Artful Live An
速 Life Magazine
9
Three Dimensional Storytellers! Katheleen Kendall Sarah Angle Karen Rexrode PeaceLove Studios
Kim Tapper - Life Coach
Artful Life
Live An
®
Magazine
PUBLISHER, EDITOR Tom Neel tneel@LiveAnArtfulLifeMagazine.com PUBLISHER, ASSOCIATE EDITOR AND GRAPHIC DESIGN Linda Neel lneel@LiveAnArtfulMagazine.com ADVERTISING 540-253-9797 CONTRIBUTORS Tom Neel Aimeé O'Grady Kim Tapper, Life Coach, ACC, CPCC PHOTO CREDITS We wish to thank the following people of the wonderful photos used in this issue. Tom Neel PeaceLove Studios
ON THE COVER
"Searching" hand painted wood tray by Sarah Angle, 16" X 16".
SUBMISSIONS Live An Artful Life Magazine welcomes article submissions by email to submissions@ LiveAnArtfulLifeMagazine.com. Please include contact information. COPYRIGHT 2016 Live An Artful Life Inc. All rights reserved. No portion of this publication may be copied or reprinted without written permission from the Editor. Live An Artful Life is a registerd trademark of Live An Artful Life Inc. Live An Artful Life Inc P.O. Box 163 6474 Main Street The Plains, VA 20198
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to our readers As we bury our Northern Virginia rain deficit in with a deluge of daily drizzles, premiums are being placed on sunshine. So this, our delayed 9th issue, then comes at a time when good reading material should come in handy. We hope so anyway! With each new issue we try our best to expand our and your artful horizons through the vision and lives of others. The feature artist stories you find in this issue have a few things in common. They are all about women who are all about the same age, who creatively express themselves in more than one way and medium. They've all experienced some adversity and their art is then a very important part of their lives. A part that grounds them and they would be in a very different place without it. All of their art though is also quite narrative. These artists are story tellers and all uniquely three dimensional in their own special way. Three dimensional stories, which make for one wonderful creative volume! Kim Tapper is also back with her words of wisdom found in Life Coach, and with this issue we would also like to introduce our newest contributing writer, Aimeé O'Grady. Aimee brings us a heart warming story of art and community with her piece on Peace Love Studios located in Pawtucket, Rhode Island and Las Vegas Nevada. Aimeé has also been contributing valuable website content too! Which reminds me to remind you, Live An Artful Life Magazine is more than a digital publication, our informative website stitches your issues together! Enjoy reading and we hope sunshine eventually warms your face wherever you may be! Live An Artful Life, Tom
inside
7 PeaceLove
15
Kathleen Kendall The Magic Touch
Studios
Photo courtesy of PeaceLove Studios. Read their story on page 7.
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9
20
Life Coach
“A Good artist has less time than ideas.� Martin Kippenberger
24 Sarah Angle
Folk Artist Extraordinaire
30
Karen Rexrode Life Of The Assemblage Art Gardener
"The Artful You Series" FRAMING FOR ARTISTS with Linda & Tom Neel June 16, 6:30 - 8:30
Space is Limited CLICK HERE TO REGISTER TODAY!
To artists, as painters, often the necessary evil is framing. But framing is not only an important part of presentation, it’s a functional part of protecting and haning your artwork and un- fortunately many artists do it incorrectly. In this session artists will learn the simple tools and proper do-it-yourself techniques and materials of framing. Learn not only what hardward to use, but the proper placement of it. Learn the best hanging wire and the proper framing knot and why. ese techniques will put you on the good side of gallery and art show manage- ment and insure safety in installations.
THE CREATIVE CYCLE with Tom Neel May 19, 6:30 - 8:30 While we are born uninhibited by creativity, for many, time and adult responsibilities eventually become a hurtle to creative expression. One which brings the fear of achieving less than desirable results and a “which way do I go and where do I begin” mentality. Many retired business professionals and baby boomers especially wish to visit the fun of their youth. With a lifetime of creative experience and nearly three decades as a professional artist, Tom Neel is about to hand you the keys to unlock the inner creative you!
Live An Artful Life®
Hosted by
6474 Main Street, The Plains, VA
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peacelove Studios
Shines A Light on Mental Health By AmieĂŠ O'Grady PeaceLove Studios: An alternative to
skill so much so that an art show hosted
therapy and prescriptions. Using expres-
by his cousin, Kaplan, yielded a $16,000
sive arts to provide healing qualities for
profit in just one night. Sparr wanted
people who are open to
others to experience what
exploring their creative side.
he had and set out to cre-
A place for people free of
ate an environment that
judgement to work through
would encourage people
their problems.
to use their creative sens-
In 2009, cousins Matt Ka-
es through expressive arts
plan and Jeffrey Sparr part-
to optimize mental health.
nered to open PeaceLove
The men took the funds
Studios, an expressive arts
from the show, bought art
studio, open to all members
supplies and headed to the
of the community. The first
Children’s Intensive Treat-
studio was opened in Rhode
ment Unit at Butler Hospital
Island, with a second loca-
Jeff Sparr
in Rhode Island. Over the
tion in Las Vegas which opened earlier this
next several months, Sparr shared his
year.
experience with hundreds of children and
The story begins with Sparr, a textile salesman, who noticed that his anxiety
adults. He began to make a difference. Since 2009, Kaplan and Sparr have no-
related to Obsessive Compulsive Disorder
ticed that the PeaceLove Studio members
lessened when he painted. In a desperate
have achieved more positive outcomes
attempt to find anything that would allevi-
in an environment where treatment is
ate his pain, he followed the advice from
not prescribed but rather they are free
a friend and picked up some art supplies.
to express themselves however they so
Over the years he honed his new found
choose, with no attention paid to the qual-
ity of the finished
mind. After being
product. “It is the
trained, Creators
process of creating
are able to deliver
that is important,
a 6-week series
not what is created
that consists of
in the end,” says
visual arts, story-
Kaplan.
telling, sound and
Corporations
movement with
have taken heed of
the purpose of
their approach and
helping individu-
turned their focus
als develop skills
to mental wellness and are now partnering
to achieve mental wellness. Creators can
with PeaceLove Studios to organize cor-
now be found in nine states throughout
porate retreats and invest more in their
the U.S. The goal of the Creators program
employees’ total health and wellness beyond just the physical. CVS Health is one such partner and Michaels is the exclusive art supplier for the studio. Thanks to support from corporate partners and the sale of the merchandise, PeaceLove Studios is able to impact people’s lives. To date the studio has reached over 20,000 individuals through programs, community events, and studio and event scholarships. One year ago, the duo added a program called Creators to the studio. The program trains and equips frontline people, such as social workers who work with populations in the greatest need of peace of 8 | Copyright Live An Artful Life Inc
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is to continuously engage people in mental
alive with passion. They had many ques-
health and expressive arts in order to help
tions about what was allowed and accept-
people lead healthier lives.
able and what the rules were. I had to
During one corporate retreat hosted by
constantly remind them that they had the
partner Alex and Ani, an attendee un-
freedom to choose whatever expressed
covered some challenging emotions. The
how they feel.
Creator could see the spark as the woman spoke honestly and openly about her situation. She has since moved on and sought further help and has improved her mental wellness. From a children’s workshop in Connecticut, a Creator shared on the PeaceLove Blog that “…some of the participants were hesitant at first, their creativity seemed to come
PeaceLove allowed them to be the funny
out on the path to wellness. PeaceLove
and engaging children that they are. At
Studios encourages everyone to pick up a
the same time, it allowed for them to ex-
brush or pen and explore the expressive
plore their emotions and was an outlet for
arts.
expression if they were comfortable doing so.”
To learn more about PeaceLove Studios or about becoming a Creator visit their
“We have created a safe space for peo-
website at http://peacelovestudios.com/.
ple to talk,” Kaplan says. PeaceLove Studios has provided the space, the materials and the encouragement for people to address their mental health issues and start
All photos courtesy of PeaceLove Studios.
It's all smiles at peacelove studios creators training!
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THOMAS NEEL F I N E A RT
The Piedmont’s Premier Landscape Painter
“Poppies", oil on canvas, 30” X 48”
One of the most collected and commissioned fine artists of the Piedmont region of Virginia, with paintings throughout America and abroad. All works are beautifully framed and locally delivered or shipped. We invite you to visit our website or call for more information.
ThomasNeel.com • Studio 540-364-4401
"Feathers, Petals And Sliders" June 8 - June 26
The solo show of fun, colorful, creative, mixed media paintings by Linda Hendrickson!
"Looney Tunes Ride", 12" X 12" Mixed Media
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Painting Demo! n! io t p e c e R w o h S June 11, 1 - 5 PM June 12, 3 - 5PM
"Captain's Choice Polkdot", 24" X 24" Mixed Media "Sea Joy", 12" X 12" Mixed Media
Meet, talk and watch Linda Hendrickson paint at her upcoming demo!
Live
An Artful Life速 G A L L E R Y
6474 Main Street, The Plains, VA 20198 540-253-9797
LiveAnArtfulLife.com
Kathleen Kendall
Above - "Fortune" Facing page left - "Under The Rose", right - "The Secret"
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"The Magic Touch"
As if in a fairy tale, I make my way to
other aunt a painter. Her grandparents on
the charming little cottage home and stu-
her mother’s side were makers of beautiful
dio of Kathleen Kendall. I knock, the door
lacquered, stenciled trays and decorative
opens, she greets me and invites me in.
pieces, and her mother was a watercol-
Kendall is soft spoken, pretty, petite, an
orist. Indeed her brother and cousins are
art school teach-
artistic as well. “So I just grew up around
er and of course
art.”
an artist, which is
Kathleen share’s that she always loved
the reason for my
painting and that clay was really interest-
visit. Looking at
ing to her too. Today working with both
her and her art,
equally she says, “I really have a hard
one might think
time deciding what
her life was one
to do .. so I take
of complete har-
turns” [between the
mony. Instead,
two]. This seems to
it seems to have
be a common thread
been a journey of
I find in multi-media
reasonable adver-
artists. That feeling
sity and challenge. I only share this be-
somewhat torn be-
cause it makes the things that she creates
tween two mediums
that much more magical and personal.
or forms of creative
Born and raised outside of Boston and
expression, as if one
on Cape Cod, Kathleen explains of her
medium will inter-
roots, “I come from a family of artists.”
nally be jealous of
One aunt was a well known sculptor Joyce
the other. Though Kathleen claims her
Johnson, founder of Truro Center for the
“hard time”, I see the two as fluid and
Arts [Castle Hill] on Cape Cod and her
flowing equally to the point of it being
very natural for a collector to have both her paintings and her sculpture. Kathleen married a Vietnam vet when
Virginia. That was 12 years ago. Today along with her art, she is an art teacher at Irving Middle School in Fair-
she was young. They were married 15
fax, VA. which she says really makes her
years and one day her husband, on his
happy and is rewarding, sighting this
birthday, walked out the door and she
age group, “You can talk to the kids like
never saw him again. She explains they
they’re adults, … You can teach them
were close, so she was
something and you see that light go on.” Along with giving the gift of creativity to her students she says, “I like to be around it [art] all the time, every spare moment I can reflect on my own
hysterical for weeks and while there’s more to this story, talk about set backs. The only work she had done during her marriage was some
stuff while I am
graphic design work and one can see
there because
those skills still remain honed. But alone,
you are sur-
she had to do something and shares, “I
rounded by it.”
didn’t decide to go to college until I was
Kathleen motions me to look around the
40”. She earned an MIS degree from VCU,
room while showing me examples of her
a BFA from the University of West Florida
loving so many different forms of art. She
and teacher certification from UT in Austin
enjoys still life, she loves working in pas-
and after this, she eventually moved to
tels, tempera painting, abstract, mosaic,
16 | Copyright Live An Artful Life Inc
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mix media, different things, but much of
She says of her work, “It’s blissful, I feel
her gallery paintings are influenced by the
good all the time when I’m painting. I can
Pre-Raphaelites which came from a trip to
sit for 10 hours straight and paint. I forget
visit an aunt many years ago that lived in
I’m hungry, I love to paint.”
England. During that trip she went to see
Kathleen also loves mechanical things
the museum at the Royal Academy and
and mechanical people, those who love
was taken by the Pre-Raphaelites paint-
mechanical things. A true classic motor-
ings she saw, bringing home books you
cyclist years ago, she tells me of riding
could only find there. It was obviously life
Indian and Triumph motorcycles. This was
changing and the start of a new life as an
something about her I didn’t see coming,
artist.
but that bit of fearlessness shows in her
Kendall’s artistic voice speaks with a rich timelessness
creative process. layered in
It’s refreshing and the
thought, humor,
mechanical side of her shows up especial-
playfulness, antiquity and story. Her art is
ly in her clay pieces, many of which have
mindful and it seems to be the one thing
small working or hand fabricated parts.
in her life that has been completely truth-
For her paintings, there are interesting
ful to her. It’s as if art seems dedicated to
aspects which bring them to life. While
her happiness and therefore, I would say
the painting part is done in oil, Kathleen
it’s as important as her own heartbeat.
creates designs through photoshop using
layered effects to be printed onto a tissue type paper. This process allows her to position and scale them to support her desired narrative. She then places them over her oil painting and through a varnishing step, the tissue paper becomes saturated and visually disappears into the varnish leaving the designs and her oil painting seen as one.
"Another Day in Paradise"
plains, “My grandmother was British and so I grew up in that story land of mythology … and those things just tend to seep into my work.” Kathleen loves magical things.
"Abundance"
Kathleen admits she likes some of her pieces “to feel a little odd” but not dark in nature, and those who enjoy her work are quickly drawn to it. This includes her little sculptures. “I started making clay things and I’m illustrative with my clay. I’m kind of sentimental and my brain is probably more like in Alice in Wonderland.” She ex18 | Copyright Live An Artful Life Inc
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"Pearl"
Like her paintings, Kathleen’s sculptures all have stories and often come with working parts that help the whimsical aspect of her storytelling. Kathleen describes them as archaic and funny. She also textures them to look as she describes them, “That they’ve been at the bottom of the sea.” They have a unique antique toy quality about them making them fun to collect. You can see a great selection of Kathleen Kendall’s artwork at Live An Artful Life Gallery.
Small jewells from Kathleen's bird series
Kathleen Kendall
Life Coach By Kim Tapper Finding The Unusual in Everyday Life
schedule. The time you and your spouse took a spontaneous road trip to nowhere special. That four-hour dinner you lin-
How routine is your life? Do you take
gered over, tasting every morsel. The
the same roads, eat the same foods, and
vacation you took with your best buds
talk to the same people pretty much ev-
that you still laugh about every time you
ery day? If you’re like most people, the
think of it. That stranger you started a
answer is a resounding yes because we
conversation with not really knowing why
are creatures of routines and habits. We
but feeling compelled to talk to.
often thrive on
It is critical
that repetition
to our growth
and feel that
to break our
there is some
routines. Neu-
sense and or-
rologically
der to the world
speaking we
because of our
now know
schedules.
that the brain
But if I asked
is malleable
you to recollect
and can con-
any of the mo-
tinue to grow
ments in your life that were wildly fun,
and develop new neural pathways long
fascinating, simply delicious, thrilling,
after it was once thought but the key to
precious, or even just ones that stood
that growth is learning and doing things
out, your answers would overwhelming-
that are new. Similar is true in business
ly come from the moments that were
– the cutting edge and most successful
unusual and off the beaten path of your
companies are the ones that continue to
20 | Copyright Live An Artful Life Inc
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push the edges of their work and antici-
and families. You can introduce simple,
pate new trends and shifts in culture and
little things into your daily or weekly lives
economy. Inventors live on that edge
and elicit great results. Eleanor Roos-
too, constantly creating bridges for us
evelt is quoted as having said, “Do one
between what was once and what will be.
thing every day that scares you.” That
Psychologically, the only way we change
would surely shake up your world! But
our lives is to change our personal hab-
you don’t even have to go that far if you
its, mindsets and actions. You want to
don’t want to. Here are ten super simple
free yourself from anger or shame? You
suggestions of ways to bring a little more
do the work to discover its roots and
adventure, tap into the unusual and grow
you create new ways of thinking about
your life:
those things, new habits to help you re-
1.
Drive home a different way and
lease those unwanted negative beliefs
take in the new scenic view – add to this
and replace them with positive, healthier
by putting on some music you don’t often
ones that support you in your life. Great teachers who want to truly connect with their students do not teach in the same way to every single student year after year. They keep their style and delivery fresh and they create new ways to connect to students who might need a different teaching style. Now here’s the best part – we can all do this in small doses every single day! Leaning into the edges of your life, breaking your routines does not have to mean a spontaneous mid-life-crisis kind of adventure every night. Nor do you have to throw out your entire routine and cause harm and wreak havoc on your lives, jobs
“Behind The Label” By Kim Tapper
Available online at A Place to Be and Mascot Books
listen to and create a whole soundscape to this experience 2.
bed. Why not? 9.
Try one different food you’ve
Change the order of your morn-
ing routine – maybe you eat breakfast
never tasted or order a new meal at your
before you shower today. Just to shake
favorite restaurant instead of getting the
things up!
same thing as always 3.
10. Talk to someone new today –
Wear a color you don’t normally
anyone! – at work or in your community
wear (even if it’s your underwear and no
and open up to the many different people
one sees it!)
all around you
4.
Buy flowers for your home or for
Whether it’s an intellectual pursuit, so-
someone you care about – just because
cial connection, or sensory experience,
- and while you’re buying them, take an
doing something unusual and out of your
extra few moments to really notice the
normal routine can help open up different
many varieties of shapes and colors…what
facets of your life. Make the most out of
extraordinary gifts of nature!
your life by seeing things as new, experi-
5.
Go to a lecture or concert, may-
encing things uniquely, opening to things
be something free at the local library
out of your comfort zone, and slowing
or art gallery. Or listen to a TEDtalk or
down time by breaking up your routine.
watch a documentary on something you
Time moves quickly no doubt. Slow down
never wouldn’t ordinarily stop to learn
by making the moments count.
about 6.
Start up a conversation with
a neighbor you’ve not taken the time to know. 7.
Try a different exercise activity
one day – even if it’s something you think you’re bad at! Your body and your mind will appreciate the change 8.
Read (or write) a poem before
22 | Copyright Live An Artful Life Inc
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Read more Life Coach articles by Kim Tapper in the back issues of Live An Artful Life Magazine
Individual Sessions
Lunch
Bunch Social
Groups
Immersion Program
Years of
Helping people face, navigate,
and overcome life’s challenges using the Therapeutic Arts.
Summer Camps
Same Sky
Project
(540) 687-6740
W W W. A P LA C E TO B E VA . O R G
SARAH ANGLE
Folk Artist Extraordinaire! By Tom Neel
Sarah Angle may describe herself as shy,
2X4’s were at her disposal, along with a
but her genuine smile, hospitable open-
child’s imagination and it went from there.
ness, and gifted sense of humor indicate
“My Grandmother did a lot of refinishing
otherwise. This self proclaimed people
furniture”, Sarah shares, so she also had
pleaser is a relaxed country girl, who
access to tools and it seems the true free-
takes life as it comes,
dom to learn. “We had
while wrapping it all
a wonderful childhood,
up with a tongue and
couldn’t have asked for
cheek bow. Angle’s art
a better life.” As much
is a magical reflection
as anything it would
of someone with a built
seem that Sarah was
in internal chuckle and
given that “you can
the talent to creatively
do anything” skill set.
deliver that fun to us.
Hopefully not a rarity
Originally from Rocky
today.
Mt., Virginia, now living
Time passed, Sar-
near Richmond, Sar-
ah married her hus-
ah and her sister were
band Don and had her
raised by their grand-
daughter and those
parents. Sarah loved
childhood skills re-
art and always took
turned as she started
art classes in school.
making crafts. She
Her grandmother also gave them pock-
only took one carving class and Sarah
et knives as children, which for Sarah
says, “Really, the only thing I learned
became the gateway to whittling, a fun
was how to sharpen the tools. But that is
word for wood carving. Tree branches and
really one of the most important things.
24 | Copyright Live An Artful Life Inc
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Above left - "Is it Quitting Time" Above right - Clock in Sarah's studio Below left - "Eggs And Bacon" Below right - "Eating Crow"
Top left and middle - "Kaleidoscope" Bottom - "Summer on The Farm" All of Sarah's bowls and trays Receive five coats of a food safe varnish.
26 | Copyright Live An Artful Life Inc
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Top left - "Keeping Watch" Top right - "Fish Bowl" Middle - "Birds and Bees" Bottom right - Sarah leaves not stone unturned, here is the bottom of "Birds and Bees".
If you have a dull tool, you’re going to cut
little people in there, and I liked Mary En-
yourself because you’re going to press too
gelbreit and all her design, on design, on
hard and slip.” Good lesson learned.
design.” She also gives credit to color by
There are those things learned and then
saying, “One thing I find is that if you use
there are those natural abilities. In Sarah
some colors continuously, just like in dec-
Angle’s case, it’s that ability to see humor,
orating, if you repeat them again, you can
even dare I say, in the face of some real
make the patterns as odd or disconnected
personal adversity. But the whimsey in
as you want as long as you’re repeating
her work is so strong, I often think people
color.” All great design words of wisdom!
see it way before her unarguable creative
Sarah’s paint medium is acrylic, with col-
talent. It’s as if hidden away in her head
or usually going over a black base which
is a joyous toy box. Yet her presenta-
she allows to show through, creating what
tion of it to us, is delivered with complex
she describes as a dark cartoon line. The
designs, brilliant color choices and in the
designs are laid out with a water soluble
case of her carved pieces, true interpre-
pencil and if she’s not satisfied she just
tive thought and dimension.
washes it off and starts again.
Sarah is as good a painter as she is a
Sarah’s work space is split between a
carver and vice versa, but for me, her
studio upstairs in her home and a work
design work stands alone. She tells me
shop in the basement. Tools of her trade
the design part of the process is the hard-
are abundant and her studio is filled with
est and once she has it, “Stand out of the
the whimsy reflected in her work. It’s like
way!” She explains, “As I’ve gotten older
a fun supporting cast of characters cheer-
I’ve allowed myself to not be so critical
leading her on. A happy space for this
and to kind of disengage my brain and
pleaser of people to shine!
allow … if I want to paint chickens ... gonna be pink?, it’s gonna be okay and if you do pattern on pattern on pattern, it makes it more interesting.” Sarah backs this up by saying, “I’ve always liked art that was heavily patterned. Salvador Dali, all his 28 | Copyright Live An Artful Life Inc
All rights reserved
Sarah Angle's work is available at Live An Artful Life Gallery in The Plains, VA.
Live An Artful Life ® Click
⇒ Here
Tee Shirts in 4 great colors! OWN ONE TODAY!
Tee Shirt back
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Karen Rexrode Life of the Assemblage Art Gardener
ed Windy Hill Nursery Plant Farm near the small town of Aldie. Part of a fast growing Loudoun County, development was surrounding the family farm and al-
By Tom Neel
most gobbled it up. But it was really the exhausting, seven day a week schedule
True artfulness is always been about
and catalog business that was overtaking
growth. Inspired souls don’t just plant the
Rexrode mentally and physically. Add in a
seed and walk away from it. They tend
gone undiagnosed bout with Lyme Disease
to it and watch it grow. Karen Rexrode is
and it was simply time to transition her-
one such inspired soul who has tended to
self.
more seeds than one
Karen’s father was a
could ever imagine and
photographer and she
watched herself grow in
had been bitten by the
the process. Imagine
shutter bug too. She
how many seeds you
joined a nearby cam-
would have tended to
era club as a novice and
if you owned your own
eleven years later she
nursery for twenty five
had become an award
years. Yes, a lot. But
winning advanced pho-
there came a time in
tographer with a couple
the life of Karen Rex-
of galleries selling her
rode when other things
work and all was good,
started to sprout around
but not great. You might
her and within her and
say despite her success-
it was time for change,
es, she was still search-
time for creative growth and soul searching.
"Saint Catherine"
10 years ago this Northern Virginia mother of two, once owned and operat-
ing for her creative voice.
Now mind you, when you have the horticultural knowledge a person like Karen
Right - altered Pez dispenser "Bird Masquarade" Far right - "Puss N Boots" assemblage
32 | Copyright Live An Artful Life Inc
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has, it’s nearly impossible to not be well
saying, I didn’t know you had that in you!”
known among those who seek the green
I’m sure Audrey Jr., the man eating plant
thumb. So Karen would do speaking en-
from the Little Shop of Horrors would have
gagements and thus, was asked to do a
been proud.
lecture at Virginia Tech. She was among
One thing led to another though and
a couple of notable speakers and Kar-
Karen discovered assemblage artist Mi-
en explains, “The people I was speaking
chael deMeng whose work essentially
with were Amy Stewart,
validated and inspired a
who wrote the “Wick-
three dimensional cre-
ed Bugs Book” and
ative direction for her
“Wicked Plants Book”
fun dark side to come
and then the other was
to light. Assemblage
Paula Gross, who wrote
art dates back to the
a book called “Bizarre
1950’s and in this ap-
Botanicals”. So they
plication, it largely be-
[VT] wanted me to do
gins with found objects,
this kind of twisted take
always interesting and
on plants.” So Karen
which can help carry the
decided to title her lec-
desired narrative for a
ture “The Dark Side”.
three dimensional work
For reference she start-
of art. These pieces such
ed revisiting her youth.
as old cameras, watch
“I was like wow, I had
"Saint Celilia"
forgotten about all of
parts, metals, hardware, dolls, toys and so, so,
this! When I was a kid I watched all of
much more, can be used in many ways,
those horror flicks and vampire stuff and
especially other than that which they were
now I was taking it into the plant world
originally intended.
with weird terrariums and doll heads with
As with some of the other assemblage
plants growing out of them, and I was
artists, Karen’s art begins with a story,
like Gaa!! [great enthusiasm] People were
often fantasy, with the end result a char-
34 | Copyright Live An Artful Life Inc
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acter or theme made up of these found
fabrication process. That fabrication pro-
objects and handmade parts. This is one
cess most often happens by use of epoxy
case where a picture really is a thousand
clay, created in layers which requires dry-
words, but she’s never just glueing stuff
ing time for each layer. Saws, drills, ham-
together. The story and theme are im-
mer and Dremel tools aide creation and
portant drivers to why the assemblage
assembly. Karen also uses many types of
is taking place in the first place. I guess
glues, all which have their own character-
you could say, done well, that they real-
istics and advantages.
ly are the sum of their parts. Karen says
Once all of the the pieces are assem-
that, “The theme is of-
bled, the extensive process
ten driven more by what
of painting begins.
you find, it’s not easy.”
ginning with a white base
I mention to Karen that
coat, layers of transparent
this is the Easter egg
acrylic color are applied. As
hunt isn’t it? She re-
Karen points out, “You get
sponds, “It’s constant
a certain luminescence to
and that’s the feeding
them because the base coat
of the machine once
Be-
is white.” Many techniques
you start assemblage.
for adding color create in-
You can’t move forward
teresting effects of aging or
if you are not feeding
metallic finishes. Karen says,
the machine.” When Karen gets an idea she says she starts a box with objects that might work
“In the end it’s like 15 layers of paint on an object. Karen, in reflective thought about her
with that idea. Multiple ideas require
passion for horticulture and her art,
multiple boxes and even when the assem-
shares this, “It’s so hard to say no to one,
blage begins, multiple works of art are in
that it causes a problem in your head.”
a of process of completion. This can be
[laughter] Having heard this before from
because of an expanding idea and story,
creative types and bouncing back and
the search for a part that is needed or the
forth between painting, writing and even
photography myself, I’ve never made it a
very different art form that you don’t see
pressured choice. Rather a wonderful de-
a lot.” We couldn’t agree more.
light of choices. In sharing this with Kar-
Karen has a show coming later this year
en she agrees she’s figuring this out, but
at Art A La Carte Gallery in October titled,
follows it up by saying, “I’m one of those
“Cautionary Taies”. It’s mostly those fairy
people that gets so damn focused.”
tales where something is going to happen,
Being focused isn’t a bad thing either and it’s apparently worked for her so far. In closing, she says of assemblage art,
like Little Red Riding Hood and Alice in Wonderland. For more information about Karen and
“The cool thing about it is, if you’re skill is
her passions of horticulture and assem-
good enough and your imagination is high,
blage art, please visit her blog Studiology
you can take some pretty sundry objects
at Karenrexrode.typepad.com
and do quite a bit with them. The interesting thing on the side of that is that it’s a
"The Cowardly Lion" assemblage
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