地議題 /Issues 01.

此基地所處位置於城市與海洋的交界，有很大的機會可以與大自然進 行對話 01 This base location at the junction of the city and the sea, there is a great opportunity to engage in a dialogue with nature.

02. 當地的物質多為石灰岩在地殼壓縮下產生變質的大理岩，也常用作混 擬土的材料之一，可做為操作的素材。 02 The local limestone material, mostly produced under compression in the crust metamorphic marble, also used for the soil to be mixed with one of the materials can be used as the material of operation.

基地現況 /Base status

03. 海港的視野，呈現出大山大海的氣魄，石頭 / 浪花 / 海 / 山 / 雲構成 花蓮港的景致，人在此被縮小了，在人與大自然之間的關係，在這裡便可以 很清楚的認知。 03. The harbor view, showing a boldness sea mountains, stones / spray / sea / mountain / cloud constitute Hualien harbor views, is reduced in this, and in the relationship between man and nature, where they can be clear understanding.

04. 基地原有的目的在於倉儲，但是實際上的貨運量並沒有這麼多，因此 造成閒置的狀態，縱觀花蓮與海洋之間的關係為一特色，在這裡便可以做為 類似公園或是廣場等機能讓一般民眾可以有更親近大海的機會。 04. The original purpose of the base storage, but in fact is not so much cargo, thus causing the idle state, look at the relationship between Hualien and ocean is a feature where it can serve as a park or similar Square and other machines to make the general public can have a better chance to get close to the sea.

基地現況 /Base status

139

概念發想 /idea 設計手法與策略 /Design techniques and strategies 混擬土本身需要與水混和，靜待一段時間才能凝固而成，在觀察石材於高溫 高壓下的變化，是一個很好的材料。 Mixed with the soil itself needs to be mixed with water, wait some time before solidification, observing the stone at high temperature and pressure changes, is a very good material. 在花蓮地質多為變質岩，是經由地殼的擠壓以及高溫的作用下產生而成，以 這樣的方式，來觀察物質在不同條件下的壓力變化，以利觀察量體的型態與 紋理。 Metamorphic geology mostly in Hualien, is extruded through the crust and formed under the action of high temperature, in such a way, to observe the material under different conditions of pressure changes, in order to facilitate observation of the amount of body styles and textures.

原型 /Prototype

140

以混擬土當作基質，來模擬出物質在其中的變化，用這樣的方法紀錄，同時 反推是不是可以思索出一個適當的型態是適合花蓮的，所以開始用一些大理 石的地形或是潮汐的造成的紋理，來觀察物質在不同條件的壓力下，有甚麼 樣的空間量體產生，進一步推導出，屬於花蓮當地的地域性的空間體質。 Intended to mix the soil as substrate to simulate the material in which the change in such a way record, and thrust reversers can not think of an appropriate type is suitable for Hualien, so start with some of the marble of the terrain or texture caused by the tides, to observe material under pressure in different conditions, what kind of space massing generated further deduced, are regional local Hualien physical space

紋理 /Grain 將半凝結的混擬土，拓印基地周邊環境的地理表層，進一步簡化資訊，來觀 察期地表的紋理。 The proposed semi-coagulated mixed soil around the base of the Geographic rubbing surface, further simplifying information, to observe the period of the surface texture.

型態 01-2 /type01-2

型態 01-3 /type01-3

型態 01-4 /type01-4 型態 01-1 /type01-1

型態 01-5 /type01-5

141

擠壓 /Extrusion 以石膏為中間層，觀察岩層在各種壓力條件下所產生的變化。 Gypsum as the middle layer, observed in a variety of rock under pressure arising from changes.

型態 02-2 /type02-2

型態 02-3 /type02-3

型態 02-4 /type02-4 型態 02-1 /type02-1

型態 02-5 /type02-5

142

融蝕 /Ablation 以蠟作為中間層，將混擬土壓制之後，以高溫來融化臘，以觀察期穿透的空 間變化。 In December as an intermediate layer, the soil will be mixed to be pressed after the high temperature to melt the wax to penetrate the spatial variation of the observation period.

型態 03-2 /type03-2

型態 03-3 /type03-3

型態 03-4 /type03-4 型態 03-1 /type03-1

型態 03-5 /type03-5

143

+

+

AA

+

+

0 0

+

+

+

+

+

+

+

+

+

+

+ C

E

++

+

B B + +

透過觀察三種型態對基地的採集 + 拓印 + 澆灌，其經過各種條件的壓力下產 生的量體型態，有著各種“層”的型態。

E

3.5 2

1

+

2

1

1

1

1 1

1

+

A

A

3

In December as an intermediate layer, the soil will be mixed to be pressed after the high temperature to melt the wax to penetrate the spatial variation of the observation period.

型態 02 /type02

AA + +

+

0.03 m

0.03 m

0.02 m

0.01 m

0.02 m

++ +

+

+

0.02 m

++

+

++

0.02 m

+

+ + BB +

++

+ +

C

C

+

+

AA

+

+

+

+

+

+

+

+

+

+

++ + +

+

+

型態 03

型態 04

/type03

/type04

+ + 0 1

0 1

AA

+ +

+ + + +

+

++

三種層的型態 : /Three kinds of layer types:

+

++

B B

0

++

0

++ 型態 05 /type05

++

型態 06 /type06

型態分析 /Pattern analysis

144

01. 對應著邊緣，其因為拓印的壓力下，將土地對於地表的型態被表現出來， 凹陷處有著聚集的效果，微微隆起表面產生的曖昧，顯現出與某種緊張的關 係。 01. Corresponding to the edge, which because of rubbing under pressure to the surface of the land pattern is shown, the effect of depression has gathered, the ambiguous slightly elevated surface, showing the relationship between a tension.

02. 中間凹陷水平空間，被上層較為厚重的量體下壓，其中虛體與實體之間的 介面變得模糊，這裡的層有著更為密集的交互作用。 02. Middle sag horizontal space is relatively heavy amount of upper body, under pressure, in which the virtual and physical interface between the body become blurred, where the layer has a more intensive interaction.

03. 在上下兩層厚實的量體擠壓之下，中間層保有自己的密度與之對抗，因而 產生出經過兩種力量撞擊的張力。這裡的層的介面清晰且俐落。 03 in the upper and lower layers of thick extruded massing under the middle layer retains its density to confront it, thereby generating a collision of two forces through tension. Here is clear and neat interface layer.

+ + + +

AA

+

+

+ +

+

+

+

+

+

+

+

+

++ + +

+

+

+ +

+ + + +

層的概念 /The concept of layer

145

146

12.

競x圖/牆 Competition x Figure / ALTUS

147

148

149

150

13.

競 x 圖 / 地層 Competition x Figure / Undergoing the Empitness

151

競 x 圖 / 地層 Competition x Figure / Undergoing the Empitness 人們平時走在地面上看到的只會有地面上該出現的人事物，但是支撐著我們 日常生活的背後，卻被一直忽略在大地之下的土壤，利用下挖產生出空的空 間，讓人有機會體驗兩種與土地的關係，藉此刺激人們去思考與沉澱，重新 面對與土壤共生的關係。 People usually go on the ground there will only be seen on the ground that the people who appear thing, but supporting our everyday life behind, has been neglected in the earth beneath the soil, using the following dig produce empty space, so that people have the opportunity to experience two kinds of relationship with the land, to stimulate people to think and precipitation, to face a symbiotic relationship with the soil.

過程分析 /Process analysis

配置分析 /Configuration analysis

152

153

154

14.

競 x 圖 / 嘉義厝 Competition Chiayi

x

Figure

/

House

of

155

156

157

158

透視圖 /Perspective

透視圖 /Perspective 159

160

15.

實 x 習 / 燈光設計 . 室內設計 Real x Exercise Interior design

/

lighting

design.

161

矮燈透視圖 /Low light perspective

162

矮燈透視圖 /Low light perspective

路燈透視圖 /Street perspective

163

壁燈立面圖 /Wall elevations

壁燈實作 /Wall Implementation

164

壁燈模擬圖 /Wall Rendering

壁燈實作 /Wall Implementation

165

矩陣燈光裝置 /Matrix lighting installations

166

燈具細部圖 /Lighting detail drawing

外側透視圖 /Outside perspective

陽台上洗效果圖 /Wash renderings on the balcony

167

01 02 03 04

室內展場設計 /Indoor exhibition design

168

01 02 03 04

國際會議廳設計 /International Conference Hall Design

169

C

D

彩繪牆

8人座半開放會議室 電子白板

陽台

弧形書櫃

會議室

新書展示區 活動區 書庫

+3

B

+33

說故事區

櫃台 A

+0

入口

A'

鞋櫃

書櫃

書櫃兼座椅

入口滯留空間 C'

日 期 Data

170

B'

+18

2012/08/22

專案名稱 Project

九湖國小圖書室規劃設計

室內木平台

N

D'

圖名 Name

單位

比例

國小圖書室設計 _ 平面圖

IDEA

平面配置圖 /Elementary cm 1/100 Library Design School _ Plans 愛迪亞室內設計事務所 Unit Scale

02 01

03

01

02

03

04

05

06

04

06 05

日 期 Data

2012/08/22

專案名稱 Project

九湖國小圖書室規劃設計

圖名 Name

透視圖

單位 Unit

cm

比例 Scale

1/50

IDEA

透視圖 Perspective 愛迪亞室內設計事務所

171

172

/CONTINUE.... .. ... .. . . .

173

174