Quarter A5 catalogue Perth 01 2019 by livingedge1

living edge perth | filter fine art | showroom catalogue 01

filter fine art | living edge | Quarter 01 | 1

Filter Fine Art at Living Edge, Perth Filter Fine Art is really excited to be working in collaboration with Living Edge to deliver a curated selection of artworks for their showroom in Perth. With a commitment to authentic design from the world’s most respected and forward-looking furniture brands, Living Edge is as passionate about design as we are about art. Artists currently on show: • Michael Craig-Martin • Antony Gormley • Idris Khan • Julian Opie • Cornelia Parker • Grayson Perry • Gavin Turk ...with more to follow.

7-13 Queen Street Perth WA 6000

(Street parking available)

Ph: +61 8 6466 7400 Mon-Fri: 9:00am – 5:30pm Saturday: 10:00am - 5:00pm 2 | Quarter 01 | filter fine art | living edge

PERTH SHOWROOM

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Electric Toothbrush (2014)

4 Wheel Suitcase (2014)

Silkscreen on 410gsm Somerset Satin paper. Signed, numbered and dated in pencil on reverse.

Edition AP1/10

50 x 50cm (sheet)

$4,000 (framed)

Michael Craig-Martin has been referred to as the godfather of ‘Brit Art’ due to his influence on a younger generation of artists whom he taught at Goldsmiths College in London, including Damien Hirst, Sarah Lucas, Gary Hume and Julian Opie. He has exhibited extensively around the world, becoming widely known for his vibrantly coloured paintings and silkscreen prints of everyday objects depicted in his distinctive graphic shorthand. He is committed to the idea that the made or constructed world helps to define who we are and the moment we are living in. Commenting on art and design, Craig-Martin has said: “I increasingly think that invention is the realm of design, and observation is the realm of art”. Craig-Martin was elected into the Royal Academy, London, in 2006 and was knighted for his services to the arts in the Queen’s Birthday Honours in 2016.

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Design and Architecture - Frank Lloyd Wright (2017) Design and Architecture - Gerrit Rietveld (2017)

Design and Architecture - Le Corbusier (2017) Design and Architecture - Mies van der Rohe (2017)

Set of four pairs. Silkscreen print on 410gsm Somerset Satin paper. Signed, numbered and dated in pencil on reverse of each. Edition 4/30 57.2 x 152.4cm (each sheet x 8) $32,800 complete set (framed)

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Takeaway Coffee (2014)

Long-life Battery (2014)

Silkscreen on 410gsm Somerset Satin paper. Signed, numbered and dated in pencil on reverse.

Edition AP1/10

50 x 50cm (sheet)

$4,000 (framed)

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â&#x20AC;&#x153; The generic look is, paradoxically, what makes his work so distinctive.â&#x20AC;? ~ Laura Cumming

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Coordinate (2016)

Track I (2016)

Etching on Fabriano Tiepolo 290gsm paper. Signed, numbered and dated in pencil on reverse.

Edition of 11/25

34 x 26.5cm (sheet)

$4,400 (framed)

Antony Gormley is one of the worldâ&#x20AC;&#x2122;s most prolific and acclaimed contemporary artists. For four decades, his practice has unwaveringly focussed on the dynamic of the body in space. Underlying his works on paper, sculptures and expansive site-specific installations, is a profound engagement and questioning of how the inside of the body relates to the outside, and where human beings stand in relation to both our immediate surrounds and the cosmos beyond. Gormley has achieved significant international notoriety with a number of large-scale public artworks including: Angel of the North (1998), a twenty metre tall, fifty four metre wide, steel sculpture of an angel overlooking the A1 motorway in England; Event Horizon (2007-), thirty one life-size anatomically correct sculptures cast from the artistâ&#x20AC;&#x2122;s own body originally displayed in London, then in New York, Sao Paulo, Rio de Janeiro and Hong Kong; and Inside Australia (2003), fifty one metal figures installed on the vast sodium crust of Lake Ballard, Western Australia. Antony Gormley won the Turner Prize in 1994. He was knighted in 2014.

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Track II (2016)

Track III (2016)

â&#x20AC;&#x153; There is a coming-together of art and anthropology in Antony.â&#x20AC;? ~ Hugh Brody

Etching on Fabriano Tiepolo 290gsm paper. Signed, numbered and dated in pencil on reverse.

Edition of 11/25

34 x 26.5cm (sheet)

$4,400 (framed)

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Every… Bernd and Hilla Becher Gable Sided Houses (2008) Idris Khan emerged as a force in contemporary art and new conceptual photography soon after graduating from Royal College of Art, London, in 2004. He gained immediate attention for his layered images derived from multiple photographs and scans of key philosophical and theological texts, seminal musical scores, and iconic artworks sourced from art history. Every… Page of the Holy Quran (2004), for example, condenses every page of the Quran into a single undecipherable but sublime image; whereas Every… page of Susan Sontag’s Book ‘On Photography’ (2004) reads as a more basic attempt to somehow inject knowledge into a photographic image. At the core of Khan’s practice is the metaphysical collapse of time into a single moment, the desire to compress or highlight memory, and an elevation of poetics over politics. A major public commission by Khan was unveiled at the new Memorial Park in Abu Dabi in 2016. The New Art Gallery Walsall presented a retrospective of Khan’s work in 2017. He was awarded an OBE for his services to art the same year.

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Lithograph on 300gsm Velin Arches paper. Signed and numbered in pencil. Edition of 100 68.5 x 50cm $1,600 (framed)

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Julian (2013) Julian Opie is one of Britainâ&#x20AC;&#x2122;s leading living artists, whose work has influenced the wider field of popular culture more than any other artist of his generation. His work is instantly recognisable by its bold, pared back, signature style of depiction.

Archival inkjet laminated to glass, backed with dibond, in powder-coated aluminium frame as specified by the artist. Edition of 34/35 101 x 75cm $18,000

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View of boats on Lake Motosu below Mount Fuji from Route 709 (2009)

Running Women (2016)

Running Men (2016)

Silkscreen print in 21 colours on 410gsm Somerset Satin paper. Brushed aluminium welded frame as specified by the artist.

Silkscreen print in 23 colours on 410gsm Somerset Satin paper. Brushed aluminium welded frame as specified by the artist.

Lenticular acrylic panel in white aluminium welded frame as specified by the artist.

Edition 36/50

153 x 156cm (sheet)

90 x 125 x 3.8cm

$38,000

$70,000 as a pair with Running Men

$70,000 as a pair with Running Women

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Edition 50/50

$14,000

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Fox Talbot’s Articles of Glass (bottoms up) (2017) Cornelia Parker is a brilliantly inventive and acclaimed British artist. She came to prominence 30 years ago with Thirty Pieces of Silver (1988) in which she flattened a selection of silver-plated objects including teapots, spoons, trophies and musical instruments under a steamroller, then suspended them from the ceiling so they appeared to defy gravity, levitating just off the floor. She likened this work to placing a coin on a railway track, where a destructive act can create an alternative imaginative currency. In the three decades since, Parker has consistently captured the imagination with a remarkable body of work underpinned by her beautifully poetic and oddly humorous view of the world. Subsequent projects have included getting the army to blow up a garden shed, resurrecting the charred embers of a church which had been struck by lightning, firing pearls through a shotgun and placing a piece of the moon at the bottom of a lake.

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Cornelia Parker was named UK Election Artist for 2017. She won the Artist of the Year Apollo Award in 2016 and was awarded the Roof Garden Commission at the Metropolitan Museum of Art, New York. In 2010 she received an OBE and was elected to the Royal Academy of Arts. She was shortlisted for the Turner Prize in 1997. Her works are held in numerous major collections worldwide including Tate, London, and MoMA, New York. In 2019/2020 the MCA in Sydney will stage a major retrospective of Cornelia Parker’s work, featuring over forty | living edge works, her entire career. filter fine art spanning

Polymer photogravure etching on Fabriano Tiepolo Bianco 290gsm paper. Signed and numbered in pencil. From the series ‘Fox Talbot’s Articles of Glass’. Edition 8/25 56.3 x 77.3cm (sheet) $5,600 (framed)

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Spent Bulb Exposed by a Live One (2015)

Glass Tower (2015)

Under the Influence (2015)

Polymer photogravure etching on Fabriano Tiepolo Bianco 290gsm paper. Signed and numbered in pencil. From the series ‘One Day This Glass Will Break’.

Edition 3/15

Edition 4/15

72 x 58cm (sheet)

$5,600 (framed)

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Coffee Pot Hit by a Hammer (2015)

Coffee Pot Hit with a Monkey Wrench (2015)

“ Parker makes you stop, stare and think.” ~ CULTUREWhisper

Polymer photogravure etching on Fabriano Tiepolo Bianco 290gsm paper. Signed and numbered in pencil. From the series ‘Thirty Pieces of Silver (Exposed)’.

Edition 11/20

Edition 6/30

66 x 54cm (sheet)

68 x 56cm (sheet)

$4,400 (framed)

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Animal Spirit (pink) (2016) Grayson Perry is widely known for his ceramic vases, tapestries, elaborate prints and cross-dressing. His work dissects prejudices, hierarchies, stereotypes, social class, fashion, popular culture and the contemporary art scene. In 2012, Perry was among the British cultural icons selected by artist Peter Blake to appear in a new version of his most famous artwork – The Beatles’ Sgt Pepper’s Lonely Heart Club Band album cover. Perry has held numerous solo exhibitions in museums and galleries around the world including the Stedelijk Museum, Amsterdam (2002), The Andy Warhol Museum, Pittsburgh (2006), The British Museum, London (2011/2), and MCA Australia (2015/6). He was awarded the Turner Prize in 2003 and appointed Commander of the British Empire (CBE) in 2013.

Etching with chine colle. Signed in pencil lower right and numbered on reverse. Edition of 23/35 64 x 78cm (sheet) $16,800 (framed)

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Gold Triple Pop (2009) Gavin Turk is a British born, internationally renowned artist. He pioneered many forms of contemporary British sculpture now taken for granted, including the painted bronze, the waxwork, the recycled art-historical icon and the use of rubbish in art. Turk’s artworks deal with issues of authenticity, value and identity. Concerned with the ‘myth’ of the artist, originality and the ‘authorship’ of a work, Turk’s engagement with this modernist, avant-garde debate stretches back to the ‘readymades’ of Marcel Duchamp, and explores how particular pieces of art achieve masterpiece status and how artists themselves become celebrities. Turk’s wide-ranging practice often incorporates iconic images of figures taken from popular culture and art historical sources. A series of life-size waxworks incorporate the artist assuming various poses as different characters, including Sid Vicious, Joseph Beuys and Che Guevara. Turk’s work has been collected and exhibited by many major museums and galleries throughout the world. Prestel published Turk’s first major monograph in 2013, showcasing more than two decades of his work, and in 2016/7 Damien Hirst’s Newport Street Gallery, London, staged a comprehensive retrospective of his work.

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Two-colour screenprint on 410gsm Somerset paper. Signed, numbered and dated in pencil. Edition of 68/100 100 x 75cm (sheet) $3500 (framed)

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SYDNEY SHOWROOM

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The Planets (2017) Michael Craig-Martin has been referred to as the godfather of ‘Brit Art’ due to his influence on a younger generation of artists whom he taught at Goldsmiths College in London, including Damien Hirst, Sarah Lucas, Gary Hume and Julian Opie. He has exhibited extensively around the world, becoming widely known for his vibrantly coloured paintings and silkscreen prints of everyday objects depicted in his distinctive graphic shorthand. He is committed to the idea that the made or constructed world helps to define who we are and the moment we are living in. Commenting on art and design, Craig-Martin has said: “I increasingly think that invention is the realm of design, and observation is the realm of art”. Craig-Martin was elected into the Royal Academy, London, in 2006 and was knighted for his services to the arts in the Queen’s Birthday Honours in 2016.

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Screenprint on Heritage Museum Board 1650mic in welded aluminium frame as specified by the artist. Edition 17/25 57.2 x 152.4cm (sheet) $12,000 (framed)

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At Night (2010) Tracey Emin is one of the most talked about artists working today. Using all aspects of her life, she turns intimate autobiography into broader statements about sex, love, death, freedom and everyday life. Her work has taken the form of diaristic or confessional drawings, paintings, films, sculptures and written stories, all of which convey the same combination of frustration, pain, compassion and wit. Emin was appointed professor of drawing at Londonâ&#x20AC;&#x2122;s Royal Academy in 2011 and was awarded a CBE in 2013. She represented Britain at the 52nd Venice Biennale in 2007 and has recently completed a major public commission in the heart of Sydneyâ&#x20AC;&#x2122;s CBD comprising 60 strategically placed handmade bronze birds.

Soft ground etching. Signed, titled, dated and numbered in pencil. Edition 67/100 32 x 36cm (sheet) $2,250 (framed)

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Bad News (2010)

Soft ground etching. Signed, titled, dated and numbered in pencil. Edition 58/100 32 x 36cm (sheet)

â&#x20AC;&#x153; Tracey is intelligent and wounded and not afraid to expose herself.â&#x20AC;? ~ Madonna

$2,250 (framed)

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Agate (2016)

Eclipsed (2016)

Etching on Velin Arches 400gsm paper with deckled edges in welded aluminium frame as specified by the artist. Signed, dated and numbered in pencil on reverse.

Edition of 12/25

63.5 x 63.5cm (sheet)

$5,500 each (framed)

Brian Eno is an English musician, composer, record producer and visual artist known as one of the principal innovators of ambient music and generative painting. As a visual artist he has been exhibiting since the late 1970s and has been showing his work regularly since, from Tokyo to Cape Town, Rio de Janeiro to New York, London to Madrid. His work is dedicated almost exclusively to the possibilities that the medium of light provides. In 2009 Eno was commissioned by Events NSW to curate the inaugural VIVID festival. A major retrospective of his work is currently being planned for 2020 by Hans Ulrich Obrist, artistic director at the Serpentine Galleries, London.

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Grapefruit (2016)

Sunburnt (2016)

Etching on Velin Arches 400gsm paper with deckled edges in welded aluminium frame as specified by the artist. Signed, dated and numbered in pencil on reverse.

Edition of 12/25

63.5 x 63.5cm (sheet)

$5,500 each (framed)

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â&#x20AC;&#x153; Matisse or Rothko at their most enfolding.â&#x20AC;? ~ Michael Bracewell

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The Souls IV (2010)

The Souls III (2010)

Silver Gloss | Aquarius | Cool Gold

Burgundy | Cool Gold | Silver Gloss

Triple-colour foilblock on 300gsm Arches 88 archival paper. Signed and numbered in pencil.

White powder-coated aluminium frame with clean welded corners as specified by the artist.

Edition of 15

72 x 51cm (sheet)

$12,000 (framed)

Damien Hirst erupted onto the international art scene in the early 1990s and has captivated audiences ever since with artworks that explore beauty, love, faith, desire, death, science and religion. From sharks and cows preserved in tanks of formaldehyde to diamond-encrusted platinum skulls, his works challenge contemporary belief systems, tracing the uncertainties that lie at the heart of human experience. Hirst won the Turner Prize in 1995 and remains one of contemporary artâ&#x20AC;&#x2122;s greatest provocateurs, continually coming up with new ways to compel and excite the viewer.

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The Souls IV (2010)

Oriental Gold | Gunmetal | Silver Gloss

Loganberry Pink | Raven Black | Silver Gloss

Triple-colour foilblock on 300gsm Arches 88 archival paper. Signed and numbered in pencil. White powder-coated aluminium frame with clean welded corners as specified by the artist. Edition of 15 72 x 51cm (sheet) $12,000 (framed)

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Triple-colour foilblock on 300gsm Arches 88 archival paper. Signed and numbered in pencil.

“ He developed a whole new way of making art and he’s clearly in a league of his own.” ~ Tracey Emin

White powder-coated aluminium frame with clean welded corners as specified by the artist. Edition of 15 72 x 51cm (sheet) $12,000 (framed)

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Ice Cream (2015-2016) Howard Hodgkin was knighted in 1992 for his services to the arts. He won the Turner Prize in 1985, the same year he represented Britain at the Venice Biennale. His work has been the subject of numerous retrospectives, most notably at the Metropolitan Museum, New York (1995), and the Tate Gallery, London (2006). An exhibition of Hodgkinâ&#x20AC;&#x2122;s portraits was staged at the National Portrait Gallery, London, in 2017. He passed away shortly before the exhibition opened.

Hand-painted carborundum relief on Velin Cuve BFK Tan 280gsm paper. Signed, numbered and dated in pencil. Edition of 30 (each unique) 76 x 112.5cm (sheet) $36,000 (framed)

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About Filter Fine Art:

Current artists:

Filter Fine Art specialises in works by significant international artists at the forefront of modern and contemporary art. Our core purpose and drive is to source high quality artworks from around the world and make these available to view and purchase at our exhibition space in Sydney and at art fairs and ‘off-site’ venues in the region. Every artist that we show at Filter Fine Art is internationally recognised and acclaimed, with numerous accolades, museum exhibitions and monographs to their name. By working collaboratively with international galleries and fine art print publishers, we are able to offer our clients access to a vast range of works at various price-points, in any medium, size and style. Whether you are looking for a ‘statement’ artwork for an office, a work to be quietly contemplated in a corner of your home, or simply looking to add international flavour to an existing art collection, we have the perfect work for you. We pride ourselves on our personal service and will happily bring a work to your home or office to see how it looks in-situ prior to any commitment on your part. Framing at Filter Fine Art is of an extremely high standard, with works arriving from overseas framed under the guidelines and specifications of the artist involved, or framed here in Australia adhering to ultimate museum standards. Our understanding of conservation framing materials and techniques is 62 | Quarter 01 | filter fine art | living edge

second to none. Works can also be purchased unframed or, when applicable, in portfolio or boxed set format. Every artwork we present for sale at Filter Fine Art is in mint condition. Our program of temporary exhibitions, events and special launches is geared to strengthening global connections and creating positive dialogue between Australian and international art. We actively encourage collaborative projects with local businesses and curators as a means to explore new channels of engagement and innovative cultural activity.

Fiona Banner Peter Blake Lynn Chadwick Jake & Dinos Chapman Michael Craig-Martin Martin Creed Jeremy Deller Tracey Emin Brian Eno Lucian Freud Antony Gormley Damien Hirst Howard Hodgkin Gary Hume Idris Khan Joan Miro Julian Opie Cornelia Parker Grayson Perry Sean Scully Gavin Turk Mark Wallinger Rachel Whiteread

Filter Editions is the publishing side of Filter Fine Art and was established to produce original limited edition artworks by key Australian contemporary artists. More to be announced here soon…

201 Albion Street Surry Hills NSW 2010 Australia Ph: +61 2 8007 5610 www.filterfineart.com info@filterfineart.com filter fine art | living edge | Quarter 01 | 63

Quarter A5 catalogue Perth 01 2019

Articles inside

Filter Fine Art at Living Edge, Perth