Little Village magazine issue 296: July 2021

Page 26

Community

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Creating the New Normal On your nature walks this year, take a stab at peregrination. BY THOMAS DEAN

never exposed yourself much to blues, for example, take the plunge this year and broaden your musical and cultural horizons by taking in some performances at the Soul and Blues Festival (July 30–31). By attending, you’ll also support local arts and culture as well as a lot of local musicians. Are you itching to put that competitive spirit back into play with some pick-up basketball or other games? How about looking at them more as cooperative activities than competitive ones? Competition is fine, but our world has plenty of it. In these more fraught times, we could use a lot more cooperation, so maybe let’s also exercise our imaginations and think of ways to play with other folks more than against them. That’s a kind of muscle memory that could likely have wider social benefit. And for those of us who might be gearing up to hit the trail—of whatever kind—perhaps our hiking, biking or running are opportunities to travel deeper into ourselves rather than just farther in miles; to nourish our contemplative rather than conquering spirit; or to widen our attention and perception rather than narrow our focus and personal best goals. On the latter, two of my favorite recreational activities are walking in our local natural areas and photography. Last year, as part of a Prairiewoods retreat on contemplative photography taught by Angie Pierce Jennings, we took cues from Christine Valters Paintner’s book The Soul’s Slow Ripening: 12 Celtic Practices for Seeking the Sacred (Sorin Books, 2018). One of

AS WE PICK UP OUR FAVORITE RECREATIONAL ACTIVITIES (OR CONTINUE THEM), MAYBE LET’S THINK ABOUT HOW WE CAN DEEPEN OUR OWN EXPERIENCE, GIVE OURSELVES NEW PERSPECTIVES AND MAYBE CONTRIBUTE TO THE GREATER GOOD AT THE SAME TIME.

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Thomas Dean

s we continue to emerge from the pandemic (I hope), we often hear—and rightly so—that we really can’t go “back to normal.” “Normal” had all kinds of terrible problems, and if we’re smart, we’ll have used this time of quarantine, lockdown and social stasis to reflect on what is truly necessary and how we might reset to make life better for all. Usually these types of admonitions focus on big-picture issues—addressing climate change, establishing economic equity, advancing social justice. But we should think about resetting at all levels of our lives. So in this Little Village issue devoted to recreation, I invite you to rethink—even re-create—your recreational activities. And in so doing, we can perhaps contribute to re-creating ourselves and our communities. I’m not necessarily talking about just switching up your workout or trying a new sport. Even as we pick up our favorite recreational activities (or continue them), maybe let’s think about how we can deepen our own experience, give ourselves new perspectives and maybe contribute to the greater good at the same time. A few suggestions to illustrate what I mean: We will enjoy more live music as our Iowa City downtown music festivals return to life. It’s an ideal opportunity to explore new music. If you’ve 26 July 2021 LITTLEVILLAGEMAG.COM/LV296

those cues was to undertake a peregrination, a wandering in which we let go of agendas and destinations, when we just let the wind of the spirit— however we define or perceive that—to move us from behind, just as the wandering Celtic saints did when they followed wherever God would lead them. On the peregrination, Paintner invites us not to be overly intentional in what we choose to photograph but to be open to images that call our attention, that “shimmer” for us. We should give ourselves over to the object or scene for a few moments and then let the camera “receive” (not “take”) an image if we are so moved. Later, we are to let three or four images we received draw us in for more in-depth attention. Paintner says to then write a brief statement or two for each image using the voice of the image itself, beginning with “I am,” “to speak from the voice of colors, symbols, objects, shapes, and so forth, as a way of entering into this perspective on the world.” From there, we are to look at the connections between the images and statements, the story they tell, and finally to create a seven-line poem, each line based on randomly chosen words from your statements that also “shimmer” for you, and written one after another without revision or rearrangement. As Paintner says, “This is an exercise in following the thread and where it takes you.”


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